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jeannefostergoriot · 4 months
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Family Line by Conan Gray X Fitz Vacker
(How didn’t I think of it sooner?)
« My father never talked a lot »: Alden… isn’t really open. Like. I doubt any of his kids, and even Della, ever knew what was happening, what he was doing, even when they were on missions.
« He just took a walk around the block »: keuf. That’s the secret missions. For the Council and for himself. That a kid can’t understand.
« Till all his anger took a hold of him, and he’d hit »: so. As I said for Driver’s Seat analysis, I doubt the cracks and the emotions go out as anger in the Lost Cities. Though it could happen, adding to the guilt that broke his mind. Yeah. Alden probably screamed. Criticized harshly without realizing. That’s the blows.
« My mother never cried a lot »: Della always stayed in the shadows. She says it herself, she isn’t known as standing up.
« She took the punches but she never fought »: that is about how Della never corrected Alden’s favoritism. She just compensated by caring more for Alvar and Biana.
« Till she said “I’m leaving and I’ll take the kids”, so she did »: that’s book 4. That’s Della joining the Black Swan.
« I say “They’re just the ones who gave me life” »: Fitz all throughout Flashback. Standing against his parents. Protesting.
« But I truly am my parents’ child »: but he can never undo the pressure, the legacy. Even his name, Fitz, that means « son of ». He’s what the Vackers made him.
« Scattered cross my family line »: the way the Vacker family is exploded. The ancestors. Alvar by the Neverseen. Alden and Della never truly close to their kids. Biana and Fitz raised in competition.
« I’m so good at telling lies »: he’s good at dissimulation, at tricking the world to appear fine.
« That came from my mother’s side »: dunno if Della lies. Probably yes. And she always gives the impression to be pretty delicate beauty, when she’s clearly a fighter (cf her registry pages in Unlocked)
« Told a million to survive »: not to survive but to keep the appearances up. Everything’s fine. There is no reason to worry.
« God, I have my father’s eyes »: Fitz has always been perceived as perfect heir. Miniature Alden.
« But my sister’s when I cry »: the fact that, with everything collapsing, Fitz and Biana grew closer throughout the series.
« I can run, but I can’t hide, from my family line »: that is the feeling that whatever he does, he will always be a Vacker. Seen as royal perfection.
« It’s hard to put it into words, how the holidays will always hurt »: it’s hard to admit in Glitter City that it’s not really perfect, expressing that is something they’ve never been taught.
« I watch the fathers with their little girls, and wonder what I did to deserve this »: I think I remember Fitz voicing that. Voicing that he doesn’t know why he is there, treated with so much respect and admiration and feeling so out of place.
« How could you hurt a little kid »: how could you turn me into a simple puppet and forget I have an identity ?
« I can’t forget, I can’t forgive you »: that’s to the whole family tree. The old ones that passed down the pressure and perfection-expectations for centuries.
« Cause now I’m scared that everyone I love will leave me ». This line is about how Fitz doesn’t know how to love. How to be stable. How to live.
« All that I did, I tried to undo it »: that he tried. Being perfect representation of the system? He joined the rebellion. Hurting Sophie and mistrusting her? He went through the whole process of Inquisition and accepted Sokeefe. Making Biana feel invisible? He talked with her in Flashback.
« All of my pain and all your excuses, I was a kid but I wasn’t clueless »: how living in both worlds made him stranger to everything, how he felt something was wrong with the missions, how he just wanted to make Alden proud.
« Someone who loves you wouldn’t do this »: to the system. To all the girls flirting with him without knowing. To his parents not understanding his fears.
« All of my past, I tried to erase it »: killing Alvar as erasing the pain. Joining the Black Swan as erasing the pressure. He is a runaway boy too, but it shows less.
« But now I see, would I even change it? »: I think he can learn to think like this. To be satisfied.
« Might share a face and share a last name, but we are not the same »: now. By Stellarlune, he knows. He knows he can have an identity and not be a copy of his father. He can not make the same mistakes.
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Jesus fucking christ this reddit shit lmao
Uuuhhhh.. Friend, you might not have noticed, but we’re a bear blog
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casstelli · 2 months
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do usamerican leftists think that if they don’t vote the government will spontaneously collapse to make way for their socialist utopia
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rendiggitydog · 2 years
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My old height chart is starting to make the rounds again, so here’s the most updated chart and the google doc with all the sources!
edit: THIS CHART IS OUTDATED! Check the tag ‘hermitcraft heights’ for the most recent version <3
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dreamchasernina · 4 months
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Someone sent this to me and it’s obviously aimed at my post and they have me blocked (which is fine it she hadn’t blocked me I would’ve blocked her), but if you’re going to address me, you might as well let me see it so I can debunk your dumbass statements. Now, I’m not looking for confrontation, that’s why I always tag my posts properly but you and your friends tracked my post to lash out at me for addressing the hate you’ve been spewing for years now. And the notes on that post prove how much this fandom is fed up with your nonsense. There’s a reason everyone says ZK shippers are the worst part of the fandom. You know you can ship your pairing without constantly mischaracterizing other characters, right?
The irony is just unbelievable because you don’t even understand that I made that post as a response to your friends who keep saying Katara deserved better than ending up with Aang. Which is the problem you are addressing in your post! Why is what Katara deserves tied to a boy she ends up with? It doesn’t. You’re the one who’s been saying that for years! And I’m not making this stuff up, it’s literally all over your blog. Saying how Katara was done dirty because she ended up with Aang. Mind you, her ending up with Aang does not take away any of her accomplishments throughout the show.
So you don’t like the pairing and you’d like to imagine her with someone else, go at it. But don’t sit here and tell me that Katara was disrespected in her ending because she ended up with someone you didn’t want for her and call it “feminism”. I don’t get how you like Katara as a character and everything she represents for 3 seasons but the last 30 seconds of the show make you so mad you sit here and tell me I’m a misogynist because I believe Katara ended up with someone she actually wanted to be with. The show presents Katara as a strong willed, badass, fights-for-what-she-believes-in character. Throughout the 3 seasons Katara did what she felt was right, what she wanted to do, going against people who tried to steer her away from her goals…and me believing she is in charge of her own destiny is misogynistic? No you’re right, you telling me Katara had zero agency and was forced into a relationship or stayed in a relationship she was miserable in makes a lot of sense for the character that was presented to you in the show.
You’re the feminist here, obviously, because if a woman steers away from YOUR idea of a “good female character”, then she was suddenly “done dirty”. Because a woman who chooses to have 3 children was obviously forced into it. A woman who doesn’t fight at 80 years old is obviously not well written. A woman who, throughout 61 episode did whatever the fuck she felt was right, but chose to be with the guy YOU think was wrong for her, “deserved better”. That’s what you’ve been saying for years and that what I’m addressing in my OG post. Katara’s worth is not tied to a man she ends up with!!!
And I don’t even like Bryke, I have a lot of problems with them. But I hate that you’re disguising your hate for a pairing as “feminism”, because it’s not. It’s the complete opposite of that. Because feminism is supporting a woman’s right to choose whatever she wants to do. But if she’s choosing something YOU don’t agree with you’re crucifying her! You see the irony here?? I beg some of you to look up the definition for feminism because it’s been a while.
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community that has only seen themselves represented in a small handful of romance stories that aren’t explicitly about their real-world oppression, watching a new show or movie where they are represented in a romantic story that isn’t explicitly about their real-world oppression: getting a lot of “that other show with a queer romance that isn’t explicitly about real-world homophobia” vibes from this
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humming-fly · 3 months
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This 4th of July I’m stealing the patriotism euphoria that’s usually associated with assholes idolizing the worst attributes of this country because fuck ‘em I live here too and remembering the things this country actually got Right is an important exercise when trying to rally anyone to want to defend it in November SO putting my money where my mouth is I’ll start easy and say I really like National Parks!! It’s rad how many of them there are and how they’re actual set up to preserve some of the most beautiful wild areas in our country while still letting people visit to enjoy and experience nature!! (Less important but I love how they put national parks on the quarters I think that’s real fun)
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Feel free to add on if something speaks to ya!
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a-spacecadet · 3 months
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Harriet, star actress~ ⋆。°✩
(She’s playing Glinda the Good Witch! 🫧)
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i’ll never not be embarrassed about reading fanfiction, but it truly makes me so happy. so many fanfics are written as professionally as a published book, they just use characters we already know and love, and i’ll never not feel indebted to the people who put hours into writings just for silly little people on the internet to read and fawn over. so to any fanfic writer out there, i owe you my happiness :)
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ocean-breeze-pier · 22 days
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No matter how I perform gender as a trans person it feels like I’m doing it wrong
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s3 episode 8 thoughts
i’m conflicted. i didn’t like this episode, and i don’t know if my reasoning is valid or not. but i guess at the end of the day it’s all subjective, right? it’s MY BLOG and i decide which episodes are good vs bad in the juni-verse.
(do not be offended if this is your favorite episode and i am slandering it. it’s not personal, pinky promise, but i explain my reasoning at the end, so let’s jump in)
((also i hear geese right now. not relevant but highkey distracting))
oooo today’s episode title looks french… i thought at first that it would mean (feminine) someone who forgets something, but it actually means “a type of dungeon with a single escape route”. the more you know!
i’m excited to watch this episode. it sounds interesting. it also sounds like it could be really really dark. so let’s see! (verdict: DARK!)
we open on high school picture day. a girl named amy is getting her pictures taken. these girls are in very cute outfits. a guy from the photography company is staring at amy though… OH! and stroking her picture in a darkroom. HELLO??? jail jail jail. 
(we later learn his name is carl. he will be referred to as “the creepy man” and “carl” alternatively throughout this post)
he cut out her picture and put it next to a picture of himself??? is he making a collage? GROWN MAN! GROWN MAN DOING ALL THIS BTW!!! in what looks like a trapdoor darkroom beneath his house. is this the aforementioned oubliette….?
amy is sleeping and. SOMEONE IS COMING IN HER WINDOW. NO MA’AM. it’s carl, who says that “nobody is going to spoil us”. a little girl sees this happen!!!! noooo… but maybe she can give a clue?? i mean a witness to a kidnapping seems like it’ll help solve the case, right?
now we are at a burger place, someone is taking a while to fill up some drinks- her name tag says “lucy”. and then there is BLOOD all over her from her nose. the boss looks majorly freaked. and she FAINTS! mumbling that nobody is going to spoil us. OH… so lucy and the girl must have some sort of connection. boy, that seems it'd be disruptive to the work day…
bum bum bum bum!!!! spooky noises. spooky imagery. you know it, you love it: the intro.
mulder and a very large coat are here to investigate the kidnapping. he is looking about at various rooms and walls. 
noooo, he is in a child’s bedroom :( and he finds a very sad mrs. jacobs looking out the window. he says they will do everything they can to help but she is like “how could you really know how i feel?"
well actually he is quite well versed in kidnappings!!! so please be mindful of your words. she walks away and he looks very sad. way to dig some stuff up for the guy. she didn’t mean it, i know, but still, it was a very purposeful dialogue choice.
(mulder is staring intently at dark red spots on the carpet) “it’s blood”, says a guy we have never seen before. excellent work detective. could have had me fooled. i was thinking it was jam /s
this guy thinks it was someone that knew her, mulder does not think this is the case because it was so bold. fight fight fight!
oh, he actually came on this case to talk to lucy from the burger place!!! and not for the kidnapping. we should have known that was far too conventional for our friend.
(door opens) (deep sigh) (scully’s voice from off screen) "mulder…" <- yeah this had me giggling. not even really sure why. they are reunited after a flight apart. it must have been harrowing. 
so, he explains: the girl, amy, is 15 years old, and was kidnapped. and twenty miles across town, lucy was repeating the same words the kidnapper said as she passed out! “well that’s spooky”, scully notes, and mulder replies “that’s my name, isn’t it?” <- LMAO
OH GET THIS: Lucy was kidnapped when she was 8 for FIVE YEARS!!!! until she was found by the side of the road. HUH??? THE PLOT IS THICKENING. same guy…? scully seems very deep in thought
first thing lucy says upon their entrance: “i’d like a cigarette” in the hospital. queen i think there are laws against this but idk 💔 
they explain that amy said those same words about spoiling it for us at the same time she did, and lucy has a thoughtful look on her face then says no, i know nothing about it. NOT BUYING IT!
paused on scully’s face to take notes and she really is just so beautiful huh. 
lucy asks when she can leave and they say um probs when the doctor says you can. and she’s like, no they said it was up to you. so they’re like uh yeah you can go. this is very exciting and she doesn’t even change before she leaves. 
CREEPY MAN ALERT. he’s on the side of the road with a busted tire and a tow guy offers to change it for him for $10. a screaming deal! until this fellow picks up a crowbar looking thing and screams LEAVE ME ALONE and chases him away!!! deeply suspicious behaviors. tow guy calls him a freak as he drives away. a very rare deserved case of calling someone a freak as you drive by them.
back at the station, the lead agent or whatever his title is tells mulder that lucy and her boyfriend have a criminal record, but mulder doesn’t think she’s involved. i’d have to agree, but maybe i’m easily fooled. 
“mulder, i got something- something weird” scully strides in the room and announces. and i’m thinking, YEAHHHH BABY, WE LOVE THAT AROUND THESE PARTS!!!
so, here is the weird stuff: lucy had two types of blood on her shirt that night… so scully is gonna test and see if there was a match to amy’s. but mulder doesn’t want lucy treated as a suspect, so he says to try and keep that quiet.
now we’re at a halfway house. a guy is going up some stairs whilst lucy shivers in bed. she has scratches all over her face and complains about being unable to see. and it looks like she has the same scratches as the girl in the creepy guy carl’s hole!!!
mulder rolling up to the halfway house. he asks to take lucy to dinner, as the paramedics say she is probably better now after her episode. 
she is going to town on some soup and insisting that she is clean, and you can even ask henry about this. she is very insistent that she CANNOT help amy, but he is trying to gently be like. well... maybe you CAN. and she says: NO.
back in the hole, amy is having pictures taken of her. and screaming
at the station. mulder is watching a video of lucy from 1978 where she is crying on the ground and also screaming. her eyes were hypersensitive to the light when she finally escaped from her kidnapping all those years ago. it’s honestly very upsetting to watch.
oh!! scully has a break in the case: all the school photos were sent out EXCEPT amy’s. and the assistant was fired THAT DAY AFTER THE SHOOT. his name is CARL. and he spent the last 15 years institutionalized “for a bipolar condition”. well would that make him not a suspect for whoever took lucy…? i can’t do math. but if she got back in ‘78 then it would be possible, right? because idk when s3 takes place. anyway, mulder’s gonna show the photo to lucy and see if she knows him.
(i groan when a story makes a villain bipolar or have any other mental health issue to enhance their ~scariness~. it’s cliche, it’s perpetuating harmful stereotypes, and it’s bad writing. i was mentally throwing tomatoes at the screen)
carl is leaving and he left amy in the basement. is this her chance to break free? or is it a trick. she finds a hole in the wall sealed with some wood and starts to rip it up 
back to lucy cam. mulder is trying to get her to stop running away and he grabs her shoulder and she says “DON’T TOUCH ME. i don’t like to be touched” this is understandable and he apologizes.
anyway, he shows her carl’s photo, and she starts to run away again, indicating that she does, in fact, know who it is.
back to amy cam. she’s trying to break free, but he is coming back in his car! he hears her trying to get out and sees her running out the window. she is running!!! into the woods!!! run run run run!!!
lucy is also running. 
but no!!! they both fall!!! mulder picks lucy up. nooooo, amy failed her escape attempt :(
but upon seeing the photo, lucy confirms that it IS the same guy that took her way back when. she says she feels like she’s going through it all over again. 
however, scully and the cops are at the door! lucy is suspicious. reveal: THE BLOOD ON THE UNIFORM WAS AMY’S!!! mulder is saying she didn’t do it, but scully says it’s concrete evidence. unless you believe in the migration of blood. 
carl is explaining to amy that she shouldn’t have run. she asks for some water. is she gonna make another break for it? no. she does not. but she does ask for her mom and also for her to please not die here. it’s very sad.
mulder throws out a theory: maybe lucy bled out amy’s blood. it’s a stretch. “i hate to say this mulder, but i think you just ran out of credibility” <- girl i think that was a while ago.
i jest, but it appears scully does not. yowch. okay, yeah, bleeding someone else’s blood is a little rough in terms of an idea, but some thoughts we try and keep inside our heads in terms of our pals having wild theories.
OHHHH... scully insinuating that he is seeing his sister in lucy, and that is why he cannot see her as the perpetrator when all the evidence points to it…. oh i felt chills... or some sort of adjacent negative experience. bad feelings washed upon me.
he says that not every single thing he does or says is traced back to his sister but… i’m actually not gonna agree with him on that one. anyway, he’s mad at her. and i would be too tbh!
someone is coming in to the station who saw carl. it’s the tow guy!! and he was spotted heading near the place lucy was found years ago!!! 
carl witnesses the cops racing off to his place. but the agents go to the photo store to see if he has an account. not a bad idea on behalf of mulder.
although, we don’t even know if they go in because next they are ambushing carl’s property. and they see the trap door!!! is she in there??? and she is!!!
WAIT NO. IT’S LUCY?? everyone is confused. 
okay, so they DID go to the photo store, because they have the photos of amy that were taken in the basement… i see now. i am listening and learning.
the cop guy wants to take lucy into custody because she can’t say why she is at the crime scene, but mulder is like “no i’ll take her” and scully tells the cop dude it’s alright. so now she must see what he was saying. he’s walking lucy out. and she’s saying that carl hasn’t touched amy, and then she starts shivering and coughing, saying she is cold and wet. and mulder’s touching her….
he says lucy is trying to tell them amy’s in a river, so they try to go there. and then when carl dunks amy underwater, lucy starts spitting up water!!! and then drowning in the car on land. 
agents are running in the woods.
they find carl, and mulder shoots him. then he runs off holding amy. so he starts doing mouth to mouth and she’s doing chest compressions and lucy is coming back to life?? maybe?? no.
scully is trying to tell him to stop because she’s dead, but he won’t, and they actually come to blows about it. he’s sitting there all soggy and wet and crying. but then she finally starts coughing!!! 
mulder learns that lucy was also dying, and he gets all freaked out and runs back to her. and lucy is, in fact, dead. he’s touching her face as water pours out of her and she’s crying. mulder is full on kneeling at her dead body and sobbing. and damn, if this moment didn't get me right in the chest.
scully shows up to the halfway house, where mulder is sitting on lucy’s bed with a bunch of pictures of her. scully says amy had NO INJURIES and she can’t explain it, but nobody wants to talk about it because everyone is relieved to have her back. and it turns out lucy drowned. despite being on land.
“mulder, whatever there was between them, you were part of that connection, did you think about that?” <- AUGH (girl who is in pain as scully tries to put into words how important he is to not just her, but the whole world)
but he says that dying was pretty much all amy could do to escape from her past. and i'm thinking, well, if this whole episode has been a way to comment on your past... what exactly are you saying? because i'm hearing things i don't like. what about the power of healing and friendship? have we tried this?
i’m not sure how i feel about this episode, so i want to hear your thoughts even more than usual. actually, i am pretty sure that i didn't like it. i love a good character-centric episode, and this was definitely a mulder episode, but i felt that scully was really sidelined. like REALLY sidelined. to the extent she felt almost mean, with the losing credibility comment and trying to get him to stop doing CPR and bringing his sister up into it. on the other hand, though, she did seem to accurately describe the situation as himself projecting his past onto these people. it was pretty clear that was the case no matter how much denial he had going on.
luckily, in long form content like this, when something is written that feels out of character, i have an ease of just ignoring it i feel is usually denied in tighter season or movies. like yeah, everyone has an episode or two where their favorite character acts weird as hell. i could already point to a couple episodes on mulder’s behalf- cough cough genderbender cough cough 3- so maybe this will even out the tally of agents doing stuff that feels wrong. and like those episodes, i can ignore them. i am the rememberer and when i need to i am also the forgetter.
(now, you may present an argument to me that these actions WERE in character for scully. and i will not deny you the chance to present that argument my way. i shall hear out cases with a fair and impartial nature. but my opinions have been voiced)
characterization aside. this was another dark episode with almost no lightheartedness. there were a few things i giggled early on, like the way she just announced his name when they’re reunited, but other than that… childhood kidnapping? a real bummer. also, their psychic connection wasn’t even explained. it didn’t seem to follow any sort of logic at all. she would just… snap into it sometimes and then out of it. but you couldn’t really tell why she’d snap into it beyond it seemed moments where amy was in danger. but like. when you’re kidnapped you’re basically in danger 24/7. so: ??? 
and the transmutation of physical injury. they said that amy had no injuries, but we could see she had the same face cuts and scrapes as lucy. so are they ignoring that or are we thinking that lucy dying absorbed all that damage…?
mulder also ends the episode saying that he thinks death was the only way lucy could escape her suffering, which has troubling implications for his own character and those who love him.
hmm. idk, i just don’t think i liked this one. i’m learning that i find children being hurt less campy and fun than aliens and bigfoot. a good scary episode can be that, both good and scary, but i didn’t feel scared because it still was fantastic in nature. when there was a real scary episode- i’m thinking of irresistible in s2- the reason that felt so scary was because it WAS an entirely human, no supernatural elements at all, spooky episode. and that was the whole point; that episode was used to explore scully’s greatest fears, her struggle with being unable to control every aspect of life, trying to grasp who she can and cannot trust, and the depths to which the human soul can descend. so we had something similar going on here, except that lucy was taking amy’s damage, and you can see how that sort of transmigration makes for a harder sell on the commentary of the evil things humans can accomplish, no?
hmm. again, please let me know. i actually might look this one up, because ever since i learned that there are wikipedia episodes for every single episode, i have mostly neglected that fact to avoid audience ratings sullying my own hot takes on the subject. but this one has me curious. 
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void-pitcher · 1 year
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i will literally never stop thinking about that one glass onion analysis video that said “i wouldn’t say i’d destroy [the mona lisa] to save a stranger’s life, but honestly? it’s kinda fucked up that i wouldn’t. we should value a person’s life, stranger or not, more than a piece of art.” like that changed something in me. bc our society DOES value art. not new art, not artists, sure, but it values the results. they put the results at a higher value than the artist themself, and if they think the results is worthless? they’ll still value the artist less than the result.
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sashisuse · 18 days
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free geto from the shackles of jjk twt’s lack of reading comprehension 😣😣
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when the long night inevitably ends and the previous social structure has crumbled and both westeros and essos are in chaos, do you want characters who genuinely care about creating meaningful change to be in power, or do you want them to die/not be in power because “feudalism is bad” and therefore these characters who derive some of their authority from the class they belong to cannot hold any power after the long night bc that somehow contradicts one of asoiafs most prominent messages. (despite the fact that many of our main characters suffer due to the current social systems in place)
personally, i’d prefer it if the characters who are able to see the good in the undesirables of society (and protect/empower these undesirables) are able to live on in order to restructure society in a way that protects all people.
to be frank, i don’t think it’d even be possible for the world of asoiaf to return to feudalism after something like the long night occurs.
but the thing is, society needs structure and humanity will naturally restructure itself whether people like it or not. so when spring comes, i want the characters who wish for a better tomorrow for all people to be in power in order to create a better world.
so to everyone who thinks that certain characters being in power only perpetuates the cycle of class violence and oppression, i’d like to ask you what you think is a better alternative way for asoiaf to end.
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o-wild-west-wind · 11 months
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tumblr algorithm stop feeding me takes that this show is just a silly goofy comedy that shouldn’t include death or that Izzy is the token disabled elder queer on the show where an actual disabled elder queer is literally the romantic lead or that Lucius and Pete being called “mateys” is diluting their gayness because it’s not “husbands” or that it’s sexist that Zheng lost her fleet and later prioritized her love for a man or that Ed is Izzy’s abuser because we conveniently forgot all of season 1 or that trauma is never followed through with because sometimes actions are used instead of words or that Ed learned nothing because the inn was apparently a whim as if he hasn’t been obsessing over retirement from day 1 I swear did we even watch the same show?? I literally feel like I’m in backwards land?
I have a really novel concept for y’all complaining about character’s arcs not being fully resolved or healed and that’s called there is supposed to be another season of this show
I also have another really novel concept as to why every single character did not have a one on one trauma apology session and so much time was spent on Ed and Stede and that is because this is literally the Ed and Stede show and also sometimes parallels are meant to be inferred and extrapolated because that is what efficient storytelling does instead of spoonfeeding you
And my most novel concept of all as to why some beloved characters had less screen time is because Max is a massive jerk and cut the budget
Y’all this wasn’t personal and maybe this show was never about Izzy maybe the show called our flag means death is actually about death maybe sad does not equal homophobic letdown maybe the brown gay character introduced as the love interest from day 1 gets to outlive the angry white guy that had a redemption arc after actively bullying and trying to break up every gay couple for a season I don’t know what to tell you just can you please let non-white people have this arc for once without assuming it’s an attack on you I’m BEGGING y’all
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radioactive-mouse · 4 months
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martyn/grian is so wild to me because like. yeah i get that they don’t interact a whole lot but i don’t think i’ve literally ever seen it in the wild. i don’t think i’ve ever even heard a ship name for them or ANYTHING. i am alone in my little sailboat sandwiched between two aircraft carriers labeled TREEBARK and SCARIAN. like not that i’m not also insane abt those two but like NO ONE? NO ONE IS HERE WITH ME? “ohhhh theyre narrative foils 😈” yeah yeah we all know now draw them making out like a man
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