#if you have any criticisms on layout

[lithuea]

Heart Rate

[freshxsturniolo]

but, why? - NEW SERIES PART ONE. chris sturniolo x femreader!

based off of this request!

nick answered your facetime on the first ring, just as you had expected him too. you would have loved to have said you had not intend to keep your new dating life a secret from your three best friends, but you would be lying. you had never had a relationship that hadn't been critically picked apart by the three triplets. you know they did it in love, they were your best friends and none blood brothers, in a way, but this time you didn't want it. you were happy. you were being silly, you were having fun, you wanted things to flow.

you were going to tell them, you weren’t even dating the guy yet but you felt good about him, but in your happy bubble you hadn’t thought twice before posting your instagram story. nick had seen it within 3 minutes.

“hello baby girl” he joked, a nickname he had for you.

"hello baby boy" you joked back, an automatic smile washing over your face. nick chuckled as you watched him prop a pillow behind his head as he got himself comfortable in his bed, you too shuffling your position on your couch.

"so, you hate your best friend. what else is there to know?" he said, and you immediately rolled your eyes.

"not like you to be dramatic, nicolas" you said. "i love you and thats why i didn't tell you straight away."

"that doesnt make sense" nick said, and you sighed.

"because you boys are insufferable anytime another man enters my life. and i didn't want to argue with any of you about it." you explained.

"because we love you, so much" nick answered back. "we only ever want you to be safe and happy."

you smiled now, knowing his words were true. "i know. i know."

nick was about to open his mouth to speak again, when you heard commotion coming from somewhere in his room. his head immediately whipped up to where you could tell from the layout of his room was his bedroom door, and you watched as his eyes widened. you were about to ask if he was okay when a voice behind the camera spoke.

"is that her right now?"

chris. your best friend chris. your overprotective, sometimes overbearing best friend chris. but equal amounts your most favourite person on the planet.

nick looked towards you now, and you let out a sigh as you nodded your head, before nick turned the phone towards him. chris was walking over to the bed already, and it took him two seconds to grab the phone out of nicks hand.

"who is he?"

"chris-"

"no, y/n. who is that?"

you sigh, there was never going to be any winning. you had no idea what it was with chris that made him like this, but ever since you were young he had acted like a feral over protective brother whenever you so much as bated an eye at anyone else. it had saved you many times from make decisions you would later regret, but there was the few times, like right now, where you felt it unnecessary.

"its someone i've been on a few dates with, chris. chill out."

he was staring at you so intensely through the phone, you could hear nick in the background telling him to sit down and calm down, but he was pacing nicks room like he had a stick up his ass.

"okay, so is he your boyfriend?"

you roll your eyes again. "no-"

"oh." chris said, and you don't know if you were imagining things, but you swear you saw a moment of relief wash over him. but you were telling the truth, you weren’t dating him. but you could feel it going that way. it felt more than just casual. it felt nice. it felt exciting.

you had no time to say anything else before the phone was snatched out of chris' hands, and nick came into view again.

"so you're NOT actually dating him?" he almost squeaked.

"no. well,-" and then you stopped, because there was no use explaining over facetime, where you could already hear chris making remarks. you sighed before sitting up, grabbing your car keys from the coffee table in front of you and swinging them in front of your face. "i'll come over."

nick smiled, turning to chris. "she's coming over, dumbass, you can fucking chill out a second."

chris emerged behind nicks shoulder. "you can bring me a 7/11 slurpee on the way, for the stress."

you rolled your eyes, already walking over to your front door. "the fucking stress." you mocked. he was so dramatic, but you were already planning which route to go where you would pass by one for him.

you said goodbye, throwing your phone into your pocket as you left your house, knowing you were probably in for a long interrogation.

[colourstreakgryffin]

Hello! Could you do a SFW one with Alastor, Vox, Velvett, or others (separately) with a blind fem reader?

Ooh! Okay! I def can! Idk if you want it romantic or not but even so, let’s just see where this actually really cool idea takes us, shall we!

Alastor

Alastor doesn’t really react much to when he discovers you’re blind. Well… that happens to people doesn’t it, though, he isn’t sure how you’re still blind, even coming into Hell. He was short-sighted as a human and now, it’s completely cured. Why are you so different?

Alastor won’t treat you like you’re helpless and unable to fend for yourself. He’ll only jump in when he thinks you genuinely need some support. He is a good boyfriend like that and he is happy to make radio effect noises to draw you back to him when you need the subtle push

Alastor is the type to accompany you everywhere, no questions asked. He’ll bring you place to place and let you feel around so you get familiar with the Hotel’s layout but most of the time, he’ll escort you where you need to go so you don’t get lost. He just wants to protect you… all the time, everytime

Alastor respects you. You have a genuine disability but yet, you never let it bother you nor does it hinder you so much, that you need a constant caretaker. You’re a lady of skill and diligence, you’ve accomplished so much. He’s proud and he likes to brag about his blind girlfriend being better than anybody else’s own normal girlfriend, even over his broadcasts

You bet your supple ass Alastor wants and tries to cure your disability. As much as he believes you’re beautiful the way you are, he’d prefer you be able to see so you don’t have to suffer all the time and he brings this up with you as much as he possibly can

Vox

Vox is kinda meh about the whole fact you’re blind. He doesn’t like it but that also doesn’t mean he’d bully you for it. He’s kinda more disguising I am worried under annoyance. He pretends to be annoyed by the fact you can’t see but in his mind, he’s worried you’ll get lost

Vox always has people escort you around, when he himself cannot, he needs you safe and he even hires security to ensure no random stranger can put their hands on you when you least suspect it. As his beloved but sadly disabled girlfriend, you’re safety is his top priority, alongside comfort when you are safe

Vox is kinda… very babying, to be honest, he babies you a lot because of your blindness. He is caring and he is doting, behind closed doors and he wants to ensure you’ll be taken care of so he babies you in all ways because of your disability. He’ll feed you, he’ll bring you to the bathroom, he’ll sleep with you

Vox always wants to hold your hand. It’s for both of you; for you to get familiar with his feeling and for him to know you’re right there and not going anywhere. Vox also doesn’t mind letting you feel his TV head, whatever helps you always recognise him, he’s happy with it

Vox, like Alastor and Velvette, brags about you but he brags about you on his television show, so live on the worldwide web. He’ll brag about everything you’re gone through and even announce you, proclaim you’re the better than any girl in Hell and that you’re hotter than any other girl in Hell

Velvette

Velvette, for a critical and judgy woman, cannot bring herself to judge you for your disability. Yeah, she is the one who dislikes it the most since it means you’re stupid(Velvette mindset) but she doesn’t want to throw any garbage at the woman she really likes

Velvette likes to dress you. That way, you don’t have to worry about feeling on your clothing and she can make sure you always match her, stay up trends and be stylish. You’ll be the most beautiful lady in the Pride Ring and she’ll enjoy posting pictures of you online

Velvette actually feels really sorry for you so she offers her help regularly. She’ll offer her help for the smallest things, your echolocation isn’t working and you’re more than a bit stuck, she’ll be right there with her phone playing so you can always find her incase you two seperate but she’ll have your hand in hers

Velvette as the, backbone of the Overlord Vs, is more than willingly to get into a fight to protect you. Protect you from the minor disablist down the street to actual exterminators. She’ll never let anything put their hands on you and she’ll even fend off Vox and Valentino to leave you alone. She wants to be the only one touching you

Velvette will make sure you associate social media to herself so when you hear memes or music or a uploaded video, that means Velvette is nearby and she is very proud when she watches you approach her and cuddle onto her

[vintagexherry]

Part 2 here

Yandere!Miguel x reader

warnings: reader getting chased, dead miguel, Grabriella is not present,

this my first time im open for suggestion and criticism, english not my first language

breath in

breath out

breath in

breath out

breath in...

out

in

out

in....

To hell with breathing, you were hypervalating,overthinking,tired, but on top of it all.

𝙮𝙤𝙪 𝙖𝙧𝙚 𝙨𝙘𝙖𝙧𝙚𝙙

scared if he's already behind you

scared if he's just lurking and enjoying the show

Scared if those twigs snapping was a stray rabbit or himself

Scared if you stop for even one second he will take the chance to jump at you.

all you know is that you're scared of him.

You run and run for who knows how long your legs suffer from the distance you travelled. You tried contacting any station nearby, but no signal can be detected when you're deep in the neck of the woods

This was supposed to be a vacation for you and your husband, who's weary from work, finally taking a much needed off from work.

Elated from what he announced during dinner, you and Miguel travelled to the forest, expecting a camping site you were surprised with the log cabin he showed,stating that he had planned this trip with you for weeks and finally you both have it.

The cabin is breathtaking as the ambience of the forest,birds chirping at each other,squirrels stuttering about collecting nuts, wild animals minding their own business walking past the cabin

It was as if you're in a fairytale,living with your prince, but then again, not all fairytales get to have a happy ending.

Sunset was when it happened. After touring the cabin, you and Miguel started unpacking clothes and necessities and stored them within cabinets. Miguel noticed the setting sun and wanted a fireplace to relax but with futher notice, no available log was to be seen, he called your name and notified he was gonna collect some wood with an axe he found in a storage area around the cabin.

"Be safe out there. Who knows what kind of snakes or weird bugs are out there" you said, and Miguel chuckled

"Of course, mi amor." He kisses your forehead and starts heading for the door. You wave him goodbye,notifying him that once he comes back, his favourite dinner will be ready.

Oh, how you wish he 𝘥𝘪𝘥 come back.

As you cook and prepare the meal, the moon prepares to come out as you lay out the plates, the stars layout on the sky.

You were now worried.

You checked the wall clock, it was already nine-fifty o'clock.

You tried calling him, but no signal can be shown. With that, you cover the steaming pot of food, took a flashlight and your phone, and a thick jacket that Miguel owns and wore it on

And with that, you ventured outside, hoping to hear his steps, see his face, anything at all.

You walk towards the direction you know Miguel took. As you walk with your flashlight lighting the way, your light landed on what seemed to be a footprint.

Hope rises in you as you follow the trail, but the more you follow it, the more it seems to be ragged and dragged place to place,it seemed as if there were more than one person.

As you walk by, you try to remind yourself not to go too far from the cabin."Miguel, are you there!" You called into the darkness. "Miguel! come on now,it's getting late,we can just gather wood tomorrow!" You called again, no reply...again

You start to shiver from fear and from the cold, but you decide to trek on, folllwing the trail, or what it could be left to be a trail.

Then you see it, a drop of red...

𝙖 𝙙𝙧𝙤𝙥 𝙤𝙛 𝙗𝙡𝙤𝙤𝙙

You're starting to panic for Miguel's safety. Sure, he's a big muscular buff, man, but he's not immortal.

You're following the trail even further now, to hell with the cabin. If you can't find him,you're not going back till you do.

Did he encounter a wild bear?

a snake?

a wolf?

anything that has teeth and claws?

And finally, you see Miguel, but instead of a hug and kiss for your reunion, you scream his name.

"MIGUEL!" There you see his body laying down all beaten up and bruised, scars on his face, his clothes tattered and ruined bits to bits.

You drop your flashlight and phone to gather Miguel in your arms and try to feel any pulse... a beat ... but not enough beats.

"Come on, Miguel,breath for me, mi amor."As if recognizing your voice,his eyes open as much as he can with the black eye in the way. "Y/N?" he wheezes "no...no no no, no..need..go away"

He tried speaking but his voice breaks with dry coughs, all you know his atleast alive and with that you try dragging him back to the cabin, gathering your phone and putting it in the pocket of the jacket, you pick up the flashlight and light up the way. But as you turn back, a form blocks your way.Not just any form but the form of....Miguel?

And now your running,running away from that man.Before you could even gather words, he moved faster than you could imagine and finished your Miguel off with a final slash of his claws (!?) to his neck

and with that you ran and ran far as much as you can without getting the chance to mourn your husband.

so here you are, panicking and scared of that or beast you encountered, your flashlight died minutes ago and now you rely on the moon for light.Before you could run even further a weight pushes you down on the ground covered with dirt and dead leaves.

"NO! NO NO NO NO PLEASE GO AWAY!" You pleaded again and again but that beast wouldn't move a muscles instead a hand caresses your face, too gentle for a man who murdered someone with their bare hands.

"Y/n mi amor, mi sol, my everything..please...it's me" Miguel pleaded

Ah, yes that Miguel didn't help but added fuel to the fire by adding confusion to the mix of your emotions,

you are scared

you are crying

you are mourning

you are tired

and now you are confuse

"Stop saying that you....you....YOU!"you can't even gather the words to know what to call this....whatever this doppleganger is, all you know his dangerous.

Miguel stared down at your shivering form, hitting his chest in hopes to push him away, he said nothing but snap a watch/bracelet on your wrist and carry you over his shoulder like a sack of potatoes.

You panic even more, he chases you for how long without breaking a sweat and now his kidnapping you, but with how much you run and didn't take note of your oxygen intake (lack of) and your vision starts to blur, and before you know it your fainted on the shoulder of the man that murdered your husband.

Miguel silently noticed this"Lyla, set a course to earth-928"with that command a portal opens,leading you to god knows where.

[tomorrowusa]

While perhaps it's too early to call it a "masterstroke", Joe Biden stepping aside for Kamala Harris will probably turn out much better than any Democrat would have predicted a month ago.

Kamala Harris will likely be the next president of the United States – and that’s overall good news if you care about democracy, justice and equality. Joe Biden’s decision on Sunday to bow out of the presidential race clears the path for the country to elect its first woman and first woman of color as president.

For people who need a historical reminder...

[M]ost people in this country typically choose the Democratic nominee for president over the Republican nominee time and time again. With the sole exception of 2004, in every presidential election since 1992, the Democratic nominee has won the popular vote (Biden bested Donald Trump by 7m votes in 2020).

Now for more recent events.

If, in fact, support for Democrats among people of color is the principal problem, then putting Harris at the top of the ticket is a master stroke. The enthusiasm for electing the first woman of color as president will likely be a thunderclap across the country that consolidates the support of voters of color, and, equally important, motivates them to turn out in large numbers at the polls, much as they did for Barack Obama in 2008. The challenge the party will face in November is holding the support of Democratic-leaning and other “gettable” whites, especially given the electorate’s tortured history in embracing supremely qualified female candidates such as Hillary Clinton and Stacey Abrams. (The primary difference between Abrams, who lost in Georgia, and Senator Raphael Warnock, who won, is gender.) Sexism, misogyny and sexist attitudes about who should be the leader of the free world are real and Democrats will have to work hard to address that challenge. One critical step to solidifying the Democratic base is for all political leaders to quickly and forcefully endorse and embrace Harris’s candidacy. Mathematically, it is likely – and certainly possible, if massive investments are made in getting out the vote of people of color and young people as soon as possible – that the gains for Democrats will offset any losses among whites worried about a woman (and one of color, no less) occupying the Oval Office and becoming our nation’s commander in chief.

We shouldn't forget that the VP's mom was born in India. A number of people in the growing South Asian community in the US who may not be especially interested in politics will be tempted to pause their disinterest and vote for Kamala. India, Pakistan, and Bangladesh have all had female prime ministers – so there's not exactly a taboo about women in power.

One way to measure enthusiasm for Kamala is to look at how much money is being raised by ActBlue. Not all the money ActBlue raises goes to the national ticket. I donated to a US Senate campaign in June via ActBlue. BUT the timing of recent donations leaves little doubt what the cause of the recent spike is.

For context, first some recent weekly totals (source)...

Week of June 30 through July 6 — $65,220,920

Week of July 7 through July 13 — $48,669,913

Week of July 14 through July 20 — $61,349,601

As of Noon today (CDT): Week of July 21 through July 27th — $150,042,360 and the third day of the week is just a little over half over. In the previous hour alone, roughly $2.44 million was raised.

These are small donations, not like the $45 million per month promised by multi-billionaire Elon Putz to Trump. So grassroots Dems are stoked and are out for a win.

ActBlue is fairly no-nonsense, it's not exactly Amazon in layout. So people are not drawn there by flashy graphics.

Kamala Harris — Donate via ActBlue

[niqhtlord01]

Humans are weird: Unlucky Kevin

( Please come see me on my new patreon and support me for early access to stories and personal story requests :D https://www.patreon.com/NiqhtLord Every bit helps)

“Who’s that?”

Jib looked up from his lunch platter and followed the direction of Tiy’s nod to the lone human sitting at alone in the cafeteria.

“Ah, that’s right,” Jib remarked as he returned his attention to his food, “I forgot you just transferred in so you wouldn’t know the most famous human on the ship.”

“You need to stay away from them at all costs.” Jib finished as he took a bite of the Tunga sticks.

“Why? I heard humans are friendly.” Tiy remarked as her interest was now peaked. “They do not look like they are dangerous.”

Jib shook his head. “You don’t get it; that’s “Unlucky Kevin”.”

“What?”

Tiy snickered at the name but stopped when Jib’s expression did not soften. “You can’t be serious?”

“I am.” He replied coldly.

“What makes them unlucky?”

“Everyone around him dies.”

Tiy leaned over to look at this Kevin but Jib moved himself into her line of sight blocking her.

“Don’t even look in his direction.” He cautioned. “You don’t want to be caught in his death field.”

The look of confusion must have chipped away some of Jib’s nonresponse as he set down his fork and decided to explain further.

“That human is called Kevin Donger. He originally served in the 113th tactical terran  legion when the campaign started.”

“The 113th?” Tiy replied, “But I thought they all died during the failed drop on Morgus III?”

Jib shook his head. “Everyone but Kevin did. He was the only survivor and was then transferred to the 43rd mechanized terran legion.”

Tiy’s eyes widened at this news. “Didn’t they-“

“-get wiped out during the Springs Offensive on Hape Prime; all of them but him at which point he was transferred to the 800thdrop force.”

“Who-“

“-got annihilated at the final siege of Ogmar Fortress on Ceptus IV.” Jib cut in yet again.

Tiy sat in silence as Jib rattled off several more distinguished terran formations that this Kevin had been transferred to, and each having fallen to a terrible fate on the battlefield. At the end Tiy sat in silence and only now began averting her gaze from the human as the circumstances finally seemed to catch up to her.

“If this is true,” Tiy spoke softly, “why is he still at the frontlines and on our ship?”

Jib shrugged. “Word was he is being sent to his new assignment on Keff V and we were the only ship heading there.”

“Does that not mean we are in danger of dying as well?” Tiy remarked as from the corner of her eye see saw the human getting up and begin to leave the cafeteria.

“I pray to the gods that we are-“ -------------------------------------

“This is Captain Morris; we’ve found the wreckage of the Temen Song and are beginning our search for survivors.”

Looking out from the bridge view screens Morris was not hopeful of the last part. Strewn across the empty void of space before his ship was the blasted remains of a Terengi transport ship. Its hull was breached in several dozen places and it looked as if its engine components had violently torn themselves free from the vessels superstructure like rockets fired from a launcher.

“Any idea what could have done this?”

Morris nodded sadly at his second in command’s question.

“Judging by the layout of damage I would wager a jump drive failure while they were in transit.” He pointed to the deep gouges that ran along the hull of the vessel. “The engines overloaded and traveled faster than the vessel was capable of keeping up and as a result the engines dislodged themselves from the ship and pulled several power conduits out along with them like removing veins from a body.”

His second nodded. “The sudden exit from jump transition coupled with unstable power fluctuations would trigger a critical overload of the power core.” She remarked as the pieces finally fell into place. “If that is the case I’m surprised even this much of the ship is left intact.”

“I’ve got a life sign reading.”

The pair turned from their command platform and looked over at the scanning officer. “I’m reading one life pod at coordinates 237-954 by 716-719.”

With a nod from Morris the screens of the command deck shifted to focus on the new location. Drifting amongst the wreckage was indeed a lone life pod, battered but fully intact.

“How many onboard?” Morris asked.

The scanning officer took a few moments to confirm his readings before replying “Only one sir; and they’re human.”

[spaceorphan18]

The Lady Whistledown Papers : 1x01 - A Diamond of the First Water (Part 1)

An Introduction

Dearest Gentle Reader... ;)

Well, okay, looks like there a good handful of you for this idea! Yay!

I did want to preface this with a couple of notes first, though if you want to skip to the show meta, head straight for the 'read more' below...

My intention with this project is to explore the individual stories as well as the romantic relationship between Penelope Featherington (who is my favorite character on the show) and Colin Bridgerton. So, I'll be looking at every episode of the entire show and kind of go through their character arcs with a fine tooth comb. The first two seasons I plan on batching scenes together while Season 3 might end up almost scene by scene because it is so rich and dense with story.

The whole point is that I enjoy meta and media analysis and breaking down stories and looking at stories from every angle possible. I am usually pretty positive, but that doesn't mean even my favorites are not exempt from a critical eye from time to time. And I'm not hesitant to explore character, story, and production flaws when discussing things. I do, however, try to remain respectful.

While this is primarily Pen and Colin focused, I'll probably still end up opinioning on other things I like as well (and do have respect for other characters and ships on the show).

The only book I've read is The Duke and I. I don't plan on doing any book to tv analysis, but I do hope to get through Romancing Mister Bridgerton before I get to Season 3 so I can point out Easter Eggs.

I'm also no historical scholar. So, probably won't be doing any kind of historical analysis either. Sorry.

I'm a multi-fandom blog, and have lots of projects I'm working on, so I plan on rotating through them. Plus, I have a full time job and family and friends, which means please be patient as I work on the project. It's a labor of love! But maybe a slower one. <3

Not here to discuss the actors', creators', crew, etc's personal lives. While I may put in a tiny BTS tidbit I've picked up, I have no intention or desire to talk about anything but the story.

I always enjoy talking with you guys about things, my meta is only one interpretation of what's going on, and I'm always open to discussions! However, I block or ignore any kind of wank, so please be civil. :)

Tag : the lady whistledown papers (in case you want to follow along or black list it away)

Okay, let's dig into some meta!!

Episode 1 : A Diamond of the First Water (Part 1)

So, it may be something that's easily forgotten or overlooked, but the very first thing we hear when we open the show is Lady Whistledown's voice -- which of course, is really Penelope. Since it's the delightful Julie Andrews doing the voice, it doesn't really feel like it's an 18yo girl's commentary about life in the rich part of London society in the early 1800s, but here we are. It's all done to build a bit of mystery around Lady Whistledown.

But what I think is more fascinating is the fact that the show opens -- not with the Bridgertons but the Featheringtons. They are our starting point. They are our dysfunctional family unit that we may closer resemble in our own lives that we get to peek in on before heading over to the esteemed, charming, and seemingly perfect Bridgertons.

The Bridgertons might be the protagonists of the show -- but Lady Whistledown and (by extension) Penelope Featherington is our framing device. She sets up the world, gives us the expository layout of the land and gives us an insight into the world. So it makes sense that we're starting in Penelope's home -- the person, like the audience, who gets to look into the Bridgerton home, but not actually be a part of it (yet).

When we open, we get a great introduction to the Featheringtons, and in a quick few shots - learn a lot about of them.

First of all, the narration -- while I'm not going to take note of every single narration throughout the whole show, it is important to remember that it's Penelope who is ultimately speaking. And when we open the show -- the first thing she does is blast her own family.

Why? Because it's her only way to push back. Look at what's happening in this scene? Prudence is being forced into the tightest corset ever imaginable as Penelope (and Phillipa) look on in horror. Penelope is still young (she is 18yo) and is being thrust into the market earlier than she wants so that her mother can have all of her daughters out in society at the same time.

Unlike what we'll find over at the Bridgerton family household, the Featheringtons are ruled by a seemingly iron fisted mother who only wants her daughters to marry rich so she can retain her lifestyle and place in society while her father is uninterested in anything other than himself.

Later in season 3, she'll mention that this particular issue is her first issue. So, it's no surprise that she starts writing just as she's coming into society. It's her way of coping and her way of expressing herself. But, I'll also remind everyone, while she is incredibly savvy at her craft, she's also still so young, and not entirely aware of the power she's going to wield.

As for Pen herself -- she's genuinely concerned about her older sister. We don't get a sense of their dynamic yet, but at least we get to see Penelope's kind hearted nature. Prudence looks like she's being down right tortured by her 'tasteless, tactless' mama. And nothing about this is appealing to Penelope.

(As an aside -- this also sets up a couple of things for the show -- for one, throwing us into the historical nature of the show, as well as adding a slight bit of comedy to the over-the-topness of Portia's insistence. The show is telling us that, yeah, there are crude and unpleasant things going on, but we're not taking ourselves too seriously, so neither should you.)

Next, we shift over to the Bridgerton household, but I want to point out something first... Notice how the Featherington door knocker from earlier was much more adorned and intricate? The Featheringtons are more concerned with status and money and appearing as if they're better off than they really are, while the Bridgertons don't need nor want to show off in the same way. It's a neat little detail.

Also, the bee imagery for the Bridgertons always is amusing. Symbol of death there ;) In case you were wondering - the Featherington symbol is the butterfly.

So, it's important to note that the Featheringtons are the next door neighbors of the Bridgertons, and it's of no surprise that Penelope would, after disparaging her own family, turn her attention to the family that has captivated her most of her life.

Okay, I kind of love these paintings as an introduction to the Bridgertons. (Are there ones for Gregory and Hyacinth?) I think it's a fun touch to the whole historical setting of the show. And it makes them look as if they're these frozen, idyllic pictures and who are not exactly real. Which is great when combined with the Lady Whistledown dialogue going on how wonderfully attractive they are - because it sets us just slightly apart from them.

Like I said above - Penelope is on the outside, and as we move in, so are we, but we get to finally move in to see real people behind the paintings. (Also - omg, the look on Eloise's face is priceless and I love it)

Also. A+ casting, guys. I really believe they're all related. ;)

I also love the juxtaposition that when we first hear the Bridgertons talking, unlike their perfect, picture-esque counterparts in the paintings, we get Eloise complaining. (Look, I love Eloise a lot -- and she's the third in this crazy triangle, so we'll be talking a bit about her, too.) We also get a bit of chaos as the camera descends the stairs, with Gregory running around them and the banter between the sisters.

It's all great, quick character set up as each of the Bridgerton siblings gets a little beat in this sequence.

And... we get our first glimpse at Colin!

And here's the thing about Colin. He's the third son. Anthony may not be around at the very moment, but he's very much a father figure to a lot of them and is in a different place being the oldest and actual Lord of the Estate. His role is much different. And then there's Benedict - who is that second in command while Anthony is away. Benedict, though is the artsy one and the experimental one and is a bit more aloof in nature. Which brings us to Colin... Who doesn't have the same set in stone sense of purpose Anthony does nor the happiness of just floating through life the way Benedict does.

And so, this scene has a couple of tidbits to kind of illustrate his place in this huge household. He's says he'll go get Daphne (who is currently hiding out in her room, and whom everyone has been arguing about). Colin does like having purpose, and does like to help whenever he can.

And then there's his banter with Benedict about how he's better liked by Daphne than him. It's a great little moment, not only the show again allowing to us to know that we should not be taking this historical show too seriously, not only showing us the beloved sibling antics (which -- i really love all the sibling dynamics in this show), but also showing that Colin has a bit of a cheeky side, and isn't afraid to bring a bit a levity to the situation when he can.

Also, a tiny tidbit in relation to the book, Colin and Daphne (being close in age) are rather close in the book. We don't necessarily see it in the show due to the nature of wanting to highlight Anthony more, but I feel like these lines are a little nod to that, too.

Of course, then, Eloise screams at the top of her lungs, which is a moment I still laugh at. I love that while Benedict's jaw is dropped, Colin is entirely amused by her, as I'm sure she livens the entire household up.

We get both households coming out of their houses, and we get this sweet little moment where we see that, not only are they neighbors, but Penelope and Eloise know each other and are friends.

I love that Penelope is so overjoyed to be looking over to the Bridgertons that she kind of freezes in excitement and has to be ushered along.

Also as the camera pulls back, we see Eloise reading a Lady Whistledown pamphlet! The first time we see someone do so!

You guys remember Disney's Sleeping Beauty? There's a moment when they enter the castle the three good fairies are announced. The dude who announces the Featherington sisters reminds me of that -- introducing Flora, Fauna, and Merriweather! (Don't even come at me, it's my favorite Disney movie)

Anyway... we get LW's narration that this is a pivotal moment for London society at the time -- when the girls are presented to the Queen and enter the marriage mart. Basically, it's a coming of age for young women. And while Prudence might have the most embarrassing moment by fainting (I mean - who's to blame her, really) Penelope looks so awkward going out there -- before her time, really not emotionally ready, and just not graceful in the way that the other girls, including even her sisters, just are.

Okay, so it's not really our first Polin moment, but there is a pseudo moment buried in here.

But first - I want to acknowledge that Penelope, feeling out of place, and at ill-ease with her surroundings, throws a glance over to Eloise. I love Eloise's truly perplexed look as she watches her friend go through something that neither of them really want -- as if trying to grapple how any of this is real. Penelope and Eloise's bond is incredibly important to both their characters and the show (and is something I enjoy as much as I love all the Polin).

As for Colin standing over there in the corner... No, there's not really anything to pull out here. But! There is going to be a moment in season 3, when Colin is writing in his journal, where it's clear that he's thinking about this moment, and describing watching her as she heads towards the queen. It's a cute callback to this moment, and even if we don't really see it -- it's still there. He's still noticing her, even if it's very, very subtly.

LW continues her narration about how important the Queen's opinion is of the ladies of society, and how important it is to make a good impression. But fascinatingly, Penelope is too busy looking at the ceilings and being in awe of her surroundings to really take notice of what the Queen is doing. She's a bit, understandably, shocked. (and another great comedic moment as Portia kind of knocks her back into focusing.)

It's great for setting the atmosphere of the show, but also allowing us, through Penelope, to take in our surroundings and be in awe of what we're witnessing.

It's also, I'll add, to be an awkward contrast to when Daphne comes in and is completely flawless in her entrance. Penelope is our side character. She's not our main character. And main characters are supposed to have a level of perfection to them. (Or so we're been accustomed to believe.) I think one thing I'm happy to see on the show is that, while we're still going to get a lot of romance story tropes, the show does try to dismantle a few of the stereotypes as we go along.

Also, two quick smaller notes... we don't really get to see Colin's reaction to Daphne -- Anthony and the sister are too in the way, and he doesn't have much of a discernable reaction when we do see him. And, the narration makes note that Daphne is going to burn quickly, which honestly made me laugh a little.

And.... that takes us up to the credits! Which is where I'll be stopping for now. Since this is the first episode and an introduction to the world, there's actually lot of both Penelope and Colin in it, so there's a lot to go through... stay tuned ;)

[mothmanssweetsucculentass]

Ok here’s my two cents that no one asked for on the current (sort of?) debate going on in the Creepypasta fandom on here rn.

For starters, I grew up with Creepypasta. I also grew up mentally ill. I am also autistic. So I know my way around good and bad mental health rep at this point. And to be honest? A lot of the original stories DID suck balls at representation or just horror writing in general.

However, nowadays I see other people on here, often mentally ill or any other social outcast, taking these characters and reshaping them as their own to fit their own feelings and experiences, and I don’t think anyone has the authority to criticize things like that. Cringe culture is supposed to be dead anyways, nevermind the fact it’s inherently ableist at its core.

We also need to take into account kids still exist in the fandom. Pre teens who got tired of shit like scooby doo and wanted something more “mature” or “edgy” to get into without fully going off the deep end into full blown horror movies. At least that’s how it was for me. Not everyone, especially someone who’s younger, is gonna be comfortable with the grit and gore a lot of Creepypasta “purists” are pushing for these days, and that’s okay! When a fandom gets popular it’s always inevitable and unavoidable to have the popular characters get two dimensionalized.

There’s also the whole mascot horror thing that I don’t wanna get into, but I’m 90% sure that also plays a part in the old favorites like Jeff and slenderman being brought up again. They were and still are recognizable characters. Recognizable characters aren’t a bad thing. Making horror more approachable for younger audiences isn’t a bad thing. People having their own interpretations based out of their own experiences isn’t a bad thing.

Some of us grew up and wanted the more edgy and reality based content, and that’s also not a bad thing! But neither side should be dictating or policing how the other enjoys content in this fandom. If you personally don’t like the way something is written, characterized, depicted, or drawn, no one’s forcing you to look at it. No one’s claiming it as canon. No one’s asking for you to accept it as the end all be all.

At the end of the day this fandom was built on OCs and personal depictions of stuff. I can’t name a single character or story in this community that was created by some outside party like a movie or TV studio FIRST (because I know some got so popular they breached the fandom and got their own shows/movies/comics/etc). Everything here was created by someone who wanted an outlet for their creativity, or their pain, or their coping, or whatever else.

Realism and dark headcanons aren’t bad, and neither are any of the headcanons out there who just wanna make a goofy found family of social rejects as a form of escapism.

A 13 year old drawing a fictional layout of a fictional mansion where these fictional characters live isn’t going to suddenly invalidate the horror, I promise, it’s not that deep and it never was.

A 22 year old making a dark comic on the realistic origins of Jeff who is a fictional character in a fictional world isn’t going to suddenly invalidate the more softhearted side of the fandom.

Sure, there can still be a split if people are so adamant about that, but as someone who personally enjoys both the brutal horror side and the “haha Jeff is 15 and gay” sides equally, y’all need to at least learn to be civil to anyone who has a different headcanon than you. And if that seems like too much still, the block button exists for a reason.

TL:DR this fandom is based entirely off OCs and headcanons and people can do whatever the fuck they want because none of it is real and horror comes in many shapes and sizes and intensities and no one should be bashing anyone on their headcanons or views or rewrites or whatever else.

EDIT:

Actually wait I think I have more to say-

Horror, like any genre, has NO AGE LIMIT. And by that I mean, if someone younger wants to delve into scary stuff, they should be allowed to do so without criticism. I personally grew up on “child friendly” horror media like Scooby-Doo, and the older I got the more horror I wanted to experience.

There’s no right or wrong way to “understand” horror, and I frankly think it’s ignorant and stupid to say if you don’t fully “understand” something, then you shouldn’t be involved in it at all. Horror isn’t always about gore and unspeakable violence and the eldritch entity that wants everyone’s skin inside out. That’s why horror has sub genres for fucks sake. Gut wrenching brutality against innocent people isn’t everyone’s cup of tea and that’s okay!

However, bashing anyone’s tamer headcanons, or calling anything anyone interprets differently than you “stupid”, that’s not okay. God, I feel like an exhausted parent giving this lecture to fellow adults, but this really needs to be said and stressed.

I am an adult. I like when stuff in the fandom takes a dark turn. But for nostalgia’s sake, I also love the fanon so much, because that’s what I was exposed to.

And for fucks sake if it comes down to picking sides, I would rather stick with the part of this fandom that gives zero shits how you see a character as long as you’re having fun.

You can have your serial killer 30 year old Jeff and your canon-accurate-to-that-one-image eyeless Jack, but don’t shit on other people if they don’t want the same thing. Your interpretation isn’t canon, and neither is anyone else’s for that matter.

Realistic, dark, gritty Creepypasta isn’t a new concept, and neither is “adult” Creepypasta. And by the way, Creepypasta was never stated to be for adults. That’s like saying kids and only kids can eat trix cereal. It sounds that stupid on paper.

Let people interpret things the way they wanna interpret. No one is infringing on YOUR character ideas. Creepypasta has no age limit, nor a set way the horror has to be presented. Those who do continue to claim that just sound like pretentious assholes.

Very small side note, I personally think it’s inappropriate and rude to keep using Toby as a “bad example” of mental health rep when the creator has stated multiple times the character is old, not researched, and not even in the fandom anymore. Leave the poor guy alone.

[shorthaltsjester]

if i ever have to see another thought piece on the description of the white picket fence outside of fjord and jester’s place in mighty nein reunited indicating jester’s unhappiness in the relationship i will burn the world to the ground.

a) heteronormativity doesn’t exist in exandria !

b) fjord isn’t your Typical Male Love Interest Guy. if i ever have to read someone say that shit again i’m gonna (correctly) assume they haven’t paid attention at all to campaign 2 and any of fjord’s character arc.

c) perhaps, jester lavorre, woman who was raised on the ideology of romance novels and sexuality as exchange, might just find it uh… not a terrible thing that the white picket fence is falling apart outside since… fjord explicitly does Not feel like those romance novels to her, instead he feels comfortable. the way that a brightly painted but rarely used house might, especially when the couple in question spends most of their time adventuring together… which is an essential part of jester’s motivations throughout the campaign.

d) the reason fjord and jester seem unhappy in the reunion might be because, well, uh, whereas everyone else was getting a “vacation”, jester and fjord’s life together (specifically the fact that Fjord Loves Jester Enough To Risk The World (Momentarily) To Save Her) was the inciting action for an apocalyptic demigod being released - they Were unhappy. who wouldn’t be given those circumstances. jester nearly died, and fjord felt like the god that once saved him had now abandoned him, i am so truly sorry that their romance was not satisfactory for your vision of atypical romance (which, by the way, is literally reinforcing the restrictive romantic tropes you think you’re criticizing, so good job i guess). i would be much, much more concerned if jester and fjord Weren’t clearly dismayed.

e) both fjord and jester are individuals whose entire lives and character are defined by the expectation (both external and internal) that they behave and emote a certain way. that they’re in a relationship with someone who they feel that they can show that they are frustrated with or disagree on the layout of their house with or have different ideas on how to deal with the looming threat of a demigod is incredible. jester and fjord are emblematic of a relationship in which the characters Aren’t meant to be, but they Want to be together and they want to understand and support the other person so they work at it. we wouldn’t have conversations like “you seem disheartened..” “i am very disheartened! you almost died!” if they didn’t take the time and care to communicate with one another.

f) if you want a honeymoon era joyful queer romance, yasha and beau are right there! they are explicitly horny and in love and bright about it! if queerness is your measure of “trope breaking” i am very sorry to tell you that queer people partake in white picket fences, and i’d actually argue that in terms of Lifestyle Metaphor, beauyasha are more adherent to the whitepicket fence, nuclear familyism. this isn’t a detriment to them, just, very literally, beau works a 9-5 where she comes back to her housewife who gardens and cooks dinner and their future includes explicit reference to children. comparatively, fjord wants to address some issues in his past, jester is an artist, and both of them are interested in adventure for the foreseeable future.

g) if you truly think that a single part of laura’s description of the part-time abode of fjord and jester overrides every interaction and choice that both laura and travis make towards fjord and jester caring for each other in a deep and meaningful way that goes beyond the weird fandom constructed Man/Woman characters being portrayed by a married couple i truly, Truly have no idea why you even watch the many hours of content that cr is when you could… play/write your own shit.

[ostrichmonkey-games]

Ostrichmonkey Hack: Layout Behind the Scenes

Been procrastinating on this enough! So here is a look at some of the process and decisions that went into doing the layout for the Ostrichmonkey Hack.

Let's start with the goals I had in mind:

Keep it simple.

Keep it easy to make.

With those goals set, next step is gathering materials and resources (not all of this was done as cleanly as I'm making it out to be, but this is the gist).

Materials used:

Classic Explorer Template

Affinity Publisher and Photo

Fonts

Art

The text itself

The Classic Explorer Template was critical in getting this layout done efficiently, since it does a lot of the work for you. It's not a replacement for having a rough idea on how to do layout, but it can serve as a nice tutorial/explainer on different elements of layout and typesetting, and honestly, is worth its (digital) weight in gold. There's a free version available if you want to check out what it offers.

I use the Affinity Suite for my layout work. It's a nice set of programs with a manageable learning curve, but there are plenty of other alternatives so go with whatever works for you (one of my favorite elements of using multiple Affinity programs is that within Publisher, you can access both Designer (vector illustration) and Photo (photo editing, illustration etc) functions, which is just a nice workflow).

Here's what my setup looks like, with all the guidelines/base grid stuff turned on;

Normally I start with some style tests and “sketches” to get a feel for what I want the layout to look like, but the Classic Explorer’s does a lot of that heavy lifting for me already so I get to skip this step for this project. Speed and efficiency is one of the main reasons I wanted to use the template - this was envisioned as a “I just need to get something done” kind of project.

So next up on getting it done, fonts!

There are lots of great places to get fonts from, just make sure you're getting them from legitimate sources. Do your homework and make sure that "free" font is actually free to use in commercial projects.

I pulled three fonts from the depths of my collection.

One for the title and main headers (Wallau Deutsch)

One for the second header (Rakkas)

One for the body text (PT Serif)

Technically a secret fourth font for some "bullet points" (1651 Alchemy)

I picked these fonts out because they work together well and are readable. The title/main header fonts are comparatively less readable, but you can get away with that since headers are Big and used less frequently. The second header (Rakkas) is a nice middle ground between a full on blackletter font like the main header, and the classic-y serif of the body text. It creates a transition between the two fonts.

I used PT Serif since it was already in the template, but it also had the bold/italics versions I knew I would need, is readable at a variety of sizes, and had all the special glyphs I would need (it actually did not, but whoops, we'll get to that later).

Normally when I start layout, I do a quick "sketch page" where I try out different fonts and style tests that can look something like this;

But that wasn't necessary for this project (another advantage of the using the template).

Now, let's get to some choices in formatting the text itself.

Each time a key term came up, it was highlighted by bolding and italicizing it. Any time after that, it was just normal text. I went back and forth on highlighting it every single time, but the current format just looked cleaner so it won out.

Additionally, in several places in the text, rather than introducing a third header (which just broke up the page too much, disrupting the flow and clean look), I instead put what would have been the new third header (HP or WOUNDS in the above example) in all caps and behind a colon. This ended up not disrupting the text too much, and was only necessary a handful of times. But when it was necessary, I made sure to stay consistent. Consistent and organized formatting is one of the key ways to make your layout look nice and clean.

Aside from changing some font choices, one of the other ways I tweaked the template was with some spacing (between "sections", like in the above text, introducing an extra line break between the Attributes and Staying Alive sections) and the "bullet points".

The large bullet points that accompany the second headers are actually a glyph pulled from a different font. I picked that one out specifically because its just a little irregular and handwritten looking (1651 Alchemy is a handwritten styled font), and it also helped pull you to the start of new sections, further enhancing the second header. It helps make each section discrete and more "modular".

Back to extra spacing for a second now. So each "chapter" of the text uses the main header to designate it as a full "chapter".

"Characters" up top there is one of those chapter headers. It's nice and big and special, and also takes up a good chunk of space. One a full spread, this also means that the second page of text begins higher up than the text on the first page (compare where Attributes starts vs where Dying starts).

I played around with the format of spreads that did not have a main chapter header on them, starting the first page text up toward the top to have it line up with the second page. Which, probably would have been totally fine, but I preferred the look when each spread had the same kind of spacing. But repeating the main header on each spread was too clunky. So the solution;

Bam! A line!

Blank empty space looked too empty, but slapping a quick line there took up just enough visual space for it to work. Then, I carried that line-design-language to other places (to separate footnotes from the body text, within the tables, and sort of on the cover). This then made the line choice feel even more cohesive and purposeful.

And speaking of footnotes, that was another extra tweak/flourish I added not present in the template (the sidebars are part of the template, but sidebars rule so they would have happened regardless). The footnotes served as a way to share specific references as an informal "works cited". A lot of NSR/OSR design is super iterative, so I thought it would be cool to shout out some of the more direct inspirations and references I used when making my game.

But the footnotes were also kind of not really my downfall. Turns out PT Serif didn't seem to have all the necessary footnote glyphs, nor did it want to make proper superscripts of integers past 3. So, rather than trying to find a new body font (or deal with the headache of using a font solely for superscript notation), I just fudged the formatting some and stuck to asterisks, and restarting "numbering" on each spread. Oh well.

Let's now briefly touch on laying out tables.

It sucks.

My advice is find an example of a really nice looking table and then try and figure out what makes it look nice, and then doing that forever. Luckily, the template saves me again by including multiple examples of tables, ripe for tweaking. Which ended up looking like this;

Nice and clean! Hooray!

Okay, there's a lot of small decisions that goes into making text properly formatted and look nice, but I skipped some of those decisions and didn't go ham on typesetting, but whatever. That all about covers the important parts regarding the text. Now let's talk about art.

Public domain art is your best friend.

I went and trawled through a bunch of art I've saved from the Met's Open Access collection (there's plenty of great open access collections out there, just happened to have some from the Met handy), and settled on this piece;

Which I then dropped into Affinity Photo and played around until I ended up with this;

Nothing too wild, but it Felt Right, so it's done.

I then immediately dropped that onto the cover page, slapped the title on, added a quick border (and also spent some time trying to fix some weird issues that ended up being solved by just rasterizing it, whoops) and bam;

And that's the only art piece used throughout the zine! But I made the most out of it. Between each chapter, I had a single splash page and dropped in different zoomed/cropped versions of the art. Like so (and even on the back cover!);

The original image was high resolution, so zooming in worked, plus the effects/distortions I created hid any imperfections.

So that's the art sorted and the zine finished!

Now, this is getting pretty long, so if there's anything anyone reading this is interested that I didn't touch on, shout in the notes!

[rad-roche]

do you have any mod recommendations? other than romanceable nick lol

exposing my mod list is a real 'please don't tell anyone how i live' moment because it, top to bottom, is all just pretty little outfits for gloria, furniture, or very small changes to nick that i like. gameplay? story additions? those sound interesting, i wonder what those are like. my toxic video game trait, consistent across absolutely everything, is i can play a 5fps mess if it means i get to snap pretty pictures

now of those categories...

SAD WOMAN DRESSUP GAME FEATURING AN RPG OR WHATEVER:

Caliente's Beautiful Bodies: you know it you love it, and there's a nevernude option should you desire. i always forget what i have installed, so i made sure to get the nude one so i could nod appreciatively when a modded outfit failed to load. it's my present to me. got rained on? had an argument? never fear. glussy is here.

Apocalypse Attire

Commonwealth Cuts

Dave's Poses

Looksmenu

Mirrored Vanilla Scars

Eyes of Beauty

Photo Mode (even if you have absolutely no interest in the cc stuff, this thing is a godsend if you ever want to take screenshots)

Cigarette In Mouth

Handmaiden - the outfit in that picture. comes in other colours, too!

Concealed Armors

HOUSE FLIPPER: IS IT STILL MIDMOD IF IT'S THE FUTURE

Creative Family mods. you can't install these like you would the rest, so pay close attention to the instructions, but the quality on these is unmatched. creative clutter, do it yourshelf, modular kitchen, they're all really, really good if you like decorating player homes.

Building Budget Extender

Dino's Decorations

Global Stash

Just Some Rugs

MadKea (this thing adds 500+ items so if your computer has a hard time with fo4, give this one a skip unless you don't mind waiting an age for menus to load)

PlaceEverywhere

Reversed Workshop Highlight (gets rid of that annoying green glow! godsend!)

Workshop Plus (completely reworks workshop; lets you clone items, save layouts to layers, float around buildable spaces, undo/redo. it's hard to overemphasise the usefulness of this if you plan to build)

SO THERE'S THIS SENIOR CITIZEN

Companion Accuracy Boost

Companions Go Home

Alternative Synth Eyes

Nick Valentine Robot Voice (it makes nick sound as if he's talking through a speaker. it's subtle, but i really dig it)

Valentine's Revolver

Valentine Jaw Sync

Settler and Companion Dialogue Overhaul (makes npcs seem more 'aware' and much less likely to make repetitive comments)

Delay Nick's Quest (only allows Long Time Coming to trigger after you complete Gilded Grasshopper; a lot of his location-based dialogue remains open instead of him defaulting to brooding about the tapes and that long, hard quest)

I'll respect your wishes and not mentioned critically acclaimed Fallout 4 mod Romancable Nick Valentine, which can be found here. I will, instead, mention this adorable one where you can marry him, which I assume is keeping in the spirit of you specifically asking me not to mention them. Now go forth and play your wildly overambitious otome game

[olderthannetfic]

I went scrolling through anti ao3 tags and blogs because I was bored and not doing the shit I need to do and you know for a group of people who every year twice a year throw such hissy fits you’d think they’d at least have a point, but all their arguments make no sense(except their one main one that they almost never use?--why??) Like ok, there is one argument for why people shouldn’t give money to ao3, and that is the argument that ao3 is bad website because it has bad policies and refuses to moderate. I disagree, but ultimately if someone thinks that ao3 should update the TOS and moderate what fan fiction they allow, it makes sense that that person would be against the site making money because… well they are against the sites founding principles, I’m not shocked they don’t want it to succeed.

But the rest of the arguments!? Man they make no sense at all

“They are scamming you there is no way they need that much money”, ”its immoral to give money to ao3 because they already have so much!”, “Even if ao3 was perfect, its ridicuslous to give 100K to a fan fiction site!” — like… maybe I’m the asshole here, but ao3 made about 250,000 this spring, so they make about 500,000 a year… that’s just not that much money! That could what, pay for 10-30 employees at best! And that’s not counting the actual cost of all the shit they currently spend their money on! I get that ao3 is run by unpaid volunteers so antis think that 500K is a lot, but that’s not true! That’s not a lot of money at all! It might be a lot of money for an individual but for a company that’s practically pennies. Wikipedia, which granted is a lot bigger than ao3, with 57,218,269 pages to ao3s 6 million works, makes 155 million to ao3 500,000. According to antis ao3 has over a million in reserve and well according to wikipedia they have net assets of US$240 million. One is clearly more than the other!

I saw someone say that servers should be 1K, which is so stupid and out of touch with eveything I almost died laughing. I had a project using firebase this semester, I created 2 projects within firebase one for my school project and one to dick around and figure out. I accidentally set my test database to a “pay as you go” version instead of a free version. And almost had to pay a thousand dollars for the month! I wasn’t even using that database it was just sitting there but I check my google billing to make sure I wasn’t paying anything and it turns out I was! 150 dollars actually so that sucks! (My fault though)

Also also I keep seeing that its ridiculous and evil to pay the much for a site that “doesn’t improve” but the “doesn’t improve” is referring to A) no changes in TOS, which I don’t want to happen any way so good. B) the fact that it’s still in beta, which I don’t give a fuck about and I don’t understand why I should care. I think antis are dont like that the layout hasn’t changed but I don’t want to the layout to change. Also things come out of beta because they are a commercial product to be sold(this is very simplified), which is why some things come out of beta to waaaay to early and are glitchy as all hell! Ao3 isn’t being sold to me its slowly being built and archiving things that would probably be lost, and it will probably technically be in beta forever, but it doesn't effect me and I don't care. Would it be better if it came out of beta only to continously updated like a lot other shit does. I don't really play video games but I know ppl that do so I know at least once a game came out that didn't really work and people needed to later update shit for it to function and I'd argue thats worse than a functional website just being in beta forever. C) The claim that it hasn’t changed at all, which is just not true! They added the exclude section and eventually added the blocking shit. The blocking took too long to come out, so I guess in this sea of dumb criticism theres at least 1 piece of critism that makes sense. And finally again I don’t want it to change! Every other week we are all bitching that Tumblr or YouTube or Instagram or any other app are needlessly changing the layout or adding shit we don’t want in order to keep up with latest trends, make it more marketable or try and attracted new users. Ao3 is great because its never going to change. Ao3 and Craigslist will always kinda look like ass and I’m ok with that. If it aint broke ¯_(ツ)_/¯

I could keep going but there is no point. I just think they are all so stupid.

--

The thing about beta is the funniest because AO3, like oldschool shit from the 90s, has actual criteria for coming out of beta.

It's not "we've been going for 10 years" or "we want to sell the product": it's "we've checked off all the things on this checklist".

And they still haven't done them all, so it's still in beta.

[violetganache42]

Hate the new desktop layout that the staff is experimenting with? Dreading the idea/possibility of reblog chains going away via collapsible reblogs? Any other features or changes that you do not like? Send them your feedback with a Support form!

1. Go to https://tumblr.com/support.

2. Choose the "Feedback" category.

3. Fill out the big "The more details, the better" box below your chosen category with whatever feedback or criticisms you want to share. Please keep in mind that you should NOT use this as an excuse to be rude or condescending towards the staff, no matter how annoyed you are at them at making these meaningless changes.

4. If you are able to, provide them with an image to help give the staff and support team a better idea of what you're talking about. The support form only allows one image, so if you have more than multiple images that you want to include, compile them all into a single, organized image file to share.

5. Choose whether or not it's relevant to your blog. I leave it as "None selected" because every feedback I share and issue/bug I report is typically regarding what's affecting the Tumblr userbase as a whole.

6. Not providing a screencap for this step for obvious privacy reasons, but make sure your account email listed in the form is the same one you use to log into your account with.

7. Prove to reCAPTCHA that you're not a robot and send your support form.

(Make sure to double check by seeing if your email inbox received an automated message from the support team.)

And that's it! It is that easy to share your feedback to the staff. Remember the various instances the staff rolling back on some of the questionable changes made to the mobile apps? It was because of these feedback forms; sending them has a larger change of them getting noticed by them instead of tagging staff and support in posts and reblogs.

[txttletale]

bundletober #12: greetings from ______

alright technically this counts as 'earlier' than yesterday. tomorrow i swear to fuck i'll put this up at a normal time. and also reblog all of the last couple ridiculously late night bundletobers. but anyway today i'm looking at greetings from ______ by c.r. legge, a clearly wise and intelligent user of the classic 'two initials' naming schema.

so the coolest fucking thing about this game is that it's a map-making / worldbuilding game that can be printed out and folded into the shape of a brochure. how fucking cool is that! what an incredible, inspired use of format. its colours are ugly and weird in a very 70s way, which gives it a wonderfully dated travel brochure feel. A+ for layout.

the game is pretty simple: you start with a 6x6 grid, put each player somewhere on that grid, and then take turns moving to new squares and describing what's there. there's a really ingenious use of space here--the game uses a set of descriptors to prompt you, and while in the one-page version of the game they're all inelegantly piled into a big unappealing square, in the brochure version they surround the map on all sides, outlining the edge of one side of the brochure. it's a really neat touch that pushes the brochure version of the game out of being a format gimmick and into being, imo, the superior version of it.

if i have one criticism of greetings from ______, it's similar to what i said about locum tendons yesterday--that when you use precious space in your single-page rpg's layout to make a table to roll on, that table better be all hits. i see what c.r. was going for, with the table (designed to be rolled on with 2d6) putting less remarkable landmarks on the numbers that are easier to roll. but the job of a table should be to prompt you to say something you might not have otherwise--"a place where people live" is a boring and bizarrely vague result.

i think this table could have leaned heavier into being more evocative and vague or more specific and interesting. it's in an akward middle space between the two. that said, the concept of walking around the map creating things and saying what's there is really good and the layout makes it a real standout. if i ever run this, i'll probably try and narrativize it a bit--this seems like it would be a standout game to play in epistolary format, in-character travels and postcards flying back and forth. honestly something i might consider hacking for the next time i need to worldbuild for a longrunning campaign!

so yeah despite my criticisms i think it's fair to say any game which i'd consider hacking has done something very very right with its design--or at least, very very interesting.

greetings from ______ can be purchased as a digital download through itch.io

[shinesurge]

I, for one, would love to read your thoughts on comics vs novels.

A similar bugbear I have is the conflation or comics and animation, two mediums that are both lamentably infantilized. In my opinion we've seen this more in the past twenty years with the mainstream acceptance of anime in the US, the idea that comics are just a storyboard for animation, or just an ancillary tie in.

Utterly foolish.

Hard same about the lack of respect for animation AND viewing comics as a jumping off point for more """legitimate""" forms of art, that's a whole different conversation but UGH ughgjsldjf. Guillermo Del Toro has a lot of good stuff to say about it and he's smarter than I am hehe

ANYWAY I reserve the right to come back and write another essay on this later when I have more time and stamina but my opinion here mostly boils down to the difference between looking at a picture and reading a word, right

In prose, as an author, I have room to take time and use the EXACT words I want to communicate. Those words have definitions, and while I can already hear poets (and my fellow english majors i'm sure) complaining that words are extremely malleable and context dependent, ultimately they DO have definitions no matter what because the writer chose them.

Like, okay, Phineas is looking at Ulrich and I go, in a scene where Phineas is leading, "Ulrich's face is unreadable." It doesn't MATTER what other ways you could read that, I THE AUTHOR have indicated that the thing to take away from this is "Phineas cannot get information from Ulrich's face." Ultimately there's no other way to interpret that sentence in that context, literally just by virtue of having to describe the interaction with words that have definitions I have dictated what I want the takeaway to be. We can discuss that decision all day long, but it IS a concrete aspect that can only ever be concrete, and it must be acknowledged in any analysis; jumping to prose is WILD because I suddenly have infinitely more influence over the audience. Not an inherently bad thing! It is a feature of the medium! BUT

In a comic (IGNORING the thousand billion framing/coloring/lighting/paneling/layout decisions that could multiply the context) this scene would probably be the audience looking at two characters from the outside, with zero concrete guidance from me the author for how exactly to interpret the interaction. Every single reader who looks at those panels could find something different about the art to extrapolate different data from and ALL of their findings could be correct. Looking at their expressions could feel different to everybody, maybe she CAN read his face and still feels confused, maybe she DOES get it and is choosing not to share for reasons. Could be anything!!

And again, listen listen to me I respect prose SO so much and I am not saying at all that it isn't an equally complex and nuanced medium worth analyzing. I went to school specifically for this, almost ALL my biggest artistic influences are prose writers. This is apples and oranges don't anybody dare take this as me putting down writing as art. My point here is I am goddamn tired of comics not getting their due as an extremely complex form of art on its own from anybody anywhere, audiences or publishers or critics or (it often feels like) anyone besides us freaks who are masochistic enough to make them. It's the single most frustrating thing I've encountered in my career and I have no idea what to do about it tbh.

Tangentially, I'm also sick of people going "no totally, comics ARE art. I read Watchmen AND Sandman :)" or like, trotting out some harrowing black and white autobio. Those are fine! It's FINE, I love Sandman, but please fucking god I am begging people to consider newer comics and more varied art styles too, additional good comics HAVE been produced in the last 20 years, and also comics aren't ONLY worth something when they're either working hard to downplay the fact that they're cartoons or dealing with fully realistic heavy topics (or in Sandman's case, allowed a pass because Gaiman is a respected enough creator to be allowed to do his thing).

I'm just tired dude I love comics so much and I believe in telling stories with them that are allowed to be just as weird and varied as stories any other format. We shouldn't have to constantly justify our existence to everybody before we even get to discuss the art itself, I'm so fucking frustrated lmao

[the-wip-project]

Bad Brain Days

Today I’m having a bad brain day.

It’s not that my brain is misbehaving. It’s just having a rough time functioning.

You might call it something else, and it has numerous causes, a bad night’s sleep, a flare up of a chronic health condition, medication issues, a short term illness, or simply being overwhelmed with responsibilities.

Whatever the cause, we all have days when our brain doesn’t want to do what it’s supposed to, ie: think.

Which is bad for life in general, and particularly bad for the thinky work of writing.

So what does a committed writer do when faced with a bad brain day?

The first and simplest thing is yield. If your body is telling you to rest, it’s a good idea to heed it.

I don’t advocate for pushing yourself to write every single day. (unless streaks really work well for you, in that case streak on!) It’s especially important if your bad brain days are often caused by feeling overwhelmed.

No doubt you have things you must get done: work, classes, child or elder care, household responsibilities. Things you can’t skip just because you’re not feeling up to it. So do yourself a favor and skip the non-vital tasks, like writing. Just for today.

But perhaps that writing habit thing is starting to catch hold and you’re looking forward to your writing session as something you do for yourself, but sadly your brain just won’t go in the words and ideas direction. What then?

The best thing is to make a list of what you can do. If you have low brain usefulness days frequently, on a good day try coming up with a list of things you can do on slow brain days.

Here’s some ideas to get you started.

1. Read. Skip the social media doom scroll, turn off your devices, and read something on paper. It could be an old favorite that feels comforting, it could be something new and exciting, but either way, focus on what makes the book or story good. We hear a lot about reading critically, and finding fault seems to dominate that. But try reading to admire. Pay attention to what you enjoy, what makes you smile, what makes you feel immersed. Read with the intention of enjoyment.

2. Do something story adjacent. If you like posting about your WIP on socials, find a few good pull quotes and queue them up. Or create a synopsis or pitch to keep on file for whenever someone asks what you’re writing. If you like making visual stuff like mood boards, make one for a scene or character.

3. Feeling up to diving into the work itself? How about updating your outline? Read over what you have written and add whatever changes you’ve made to the outline. It doesn’t have to be complex. Just try making one sentence summaries of each scene. You can do this if you didn’t have an outline to begin with too.

4. Talk to a friend about your writing. Writers need social interaction and if your writing has been consuming a lot of your spare time, just connecting with a friend might be what you need. (and don’t make it all about your writing! Be a good friend!)

5. Make starting tomorrow easier. Do non writing stuff that smooths the way, like tidying up the formatting or layout, creating blank chapters or scenes, or even sketching out a scene without making an attempt to fill in all the blanks.

Finally, don’t make any major decisions about your WIP on a bad brain day. You might do something your regret. Instead make notes on any major cuts or changes that feel needed, and look at them again on a day when you feel good.

And don’t make your writing another burden that makes everything too hard to carry. Tomorrow, when your head is (hopefully) clearer, take the time to assess if your writing is too much. To consider if the goals you’ve set yourself are workable with your current life situation. There’s no shame in dialing things back. If writing 250 words a day is too much, consider reducing it to 200. Or adding in more days off. Or considering a lower pressure project. Writing short fiction instead of tackling The Novel.

Most of all, remember that a solid writing practice is first of all a healthy one. So take care of yourself.

—Maree

Subscribe to my substack to make sure you don't miss a post, chat with me on the WIP Project discord, and tag any posts you make about the challenge with #slomowrino if you want me to see them!