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#if you're reading this. i'm sorry
hiruzensux · 2 years
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Hiruzen x Enma size difference issue (bc i'm horny and have no self control)
(under a cut bc vague to semi-graphic descriptions of sex (and related injury at the end there))
Just thinking abt these two and how they can fuck without Hiruzen dying / suffering permanent injury, because I think they're up against some anatomical challenges.
(Apparently i couldn't decide whether this was supposed to be a logistical analysis, a joke, or just horny.txt, so... apologies for the tone fluctuations throughout)
It’s safe enough if it's Hiruzen in the penetrative role + Enma receiving, but i don’t know if that’s going to be quite enough for Enma? i think Hiruzen is reasonably well-endowed in relation to the rest of his body, but he’s a pretty small guy, and Enma is... Large™️. I’m not usually especially into fisting but that might be the only thing for it here
re: Hiruzen's ass: Enma’s fingers look like a pretty satisfying size but i’ve seen his nails and i have Concerns lmao
But there’s plenty of other stuff they can do besides penetration...
There’s always handjobs; Hiruzen using both hands, Enma using... idk a few fingers?
Oral is an option, but i’m honestly not sure Hiruzen could get his mouth around it; mostly just a lot of licking while, again, his hands do most of the work
Frotting is size-difference-friendly. I’m sure intercrural is a big hit with them too (Hiruzen seems like he's got fuckable thighs)
You know, I bet they could actually do both at once; Enma can be behind him and Hiruzen squeezing him between his thighs and if they angle it right, Enma's dick is big enough to slide through with enough length leftover to rub against Hiruzen's with each thrust (and can you imagine how that must look from Hiruzen's POV? or fuck, EITHER POV — Enma can just lean forward and see everything over Hiruzen's shoulder, bc he's fucking huge)
...Honestly though, i don’t think Hiruzen would be able to resist the challenge; that enormous cock haunts his dreams and calls to him in a language his ass can’t ignore
Hiruzen on top just dripping with lube, hovering over that towering erection (freshly doused in its own bottle’s worth) trying to spread himself open as much as he can
Enma’s like “You don’t have to do this...” but in his mind's eye Hiruzen sees Kagami's face and he's just like “Yes. I do.” and just sits on it
it takes a minute or so of sitting on it; shifting around, trying to get that huge head into that tiny hole before it finally goes in and oh fuck that tearing feeling can’t mean anything good but it’s just so tight and full and it’s really too late to turn back now—
neither of them last even 10 thrusts before they both cum
...and hopefully it was worth it bc now Hiruzen gets to decide whether he's going to Danzō, Biwako, Tobirama, or just to the general hospital to explain, crying, that he needs emergency suturing INSIDE his ass bc he was having inappropriate relations with his summon and was actually horny and stupid enough to try to take his massive monkey cock
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Wyll is so fucking funny and no amount of acknowledgement about this could ever be enough. He's literally walking around being so casually hilarious completely under-the-radar. He calls Halsin a "thick hunk of an elf". He once accidently implied that he was fucking an ogre instead of killing it and then proceeded to absolutely stumble his way through explaining. He gets excited by Lae'zel talking about carnal pleasures. He canonically tells his pessimistic thoughts to shut the hell up. He volunteers to babysit Shadowheart's hypothetical werewolf babies as long as she gets him gloves. He tries to give Gale a hero moniker like his own. He jokes that his father, the Grand Duke of Baldur's Gate, can't spell. He calls Astarion "Mister Fangs". He makes up storybook chapter names for his own fucking adventures. As a child he got chased by the Flaming Fist for stealing fruit, nearly drowned trying to find mermaids in the harbor, and almost successfully broke into the Counting House. He reads monster erotica, and is not ashamed to tell you about it. He ranks eating pudding among life's greatest moments. He will, without shame and completely unprompted, meow at you. He is 24 years old.
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girlatrocity · 3 months
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yr so right fr the tgchk/3rdwheel tsuyu thing...,.... 3rdwheel i think underrated dynamic HEARMEOUT. hear me out.
1ly i love me some drama espcially in my freakships.
2ly it can be very funny. recently read a fic where one girl is like "shes talkingshitaboutme. shes sooooooo talkingshitaboutme" and her friend is like "OoooKay" (psychologically revealing)
like yeah you are acting like a weird obsessive freak. ackshually. and its funny and i wuv it. yr friends dont want you to kiss but iiiiiiiii do
freakship exactlyyy i love togachako being completely abnormal abt each other and Tsuyu being caught in the crossfire
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AND IK PPL HATE LOVE TRIANGLES but wouldn't it be so funny if Tsuyu did have a little girlcrush on Ochako at first but eventually she mostly got over it + assumed she's straight, only to find herself getting dragged along for thinly veiled dates between her best friend and the girl that tried to kill them 1000 times isn't that so silly
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evilkaeya · 5 months
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THIS IS HOW I FIND OUT KAITO AND SHINICHI ARE COUSINS??
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jontaro-kun · 28 days
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That one time a pose study (looking at art of pretty women and telling myself I was being productive) turned into Portia
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poorly-drawn-mdzs · 11 months
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ORV is about enduring the horrors in real time.
(for @everyonesfavoritebastard)
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rubydubsnuby · 1 month
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King Julien Madagascar
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I have this head cannon that sometime after the Battle of the labyrinth Annabeth is in the car with her dad and Jolene by Dolly Parton comes on. And Annabeth is struck with this intense feeling of kinship with Dolly Parton. Cause like, she too is a blonde with a red-headed hussy trying to steal her man. And she gets really fired up listening to the song and thinking about how this girl could steal Percy away from her. And then the song gives her hope because Dolly wins. Dolly keeps her husband.
So then sometime after the last Olympian Annabeth is in the car with her dad and Jolene comes on again. And Annabeth just whispers "I did it Dolly. I won. He's mine." And Frederick Chase just turns to her like "Annie wtf are you talking about?"
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I shall force you to unironically declare that you're 'not like other girls'
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raziiyah · 2 months
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do u think he doesn't get it until celia announces it on the intercom, mf can't see
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qcomicsy · 5 months
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Sometimes I feel like only Peter Parker gets how humbling it is to be poor jesus christ. I am enjoying my time despite not being my cup of tea (I am a dialogue person, I love dialogue I love dialogue as a dog loves little delicious treats. 60's comics unfortunately do not have the best kind of dialogues). But I am enjoying it, almost as a concept, hecause Stan Lee and Robin Dikto do not have the fear to show a pathetic little man, they don't have the embarrassment of showing your hero getting rejected by the girl, forgetting to let his suit dry and having to wear a wet scrunky suit, showing him being arrogant, being annoying, a very very antisocial guy.
I think reading so so many comics where it's clear how much the writers are trying to make the hero sound cool, the smartest, handsomest and smoothies guy in the room.
Peter is kind of a breath of fresh air. He gets it, he really does. He's not cool, he's not there yet. He's a kid doing dumb shit. Trying to do better, failing and failing and trying. No wonder so many people who got to read his comics as they were growing up hold Peter so close to their heart.
Because he's the proof you can try again, you can fuck up, in ten, twenty, thirty hell maybe forty years from now it won't matter. Just try again. Stand up. Try again.
@sciderman talks a lot about how Spider-Man is about reaching manhood and I've never get it, sure as a concept yes but I couldn't grasp why. Now I do.
It's not about waking up and being the man you should be, being responsible for having a cool montage of getting better and better. Nah it's the every day thing. Peter isn't (at least what I am getting of the comics while I read at my pace and time) the representation of becoming the power and responsability thing, he is the representation of having this as a goal. And trying each day.
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passionpeachy · 4 months
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Wait did you really meet a hot butch on tumblr who likes you back??? We need to know there is hope for the rest of us lmao
here's the crazy thing: they actually reached out to me through dms first because they really liked my art and thought I was cute because of my selfies and usually I'd never give my discord to someone I wasn't extremely familiar with, but they gave me such sweet sincere vibes and I was extremely attracted to their tattoos so I just took a chance and.....yeah. they're genuinely so heart-achingly sweet to me, they comfort me through my nightmares and call me "Azulito" . I'm trying to not get too swept up since we've known eachother for such a short time, but it feels like I'm in a fairytale tbh
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nariism · 1 year
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come out and haunt me
pair. itoshi sae x ghost!reader
content: fluff, angst/comfort with a happy ending, reader is a ghost, platonic + romantic interactions, strangers to friends (to more?), slight pining
synopsis. sae is 13 years old when he moves to madrid. his temporary apartment is old and cheap, and worst of all it's haunted. but he finds your company better than nothing, even if you do tend to knock all of his belongings over.
wc. 5.7k
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You are dead.
As it comes to all mortal humans, you have died. You can't remember when, or how, or why— only that it is your duty to haunt this home, that you are abysmally cold, and that you are dead.
You don't know if you had any last words, what it was like to draw a breath, or how to stop feeling so cold. Cradling yourself somehow makes it worse. But you are dead, so what does it matter if you can't remember?
If you had aspirations and meaning in life, then you suppose you should try to find them in death, too. So you float around empty halls, deliberately bump into things just for the fun of it, and pretend that you aren't dead. It is purposeful enough.
There's a boy who lives with you.
You are dead, and he is alive, yet he seems completely unbothered by your loud, obnoxious presence.
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Sae feels more dead than alive.
He is 13 years old when he moves into his temporary home in Madrid. It's old and worn. It is all his parents could afford with Yen in a foreign country.
His new home is despairingly lonely. It makes the heart in his chest sink into the pit of his stomach. He misses Rin. His parents. Japan.
He should be thankful. He doesn't mean to be a brat. But the small apartment is cramped and cold and smells like mildew. He's allergic to something in the walls. His light buzzes horribly when it turns on.
And, well. The place is haunted.
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You are a ghost haunting an old, rickety apartment in Madrid.
You've never seen your reflection in the mirror, but you're pretty sure you look scary. There has been others before him— a young couple with a dog; a retired carpenter; a businessman complaining about how shitty work is over the phone. Each and every one of them have left you the same way: screaming, crying, colour drained from their faces and packing their suitcase before you could even say hello.
It's a little lonely, being a ghost. Sometimes you wish you came off a little friendlier. You have no ill intent, you're just bored. Bored and lonely and wishing to know why everyone thinks you're so terrifying.
The boy who lives with you is the first. He's the first to look you dead in the eyes and shrug you off. He's the first to fall asleep knowing your presence is watching. He's the first to leave out a bowl of warm, steaming rice for you even though he seems to know you can't physically eat it.
His company is silent, as is yours. It's better than nothing.
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Sae is 13 years and 5 months old when he tells Rin his apartment is haunted.
"A ghost? Seriously?" Rin sounds unimpressed even through the static of the phone call. Take it from the kid who watches horror movies in his spare time. Freak, Sae thinks.
"Seriously. I have a picture."
He can hear his brother pulling his phone away from his ear to look at the image he just sent. The call goes quiet for a moment, and then Rin is scoffing in the microphone again.
"Quit messing with me." The younger Itoshi sighs. "This isn't funny."
Rin is only 11. He lives at home with Mom and Dad. He's not alone right now, in a place where everyone speaks a jumbled language he can't decipher yet.
He doesn't understand that even if Sae isn't being haunted, he shouldn't crush his brother's hopes that someone, or something, is watching over him.
"I'm not," Sae deadpans.
"Yeah, okay, and what does this ghost do, then?" He still sounds skeptical.
"Mostly just knocks over my books and stuff."
From his couch, he watches you bristle in embarrassment and scurry away into the darkness of the hall.
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You are some sort of untethered soul, unsure of where your actual body rests. It could be 10 meters from this apartment. It could be in Antarctica, for all you know.
Okay, well, Antarctica is a bit of a reach, but you're certain that your body is somewhere. You wonder what kind of clothes you used to wear; what kind of music you used to listen to; what kind of hairstyle you used to prefer.
You wonder if these things are anything like Sae's.
He's all you have right now. It would be nice if you had some things in common. Maybe you could be friends, if he was ever going to acknowledge you to your face instead of gossiping to his brother.
You watch him quietly from the kitchen table, waiting for your bowl of rice. You must make some kind of face when he instead places a plate of eggs in front of you.
He almost laughs, you think. He hasn't shown any sort of emotion in response to you thus far, so it's hard to tell.
"Coaches told me I have to be stricter about my diet," he says out loud. It's the first words he has ever spoken to you. It's the first words anyone has ever spoken to you.
He eats his bland eggs silently after that remark, eyeing them disdainfully.
You have that in common, at least. You miss your warm bowl of rice.
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Sae thinks you are funny.
He's only ever known ghosts to be malicious, benevolent beings. Things stuck in purgatory with no way out, forced to wander the mortal plane and thus turning into baneful monsters. Watching spooky movies with Rin has ingrained this into him—  hardwired his brain into giving him goosebumps whenever you're around even though he knows you're harmless.
He has to wonder how anyone could ever find a ghost like you genuinely scary, with your avoidant eyes and that patience while you wait for breakfast.
He doesn't mind doing twice the amount of dishes. Not if it means he doesn't feel alone.
You do silly things, like shoving his belongings over when you want his attention, or sitting on the floor and blowing bone-chillingly cold air into his face when he's taking his midday nap.
He's discovered that your inconsistent corporeal interactions with the world are quite amusing.
"What's your name?" He asks one day over eggs that he's shoving around on his plate.
Silence. Of course.
"Don't have one?"
You shake your head, but really, you don't know. You can't remember.
Sae has never been the talkative type, but for some reason he just can't keep his mouth closed. Being a complete shut-in and not having anyone to talk to outside of his team would do that to him, he guesses. He's thankful that you at least don't seem to have a language barrier when he speaks Japanese.
"Should I name you?"
Your offended expression screams: What am I, a pet?
He just smiles, placing his fork down and observing you carefully. And the name he decides on dances at the tip of his tongue, sounds so sweet coming from his lips.
You can't help but think the name was meant for you, in life or in death.
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You like listening to Sae talk.
He has a voice smooth as silk, so charming and boyish. He's young, you think. He told you once that you also looked rather young, and asked you how old you were when you died.
Even if you had an answer for him, it's not like you could have told him.
Sae is famous for his age, you discover one night while watching television with him. You're sitting on the floor and he's on the couch. You cause the TV to frizzle and crack with static but he doesn't shoo you away. Maybe he finds your presence more valuable than the background noise of the screen.
He's in a recording, playing what he calls "football"— light blue uniform, eyes wide with adrenaline, sweat sticking to his forehead and a proud shine in his expression. He isn't smiling by any means (you've also discovered that he rarely does), but you can tell he's happy.
"I'm going to be the greatest striker," he says from the couch. He talks about his dreams a lot, which is apparently what he used to do with Rin, but you don't mind filling in that role temporarily. "I'm going to be the best in the entire world."
You don't know anything about football, but you believe him anyways.
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Sae is 14 years old when he gets his first contract payment.
This is his chance, he realizes, to move out of his shitty little apartment and into an actual livable home.
He has to consider if you'll feel lonely, if you even can feel lonely, and if you'll like hanging out with your next housemate, whoever it is that's unlucky enough to have a ghost befall them.
He's getting soft. If it were any other point in his life, Sae would have taken the chance to move out without hesitation. But you've been there for him since day one, kept him enough company — no matter how quiet — for him not to go literally insane.
You're the only thing he has in Madrid that he can come home to right now. You’re the only reason he even comes home at night instead of just sleeping in the locker rooms.
If not him, who else would feed you crappy bland eggs in the morning?
You, football, sleep. You, football, sleep. You, football, sleep. At some point, it became his routine.
"I was thinking of moving out."
Your head tilts to the side. You seem perplexed by his statement.
"Like, leaving. Leaving here."
You blink at him, head tilting the other way. There's a look in your eyes that tells him you understand. There's also a look that tells him it's not your first time being abandoned, left in this terribly lonely, smelly apartment.
"I can never tell what you're thinking," he huffs.
You're still for a moment, just staring at him as if you suddenly can't understand Japanese. But then you get up from the table, walk over to the container of dry rice that's been untouched for so long that it's gathering dust, and knock it over.
"Hey," he scolds sharply, chair screeching as he stands. "I have to clean that, you know?"
You start moving the spilled rice into place. He watches curiously as you sort dry rice into a pile. You don't know any Kanji, he isn't surprised. But you know enough to draw him a universally understood symbol.
When he peers over at the messy counter, he finds himself staring at a giant X. Stay, it means. Don't leave.
That night, when he knows you've retreated into the closet where you seemingly go to sleep, he crumples up the lease for his new place without signing and burns the paper.
It's because he needs to make you eggs tomorrow morning. Only he would know to do that.
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"Do ghosts ever have dreams?"
You raise your head from the edge of the bed. You've made it a new habit to protect him in his sleep, from what he can tell. Perching yourself on the floor beside the mattress and resting there, head in your arms, making his sheets cold.
You shake your head. Of course not, he internally smacks himself. What a ridiculous notion.
He rolls himself over onto his side, looking at you from under his duvet. "So when you sleep, you don't see anything?"
Another shake of the head. He isn't sure you're understanding him. There's another pause as he peers at you, and then he sighs, eyes sliding shut.
"Do ghosts ever have dreams?" He asks again, this time emphasizing his words in a different way and hoping you'll answer him the way he wants.
Your eyes shift away for a second, as if pondering. When you look back he's surprised to see that you look... bashful?
You point at him, then at yourself, then shy away again.
You. Me. Friends.
Sae feels silly that it makes his heart ache a little— the sadness carried in your face and a loneliness so powerful he feels it rattling in his own bones.
Well, the two of you have a lot more in common than he thought. How long had you been alone? Was that really all you ever dreamed of? Having a friend?
Suddenly, his doubts about his own dreams feel immeasurably small.
He reaches out to pat your head. His hand goes through you.
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Sae is 15 years old when he packs up his belongings for a flight to Japan.
"I'll be back," he promises with a small smile. You believe him. He doesn't lie to you.
You wait patiently at the door for him for two weeks, three days, and sixteen hours. When he comes home, he finds you sitting on the floor like you always do with your head in your knees and a sleepy expression on your face.
He seems colder. More withdrawn, for some reason.
"Miss me?" Sae asks, but he's not even looking at you. He makes his way over to the kitchen and dumps a cup of rice into the cooker, suitcase abandoned at the door unpacked.
You trail behind him curiously, watching him in confusion as he washes it in the sink. He pauses, finally glancing at you before reaching over and dumping a second cup of rice in.
"I stress eat. Don't tell my coach."
The words don't make much sense to you, but you nod anyways.
For the first time in months, he places a bowl of warm rice in front of you. You do as he does, say thanks for the food in your head even though you can't eat, and observe him. You both sit quietly in the dim light of the apartment, moonlight beaming through your single rickety window.
He only gets four bites in before he puts his head in his hands and sobs.
You've never seen someone cry so hard before. Usually, they only do it when they first catch a glimpse of you and flee in terror. You've never known it to be such a painful sound— like a bird singing for the sky but never finding it.
Sae sits there for a long time just crying to himself, not caring that your presence is still watching. It's not like you'd ever judge him or have the voice to speak this secret, anyways.
"Fuck—" he hiccups, wiping up his face. "—Sorry."
You look at him funny. He has no reason to apologize. He's just a kid. A 15 year old kid who needs to stress eat in the solitude of his lonely apartment right now. It makes your chest squeeze; an unfamiliar, horrible feeling that's completely new to you. You wonder if this is what all the anime he watches calls a heart.
By the time he finishes crying, his rice is cold. And when he looks up, his eyes widen. Your lips are trembling and you look like you want to shout at him, but you can't. You are dead. You're a ghost. You can't yell some sense into him, even if you tried.
In the pale moonlight shining into the room, he can see tears illuminated on your cheeks.
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Sae is 16 years old when he meets his first partner.
"They're nice," he reassures you as he slicks his bangs up with gel. You shake your head in disapproval and he rolls his eyes. You always liked his bangs down, thinks he looks better that way. "Well, I can't stay single forever."
You scowl at him and swivel on your heel to stubbornly deny his claims. He just laughs.
"You're seriously jealous?"
You shoot him a glare.
"If you really don't like them, you could always scare them away. You are a ghost, aren't you?" He reaches up to pat your head as he always does. And as always, his hand phases through you.
He turns around to fix his hair again, leaning into the mirror to see himself closer.
You're not sure if you even have human features. You can't see them in a reflection, anyways. Even if you did, you're sure they're pretty scary.
You glance at Sae in the reflection. He looks as good as ever, no longer a scrawny little 13 year old kid who eats rice for breakfast every morning. You wonder if his partner is pretty like he is.
He must notice the chill in the air grow ten times colder— a telling sign that your mood is dropping. He turns around to see what has happened, only to find you sulking.
"What?"
You pout, gesturing to the mirror. He looks to the vanity, then to you, and he shakes his head with an exasperated smile.
"I was wondering when you'd ask," he says as if this was a conversation he's been waiting for. And then he talks. Talks more than you've heard in a long time— since he came home from Japan, probably.
He's gotten meaner over the years. He was always a rude little kid, but being pushed around in football must have given him thicker skin and a sharper tongue. You've never known him to be a saint of a human, someone who speaks so eloquently in their descriptions. But here he is now, defying your every expectation like he always does.
He tells you what colour your hair is. Compares the shape of your head to a fruit you can't recall an image of. Gives you a detailed explanation of all your flaws and marks and why he thinks they're so perfect because it proves that you were indeed alive and human at some point.
"You're beautiful," he concludes casually, as if he's not turning the entire world on its head right now.
Silence fills the room as he waits for your response. You don't do anything but gawk at him, and he chuckles.
He doesn't show up to his date that night.
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"Your hair got longer," Sae points out one day while he's scrolling through his phone.
Your eyes flutter open from where your head rests on the coffee table. You hadn't even noticed. Can ghosts grow? 
"You know, I used to think you'd stay the same forever, but you've been growing up with me. It's cute."
Have you? Is it cute? Are you seriously so tethered to him that you've been unconsciously changing to match him?
Sae puts his phone down at your confusion. "Should I give you a birthday if you're going to grow up?"
You don't know what a birthday is. When he tries to explain it, you're even more perplexed. Ghosts don't have birthdays. They have... deathdays.
He puts a cake in front of you anyways and lets you blow out the candles.
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Sae is 17 years old when he gets the eviction notice.
Four years. Four long, hard, unbelievably painful years later, and he's finally being kicked out of his house.
13 year old Sae would have celebrated. All he feels now is despair.
He doesn't tell you. He can't. How can he explain that he won't wake up every morning at 6am sharp to make you eggs? That you won't have someone around who will tell you every little thing that's changed about you from the last day? That you won't be able to doodle him little incomprehensible blobs with dry rice anymore?
He shouldn't care so much. You're not chained to this Earth. You might just disappear once he leaves, inperceptable to anyone else. The thought makes him so sick that he throws up that night. He tells you he ate some bad food.
Sae doesn't want you to feel sad or lonely, but it's not like he can just become a squatter in this place. His dream is to play football, not be thrown into jail.
You wake up one morning, and he's gone.
There isn't a note. There isn't an explanation anywhere to be found. There isn't even a trace of evidence that Itoshi Sae ever lived here.
Well, except for the plate of eggs and bowl of rice sitting on the stove.
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You thought you would have been used to being alone by now. For some time, you were used to it. But that was many years ago.
You're not sure how long you've been haunting this apartment in Madrid, nor do you know how much time passes after Sae leaves. The world seems to come to a halt, actually. Without him, what fun is being a ghost?
Now you're just a lost soul like all the others. There isn't anything special about you. You're just the ghost that used to haunt Itoshi Sae and wake him up from his naps.
For the first time in years, you only know one thing. A singular fact that keeps you bound to this world: it's your duty to haunt this home. There is nothing else.
No one moves in after Sae leaves. No one new comes to be haunted. No one dares to set foot into this apartment. You remember that there were moments when life flickered inside of you, if even for just a fraction of your infinite time. The reason for that has abandoned you without explanation.
There's a knock on the door one day. You can't open it, and the person outside doesn't bother sticking around to see you phasing through the door to look around.
There's a birthday cake on the floor with candles that say '19' sticking out of it.
Only one human in the entire world would have deemed today to be your 19th birthday. He's nowhere to be seen.
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He moves back to Japan on his 21st birthday. Sae is having trouble remembering what you look like, despite seeing you in his dreams every night.
It's a terrible realization. So terrible that it makes him sob into his pillow at night when no one in the world is awake to hear his anguish.
Japan is lonelier than Madrid. He never thought it would happen, and he blames you entirely.
He doesn't have anyone waiting for him when he opens the door to his luxury penthouse apartment. He only washes one plate in the morning. He wakes up from his midday naps undisturbed and rested.
Sae misses you deeply. And he can't help but wonder if you feel the same.
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(You don't know what the yearning ache inside of you is. You don't know what to call it.
You miss him, too. You just can't put a name to the feeling.)
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He doesn't stop seeing you in wisps; little blurs in his peripheral that make his head turn fast as lightning. Wherever he looks, you're gone.
It's not fair that you're a ghost who both literally and figuratively haunts him. He'd like to move on in life and forget about those 4 miserable years he spent living in that damned apartment.
He can't. Sae is incapable of moving on from that place. The irony of it is that you actually can't move on from that place, for some reason.
He would give anything to have you haunting him again. It doesn't matter where in the world the two of you are, if you were together everything would be okay. He's impossibly lonely without you.
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You start to think that you're the selfish one.
The idea of leaving this terrible apartment in Madrid scares you to your very core— whatever soul is resting in your incorporeal body. It's not fair to place the blame entirely on Sae. Not when you're too wimpy to leave this place and find him.
Death is lonely without him.
One step forward, one day at a time. It's the advice Sae used to mutter to himself while getting ready in the morning.
One step forward, one day at a time. One step forward, one day at a time. And day by day, you're slowly inching closer to the door.
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Sae talks to Rin and all he can think about is your confused smiles and head tilts. He talks to his parents and all he can imagine is how cold the room would be if it were you. He talks to his fucking therapist and thinks that all of her shitty advice can't compare to your quiet understanding— that your tears of solidarity are the only thing that could make him feel better.
It's fucked up, really, that he can't move on. His body is in Japan going through the motions: playing football, being famous, being interviewed and going home to nothing. His heart is in Madrid. You took it with you and refuse to let go.
You're the closest thing to love he's ever felt, perhaps— his only friend in Spain. His only reason not to leave. A ghost from his childhood that protected him in his sleep and ate bland eggs for breakfast across the table from him every morning. A ghost that would sit on the floor and wait for him to come home every day. A ghost that kept him company when he had no one else.
He loves you. He doesn't. He needs you. He doesn't. He misses you. He doesn't. Whatever. What does it matter now?
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"So playing football has always been your dream?"
Sae stares blankly at the interviewer. He's reminded of a distant conversation: he is laying in bed looking at a ghost with a lump in his throat, and then he makes his first and only friend in Spain.
"Yes."
"And now that you're back in Japan, will you be playing for the national team?"
"I have no interest in playing on such a weak team." In other words, he has no reason to stay in Japan.
"So where will you go?"
Anywhere but here, he wants to say. In reality, he doesn't know where to go anymore if not to his old apartment in Spain. He just knows that he wants to come home to your sleepy face.
(That night, he makes two bowls of rice. He cries like he's 15 years old again and just ruined his relationship with his brother.)
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You've never been outside before.
You've heard about it, almost entirely from Sae but also from little snippets of anime he liked to watch. It's brighter than you imagined it to be, and warmer. You're not sure you've ever felt so warm before— it's hard to when you are a walking freezer.
There isn't anyone to tell you where to go. No one pays you any mind. You wonder if you even exist anymore outside of the small confines of that old apartment.
Something tells you that you do.
You don't know where to start looking. He could be all the way across the globe for all you know, though he did used to talk about his home country.
You have no map. You have no sense of direction. You have no one to ask for help. 
All you have is the soul caged within your ghostly body tugging in one direction, and wispy feet dragging your body along in response.
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Sae is 23 years old when he finally signs the contract to play for Japan, after months of being pestered by Rin about it.
His relationship with his brother is complicated. On one hand, he feels as though Rin will never truly forgive him for what he did when he was 15. On the other, he looks so ecstatic to be playing football together again that Sae wonders if their discourse was imaginary.
Japan is just a smidge less lonely with Rin in his life.
He wants to tell you all about it. That everything worked out and it's fine now. That you can stop weeping for him and to wipe up the tears that fall into nothing.
He counts the distance between you. Fourteen thousand kilometres separate him from telling you how he's living his new dream: playing football with his little brother again.
Fourteen thousand kilometers, ten years of needing you, and a reminder set on his phone to buy you a birthday cake again this year.
His heart aches.
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Japan is loud and busy and everyone is always in a hurry to get places.
You have to wonder if Sae really grew up in a city like this, and how he turned out so calm and unmovable. The street names are all in Kanji you can't read, but your soul tells you that you're going the right way, anyways.
There's a crowd gathering when your feet finally come to a halt. Lights flash and there are fancy looking people with microphones clamouring toward the center.
It's only a fraction of a second that your eyes meet, and then someone shoves him into the back of the car and they drive off.
He must be famous here, too.
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Sae is 24 years old tossing and turning in his bed, wondering if you were just a figment of his imagination or if you were truly standing there under a streetlamp watching him.
It wouldn't be the first time he dreamed you into existence; on some occasions you feel so real that he nearly reaches out to attempt to pat your head, like he always used to do when he was younger.
He goes back to that spot a couple hours later. The crowd is long gone and it's the dead of night— no one would be around to witness Itoshi Sae looking psychotic.
He doesn't find you in that spot. Instead, you're two blocks down and crouched in front of the window of a 24 hour shop. There's an ad for sparklers, and though you can't read the poster itself, the picture makes you stare with wide eyes.
He crouches down beside you as if 7 years of distance never existed between you.
"Do you want one?" He asks. You look at him in a strange way and his knees grow weak beneath him. You nod.
He comes out five minutes later with a few packs in his hand, walking away from you down the street to the park. You follow him quietly as if 7 years of distance never existed between you.
Sae holds one out, flicks the lighter in his pocket open and ignites the first sparkler. You watch it in fascination, ghostly form illuminated in warm orange and yellow light.
He smiles at you as if 7 years of distance never existed between you.
When the sparkler dies out, he lights another. And another. And another, until he's gone through all the packets he could afford with the Yen in his wallet right now.
As if 7 years of distance never existed between you, he reaches out to pat your head. His hand falls through you.
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You think Sae's new apartment is pretentious, but it's clean and open and doesn't smell like mildew.
It's hard to imagine what kind of purpose you had before him— all your memories are flooded with his hands and eyes and bangs and small smiles reserved for you. You think that the only reason you were ever materialized into the mortal plane was to haunt him, and only him. Itoshi Sae's permanent looming presence.
He doesn't seem to mind. In fact, you've noticed he's been smiling more lately since you started waiting for him to come home by the door.
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Sae is 25 years old when you fall asleep beside him in his bed.
You don't care that he's a kicker or a blanket hog in his sleep. It's not like either of those would affect you. He watches your sleeping face carefully, waiting to see if he would ever wake up from this blissful dream and be alone again.
But every time he wakes up, there you are.
You've grown since he left you in Madrid— you don't look like some lost little kid anymore, at least. He wonders if your souls are truly so intertwined that you would change alongside him, regardless of the distance.
Your eyes flutter open and his breath catches in his throat. You blink at him slowly in the pale moonlight, brows furrowed.
You point at him. Then yourself.
You. Me.
He nods in understanding.
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When he drops a plate of protein pancakes in front of you for breakfast, you look confused.
"Oh, sorry. Do you want rice?"
You shake your head. You don't care what's for breakfast, as long as you're sitting across from him while he eats it.
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"I'm going to be the world's best midfielder," he tells you one day. You're on the floor and he's on the couch, and it's like time had never even passed.
You don't know what that means, but it's his dream so it must be important. The most important thing in the world.
What you don't know is that it's not his entire dream. World's best midfielder doesn't mean a thing if he can't come home to tell you all about it.
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You are dead.
You're a ghost haunting Itoshi Sae— one that followed him from Madrid all the way to Japan. You don't remember how, or when, or why you died. You can't remember what your face looks like either, no matter how much Sae tries to describe it to you. 
You are dead. You're a ghost knocking over Sae's belongings to get his attention when you want it. You're the ghost curled up in bed with him even though he has to wear two layers to stay warm because of it. You're the ghost watching him rotate through different breakfasts that he says could never compare to a good old warm bowl of rice.
You are a ghost, and Itoshi Sae gave you a name. A birthday. A purpose greater than being a loud nuisance.
You are a ghost who likes to watch him light sparklers on his balcony. Who feels the things described only in the books he reads to you. Who learned to love somewhere along the way.
You are dead, and somehow alive at the same time.
(One day, Sae will be brave. One day, he will tell you he loves you. One day, he will thank you for waiting for him at the door when he comes home.)
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© ALABOADOA 2023 — please do not translate or post my works to other platforms.
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sskk-manifesto · 2 months
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Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me
#bsd#bungou stray dogs#About: Dead Apple. Watched this a while ago with a friend and it was a lot of fun!!!#If you're reading this: thank you so much for hanging out with me I had such a good time (ㅅ´ ˘ )♡#Next to general considerations: wow they were right that Bungou Stray Dogs movie sure can Bungou Stray Dogs#It's always nice to see the detailed animation and elaborate backgrounds of movies. The animation quality compared to the manga is–#definitely noticeable and it's nice to see. That said... I still like the season 2 art style more? And I'm speaking strictly of art style.#The s2 one looks more soft and smooth while the da one is so much more rough.#The plot is... Very bsd-esque I don't think there's anything to add.#In my opinion Kyouka's arc is the one that turned out best tbh. I really like her narrative development and personal growth in this movie.#I like the complexity of her state of mind. how full of contradiction she is. I especially appreciate the recurring small changes of–#expression that indicate how she thinks differently from Atsushi even if she doesn't voice them. The fight between her cynicism and her–#kind nature. It's all very interesting.#Atsushi's development is interesting too. Although all the open questions about his ability we still have kind of leave me frustrated#I don't feel very strongly about Akutagawa in this movie? I mean‚ he's there. The ss/kk scenes are always great and in character and a joy–#to witness no matter what they do. He just doesn't shine particularly? Or at least personally I dont find the “proving my strength against–#myself” narrative arc to be particularly interesting. Imo it was a lot better flashed out in the da stage play! With the complexity that–#the dialogues with Chuuya added to the character. Dazai attacking him. And especially Aktgw understanding that Rashomon wasn't testing Aktg#but rather only expressing that unstoppable rage that is also Aktgw's own. About that I checked out the play and I really liked it!!#I only watched highlights (aka: ss/kk and chuu/aku scenes) but there's some stuff I really like. I like the conflict between Aktgw and–#Chuuya and how Chuuya messes up with Aktgw at first maliciously and then amiably. It's interesting how Atsushi himself observes that Kyouka#and Akutagawa get along. And especially the sskk almost-handholding and Atsushi saying Akutagawa has a nice profile were cute akjdhbsawhjb#Next. Da really is shipping paradise (╥﹏╥) Sorry but... It is. oda/zai. daz/atsu. ss/kk. s/kk. fuku/mori. chuu/aku. It really has everythin#and the moments are so good!!!! What else. Wish we'd see more of Tsujimura. And Christie. And women in general tbh.#Also‚‚‚‚‚ Atsushi's tiger form in this movie is ATROCIOUS. I've said it before but it's crazy how a franchises that relies so heavily on–#fanservice came up with something this hideous. Man the movie overall was pretty but Atsushi sure wasn't. Firmly stand by the belief–#that only Akutagawa would find that form attractive.#Oh last note. honestly if we're ready to accept a movie where an antidote has effect AFTER the person has effectively died then we really–#can't complain about any kind of insanity the manga brings up#random rambles
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ihavesomejays · 3 months
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troublemaker
to thank @keebssi for all the delicious raturine, have a quick modern au wangxian. nothing like wondering why your school's bad boy is asking you for your student id number in the middle of a random park (he is not in fact asking you for your student id number) !! also apologies to the mdzs fans i haven't read mdzs and i don't really plan to this one was just for a homie
closeups under keep reading
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cinnamonsikwate · 8 months
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"why couldn't shuro have just been honest about what he felt with laios and falin it's not that hard" are you. are you White
#dungeon meshi#shuro#toshiro nakamoto#look you can hate him for other things but this is very clearly a case of cultures (& personalities influenced by these cultures) clashing#shuro is japanese/east asian-coded and laios is european white boy#i am not japanese but i also come from a collectivistic society#pakikisama is a filipino value both prized and abhorred#it relies heavily on being able to read social cues and prior knowledge of societal norms#shuro being from a different country/culture is important to his character#his repressed nature is meant to contrast with laios' open one like that's the point#they both had similar upbringings but different coping mechanisms#shuro explicitly admits that he's jealous of laios being able to live life sincerely#anyway the point is they were operating on different expectations entirely and neither had healthy enough communication skills#to hash things out before they got too bad#re his attraction to falin i personally believe he unfortunately mpdg-ed her#she represented something new & different. a fresh drink of water for his parched repressed self#alas not meant to be#i'll be honest the way ryoko kui handles both fantasy & regular racism in dm is more miss than hit for me#i don't doubt that a lot of the shuro hate is based off of marcille's pov of him#marcille famously racist 😭#characters' racist views don't often get (too) challenged#practically everyone is casually racist at some point#anyway. again if you're gonna hate shuro at least hate him for being complicit in human trafficking & slavery#he couldn't help falling for the wrong woman goddamn 😭#calemonsito notes#edit: upon further reflection i take back what i said about toshiro mpdg-ing falin!#i'm sorry toshiro 😭
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