#im no longer than person

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[recents]

so we all know astarion was named after the minotaur of greek myth, who, despite widely known as the minotaur (“bull of minos”), was named astarion/asterion (“starry one”) by his mother at birth. asterion the minotaur was trapped in a labyrinth and cursed to devour virginal men and women thrown in there as sacrifices.

”The House of Asterion” is a 1947 short story by Argentine writer Jorge Luis Borges that retells the story of the minotaur from the minotaur’s point of view. it’s one of his best early short stories and it’s very short, only 3 pages long. you can read it here.

borges is in my top 3 favorite writers of all time, and “The House of Asterion” obviously deserves to be considered on its own merits, so i feel slightly irreverent connecting this text to a recent video game. but i reread this short story today and there was much to think about, there were many more seeds planted in my mind in terms of interpretations of the minotaur myth and how asterion the minotaur relates to the story of astarion the vampire. i think it will for you, too.

anyway. if you don’t click through and read it, please at least read how it ends, remembering, of course, that the speaker is asterion the minotaur:

:)

[sugar-tooth]

comfort 

[completeoveranalysis]

[4]

OOF, Fai clutches the crystalised magic and it too shatters like glass, just like Syaoran did, the crystal breaking between his hands just like Syaoran did in Lava Lamp’s

And Fai clutches his hands in front of his face, hands pressed together like in prayer, surrounded by a dark circle that looks so much like an eye (the thing he lost to Syaoran) with Fai’s hands acting as the pupil

EXACTLY THAT

Fai theorising that Syaoran (the Syaoran that came back, when he was Syaoran with Soul, after he left Nihon), kept using the magic and getting far stronger than necessary on purpose so that when the magic went back to Fai it would be enough to sustain him on its own. 

And it worked - Fai takes off his blindfold and has his eye restored as well as his magic (and grown far stronger than we’ve ever seen it)

But none of that is even slightly comparable to having Syaoran

[petite-phthora]

This yours?

[DP x DC fic]

[Love at first... murder? - part 12]

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Part 1

Ao3

---

Somewhere else, in a seemingly abandoned building on the outskirts of the city, a figure shrouded in darkness and wearing a dark cloak plots.

In front of them is a whiteboard. It’s covered in pictures, sticky notes, and illegible texts. Some of the notes thrown about that are legible are ‘fight…’, ‘draw blood.’, and ‘DEATH!!!’.

There’s a crude stick figure drawn in the corner of the board, it’s impaled. Other small doodles can also be found all around the board.

Most of the information and pictures are connected by red strings, like you see in movies.

In the middle is a picture of 2 people sitting on a motorcycle, the arms of the person sitting in the back are around the waist of the person sitting in the front. The picture has some arrows pointing towards it and the people in the picture are very obviously circled.

Though the face of the person driving the motorcycle is obscured by their helmet, the other person seems to be heavily blushing and grinning broadly.

“Yes… yes! That’s it! I know what to do…” They seem to be speaking to themselves.

Quickly, the person scribbles down a barely legible ‘sacrifice!!‘.

They start cackling.

“Mwuahaha!”

It’s an evil laugh they’ve been working on for quite a while now, and they’re pretty proud of it.

However, the effect is slightly ruined when a fly enters their mouth, cutting off their cackling with choking as they gasp for air, grasping at their throat.

A few good thumps against their chest, with some coughing out their lungs, helps them dislodge the fly from their throat and they spit it out on the ground. They take a few deep breaths before straightening up again.

“Curse you” the person exclaims, angrily waving their fist at the fly as it flies away.

---

Bruce’s face gives off nothing as he stares at the streets down below. He’s dressed as Batman, crouched at the edge of a building with Damian by his side as Robin. Spoiler, Black Bat, Nightwing, and Red Robin are further back on the rooftop.

They watch in silence as another group of the Joker’s goons passes by. They’ve been all over the city, wandering around, not doing anything obviously illegal.

They don’t stay in one place and they don’t seem to have much of a purpose. No attacks… No stealing… No smuggling or transport of goods… No, instead they’re inspecting every single inch of the city.

They don’t seem to have any weapons on them. All they’re carrying on them are some flashlights. While most don’t give anything away with their body language or expressions, some seem to give off a bit of anxious energy.

Spoiler claimed she even saw some of them climb down into the sewers earlier and then climbing out again sometime later somewhere else, but this time ‘dejected and stinky’.

One thing seems clear to the Bats.

They’re searching for something… or someone.

“This basically confirms that not even the Joker’s henchmen know where he is. He’s missing.”

“I’m not sure if this is a good thing or a bad thing”

“Good… thing?”

“It’s… something. That’s for sure.”

“We don’t know if he’s really missing. For all we know it could be a trap. What if the Joker is hiding, pretending to be missing to have us bring our guard down? Besides, how could he be missing? He’s the Joker. No one’s just gonna kidnap him”

“For all we know he could be lying dead in a ditch somewhere”

“I highly doubt that”

“Everyone, focus” Bruce speaks up, having them draw their attention to him.

“It’s unclear whether the Joker is simply hiding away or missing. Instead of focusing on the why, we need to focus on the where. Missing or not, we need to find him and get him back to Arkham. Oracle, have you managed to find out anything from the footage yet?”

“Nope, still nothing. All the files from the moment he enters Crime Alley are wiped and any attempt at recovering them only brings back corrupted files.”

 “We need Red Hood. Where is he?” Bruce asks.

“He still has his phone on silent and he has removed the trackers and cams. We haven’t placed any new ones on him yet”

“Let’s visit him on his turf then. And keep an eye out for anything suspicious in the meantime. Oracle, try recovering the missing files. If that doesn’t work, go back to the breakout footage. Perhaps he left some kind of clues about his plans or whereabouts behind there.” Bruce states.

“Roger that.”

---

Red Hood has his arms by his sides as he gazes down upon the street below from the rooftop of a random apartment building in Crime Alley.

He’s lucky to have avoided the Bats so far. But he doubts his luck will last for long.

Red Hood stiffens as he suddenly feels something clamp down on his arm. As a reflex, his other hand has already drawn his gun.

He slowly raises the arm he felt something clamp down on and looks at it, only to make eye contact with a girl with black hair and blue eyes who has sunk her teeth into his arm and is now hanging off of it.

The teeth are sharp, as the girl seems to have some small fangs. They’ve gone through his jacket and sunken into his skin.

It doesn’t really hurt all that badly though, probably hasn’t even drawn much blood, and that’s one of the only reasons Jason hasn’t flung the kid off of him yet. Another reason is the fact that it’s a kid.

They both stare at each other for several seconds.

As Jason takes her appearance in, he notices that she seems rather familiar. In fact, she looks like a more feminine version of Danny, or if Danny had a twin.

The person hanging off of his arm looks younger than Danny though, probably a teenager around 13 or 14, if he had to make a guess.

Slowly, he puts his gun away and takes out his phone with his other hand, watching the random girl’s eyes follow his movements. He raises it level with her face and snaps a picture, quickly sending it to Danny and ignoring the girl’s curious gaze while she’s still hanging onto his arm by her fucking teeth.

---

Meanwhile, Danny checks his phone to see Red Hood sent him a message. He opens it and is greeted by a picture of Ellie in human form biting down on Red Hood’s arm with the caption ‘this yours???’

---

Taglist:

@i-always-say-yea   @uraniumwizard    @why-must-i-be-like-this   @griffinthing

[komaneko-kun]

even after all this time...he's so careful and gentle with him i- please that's love right there you can't convince me otherwise

[starmist]

I genuinely believe Naksu haunts the narrative. Her actions and existence as Naksu heavily impact the entire story. Her past, the life she lived and the shadow of it in Mudeok. But we don't actually know any of it because Naksu is not in the story.

Like. What she lost as Cho Yeong is something that we are never allowed to forget, the loss of her body, her powers, her freedom, and her impending death as a soul shifter hangs over Mudeok's head like guillotine.

All the while we don't actually know the Shadow Assassin Naksu, she died in the first episode, as soon as the story began. Other than training and killing (soul shifters) what kind of person was she when she didn't have to rely on another person else or hide or live as someone else? We don't know and we don't ever learn any of that.

Still, her absence is the plot, yet her former existence as Naksu influences everything; Yul's actions and what she was to him, Jang Uk's goal of returning her powers, the revelation of soul shifters to Park Jin, Jang Gang's departure, Jin Mu's accomplishments, the King's Star even.

Everything is about her existence but she doesn't actually exist at all anymore.

[s0fter-sin]

i was making a “what has it got in its pocketses” joke and realised something very interesting. gollum only ever uses “he” as a pronoun for bilbo when he says, “he stole it. he stole it”. other than that, he exclusively uses “it” when referring to bilbo. it’s interesting that the only time he recognises his humanity is when he takes the ring from him​

he views bilbo as food for the first half of the scene so why would he use a gendered pronoun for something he’s about to eat and after he hates bilbo so much that he strips him of this momentary humanity

[hammill-goes-fogwalking]

I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI.

[waitineedaname]

a while ago, I had been joking around with a friend about the idea of a shonen hero who's like all about the power of friendship and draws strength from their friend group, but their friend group is made up of minor antagonists, and now that I've watched it, I've realized the show I was looking for was mob psycho. That's literally just what mob's friend group is like.

[tired-demonspawn]

i struggle a lot with deviating from the original design when doing fanart because i fear the character won't be recognisable anymore if i dare change the colours here and there

i think its a damn shame since i see all the cool spins on character designs and think "man, i could do that"

so here's my two little thinkin pieces on me, yknow, doing that, with alastor :)

i might actually make the final one into like... a thing??? but don't count on it, my attention span is abysmal.

[intotheelliwoods]

Gonna ask this to a few people that inspire me, but how do you take inspiration from things without feeling like whatever you make is just bad in comparison? Or like a downgraded version of the thing(s) that inspired you?

(If this is too negative feel free to delete/ignore, I'm sorry)

Oh gosh this is such an interesting question since, I dont think I really have feelings of thinking my version is bad? Or that I am just a copy?

I am honestly just grateful my work became as popular as it is in the first place haha- low expectations going in to begin with. That and, I am very aware my art style isnt as defined and polished as other peoples styles, but I have come to terms with this! And hey the improvement in my own artwork over the past year is a massive trip if you go back through some of my older stuff- I am improving, slowly.

I mean, 2AL started by complete accident, and was "inspired" from me wishing the Leos from OMO or MNMC would hug it out already- but if you were to compare 2AL to one of those, they are very different. Hell even comparing OMO and MNMC, same starting point, but still very different.

I think my only advice to other people trying to make an AU is to try and find some core theme/idea and work around that, rather than gather a bunch of little things from other sources you like into a big pile. Find some key message to start up a base with.

[hellsite-detective]

Hellsite Detective in...

The Bad Banana

it was another cool day in Tumblr City. the breeze was blowin' through the streets and the rain was poundin' down hard against my window. the ceilin' fan that hung above me spun slowly and hypnotically as if blown by a wind that wasn't present. as i sat there in my chair, smokin' my cigar and watchin' that fan spin eternally, i grew hungry. thankfully i keep a small fruit bowl in the corner. gettin' up to go grab a bite, i picked a banana out of the bowl. it was a bright yellow, but you might not have known it from the monochromatic filter over the scene. as i began to unpeel it, a voice spoke from the back of my head sayin'...

...hold on...

...go ahead...

...what...

naturally confused, i spun around to see if someone had snuck in while my back was turned. but no, no one was there. however, the words continued to resound in my head. almost like they were callin' me to somethin'. i walked over to the window and took a look outside and the traffic lights at the intersection caught my eye. i looked at them, and looked back at the banana in my hand. that's when it hit me...

see, there was a post i've been lookin' for for ages. in fact, it was the post that inspired me to open my office up in the first place. it was a post comparin' the colors on bananas to the colors on traffic lights. back then, i couldn't find it. but now? i had the experience i needed. i decided to re-open this personal case of mine.

i tucked the banana into my coat and strolled through the rainy streets. i came across that hoppin' joint with jazz music always pourin' out the doors onto the street. the neon sign above the door read "The Search Bar." i headed inside, ready to do some business with my associate, but they were nowhere to be seen. they weren't sittin' at their normal booth. curious, i decided to ask the new robot bartender for help...

say, doll, you know where i can find the Boss?

[Oh! I do apologize. Don Google is upstairs in their office, but they are not seeing any visitors today.]

heh, well we'll see about that, won't we? say, what's your name?

[I am H.A.V.E.N. It stands for Hostess Attending to Virtual and Informational Needs. Essentially, my purpose is to keep track of Don Google's database so they do not have to. I also serve the drinks.]

Haven, huh? nice to meetcha, Haven. i gotta go see the Don though, whether they like it or not. i'll be seein' you later.

i tipped my hat to Haven and walked to the door leadin' to the stairwell. my mind lingered on the robotic hostess, wonderin' what an advanced artificial intelligence construct like her was doin' in this world that had it's basis in 1940's noir, but i wasn't gonna think about it too much. i headed up the stairs and into the Don's office. their goons whipped out their guns and almost took my head clean off, but the big fella themself stopped it.

the office was a far cry from the bustlin' night club on the first floor. where as the club had neon lights and kept things rather dark, probably for the best, the office was more well lit and elegant. it held a more warm atmosphere than the club, but somehow it was more oppressive in here. the walls appeared to be made of wood, bookshelves lined the walls, and a chandelier hung from the ceilin'. there was a carpet in the center of the room that had a kaleidoscope of colors rangin' from blue, red, yellow, and green. and directly across from the door was the desk. mahogany, it seemed, and real fancy too. a giant round window overlookin' the city streets was placed behind it with a large letter "G" formed in the window frames. the Don spun around in their large leather chair and puffed on their cigar.

"'Ey there, Miss Detective. What can I do ya for?"

i'm lookin' for a post involvin' bananas. specifically in relation to traffic lights. you got anythin' like that for me?"

i set the banana i had brought down on the desk and they chuckled at the sight.

"Yea, I think I got what your lookin' for."

with a wave of their hand, one of their goons fetched a file from off one of the shelves and brought it over to them. they thumbed it open with one hand, the other hand draggin' on the cigar. they slid it across the desk.

"This what your lookin' for?"

and there it was. the post that started it all. it had finally come full circle. i grabbed the file eagerly and began to leave the room, but the Don wasn't finished with me yet.

"'Ey, Miss Detective! Don't think I've forgotten about that little favor you owe me..."

i stopped dead in my tracks. preparin' myself for the worst, i stood there frozen. i couldn't even turn around to look at them. but shockingly, the conversation took a different turn.

"I'm not lookin' to cash that in just yet. Just be on the look out for a call, got it? I'm lookin' forward to our partnership."

i couldn't see them, but i knew their snide smile was bearing down on me at that moment. fear filling my body, i left the lion's den and went back to my humble office to file my prize away. as i did so, my stomach rumbled...

damn it. i left the banana with the Don...

Post Case: Closed

[resident-rats]

Very back and forth on if it’s even worth making a post about lol. But basically long story short, I’m unsure when I’ll next post a fic. I’ve started one and I’m a good bit into it, just very uncertain as to when I’ll have it finished at the moment

[fellhellion]

sorry i need to expel the demon that is comicsverse thoughts from my head w a weirdly structured ramble ive been trying to articulate fdsjkfhkjds

-> miguel is initially alienated from his body post transformation - not just due to the nonconsensual nature of being spidered - but because he views the transformation as alienating him from a claim to humanity

-> however, the identity of spiderman and the ideals that represents seems to be in big part the means by which miguel reconciles himself to the nature of his physical body. not only do his abilities become naturalised to his understanding of himself as Miguel (rather than being thought of as alien) but they enable spiderman to be that force for good and change that miguel so desperately wants to see in himself

-> but miguel simultaneously depersonalises himself from his spiderman identity. he thinks of it as the better half of himself, as something almost ephemeral, that he doesn't quite have a claim to or is able to reconcile completely to Miguel The Human Being and all his associated baggage

-> and that's an interesting internal conflict to have when he simultaneously can never escape the lived reality of his own body and where it diverges from those around him, even as that lived reality eventually becomes something he can reconcile himself to far more easily

-> and what overhangs across this entire discussion is context of (and thus how Miguel would be influenced by) Nueva York's hypercapitalist society and thus the understanding and conception of your physical body in that lens. how much or little your body is owed by you yourself. the access you are told must be permitted to it by others/corporations. how the physical body is policed and politicised. the commodification of the body in the most literal sense via Vulture's cannibalism.

[redrobin-detective]

Iruma-kun, the Six Fingers and Humanity

I have been mulling over this idea for days as I devoured the Iruma-kun anime then manga and am still struggling to articulate it. The best I can boil down to is the whole goal of the Six Fingers and the return to origins is, unbeknownst to them, a desire to become more human.

I can understand, in a way, their frustration. Demons used to be merciless killers, where the strong surpassed the weak and magic, aggression and power won the day. Now we see they have idol concerts and theme parks and silly games to help demons safely purge their “wickedness” which is, in reality just another part of their nature. The majority of modern day demons deny a large part of themselves. The whole idea of a wicked cycle is endlessly fascinating to me, like this species has compartmentalized themselves so much that their pent up darker impulses periodically spring out and require them to be handled gently or hidden away. I can see how this practice is insulting and incredibly restrictive of what a demon is.

Now, right from the start, Iruma has stood out in the demon world for a few reasons. First and most obviously, he lacks any practical or cultural knowledge of demonic society. We see Iruma ignorantly stride past social norms and boundaries he didn’t even know existed. If it weren’t for his upbeat, people pleasing attitude he’d be written off as a delinquent but instead he helps foster an environment of change in a bunch of slackers and misguided students. And change is a radical concept in a society that hasn’t replaced the demon king in centuries since the old one disappeared. The effect of Iruma’s very presence, his enthusiasm and attitude and cooperative abilities can be seen so strongly on the Misfit class that its no wonder he’s become such a stand out student.

So I had heard of Irumean when I first started the series and had high expectations of him being a full on bastard. And he simply wasn’t. He was arrogant, reckless, rude at the worst but even those around him commented that his innate, unnatural kindness was still there. I argue because Irumean was never a true wicked cycle. It was Ali-san’s attempt to induce a demonic ritual onto him. But humans aren’t like demons, Iruma is a good, kind, patient boy due to his trauma and strength of character. At any point he could lash out in the most horrific fashion and leave everyone stunned because he is not bound such such strict rules of personality and conduct. His humanity is as much a strength as it is a weakness.

So according to recent chapters, Iruma has traces of Delkira’s energy. My first thought was that it was emanating from Ali-san, which is a distinct possibility but why was the ring attracted to Iruma in the first place? My next theory is that Delkira had some connection to humans as well. Either he’s a hafling or a demonized human or spent a significant amount of time in the human world. Either way, this human perspective is what made him so powerful, such an irreplaceable leader that his throne has remained empty for so long. One could even argue that the energy that the Six Fingers identify as ‘Delkira’ is actually just ‘human’ since the King’s energy is familiar while a human’s is not.

My whole round about point I’m doing a very poor job of explaining essentially boils down to, demons want to return to their origins to have more control over their baser instincts. Instincts and free will that humans, such as Iruma, possess naturally. But while Iruma has the capability for great evil, unrestrained by a set cycle, he also has such an overflowing well of love in him. Delkira, what little we’ve seen of him comes across as brash, fickle and cruel. You may note those are human traits as well. But Iruma also leads with kindness, dedication and teamwork. He will make a marvelous King because the humanity he brings to the table will help all of demonkind.

I do believe as the manga progresses we will see Iruma’s humanity become a  game changer in the battle against the Six Fingers. How he sees the world (both human and demon), how he interacts and inspires others, how he fights. Reaching a point where not only does Iruma stand up for himself but he is forced to cause harm (and by consequence addressing his people pleasing trauma) and behave in a manner not seen by demons outside of their wicked cycle. When he does, years down the road, become King, I believe he will address the concerns of factions like the Six Fingers. Demons are not meant to be fully contained but cannot be allowed to run rampant. With his feet in both worlds, I believe he will be able to balance both opposing views and ‘heal’ the underworld as the prophecy states. Not just from the instability of the Six Fingers but from this bizarre evolutionary cycle demons have fallen into over the centuries.