#in order the characters are from

[ieattaperecorders]

I love when queer characters are mean or rude or morally grey. I love you Carpenter, Paige and Faulkner, I love you Jon, Martin, Melanie and Tim, I love you Mike(s) Walters, Anne and Edgar, I love you Claudia Atieno, Michael and Hester. I love queer characters that don't sound like they are trying to get a good grade in therapy, I love people with genuine flaws who are messy and do bad things and hurt people and still deserve love and sympathy.

[bugsinthebayou]

[r-aindr0p]

Magic jail for the first years

[wingedtrumpet]

felt compelled to make an image

Chill guy who lowkey doesnt give a fuck belongs to @phillip-bankss

[goddessofwisdom18]

Crone, Mother, Maiden

[blorbologist]

Y'know, I think I figured out why the Hells still feel like a new low-level party to me, even though they're level 13 and almost 100 episodes in.

I don't quite think it's the lack of conversations, or the fact half the party's plot hooks are big ties to past campaigns - though that definitely plays a part.

... Bell's Hells still primarily rely on quest givers.

Most of their goals are given to them and do not feel organic to the party, and constantly remind us that the Hells are pretty much never the most powerful people in the room. Which is usually something you see with a low-level party.

NPCs offering jobs is not a bad thing; it's a very common plot hook. Matt has been extremely skilled with using NPC quest givers in those two campaigns. Not only do they provide an obvious plot thread, but they can put the party in the path of others (say, the Nein running into the Iron Shepherds while doing a job for the Gentleman and everything that came of that). And the Hells had a solid start with it too - Eshteross was an excellent quest giver!

The problem is that Bell's Hells have never really not had a quest giver.

Maybe it's a byproduct of the more plot-heavy structure of this campaign? But while prior parties have felt like they decided on their course of action and what they prioritized, Bell's Hells feels less like level 13 (13! Level 13!) experienced adventurers and more like an MMO group clicking on the exclamation point over an NPC's head. Where does the plot demand we go next? Who do we report back to?

They're level 13.

At level 13, Vox Machina had just defeated a necromantic city-state to clear their name and Percy's conscience. And, you know, the Conclave just destroyed Emon. No one was explicitly telling the group to gather Vestiges and save the world (though Matt guided them there), and they were usually among the most powerful people in the room. They chose which Vestiges to prioritize, which dragons to tackle when, even if the over-all plot was pretty clear.

At level 13, the Mighty Nein were celebrating Traveler Con (another PC goal, I'll note) after brokering peace between two nations, accidentally becoming pirates and heroes of the Dynasty. The Nein regularly chose what to do based on personal goals, not grand ones. Though definitely smaller fish than Vox Machina at this level, they were very independent and gaining solid political clout.

While we're at it: level 13 is one level lower than the Ring of Brass, who had a huge amount of sway over Avalir. They ended the world, and also saved it, while in the grand scheme of things being only a smidge more powerful than Bell's Hells are now.

Can you really see the Hells wielding that amount of influence, when they're constantly being told what to do next?

The god-eater might be unleashed, so Bell's Hells have no time to do anything but what is asked of them. No time for therapy unless stolen from Feywild time, no travel on foot and late-night watches. They haven't even had time to grieve FCG. Percy was grieved in the middle of the Conclave arc. Molly was grieved when half the party was still in irons.

Matt is in the very unfortunate spot of not being able to give the Hells the same agency as the other two parties. Not only because of the world-ending plot introduced so early on; they are surrounded by characters they know (and the cast knows) are stronger and wiser than them - the familiarity of the past PCs and NPCs is to their disadvantage.

Why would the party reasonably ignore Keyleth's task that will help save the world and go off on a romp? Why would the cast when they know well Keyleth has to be sensible and with the best intentions in mind? The stakes are just too high.

It means that the Hells still feel like they're running errands instead of pursuing their own destiny. Their accomplishments are diminished as just being parts of a to-do list, and any stakes feel padded by several level 20 PCs/NPCs standing 5 steps away ready to catch them.

This isn't Bell's Hell's fault, nor is it Matt's. It could be amended, I think, if the Hells are really left to their own devices for a long period of time without support and shortcuts (like during the party split)... which would be really tricky to pull off at this point in the campaign.

They're level 13. They're big fish, but they're stuck in a pond full of friendly sharks, so they don't feel big at all.

[cloudabserk]

if you feed naruto. then he’ll know you love him

[jahdefender]

So I found this posted to reddit and I wanted to share it here because I'm sure there are some fans who haven't seen the Adventures Bible stuff. (I had not so this is just referencing myself)

[gamebunny-advance]

Some skrunkly Oatchis from the official Pikmin comic.

Bonus mamuta bugging out their eyes 'cus i think it's funny but I don't feel like posting it by itself.

[wwraithsart]

Gale and Mags if they were agents

Alt ver w/ color noise:

I like how a subtle noise filter looks but I worry I might've been too much. heres the ver with the noise anyway

[imaginative-reblogs]

Made this a while ago. Figured I’d spread the love of Star Wars Little Guys.

[gofishygo]

the contrast between deadf1sh in their first promo art from octo expansion compared to the bankara walker teasers... am so mentally unwell

LIKE--- the colour around them ??!?!?! how the windows indicate they are finally on the surface and no longer trapped ?!?!?!? the plants that symbolise life as contrast to the original trailer for side order and the lack of life in their og art ??!?! the softer colour pallette compared to the harsher octo one, where red is much more prominent!?!?!?!

and the light in their eyes and the subtle unsure expression as they start to adapt to having music as a hobby instead of it consuming them. and how they represent that in how they take off the glasses and put the headphones to the side.... and their piercings !!!!!!!! acht went outside and talked to other inkfish got those themself, as a form of self expression, without having to be influenced by octarian society or the likes of kamabo co...

theyre finally beginning to learn what it is to be living again, and learning to be safe, and learning to goof around again...... im so okay im good trust i promise

[shakooo]

1/2 JAKSHAHA HIIIIII GUYS IT'S ME AGAIN here is the comic that i promised....just the day before yesterday i was able to advance this, school is killng me now hahaha and i definitely have to focus on it like never before, but well, about the comic AAAAGH I WANTED TO DO SOMETHING ABOUT ISABELLA you know, her design is very interesting and fun to draw for me

apart from the fact that in the conceptual art she has a much more sophisticated outfit AND that was the one that gave me the inspiration to do this hehe

this is what i'm talking about >:), the whole family has their elegant version and k love the concEEEPt

there are still 3 pages left to color so wait for it ª

Here is the drawing without text....AND I LOVE HOW IT LOOKED

[bookwormangie]

Harry and Snape’s Clashing Communication Styles

It's interesting to think that Harry and Snape don’t have longer conversations in the series, but when they do, their communication styles are so different that they often clash.

Harry’s way of communicating is practical and straightforward. He tends to break down complex ideas into simpler terms that he can easily understand. This makes sense, given his upbringing in a non-magical world and his tendency to rely more on gut instinct than deep theoretical knowledge. For Harry, things are usually black and white, and his directness shows his desire to cut through the confusion and get straight to the point.

Snape, on the other hand, has a more complex and layered way of speaking. His language is precise and often sarcastic, which reflects not just his intelligence but also his disdain for what he sees as Harry’s lack of subtlety. Snape’s use of imagery and metaphor, especially when he describes consepts, gives his speech a poetic, almost philosophical quality. He takes pleasure in showing off his superior knowledge and uses this as a way to belittle Harry.

We see this clash clearly in OOTP during Harry’s first Occlumency lesson:

Snape looked back at him for a moment and then said contemptuously, “Surely even you could have worked that out by now, Potter? The Dark Lord is highly skilled at Legilimency —” “What’s that? Sir?” “It is the ability to extract feelings and memories from another person’s mind —” “He can read minds?” said Harry quickly, his worst fears confirmed. “You have no subtlety, Potter,” said Snape, his dark eyes glittering. “You do not understand fine distinctions. It is one of the shortcomings that makes you such a lamentable potion-maker.” Snape paused for a moment, apparently to savor the pleasure of insulting Harry, before continuing, “Only Muggles talk of ‘mind reading.’ The mind is not a book, to be opened at will and examined at leisure. Thoughts are not etched on the inside of skulls, to be perused by any invader. The mind is a complex and many-layered thing, Potter . . . or at least, most minds are. . . .” He smirked. Whatever Snape said, Legilimency sounded like mind reading to Harry and he did not like the sound of it at all.

For Harry, when Snape mentions Legilimency, it immediately sounds like “mind reading,” which is a reasonable but overly simple way to understand such a complex concept. His quick jump to this conclusion shows his need to make sense of something that feels threatening, but it also reveals his limited grasp of the deeper nuances.

Snape, however, can’t resist mocking Harry’s lack of subtlety. His response is laced with condescension as he insists on the complexity of the mind and dismisses the idea of “mind reading” as something only muggles would think of. Snape’s explanation is detailed and philosophical, contrasting sharply with Harry’s desire for a straightforward answer.

Another great example of their different communication styles comes in HBP when Snape puts Harry on the spot, asking him to explain the difference between an inferius and a ghost:

“Let us ask Potter how we would tell the difference between an Inferius and a ghost.” The whole class looked around at Harry, who hastily tried to recall what Dumbledore had told him the night that they had gone to visit Slughorn. “Er — well — ghosts are transparent —” he said. “Oh, very good,” interrupted Snape, his lip curling. “Yes, it is easy to see that nearly six years of magical education have not been wasted on you, Potter. ‘Ghosts are transparent.’ ” Harry took a deep breath and continued calmly, though his insides were boiling, “Yeah, ghosts are transparent, but Inferi are dead bodies, aren’t they? So they’d be solid —” “A five-year-old could have told us as much,” sneered Snape. “The Inferius is a corpse that has been reanimated by a Dark wizard’s spells. It is not alive, it is merely used like a puppet to do the wizard’s bidding. A ghost, as I trust that you are all aware by now, is the imprint of a departed soul left upon the earth . . . and of course, as Potter so wisely tells us, transparent.” “Well, what Harry said is the most useful if we’re trying to tell them apart!” said Ron. “When we come face-to-face with one down a dark alley, we’re going to be having a shufti to see if it’s solid, aren’t we, we’re not going to be asking, ‘Excuse me, are you the imprint of a departed soul?’

Once again, Harry demonstrates his practical and straightforward approach. He gives a simple, clear distinction based on what would be most useful in a real-life situation—whether the entity is solid or transparent. This shows how Harry tends to focus on what’s immediately relevant and actionable, and Ron’s defense of Harry’s answer highlights this practicality. Ron even points out that in a real-world scenario, Harry’s answer is actually the most helpful, contrasting it with Snape’s more academic approach.

Snape, though, dismisses Harry’s answer as too simplistic and mocks him for stating what he sees as the obvious. Snape’s communication is more about the theoretical and precise understanding of magical concepts. He emphasizes the deeper, more complex nature of an Inferius, which, while academically accurate, is less practical in the context that Harry is thinking of. Snape’s disdain shows that he values this deeper, nuanced understanding more than the direct, practical knowledge that Harry offers.

These moments really bring out the deeper divide between Harry and Snape. Harry approaches things with instinct and a straightforward mindset, while Snape is all about nuance, precision, and seeing the layers in everything. Because they see the world so differently, they struggle to communicate, which only adds to the distrust and misunderstanding between them—a tension that echoes throughout the entire series.

[kingjasnah]

alright. the differences between the ghostbloods on roshar and the ghostbloods on scadrial are so stark.....after TLM came out and we saw them fr for the first time it was like....this is just Final Empire Crew Part 2. they call him 'kell'. they have stupid in jokes. its not that i think kelsier is above getting a little evil with it but when marasi doesnt join the ghostbloods it's whatever but when shallan doesn't join she's like "um guys theyre going to kill my entire family." did iyatil pop over from scadrial like actually this time we're operating like an actual secret society and NOT a frat house

[mobius-m-mobius]

You wanna hear a good story? Listen to this one.

Mobius + comfort