currently reading "own the scars" i just finished chapter 15 where louis and harry just got in a big fight because harry professed to him and louis (totally in love back, i mean even nick knew) was obviously taken aback (i wouldve been too) and they got into it????? and now harry's going to boston?????? this is so complicated, im gonna cry i can feel it.
its so good though. youre talented and i thank god for the happy ending tage
People get SO MAD at me for that chapter, but it’s what needs to happen. (To quote Jeremy Strong, it’s what makes sense dramaturgically!)
One of my pre-readers while I was writing had SUCH a virulent reaction that I actually questioned if I was doing the right thing. I’ll always be grateful to @disgruntledkittenface for being the best beta in the world and telling me to trust my gut there and that I should absolutely not change it ❤️❤️
I hope you enjoy the rest of BOTH Harry and Louis’ journeys in this story. They both still have some growing to do!! I promise it’s worth it.
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Hey puff! So you said Hades is a "mess who hasn't spilled over" and there are definitely some warning signs even now - Artemis' dislike, the ominous grin in the last chapter does not bode well for Alex, him treating Minthe pretty badly and dismissively, being open about his attraction to Kore while acknowledging Minthe, eating Dio to shut him up and laughing about it (No Kronos flashbacks, Hades??) Of course he did a lot of this in LO too but that was framed as a good thing and you seem more self aware than that.
My question is are he and Kore still endgame with his bad traits? Or is Kore just hiding a much darker, more selfish side who would like all this?
Hades and Kore are both very, VERY complicated people with complicated backstories that involve both the good and the bad. They're both victims of circumstance as well as their own wrongdoings (even the ones that were well-intentioned, they're both walking the road to hell wink wink), they're both holding on to some pretty dark shit and we're going to be exploring plenty of both sides along the way. I'm obviously trying not to spoil anything, but I will say that Hades and Persephone are not going to have a cut-and-dry 'fairy tale romance' like what was attempted in LO, Rekindled is attempting to be a more faithful retelling of the original Hymn to Demeter after all (or at least its original themes and messaging). They're both incredibly damaged people with a lot of tightly-sealed baggage that DESPERATELY needs to be unpacked and we all know what happens to relationships built on those types of foundations ;0 So that's all ima say on that ~
As for the irony of Hades 'eating' Dionysus, hurt people hurt people. Though I wouldn't worry about Dionysus, he just projects his consciousness into berries, he's alive and well ;) As for Hades... let's just say you shouldn't eat berries possessed by the god of madness, guy is gonna have a harsh comedown LOL
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dont knock people i admire you.. your minds are so huge…
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i am a BIG supporter of create what you want for your own joy, so absolutely do what you would like to do for the trial!! no one should be pressuring you to do it a specific way unless that’s how you Want to do it.
but if you were asking about what we’d like… personally i would love to see the whole trial as much as possible (i really don’t want you to overwhelm yourself) especially for higgin’s and nicky’s parts!! i like when we see more than just Big Main Parts, especially bc you flesh it out so well <3 sometimes it’s even more hard hitting when it’s Not from the people we expect, you know?
also, thank you for making the socmed aus!! they make me giggle and kick my feet every time, and also wail in agony and clutch at my chest… you have the range <3
GOD i wrote a whole long ass response to this and i didn't realise until too late that my phone was going to die </3 and it died </3
But it was something along the lines of I'm really glad that the general consensus seems to be to do all five days of the trial, or however many days it ends up being, from start to finish. For me personally it'd feel unfinished if I skipped parts just to get to the ~interesting~ parts, and I think if I'm going to make something like this then I want to show it all.
It's not this deep, but I guess it's like... It's fucked up. People are making memes about a murder trial involving rape and other things that are just not funny at all. And skipping parts just to get to "GOD NEIL IS SO CHAOTIC ON THE STAND" or whatever feels,,, insensitive? Unjust?? I don't know
but people are also doing that shit in real life. About real people, real trials, with real victims and real perpetrators. Sensationalising trials just because it's a celebrity on the stand, or it's an "interesting" murder trial or whatever. People are making memes and jokes about them. And people are making their own minds up about the verdict because of it. I want to show people who think Aaron's guilty because of something the cop who arrested him said. I want to show people who think Andrew is an unreliable witness because of something Higgins says, somebody who thinks Aaron isn't guilty because a forensics team mentioned something about the crime scene that they don't think sounds right. I want to make this from the outsider view on the publics reaction to a trial, and specifically people who almost idolise Aaron, or Kevin, or Neil, or Andrew. People who don't see them as human, but as celebrities, as people who are supposed to be perfect. People who see a trial like this and think, "it's okay for me to make jokes about this, or to post about this, because they're just famous people. They're not like real people to me."
People are at home becoming twitter lawyers and making up their minds based on what they read or see online, and it almost separates the reality of the situation from the "characters" that people create out of defendants and victims. You see people hopping on bandwagons or hate trains or whatever when it comes to these kind of public trials. People making clips of something "funny" a lawyer or witness said for the sake of content. People making temporary celebrities out of the judge and jury and legal representation. For what? For likes?
I guess what I'm trying to say is that I want to show the different sides of how people actually react to trials like this without becoming insensitive to the fact that trials like this,,, do actually happen. But by making a fan tweet a joke about murder, I'm making that, I'm thinking of the words that go into the tweet. So it's tough. And again I know it's not that deep, but that's kind of... most of the reason why I've been putting it off? Because it's hard. It's hard not to feel like it sensationalises those kinds of things. It's hard not to feel like "God, am I just making fun of this situation here?" while also being reminded that yeah, maybe, but people actually react like that.
So is it worth the tumblr post to make memes and tweets out of something that happens irl, and affects real people? Is it insensitive, or is it just fandom stuff that isn't perceived in an insensitive way at all, because it is just that, a fandom post?
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I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)
SO do you have any favorites among the paintings that represent this story??
OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS
I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).
Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀
Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.
(Photo. Marie-Lan Ngyuen)
(Photo. Museo Claudio Faina)
Also the one in the Theoi.com archives is a real classic - perfect energy.
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I ignore about 95% of the conversations surrounding Arya having killed people because, outside of Arya stans, people refuse to include the context of the very violent circumstances she experiences + her trauma which influences her actions. She wasn't destined to be a killer and her being forced on the run, having to survive during a war (at times on her own), having to witness countless people being tortured and murdered, being enslaved as a prisoner of war, having to witness the deaths of her family, etc. are all hugely important factors. Not to mention the times when her life is literally on the line and she has to make tough decisions to ensure her survival. The only time her trauma is acknowledged is when people are using it to prove she's "too far gone", otherwise it's essays on how she hasn't suffered that much. It's so boring how people ignore well-developed characters just to reduce them to one or two aspects of their story. And this treatment is only for certain characters; let someone mention Sansa being part of the plot to poison Sweetrobin and all of a sudden, people can understand being forced to make questionable decisions under difficult circumstances.
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Sometimes I think about Dominik Koudelka's assistant who takes Minkowski's call in Ep43 Persuasion...
In the moment, dismissing the voice on the other end of the phone feels like the right thing to do. She can't just put any random person who calls through to Mr. Koudelka immediately; if she did, there would be no point in him having an assistant at all. And when that random caller is claiming to be Mr. Koudelka's dead wife, of course it would be wrong to subject him to that. (Cont. below cut)
She's seen Mr. Koudelka in the denial stage of grief, if only from a professional distance. She knows that the only time he took off after he heard the news was the day of his wife's funeral. She knows he started working days so long it was a wonder he got any sleep at all. She's heard rumours that he tried to insist that The Times' coverage of the shuttle crash ought to use the word 'allegedly' more. Apparently he ignored every sensitively-worded inquiry about whether he wanted to have any input on his wife's obituary.
Mr. Koudelka certainly doesn't need some cruel joke reopening emotional wounds. It's better not to mention it to him. His assistant knows that she did the right thing.
Or at least, she thinks she did. But she still can't stop thinking about that voice on the other end of phone, its desperation, its sense of urgency, its bizarre impossible claim.
So maybe she finds herself looking up Renée Minkowski, just to set her mind at ease. And there's surprisingly little information out there, but she eventually finds a clip of an interview from just before the launch of the Hephaestus mission. And that's when her stomach drops. She recognises the voice in the video. It's the same voice as the one she heard on the end of the phone. She's sure it's the same voice.
And what is she supposed to do then? Go to her boss and tell him that his wife is alive? Tell him that she lost him potentially his one chance to talk to his presumed dead wife? Admit that she didn't tell him about that call straight away? She's got no proof, just her memory. What if she's wrong about it being the same voice? Maybe it was a good impersonator, or a technological trick, or the power of suggestion. Is telling him the truth worth risking her job for? Is it worth risking giving false hope to a widower who has only just begun to move on? What if he doesn't believe her? What if he does?
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I made a fan art for you ✨
I was gonna color self-insert to grey but in tags say you imagine them to be blue skin and white hair and I was like oh let’s do that :D
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Oh my gosh it took me randomly checking my inbox to see this, I can't believe I missed this 😭 this is so cute, I love it, thank you!!🥰
yeah I like to play around with different Sinner Y/N concepts all the time and I love the colors and accessories you picked here, very aesthetic, VERY feeding into my love of "Valentino becomes obsessed with a Reader who isn't conventionally his type". You think he's bullying you because he's an asshole but really he's just embarrassed he's SO Down Bad For You and he's like, worried he'll be judged for it or some weak or something, and he's just, tsundere and bad at flirting. Valentino chasing butch girl Y/N. Valentino chasing punk and goth and rebel Y/N. Valentino chasing Y/N regardless because he's just s big mean slut 🥰
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there's cliche's and then there's intentionally leaving a piece vague but it still having meaning and assuming your audience isn't stupid so they can come to their own conclusions about how the piece makes them feel based on visual language
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sooo, am i the only one who really isn't that concerned about the dev being okay with nsfw of the cast? because, in my opinion, i really don't think it's going to change much of anything — if i'm being honest, i'm more worried about there being more negative backlash at nsfw content in the fandom than before.
like, bro, i'm asexual. i really don't engage with or seek out stuff like that in the first place. and while there are definitely some dramatic people in the fandom (re: the apparent harassment by xanvid shippers over david's sexuality), i'm pretty sure anyone who makes nsfw content of the series would have the common sense to tag/filter their posts as such so people aren't immediately blasted with david buttcheeks when they log onto social media. and if that does ever happen, i'm pretty sure people will also be receptive to adding those tags/filters/warnings/etc. if asked.
so tl;dr, i feel like we really shouldn't be worried about this. if there is an increase in nsfw stuff and you don't want to see it, you can take your own initiative and block tags & content so it won't appear for you (on Tumblr, at least). you can even just block a user entirely if you see fit.
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love the idea of transhet laios
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GOT ACCEPTED INTO A LOCAL CON.. BABY'S FIRST ART MARKET
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incredibly moved whenever someone tells me that i'm an easy person to be around when they're going through some shit. there's nothing more sacred to me than sitting with someone through death and grief and loss, things that i can't fix or do anything about except be there and let them feel their feelings without having to pretend to be chipper or hopeful or cheeruppable. i can't pretend to feel what i don't feel, which makes me weird and awkward in so many interpersonal situations, but i think it's also what makes people feel comfortable sharing this stuff with me, because they know that i won't judge them and they don't have to perform for me. i feel so lucky when i can provide that for somebody. i wouldn't trade it for anything.
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debbie, worried and upset over her brother’s illness, talking about how she feels in a way that a dumb teenager would: “he’s totally monica.”
carl, worried and upset over his brother’s illness, talking about how he feels in a way that a dumb teenager would: “what’s it like to be crazy?”
the response we get for debbie: what an insensitive, annoying, bratty bitch.
the response we get for carl: aw, what a good brother. he really cares.
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Genuinely asking, because I'm so conflicted on this emotion.
Is it normal to be a little pissed that someone hears something bad happen in the house (Like a loud noise of something breaking) and they call out "Are you okay" and proceed to not check on you. Like at all. No follow up.
And in my defense I really didn't respond because after the thing snapped and broke my brain had to catch up to anything that followed, and by the time I realized what happened I also realized "Oh wow thanks I guess I'm glad nothing worse happened and I'm not hurt or anything"
Like am I little irritated? Yes. Very much so. But I'm also not going to make it a problem. I'm just sorta silently sitting here wondering if maybe I'm just a neurotic bastard.
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genuinely nothing more embarrassing than having a crush. just caught myself overthinking whether or not to put a heart emoji on one of his messages
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