#industry networking

[azuremist]

(Original Tweet)

[gursimrankaur03]

Exploring the Dynamic World of Film Production Companies in Los Angeles

Unveiling the Epicenter of Filmmaking Excellence: Film Production Companies in Los Angeles

This city is currently regarded as the amusement capital of the arena where: The enfants who aspire to become filmmakers of film production companies in Los Angeles congregate Side by side with the prohbet experts. Amidst the concrete jungle of this world city, lay the film production companies in Los Angeles and each contributing to the greatness of the heritage. With its wealthy records, various subculture, and remarkable property, film production companies in Los Angeles emerges because the integral hub for the ones enthusiastic about the paintings of storytelling via film.

Navigating the Realm of Creativity and Innovation: Film Production Companies in Los Angeles

Since it is a town of dream chasers where the film production companies in Los Angeles known as Los Angels are set in a environment that is extremely charged with creativity and advanced technology. From careful script selection, location scoping, and casting through beautifully shot sequences and polished post-production, one receives a crescendo of how film production companies in Los Angeles work as a well-architected system of professional services, technology, and what some might call artistry in relation to narrative construction. Embracing technology and defying the law of reinvention, these film production companies in Los Angeles are changing the dynamics of the motion picture industry and the movie lovers worldwide.

Embracing Diversity and Inclusion: Film Production Companies in Los Angeles

In the heart of film production companies in Los Angeles, there is a promise of diversity reflected in the variety of ranges that the city was named after. The following independentfilm production companies in Los Angeles act as agents of change that advocate for unlikely stories and bring forward the truth as the world perceives it. Due to the inclusive casting, multiple narratives, and other tasks undertaken to ensure the representation of a diverse crew behind the scenes, film production companies in Los Angeles are leading the way to a more inclusive and representative silver screen.

Forging Connections and Shaping Futures: Film Production Companies in Los Angeles

Newcomers to film production companies in Los Angeles encompass would-be administrators, actors, and other occupation authorities given that appearing factories for creating possibilities and the enchantment of risk. Film production companies in Los Angeles serve no longer most effective as creators of content but additionally as mentors, collaborators, and gateways to achievement. Through workshops, networking activities, and collaborative initiatives, film production companies in Los Angeles nurture skills, foster creativity, and form the destiny of the enjoyment industry.

Contact Us: 

Email: hello@clickplayfilms.com 

Phone: 646–417–5330 

Address: 54 W 40th St New York, NY 10018

[news4nose]

Toronto International Film Festival 2023: The 48th Edition

TIFF’s inaugural edition in 1976, then known as the Festival of Festivals, featured a selection of films from other major festivals, and it quickly gained recognition for its commitment to quality cinema. Over the years, TIFF has grown into a cultural phenomenon, becoming a destination for filmmakers and cinephiles worldwide.

[sc0moftheanimatiomindustry]

it’s been a while since I’ve used this account (hey @seasa1ttrio do you still remember me?)

anyway the reason I’m making this post is very simple:

Kyle Carrozza, the creator of Mighty Magiswords, has been arrested for the possession of child sexual abuse material

Kyle’s inner circle (that includes Jane Amber and Tony Goldmark) absolutely knew about him being a creep. There were multiple other survivors, including Ang Vondra, about which the lovely Jane and Tony said this

Jane was so hellbent on stalking, harassing, abusing and slandering Ang Vondra for many years, even helped blacklisting Ang from the animation industry along with Kyle and Tony Goldmark. Though of course, they’re all back paddling now!

with the exception of Jane

Reminder, these people harassed someone because they were coping from their abuse with cartoons on a private account. These people have absolutely no shame and no heart

they knew Kyle was a predator. They chose to ignore it because it was easier to make life of a disabled abuse survivor a living hell

Ang’s disability has now progressed to the point that a miracle would be needed to cure them. Years of being unable to afford their basic needs has led to a worsening of their health, all because a white creep decided blacklisting Ang from the animation industry, likely the only place Ang actually could work at with their disability, and boot lickers helping him, was more important!

These people aren’t sorry. They just pretend they are. Other people are still going on about how coping with art on a private account is just as bad as a sexual abuser in the animation industry, who got away with it for years

On top of this this implicates a significant part of the animation industry as having actively covered up for a pedophile, and not just that, but doing it by framing a CSA survivor over their cope art. That would mean that they took advantage of the moral panic over art

People are currently suffering through in order to enable a predator. And they did it by abusing a survivor. Using a desire to protect fictional characters. We warned about this scenario happening, were ignored, and it happened.

[adventure-time-news]

The Cartoon Network website has been shut down

cartoonnetwork.com has been shut down and now redirects to a Max sign-up page. Much of the exclusive content on the website is now inaccessible, including a lot of Adventure Time browser games. If you have any of these games downloaded, now would be a good time to archive them somewhere so they don’t become lost media!

Like all streaming services, Max is facing market saturation (i.e. it has all the customers it’s ever going to get) despite capitalism’s unceasing demand for growth. Shuttering the Cartoon Network website is the latest in a series of increasingly futile attempts to save money and capture new customers.

This article has more details:

[maxwellatoms]

Good day sir. Hope I'm not bothering you My brother and I are rewatching The grim adventures and it's been fun. Miss cartoons that were just plain random fun. I'm curious about 3 things if I may ask - Jeff the Spider's design changed a few times, his first appearance was more simple, his second appearance was more detailed and gross looking, then after that he went back to a simple design. Was it because the "gross" design was too hard to animate? - I've noticed in some episodes a few characters with glasses would have green eyes, similar to Nergal Junior. Was there a miscommunication with the animation team? - Lastly, is there anything you wish you could've done differently in Billy and Mandy? Like doing certain episodes or characters different? Just retrospective sorta stuff I know this is probably asking a lot, but I just want you to know you're a great source of inspiration and one of the many reasons why I love spooky supernatural content. Keep up the good fight

Hey!

#1:

The reason that most of the characters changed over time was because I updated the models to help the overseas studios (and our own internal artists) get things on-model. I'll go deeper into Billy & Mandy's history with designs in "Billy & Mandy vs. The Entertainment Industry", but I went from wanting to allow artists to have complete freedom to tightening things down as time went on. The smart play would've to develop solid models first and then explain how, when, and why you can break the rules. That's the opposite of what we did.

Jeff was a more complicated character than most, with his double-mandible, multiple eyes, and eight limbs. I suspect that what happened in this case was that the overseas studio either didn't keep or didn't share the original Jeff model with their teams, and instead only used the "special pose" model of Jeff looking gross. Like a lot of the model stuff, it was a quality control issue. Back then when everything was analog (we still had to deliver on film up through the turn of the century) it was pretty hard to change anything once it had been done. So I'd always say, "next time" and then do a clarity pass over the designs.

#2.

Same deal. In the first few seasons, we had analog color correction, where you'd go to a big suite and some guy would run picture and you'd call out anything big that was bugging you. Chances are that we either didn't notice the error, or did and just couldn't do anything about it.

All of those early Mandy smiles were put in overseas, and I wasn't allowed to fix them. It bugged me so much that I vowed to find a way to fix stuff like that myself. I eventually figured out that I could export individual frames to Photoshop, tweak them, and then give them back to the editor. That way I could actually reanimate things that really bugged me but we didn't have the budget to fix.

#3.

Nah. It's fine.

Thanks and good luck!

[cozylittleartblog]

if star wars was pitched for the first time in today's entertainment industry it would be turned down. and so would any other thing that's currently a "big IP". where do idiot executives think the IPs come from to begin with???

[bloodyspector]

Shōgun getting renewed for multiple seasons when it was supposed to be a limited series while Dead Boy Detectives gets cancelled after one season is the clear example of everything that is wrong in the industry right now. Things either get milked so hard the audience eventually gets tired of the product (The Walking Dead and Grey's Anatomy) or it gets cut short because it didn't become the next Stranger Things.

[awkward-teabag]

Love (cannot emphasis how much sarcasm there is in that word) that an official Canadian government response to high cellphone rates is to switch carriers.

Switch it to what? We basically have three companies since one was allowed to eat the forth (with the government saying it wasn't anti-competition and the company eating the other pinky promising they wouldn't jack rates up). Even the smaller companies have to rent infrastructure from the Big Three so there's only so much they can do if that rent costs an arm and a leg.

And that's not touching on how many "small companies" are actually just subsidiaries of the Big Three. You may save $5 but you're still with Telus/Rogers/Bell.

Or that the actual small companies tend to have shit coverage because they don't have the infrastructure available to them and are prevented from getting it. Or their traffic is throttled in favour of the Big Three's customers. Or both.

Or that they're extremely regional thus aren't an option for a huge chunk of Canada's population.

We have no true options and the government has shown time and again that they're fine with monopolies, in multiple industries, and don't care when said monopolies jack up prices to make shareholders and the c-suite more money at the expense of everyone else. At most there will be a verbal slap on the wrist and a giftcard for $25 that people have to register for, for a decade and a half of price gouging.

It's not talked a whole lot about outside the country from what I've seen and heard but Canada is a country of monopolies. A handful of companies own nearly everything, every province has a family or two that owns a hell of a lot (Nova Scotia is basically owned by one family at this point), and our government ignores it. Even the branch that is supposed to be against monopolies is fine with mergers and takeovers in most cases.

Because, you know, the company said it totally wouldn't use consumers' lack of options to increase prices.

[johan-the-unknown]

Animation is DYING, But We Can Save It 

This is getting ridiculous now, I am not happy and am getting tired of News Like this, if you feel the Same, you know what to do, spread this around as much as you can, Spread. The. Word.  #NewDeal4Animation, i don’t know if this is still a thing anymore.

[stone-cold-groove]

NBC’s The Source promo ad for an AC/DC radio broadcast - 1982.

[daincrediblegg]

seriously I'm so tired of netflix releasing half seasons and also the 8 episode run becoming the norm. like awwww did the studios not like when the mean scary unions asked for better working terms and better pay for the kind of production level they wanted and now they're hemorrhaging cash even more than usual because they didn't respect their work force enough to listen to them in the first place and now they're shooting their consumer base in the foot by- on top of a million changes that are going to hurt their subscription numbers unequivocally in the long run- short change the consumer for an incomplete product that they have to release in sections because their instant binge release schedule was not sustainable as a business model??? awwwwww pooor babyyyyyy get FUCKED.

[aniketsanimationblog]

The SUMMARY Of This Whole Current Debacles Of Animation Industry

Netflix Canceled Majority of their Original Animated Kids Content after the Realignment of their Animation Department and their Stocks Plummeted at NASDAQ e.g. City Of Ghosts!!

HBO Max (Now called Max, By Warner Bros. Discovery) Canceled and erased majority of Cartoon Network Content and their Kids Animated Original Content, e.g. Over The Garden Wall, Infinity Train, Final Space etc. To Cut Costs!!

The Walt Disney Company is just replacing Human Jobs with AI, for Art Creating and Script Writing Purposes, however there's no Animated Content in this year's massive Purged Content list of Disney+ had been announced, but who knows what will happen next!!

Nickelodeon and Paramount Pictures are going to rely on Popular IP based Movies (SpongeBob, PAW Patrol, Avatar, Transformers) to be released in Theatres over the Original Ideas based Movies!!

Speaking of Nickelodeon and Paramount, their Streaming Service, Paramount+ removed several Animated Content from their Platform, after the Cancelation and Removal of Star Trek: Prodigy, e.g. Pig Goat Banana Cricket, Becca's Bunch, Digby Dragon, Monsters vs. Aliens and Most Notably, My Favourite Nick Jr. Show after Oswald ended, Peter Rabbit!! Also, Star Trek: Prodigy has been removed everywhere on Nickelodeon, including, Nickelodeon's Website, nick.com!!

As of August 2023, Cartoon Network Studios at Burbank, California, got officially Shut Down, as the Studio Operations merged with Warner Bros. Television Animation, just like Hanna-Barbera Studios!!

And Finally, when WGA and SAG-AFTRA Strikes are ongoing, The Unemployment Rate in The Animation Industry has gone at an Insane High!!

The Animation Fandom have gone way more Toxic than ever before!!

Disney Channel, Nickelodeon and Cartoon Network are not interested to Greenlit any project for the better or worse!!

Ain't this Depressing, as an Ardent Animation Fan?? When Last Year, The Owl House got canceled, the fans protested on Twitter/X by using #SaveTheOwlHouse, and when this year, Star Trek: Prodigy got canceled and removed from existence, we are protesting by using #SaveStarTrekProdigy, I will ask you this question!!

"Will you Accept these Debacles in Animation World as The Future of Animation??"

Because, right now, it is true fact, that the Animation Fandom is not quiet ready to see the destruction of Animation in their bare eyes!!

But what shall we do?? The Fandom of This Miraculous Ladybug/PAW Patrol Duopoly and the Bootlickers of Egoistic Showrunners like Thomas Astruc, will still support the Duopoly, no matter how much we make them the noises that respect and give other shows a chance, don't sleep on them!! We will listen, we will see, we won't take any action, and we still be in Silence after all the Debacles, and the Freedom of Speech will be taken away from us!!

And in Next Year, when The Animation Guild (TAG) goes on Strike, we see more and more animated series gets the Cancelation and Purge from Streaming Services, like suppose at this rate of condition, if Next Year, Disney Channel's Series, Marvel's Moon Girl and Devil Dinosaur, cancels at Disney TVA, and the fans will again protest on Social media by Using #SaveMGADD, I will come back and ask the Question again!! And this cycle will go on and on and on!! Unless, we have to take action against the unfairness, this Corporate Studios and Money-hungry Showrunners have created!!

So, let me ask you this question one last time, Animation Fans all over the world!!

"Will You Accept these Debacles of this Animation World as The Future of Animation??"

We have to Take Action Right Now, Before it's too Late!!

But,

Is this one Tumblr Post enough, to Reach Out to Others, and Talk about this Issue???

[maxwellatoms]

As CN Studios has closed down, I always wondered: is there a reason to why Cow & Chicken and I Am Weasel never resumed production at the new studio? They were initially produced at Hanna-Barbera Studios like Dexter, Johnny Bravo and Powerpuff Girls, yet those 3 continued production over at CN Studios and had episodes in the 2000s while C&C and Weasel were left to rot in the 90s, never reaching the 2000s decade. Since you worked on those shows, what exactly happened that let CN abandon them?

CN hard a hard rule for a while that you got 52 half-hours of a show and that was it. Donezo. The idea was that after 52 half-hours, a kid would outgrow any show so there was no reason to make more. Or the accountants said it wasn't worth it. Who knows. Either way, it was 52 and you're out.

Somewhere along the way,. they decided to make more Dexters and that broke the dam. After that, it was 76 half-hours. I think we ended B&M at 78 or so, including specials. We held the record, if only for a moment.

That was long after Cow & Chicken and I.M. Weasel had stopped production, though. By that time, David Feiss was on to Open Season. I'm not sure if he ever talked to CN about anything else.