#instead of Buddy Buddy because It’s A Franchise

[void-tiger]

That moment when…

The short about the family glamping and getting attacked by dinosaurs is WAY Better than the actual feature film.

[partycatty]

I have this idea:

Johnny Cage x tomboy (can be gender neutral reader), I see the reader as a introvert, gamer, a bit of a nerd that prefers to wear comfy pants than elegant, tight dresses/skirts. Johnny likes to talk to them cause they can play games together (I believe that johnny being a bit of a gamer is a fact stated in mk1, when we have a Cage's Mansion tutorial?) and so he decided to invite reader to a red carpet event created because of the launch of his new movie. It's first time in their life to attend such thing and they really don't know what to do... (the rest is up to you, they can either fuck before the event while reader is trying to pick a good outfit or just go there and have fun or whatever<3)

johnny cage > zip me up

johnny's not used to seeing his best friend in anything but a hoodie and sweats. what happens when they have to dress outside of their comfort zone?

warnings: nsfw... :3, exhibitionism?, hardcore praising LOL, awkward reader (no rizz ...), reader is written as curvy? LONG POST LOL

notes: i physically cant write dom johnny without it sounding super ooc LOL ALSO!! im so sorry if the formatting is iffy, ive been forced to use desktop and the formatting is completely different than my usual mobile writing

masterlist

honestly, it's hard to gauge what games he'd actually play, so a part of me believes he mainly plays... mortal kombat. and yes, since he is canonically responsible for the franchise existing, he would main himself. or maybe he'd play fortnite, lord knows he'd have his own skin.

"come on, man! you can't keep picking general shao! you can just say you hate me," johnny groans, staring at the character select screen. his favorite thing was to drop tidbits about the characters and compare them to the real life counterparts. "i'm still mentally recovering from witnessing his ugly mug."

you chuckle and lean back in your chair, pulling your headset mic closer to your lips. "would you rather i picked one of your buddies? kenshi, or as you called him, sexy face two?"

"and now you're asking me to beat up my best friend," johnny sighs dramatically. you giggle, and it makes his heart flutter and cheeks redden. thankfully, today was a day your webcams were turned off so you were none the wiser. you make a comment that he's the one that wanted to play a game that features his real friends and actual enemies which earns yet another groan from him.

"if you're gonna be annoying, we could switch to something else?" you offer teasingly. "not my fault you choose to stare at yourself every game instead of learning combos."

"oh hush, you love me," johnny replies, earning a little peep from you out of surprise. he loved to push your buttons and flirt with you. it was in his personality, sure, but because of it you did have a massive crush on him. it was innocent and purehearted, but you just couldn't see yourself risking your great friendship over some silly feelings. "you love it when i'm difficult, don't lie to yourself."

"...shut up," you pathetically try to retort, sinking into your seat and fighting the flush on your face. "are we gonna run another round or what?"

"actually, i had something to ask of you," johnny says, tone suddenly serious and almost unreadable. you feel a pit in your stomach at his tone, wondering if maybe you're in trouble. your mind spirals as you nervously fidget in anticipation. "well, two things actually. could you turn your camera on so i can properly ask you?"

you shakily turn your camera on in discord, anxiously glancing between your monitors and camera lens. johnny smiles to himself, leaning forward get a closer look at you as if you were sitting across the table from him.

"good girl, there we go," he says encouragingly, making your thighs clench as you use your sleeves to hide your face. "no, come on, don't hide. here, let me-" he clicks on his own camera button and his webcam blinks to life. he smiles directly into the camera, and for a moment you're winded at the reminder that you're best friends with a celebrity. "-there. now it doesn't feel like i'm talking to my computer."

"well, you are-" you speak up, ready to go on one of your famous tech tangents. johnny holds up a single finger, shushing you instantly. as much as he'd love to hear your voice for hours on end, he wanted to squeeze out what he was going to say first.

"-hold your tongue, my dearest nerd," johnny quips with a wink. "my favor first." you tense up before he speaks up again. "i've got a movie coming out. finally, right? point is, cris is an absolute no-go, and my assistant couldn't find a damsel to hang off my arm in time for the red carpet. so, next best thing, i was wondering if... you'd be my plus one."

"i-i don't dress up, johnny," you protest, looking away. "all those cameras, all the shouting... not for me."

"it's not all bad," he insists with a smirk. "you'll have me. all you have to do is stay close to me and smile."

you stammer, trying to spill out more excuses for him to give in and stop asking.

"i don't have a dress-"

"i'll buy you twenty."

"nobody knows who i am-"

"eyes'll be on me."

"what if someone laughs at me?"

"doll, have you seen some of these hollywood clowns? you'll look just fine."

you tug at your hair, exasperated. he came prepared with every response, had every reason to bring you to the carpet. you wanted to say no, but truth be told, you missed johnny dearly. you don't get to see him in person often, given your medium distance and his constant work. a meek "fine" escapes your lips and johnny cheers to himself, his excitement painted all over his face. it made you warm how well he was at showing his appreciation at times.

"i knew i could count on you, sweetheart. this means the world to me. i'm getting you tomorrow at three, okay? we're gonna get you a nice dress, i'll get a matching suit tailored... oh, it'll be like prom all over again!" he's gesturing wildly as he hypes himself up over the plan.

"i never went to prom, johnny," you chuckle to yourself, eyes on your keyboard. "i wouldn't know the experience."

"well that's ridiculous," johnny looks surprised at this fact, for a reason you can't pinpoint. "i would have asked you if we knew each other then."

"i'm sure," you agree shyly, turning away to try and hide your blush. "i'll see you tomorrow, johnny."

"see you tomorrow, doll," he smiles at the camera again, and you catch a glimpse of it as you weakly return the expression. then, johnny leaves the call, leaving you huffing and blushing. he just asked you to be his plus one on the red carpet, for his movie, for his fans... all eyes will be on you. the thought terrifies you, but maybe you could push through for your friend. you were a software developer, mostly confined to your dimly lit bedroom. this was a whole new realm!

you roll around on your bed and kick your feet, wondering why you're always so awkward around him. if you fumble at all in public, your world might just fall apart. sleep doesn't come easy for you, but it eventually overpowers your anxiety.

sunlight creeps through your windows. despite your usual tendency to sleep in, your nerves shot you awake slightly earlier than that, and you tried your best to negate your shakiness through games and squeezing in any work projects you could make up - before a firm knock was at your apartment door.

you fly to the door and swing it open, excited to see the only man that gets your heart pumping. he's matching your energy with a cheesy grin, immediately charging at you to embrace you in a bear hug. his cologne makes you tingle as you breathe in his shirt fabric. when he pulls back, he chuckles to admire your attire. you're wearing your usual sweatpants, hoodie, and slippers.

"you clean up nice," he compliments you sarcastically. "it's nice to finally see you, honey." you shrug with a shy smile at his endless pet names. "let's get you into something more flattering, yeah?"

he encourages you to his car, it's one of his nice sports cars with his name printed across the seats. you always felt out of place in his luxurious lifestyle. however, even through the two hour car ride back to malibu, you found yourself familiar and comfortable alongside johnny.

"you didn't have to drive four hours just to see me," you insist quietly, voice muffled against the window as you admire the waters. "it's a lot of trouble for one night."

johnny seems to genuinely seem taken aback by your deprecating comment. he leans over and slides one hand on your knee, patting it gently.

"you know i'd do anything for you," he speaks in that dangerously low tone, stealing quick glances as he desperately tries to focus on the road. "i want you with me."

even after his comforting pat, his hand lingers for a moment, sliding up your thigh with feather touches. you cover your lips with your finger to muffle any whimpers that threatened to escape. you always hated how touchy he was, and by hated, you mean it turned you on embarrassingly easily. as the road straightens out, you realize he's staring directly at you with suspiciously blown out pupils, but snaps back into reality as quickly as you noticed. he clears his throat and removes his hand, settling them both back on the steering wheel.

perhaps he just missed me and wants to be closer, you thought. he's always clingy, he probably just... you're having a hard time justifying his needy glances. they looked off. it's been a stupidly long time since someone eyed you down like that.

after what felt like a thousand years, the city comes into view and johnny parks at a luxury outfit boutique. it's small, but the window mannequins alone make you swallow nervously.

it takes quite some time to decide on a dress, because you internally decide that every possible option is unflattering. each time johnny pulls a dress from the selection, you cringe and shake your head. the sleeves were either too long or too short, the skirt was too flowy or too loose, or the color wasn't quite right.

"how about i pick one for you?" johnny offers, a little exhausted at how difficult you were being. "you just go sit in the dressing room, i'll slide you a couple dresses and don't think too hard about this. you'll look great in anything, my dear."

you agreed with his idea. maybe it'd be best for the celebrity that's known to dress nice to put you in something that'll definitely turn heads and keep you confident. it was unfamiliar territory for you, after all, since the last flattering thing you wore was a one-piece swimsuit on a beach trip with your family.

after some time of fidgeting in the dressing room, johnny slides the curtain aside and greets you with a smile, his veiny arm holding about a dozen dresses. he's got his iconic shit-eating grin as it seems he has something devious in mind for you.

"don't look so afraid," johnny shrugs, nudging you playfully. "i'll treat you right, pinky promise." he holds up the first dress, a flowy one with off-the-shoulder sheer sleeves. it looks like something out of a fairytale, and you're reluctant to deny his suggestion when he's cheesing so damn hard. you smile back and shove him back behind the curtain, giving yourself space to change.

you slide into the dress, catching it on your hips momentarily but pulling it past without tearing it thankfully. when you pull it up to your chest, it takes quite a bit of tugging, seeing as the fabric isn't as stretchy compared to what you're used to. when you fall silent as you try to pull the dress up, johnny assumes you're ready and slides the curtain aside, stepping in eagerly.

"how's it-" he cuts himself off when he gets a good look at you. you're flushed from trying to squeeze into the fabric, and your breasts (that he didn't even know you had) were spilling out of the front. his lips get sucked inward as you witness the gears come to a screeching halt in his head. his eyes may have been hidden from his sunglasses, but you know for a fact he's checking you out. "i like that one." his voice is too monotonous for him to truly be emotionless. it's like it's taking every ounce of his being to be normal.

"i don't," you mumble, continuing your fruitless attempts much to johnny's delight as your boobs ripple with each pull. "i can't get the stupid zipper up in the back, either."

eager hands shoot out to you as johnny takes quick strides to stand behind you. your front is facing the mirror, your hands resting atop your breasts and eyes focused on the man behind you. when his head tilts town to get a good look at the zipper, you notice his eyes are far darker than the typical warm brown.

his hands fumble tremendously as he tries to keep his shit together. he uses one hand to keep the parts together and the other to get the zipper sliding.

the sudden jerk catches you off guard and you're far from balanced. thankfully, your palms press against the mirror to keep yourself upright, and johnny lurches forward as his grip is pulled with you. his hands fly to your waist to ensure he doesn't topple you over.

you would have gotten up like nothing happened, and maybe apologized, but during the scuffle you felt something hard and warm through your skirt. johnny's nose is tucked in the nape of your neck when you fully realize your predicament.

as you sputter out his name to call him out, you feel his lips smile against your back. his hands loosen momentarily, but don't pull away.

"uh, sorry, doll," he mumbles into your skin, not sounding all too apologetic. "pretty girls in dresses just... gets me goin'."

"i'm not pretty," you mutter, averting your gaze. johnny lifts his head and looks at your reflection incredulously.

"you're joking, right?" johnny replies, brows furrowed. "babe, look at yourself." he grabs your jaw from behind and angles your vision on your body. "i didn't know you were carrying all this. i almost want t'take you out and get you a whole new wardrobe just to get you out of those garbage bags you're always in. pardon my french doll, but you're fuckin' hot." as he speaks, his hand snakes down your throat, your shoulder, and then settling firmly on your hip, not even hiding the brief sweep he made against the flesh of your chest.

you're left staring in awe. he was always charming around you, but never outright flirting. you glance toward the curtain; what if someone heard all this? you swallow thickly, moving back to look at johnny apprehensively. he's biting his lower lip, suddenly thrusting more against your body, letting a shaky breath as his face is now buried in the crook of your neck as he tries to hold it together.

"you got me all riled up seeing you in that, you know," he warns you in a husky voice that dampens your panties. "so you can't say you aren't pretty. feel what you did to me." the air feels intensely different than it was when you guys were just friends. he's confessing something he'd implied to feel for quite some time, but you never envisioned the day it'd come to fruition. you can't really say you were complaining when he pulls your hips toward him, letting him use your ass to grind down on ever so slightly. your stillness throws him off for a moment, and he looks up at you through the mirror with concerned eyes. "you don't seem into this. i can stop."

"n-no!" you yelp out, sounding a little more desperate that you'd like to admit. "this is okay."

"just okay?"

"well, no, but - i'm sorry, i don't know what to say."

"do you want me to stop?"

"...no."

"good girl."

he presses a little harder against you, keeping you upright and stopping your knees from buckling with his rough hands. abruptly filled with a primal hunger, johnny tugs the long flowing skirt up in bunches, gripping it tightly to get a glorious view of your ass. this interaction was not prepared for, so you couldn't help but feel flustered when your boyshort panties are fully on display. johnny just chuckles to himself as he grabs a shameless handful of one of your asscheeks anyway, squeezing hard enough to leave red prints behind. you bite down on your lips to stop any noise from coming out, but a moan of surprise slips through.

johnny wraps one arm around your midsection for stability, and the other flies up to your lips to hold his palm over your mouth.

"if you want this, you're gonna stay quiet, is that clear?" he growls into your ear, head tilted toward you but eyes fixated on your reflection's eyes. all you can do is nod. "i'll show you how fuckin' pretty you are."

he slides your panties down with ease, expelling a shaky groan when he watches a trail of your wetness follow the fabric. his cock is swiftly freed from his dress pants and he slides his throbbing tip against your folds, creating a sopping sound to the trained ear. if the store was quiet enough, the entire building would know how soaked you were for your best friend. all you can do is whimper and gasp as your noises are muffled by his hand. johnny leans forward and gently shushes you, lips brushing against your ear.

"you can do it, princess," he assures you in that husky voice before holding intense eye contact in the mirror. "you look so good like this, don't you think?"

your pupils were blown out and your cheeks were stained a deep red as you're bent over for the actor. you didn't feel pretty, still. you felt... needy.

you pressed back against his cock, and it slips between your folds before catching on your aching hole, making you twitch. the sloppy friction makes johnny moan against your skin as he hungrily matches your movements. he slides his hand down and toys with your clit, wetting the area with your own juices which seems to be plentiful. he sticks two fingers inside, not bothering to ease you into the process at all. he needs you now, and if "now" is in a clothing store, then so be it. your pussy burns from the sudden stretching, but you take it because it makes him happy to see how eager you are for him.

"i should've put you in a dress sooner," he mutters, hazy eyes staring right through you as he relishes in the way your walls embrace his fingers. "you look beautiful, my dear. angelic. i wanna ruin you so bad, baby, but i can't. not here." his words already bring you closer, but as you feel the tension building inside he leaves you empty and sopping... but not for long.

his tip slides in with ease, and he has to bite down on your bare shoulder to stop himself from losing it entirely. it's the first time in a long time a pussy has been too good for him. he's stuck his dick anywhere and everywhere, but you take the cake. his bite deepens when he slowly but surely bottoms out, his own knees buckling at your gorgeous insides.

"mmf, so fucking good," he groans into your flesh, eyes clenching shut. "my pretty girl. all mine, yeah?" you nod lazily, too entranced in the fact that his cock is buried inside of you. you'd had sex before, but it had been quite some time. years. and his dick just felt impossibly big.

"i could stay like this forever," he mumbles, almost forgetting to thrust. you remind him quickly when you shake your ass needily. "ah, but i shouldn't. you deserve to feel good."

he pulls out slowly, admiring the thin coat of juice painting his shaft before thrusting back in. he's careful to move just enough to hit deep, but not enough to make the slapping sound too obvious.

"there you go," johnny encourages you as he starts to slowly pump into you. "you take me so well, so pretty with my dick buried in you."

you almost wanted to pinch yourself to see if you were dreaming. just yesterday, he was your duo in your favorite game. and now, he was fucking into you in public. the thought makes you dizzy and you have a hard time keeping your head upright, that is, until johnny pulls your face up to the mirror again, still muffling you with his palm. you want to say you're the one enjoying it most, but that might be johnny. his once cocky demeanor is now down the drain as he fights for his life to not cum with every second of friction. you were just so good, he's already pussydrunk. he seems to be living in his own heaven when he lazily peppers kisses and licks all around your back, neck, and shoulders, breathy whimpers and moans warming your skin up nicely.

his thrusts grow increasingly sloppy as he completely loses himself against you. his eyes are swapping between you and him in the mirror as he admires your wetness dripping down your thighs and splattering against his own front. he would be mad you were ruining his nice clothes, but he's just going to buy another suit with you anyway.

"you wanna cum on me, doll?" he huffs into your ear, letting go of his fear of the slapping noise and now progressively slamming into you harder and harder. "let me feel it, baby, i'm real close."

johnny's arms readjust, one snaking under your armpit and over your shoulder, and the other rhythmically swirling circles against your clit. what once was hungry groans is now turning into needy whimpers from the both of you as you cum simultaneously. your lower half feels warm as he cums deep inside of you, watching it drip and splatter out with every finishing thrust. your vision becomes tunneled as you see stars, head thrown back as each throb from the orgasm makes you forget you're in public entirely.

he holds you both there for a moment, breathing in your damp skin. you both feel dazed, but incredibly satisfied. johnny kisses your cheek from behind, dancing his way to the corner of your mouth and then captures your lips in a messy, brief kiss.

"you know i didn't need a dress to want you that bad, right?" johnny asks against your lips, his fingers brushing against your bare thighs. "i really do think you're beautiful. always have."

you nod, taking in a quick inhale of breath to gather yourself. "i wasn't sure before."

"well, i hope you are now," johnny chuckles, and kisses you again. "at least, i hope so - hey, hey -" the embrace stops as he steps back and notices his semen dripping down your leg. "don't get that on the carpet. and definitely don't get that on the dress. we're buying that one for the red carpet-" he checks his watch. "-that we're late to. shit."

he doesn't really regret it.

[reel-fear]

Bendy And The Power Of Representation

So those graphic novel pages huh? Seems I posted my cover post at just the right time because literally minutes after I was informed the preview pages came out and uh. This is Buddy and Norman!

Oh dear... I'll put the full graphic novel pages down below but I have so much to say on how awful this is it'll need several posts. However, right now I want to mostly talk about representation and briefly touch on why it's so damn important + inform others about the current shit Mike and Meatly are saying about the books n such.

Now note: All the things I'm saying below are based on my personal experience, maybe some people don't care about seeing the representation of their identities in the media they consume. Maybe some will think I'm merely being dramatic and I might be but I'm not lying when I say I personally believe being represented and seen in the media you consume can be one of the most wonderful feelings in the world.

Look I'm not here to argue with people who think that Norman in particular was never meant to be a person of color, I would argue he is very coded but the points I'm making here are not about how Norman particularly had to be black. The point I want to make is the lack of diversity in our cast in general and how Norman's design has heavily dwindled it considering most people [including myself] rightfully assumed he was at least one of three black characters in our cast. Not according to this though and looking at the the rest of the pages our chances of seeing any kind of decent diverse character designs dwindle more.

So firstly... Buddy a character who has been said to experience discrimination for being Jewish, lacks any kind of ethnic features at all. That's... Cool but yeah I think this shows a rather grim future for the character designs as a whole.

Also, Norman... As I mentioned he was largely assumed to be black due to his southern dialect, his voice, and other factors. But nope, he's a generic white guy. With... Gross looking hair tbh...

Sadly this is not the first time the topic of poor representation has come up concerning Bendy either.

[note how he disregarded the other mentioned minorities and specifically cites LGBTQ+ characters]

This sucks as a response but sadly considering Mike's recent behavior it seems to fall in line with the Bendy team's general lack of care towards representing anyone who isn't straight and white.

So how did Mike respond to all of this? Well...

TDLR - "Who cares if the Graphic Novel we're selling to our fans for full price sucks, we now no longer consider the books canon."

This is horrible, I know Mike and Meatly are only really in this for the money, the fact BATIM is in the state that it is proved that, but they really couldn't have been less obvious about it?

So basically when it benefited them, AKA when it meant people would have to buy the books to understand important lore like Boris' identity... [the character you spend all of chapter 4 trying to rescue] They were considered canon... At least the author sure thought so.

Hell even in the tweet Meatly made here he doesn't say the books aren't canon, he just says they're not needed to understand Bendy's world. Now Mike is using that as a shield instead of doing the right thing and saying "You're right, the poc in our fanbase deserve better we'll have it fixed right away!" Like most reasonable people would considering how his studio has literally been accused of bigotry, poor rep, and general lack of diversity before. Why risk making more people avoid this franchise?

Also just... Imagine how insulting it would be to be an author who helps flesh out so much of this world and gives its characters depth like NONE of the games have managed to do, filling in plot holes, creating a timeline for events, etc... Then because they couldn't bother to change the graphic novel for ur story to be better they instead throw out all ur writing and declare it non-canon.

If I were her to put it bluntly I'd feel insulted and horrible. Why make her do all the work of making sure her works align with the timeline and game's canon if they're not part of it?

I can't speak for her obviously but Meatly and Mike know of her account, so speaking out against this could very much risk her being fired or at least not allowed to work on Bendy anymore... So I would take all her tweets on this situation with a grain of salt. She very much is not in a position where she could be honest if she was against this.

So with all that history now, the question I'm sure many are wondering is... Why does this even matter? Who cares how diverse the characters are when it doesn't affect the story?

Well for one thing, if you think like that consider having more empathy for your fellow human beings but also it does affect the story. One of DCTL's themes is about the bigotry of the period it is set in.

Now the Bendy team has managed to make the discussion of this book centering around their bigotry which is ironic in a way I almost find funny... Though this entire thing is just a bit too hurtful and upsetting to find any humor in, at least for me...

But another thing is representation can bring people such joy when it's done with care. It really shouldn't be understated how far it can go to make people feel more comfortable in their own sense of self to have a franchise choose to represent them and their experiences. I know this from personal experience.

Now if you've been following me for a while, you know I'm a big fan of Transformers. I no longer engage with it much due to baggage from the fandom's awful treatment of me, but before I left I remember being able to witness the release of Transformers: Earthspark first few episodes.

These introduced the Maltos the family who meets the Transformers and serve as our protagonists and guess what?

It's a family of Filipinos!

Now look I'm not Filipino, but I am half Mexican and I have a lot of love for that part of me. So seeing the representation of any Spanish culture in this franchise I loved made me so happy! I remember just watching the first episode I was happily telling my partner how fun it was to see people like me and my family in a world I love!!

But it didn't end with the Maltos in fact... There was another character who spoke to me, their name was Nightshade. Their pronouns are They/Them and they spoke about it on the show! Not just mentioning it and moving on but actually sitting down to speak about their experiences...

This clip in particular really turned them into an absolute favorite among fans and well... I'll let you see it for yourself.

This scene... Fills me with a joy I cannot describe. It is the creators of a franchise I love telling me they see people like me and find the stories of people like me important enough to include in this series. There really is nothing like being able to say there are Non-Binary characters in a franchise I have so much love for. I was far from the only one too.

This is amazing, this is wonderful, this clip and character were moving to so so many people and...

This is a joy the Bendy creators have no interest in giving their audience. They don't care how you feel as a queer and/or black person, which... Hurts...

I... Discovered I was trans while in the Bendy community... It was where I learned the word Non-Binary and started using it for myself. To me Bendy will always have that connection... But the devs themselves seem to hate the idea of being forced to actually represent that in their games... And I still haven't really gotten over that pain or betrayal if I'm being honest.

So...

With Norman now being portrayed as white here, we are down to two black characters. Thomas [who Meatly has claimed is white in the past] based on a vague conversation with Sammy in DCTL they could easily ignore... And Jacob.... A book exclusive character which according to Mike means he is non-canon.

If we don't count Thomas' vague talk with Sammy about disrespect as confirmation he's black [which the devs don't seem to think so] then we have one black character in all of Bendy... And he recently got retconned into non-existence. Great.

Look... The Bendy fanbase has always been full of wonderfully diverse designs for the staff and even more diverse people creating them. Bendy's fandom was built with the work of queer people from all kinds of places.

If the Bendy team continues to show how little they care for anyone who isn't straight or white... I wonder who they are counting on to buy this book or in general financially support their franchise?

I know right now, I am furious, I am hurt and I most certainly don't feel like buying a book that's currently just a massive fuck you to the fans and I hope I've expressed why I feel this way in an easy-to-understand way here...

Either way, I will not be forgetting this anytime soon and I hope the fanbase does the same. Maybe just maybe, if there's enough backlash to this series of horrible decisions they'll learn better.

Right now, it's kinda of our only hope for a better future, and if you know any poc who are into Bendy right now... Maybe consider making sure they're feeling okay.

I know from experience how much this sort of thing hurts, to have the creators of a world you love straight up tell you they don't intend to fix the fact no one in their stories represents your identity or life...

What I'm trying to say is...

This is a really low point for Bendy and its fans... Even more for the poc who have to witness such ignorant and careless attitudes from Mike and Meatly towards their feelings.

Please don't forget them when you discuss these tweets or this situation. That's exactly what Mike and Meatly want right now.

For them to be unrepresented and therefore... Unheard.

[zvtara-was-never-canon]

netflix is making zutara CANON and there's NOTHING you can do about it, peasant! we're getting our endgame and all you stupid zutara antis are just gonna have to watch them solo your flop ships! ❤️🔥🌊 kys loser, imagine not shipping zutara lol

Imagine being excited for the NETFLIX version. Buddy. Buddy. They couldn't even understand Sozin's comet was important and should not be cut. They couldn't handle a four-episode arc with a boy learning to not be condescending/sexist.

It MAYBE having Zutara is not the win you think it would be. Have some goddamn standards and demand quality content for your ship, not half-assed Netflix bullshit.

Also, I don't know how to explain to you that even if by some miracle the netflix show was good or at least not offensively bad, the original show would still exist, and plenty of people would still consider it the "true" version because it came first, even if they liked the Netflix show - that's just how any franchise works.

"Imagine not shipping Zutara" Imagine being so desperate to prove you don't care that your ship is not beloved by everyone that you send anon hate to someone like a cry-baby. This is why no one likes yall and clowns on your ship despite it being just vanilla instead of downright bad.

Maybe your ship will happen in the Netflix show, maybe it won't. Maybe it will happen in some other adaptation, maybe it won't. Either way you seem determined to be an unplesant, cowardly, childish person that can't handle the fact that your personal opinion isn't some sacred law, and there's no adaptation, good or bad, that can make anyone put up with you - including other Zutara fans who like my blog.

[dededaio]

The New Kirby Novel Announcement might hint at the future of the series?

...or as I also would like to call it, yet another installment in the "Klu puts on a tinfoil hat in desperate attempts to predict Kirby's future" series.

So you might've already heard about the announcement of the upcoming Kirby Light Novel in the March of 2024. It's title is "The Dream Onsen is a Good Hot Spring" and If you aren't familiar with it's plot yet, here's the full synopsis:

At first the story doesn't seem too remarkable, there are no promises for new high-stakes adventures on a different planet like in Dedede-focused novel "King Dedede's Great Escape Strategy" or shocking twists like in "Meta Knight and the Knight of Hades", but then it hits you. This novel will feature Elfilin and Daroach. A lot of people who learned of these news did instantly become excited, but not a lot of people seem to have realized just how bizarre this is.

If you aren't familiar too well with the novels in general, their utilization of the extended game cast is quite similar to the way mainline games handle them. As in, they rarely if ever appear if their names aren't "Kirby", "King Dedede", "Bandana Dee" or "Meta Knight". If novels could help it, they only use the main four and occasional recurring enemy/helper like Burning Leo or Chilly (and Chef Kawasaki as a bonus) as the supporting cast. And if the original story requires more important characters, instrumental in the narrative, Mie Takase, novels' author, tends to invent entirely new ones instead.

So far there were only 3 types of novels that primarily utilized game-exclusive characters. I myself sorted them out by type, this is not an official classification or anything. Here's a nifty chart:

Remixes, as I like to call them, are quote unquote "original stories" that feature game characters like Magolor, Taranza or Animal Buddies. But while most of the plot seems original, more often than not it seems as a re-imagining of the actual game plots. Kirby's Labyrinth Rescue is probably the most egregious example, as it's an unholy amalgamation of Return to Dream Land, Triple Deluxe, Rainbow Curse and Amazing Mirror. While a lot of the story might be original, they are "based" on something from the games instead of being wholly original narratives.

AUs are interesting, because they do tend to have entirely new stories that utilize game characters, but this is only with an asterisk that they take place in entirely different world from the main novels/game-adjacent canon.

Adaptations speak for themselves. They might have an original character or two (mostly early on in novels' existence) but they are mostly 1:1 faithful adaptations with some omissions and additions that don't significantly alter the narrative (with sole exception of Planet Robobot's novelization letting President Haltmann live for some reason). Notable thing is, that in case of certain game-adaptations, like Merry Magoland or Kirby Fighters 2, mentions/appearances of extended game cast are omitted or heavily limited (In KF2 novel Magolor and Gooey don't appear or get mentioned at all, in Merry Magoland only Gooey is mentioned among masks of the characters that don't appear in the story in flesh).

As you can see, this newly announced novel doesn't fall under ANY of these categories. It's a brand new, seemingly slice-of-life-esque story, that just so happens to randomly include Daroach and Elfilin. This is highly unusual because novels rarely if ever take risks or go out of their comfort zone. They kind of established the rules and formulas of how they work for years now and it's been working out for them. So why anything would change now?

Well. Heh... What if this sudden change in direction is actually reflective of franchise-wide changes? Shinya Kumazaki talked about how Forgotten Land is going to be the beginning for "the new phase of Kirby". So far it's hard to tell what he actually meant by this. But I would argue that one of the aspects that could be true in this new "phase" is more frequent utilization of the extended Kirby cast.

Novels, in terms of franchise-wide hierarchy, some of the closest things to the actual games in terms of importance, mainly thanks to how much of a juggernaut in terms of sales they are within Japan. Across 10 years of their existence they managed to sell over 3 million copies of all books, which might not sound that impressive, until you realize that these are books for children that until recently were purely Japanese-exclusive endeavor.

These books are the only adaptations, to our knowledge anyway, that get special privileges from HAL themselves in terms of telling some plot and lore details that even fans aren't aware of. Shinya Kumazaki even directly supervised and helped to write one of the books (Return to Dream Land's novelization that came out in 2022). It doesn't mean that novels are canon, but it does mean that they tend to reflect the current status-quo of the series better than most other aspects outside of the games.

So this sudden inclusion of ensemble cast in a random story might signify HAL's willingness to do more with these characters. Elfilin alone wouldn't have been perhaps that surprising, as he was hinted to have more importance past his debut in how he passionately expressed that he wants to stay by Kirby's side forever, but Daroach's inclusion is puzzling because while he did appear in multiple games, he didn't get any merch or notable appearances lately.

Of course, this might mean absolutely nothing! But I feel like this is more notable than most people give it credit for. At worst, this means nothing except that novels will utilize game cast more frequently, which would be cool, at best, it means that HAL is opening up to the idea of returning past characters more frequently, which would be awesome. Let's wait and see, I suppose.

[florallylly]

seen a couple the mummy aus for steddie but i have THOUGHTS

instead of steve as rick and eddie as evelyn. ROBIN as evelyn. she already knows languages and i feel like it's not too much of a stretch to see her as a future academic.

her brother steve following her around, picking up bits of her knowledge, but ultimately pursuing his own thing. (he'd spend more time poring over the archives with her but he's blind as a bat and always keeps getting dragged away by the local kids)

robin hyperfixating on hamunaptra and finding out that people say one eddie munson has seen it in person. and this is just. Straight out of the show because they break eddie out of prison (kind of. steve bribes the guard).

eddie flirting with robin and robin being like "that's not gonna happen buddy" before returning to her notes. steve sitting behind her filing his nails "yeah, Buddy." eddie switches targets.

Also to note that i'm a huge mummy fan. i'm a brendan fraser rachel weisz truther. Since Birth. and i can picture the entire mummy franchise steddie-fied i SWEAR it looks so good in my head, and i'm always correct

[youcouldmakealife]

SOTM: Erin/Julius, grudge match

For the prompt: Julius' exit from the Oilers

Julius was never going to stay. Erin doesn’t really know how anyone could have expected otherwise. Sure, she knows the expectation, that if you’re a franchise saviour you stay with the franchise, give it your all, saw that play out with Bryce even though fans acted like he was team whipping boy instead of franchise saviour half the time.

But the thing is, the Oilers have been beyond saving for the entire time Julius has been there. There’s only so much one guy can do, no matter how good they are. And Julius is so good, and he tries so hard. Everything he can do, he has done, nobody could say otherwise, doesn’t slack off on the ice in any game situation, works to win the team games. But they don’t win, most games. They don’t win, because they’ve got a mismanaged team and what the old boys club might call a loser culture. Nobody’s expecting to win games, the players included, and they’re usually right.

Erin’s not like, saying that out loud any time soon, but whatever. It’s true. She likes some of the Oilers as people, has a game buddy in Farmer’s girlfriend, who is one of the funniest people she’s ever met. She likes the city okay, close enough to pop in on mom and dad but far enough they don’t really pop in on her, except for the occasional visit when the Canucks come to town, because Jared’s indisputably their favourite child. There’s nothing personal about Julius’ decision to move on, on his end or hers.

Well, mostly. Erin’s never understood how Deslauriers has kept his job so long, considering he hasn't made the Oilers any better, but they’re not worse, not that that’s saying much. Unfortunately he’s still in charge of the whole operation, and she’s a teensy bit biased against him due to the whole being raging homophobe who tried to destroy her brother’s life because he was gay thing.

Like, just a smidge. Giving the TV the middle finger every time they show his face level. Julius has been smart enough never to introduce them level. Erin’s the only one allowed to destroy her brother’s life, and she sure as shit would never do that because of Bryce, who’s like, the best thing about Jared. By far Jared’s best life decision, full stop, was somehow winning over Bryce Marcus despite his horrible personality.

Well, after adopting Julius. Erin’s pretty grateful for that one, to be honest.

The summer before Julius’ contract expires, he goes into contract talks, though he has zero intention of staying. The talk is basically ‘thanks, but no thanks'.

Erin has no clue why it takes so many meetings to get that across; maybe they’re being too polite about it, or the Oilers are being a little too obtuse, because ‘no thank you’ is three words, as are ‘please trade me’. But after those talks end Oilers management doesn’t say anything to the media except that ‘they’re working on something that works for both parties’, which must be difficult, considering Julius’ current ask is ‘no amount of money will make me stay’, which she’s pretty sure is hard to match.

Or like. Maybe there is enough money. Theoretically, there could be a magic number of money. Like, a mindboggling amount of money might do it. But they haven’t offered him it. They’ve offered him fair value, market rate, but the thing about market value is that the market’s going to offer him that too, and testing the market means he doesn’t have to play for Edmonton anymore.

But nobody gets it. Going into his final contract season, the media’s talking about how much it’ll take to re-sign him, how sweet a deal they’ll have to make it, and she almost wishes that someone would leak the fact he isn’t going to stay so that fans would feel a little less betrayed down the line. But apparently the Oilers front office is a tight ship, or they’re still firmly in denial, hoping Julius is going to change his mind.

Erin’s never seen Julius change his mind on anything big. Or even little. He hates watermelon. He’s never actually tried watermelon, but he’s decided he hates it, so obviously trying it would be silly. This is the person they’re expecting to change his mind. The person Erin has debated force feeding watermelon, because he thinks it tastes like watermelon flavour and nothing tastes like watermelon flavour, she doesn’t know what the fuck watermelon flavour tastes like, but it is not watermelon.

Anyway, he doesn’t change his mind. Shockingly.

A week before the trade deadline Erin walks in the door to find Julius sitting at the dining room table in the half dark of twilight, chin on his fist. He looks like a stock photo: ‘sad man brooding’ or ‘gloomy Finn’ or something, so defeated that Erin doesn’t have the heart to give him shit. Well, almost. She wouldn’t want him to get a big head or anything.

“Pretending you’re the protagonist in a sad indie movie, huh?” Erin asks.

“I don’t know that one, protagonist,” Julius says, then, when she turns the overhead light on, “Ow!”

“Main character syndrome,” Erin says, as Julius squints at her, looking betrayed. He’s not a vampire — he’ll survive a little light.

“Is that what you said Jared has?” Julius asks, and Erin laughs. She can’t even remember saying that, though it must have been years ago. Years ago Erin was right, though.

“Probably,” Erin says, leaning on the table so Julius is forced to look at her instead of into the abyss or whatever. “What’s up?”

“They’re going to boo me for the rest of my career,” Julius says.

“Flames fans don’t even boo Bryce anymore,” Erin says. “Rest of your career’s a stretch.”

“That isn’t true,” Julius says.

“Okay, they don’t boo like, every time he has the puck,” Erin says. That’s basically the same, right? He has to earn the boos by scoring, or assisting, or holding onto the puck a little too long, or — anyway, they boo a whole lot less than they did initially, which is her point. People have short memories, and, more importantly, they’re lazy. Hating someone takes too much energy, long term. They’ll have found someone else to hate by then — some other poor, talented kid doing his best while he’s stuck on a team with no ambition.

“Have they traded you?” Erin asks.

“I think they’re about to,” Julius says.

“Like gut feeling or—“ Erin says.

“My agent told me to keep my phone close,” Julius says.

So probably actually about to, then. She knew it was coming, unless Deslauriers was stupid and stubborn enough to keep Julius until the end, let him walk for free. Which she wouldn’t put past the guy or anything, but still. It was coming.

“You’ve been waiting for this,” Erin says.

“I know,” Julius says.

“You want this,” she says. Getting traded at the deadline, people get a chance to get used to him in another uniform. If he stays until the end, the Oilers don’t get anything for him, but the Oilers fans are going to expect him to stay, hate him if he doesn't. Even more than they will this way, she means.

“I do,” Julius says. “You’ll come with me, right?”

“As long as it’s to a decent city, sure,” Erin says, and the offence on his face is exactly what he deserves for asking such a ridiculous fucking question in the first place.

[flanaganfilm]

Hi Mike!

I am loving the LONG posts you’ve been making about your career and films. I wonder if there is any such one for ‘Ouija: Origin of Evil’?

‘Doctor Sleep’ was the first film of yours I had seen where I went “What else has this guy made?” And I was so surprised to learn Ouija was yours as well, it took me back to that college date! When I bought it on blu-ray and showed it to my friend, she saw Alice and Doris and went “It’s Shirley!”

Id love to know what your thoughts and feelings are on the film, 7 years later. Cheers!

Sure thing! This will be a fun one... I had such a great time making that movie.

Back in the spring of 2015, we were shooting Hush. Blumhouse was coproducing the movie with Intrepid Pictures. This was my second outing with Blumhouse after they came aboard Oculus at tiff in 2013, and they'd even hired me do a little uncredited consulting on another movie they'd made - a teen horror flick called Ouija. The first Ouija movie was... well... not great, but it made a lot of money. And I mean a LOT of money. A sequel was inevitable.

Jason Blum started calling me about the project while we were working on Hush. Initially I passed on it, I wasn't interested - I wasn't sure how to make a movie about a Ouija board interesting, and I didn't see myself as a sequel filmmaker. It just wasn't a movie for me.

If you know Jason at all, you know he is one of the most persistent and persuasive people in the business.

He wouldn't take "no" for an answer, and the phone kept ringing. The bar was low, he argued. The first movie performed very well, and because the franchise was just hung on a board game, there was kind of a blank canvas. "What movie do you want to make, buddy? Because I promise you'll wait your whole career for someone to make you this kind of offer again. You are a fool if you don't say yes."

He finally made me an offer that I couldn't refuse: I could approach the film from any viable creative direction I wanted, just as long as it connected somehow to the first movie and involved a Ouija board, and if I did that (and brought in the scares the kids wanted), I'd have a guaranteed worldwide theatrical release through Universal Pictures.

It's hard to understate how appealing that prospect was at the time. Oculus had been released theatrically but only performed moderately well. Before I Wake had been caught up in Relativity's bankruptcy, so the promised theatrical release never occurred (at this time, the movie was tied up in bankruptcy court without any release on the horizon), and Hush had been scooped up by Netflix, which meant it would never see the inside of a movie theater.

This offered me substantial creative freedom and a guaranteed wide theatrical release with the full weight of Universal Pictures behind it... I finally agreed.

How could I not?

The first film was a contemporary elimination horror film about a group of teenagers who awaken a scary little girl ghost with a stitched-up mouth. She kills them one by one. I wasn't really drawn to that, and I pitched Jason instead on a prequel that focused on a single mother in the late 1960s. To my astonishment, he agreed.

They had their conditions - it had to be PG-13, it had to directly connect to the first film, and I had to deliver the movie on their budget. And I had my conditions - I wanted my crew (including my producer Trevor Macy and my DP Michael Fimognari), I wanted my period setting, and I wanted the movie to look like it was made in the late sixties, down to the zooms, the film grain, and all the other aesthetic bells and whistles. This wouldn't look like a contemporary movie.

Again, to my astonishment, they agreed.

They had one more stipulation, this one from Universal Pictures - no one could smoke cigarettes. And not just that, there couldn't be evidence of smoking in the movie; not even ash trays.

"But this takes place in the sixties," I argued. The NO that came in was emphatic and resounding. There was to be no evidence of cigarettes in our 1960's, and this was non-negotiable. This was a priority for Universal Pictures, and they were far more interested in eliminating cigarettes from the eyes of their young viewers than they were interested in historical accuracy.

Frankly, they were right.

We all agreed on the terms, and to my own admitted surprise, I went off to write and direct Ouija 2.

There was an immediate skepticism in the press when the project was announced, and a fair amount of mocking online. I was determined to ignore it. I really thought this could be fun. I felt like I had been given a gift; I had a huge canvas and precious few rules, and a guaranteed theatrical audience.

I wasn't just going to make Ouija 2; I was going to make Ouija 2 as well as it could possibly be made.

Sitting to write the script was a unique process. The only thing I knew for certain was the very, very end. Our connection to the first movie was that we were telling the origin story of Doris Zander, the ghost from the first film.

She came with some backstory that we were married to: the first movie told us her mother Alice was a professional medium. When Doris had been possessed after using an Ouija board, her mother had sewn her mouth shut and killed her. And we knew her older sister, Lina, had spent the rest of her life in a mental institution (where she grew up to be Lin Shaye), and was absolutely not to be trusted.

So no matter what I did, we had to land there. Everything else was fair game.

I was very interested in the idea of a family who worked as mediums, but most interested in them if they were not authentic psychics. I'd researched a lot about fake mediumship, and the tricks that were used in those performative seances to separate willing marks from their money. What if that was the family's business? What if her mother was something of a con artist, and her kids were part of the act? And what if they ran afoul of a real haunting?

And further, what if it wasn't that they were con artists - what if they were good people, behind it all? What if they had experienced loss themselves, and had rationalized their behavior by saying they were offering people comfort? This was interesting to me. It was cool, it was fun, and I hadn't seen that movie before.

The story was a lot of fun to write. I really enjoyed the characters, I really enjoyed the world, and I kept thinking about the kinds of movies that I loved growing up. Yeah, this was a movie for a younger audience, but maybe they'd sit in that theater and have an experience that would stay with them, the way the movies of my youth had stayed with me.

I thought about those movies: Poltergeist, The Omen, The Changeling, Watcher in the Woods... and I thought about the theatrical experience of them. Their music (I particularly honed in on Jerry Goldsmith's score from Poltergeist), their aesthetics, even the little markers in the upper corner that signal the reel changes - "cigarette burns", as they're called in the business.

All of those things were ornaments of my earliest theatrical experiences, and I wanted to recreate that for the young viewers who might seek out Ouija 2.

One thing that set Ouija 2 apart right away was that we were going to shoot in Los Angeles. I'd lived in LA since 2003, but I had never actually filmed a movie here (and haven't ever again, sadly). This was a really exciting factor - I could spend the day in prep at Blumhouse, and then go home and sleep in my bed.

This was also great for my home life. Kate and I were engaged by then, and Blum was very happy with Hush, so she ended up playing a small role at the top of the movie. Having just spent the Spring living in a hotel in Fairhope Alabama and only working nights, it felt very novel that I'd get up in the morning and go to the office, and be home for dinner. We absolutely loved it.

Casting was also fun. Terry Taylor at Blumhouse did the casting, and for the first time in a long time I could be in the room when actors came in to audition. This was all in-person, because we were in LA. For Before I Wake, we'd had to run the whole thing through the lens of foreign sales value and over choppy, pixelated FaceTime meetings that did not give us much understanding of who we were casting. Compared to that, this process was a real delight.

For Lina, I really wanted to bring back Annalise Basso, the young actress from Oculus. She'd done a terrific job on that movie, and this was a great chance to work together again.

Henry Thomas signed on as Father Tom, and we hit it off immediately. I had been a fan of his since... well, forever I suppose, but I was really excited that he'd be in our movie.

The big revelation, though, was Lulu Wilson. We auditioned a lot of girls for Doris, and we used a particularly upsetting monologue as the audition piece - a 60 second speech about what happens when someone is strangled to death. Lulu's audition knocked me over, and we cast her immediately.

(Fun note: in the film itself, Lulu performs the monologue almost exactly as she did in her audition. And she did it so well, we never cut away. Don't know many 10 year-olds who can hold an entire monologue like that... in fact, I know a lot of 40 year-olds who can't. Lulu Wilson kicks ass.)

Production began in September 2015.

From the jump, this movie was FUN to make.

We were using an antique zoom lens package to achieve the look, and after spending much of prep obsessively watching The Changeling and The Exorcist for inspiration, we were really excited to do something fun. Every day was like a trip to an amusement park.

Michael Fimognari and I enjoy one of the vintage cars

One set, it was a family reunion. I had a lot of my crew from Oculus, Before I Wake and Hush, and a few familiar faces in the cast as well. It even reunited me with Dougie Jones, who had worked for one day in my debut feature Absentia, and agreed to let us bury him in gross demon makeup.

I really can't overstate how fun this was. The movie had more genre set pieces than most of my other work combined, which meant every day we were dealign with ghosts, ghouls, and some wild stunt work. Annalise and Lulu were just delightful, and spent their days pulling escalating pranks on the crew. I would find myself tagged with dozens of C47's (clothespins) whenever Basso was on set, and Lulu was doing all of her own stunts and making us laugh like hyenas.

I was also really enjoying Henry. Toward the end of the shoot, I told him I wanted to put him in everything I did. He laughed and said "whatever, sure man, sign me up." He's been in everything I've made since.

We didn't have a lot of money, but had a lot more money than I'd ever had before, and because Universal was committed to a theatrical release, they wanted the movie to work. I felt supported at every turn. Trevor handled the production the way we'd always done, and this was now our fourth collaboration - I knew I had a producer for life.

Blum was also a delightful collaborator, popping up frequently to check in but always just to see if there was something we needed. I felt an enormous amount of trust from Blumhouse, Hasbro, Platinum Dunes and Universal. That's a lot of cooks for one kitchen, and believe when I tell you it can easily go south... but it didn't. In this case, it just clicked.

We got to do a lot of fun things that had nothing to do with horror, too. There's a lovely little scene in the movie where Lina has her first kiss. We modeled the entire shot sequence after the best kiss in the history of movies: Jimmy Stewart and Grace Kelly's smooch in Rear Window.

We were even able to perfectly mimic a slower frame rate just as their lips meet, exactly as Hitchcock had done in that movie. If you look in the background, the Rear Window poster is hanging on her wall. We were always careful to cite our sources (and there were a lot of them).

My favorite scene of the whole movie was a dinner date between Elizabeth Reaser and Henry that we filmed at the Cicada Club in downtown LA. This was a restaurant that I loved, as once a month it transformed into a full-blown time machine, putting a brass band on the stage and functioning like a 20's-era speakeasy.

The scene where Alice and Father Tom spend an evening out together was among my favorites in the script. It was two adults who were clearly attracted to each other, and who acknowledge it, but recognize the reality of their situation. As we were filming, I remarked to Fimognari that - for a movie about a haunted Ouija board - we were really getting away with murder. This was lovely, sweet, subtle character development, and no one was stopping me. After what we'd gone through on Before I Wake, I had to pinch myself.

My favorite scene of the film

It was set in a restaurant in the late 1960s - almost everyone in that room would realistically be smoking. Universal had been clear that there was to be absolutely no suggestion that cigarettes even existed in this world. But for the restaurant, I had to haze up the air. It was the only time I was questioned creatively, as there was immediate pushback.

"It's a restaurant," I said. "What if there's a fire in the kitchen, an entree got burned and that's why it's smokey?"

No one bought that for even a second. But they let me go ahead anyway. Man, I love that scene. And later, when it was all said and done, Jason Blum shocked me by telling me it was his favorite as well.

We wrapped the movie just before Halloween, and off we went into post. The holidays came and went, and Kate and I got married in February 2016. There was gentle pressure in the cutting room to make the film as tight as possible, and keep things short, but as with everything else, the pressure was decidedly gentle.

The movie's test screenings were very positive. People were very engaged by the story of the family, and the only issue people took seemed to be with the ending. It was a real downer to get so attached to everyone, only to have to kill Doris so brutally. The ending was, to put it mildly, very depressing - Father Tom was dead, Alice was dead, Doris was dead (and her mouth stitched up to stop the demonic voices), and Lina was condemned to the asylum. It was exactly what was required of us, and what was dictated by the first movie. But it hurt people's feelings.

My original ending had Lina in the asylum, crafting a handmade Ouija board out of her own blood, and trying to contact her dead sister. She tries and tries, but there is no answer. It is just silence. And we leave her saying "are you there? Are you there?" over and over again, as tears fall down her face. Doris wouldn't answer - in fact, Doris wouldn't answer for decades, when the first movie finally caught up to us. It was a haunting and sad ending, and I kind of loved it.

But test audiences are a fickle thing, and so we came back to tweak the ending, as the studio wanted one last scare to send us out on - not an unreasonable position, though it was a cliched one. We shot the film's current ending, with Doris' ghost on the ceiling of the asylum. It's as rote and impersonal a horror movie ending as I can imagine, but... well, it was Ouija 2, for crying out loud.

The movie we'd made up until that point had no business being as much fun as it was.

I remember the phone call I got from Blum after the movie was done. Universal had decided that they wouldn't call the movie Ouija 2 after all, they were worried about the number 2 making it feel less interesting.

Instead, they'd taken a big swing: the movie would be called Ouija: Origin of Evil.

I laughed out loud. I thought he was kidding. When it became obvious that he wasn't, I filed a protest. "It's not very good," I said. "It's cheesy. And not to put too fine a point on it, but the movie depicts neither the origin of the Ouija board, or of - um - Evil."

"Buddy, the title tested well. That's the way the cookie crumbles. Trust us, if the studio says it's Origin of Evil, it's Origin of Evil."

With a big theatrical release comes a lot of pomp and circumstance. There was a huge premiere for Ouija: Origin of Evil that October, and whatever nerves I had about the critical reception to the movie proved to be short-lived. People really enjoyed it. The overwhelming sentiment was that a sequel to a movie like Ouija frankly had no business being this interesting.

For all the pomp and circumstance, I missed it all. I didn't get to go to a premiere or walk the red carpet, as I was already in Alabama shooting Gerald's Game. On opening weekend, I took the cast and crew to a local theater in Daphne Alabama to see Ouija: Origin of Evil on the big screen.

The projection in this little backwoods theater was NOT good. The lamp was too dim (a common cost-saving strategy in some theater chains), and it was out of focus. I ran up to complain to the manager.

"The movie's soft focus on purpose," he said. "That's what the filmmakers wanted."

"No, it really isn't," I said.

The movie ultimately was not the runaway hit that the first Ouija was. Not even close, in fact.

To everyone's surprise, the teenagers just... didn't really show up. The first movie had grossed 103 MILLION dollars worldwide, but our little prequel only managed to do about 80. It was considered a modest success, not a hit by any means, but no failure. In the end, Universal decided maybe there wasn't a franchise to be had here after all.

So in the end, I had single-handedly revitalized and destroyed the Ouija franchise.

But man, believe when I tell you I've got no regrets whatsoever. I had the time of my life making that movie. Sure, some people groan about the ending, but that was kind of our only job - those were the cards we knew we had to turn over. Did you see everything that led up to that, though??? Did you see what we got away with?!

Since this movie, I've worked with a lot of people again. True to my word, I've put Henry Thomas in every single thing I've made since. Elizabeth Reaser came back to play Shirley in The Haunting of Hill House, and little Lulu Wilson - who was so wonderful as Reaser's daughter Doris - played the younger version of Shirley on that show. Lulu is also in The Fall of the House of Usher (and if you look closely, her original Ouija board and planchette are in frame with her.)

Kate sported a fun blonde hairdo for her small role in Ouija: Origin of Evil, and it was a really fun stepping stone between Hush and Hill House for her as an actor. There's a fun deleted scene where she goes home and murders her father, played by the great Sam Anderson. I really dug that scene, and I wish it was in there. You can see it on the blu-ray and DVD though, because even in a world where Netflix is trying to erase such things, Universal Pictures actually takes care of their movies with proper physical media releases.

I haven't yet found the next project to do with my friends at Blumhouse, but it's not for lack of trying, and my dance card has been booked solid since we wrapped this movie. It was an important step for my career, and their support was amazing. I know that we'll work together again, as soon as the timing is right.

Also, get this...

Ouija: Origin of Evil is my most successful movie.

Ever. Of all of them.

It did 82 million worldwide. That's better than Doctor Sleep, which did 72 million. It's better than Oculus, which did 44 million. The rest were all dumped to Netflix.

So yeah, Ouija: Origin of Evil is my most successful movie. Ain't that a trip?

We weren't trying to change the world, or reinvent the genre. I was making the second entry in a PG-13 franchise about an evil board game, and dammit if I didn't get to do everything I set out to do. There's an exuberance to the camera movement, the staging, the set design, and the lighting. There's an unbridled joy in this movie, and I smile whenever I think about it.

Up until this point in my career, every movie I had was hard-fought. Oculus was a trial by fire whose distribution deal was detonated days before it premiered. Before I Wake was a brutal experience both creatively and logistically. Hush was a labor of love and determination against all odds. But this one... man, this one reminded me why I wanted to make movies in the first place.

Because it can be really, really fucking fun.

[wenellyb]

people are saying because there were talks about queer eddie first it's gonna happen in the future anyway but personally I think it was always only going to be either buck or eddie...i'm sure they love the idea of buddie but for the general audience who doesn't make theories or doesn't read fanfiction it wouldn't make any sense...and it feels like they tried to move away from buddie this season...the scenes with buck and eddie show a deep friendship but i can't see anything romatic between them and i say that as former buddie shipper. Then there are ryan's interviews which were pretty clear in my eyes. That's probably why some buddie shippers are so furious at the moment...i think a lot of people realize it won't happen and that's why they lash out...i just hope everyone calms down until the next season...sorry for this long text I just had to vent for a moment

Hi Anon!!! I agree with all of this except the part where you say it was the one or the other, they could have very well made both characters Queers but I do believe if they had wanted to set up a Buddie romantic storyline, they would have done it in the same season.

If there were plans for Buddie there would have been some hints as soon as Buck came out, but instead they doubled down on Buck and Tommy's relationship.

I've seen people say that Eddie couldn't be Queer because then there would be "too many" Queer chatacters and the network wouldn't "allow it" but I don't agree at all.

911 Lone star, is in the same franchise and they have 4 canon Queer Main characters (Nancy, Paul, TK and Carlos).

Grey's anatomy, in on the same network and they've had like a dozen of canon Queer characters, even more. And 5 of them are still Main Characters in the show right now.

I don't think it would be one or the other, but I think that if they end up revealing that Eddie is Queer, they still wouldn't put him in relationship with Buck.

Also, you're always allowed to vent in my asks!!! I agree with everything else you have said...

The interviews are pretty clear, and you're right, that's why some of them are getting angry.

I really don't mind people shipping Buddie, I understand why they think the ship is good, the 2 of them have a beautiful friendship, what I don't like is when people act entitled and act like they were promised a romantic relationship for Buddie, because when it doesn't happen, I'm really scared for what will happen in the fandom.

As you said, the general audience doesn't see all of this.

[daryfromthefuture]

Dary, I would very much like to hear about the angsty miitopia au unfolding. :)

*takes a deep breath* Okay. I shall provide you with the basic information. This will take forever but I AM READY (just transferred a bunch of screenshots from my Switch to my phone to give visuals lmao)

Under the cut because this includes massive spoilers for Miitopia

Marty is the hero of our game, just a regular guy from a place called Greenhorne. He came to Greenhorne town only to find it attacked by the so called Dark Lord (who I made Edna in this game). Edna steals the faces off Miis and plants them on monsters so they gain power and fight Marty. Marty agrees to go on a quest to find and defeat the Dark Lord. So far, so good.

On the quest, he meets other Miis willing to help him. Those are Jennifer, Paul (from the Pinheads) and Linda. They fight and stuff (and rescue King Sam and Princess Lorraine as well as help Lorraine convince her dad to marry her childhood friend George instead of the prince Biff that Sam wants her to marry. Guys those roles were PERFECT for them I swear. George was spineless in this game and had the perfect color scheme, and Biff ws absolutely useless. 10/10 casting from my part), but as soon as they get to the next kingdom, the Dark Lord straight up kidnaps Marty's friends and he's all alone again :(

Here's some screenshots from the castle before we move on

Marty watching his parents. Yeah.

I said Marty was left alone? Well, not completely. He's not alone in spirit - because in Greenhorne, he has had an encounter with the Great Sage Doc, who has saved his life with his magic (you can see where this is going). Marty meets him again in Neksdor, as well as his new party members - Dave, young Emmett, and 1986B Jennifer (I was legit running out of BTTF characters because I had a lot of the townspeople be characters like Seamus and Maggie. And Clara is my horse. She's a purple unicorn. Oh and my quizmaster is Bill Nye which, also, is 10/10 casting. I am proud of myself)

In this new desert land called Neksdor (pun of "next door"), Marty and team fight a pharaoh before having to move on to the next kingdom. Oh and unhinged versions of my OCs because, again, I was running out of BTTF characters. I even gave Western Union Guy and Terry the car mechanic roles.

Edward Cobra.

Citizen Valley Jen being possessed

An impression of Neksdor (ft. Clara)

Next up, we had to go through the Realm Of The Fey, a fairy/elf kindgom. Once again, Edna kidnapped all my friends so I had to cast my OCs as new party members.

(absolutely no context screenshot but welcome Helen, Anthony, and Marion)

I cast server friends as the Fab Fairies because I SWEAr Bobby G doesn't have enough female characters in this franchise.

@bg-sparrow was the eldest Fab Fairy and I had to fight her as an owl. I'm so sorry BG lmao

After finishing off this kingdom, Marty got to head to Krakaton, where the Dark Lord hides out. His friends are once again kidnapped, and - much worse - Edna stole their faces, too!!

Marty discovers his friends with no faces and is absolutely devastated.

Enter the Great Sage.

The best part began: Doc joined Marty's team! Yay! Together, they went to rescue Marty's friends and had some endearing moments along the way :)

Look at them. They're buddies. I love them.

In the end of this mission, they manage to rescue all of Marty's friends and Doc leaves again. And now, we are approaching the final battle against the Dark Lord in Edna's castle retreat.

That battle was surprisingly easy and BOOM, Marty wins!! Congrats!

But the game is far from over. It turns out that Edns was in fact possessed by the so called Dark Curse, and now the Curse is looking for a new body. Naturally, it attacks Marty, being angry with him for defeating the Dark Lord.

And then Doc appears and saves Marty once again.

Sacrificing himself in the process.

Yep - Doc is a villain now. And he's even more powerful than ever before, due to his Great Sage powers. This is heavy, am I right?

Marty is absolutely heartbroken :( But Jennifer hypes him up jsgfdjhs

Now, Marty, his team and this kind dragon named Dominic have to chase Darker Lord Doc and defeat him to free the Great Sage

After Marty had to do a bunch of side quests collecting jewels that open the entrance to Doc's hideout, the Sky Scraper...

(More no context images)

...he stood in front of its gates, wondering whether he was making the right choice...

(I clicked No. Marty, being the selfless guy he is, did not think about himself afer a moment of consideration. It's funny, Marty never refers to the Darker Lord and Doc as the same person. It's so wholesome)

And now, here we are. I'm on my way to the final FINAL boss of this game, but this plot is absolutely destroying me. This Mii RPG game has no right to be this angsty like. Why.

As a reward for going through all this, have a sketch of them I made yesterday :]

I can't wait to rescue Doc from his misery 🫡 Thank you for reading, this game has me in a chokehold lmao

And thanks Nikki for the ask! It was fun rambling about all this

[kerubimcrepin]

Exploring the dofus-la-serie.com website - Part 1

The website is kind of broken, which makes me quite sad. Though that's life for you.

Character Profiles:

I am not translating this because as fans of this franchise, you probably know all of these words. (Well, except gouvernante. That can mean "housekeeper". He isn't calling her their governor. Though she should be.)

I am not even going to mention that Kerubim is here twice. Sometimes, a second Kerubim appears in a random spot among the characters while going to this page or refreshing it. Just another one fun thing about this being an eleven-year-old website for a series that has been over for years.

I wonder if, in-universe, he's the one who drew on their portraits, or if it was Joris's doing, influenced by Kerubim's stories?

Love how Atcham isn't mentioned, but his pandawa drinking buddy is. Also, that neither of them have commentary by him.

The character pages themselves have unique character art:

As well as short descriptions of the characters.

Because the entire site is saved on web archive, and probably won't go down anytime soon, (despite its buggy state,) and these not offering any new, groundbreaking information — I will not be posting most of them here, save for the main ones:

Joris:

Kerubim:

Also, a note: this calls him a "papa poule", which I decided to google, to hilarious results:

Thank you, dofus-la-serie.com... for everything. I already noticed, in the past posts, that it's actually weird and off-putting that Joris has no friends, and that it might be Kerubim's fault, but we never really see him make parenting decisions (COUGH-COUGH-COUGH besides the decision to constantly endanger and neglect Joris but EHHH I spent 50+ posts talking about that in the show liveblogs) in the series due to its slice of life format.

I'm glad to know that at least one canonical source describes him as overprotective, bearing, and anxious parent, (but not to a helicopter-parent level). That's actually quite valuable!

Simone:

Pupuce:

Multiple notes here:

The description does not seem to use explicitly masculine pronouns for Pupuce, who, as we know from Joris, is a girl. This is just an error on the Google Translate's part.

PUPUCE IS A CAT KIN/CAT FURRY????????????

You know what, actually considering Joris himself is a cat furry, but in a much more subtle, subdued way, her being his pet is a match made in heaven. Two creatures who wish they could be cats, breaking bread and drinking tea together. Love wins.

The broken "find the object" minigame:

One can only be thankful that it's not more broken — because 2013 was prime time for flash games, and yet, this game does not seem to use flash technologies.

When you click anywhere on the screen itself, instead of the UI, the game, and the page itself freezes. It's a shame — I bet the game was fun, back when it worked.

I had taken it upon myself to download and archive the music from the minigame, so, here it is:

Using archive.org I was able to get to the next page, the link to which is usually invisible and also unclickable in the minigame:

Kerubim's Collection (link included so you don't have to suffer like I did)

It's quite a long list, with many items, but I am not Ronik, this show's biggest, and probably, by now, only fan, if I don't read all of this and bring the most interesting parts to you.

Firstly, thankfully, all of these are, for the most part lore-less. Just little blurbs of the episodes those appear in, whether you can find them in-game, and a hint as to where to find this in the broken minigame. But there are some gems:

Kerubim doesn't like Joris's photography hobby (...I sure do wonder why!)

HE'S A SORE LOSER ABOUT WHAT HAPPENED IN THE NOFFOUB EPISODE. LMAO. "Deceitful Osamodas"....

"I'm cautious" "Simone whyyy did you put it here??" How these two people hadn't killed Joris fr is still beyond me.

He's genuinely insane.

[teecupangel]

You know worms are harmless things right? Just there burrowing or something and one day I thought "what if Desmond got turned into a worm?" But! Worm Desmond is small! What can he do to help the Assassin's? And now imagine this! One of his ancestors surrounded by enemies and injured and just when they think it's the end a giant worm the size of a train pops out of the ground and crushes everyone and then the thing is infront of the ancestor and thinks they're gonna die too and then the worm just shrinks down to a typical worm size and just lays there as if nothing happened at all.

It would be cool if Desmond was a Mongolian death worm but I'm fine with anything else

This would be fun because Desmond would see himself as useless and, really, this was the Isus’ cruel joke (maybe even Juno) since he couldn’t do anything with a small wiggly body like his.

Still, he persisted and tried to make his way to his ancestor’s main base of operation, wiggling and eating his way from the place he had woken up in… as a worm. He tried to keep underground to not be seen by both humans and any animals that would like to take a bite of him.

Depending on where he had been transported, he could reunite with his ancestor:

Altaïr: Somewhere in the Kingdom section of the AC1 map. Altaïr had just been on his way to his next mission when he saw crusaders harassing one of the outlying towns that were under Masyaf’s protection. This would still be an arrogant Altaïr and he would call out to them and call them cowards who prey on the weak instead of taking one or two down by surprise first.

Ezio: It would be fun (and angst-y) if Desmond finds Ezio while he’s fleeing from the Borgias after the fall of Monteriggioni. He’s heavily wounded and bleeding and the horse he’s riding on was tired with some of Cesare’s soldiers about to catch up to him.

Ratonhnhaké:ton: Somewhere in the vast frontier. Ratonhnhaké:ton is a hunter so he had been hunting for the homestead when he noticed a group of marching redcoats with what seemed to be ‘prisoners’. He tried to save them but it had been a trap and those prisoners turned out to be redcoats themselves and they managed to hit Ratonhnhaké:ton on the head while he had been trying to protect them.

So Ezio and Ratonhnhaké:ton are in a pinch because of circumstances. Altaïr is in a pitch (which he will adamantly deny) because he’s an arrogant dumbass. So Desmond is panicking because he has no idea how to help, oh god, did this even happen in the past? He meant present! Fuck, time travel tenses are fucking hard.

Focus, Desmond!

In his blind panic, he just charges toward the enemies, hoping to… he has no plan! No hope! Just pure panic and a ‘fuck it, let’s see what I can do once I’m there’.

Then when he’s right on top of the center of the enemies…

He doesn’t know why but he felt his entire body warm up.

Almost too hot but bearable for someone like him.

Then…

He just erupted from the ground with large maw open and just… gobbled the enemy right on top of them while toppling those nearby. Then he quickly returned underground.

And sprang back up to take another enemy.

Like some kind of deadly whack-a-mole… (Whack-a-worm?)

(I know you just wanted him to drop over the enemies but I kinda like the idea of Desmond just straight up eating these poor dudes for some reason. No, there is a reason. I love the Tremors franchise and this ask reminded me of a Graboid. Sorry.)

By the end of it, all the enemies had been swallowed whole and Desmond sprang back up one last time to throw up all of the non-organic matter he had swallowed as well.

Seeing the disgust (and fear) on their ancestors’ face, Desmond let out an almost coo-like sound as he tried to say “yeah, me too, buddy, eeeww” and then poof’ed, he’s his old little worm self once more.

He rolled around the ground and looked up to his ancestor with a “pick me up” like gesture.

When their ancestor just kept staring, Desmond tries a “please?” gesture which he was sure wasn’t really helpful.

But… for some reason… his ancestor picks him up anyway.

Unorganized Notes:

The three can’t explain it but there’s something about the worm that ‘calls’ to them. Like they know that it wasn’t a coincidence that they were saved and spared.

Desmond cannot communicate with his ancestors. Even trying to wrap his worm body in a writing tool proved too hard. Up to you if that changes once they get the Apple.

Altaïr would study Desmond and give him various different ‘food’ to see what he would eat. He records everything in a separate journal with sketches of Desmond. Desmond has made a ‘draw me like one of your French girls’ and a ‘no, no, draw me on this side, this is my good side’ joke so many times even though Altaïr just keeps sighing and gently pushing him to get back to his old pose without understanding why Desmond liked those poses so much whenever he starts sketching him.

Ezio eventually fell unconscious and, when he woke up, he thought it had been a fever dream. Until he sees Desmond had hidden in one of his pouches so that the young woman (who was canonically the model of Mona Lisa according to the Reflection comics btw) wouldn’t see him. Ezio is a bit wary of Desmond because he remembered how Desmond had grown so big all of a sudden but he warms up soon enough when all Desmond did was wrap around his neck and chill while he makes his way to Roma. Desmond has a harder time helping Ezio because the flooring of the streets of Roma means he’s ‘headbutting’ each time he pops up and he does have to throw up the ‘tiles’ or whatever they’re called. Ezio’s recruits usually are wary of him but warm up to him once they see that he’s mostly just harmless if Ezio isn’t fighting. They like to feed him fruits and meat that Ezio starts trying to stop them because Desmond keeps eating them until he bloats up and Ezio feels that it’s bad for Desmond. The moment Leonardo is away from the Borgias, he starts studying Desmond. He had wanted to study Desmond the moment he saw him with Ezio but he couldn’t because of the whole Cesare-as-my-current-art-sugar-daddy situation.

Ratonhnhaké:ton believes Desmond is sentient and a hunter himself so he doesn’t try to coddle him and usually lets him get his own food whenever he goes hunting himself. Desmond doesn’t mind since he can eat dirt anyway but Ratonhnhaké:ton still shares a bit of his hunt with him anyway. Desmond doesn’t understand why though since Ratonhnhaké:ton told him specifically to hunt by himself. Ratonhnhaké:ton doesn’t say it out loud but he always worried that Desmond was not eating as he assumed Desmond is a carnivore that needs to become big to hunt down prey. Nah. Desmond is like most worms, dirt is fine. Ratonhnhaké:ton wasn’t worried about bringing him to the homestead because he trusted his instincts that were telling him Desmond was a friend. He truly believes Desmond is some kind of ‘animal’ that just hasn’t been discovered yet.

All three of them tried to give a name to Desmond and, for some reason, they all come up with the same name even without Desmond’s questionable charade capabilities: Desmond. Altaïr believes the name comes from a dream he once had (Desmond is just “???!!!”), Ezio believes he’s just using a name that had been in his mind a lot since Vatican and Ratonhnhaké:ton is perplexed why he picked such a foreign name but it just seemed right, like he just knew that it was Desmond’s name.

I know some people might be squeamish with worms so I’m going to use the “Keep Reading” function. Below is what the Mongolian Death Worm looks like.

Also, the whole ‘sprout from the ground to devour people’ thing that derailed this ask is because of the Graboid. It’s not an actual worm but it would be fun if Desmond looks like a white Mongolian Death Worm but his big form is more similar to the albino Graboid (which is meant to look more like a Mongolian Death Worm than the usual Graboid):

[absolutebl]

This Week in BL - KISSES galore

Jan 20232 Wk 2

Being a highly subjective assessment of one tiny corner of the interwebs. Organized by which ones (in each category) I’m enjoying most.

Ongoing Series - Thai

My School President (Fri YT) 6 of 10 - The mutual squealing and kicking and rolling over in bed was v cute. Tiw might actually be the greatest BL wingman of all time, yes better than Namgoong. Friend zone? Cute GMMTV, very cute. Elevator kiss, on the other hand = you little shits. Also, I’m mad you made me watch the MV because there was no way to skip through it without missing stuff. Tricky bastards. GMMTV = cute, shitty, & tricky all in one ep. Guess that’s why they’re the top of the Thai BL food chain. 

Never Let Me Go (Tues YT) 5 of 12 - We knew that this pair kisses really well, but for the characters that was a pretty stellar first kiss. I liked that we got to see Palm really want something for a change. Up until now, he’s been a pretty passive character, constantly told what to do by others, this is the first independent choice his character actually makes in this narrative. Meanwhile the action part of the bodyguard plot has begun, which makes me happy. Let the forced proximity cohabitation trope commence! With probably at least one running through the woods holding hands to come.

Between Us (Sun iQIYI) 9 of 12 - Basically a filler ep with in-your-face backstory we already sussed. Prem is doing a good job tho. WATCH ALONG HERE.

609 Bedtime Story (Fri WeTV) 8 of 11 - There was no GamesVee. I’m sad. 

Cutie Pie 2 You (special) 2 of 4 - Awwwww, how sweet they tried to give it a plot. Operative word being: tried. 

I Will Knock You (Fri Gaga) 9 of 12 - Stuff in tents. Lots of cringing blushing maiden bullshit. Noey = v bold and into public claiming. I’m not wild about this one. 

Remember Me (Sun Gaga) 14fin - Honestly, they were branded pairs so we knew ManTitle were goona kiss, but I kinda wish they hadn’t bothered. These characters just didn’t work for me as a couple. Marriage equality stinger* on this puppy. Still, what a slog. I’m only binging stuff from this studio henceforth. (Next one: Buddy Line Y Animal). Whatever. Frankly that’s my review of the show: whatever. 5/10 

* I do like that this drama teased a marriage and then intentionally never gave us that marriage on screen. For all romance genre fans, this would've felt like a slap in the face. Instead they put in a stinger that essentially said “if you want a marriage scene between men, legalize marriage in Thailand, you fuckers.” And ya know, I’m here for that. 

Ongoing Series - Not Thai

The New Employee (Korea Weds Viki) 4 of 8 - Ooo first date. Omg they are SO CUTE. There was a lot of squealing and flapping of hands on this side of the screen with the show. Also two out gay boys! Korea how far you have come in just a few short years! If adorable our baby boy’s 2 fag hags don’t get together by the end of this show, I will be a touch disappointed. (It has to be said. I’m not expecting it because this is still Korea doesn’t do sides in BL. But hope springs eternal.) Meanwhile, I like that there was actual desire expressed with these two. This is definitely one of the gayest BLs to have come out of Korea in recent years. If you’re confused like I was, that pen has the initial of baby’s ex crush from uni on it. 

HIStory 5: Love in the Future (Taiwan Weds Viki) 3 of 10 (or 6 of 20) - Classic that Taiwan has finally given us a femme character in a BL and he is predatory & evil. The secondary couple is the most adorable thing, I even forgive them a pratfall kiss, because there was a 3 piece suit involved. I am starting to like the main couple a little bit more, mostly because of the rich kid character. I love domesticity, and Taiwan always does it so well. The main character time traveler whatever remains a bit annoying, I prefer a sunshine archetype that is not intentionally naïve to the point of stupidity. Still, I’m invested. This is classic HIStory franchise. 

Candy Color Paradox AKA Ameiro Paradox (Japan Fri Gaga) 4 of 8 - It’s a bit too much second hand embarrassment and cringe for me. I hope Japan someday gives us a BL like Eternal Yesterday, where both characters are cool and no one dies. Incidentally, if you’re playing a game of spot that BL actor, the one playing the “actor character” is Izuka Kenta  (from The Novelist and Absolute BL2). WE LOVE HIM. 

The Director Who Buys Me Dinner (Korea Weds iQIYI) 9-10fin - I honestly don’t know how I feel about this one. It was more of a red thread fated mates who are fated to repeat the mistakes of the past. Shall we call it faded mates?  And I’m not sure, even though the ending is somewhat optimistic, that I am actually optimistic about it or them as a couple. So I wouldn’t call it HEA. 

Final review? Featuring a gorgeous & stellar cast, TDWBMD should have utilized them less for melodrama and more for chemistry. This BL is a unique twist on an office romance if NOT a unique twist on a doomed red thread trope, resulting in it feeling less than the sum of its parts and ultimately unsatisfying. Possibly this had to do with the fact that this was one of those KBLs where I felt how short it was the whole time, like I was missing something constantly, in every episode. No HEA. Worth watching for some but seriously flawed. 6/10

It’s Airing But I’m Not Watching It

The Star Always Follow You (Vietnam YT) - same Team RL peeps we have seen before (Sunshine, Stupid)

GMMTV’s Midnight series - first segment has begun bit it’s not the EarthMix messy gays. I’m so not interested in messy hets, so I’m waiting until they grace my screen. Moonlight Chicken (Weds YT) 1 of 8 eventually.  

Gossip

I’m gonna hold off on The Warp Effect and binge it later, after I know for sure if the BL couple makes it. 

I will be taking everyone‘s advice and not watching Till the World Ends sorry not sorry. Protecting my squishy center (also I HATE xmas carols.) 

In Case You Missed It

I posted a meta of all my 2022 wraps, top picks, industry stats, etc..

I ALSO posted the 2023 forthcoming BL master post.

Coffee Shop shorts series with the adorable couple from Ghost Host, Ghost House have a WONDERFUL new installment with "BLACK COCONUT". You should watch it. Also... try the drink. 

Love Bill (Vietnam Sat YT) starring Bah Vinh ended its run and IT’S SAD. I am so glad I waiting because now I’m not gonna watch it. So there. 

Adorable KGL Girlfriend Project, basically a very short lesbian version of Love Class. It’s cute. 

Next Week Looks Like This:

Jan 19: Individual Circumstances (Korea Thurs Viki) 8 eps - A reunion romance between a movie director who was once promising and a writer who disappeared due to past wounds. Stars JunQ (main rapper of 2nd gen group MYNAME) and Han Jung Wan (Mr International Korea winner).

2023 forthcoming BL here

THIS WEEK’S BEST MOMENTS

The LOOK in his eyes. I really hope we get more than crumbs from Satang Kittiphop in the future. 

Also, that outfit, definitely an instrument of hope. (Mark is going to be in Moonlight Chicken, Cooking Crush, Last Twilight, & Only Friends this year. Apparently GMMTV’s directors like him a lot. So ALL the hope. Plus more sweater vests without shirts, please and thank you.) 

Relatable. 

FINALLY! (all are My School President, it was a GREAT ep this week) 

(last week)

Current Kpop earworm? Well Monsta X released a new single, Beautiful Liar, so yeah, THAT! 

[willowisapillow]

🧽 A Stupid Child’s Play AU I Came Up With 🧽

I usually don’t make AU’s, but this is an idea I had in mind 2 months ago back in August. I was re-watching the very first Child’s Play movie from 1988 and watched a few YouTube analysis videos of some of the characters, and some videos about the lore of the franchise, and an idea suddenly popped up in my mind while watching them…

“What if Chucky wasn’t a sociopathic serial killer trapped in a doll’s body?”

I was also heavily inspired by that one piece of Friday the 13th fanart where Jason is depicted as a fellow camp counselor at Camp Crystal Lake instead of the iconic slasher we all know and love. I thought it was super adorable and wholesome, and thought I could do the same for the Child’s Play series.

I haven’t exactly thought of why Chucky would still be sentient if he wasn’t possessed by anybody, but imma just say for now that voodoo magic happened lol

So while in my AU Chucky doesn’t murder anyone, he’s still an asshole, because, let’s be real, this wouldn’t be Chucky if he wasn’t a jerk 💀

He still lives with the Barclays, and the things that happen in my AU are basically kind of similar to that of a slice-of-life show, or a sitcom. It mostly consists of Chucky pissing off and bothering Andy’s mom, Karen (though she gets her payback in the end most of the time), coercing Andy into doing outlandish and wild stuff, or just them hanging out and bein’ buddies. Yup, unlike the movies, these two are actually friends till the end…well, at least to Andy. Chucky still sees the kid as a nuisance. 

Their friendship in my AU is a Spongebob and Squidward-type dynamic, Andy enjoys hanging out with ol’ Chuck and doing fun things with him such as playing video games, or even sneaking him into school sometimes, much to his chagrin. Chucky somewhat cares for him deep down, but he won’t say it to his face, because, again, this is Chucky we’re talking about lol

In a nutshell, my whole AU is just about a young boy and his magical talking foul-mouthed doll going on wacky adventures and doing funni shenanigans together. 

Fun for the whole family, coming soon to a theatre near you/j

Jk, but if there was a movie or TV show where Chucky and Andy were friends, I would definitely watch it :>

For the context of this image, Chucky made a bet with Andy on who can score the highest points in a video game, and whoever lost would be on dish duty for a whole week. Chucky came close to winning, but it was obvious that Andy had the upper hand, and now Chucky became the dish dog (or in this case, doll lmao) for the entire week. But don’t worry, he’ll get him back somehow.

🧽 🍽 🧼

[clownpepperoni]

Hol up, in your AU, you keep alluding to the subject of death and losing one's s/o

Are you implying... that the clown's wife is...???

Might as well spill the beans! Yep! His wife is dead. Scrapped by Pizzahead. I have a really obscure headache that PH doesn’t see the tower denizens as real living breathing people, and instead they’re all characters in his funny tv empire land. I haven’t drawn Tira (the wife) in a proper ref, so I’m just gonna long post about all the allusions to her.

I think I should clarify that on top of this Gorgonzola’s first date gifts to her was a raspberry necklace, hence why it’s so important. Gorgonzola sees the bosses (excluding Buddy) as his children that he could never have with Tira. My general rule of thumb while making them was that they must be based on a musical/Broadway show where the significant other dies (permanently) because of the actions of the main character who is with them, because Gorgonzola blames himself. Pizzahead blames him after all, their brand getting too big it was overshadowing his Pizzaboy franchise. This is why Pizzaland is shut down.

Lucifer is based on Sweeney Todd (the demon barber of Fleet Street), Figaro is based on Hadestown (although I took more inspo from the base story), and Olivia is based on Chicago.

( I think also I should say that, the neck ties are a really obscure "albatross around your neck " reference, because it's a burden Gorg feels he carries, feeling responsible for the death of his wife )

[bropunzeling]

for the never have i ever meme: slow burn!!

god a real true slow burn is my white whale, concept wise; i want to write one SO BAD. obvi there are some pairings where that is easier than others (brady/anyone, ducklings could also make a great slow burn but probably more stupid than swooningly romantic lol) but i keep thinking about matthew/leon as like, a personal challenge. like, ofc i have written them fucking and falling in love [redacted] times but a version of them where they don't fuck and still fall in love??? now that's a CHALLENGE challenge

for more realism points, you could have some future fic wacky trade shenanigans, and perhaps someday i will write somethign with those so i will selfishly keep them to myself until i know more. but a thing that i am not going to write (but think about often) is my version of "both of them get drafted by the kraken in the expansion draft (and no one knows how edmonton or calgary could've let that happen)"

because the thing is, the kraken are gonna be shit. everyone knows this. seattle isn't vegas, they're not going to be going to the cup finals their first year out the gate. ron francis has time to build up the franchise. they won't be good. and that eats at leon, because like, when in his life has he ever been satisfied with not being good? never. and now he's stuck on this shitty team just starting out and got abandoned by his franchise and what the fuck is he supposed to do now.

and the other thing is, 2020 was not all that long ago. and yeah, leon never actually hated matthew tkachuk, not in the way it got spun up, but that doesn't mean they're best friends. not even buddies. they are teammates, and they have a job to do, and leon doesn't need to get along with the guy except on the ice.

except a week into the preseason, he and matthew go for some pr thing to a local brewery, and in between tasting beers that are disgustingly hoppy and eating too many pretzels, matthew hisses across the table that look, he knows leon doesn't like him, that leon isn't his biggest fan, but doesn't he want to work together? doesn't he want this to work out? and when leon glares back, matthew adds that he at least wants to prove his old team wrong.

well. leon can't argue with that.

first season is shit. the way everyone knew it would be. but it's not - absolute shit. they get a lot closer to the playoffs than they have any right to. leon and matthew and mccann are producing. and - turns out matthew isn't so awful, once he's out of calgary. turns out he's down to do whatever - team bonding experiences, checking out new restaurants. and half the time, leon gets roped along. he stops protesting after a while.

second season, though -

they're better. they're a lot better. francis made some solid moves; they managed to snatch up a first overall pick at fourth. matty beniers is here from ann arbor, and yeah he looks at matthew a little like matthew hung the moon, but that's mostly funny instead of annoying. the ntdp really is a cult. matthew and leon aren't always on a line, but when they are, they click.

and matthew hasn't stopped being down to do whatever. has continued, in fact, to insist on doing things. exploring the city. becoming regulars. they'll get lunch after practice. drinks after games. on the road, more often than not, when leon's making plans, he's making them with matthew.

halfway through the season, they're on track to at least get a wild card spot. maybe better. during their bye week, they join a group of guys going to cabo. at the bar, matthew orders them both drinks in flat midwestern-accented spanish, clinks his shot glass against leon's. leon spends half a second staring at matthew's hand around the tiny glass, then his mouth, wet and red, before he remembers to take the shot.

when leon takes his shot, he opens his eyes to find matthew looking back at him, eyes dark and heated and unmistakable, and oh, this is not something leon wanted to know that he wanted. not now, when they still have so much to prove.