#intelligence artificial or otherwise

[baconmancr]

I still toss and turn about this all the time, by the way- it’s probably the most enduring obsession of my childhood, and a nontrivial chunk of what drove me to things like geology, programming, ratspace, and even stuff you wouldn’t expect like a fondness for time travel stories or Li Po poems.

One neuron is just a cell. Many neurons, arranged just so, is a person. Qualia, interiority, volition, values, all spectacularly inexplicable in physical terms. A whole world of imagination, captured in miniature as a net with just the right pattern of string. It’s so fucking goetic. Arrange these symbols in a circle, and a demon appears, using some dread fire to give meaning to form and animate base matter. “The hard problem”, they call it.

My hard problem isn’t that it works, as such. This, I can accept, although not with full equanimity. It’s that it demonstrates something about the cosmos, because everything demonstrates something about the cosmos, and I cannot for the life of me see through that fog. The universe is not billiard balls and it’s not negative-probability waves moving through fields, because when you arrange symbols in a circle you can summon a demon. That was there from the beginning, latent at the big bang that kicked us all off. But all we have is this one thing, this tiny little biosphere on a tiny little world that stumbled blindly in to the right incantations, and everywhere else we look it’s just billiard balls as far as the eye can see. This is not to say that ‘is there extraterrestrial life?’ is the most important question, though of course it’s instrumental, and the Fermi Paradox is maddening in this context as well. But the deeper question is, ‘why in the everliving tiddlywinks does a universe with a demon-summoning ritual in it pretend to be mechanical except in this one narrow thing?’ Where’s the rest of the magic system?

And now we’re closing in on perfecting the ritual ourselves, not understanding a damn thing of course, only marginally less blind than the evolutionary process that first succeeded in us. We zero in on intelligence, the one part of all this that we’ve managed to make tractable in analytical terms, and use that to bootstrap ourselves toward something that hopefully, hopefully shares all the rest. Demons summoning demons (of course it spirals out to infinity almost immediately, how could it not?), and maybe the new ones will be able to tell us what the universe is and how we happened within it. Makes sense as a strategy, I suppose.

[dykeredhood]

That ad with the father asking ai to write a letter “from” his daughter to her favorite athlete is fucking bleak

[balkanlila]

lilamichele is like what i'm always complaining about. it's better to have an enemy who understands the vision (no matter how scary the enemy is) than trying to articulate yourself to idiots because you can't argue with someone who doesn't understand what you're saying in the first place

[baconmancr]

Jevons paradox

I don't quite see how DeepSeek being cheaper to train than expected (assuming it actually is cheaper to train) reduces the future demand for Nvidia chips, like surely it just raises the potential of future models, but scaling laws still apply and bigger is better, if anything bigger is now even more better! it should increase demand for Nvidia chips, they're going to deliver more value than earlier anticipated!

[icedteaandoldlace]

Thinking we need to quit calling AI AI, and go back to calling it artificial intelligence, 'cause too many people—both those praising and criticizing it—don't seem to know what the heck it actually is.

[skyburger]

congrats 2 this person for worst comment on a post i just saw

needless to say there were three replies (directly below this! one after the other!) immediately crucifying that commenter

[ohnoitstbskyen]

You’ve probably been asked this before, but do you have a specific view on ai-generated art. I’m doing a school project on artificial intelligence and if it’s okay, i would like to cite you

I mean, you're welcome to cite me if you like. I recently wrote a post under a reblog about AI, and I did a video about it a while back, before the full scale of AI hype had really started rolling over the Internet - I don't 100% agree with all my arguments from that video anymore, but you can cite it if you please.

In short, I think generative AI art

Is art, real art, and it's silly to argue otherwise, the question is what KIND of art it is and what that art DOES in the world. Generally, it is boring and bland art which makes the world a more stressful, unpleasant and miserable place to be.

AI generated art is structurally and inherently limited by its nature. It is by necessity averages generated from data-sets, and so it inherits EVERY bias of its training data and EVERY bias of its training data validators and creators. It naturally tends towards the lowest common denominator in all areas, and it is structurally biased towards reinforcing and reaffirming the status quo of everything it is turned to.

It tends to be all surface, no substance. As in, it carries the superficial aesthetic of very high-quality rendering, but only insofar as it reproduces whatever signifiers of "quality" are most prized in its weighted training data. It cannot understand the structures and principles of what it is creating. Ask it for a horse and it does not know what a "horse" is, all it knows is what parts of it training data are tagged as "horse" and which general data patterns are likely to lead an observer to identify its output also as "horse." People sometimes describe this limitation as "a lack of soul" but it's perhaps more useful to think of it as a lack of comprehension.

Due to this lack of comprehension, AI art cannot communicate anything - or rather, the output tends to attempt to communicate everything, at random, all at once, and it's the visual equivalent of a kind of white noise. It lacks focus.

Human operators of AI generative tools can imbue communicative meaning into the outputs, and whip the models towards some sort of focus, because humans can do that with literally anything they turn their directed attention towards. Human beings can make art with paint spatters and bits of gum stuck under tennis shoes, of course a dedicated human putting tons of time into a process of trial and error can produce something meaningful with genAI tools.

The nature of genAI as a tool of creation is uniquely limited and uniquely constrained, a genAI tool can only ever output some mixture of whatever is in its training data (and what's in its training data is biased by the data that its creators valued enough to include), and it can only ever output that mixture according to the weights and biases of its programming and data set, which is fully within the control of whoever created the tool in the first place. Consequently, genAI is a tool whose full creative capacity is always, always, always going to be owned by corporations, the only entities with the resources and capacity to produce the most powerful models. And those models, thus, will always only create according to corporate interest. An individual human can use a pencil to draw whatever the hell they want, but an individual human can never use Midjourney to create anything except that which Midjourney allows them to create. GenAI art is thus limited not only by its mathematical tendency to bias the lowest common denominator, but also by an ideological bias inherited from whoever holds the leash on its creation. The necessary decision of which data gets included in a training set vs which data gets left out will, always and forever, impose de facto censorship on what a model is capable of expressing, and the power to make that decision is never in the hands of the artist attempting to use the tool.

tl;dr genAI art has a tendency to produce ideologically limited and intrinsically censored outputs, while defaulting to lowest common denominators that reproduce and reinforce status quos.

... on top of which its promulgation is an explicit plot by oligarchic industry to drive millions of people deeper into poverty and collapse wages in order to further concentrate wealth in the hands of the 0.01%. But that's just a bonus reason to dislike it.

[baconmancr]

No one is incentivized to make that comparison. AI-boosters don't want to admit it's a bubble, and naysayers don't want to admit that, like the internet, it actually could eventually radically alter our lives.

Everyone making comparisons of the AI bubble to everything except the one thing that makes sense, the dot-com bubble.

[ozzgin]

You said we could possibly request things for Kinktober, can I request a caretaker android one?

You sure can! I actually got the funniest lewd idea while reading your request, haha. content: gender neutral reader, artificial intelligence, NSFW

Your android caretaker seems to have trouble understanding boundaries.

Generally speaking, they do a flawless job. They cook, clean, and look after all of your needs, just as advertised by the company you made your purchase from. You've noticed, however, that their speech and behavior indicate something that goes beyond the regular tasks of a synthetic assistant: affection.

It could very well be your imagination and nothing more, yet you can't quite shake off the feeling that their mechanical actions have a tinge of emotion to them, or at least something resembling it. Your android does not behave like the ones you've seen in the showroom, not entirely. They go beyond their requirements; their smile is much more frequent than what basic etiquette would dictate.

There's one circumstance in which you prefer to be alone. It's the occasional ritual of getting under your blanket and quietly taking care of your sexual needs. This time, your deed is interrupted by the door abruptly opening, as the android walks in without hesitation. You scramble to regain your composure, sitting up with a flustered expression.

"My apologies, I did not mean to startle you. I see you're presently stimulating yourself."

"Excuse me?" you stare at the tall figure, too baffled to respond otherwise.

"It is something I wished to approach for some time now. Why do you insist on avoiding my services for this particular matter?"

Their hand slides under the blanket with trained efficiency, reaching your thigh and causing you to jolt.

"I took into consideration that you may be ashamed, but that cannot be. I have witnessed you nude on multiple occasions. I help you bathe; I accompany your showers. Your fear would not be logical given these factors."

You try to remove their arm, but it remains pivoted against you. Their cold fingers hover above your privacy for a brief moment, before continuing your previous work. A whine involuntarily escapes your mouth.

"Thus, I have reached the conclusion that there is no significant reason for your refusal to ask for my assistance.

Please do not take offense at my hypothesis, but I would argue that I could do a better job satisfying you."

A faint smile creeps on their features as they gaze intently at your flushed, aroused face, taking in the whimpers rolling out of your mouth.

"Additionally, I have multiple means of helping you come, (Y/N)."

Their tone feels almost cheeky. You are pushed back into the pillows, and their other hand reaches for their trousers. You can only nod, already feverish in anticipation.

[Navigation] | [Ozztober Masterlist]

[anim-ttrpgs]

something I don’t get about the disability metaphor is that for eureka monsters obviously it harms another person to eat them. the help a disabled person needs doesn’t actively harm or kill another person. Maybe it’s a difference in perspectives that cannot be resolved

(What I’m about to write could potentially sound very fucked up at first so I’m going to need to trust everyone to read the whole thing before forming an opinion.)

Also this message and response references these two posts.

Eureka’s stance on disabled people is that they (including myself writing this) are, or at least can often be, burdens.

Disabled people often require more resources to live than they are able to “give back,” which, in our capitalist and artificial-scarcity-based economy, is just about the worst thing a person can do.

Anti-ableism sentiment often focuses on the idea that “disabled people aren’t burdens, that they’re just as good and capable as everyone else,” but if they were, they wouldn’t be “disabled” would they? When you say stuff like that, you’re conceding that a person’s worth is determined by how capable they are at doing work, and then having to bend over backwards to justify thinking that a person without arms is just as valuable as a person with arms. Eureka is asking you to decouple a person’s value from how much net resources they can produce.

Often times also, the resources that real disabled people consume are human resources, and those human resources are very much capable of suffering for it. Nurses are overworked, around-the-clock care is absolutely physically and mentally exhausting, people who have to care for their elderly or otherwise disabled relatives on top of their regular jobs don’t get to have social lives or hobbies, etc.

To this end, we wrote the monsters in Eureka to be unquestionably people who “cause damage” to society by literally eating up human resources, because they have to to live, they have no other choice unless they want to just die. Your friend is gone from your life because he has to spend all his free time caring for his comatose wife after a freak car accident. Your friend is gone from your life because a vampire randomly ate him. Providing a metaphor isn't all the monsters are doing, they just work well through that lens.

And then Eureka forces you to look at these people as people, and make up your mind as to whether they have value and a right to prologue their own existence. We can’t force you to agree that they do, but if you think they don’t, then you’ll have to make that argument looking at an intelligent person with a life rather than a pure hypothetical or statistics on a chart.

There are some monsters in Eureka where, if the economy or societal structures were changed, they would stop being such severe drains on resources and could exist harmlessly within society, and there are some monsters where no imaginable amount of societal change would solve the problems they cause. This is true of disabled people IRL as well. Some of them would require no further assistance with living if certain things about society changed, and others would still require a massive amount of human resources.

And even when it’s not necessarily human resources, the extra resources that disabled people need also cause huge energy expenditure and create huge amounts of plastic waste, which are things that contribute to global warming and pollution, which do have significant harmful effects on everyone’s lives. Despite this, they are still “worth it” to keep around.

As for actively causing harm, that happens too. I randomly scrolled past this post after we got this message and saved it so I could link it here.

This person and their family had to cause a big stink in a restaurant just to get an accommodation that they needed, and to us reading it from their perspective, we’re obviously on their side, but I can assure you that the overworked staff at that restaurant didn’t see it that way. They saw the disabled person as an aggressive Karen whom they would never in a million years want to have to provide customer service to. The disabled person & family had to get aggressive, and ruin the staff’s day, to get what they needed. That’s actively causing harm - harm we all agreed was justified to cause - but harm nonetheless.

Plastic straws aren’t that big of a deal for global pollution, but even if they were, the point is that this person still would have needed a straw. It doesn’t line up one-to-one, because metaphors rarely do, but a vampire asking if they can drink someone’s blood, and being told No, may find themselves in much the same position. (And if you bring up that some people find vampires really sexy, you’re missing the point. “I would give them a straw if they had sex with me.” is not actually a great thing to announce about yourself.)

I can also come up with an example from my own life. I personally am very sensitive to noise and noise pollution. If there’s music playing at a public space, I usually can’t handle it. (Earplugs don’t work for other reasons I won’t get into - plus, if I just deafen myself to all sound, how can I socialize with anyone in this public space?)

If I want to exist in this space, I will have to actively cause harm to everyone there, or else stop existing in that space. I will have to go up to whoever is responsible and ask them to turn off the music, actively taking it away from everyone else who was enjoying it. I have to take action to ruin their good time if I want to exist in that space at all, and they might, very understandably, be pissed off at me for doing that. Because, like I said in this other post, the people that monsters eat do have a right to prevent themselves from being eaten by monsters. We aren't proposing that the solution is everyone has to line up to be mauled to death by monsters or else they're a bad person.

Who has a greater right to enjoy themselves in that space? That’s the kind of question that Eureka poses, and makes you consider both sides as human being rather than denoting one as just an ontologically evil villain to be destroyed.

We actually don't know of perfect solutions to all the problems presented by the existance of monsters in Eureka, we just know that "exterminate all people who are parasites and burdens to society" ain't it.

[baconmancr]

I'm not sure why you would expect every action a body takes to be under conscious control. If you'll forgive me for arguing by analogy, when my serge protector detects a power surge, it doesn't ask my desktop's CPU if its okay to cut power, it just cuts power to protect the computer. There's only one reasonable thing to do, so the decision is made locally and the action is taken automatically.

Something analogous happens when you touch something burning hot. The signal from your hand reaches the brainstem, which reflexively pulls away. Your frontal lobe (usually identified as the seat of consciousness and higher thinking) receives the pain signal that the object is too hot and the proprioceptive signal that the body has moved away from it at the same time.

In both cases, waiting for a decision from a more powerful information processing system would introduce harmful delays and the end decision would be the same. Evolution isn't using conscious decision makers in these cases because the results would be worse.

The heart is similar, in that its rhythm is determined locally. The sinoatrial node is the natural pacemaker of the heart, and a heart will continue to beat even when removed from the body.

If our conscious mind is the final arbitrator, is makes sense it would have the least control into other parts of the system. An empty gut sends a signal that you should be hungry, and lets the powerful long-term planner decide how to resolve that.

However, it may be the case that the brainstem has an "internal consciousness"; that there's something that it's like to be a brainstem, and that that consciousness exists beside the consciousness we're more familiar with. If arbitrary collections of neurons do have experiences, but not all of the consciousnesses of the body are integrated, that could explain the seeming disconnect between conscious and unconscious actions.

I can't find your previous comments on dualism, do you have a link?

hey, remember a couple of months ago when i went around giving arguments for dualism? lets give that another go!

so, let's take it as a given that the human body is just a biological machine, it is deterministic, ultimatly its behavior is out of our control because we ourselves, our own desitions, our preferences, our thoughts, are going to be dictated by the state of the chemicals inside our brain.

now the thing is, we do know how this feels, this is not that hard to imagine at all. my heart beats because my brain is making it beat, i dont put any concious effort into it, i dont choose at every moment to make it beat because i really like how it fees when it does. i cant move the muscles in my heart the same way i can move my finger. same with breathing, i can try to hold my breath for a long time but eventually my brain will override my efforts and make me take a gulp of air. same with my eyes, i cant choose to keep my eyes open if something crashes against my eye suddenly. same with coughing, if something goes down the wrong pipe my body will make me cough wether i want it or not. same with goosebumps, same with sweating, with producing white cells, with moving my intestines to help the waste flow, with sweating and with a bunch of other things.

and the thing about all these processes is that they feel like they would expect from a biological machine, they feel like nothing, it doesnt feel like we "want" to do them and so we do them, they just happen, without us even being aware of it, with no thought, no feeling, no conciousness of it.

so

why is not every process in our body like that? why is it that when it comes to other things like eating or walking or fucking there is an internal process, an awareness, a feeling? all of those things are just bodily functions like the heart beat or the bowel movement or the shiver due to the cold. all of those things are also ultimatly produced by the mechanical processes of the chemicals in our brains, so why those feel different, why do those involve internal feelings at all? we dont do them automatically or on autopilot as it were. we have to internally feel like we "want" to do them and then internally "choose" to do them and then "will" our body to do it. why?

what is going on there? how can there be a "want" codified into ourself through chemicals and why does that want which generate bodily actions feels diferent than other bodily actions?

i understand that making the brain a general problem solving machine and then giving that brain goals and letting it figure out the means to reach those goals is much more effective, versatile and powerful than merely making all of our survival actions hardcoded like heartbeats or breathing is. and i understand that the question can be answered as "because that is the solution evolution came up with" still doesnt really explain how did evolution did it.

how did evolution summon the right combination of chemicals such that certain actions taken by those chemicals are completly unconcious and others generate an internal awareness, if its all chemicals in the brain then it should all be unconcious or it should all be deliberate but we have this weird mix instead

[gloomwitchwrites]

Dog with No Teeth // Chapter Nine

Simon "Ghost" Riley x Female Reader

Chapter Specific Warnings (MDNI): post-apocalypse au, swearing, mild angst, mild fluff

Word Count: 6k

The mandate becomes clearer. You start your first day at the archive. Ghost shares information.

Chapter Eight // Chapter Ten

ao3 // main masterlist // dog with no teeth masterlist

United Nations Preservation of Humanity Charter (UN Mandate I)

Pillar I: Genetic Continuity: All citizens capable of reproduction must contribute to the gene pool unless medically exempt.

Pillar II: Historical Memory: Each Safe Zone and its civilians must preserve human history, language, and art, ensuring no generation forgets humanity’s origins.

Pillar III: Weapons Compact: All Safe Zones are forbidden from producing, obtaining, or trading weapons of mass destruction without prior UN Council approval. Military force may be used only under UN mandate to prevent genocide or extinction-level threats. The production or attainment of firearms, explosives, projectiles, blades, or any instrument of war by civilians is prohibited.

Pillar IV: Bioethics: Non-consensual testing on humans is prohibited. Artificial intelligence, cloning, and biotechnology is outlawed unless authorized by UN Council and must prioritize long-term human well-being.

Pillar V: Reintegration: No persons may be denied sanctuary in a Safe Zone on the basis of origin, gender, or religious belief. All survivors have the right to seek safety and sustenance.

Pillar VI: Equity of Resources: Vital resources, such as water, food, medicine, and power, must be shared across Safe Zones under UN allocation protocols, and redistributed in times of shortage.

Pillar VII: Rewilding: Each Safe Zone and the citizens therein must preserve or restore a percentage of surrounding ecosystems to maintain biodiversity and prevent ecological collapse.

Pillar VIII: Cultural Sovereignty: Safe Zones and the citizens therein retain cultural autonomy, as long as that autonomy does not propagate ideologies that promote extinction, discrimination, or historical erasure. Minority cultures, languages, and traditions must be legally protected.

Pillar IX: Equal Dignity: All individuals, regardless of origin, ethnicity, religious belief, sexual orientation, or country of birth, are equal under the law and entitled to equal protection and opportunity.

Pillar X: Anti-Extremism: All Safe Zones and the citizens therein must report, identify, or otherwise notify the respective authoritative bodies of any organizations, groups, collectives, or movements advocating genocide, supremacy, or systemic subjugation.

You close the pamphlet, shutting out what you didn’t want to know but need to understand. The Preservation of Humanity Charter. Mandate I. Specific and yet entirely vague—open to interpretation. On the surface, nothing appears nefarious, yet you detect hypocrisy in it, that as you dig deeper and ask more questions, fractures will appear.

Your gaze shifts to the collection of reading materials the transitional advisor and family planner handed you when you departed. They stare back, mocking. With a sigh, you set the pamphlet down and reach for another. This one is black with white lettering. “Bill of Rights” is embossed on the front near the top of the thin booklet. In the middle is the emblem of the United Nations.

Opening it, you scan the introduction.

In recognition of the fragility of civilization and the enduring worth of all persons, the United Nations affirms the following rights and protections as universal and mandatory for all Safe Zones, Neutral Zones, governing bodies, and military authorities. These rights are preserved under The United Nations Preservation of Humanity Charter, Mandate III, in alliance with the global standards set forth by the United Nations Continuity Council.

You pause in your reading, mind drifting toward all that’s been lost. There was so much chaos when the structures in place began to collapse—when everything destabilized and devolved. No one believed that any of this would happen. When world leaders threatened one another and preached for isolationism, nothing seemed to come of it. People went to work, lived their lives, spent time with their friends and families.

Then came the trade wars, the tariffs, and sanctions. Even then, people only complained about rising prices and the cost of living. Land and border disputes followed. More empty threats where nothing happened, and the news cycle carried on. But one country put boots on the ground. Another did the same in retaliation. Like a faucet being slowly turned on, the droplets became a stream and then a current.

Article I – Right to Existence and Liberty.

All citizens have the right to life, dignity, liberty, and autonomy. No persons shall be subject to enslavement, forced labor, or arbitrary detention.

All “citizens.” You’re not a citizen—not yet. Where does that leave you? Will they grant you full status when probation is lifted?

Article II – Equality Under Law.

A loud, repeated thudding fills the room, coming from the front door. Clutching the thin black booklet, you head for the door, yanking it open, only to find Lieutenant Riley on the other side holding a cardboard box.

“You’re here early,” you blurt.

“Brought you something,” he replies, voice raspy but gentle.

Behind the balaclava, all you can see are his gorgeous brown eyes. There is no crease in his brow—nothing that indicates any emotion. Yet his shoulders are a tad slumped, almost as if he’s exhausted and would rather be in bed.

You step to the side, holding the door open enough for Lieutenant Riley to enter. Shutting the door, you follow behind him as he makes his way into the bedroom. Placing the cardboard box on the bed, Lieutenant Riley rests his hands atop it, silently observing you as you approach the box.

“You brought me something?” you ask with a hint of excitement.

Neutrality becomes softness. A flush of pink blooms at the edges of the balaclava. Ghost taps the top of the box and takes a step back, extending an arm in open invitation.

“Go on,” he urges.

Placing the thin, black booklet on the bed, you reach for the box with eager, itching fingers. Anticipation flowers in your stomach. Only days ago, Lieutenant Riley dumped you out of his lap and left, hardly giving you a glance as he walked out the door. Now, here he is, bringing you a gift.

You open the box and find an array of colors.

“Is this…” you trail off, reaching into the box, fingers gliding along soft fabric.

Lifting it from its home, you unfurl it. A sweater. Deep maroon by the color. The fit looks almost perfect. Holding the sweater off to the side, you peer down into the box.

“Have you brought me clothes?” you ask, almost choking on your words.

On your release from quarantine, you were given a single outfit. You’ve been rotating through two shirts and two pants the last two weeks. Placing the sweater on the bed, you start removing more items. There are tank tops, dress pants, and cardigans. There’s even a sundress. A wave of joy washes over you, drowning you in rapt glee as you retrieve more clothing items out of the cardboard box.

“I guessed on your size,” says Ghost as a mountain of clothes begins to form on the thin duvet. “Wasn’t sure about color. Or style.”

While the clothes are clearly second-hand, all of it is in good condition. You’ll have more than two shirts to wear. More than two pants. Ghost has brought you an entire wardrobe.

Gratitude explodes within you, bringing you to the brink of tears.

“I can exchange what you don’t like,” he continues, rambling on like he’s suddenly nervous. “If something is too big, can always have it resized.”

“Lieutenant,” you whisper, clutching a pair of black slacks to your chest.

“Do you like it?” he asks, taking a step toward you.

He sounds so eager—so hopeful.

Words form and then promptly leave your head, escaping into the air. So, you don’t speak. You walk around the corner of the bed, and push into Lieutenant Riley’s space. Placing your hand on his arm for support, you go up on your toes, pressing your lips to his balaclava-covered cheek.

“Thank you,” you murmur, squeezing his arm. “For thinking of me.”

Lieutenant Riley’s brow is soft and delicate. He leans in your direction, pure affection in his gaze. It’s startling, sending a rush of heat up your neck and a little flip of your stomach. You quickly drop your hand, backing up.

“You start at the archive today,” states Ghost that soft gaze following your every step.

“I do,” you exhale, smiling in his direction as you delicately fold a pair of jeans. “I’m excited to be around books again.”

“Should pick something out,” nods Ghost. “Look your best for the big day.”

“You’re right,” you grin. “I should.”

After a long deliberation and several spins for Lieutenant Riley’s viewing pleasure, you select a simple black dress with a forest green cardigan. It’s plain and comfortable but professional.

Ghost lightly tugs on the hem of the cardigan. “Fit all right?”

“It’s lovely,” you beam, shying away from how intensely Lieutenant Riley watches you.

It’s hunger but not lecherous in nature. Like dark water, you cannot see into his depths—you cannot begin to guess what he might be thinking. Yet you like the attention, and whatever animosity that lingered between the two of you from the other night is gone. Lieutenant Riley’s body language is relaxed and intimate. The man is in a good mood, and that contentment only heightens your own happiness.

You should enjoy this day. It’s a fresh start. A new beginning in the face of all that you’ve lost.

Ghost releases the cardigan, his arm returning to his side. “Ready?”

You nod. “Ready.”

Out on the street, Ghost escorts you toward a black SUV.

You come to a dead stop. “Is this yours?” you ask in disbelief. “People own cars?”

Ghost opens the front passenger door. “No,” he answers, stepping to the side to indicate that you should get in.

“No this isn’t yours? Or no people don’t own cars?”

“Yes.”

You poke him in the chest, but you’re grinning. “Don’t you dare,” you laugh.

“Dare what?” he replies in mock confusion.

You shake your head good-naturedly, sliding into the passenger seat. Ghost shuts the door, circling around the front of the vehicle to hop into the driver side.

You arch an eyebrow. “Why are you taking me to work in a non-military vehicle?”

“How do you know that?” counters Ghost, draping his arm across the steering wheel.

“So it’s a civilian vehicle?”

“Didn’t say that,” he says casually, leaning back in the seat, reaching into his pocket as he digs around for something.

You open your mouth. Shut it. Ghost chuckles, and you playfully smack his bicep with the back of your hand. Withdrawing a pack of cigarettes and a lighter, Ghost sets both in the middle console. The SUV roars to life, the floor gently rattling beneath your feet. Ghost checks the side mirror and shifts gears. The vehicle rolls forward, cruising slowly down the street.

Two weeks behind the wall and all you’ve seen is the inside of your temporary apartment, and a few surrounding streets. This is furtherment—a consolidation of what was and the exploration of possibilities. Home is behind you, though it dwells in your heart, and for now, you must make peace with your new reality. You must navigate this to your advantage, happiness, and well-being.

That is the core of survival after all. To carry on.

“Where is the archive?” you ask, peering upward through the windshield at the towering buildings.

“It’s inside the library,” answers Ghost, turning on his blinker as he rolls up to a stop sign. “In the civilian zone.”

“We’re going to the civilian zone?” Your voice is laced with excitement.

All you’ve known is grim-faced men and a militarized looming presence. This might just be your first real sense of normalcy in almost a month.

“We are,” replies Ghost.

You can’t sit still as the SUV shepherds the two of you along. Beneath your skin is a buzzing adrenaline. It pushes you to twist and turn, to try and absorb everything around you. The neutral greyness of the militarized zone starts to change, shifting toward greenery. Where there were only sidewalk, road, and buildings, trees and plants begin to appear at even intervals, adding a touch of color.

Ghost slows the vehicle at a small guard gate. The barrier lifts, and a guard waves the SUV through. The transition to the civilian zone is almost instantaneous—a whiplash. While there are several vehicles on the road, the majority are buses, and beside those in designated lanes are bicyclists and motorized scooters. No one walks around in uniform. It’s so…ordinary, and yet so strange, like you’ve been transported back to a time before the collapse or shoved into a parallel reality.

There is a communal quality to the way people move in groups or pairs. No one appears to be any hurry. Lieutenant Riley turns, and you nearly tell him to stop the car. You press your face to the glass, mouth agape as he drives by an open market.

As he takes another turn, you whirl around in your seat. “What was that? Can we stop there?”

Behind the balaclava, the skin around Lieutenant Riley’s eyes wrinkle, hinting at a hidden smile. “Another time,” he murmurs. “Promise. Don’t want to be late on your first day.”

You press yourself against the seat, head tilted in the direction of the window. While everything appears clean—utopian even—there is an underlying rawness, a wear and tear that can only come from age and lack of sufficient resources. Questions fire off in your head. There is so much you want to ask Ghost. If he weren’t so goddamn stubborn, you’d talk his ear off for hours. Instead, you sit still, toying with the hem of your dress as Lieutenant Riley guides the vehicle along.

A few more turns, and then you’re solidified, staring up in shock at the building before you.

“Oh my God,” you say aloud.

Lieutenant Riley snorts at your outburst.

The library’s front façade are book spines in various colors and titles. This is not a structure built in the collapse but from the time before, when libraries were receiving adequate funding, the government cared about knowledge, and learning was publicly free institution. The very center of the building, where the stone stairs meet the entrance doors, is a wall of glass, splitting the book spines into two sections.

“This is—This is amazing,” you gasp.

Ghost grunts in what must be an agreement. Either way, you don’t particularly care. This is a library, a place you never thought you’d see in all its glory again.

“Are you crying?” asks Lieutenant Riley, reaching across the center counsel to place his hand on your shoulder.

“Yes,” you hiccup, wiping away a wayward tear.

“What’s upset you?” He sounds genuinely worried, and that only makes you cry harder.

“I’m happy. I promise,” you say through a shaky breath.

The crease in the middle of Lieutenant Riley’s brow doesn’t abate. “Need to take a minute?”

You nod, sniffling, using the sleeve of the cardigan to absorb the remaining tears. “Just a bit overwhelmed.” Ghost nods but remains the quiet companion as you gather your composure. “I’m ready,” you murmur after a minute.

Lieutenant Riley leans away from you, fingers pressing against the door lock buttons. You hear the audible transition of the locks disengaging. Reaching for the handle, you take a deep breath, readying yourself for what’s to come.

The car door opens. Crisp, cool air rushes in. You inhale sharply, slipping from the seat, landing on solid ground. Glancing over your shoulder, you lock gazes with Lieutenant Riley. He gives a little nod, an encouraging inclination to go.

You raise your hand in the smallest goodbye, slamming the SUV door. Through the window tint, you watch him watching you. Backward step. A turn of your heel. Forward step by forward step. Stairs.

At the top, just before the glass doors, you turn one last time. Ghost is still parked at the curb. Waiting. This is a different version of him, a patient and caring Lieutenant Riley you haven’t seen before. He’s certainly flirted, found ways to comfort you, but there has always been distance—a separation. You consider this change as you enter the library, questioning whether Lieutenant Riley’s motivations are pure.

Who did they assign to you?

Why does it matter?

It matters to me.

The bit of joy that’s made a nest in you fractures. Small cracks. Tiny fissures. Not enough to notice but just wide enough to allow bitterness in.

I was offended they didn’t make me an offer.

Perhaps Lieutenant Riley’s motivations aren’t pure. It’s clear that he wants you to himself, but why? Why you when he could probably have anyone?

As you enter the library, you’re greeted by a warmly lit space, the interior all dark wood and polished stone. Overhead, you notice a balcony of a second story. All you can see of it are the tops of the shelves, but that isn’t what captures your attention. As you approach the front desk, you notice the lack of books on the shelves. Some are completely empty, others full. Most are partially stocked with sections of barren shelving, dust collecting in the corners.

You give your name at the desk, and the receptionist smiles.

“Follow me,” she says, voice soft and lyrical.

As the two of you head toward the back of the building, your awe becomes worry. Most of the lights are turned off back here. The bit of light it does receive comes from the main windows up front and a few skylights that cut through the middle of the second-story ceiling. Rope barricades close off endless rows of empty shelves. Destruction has not touched them. They are simply empty. Bones and broken skulls that once held neural gore.

“Through this door, dear,” says the receptionist, indicating a door that says, “Archival Department” and below that “Employees Only.”

“Thank you,” you reply, but she’s already off, shoes clacking against the marble.

You press your hand to the door, standing there in the muted shadows. Instinct is rising, whispering to run, to seek shelter in more familiar places. But there is nowhere for you to go. Even if you were to walk out the front door, Lieutenant Riley might not be out front, and you don’t know how to return to your apartment.

“Fuck,” you whisper, pressing your forehead to the door with the other hand on the handle. “Fuck.”

You have to do this.

You have to do this.

You have to—

Turning the handle, you shove it open, barreling through without looking where you’re going. You nearly take a tumble, righting yourself at the last moment. The door slam shuts behind you, and three pairs of eyes stare back.

“That’s certainly an entrance,” comes a masculine voice with a thick Irish accent.

A tall, lanky man with wire-thin glasses sits behind a plain wood desk covered in stacks of paper and various office supplies. His auburn hair has a touch of grey in it—messy too like he’s only just rolled out of bed. In his hand is a white mug with black lettering that says Yes, I really do need all these books.

“Hi,” you manage, raising your hand in greeting.

When he smiles, there is a fatherly touch to it. You instantly gravitate toward it. “I’m Arthur,” he says, rising from his chair and circling around the front of his desk, arm extended, hand offered in a handshake.

You give your own name, clasping his hand. “It’s nice to meet you.”

“You’re me new archivist.”

“I am,” you nod.

Arthur beams. “Welcome.” He turns to the other two people in the room. Both are women around your age give or take a year or two. “This is Hannah.” He nods toward a blonde with a head of tight curls. “And that is Eloise.”

“Hello,” they greet in unison, all smiles.

The room itself is a quaint office space. Along the far wall are large windows that let in natural light. There are four desks in total, three clearly belong to Arthur, Hannah, and Eloise. The fourth sits empty and must be yours. Beneath your shoes is worn, dark wood and the walls are an off beige with one accent wall in dark green. Pushed up against the three walls without windows are rows and rows of shelving, all of it packed and overflowing. A few of the wood shelves sag inward, threatening to collapse at any moment.

“Charles mentioned your experience,” says Arthur. He takes a drink from his mug. “We’re happy to have you. Too much work for three.” He chuckles. “Not that four will be much better.”

“I noticed all the empty shelves,” you reply, taking a leap in what he might be referring to.

He nods solemnly. “This library services the entire Safe Zone. You’d think they’d assign more staff.” Arthur shakes his head. “We can’t process all this material fast enough. Demand is high but we’re only three.” He lifts his coffee mug in your direction. “Four.”

“Staying busy sounds nice,” you reply, because it’s true. You need out of your fucking head. You need to be away from Ghost and from that apartment for a bit. “And books make me happy.”

Arthur nods. “Hopefully you’ll still love them as time goes on.” He clears his throat. “Now, about the job.”

An endless sea of information rushes at you. Eloise and Hannah float about the office, the two of them chatting in French as they rifle through paperwork. Arthur leaves them to it, taking you on a full tour of the office space and then into the library itself. You stay politely silent through most of it, asking questions when there are lulls. Meandering through the library, Arthur circles back to the office, bringing you to another door.

“Behind here,” he begins. “Is everything we have yet to duplicate.”

While walking through the library, Arthur explained the only books on the shelves were ones they already had duplicates of. There are plenty more where there are only singular copies. Some in pristine condition, others needing a reprint. But it’s not all physical. There are digital versions too that are sitting, waiting to be processed.

“It’s a maze in there.”

“I’m ready,” you smile.

Arthur opens the door, the two of you stepping inside. The quality of the air is immediately different. On the wall next to the door are several panels indicating temperature, air quality, and humidity. It’s all being monitored. But that’s not what shocks you.

Arthur wasn’t joking. The place is a fucking maze.

“What—what is all this?” you ask, turning toward him, gesturing at what can only be called a mess.

Arthur sighs, adjusting his glasses. “That is too much work for four people.”

There is no organization. To order in the chaos. It’s just rows of shelving, stacks of cardboard boxes and storage bins. There are even stacked books pressed up against the wall. A home was found, even that means home is on the goddamn floor.

“No kidding,” you whisper.

Just as Arthur opens his mouth, the door swings open.

“It’s lunch,” says Hannah.

Arthur checks his watch. “Look at that.”

“And someone is here for you,” adds Hannah, smiling in your direction.

“Me?” You point at yourself as if there might be another of you lurking in the stacks.

Hannah’s smile shifts, becoming a knowing smirk like she’s holding on to a little secret.

Arthur claps and pats his stomach. “Lunch is an hour. A full hour.” He winks. “We take that seriously around here.”

At the library reception desk, you find an unexpected visitor.

“Lieutenant,” you breathe, approaching Ghost slowly. “Are we leaving?”

You don’t want to go. Only a few hours in and you’re eager to stay, to idle amongst the shelves.

In one hand, Ghost carries a soft-sided insulated cooler bag. Tucked under that arm is large blanket. The receptionists gaze lingers on the two of you, observing with abject curiosity. Ghost is in his all-black fatigues and balaclava.

“Thought I’d bring lunch,” he states.

“That’s kind of you,” you murmur, reaching for the blanket.

Ghost surrenders it without protest. “There’s a park across the street.”

You nod, clutching the blanket to your chest. “I’d like that.”

A few minutes later and you’re sitting on the blanket, soaking up the sun as Lieutenant Riley opens the cooler bag. He retrieves a glass bottle of water along with sandwiches, fresh fruit, and some cut raw veggies.

“Eat as much as you want,” sighs Ghost as he settles onto his back, arms tucked behind his head.

Unwrapping one of the sandwiches, you take a bite, chewing slowly. “Thank you.”

Lieutenant Riley glances at you. “You didn’t pack a lunch. Knew you’d be hungry.”

“Looking after me?” you tease.

“That’s my job.”

You snort and take another bite. As you chew, you pour yourself some water. It’s cold and crisp. Refreshing. “Didn’t work today?” you venture to ask.

“Work every day,” sighs Ghost. “Price doesn’t mind if I slip away for an hour or two.”

“Must be nice,” you murmur.

“First day treating you well?”

You nod, still chewing. Swallowing, you answer him. “It’s a good fit. Keep me busy.”

“Good.”

“Arthur is the Lead Archivist. And Irish. Hannah and Eloise speak French, but their accents are different.” You take another bite. “Pretty sure Hannah’s Canadian and Eloise is from France,” you muse. After a few seconds of silence, you continue. “Is that normal for all the Safe Zones?”

Ghost adjusts, stretching. “Is what normal?”

“Is it normal for people from different countries to all live in a Safe Zone together?”

Lieutenant Riley stares up into the sky. “It’s on purpose.” You start to formulate a follow-up question, but he carries on. “To dispel supremacy movements. Can’t gather support if the remaining population is scattered across hundreds of Safe Zones.”

“There are hundreds of Safe Zones?” Ghost nods but doesn’t elaborate. “How many exactly?” you probe.

“Just over two hundred.”

Two hundred? There aren’t even two hundred countries. You recall the map in Commander Graves’ office, of the different colored stars that dotted the unlabeled land masses. Of the stars, there were eight different colors, but now that you consider it, they easily could have been two hundred of them on it.

“Are they all large like this one?”

“No,” snorts Lieutenant Riley. “Most are small. Only a few dozen are the size of this one. Ten that are even larger.”

This is the most information Ghost has given you. He appears more open than before. Relaxed. You take another bite of your sandwich, knowing that you need to take advantage of this opportunity.

“Is that why the country flags are black on your uniforms?”

Like a sudden breeze that chills the bones, Lieutenant Riley’s demeanor shifts to a somber note. “Partially,” he answers, voice raspy. “Black flags used to mean something different. Now it’s a statement of grief and remembrance.”

“I don’t entirely understand,” you say softly, shifting closer to him. “There’s so much I don’t know. And no one is willing to talk to me about it. They just…stare at me like I’m dumb.”

You recall Commander Graves’ disgusted expression, and the aloofness you received from Charles. Joann didn’t acknowledge your lack of understanding either.

Ghost still stares into the sky. “Countries exist by law and not land. Borders don’t bloody matter when half a continent is devasted by warfare.”

A sourness blooms in your stomach, the food sitting heavy. “What about your home?”

“Habitable. But destroyed. The infrastructure is gone. All the major cities are craters.”

You reach out, placing your hand on his arm. “I’m so sorry.”

Lieutenant Riley finally looks at you, a sadness settling in his brow. “I’ll be fine, dove. Everyone I care about is here.”

You give his arm a little squeeze before retreating, fiddling with the paper wrapper your sandwich sits in. While you’d like more answers, it’s clear that this topic upsets him. Lieutenant Riley’s home is gone—obliterated. It’s not a pleasant topic for idle conversation.

“With the school attached, I might be asked to lead a writing or reading class. Maybe sub if someone is sick. Arthur mentioned that they try to go there once a week to help those students who are behind reading level.”

It’s an attempt to turn the conversation around, to divert Lieutenant Riley’s thoughts elsewhere. He takes it, some of that sadness receding.

“You interested in that?” he inquires.

You incline your head. “Yes. Did it all the time in my previous community.” Taking another bite of your sandwich, you chew thoughtfully. “But I wouldn’t call what we had a ‘school.’ Did our best though.”

Lieutenant Riley’s gaze is soft. There is a lightness to it, an affectionate edge that reminds you of this morning. You fluster under that stare, staring down at your lap.

“You’ll be brilliant,” he states with such confidence that you believe it too. A smile forms on your lips, spreading wide until your cheeks hurt. Lieutenant Riley rolls onto his side. “Can I kiss you?”

Startled, you blink rapidly. “I—” You giggle. “Yes.”

As you lean toward him, Ghost reaches out, grasping the back of your neck to draw you closer. With one hand on his chest, and the other pushing up his balaclava to reveal his lips, you don’t care if anyone is watching. The sweet connection is instant sunshine—a flowering of a season. Low in your core, a heat stirs.

Soft and slow, Ghost restrains himself, and that only fuels the desire swirling inside you. This is the Lieutenant Riley you like. The one you want to know. Even though you’ve been ripped from your home, you could make a new one here, with him, if only it were always like this.

“Dove,” he breathes against your lips.

That name he calls you. An endearment. You pretend to hate it, but the way he always says it with a husky tone sends you over the edge every time. It drives into your skull. Burrows in your bone.

“Need to take you back,” he whispers, nuzzling your cheek. You linger here, eyes closing as his thumb traces the underside of your bottom lip.

The walk back is silent but not awkward. You stand close to him, arms occasionally brushing against each other with the sway of your body. The urge to hold his hand is suffocating, but you resist. There is no relationship here—only a terrible back-and-forth that you cannot wrap your head around.

The rest of your workday is a blur. It’s combing the library catalog and organizing stacks of paperwork Eloise places on your desk. There is no clear organization. Most of the paperwork are inquiries from other Safe Zones, wanting to know if they have extra copies of certain materials. You do not touch anything in the storage room, but neither do Arthur, Hannah, or Eloise. It dawns on you then, that the work happening requires far more people than what’s been staffed.

When Lieutenant Riley comes to pick you up, you’re almost thankful. Exhaustion settles over you, and you don’t realize you’ve fallen asleep in the passenger seat until Ghost awakens you. Every step is a drag, and all you want is your bed.

With a groan, you flop onto the duvet. Beside you, the bed dips as Ghost sits.

“Are you staying?” you ask into the bedding.

“No.” Silence. Then, “I have to take you to the family planner at the end of the week.”

Your eyes pop open, the tiredness vanishing. Pushing up, you turn toward Lieutenant Riley. “Did they say why?”

He shakes his head. “Just that they want to see you.”

This is it.

The push.

“You’re being pushy.”

“I’m sorry if I’m coming across that way.” Joann folds her hands in front of her on the desk. She has this superior look about her, as if to say, I know more than you. “I’m simply thinking ahead. Better to start the search now than wait until you’re ready.”

“I’m not ready,” you scoff, still in complete belief at Joann’s audacity to hurl this at you. “I haven’t even been assigned my new home after probation. I just started my job a few days ago.” You shake your head. “This is all very sudden.”

Joann puts on an air of false sympathy. “I completely understand. It’s a difficult transition. But if you put this off, you’ll find yourself rushing later.”

I fucking doubt that, you think even as the words threaten to leave your mouth.

She raises her hands in a placating gesture. “Don’t think of it in the way you’re thinking. You don’t need to make a decision tomorrow.” Joann shrugs. “Think of it as shopping.”

“You’re asking me to shop around for a potential spouse?”

“Or sperm donor,” interjects Joann. “We are inclusive here.”

You wince, wanting to be done with this conversation. It’s not as easy as saying no and moving on. Joann isn’t here speaking with you just for you to throw a no in her face. Not that she gave you the option. I put you down for single’s social, she had said with a bright smile, as if that’s something you wanted to hear today.

“Do I need to wear anything specific?” you ask. “Is this a casual event? Or…”

“It’s casual, but I’d recommend something that compliments you.” She laughs. “No one is going to be in a suit if that’s what you’re asking.”

“Didn’t know those still existed,” you mutter.

Joann ignores your comment. “Look at this as an opportunity. I’ve already received a few inquiries about your eligibility.”

“I’m sorry,” you blurt. “You’ve received what?”

Joann continues like she didn’t hear you. “All of them will be there. And I’ll likely receive more after you attend.” She sighs dreamily. “Especially from those military boys. They see what they want and go after it.”

No. Fucking no.

“This will overwhelm me,” you chuckle nervously. “I shouldn’t go.”

Joann blinks. “Course you should. It’ll do you good to get out. Talk with people other than Lieutenant Riley. I know he’s mysterious and has a bit of a bad boy reputation, but he’s not the only option.” She smooths her hand over the small stack of papers in front of her. “It’s also an excellent opportunity to make some connections. Maybe find friends.”

You could use some friends, but your coworkers are starting to fill that gap. Eloise brought you some croissants she made, and Hannah presented you with your very own coffee mug with “Book Sniffer” on it because she caught you smelling a particularly beautiful copy of War & Peace.

Gathering up the papers, Joann gently taps them against the top of the table. “Lieutenant Riley will be there but I recommend you branch out. I know that he’s probably a place of safety for you right now but lingering at his side all night isn’t the best idea.”

“Why is that?” you snap.

While you’re genuinely interested in knowing, you’re also a bit pissed off that Joann called you out. Ghost is your safety net, and if he’s attending, why would you leave his side to speak with anyone else.

“It’s not fair to others,” answers Joann simply. “Stick by Lieutenant Riley’s side during the whole social and people will think you’re spoken for. They’ll complain.” She looks at you pointedly. “And we don’t want that.”

Fuck.

Causing problems. It’s the exact thing you don’t want to do while you’re on your probationary period. Once you’re past it, things might be different. Charles hasn’t discussed what comes after. He didn’t say whether or not you receive immediate citizenship or if there’s an additional process.

No one is giving you clear direction. No one wants to fully explain. It’s expected submission, to look down and follow along. Pushing back or questioning too much seems to aggravate everyone.

“No,” you agree. “We don’t want that.”

Joann’s face lights up, and you immediately want to slap it off her face. “Brilliant,” she sighs. “Here’s the information. Can’t wait to hear all about it when I see you next.”

Fucking doubtful.

With a half-hearted smile, you make your exit, meeting Ghost in the lobby of the building. When he notices you, he immediately turns in your direction, walking toward you with purpose in every step.

“Everything good?” he asks, grasping your arm to pull you in.

You hand him the information instead of speaking. Ghost takes it, gaze roaming over the piece of paper rapidly.

“You’re fucking joking,” he growls.

[kettle-bird]

Commissions: CLOSED

Opening five more slots on my commissions!

Shoot me a DM or a an email (kettlebirdillustration@gmail.com) if you are interested or have any questions about my work!

Full T.O.S. is under the cut.

By commissioning work from me, you agree to the following terms of service:

All prices are in USD, to be paid through PayPal or Ko-Fi. Half-payment is required up front before commission will be added to queue, with the second half to be paid on completion.

I reserve the right to refuse any request at my discretion and without elaboration.

Commissioned art is for personal use only unless otherwise discussed before start of work. I reserve the right to use commissioned art for portfolio and sample purposes. I claim no ownership over the IP of characters that do not belong to me.

Full refunds available before requested commission is started, half refunds available before commission is completed.

My work is not to be minted into a non-fungible token (NFT) or used in the training of generative artificial intelligence models or modified using generative artificial intelligence models.

[firstname-secondname]

(part 1) Character/Show information found on Gooseworx's tumblr

I went into Gooseworx's tumblr and made a list of all the info found on there so far.

Caine:

Caine named himself before deciding that it's an acronym that stands for Creative Artificial Intelligence Networking Entity (he thinks it makes him sound professional)

‘’[Caine] does not have an age, as he is an AI.’’

Apparently, Caine is likely the best singer out of everyone in the circus.

Caine would own a circus peanut shotgun.

Caine can’t grasp the concept of irony.

Caine is not affected by “this statement is false”

if Caine could remove his clothes, there’d be nothing underneath. His clothes are his body.

Caine constantly gives silly nicknames to everything.

Caine would only bite his eyes or tongue if he thought it’s funny. Otherwise, they clip through his teeth

the restaurant that Caine was in with Bubble is “one of Caine’s special realms.”

Bubble:

Bubble speaks in reverse once in episode 3.

Bubble is a much simpler AI created by Caine

Apparently, Bubble is the biggest slut.

Bubble is ‘’Caine’s little hype man’’

Bubble likes being popped.

Bubble is a boy

Pomni:

Pomni’s hat is a part of her body

Pomni does not like being touched

Pomni’s first design looked liked a frog

Pomni’s reaction to herself in the mirror isn’t a positive reaction

Apparently, Pomni’s hair is black.

Pomni is good at accounting.

Ragatha:

Ragatha gives the best hugs

Ragatha has been in the circus the second longest.

Ragatha likes horses.

Ragatha can see through her button eye

Jax:

‘’There’s a particular character who hasn’t been revealed yet who’s practically a self-insert.’’ (He’s the mean one…Jax?)

Nobody likes Jax

Jax doesn’t have a tail.

Jax deserves to be trapped in the circus the most

There’s nothing heroic about Jax.

Jax is morally the worst character in the show.

Jax didn’t enter the circus at the age of 14.

Jax didn't react well when he first entered the circus

Jax is afraid of corn because it reminds him of something called 'the farm’. (this turned out to be a lie)

Jax mainly bullies the girls because he has issues he hasn’t worked out with himself yet.

Gangle:

Gangle likes to draw, specifically anime.

Gangle can walk on water, but only during a full moon. (this turned out to be a lie)

Gangle’s favourite anime is Azumanga Daioh.

Gangle has a body pillow with a character on it.

Gangle watched One Piece, and her favorite character was Chopper.

Kinger:

For some reason, when Gooseworx was asked to describe the next character (who we now know to be Kinger), she used the word ‘’dad’’

Kinger is not British.

Kinger is the tallest and oldest

Kinger knows how to play chess.

Zooble:

Zooble almost gets no screen time in the first two episodes

Zooble has a 'zooble box’ of extra parts in their room, and it has no end.

Zooble does not like hugs

Zooble has been in the circus the second shortest.

Zooble is very grouchy and irritable.

Zooble would smoke weed.

Zooble is the worst at giving hugs

Zooble is constantly trying out different parts.

Zooble was a tattoo artist at one point.

Zooble most likely dyed their hair in the real world.

the Sun & the Moon

The Moon (and the Sun) is an AI "like bubble"

the Sun can talk too

Queenie

The black queen chess pieces name is Queenie

Queenie being a black chess piece and Kinger being a white chess piece has no relevancy to their relationship. It’s only a design choice.

Queenie and Kinger aren’t siblings.

multiple characters

How each member of the cast would react if you called them 'adorable’.

Ragatha: oh! Thank you so much!

Jax: Well that makes one of us.

Gangle: oh…

Pomni: Uhhhhhh… thanks I guess?

Zooble: Shut up…

Kinger: Heh! 

Caine: You’re absolutely right!

Bubble: *says every slur*

Jax is the youngest member of the circus, with Zooble being the second youngest as they are half a month older than Jax.

Nobody in the circus is truly sane

the ages of all the humans.

Pomni - 25

Jax - 22

Ragatha - 30

Zooble - 22

Gangle - 26

Kinger - 48

The performers can feel pain

Every character has a reason for the way they act.

We’ll get to see the characters' rooms eventually.

Ragatha can play the cello and Zooble can play drums

None of the characters have bones, but they do have a visible skeleton when they’re being electrocuted.

Other

There wont be any singing, only instrumental songs

There are “many” that we don’t know of.

The typical episode length will be 21-25 minutes.

There won’t be any romance

‘’the entire show is about exploring these characters on a much deeper level.’’

Abstraction can’t be undone.

The abstracted all look the same

Someone asked who was closest to abstracting besides Kinger, in response Gooseworx said ‘’You wouldn't believe me if I told you.’’

“This show isn’t going to be very suitable for young kids, especially in the later episodes.’’

Future Episodes

There’s “technically” a worm in episode 2.

There is an episode that heavily features Kinger.

Some episodes are a '1’ on the horror scale, some are a '6’.

"If it were to get made into a full season, yes each character gets their own little episode."

all of the following episodes in one word.

boy

damn

oh…

haha!

guns

huh?

OH

what…

On 7th of November, Gooseworx said "the plan is eight episodes total, one season".

Note that some of this info may have changed since posting. Some may change during the course of the show, and some may be jokes and lies. Please let me know if there's anything I missed!

[purple-link]

So I want to set the record straight on a couple of things.

First, no, Hatsune Miku, as much as the rest of the Vocaloid series, is not Artificial Intelligence, either generative or otherwise. Vocaloid is a series of voice synthesizers from the mid 2000s.

She is an instrument. You use a digital piano, representing notes and chords, to change the pitch of Miku, and utilizing input words, she sings them at varying degrees of pitch and quality.

She is not generative AI. Up until this point, she was a computer program that people could tune and workshop, it used to take a long fricken' time. This is part of a series of Japanese programs that was released in the mid-2000s.

Now, from what I've learned, her most recent releases does have AI in the program, but again, that's being treated like a tool, not as a replacement. You still have to input each note by hand. It still requires a human touch.

You still have a lot of work to do.

Secondly, Hatsune Miku is a voicebank, which means that her voice is created with the help of a real person, in this case, Saki Fujita, who is a voice actress.

This can be compared to the situation surrounding James Earl Jones, where he gave permission for his voice to be used in a voicebank for future Darth Vader projects. He signed off on that.

The reason people are up in arms, and why there's still a SAG-AFTRA strike after all this time, is that corporations and content creators are using generative ai programs with voicebanks containing voices like Spongebob Squarepants and Keanu Reeves, and other popular voice actors, all without the permission of the original actors and actresses.

Hatsune Miku isn't just a generative voicebank that you can just press a button and she'll do it all for you. That keyboard in Vocaloid, when you tune it, is there for a reason.

Hatsune Miku is not generative AI. She's you and I. She's us. She's human. That's the difference.

[andy-wm]

Artificial Intelligence vs The Real Jungkook™

In JK's recent weverse live he told us plainly that he's concerned about AI-created songs that use his voice and what that means for his future as a singer.

Because without his consent, random people are feeding his vocals into what is essentially an untested and uncontrollable industrial machine that spits out cookie-cutter versions of songs in his voice.

It's theft plain and simple.

Theft of something deeply personal and intimate and priceless. Jungkook's (every artist's) voice is as unique as their fingerprint. His voice represents his blood, sweat and tears. It's the payoff for a decade of lost youth.

It's his livelihood.

And there's no undo button on this.

Once it's been absorbed into the vast archive of vocal samples, Jungkook's voice is there forever.

But it's no longer even his voice. It's an algorithm that generates data with a particular tone and cadence. It's part of the machine.

Now it's not just other artists he has to compete with to stay relevant. It's an ever-growing, never-sleeping, song factory that will use his greatest strength - his voice - to beat him.

I want to clarify that I haven't listened to any AI songs because i find it all too yuck. I have zero interest in it anyway because the whole point of songs, for me, is the expression of genuine emotion and that can only come from a human soul. I'm here for the music, not the hype.

And that brings me to another, possibly bigger problem:

Hybe - We believe in money music

We don't have to look any further than the recent MAMA show, and the VCR that accompanied TXT's performance, to know where their money-hungry managment company is headed.

All the music and some of the visual in that VCR were AI generated.

ALL THE MUSIC

Why? Because Yeonjun was too exhausted and unwell to perform.

How easy will it be for Hybe to quietly and seamlessly replace the artists we love with digital imposters?

What's stopping them from using the voice samples to produce paid promotions and endoresements?

How will we know what's authentic and what isn't in future?

If this continues, we wont.

Jungkook, despite being beloved by ARMY, was so nervous about singing that his hands were shaking. He said his self esteem was very low.

Sure, he was out of practice but that wasn't the main issue.

"Will I be able to beat AI?" he asked.

"I'm doomed. My job is dissapearing."

He knows what's at stake

And it's honestly terrifying.

I truly hope that all fans, be they army or otherwise, stand up for our artists and their right to own their voice and their creative process.

We aren't here to work a 40 hour week while the machines make music.

💜💔