#international market level

[worldyouthskillday]

High-level panel: Skills for a Human-Centered Triple Transition - Decarbonization, Digitalization and Demographic change.

Discover the impact that digitalization, decarbonization, and demographic transitions are having on the labour market and skills in the context of social justice and the broader policy framework.

Watch the Skills for a Human-Centred Triple Transition - Decarbonisation, Digitalisation and Demographic change High-level Panel!

[acciojaeyun]

under the web | p.sh.

PAIRING. officemate!sunghoon x fem!reader

SUMMARY. there's something about the way people seemed to scurry about whenever park sunghoon from the IT department would be coming to whichever area of the office. that's something that would be all because of you, his lovely officemate. your constant teasing and mockery of that one thing you know about park sunghoon made it seem to reach the headlines, and park sunghoon was determined to let you know that you're not the boss here.

CONTENTS. smut, some angst, some fluff. smut with plot. not beta-read. MINORS DO NOT INTERACT.

SMUT WARNINGS. making out, humiliation, implied dom vs. dom dynamics, dirty talk, slight exhibition, curses, virginity, unprotected sex (please practice safe s), reader is a jealous menace (a bit stalker-ish), mentions of manga, mentions of other members, if i forgot some, lmk!

WORD COUNT. 4.1k

AUTHOR'S NOTE. this will be my first ever sunghoon fic after a long while! i did take a hugeee slump after writing ( and had never been so inspired to write oneshots until now. and i'm such a sucker for glasses hoon and this is the product of it. thank you so much for reading! <3

MY LIBRARY. REQUESTS ARE OPEN!

It was an annoying morning.

Or well, for you, it was annoying. For you had to witness a group of interns gushing over the "guy with rolled sleeves and glasses making his coffee," and you scoffed when they mentioned that he looked like an Americano drinker, which, in their words, made him more attractive.

You rolled your eyes, the guy that they were talking about never liked Americano. In fact, his black instant coffee had the same amount, if not more, of cream added to his stainless steel coffee tumbler.

How did you know about that, though?

One thing about you was that you knew Park Sunghoon very well. He was the Class Salutatorian of Batch 2023, bachelor's in Information Technology. It was pretty impressive, if you were to ask everyone else. Park Sunghoon was immediately hired by the company that you are working in, and while you can say that Sunghoon did deserve both the position and the benefits, you couldn't help but feel like he didn't deserve the attention men and women alike were pouring him.

Of course, if anything, it should be you showering him attention. But, you wouldn't do that. Not when you're Y/N Y/L/N. You're the darling of the company, the sweetheart, so to speak. Because even though you cannot be of the same level as that of talent, knowledge, and skill which Sunghoon possess along with his looks, you were a pretty hardworking person.

Being in the Marketing Department also had its hardships, and while you still pray for the day commoners stop shunning down your bachelors, you are able to supply yourself with your needs and wants just by exerting everything you've learned in business and people-speaking.

But there was something about Park Sunghoon that makes him your own thesis.

Your own skill in building relationships didn't seem to work on him as much as you had hoped. Okay, let's admit it, you had taken a liking into Park Sunghoon. The quiet IT Specialist that exuded looks that were enough to make women fall to their knees.

A little bit of chit-chat here and there, some subtle glances and light touches, you were still far from the starting line. Park Sunghoon still hadn't reciprocated at least a fraction of your advancement towards him.

And by now, you're almost as helpless as it could be as you're munching on your own lunch, eyes over the cubicle of the IT department, watching how Sunghoon eats his sandwich, gaze never leaving his computer as he typed in codes with his other hand.

"How's the thing with Mr. Cold guy doing?" Sunoo would nudge your side as he caught you staring at Sunghoon for the nth time today.

You rolled your eyes for the nth time today as well, "He's so annoying."

"Now, he's annoying? Please, Y/N, cut yourself some slack. You need to get humbled, too, you know?" The blonde boy laughed as he sipped on his coffee.

"I just don't know how he hasn't caught up on it yet," you groaned, stabbing your fork on the penne pasta that you had on your lunchbox, "I've been doing a lot! How come he's still oblivious!"

"That, or he knows and just doesn't want to do anything."

You furrowed your eyebrows at Sunoo, "What do you mean?"

"Please, you're practically throwing yourself at him, it's a miracle how he hasn't caught up on yet."

"Or, he's a virgin."

Sunoo laughed, "Maybe,"

A loud thud on your desk was heard throughout the department as you placed your lunchbox down, "I'll talk to him."

"Again?" Sunoo looked at you, bewildered. "And, while he's working?"

"What, can't he handle a little distraction?"

"With you almost pushing your boobs towards his face? I think not."

"You know what? Fuck you." You flipped your best friend off, making him laugh as he ate his tteokbokki happily, ready to see you in your downfall yet again.

You, on the other hand, were determined. Straightening your slacks and blouse, grabbing your laptop, you made your way over to the IT Department, greeting everyone along the way while making a beeline straight to Sunghoon.

"Hi," you greeted.

Sunghoon hummed, his eyes still not leaving his screen.

"I mean to come to you to help me with a feature on the application that we're using?"

The boy glanced at you, his chewing coming to a slow halt.

"What about it?"

"Oh, I was hoping that I can access the Network's files? I've forgotten my flash drive at home and I only have access to some of the files but it would be in Sunoo's disk."

Sunghoon flashed you an impressed look at your terms, at the bare minimum.

"It'd be against company policy to allow you to access other people's disks without their consent, Ms," Sunghoon cleared his throat, pushing his glasses up the bridge of his nose, "and besides, aren't you friends with Mr Kim, anyway? Why wouldn't you ask him directly?"

"Uh, well..." you trailed off, "well, Sunoo also has the copy of this file on his flash drive, and coincidentally, he has also forgotten it at home!"

The boy raised an eyebrow at you. He was not buying it, you thought.

But your thoughts were proven wrong as Sunghoon swivelled in his chair, clicking on the multiple tabs open until he had manipulated the system for the time-being upon your request.

Your hands glanced on his hands, so dainty, long, and pretty. You wondered how it would feel around your neck, or in your pussy.

"It'll be open only for your access, Ms," Sunghoon said, looking up at you, "I'll be resetting it to company's default after forty-five minutes. Would that be enough time for you to get your files?"

You nodded, "Yes, thank you,"

"Do you have anything else for me to help with?" Sunghoon looked at you with a raised brow, making you blush.

"N-No, not that I know of, thank you, Sunghoon," you smiled at him.

He merely nodded before opening his coding software, clearly blocking you out from all his senses as he returned to eating his sandwich and work.

You pursed your lips, inhaling a large breath as you excused yourself from his cubicle, greeting yet another group of people acknowledging your presence as you made your way out of their department.

You were not expecting what you are seeing.

Not at all.

Whatever it was, there seems to be a glitch in the system as you also had an access to Sunghoon's drive.

You see, it was not your fault you were a bit nosy over your crush. You had taken a liking in him, and maybe, you think, there may be some stuff about him in his drive that could let you know a little more about him.

If not him, then, maybe, technology, his trusted friend, could help you.

You've seen his curriculum vitae, all the data he's working with, his clients, as well as a folder of his personal stuff which included torrented movies.

You laughed, his degree really has his perks.

You were so close to clicking off the movie folder named "O", but as you clicked on the next folder, named "P," you gasped at the number of porn videos were downloaded into the folder.

And all of them had the same theme: office sex.

It maybe too much, but in your mind, it made sense, when you were noticing how each of the female partners had the same features as you. Smirking to yourself, you glanced a look at the IT Specialist, bingo.

Surprised would be an understatement when Sunghoon entered the pantry as he went through his usual routine: leave his things at his desk, make his creamy coffee, work, leave to buy Subway for lunch, work, leave at 5:30 PM sharp.

He was surprised when the first people in the pantry left as he entered the room, furrowing his eyebrows when he heard faint words such as, "porn," "boundaries," and "couldn't he have had downloaded it in his own laptop?"

Now, Sunghoon may have been overthinking. His quiet life at work was already enough for him. But there was something bugging him for the first time in his life as he placed water in his stainless cup, especially when after making his coffee, no one would even dare look at him as he made his way to his cubicle, men and women, alike, swivelling their chairs to move farther from him, as if he were a plague.

Sunghoon rolled his eyes, it was getting to his nerves.

And if it weren't for Jake, his only friend in the department, who initially swivelled his chair away form Sunghoon, but then decided to swivel back as Sunghoon didn't even stand up for lunch, who told him about the rumours that spread about him, he wouldn't have known, and there was only one person who would have accessed his files.

You.

He snickered at the story Jake was telling him, and left Jake to his imagination whether the story was true or not, only giving him a shrug when the older did try to confirm to him.

"Believe what you want," Sunghoon responded, typing aggressively on his keyboard, "besides, I think you have, since you initially scooted away from me."

"Look, man," Jake scooted closer, whispering, "if it's not true, I could tell it to them, you know? I don't want them to think of you as some horny teenager who doesn't know about work boundaries."

"As if they're going to believe you," Sunghoon curtly responded before pressing a key harshly before looking at his friend, "if it came from Y/N, no one would even bat an eye at you."

"Y/N? Why her?"

"Only she had access to my files yesterday. Wouldn't it be too much of a coincidence if the story only spread now?" He chuckled, amused.

"So, it's true?"

Sunghoon shrugged again.

"Are you going to do something to address it?"

"Address it? What for? They already think I'm some horny dude, anyway."

"Well," Jake licked his lips, "just send me the stashes next time, too, okay?"

Sunghoon laughed.

Your plan was working.

A lot of people had taken their distances from Park Sunghoon. Making you think you're progressing at your plan to keep people away from him.

You can't help it. As long as there were hindrances in your way towards Sunghoon, you think there would be little chances to make your advances to him. You had yet to tell Sunoo, but you know that he was already aware of the rumour, and he would ask you about it after his client events.

So, while everyone had left Sunghoon alone in the pantry, that was your cue to enter the pantry. Making your way as calmly as possible to the counter as possible, you placed your food on the microwave, heating your breakfast as Sunghoon was stirring his drink in his cup.

"I never took you as the guy," you sighed, faking sympathy, getting more annoyed as you never got any reaction from the boy.

"I was expecting more from you, Mr. Salutatorian, I'm sure you know about policy since you were so high and mighty about it when I tried to get into Sunoo's files," you continued, watching his every reaction.

But he remained stoic. And that irked you.

You were about to open your mouth when the microwave had beeped, making you jump and take your food, frustrated over the fact that Sunghoon was ignoring you. Forgetting that it was still hot and you didn't retrieve the mittens beside it, you burned your fingers, finally getting Sunghoon's attention.

He discarded his coffee and immediately went his way over to you, grabbing a hold of your hand before examining your fingers, his eyes never leaving it as he tried to suck on it in attempts of both soothing the wound and seducing you.

Your breath hitched, making you look at him. What the hell was he doing?

"S-Sunghoon?"

He smirked at you as he pushed your fingers to his mouth, wetting your pointer finger with his warm tongue, only for him to retract it and swirl it on the tip of it.

"There's one menace between the two of us," Sunghoon whispered as he pulled away, leaning in to you, "and it's not gonna be you."

You let out a breath you didn't know you held as he pulled away and made his way out of the pantry.

Weeks later, you found yourself mad at Park Sunghoon.

Because after the incident at the pantry, he seemed to be hovering in your space more times than you would like. And while it did seem the best thing for you, it wasn't. For Sunghoon was not only hovering, but he made sure his presence was made known whenever he was around.

Holding on your waist, rubbing his crotch against your bum, rolling his sleeves whenever he knew you looked at him – while keeping his unbothered expression at his face.

Other than that, you were thinking he was losing his game as another person had suddenly took a liking into you. Food in carton boxes at your table by the morning you come in to work, and while you had hoped that it were him, your hopes were shut down as fifteen minutes after you had arrived from work, only had then Sunghoon, too.

Flowers were also hard to miss every week. There was a different flower every week, the whole department gushing whenever you grab a stem on your desk. And while you had hoped it was Sunghoon, again, you looked at his desk and see him in his natural habitat: working and face straight to the computer.

By this time, you had grown infuriated. Because you felt like he was toying with you. Especially when he was not paying you any attention at the Thanksgiving Party your office had held after reaching more than the targeted quarterly sales, and it was because of you! Why wasn't he giving you any attention?

Blame it on the alcohol in your system, and your innate drive to prove something to Sunghoon, a trait of yours that you have acquired overtime, you made your way towards the guy who was alone at the bar, nursing his on the rocks with his finger dancing around the rim of the glass.

"Aren't you going to congratulate me?" you spat, annoyed.

Sunghoon turned on his seat, smirking at you, "For being the best employee?"

"What else!"

He chuckled, taking a sip on his drink, "Congratulations, princess,"

You scoffed, "That's it?"

He grinned, "What, you'd want me to kneel for you?"

You were stunned. "You know what? Whatever, Sunghoon, I feel like I'm just a game to you, anyway."

And maybe that's what did it for Sunghoon, because the moment you uttered those words, you found yourself being pulled by your wrist outside of the ballroom you were in by none other than Park Sunghoon himself.

"Let go of me, Sunghoon!" you said as you tried to escape from his grasp.

But Sunghoon did not budge, he was determined on making you regret what you say. He pushed the fourteenth floor button, the floor where he was staying, and even though it took quite a while to get to the floor, Sunghoon didn't even try to lay his hands on you, it was better for him to do it on his bed, anyway.

Because you deserved it.

The moment the elevator doors opened, you found yourself being pulled to his room, with heavy breaths as he discarded his suit jacket on the couch, he turned around and met you in a passionate kiss, surprising both you and Sunghoon.

Ah, if there was one thing you didn't know about Sunghoon? Was the fact that he was a virgin. He never had any relationships in the past, and it had only been you whom he was very attracted by. So, it was bound to happen, perhaps. Sunghoon giving you his virginity in the hopes of you reciprocating his feelings.

But Sunghoon was a realistic man, of course, he knew that he was just your own entertainment. Having a lot of suitors here and there, he knew he had to step up his game.

That meant, letting you see through his drive because he was scared of doing the first move of asking you out on a proper date, because everyone was always first in doing so.

A few occurrences later, Sunghoon had decided on levelling his courtship up by bringing you food to your table the moment he gets to work. His bag still on his hand as he ordered your favourite meal as he sped placing it on your table before making his coffee.

Sunghoon had started realising that you liked flowers, so he had brought it upon himself to at least give you flowers every week, keeping it anonymous before he finally musters enough confidence to tell you that it was him who was giving you the gifts.

Not Jake, not Jay, and most certainly not Heeseung.

So, he hopes he had translated all of his misunderstood feelings into the kiss, cupping your jaw as he pushes his tongue in your mouth, swallowing the moan that you had blessed him.

"You drive me so fucking crazy, Y/N," he groans into the kiss, "accusing me of playing with you when you were the one who started this in the first place." He trails off, his lips pressing onto your mouth up and down before stopping by the skin near your collarbones for him to suck.

You let out a whimper, too lost in the feeling of his lips on your skin, "You drive me so fucking crazy, too," you start, letting your head fall back to have the boy kiss more of your skin, "I don't know what's on your mind most of the time." Sunghoon had found your sweet spot below your ear, making you gasp.

The boy hummed, wrapping his hands around your waist, pulling your body flush against his, slowly rolling his hips forward so you could feel his hard cock pressed against you, "Well, it's about time you know that you take over the expanse of my mind, princess."

You were already soaking wet at this point, basking in how Sunghoon looked today, you swear you could feel yourself salivating over how he presents himself. You pull his face away from your neck, locking your lips in an uncoordinated kiss. "I need you, Sunghoon."

Sunghoon groaned, kissing you for a moment longer before abiding to his girl's needs. His cock was aching, and you needed him. It was time to cut the chase.

"My needy little slut," Sunghoon growls as he teased you by rubbing your clit over your panties, and when he slid his hands through her folds, he was met by pleasing wetness, making him chuckle, "You've been trying to fool everyone with how much of a sweetheart you are, angel," he hummed, rubbing his nose on the crook of your neck, "but you really are a menace. Wanting her Sunghoon to give all of his attention to her,"

"Y-Yes," You moaned, grinding your hips on his fingers, "M-My Sunghoon,"

And when he motions to remove his glasses, you tap his wrist and shook your head, making him realise you never want his glasses off, making him chuckle.

"You liked hearing it, don't you?" Sunghoon inquires as he pushes you to the bed, pulling you over the edge of it as he bites on your panties, pulling it down to pool on your ankles, "You love the idea of me being yours, don't you, Y/N?" He smiles as he sinks his finger in you, curling as you clench around you.

"Yes, I do - shit, Sunghoon!" You managed to say, "I did everything because I only want you! Only you!"

Sunghoon docks his head in between your thighs to hide the blush creeping to his cheeks before pressing hot kisses into the expanse of your inner thighs, fluttering light kisses as his lips made its way to your folds, kissing it before he gives kitten licks to your bud.

Your back arches, satisfying Sunghoon with his little experimentation. He, then, soon, pushes another finger in as he started swirling his tongue on your clit, alternating between licking his tongue flat from your hole up to your clit, making you thrash your legs everywhere.

He moaned when you clamped your legs around his face, urging him to continue his movements, "M' close, Hoon," you whispered, one of your hands leaving the sheets to tangle in his newly-cut hair, and with one more curl of Sunghoon's fingers, you were already tumbling over the edge, your cries of his name falling from your mouth.

"God, you're so beautiful, Y/N," Sunghoon whispers as he cleans you off with his tongue, and when he was done, he pushes himself up as he unbuckles his belt and removes his trousers, discarding the article at some part of the room.

"I wanna ride you," You confess, making Sunghoon blush again, "oh, are you... is this your first time?" You asked, your eyes widening slightly as Sunghoon replied with a nod.

Your heart almost burst at his confession, making you sit up and pull him into a slow kiss, "I want to see how you'd look so damn sexy sitting on my cock, Y/N," Sunghoon breathes, "but I want- I need-"

"Take your time with me, Hoon."

A breath escapes you when Sunghoon finally gets you out of your dress, his hands immediately pinching at your nipple. And without another word, Sunghoon lifts your leg and lines himself to your entrance. And with a heavy breath in, he pushes in slowly, the roll of his hips feeling delicious until he's fully buried inside you, low moans heard throughout the room.

"I, fuck, Y/N," Sunghoon starts, groaning instead as you clench around him. Sunghoon hovers over you, his arms on either side of your head before resting his forehead against yours so he could look into your eyes, "God, I love you so much, Y/N."

Before Sunghoon ever regrets he had confessed out of nowhere, you had already pushed your lips on his hungrily, meeting his thrusts, you let out a whine as Sunghoon placed your legs over his shoulders, reaching deeper of you, the same time he rubs slow circles on your clit in time with his harsh thrusts.

"God, you feel so fucking amazing, Y/N," he breathes, earning a chuckle from you as you say, "You're fucking me so good, Hoon,"

Sunghoon smiles at your continuous use of his nickname, before his eyebrows furrow as he lets out a breathless moan as he hit your g-spot, making you squeal, "Jesus, I'm not gonna last much longer!" you say, and you were quick to wrap your legs around his waist, aiming to feel him closer.

"Me either, darling," he whispers, "come with me, please?"

And with a few more thrusts, you feel yourself coming on him, your toes curling, back arching, eyes almost rolling at the back of your head, as your nails rake down Sunghoon's back from his nape. Your walls clench around his cock, making him also reach his climax. He cuts your moans as Sunghoon pulls you to him for a hungry kiss as he empties himself in you.

He slows his thrusts down as he helps you come down from your highs, his lips attached again to your jaw down to your neck, peppering light kisses. And sooner, Sunghoon pulls out and rolls onto his back, his arms around your waist to make you roll on top of him.

A silence was heard in the room as you mindlessly traced irregular shapes on the expanse of Sunghoon's pale skin. He feels like his heart is about to explode from mixed emotions, having the girl of his dreams on top of him, his virginity in your hands – but, at the end of the day, he's unsure about your feelings for him.

However, one thing's for sure: you were all Sunghoon had ever wanted and needed, no matter how much the world can prevent him from doing so.

"I mean every word I said," Sunghoon whispers, kissing your hair, a silent affirmation to the thousand words running in your head.

You giggled, "I feel like I'd look good bouncing on your cock, too, Sunghoon."

"N-Not that.." Sunghoon blushed, "I am really crazy for you, Y/N, but you know, we could just pretend it never happened and think this is a one time thing."

"That's so unfair of you," you say, looking up and leaning your chin on his chest, "because I'd rather have you bringing over lunch and flowers every time if that meant having you every day."

Sunghoon visibly relaxed, smiling at you warmly, "So, it's forever."

"It is."

© acciojaeyun, 2024.

[zvaigzdelasas]

You can’t buy the Seagull in the US. But I bet you wish you could.

A small hatchback around the size of a Mini Cooper, the Seagull is a fast-charging electric car and claims a range of up to 250 miles [...] BYD, its Chinese manufacturer, claims it can go from 30 percent to 80 percent charged in a half-hour using a DC plug. It’s hardly a luxury car but it’s well-equipped, with a power driver’s seat and cruise control. “If I were looking for an inexpensive commuter car … this would be perfect,” veteran car journalist John McElroy said after taking a drive.

The best part? Its base model costs about $10,700 in China.

That’s about a third of the cost of the cheapest EV you can buy in the US. In South America, it’s a little pricier, but still fairly affordable, at under $24,000 for a top-trim version. Even in Europe, you can get an entry-level BYD for under €30,000. These are absolutely screaming deals — exactly the kind of products that could turbocharge our transition away from gas and toward electric vehicles.[...]

The problem for Americans? The Biden administration is hell-bent on preventing you from buying BYD’s product, and if Donald Trump returns to office, he is likely to fight it as well.

That’s because the BYD cars are made in China, and both Biden and Trump are committed to an ultranationalist trade policy meant to keep BYD’s products out. [...] Shipments to Europe have increased astronomically; Chinese companies sold 0.5 percent of EVs in Europe in 2019 but they’re already over 9 percent as of last year. Companies like BYD make cheap, reasonably good-quality cars people are eager to buy.

In 2018, Trump imposed, and Biden has since continued, a special 25 percent tax on Chinese-made autos, on top of the ordinary 2.5 percent tax on foreign-made cars.

That has so far prevented BYD and its Chinese peers from trying to enter the US market. US customer tastes are different enough that Chinese manufacturers would probably prefer to make cars tailored to them — but US policy has been so hostile toward cheap Chinese EVs that so far, the companies haven’t wanted to bother.

So, the result is that we’re left out of the bounty of cheap EV options created by BYD and others. “If you’re a consumer right now, the best place to be right now is China, because you have the best choice of EVs,” Ilaria Mazzocco, senior fellow at the Center for Strategic and International Studies and an expert on Chinese EVs, says.[...]

Still, China’s price advantage is big enough that even the extreme Trump-Biden import tax might not be enough to deter companies like BYD from entering the US market. Even with the tariffs, Chinese cars might be cheaper than their rivals. “​​Subsidies most likely won’t be enough; Mr. Biden will need to impose [more] trade restrictions,” climate journalist Robinson Meyer predicted recently. The Biden administration is already making noise about imposing even more draconian taxes or trade restrictions against these vehicles. Commerce Secretary Gina Raimondo has described Chinese-made cars as a national security threat, and recently announced an investigation into the vehicles’ data collection abilities and the possibility they could send movement data to Beijing.

On the one hand, Biden is offering Americans up to $7,500 per vehicle to buy EVs (provided they meet certain made-in-North America rules). On the other hand, he’s imposing massive taxes to keep Americans from buying EVs. It’s a bizarre policy that makes no sense from a climate perspective.[...]

[The Biden Administration] has proven shockingly willing to sabotage its own climate policy if it gets to stick it to the Chinese in the process.

“There’s almost an across-the-board apprehension about Chinese EVs, even though they would make an important contribution to [lower] CO2 emissions,” Gary Clyde Hufbauer, a veteran trade expert at the Peterson Institute for International Economics, says.[...]

Realistically, Helveston argues, BYD might not sell something like the Seagull in the US because it’s smaller than most cars Americans buy. They’d probably build plants in the US instead, or its free-trade zone partners Canada and Mexico, to build vehicles tailored for Americans. “If you’re going to really enter a market, you have to make it locally,” Helveston explains. “US automakers like GM sell and make millions of cars in China to sell in China.” BYD would do the same. Indeed, it’s already reportedly scouting sites for factories in Mexico.

If they ever were to set up shop in North America, BYD and other Chinese car companies would still have a major price advantage versus American EVs. They have years more experience and a much more successful track record of building batteries and EVs at low cost.

“Part of why they’re so successful is they’ve been thinking outside the box on cost reduction for a long time,” Mazzocco says. They took the “opposite of the Tesla approach”: starting not with luxury vehicles but ultra-cheap cars fit for taxi fleets and not much else, and constantly improving their early inexpensive prototypes. The result is that Chinese firms have gotten extremely good at making inexpensive EVs, at a time when Ford, by contrast, lost $28,000 for every EV it sold in 2023.[...]

“If you have more affordable EVs in the United States, no matter where you come from,” Gopal says, “that’s better for the climate.”

Still, the Biden administration reportedly wants to restrict Chinese car companies’ access to the US even if they do set up shop in North America. Bloomberg reported earlier this month that the Biden administration is formulating rules that would limit US sales of Chinese-made parts, even if they’re in vehicles ultimately assembled in the US or Mexico.[...]

But the Biden administration’s objections to Chinese EVs are also ideological. The Biden administration represents the victory of a protectionist, trade-skeptical wing of the Democratic party that was relegated to the sidelines during the Clinton and Obama years.[...]

[O]ver 90 percent of American households have a car, and surging car prices were a huge contributor to the 2021–2023 rise in inflation.

Barriers to importing cheap cars make inflation worse and reduce the real incomes of the middle class.

Not only are the administration and other left-leaning institutions opposed to Chinese EVs, but hardline conservatives at places like the Heritage Foundation are calling for outright bans on Chinese EVs as well. Their rationale is security, another theme the Biden administration evokes often. On Thursday, the Commerce Department announced it was beginning a process to “investigate the national security risks of … PRC-manufactured technology in [internet-connected] vehicles.”

6 Mar 24

[creatives-argentines]

MASTERPOST OF ARGENTINEAN CREATIVES: COMMISSIONS OPEN

We called for argentinean artists, writers, animators, graphic designers and musicians to send us their work to boost them in the international market, and here we all are!

Because of our country's political decline in the hands of a fascist government we are in need of help.

We are in need of visibility and financial aid, so everyone that you see here is open for commissions, and the masterpieces you see are what you can look forward to.

We will update this post every month according to the entries we might get in the future, until the end of June. On the 15th of July there will be another masterpost, hopefully with more people!

Also, we will be reblogging their pieces so stick around and see what they'll do in the future, and please consider reblogging anything you like from us or from them directly, it goes a long way.

Lastly, we're trying to keep it bilingual, so if you see an image that has writing in just one language (or both!), check the ALT TEXT, it will have both spanish and english versions.

________________________

Convocamos a artistas, escritores, animadores, diseñadores gráficos y músiques argentines a que nos envíen sus trabajos para potenciarlos en el mercado internacional, ¡y aquí estamos todos!

Debido al declive político de nuestro país en manos de un gobierno fascista necesitamos ayuda.

Necesitamos visibilidad y ayuda financiera, así que todes los que ven aquí estamos abiertes a encargos, y las obras maestras que ven son lo que pueden esperar de nosotres.

Actualizaremos esta publicación todos los meses de acuerdo con la cantidad de fichas que podamos recibir en el futuro, hasta finales de junio. El 15 de julio habrá otro masterpost, ¡esperamos que con más gente!

Además, rebloguearemos sus obras así que quedate por acá para ver qué hacen en el futuro, y por favor considerá rebloguear cualquier cosa que te guste de nosotres o de elles directamente.

Por último, estamos tratando de mantenerlo bilingüe, así que si ves una imagen que tiene la escritura en un solo idioma (¡o ambas!), fijate en el ALT TEXT, tendrá las versiones en español e inglés.

Without further ado, enjoy~

Escritores / Writers:

@fatheriimaginedyoutaller (they/he - elle/él)

Escritor/e de 21 años. Especializado en relatos cortos y cuentos. Con pasión por el género realista y la fantasía. Inspirado en el estilo de George R.R Martin, Suzanne Collins, Liliana Heker y Kafka. Ofrezco servicios como ghostwriter y como escritor/e propiamente dicho. También puedo desempeñarme como escritor de blog y columnista de opinión en revistas online. Manejo bien el idioma inglés, con nivel bilingüe. Siendo capaz de traducir textos Trabajo en remoto. Mis tarifas oscilan entre $10 y $17 (EN PESOS) por palabra, dependiendo de la complejidad y longitud del texto comisionado. Mi obra más reciente "Pueblo Crepúsculo" fue publicada en la antología Purapalabra 2023. ________________________ 21 year old writer. Specialized in short stories and tales. With a passion for the realism and fantasy genres. Inspired by the style of George R.R Martin, Suzanne Collins, Liliana Heker and Kafka. I offer services as a ghostwriter and as a writer myself. I can also work as a blog writer and opinion columnist in online magazines. I am fluent in English, with a bilingual level. I am able to translate texts. I work remotely. My rates range from ARS$10 to $17 per word, depending on the complexity and length of the commissioned text. My most recent work "Pueblo Crepúsculo" was published in the anthology Purapalabra 2023. Contacts and relevant links / Contactos y links relevantes: Tumblr: @fatheriimaginedyoutaller Email: reneblopezbussiness@gmail.com

@mearpsdyke (she/her - ella)

Tengo 20 años, soy del NOA y me podés llamar Zee. Soy una escritora freelance, me especializo en narrativa aunque también incursiono en la poesía. Para proyectos pequeños (o sea: historias cortas) mi tarifa es de ARS$800 por cada mil (1000) palabras. Para proyectos grandes que involucren un conteo de palabras más alto, podemos charlar el precio por privado. Me especializo en el género de romance: las imágenes visuales y descripciones de emociones son lo que mejor se me da, pero también puedo escribir otros géneros como el misterio o historias más introspectivas con respecto a la psicología de los personajes. Tengo un blog de escritura bastante nuevo que empezaré a usar como portafolio, el link está abajo. Estoy dispuesta a escribir de todo por el precio justo. ________________________ I'm 20 years old, I'm from NOA and you can call me Zee. I'm a freelance writer, I specialize in narrative although I also dabble in poetry. For small projects (i.e. short stories) my rate is ARS$800 per thousand (1000) words. For international clients, my rate is USD$1 per fifty (50) words. For larger projects involving a higher word count, we can discuss pricing privately in both cases. I specialize in the romance genre: visual imagery and descriptions of emotions are what I'm best at, but I can also write other genres such as mystery or more introspective stories regarding character psychology. I have a fairly new writing blog that I will start using as a portfolio, the link is below. I'm willing to write anything for the right price. Contacts and relevant links / Contactos y links relevantes: Blog: https://servilletaliteraria.blogspot.com/ Email: chachkisalpaca@gmail.com Discord: mearpsdyke

Artistas gráfiques / Graphic artists:

@denwenai

(they/them - elle)

Denwenai (elle) es une artista y diseñadore multimedia que realiza ilustraciones digitales de personajes y entornos con distintos niveles de detalle. Su estilo es fluctuante: según el objeto a retratar oscila entre las terminaciones definidas o bocetadas, un aspecto tradicional o plano, la reminiscencia con un cómic o un concept art. En cuanto a diseño, se especializa en el armado de piezas editoriales y la creación de marca. Ofrece servicios de vectorizado (tanto piezas ya existentes como de diseño propio), edición de video y motion graphics. ________________________ Denwenai (they/them) is a multimedia artist and designer who creates digital illustrations of characters and environments with different levels of detail. Their style is fluctuating: depending on the object to be portrayed, they oscillate between defined or sketched finishes, a traditional or flat look, reminiscent of a comic book or concept art. In terms of design, they specialize in the creation of editorial pieces and branding. They offer vectorizing services (both existing pieces and their own design), video editing and motion graphics. Contacts and relevant links / Contactos y links relevantes: Tumblr: @denwenai Instagram: @denwenai Relevant links: https://linktr.ee/denwenai

@sunnysidesup1847

(any pronouns - cualquier pronombre)

Sunny es un artista cordobés, se especializa mayormente en la figura humana (retratos, fichas de personaje) o antropomórfica en general. Se destaca en entornos de fantasía y diseño de personaje. ________________________ Sunny is an artist from Córdoba, they specialize mostly in human figures (portraits, character tokens) or anthropomorphic in general. They excel in fantasy environments and character design. Contacts and relevant links / Contactos y links relevantes: Tumblr: @sunnysideup1847 Relevant links: https://www.atom.bio/sunny_sides_up/

@aifastic

(they/she/he - elle/ella/él)

Aifas vive en La Plata, Buenos Aires, Argentina. Dibuja en su mayoría fanart de franquicias que le gustan, ¡pero también le encanta hacer retratos de mascotas! Últimamente ha estado probando animación cuadro por cuadro y diseño con el OpenShot Video Editor e Inkscape, respectivamente. Se especializa en el arte pop. ________________________ Aifas lives in La Plata, Buenos Aires, Argentina. They draw mostly fanart of franchises they like, but also love doing portraits of everyone's pets! Lately, they have been trying their hand at frame-by-frame animation and design with OpenShot Video Editor and Inkscape, respectively. They specialize in pop art. Contacts and relevant links / Contactos y links relevantes: Tumblr: @aifastic Instagram: @aifastic

@localshoulderdevil

(he/him - él)

Dibujos en técnica tradicional desde lápices, marcadores o acuarelas. Con diferentes niveles de estilización y juego con las texturas. Hago dibujos e ilustraciones, diseño de personaje y mini cómics. Me inspira la gente, los detalles únicos y la versatilidad de lo morbo. Hace un par de años ya que hago arte por encargo, me dedico principalmente al diseño de personaje. Trabajo con texturas, buscando una representación un poco más única de cada uno. Dentro de ello, puedo trabajar a detalle, puedo utilizar gore, puedo retratar con más realismo o mayor estilización; se adapta a la esencia de cada obra. ________________________ Drawings in traditional technique, from pencil, markers or watercolors. With different levels of stylization and play with textures. I do drawings and illustrations, character design and mini comics. I'm inspired by people, unique details and the versatility of morbid things. It's been a couple years since I've started doing commissioned art, I mainly do character design. I work with textures, seeking a more unique representation of each one. Within this, I can do detailed work, I can utilize gore, I can portray with more realism or more stylization; it adapts to the essence of every piece. Contacts and relevant links / Contactos y links relevantes: Tumblr: @localshoulderdevil Discord: dm me for it

@orfeoarte

(he/they - él/elle)

Soy artista profesional, investigador y profesor. Me apasionan el horror y los mundos fantásticos. Mis fortalezas son el diseño de criaturas y personajes, obras emotivas, y arte conceptual en diversos estilos; tanto digital como traditional. Me enorgullezco de mi educación en grabado y arte impreso: soy excelente iterando y experimentando. Para mi trabajo digital utilizo Photoshop y Clip Studio Paint. En lo que respecta al arte tradicional, uso pinturas al óleo, gouache, acuarelas, lápices de colores y tintas de varios tipos. También hago grabado xilográfico y serigráfico. Ilustré dos libros, uno de ellos también escrito por mi. Trabajo en comunicación constante con mis clientes y permito pagos flexibles y en cuotas. ________________________ I’m a professional artist, researcher and professor with a passion for horror, and fantasy worlds. My strongest suits are creature and character design, emotional pieces, and concept art in diverse styles; both traditionally and digitally. My background as a printmaker is my pride: I excel at iteration and experimentation. For my digital artwork I use Photoshop and Clip Studio Paint. When it comes to traditional work, I use oil paint, gouache, watercolors, colored pencils and various forms of ink, as well as block and silkscreen printing. I’ve illustrated two books, one of which was written by me as well. I work in close communication with my clients and allow for flexible payment plans. Contacts and relevant links / Contactos y links relevantes: Tumblr: @orfeoarte Instagram: @orfeoarte Twitter : @orfeoarte Illustrated books: https://issuu.com/orfeoarte

@tomicaleto

(she/her - ella)

Soy una artista tanto tradicional como digital. Estoy estudiando Filosofía y Artes Visuales en la universidad. En mis pinturas, amo usar colores vivos y disfruto dibujar animales y personas (principalmente personajes ficticios). ________________________ I’m both a traditional and digital artist. I’m studying philosophy and visual arts at university. For my paintings, I love using vibrant colours and I enjoy drawing animals and people (mostly fictional characters). Contacts and relevant links / Contactos y links relevantes: Tumblr: @tomicaleto Buy me a coffee: https://www.buymeacoffee.com/tomicaleto?l=es Discord user: @tomicaleto

@ramadejazmin

(they/he - elle/él)

Ilustrador argentino de 23 años. Me gusta mucho el diseño de personajes y principalmente enfocarme en diseños de fantasía inspirados en D&D. Mis inspiraciones principales son cosas inspiradas en sueños, música de Vocaloid, caricaturas, anime y arte de otros artistas. ________________________ 23-year-old Argentinian illustrator. I love character design, mainly D&D-inspired fantasy designs. My main inspirations are things like dreams, Vocaloid music, cartoons, anime, and other artist's pieces. Contacts and relevant links / Contactos y links relevantes: Tumblr: @ramadejazmin BlueSky: momomottaro.bsky.social Gmail: ramadejazmin@gmail.com Toyhouse: https://toyhou.se/RamadeJazmin

@starrynightsoversunflowers

(she/her - ella)

Starrynightsoversunflowers es una artista argentina que se enfoca en los dibujos digitales, fanarts y retratos. Su estilo se basa en el uso de colores brillantes y en técnicas que emulan la pintura tradicional.  ________________________ Starrynightsoversunflowers is an argentinian artist that focuses on digital drawings, fanarts and portraits. Her style is based on the use of bright colours and techniques that emulated traditional painting. Contacts and relevant links / Contactos y links relevantes: Instagram: @starrynightsoversunflowers Gmail: starrynightsoversunflowers@gmail.com

@bloodghoul

(they/he - él/elle)

Ilustrador argentino nacido en 1996. Trabajo principalmente mezclando los primeros pasos en tradicional para realizar y terminar en digital. Los programas que más uso son PT Sai, Photoshop y Krita. Aparte de hacer arte en digital también hago bordados y pintura en acuarela. Encuentro inspiración en dibujos y animaciones de los 90s y 00s. Aprendiendo a dibujar nsfw. ________________________ Argentinian ilustrator born in 1996. I mainly work with mixed media, combining traditional sketching and inking with digital painting. My preferred programs are Paint Tool Sai, Photoshop and Krita. Besides doing digital works, my favorite mediums are embroidery and watercolors. I take inspiration from cartoons and animes fom the 90s and 00s, fashion, and cute stuff in general. Im learning how to draw nsfw to add to the repertoire. Contacts and relevant links / Contactos y links relevantes: Instagram: @twiginthecreek

@palluniskillas

(she/he - ella/él)

Palluniskillas (ella/él) es una artista de 20 años que se especializa en dibujo e ilustración digital de personajes y personas, en un estilo de dibujo estilizado. En su mayoría trabaja temas como el amor, el cariño, la moda y la naturaleza. ________________________ Palluniskillas (she/he) is a 20 year old artist who specializes in digital drawing and illustration of characters and people, in a stylized drawing style. She mostly works on themes such as love, affection, fashion and nature. Contacts and relevant links / Contactos y links relevantes: Instagram: @pallunis_killas

@nitadraws

(she/her - ella)

Nita es una artista argentina que se enfoca en dibujos digitales de animales en un estilo “chibi”. ________________________ Nita is an argentinean artist that focuses on digital animal art in a “chibi” style. Contacts and relevant links / Contactos y links relevantes: Tumblr: @nitadraws Redbubble: NitaDraws.redbubble.com Ko-fi: https://ko-fi.com/nitadraws

@artzover

(he/it - él/eso)

Arián es un ilustrador del norte argentino que saca inspiración de videojuegos y medios de terror. Estudió diseño gráfico por 3-4 años y es un artista autodidacta desde su adolescencia. El juego que lo envió a perseguir el sueño de convertirse en un artista conceptual para videojuegos es Journey, y los que lo impulsaron son Spiritfarer, la saga Uncharted y la trilogía de Dark Souls, especialmente su segunda instalación. Sus inspiraciones actuales son DnD, Vocaloid y Bleach. ________________________ Arián is an illustrator from northern Argentina that takes inspiration from videogames and horror media. He studied graphic design for 3-4 years and has been a self taught artist since his teenage years. The piece of media that sent him chasing the dream of becoming a concept artist for videogames is Journey, and the ones that pushed it further are Spiritfarer, the Uncharted saga and Dark Souls trilogy, especially the 2nd installment. His main current inspirations are DnD, Vocaloid and Bleach. Contacts and relevant links / Contactos y links relevantes: Email: arian.sch@yahoo.com Instagram: @arian.v.art Relevant links: linktr.ee/azover Patreon: patreon.com/Azover

Image ID for writers under the cut / ID de impagenes para escritores debajo del corte

@fatheriimaginedyoutaller (En discord y Tumblr) They/he - Elle/él

ESPAÑOL:

Pueblo Crepúsculo Resumen: Un hombre afroamericano se encuentra varado en las sienas cordobesas cuando su auto le falla. Allí el es plagado por la visión fantasmagorica de su abuelo, quien fue asesinado por el Ku Klux Klan.

Devin no creía en las maldiciones, era un muchacho de ciencia, de las sociales, pero de la ciencia al final del día. Pero si, uno "podría" decir que todo había empezado con su abuelo. Si decidía darle crédito al poder de las coincidencias. A Devin JI lo habían colgado de un árbol miembros del Klan, y si, era porque se le había roto el auto en el pueblo equivocado. Pero si creía en el miedo. Y no en cualquier miedo. Pero ese que viene de tus antepasados, que parece transmitirse por una mera gota de sangre en el mar que son los seres humanos. Como el temor a nadar en una pileta profunda, no por el agua en sí. Si no porque alguien podría venir y verter ácido en ella en cualquier momento."

Caballito de Mar Resumen: Un hombre transgénero reflexiona sobre unas noticias inesperadas

"Cuando por fin te hayan atendido primero les preguntaras cómo estuvieron sus respectivos días, porque sí te quedó alguna de las cosas con las que te criaron seguro son esos modales católicos. Luna te hablara de su madre, Sam de su padre. Trataras de contener tu entusiasmo mientras aprendes de las experiencias de tus novias. Esas cosas únicas de ellas. Sus relaciones, sus manías, sus sueños … "

Diccionario Resumen: Un hombre hace dedo hasta su casa luego de la marcha por la vuelta de Perón

"Má siempre decía que había dos mundos, el de Uno y el del Otro. Nunca supe que quería decir hasta que se me rompieron la suelas de los zapatos entre Avenida Rivadavia y Callao. La mayoría de la gente ese día estaba en El del Otro, donde lo importante era el movimiento y que no había ningún sacrificio demasiado grande; mientras yo estaba en el Mio, donde lo único que me preocupaba era mi Tana que estaba en casa sola con el pibe. Cuando llegué a Balvanera ya se me había partido el alma en dos. Me paré en una esquina y extendí mi brazo con el pulgar arriba. No sabía para qué .La ciudad estaba vacía y no inspiraba confianza mi cara de indio. El simpático siempre fue Carlitas, mi medio hermano. Él sí parecía recién bajado de la parte de arriba del barco."

La Luna Resumen: Un cacique de Puerto Iguazú, desprotica contra la luna por haberse llevado a su hijo.

"Hola ¿Cómo estás.? Perdóname que te deje este recado por medio del dueño del almacén. Vos sabes que nuncafuí muy bueno con lo emocional, los sentimientos _ Soy el hijo de mi padre en ese sentido. Cuando ya hayamos llegado a la luna, será el momento de la verdad, sabremos por fin si un lobizón sobrevive allí en el espacio. Vos nunca entendiste porque me gustaba tanto la luna. Era una obsesión infantil, capaz todavía lo sea. La verdad es que: Siento que tengo un propósito, de devolverle algo a la humanidad, porque la amo demasiado. La amo con sus defectos, sus manías, y si, con sus personas.

ENGLISH:

Twilight Town

Summary: A man finds himself stranded in the Cordovan siennas when his car breaks down. There he is plagued by the ghostly vision of his grandfather, who was murdered by the Ku Klux Klan.

Devin did not believe in curses. He was a man of science, the social kind, but science at the end of the day. But yes, one "could" say it had all started with his grandfather. If he decided to give credence to the power of coincidences. Devin II had been hung from a tree by Klan members, and yes, he was Klan members, and yes, it was because his car had broken down in the wrong town. in the wrong town. But he did believe in fear. And not just any fear. But the kind that comes from your ancestors, that seems to be passed down through a mere drop of blood in the sea that is human beings. human beings . Like the fear of swimming in a deep pool, not because of the water itself. But because someone might come and pour acid into it at any moment."

Seahorse

Summary: A transgender man reflects on some unexpected news.

"When they've finally taken care of you first you'll ask them how their respective days were, because if you have any of the things left that they raised you with I'm sure it's those Catholic manners. Luna will tell you about her mother, Sam about his father. You'll try to contain your enthusiasm as you learn about your girlfriends' experiences. Those unique things about them. Their relationships, their quirks, their dreams…"

Dictionary

Summary: A man hitchhikes home after the march for Perón's return.

"Má always said there were two worlds, that of One and that of the Other. I never knew what he meant until the soles of my shoes broke between Avenida Rivadavia and Callao. Most people that day were in El del Otro, where the important thing was the movement and that there was no sacrifice too big; while I was in El Mio, where the only thing I was worried about was my Tana who was at home alone with the kid. When I arrived at Balvanera, my soul was already broken in two. I stopped at a corner and extended my arm with my thumb up. I didn't know why, the city was empty and my Indian face didn't inspire confidence. The nice one was always Carlitos, my half-brother. He did look like he just got off the top part of the boat."

The Moon

Summary: A cacique of Puerto Iguazú, reproaches the moon for having taken his son.

"Hello, how are you? Forgive me for leaving you this message through the owner of the store. You know I was never very good with emotions, feelings _ I am my father's son in that sense. When we have reached the moon, it will be the moment of truth, we will finally know if a werewolf survives out there in space. You never understood why I liked the moon so much. It was a childish obsession, maybe it still is. The truth is: I feel I have a purpose, to give something back to humanity, because I love it too much. I love it with its flaws, its quirks, and yes, with its people.

@mearpsdyke She/her - Ella

ESPAÑOL:

-La canción del mar

Le sostiene la mirada, preguntándose por las ciaturas que alberga, por los naufragios y cadáveres que reposan en el fondo de sus aguas. Se pregunta si, tal vez, el mar tiene consciencia y los humanos no lo saben, si la melodía de las olas que se estrellan contra las rocas son en realidad palabras que usa para llamar su nombre, diciéndole que se adentre en sus aguas, prometiendo unas rocas cómodas para que su cadáver pueda reposar. Los peces se remueven, peleando por una libertad que no llegará. Pronto se quedarán sin oxígeno y morirán lenta y dolorosamente. A Kika a veces le gusta jugar a que es un Dios y los peces son su creación agonizante, quienes esperan el dulce alivio de la muerte. Ve cómo la vida abandona sus ojos y dice una oración antes de guiar el cuchillo por sus entrañas.

-Cliffs Edge

Cuando la luna está llena y es la hora donde las penas y arrepentimientos te sofocan, tiene el impulso de tomar su auto, manejar hasta la casa de Gina y pedirle que se den una segunda oportunidad, que hará bien las cosas esta vez. Pero entonces recuerda el anillo que Gina porta en su dedo anular en cada partido, y se obliga a volver al presente y dejar el pasado en el pasado. Le parece cruel que su familia la quiera más que al nuevo prometido de Gina, que aún la inviten a la casa donde tienen fotos de las dos jugando partidos juntas, en reuniones familiares, en fiestas y hasta en Navidad. Nunca encuentra el coraje para decirles que se olviden de ella para poder pasar página; la casa Zelarayán es su casa lejos de su verdadero hogar, allá en Jujuy.

-Fragmentario

Buscas en el recoveco más profundo de tu alma, alguna pasión que salve tu gris existencia, pero solo encuentras eco y telarañas sin moscas. Y cuando entruentras algos a lo que aferrarte, no es lo suficientemente serio para el resto, ¿y realmente importan los insultos ya? ¿Qué le hace una cicatriz más al guerrero, un clavo más a Jesús en la cruz, otro volcán a Pompeya? Así que te envuelves en tu capa más roja, pelas los dientes cual animal acorralado y hieres a todo lo que oza cruzarte.

-La tierra del nunca

Persigo un atardecer que no existe, espero un día que nunca fue y escucho palabras que nunca pronunciarás en cada mirada tuya. Vivo el mismo día todos los días esperando que alguien se apiade, a que Te apiades, y las palabras salgan como balas. Porque es más piadoso morir por obra y mano tuya a que la incertidumbre me consuma.

ENGLISH:

-The Sea’s Song

She holds its gaze, wondering about the creatures it houses, about the shipwrecks and corpses that rest at the bottom of its waters. She wonders if, perhaps, the sea has consciousness and humans don't know it, if the melody of the waves crashing against the rocks are actually the words it uses to call her name, telling her to enter its waters, promising some comfortable rocks so that her corpse can rest. The fish stir, fighting for a freedom that won’t come. They will soon run out of oxygen and die slowly and painfully. Kika sometimes likes to pretend that she’s a God and the fish are her dying creation, waiting for the sweet relief of death. She watches the life leave their eyes and says a prayer before guiding the knife into their insides.

-Cliffs Edge

When the moon is full and it’s the time when sorrows and regrets suffocate you, Nerea has the impulse to take her car, drive to Gina's house and ask her to give each other a second chance, promising to do things right this time. But then she remembers the ring Gina wears on her ring finger to every game, and forces herself to return to the present and leave the past in the past. She finds it cruel that Gina’s family loves her more than Gina's new fiancé, that they still invite her to their house where they have photos of the two of them playing games together, at family gatherings, at parties and even Christmas. She never finds the courage to tell them to forget about her so she can move on from her; the Zelarayán household is her house far from her real home, back in Jujuy.

-Fragmented

You search in the deepest corners of your soul for some passion that saves your gray existence, but you only find echo and cobwebs without flies. And when you find something to hold on to, it's not serious enough for the rest, and do insults really matter anymore? What does one more scar do to a warrior? One more nail to Jesus on the cross? another volcano to Pompeii? So you wrap yourself in your reddest cloak, you bare your teeth like a cornered animal and you hurt everyone who dares to cross you.

-The land of Never Ever

I chase a sunset that doesn’t exist, I wait for a day that never was and I hear words that you’ll never say in every look of yours. I live the same day every day waiting for someone to have mercy, wait on you to take pity, and let the words come out like bullets. Because it is more pious to die by your work and hand before uncertainty consumes me.

[apas-95]

Is there a story behind China's one child policy that makes it not as horrifying as western media claims?

The defining feature of China's development for the past 70 years has been the urban-rural divide. In order to develop a semi-feudal country with a very low industrial level into an industrialised, socialist nation, it was necessary to develop industrial centres. To 'organically' develop industrial centres would have taken many decades, if not centuries of continued impoverishment and starvation, so programs were put in place to accelerate the development of industry by preferentially supporting cities.

Programs like the 'urban-rural price scissors' placed price controls on agricultural products, which made food affordable for city-dwellers, at the direct expense of reducing the income of rural, agricultural areas. This hits on the heart of the issue - to preferentially develop industrial centres in order to support the rest of the country, the rest of the country must first take up the burden of supporting those centres. Either some get out of poverty *first*, or nobody gets out of poverty at all. The result being: a divide between urban and rural areas in their quality of life and prospects. In order to keep this system from falling apart, several other policies were needed to support it, such as the Hukou system, which controlled immigration within the country. The Hukou system differentiated between rural and urban residents, and restricted immigration to urban areas - because, given the urban-rural divide, everyone would rather just try to move to the cities, leaving the agricultural industry to collapse. The Hukou system (alongside being a piece in many other problems, like the 'one country two systems', etc) prevented this, and prevented the entire thing from collapsing. The 'one child policy' was another system supporting this mode of development. It applied principally to city-dwellers, to prevent the populations of cities expanding beyond the limited size the agricultural regions could support, and generally had no 'punishments' greater than a lack of government child-support, or even a fine, for those who still wanted additional children. Ethnic minorities, and rural residents, were granted additional children, with rural ethnic minorities getting double. It wasn't something anyone would love, but it served an important purpose.

I use the past-tense, here, because these systems have either already been phased out or are in the process of being phased out. The method of urban-rural price scissors as a method of development ran its course, and, ultimately, was exhausted - the negative aspects, of its underdevelopment of rural regions, began to overwhelm its positive aspects. So, it was replaced with the paradigm of 'Reform and Opening Up' around the 1980s. Urban-rural price scissors were removed (leading to protests by urban workers and intellectuals in the late '80s), and the Hukou system, along with the 'one child policy', were and are being slowly eased out as lessening inequality between the urban and rural areas make them unnecessary. Under the new system, the driver of development was no longer at the expense of rural regions, but was carried out through the internal market and external capital. The development paradigm of Reform and Opening Up worked to resolved some contradictions, in the form of the urban-rural divide, and created some of its own, in the form of internal wealth divisions within the cities. Through it, over 800 million people were lifted out of extreme poverty - almost all of them being in rural areas - and extreme poverty was completely abolished within China. 'Extreme poverty' can be a difficult thing for westerners to grasp, wherein poverty means not paying rent on time, but to illustrate - many of the last holdout regions of extreme poverty were originally guerrilla base areas, impassable regions of mountainside which were long hikes away from schools or hospitals, wherein entire villages were living in conditions not dissimilar to their feudal state a century before. These villages were, when possible, given infrastructure and a meaningful local industry accounting their environment and tradition (like growing a certain type of mountainous fruit), or entirely relocated to free government-built housing lower down the mountain that was theirs to own. These were the people the 'one child policy' was aiding, by reducing the urban population they had to support. Again, there were exemptions for rural and ethnic minority populations to the policy.

Even now, Reform and Opening Up is running its course. Its own negative aspects, such as urban wealth inequality, are beginning to overcome its positive aspects. So, the new paradigm is 'Common Prosperity', which will work to resolve the past system's contradictions, and surely introduce its own contradictions in the form of chafing against the national bourgeoisie, as it increases state control and ownership of industry, and furthers a reintroduced collectivisation. Organising a nation of well over a billion people is not simple. It is not done based on soundbytes and on picking apart policies in the abstract for how 'dystopian' they sound. It is an exceedingly complex and interconnected process based on a dialectical, material analysis of things; not a utopian, idealist one. What matters is this: those 800,000,000 people now freed from absolute poverty. The things necessary to achieve that were, unquestionably, good things - because they achieved that. They had their negative aspects, as does everything that exists, but they were unquestionably correct and progressive things.

[reasonsforhope]

"Lead is a neurotoxin; it causes premature deaths and lifelong negative effects. It’s said “there is no safe level of lead exposure” — as far as we know, any lead causes damage, and it just gets worse the more exposure there is.

After a 20-year, worldwide campaign, in 2021 Algeria became the final country to end leaded gasoline in cars — something the US phased out in 1996. That should make a huge difference to environmental lead levels. But lots of sources remain, from car batteries to ceramics...

Bangladesh phased out leaded gasoline in the 1990s. But high blood lead levels have remained. Why? When researchers Stephen Luby and Jenny Forsyth, doing work in rural Bangladesh, tried to isolate the source, it turned out to be a surprising one: lead-adulterated turmeric.

Turmeric, a spice in common use for cooking in South Asia and beyond, is yellow, and adding a pigment made of lead chromate makes for bright, vibrant colors — and better sales. Buyers of the adulterated turmeric were slowly being poisoned...

But there’s also good news: A recent paper studying lead in turmeric in Bangladesh found that researchers and the Bangladeshi government appear to have driven lead out of the turmeric business in Bangladesh.

How Bangladesh got serious about lead poisoning

The researchers who’d isolated turmeric as the primary cause of high blood lead levels —working for the nonprofit International Center for Diarrheal Disease Research, Bangladesh — went to meet with government officials. They collected samples nationwide and published a 2019 follow-up paper on the extent of the problem. Bangladesh’s Food Safety Authority got involved.

They settled on a two-part approach, starting with an education campaign to warn people about the dangers of lead. Once people had been warned that lead adulteration was illegal, they followed up with raids to analyze turmeric and fine sellers who were selling adulterated products.

They posted tens of thousands of fliers informing people about the risks of lead. They got coverage in the news. And then they swept through the markets with X-ray fluorescence analyzers, which detect lead. They seized contaminated products and fined sellers.

According to the study released earlier this month, this worked spectacularly well. “The proportion of market turmeric samples containing detectable lead decreased from 47 percent pre-intervention in 2019 to 0 percent in 2021,” the study found. And the vanishing of lead from turmeric had an immediate and dramatic effect on blood lead levels in the affected populations, too: “Blood lead levels dropped a median of 30 percent.”

The researchers who helped make that result happen are gearing up for similar campaigns in other areas where spices are adulterated.

The power of problem-solving

...When the Food Safety Authority showed up at the market and started issuing fines for lead adulteration, it stopped being a savvy business move to add lead. Purchasers who were accustomed to unnatural lead-colored turmeric learned how to recognize non-adulterated turmeric. And so lead went from ubiquitous to nearly nonexistent in the space of just a few years.

That’s a better world for everyone, from turmeric wholesalers to vulnerable kids — all purchased at a shockingly low price. The paper published this month concludes, “with credible information, appropriate technology, and good enough governance, the adulteration of spices can be stopped.”

There’s still a lot more to be done. India, like Bangladesh, has widespread adulteration of turmeric. And safety testing will have to remain vigilant to prevent lead in Bangladesh from creeping back into the spice supply.

But for all those caveats, it’s rare to see such fast, decisive action on a major health problem — and impressive to see it immediately rewarded with such a dramatic improvement in blood lead levels and health outcomes. It’s a reminder that things can change, and can change very quickly, as long as people care, and as long as they act."

-via Vox, September 20, 2023

[csuitebitches]

Book Review- The Wealth Elite: A Groundbreaking Study of the Psychology of the Super Rich, by Rainer Zitelmann Notes

I came across this book because I was looking for psychology books. I found the first of the book rather boring and too textbook-y. The second part is much better.

The author interviewed like 45 millionaire - billionaires. These were his findings.

—

48% stated that real estate was an ‘important’ source of their wealth, and one in ten described real estate as the ‘most important’ aspect of their personal wealth-building. And a total of 20% described stock market gains as an ‘important’ factor in wealth-building, although in this case only 2.4% stated that this was the ‘most important’ factor in building their wealth.

‘Creative intelligence’ is key to financial success. The following is a comparison between the percentage of entrepreneurs (and in brackets the percentage of attorneys) who agreed that the following factors played a decisive role in their financial success: seeing opportunities others do not see: 42 (19); finding a profitable niche: 35 (14).

The role of habitus

* Intimate knowledge of required codes of dress and etiquette

* Broad-based general education

* An entrepreneurial attitude, including an optimistic outlook on life

* Supreme self-assurance in appearance and manner.

He identifies a key quality that is essential for any prospective appointee to the executive board or senior management of a major company: habitual similarities to those who already occupy such positions.

Skillset of Entrepreneurs

* The ‘conqueror’. The entrepreneur has to have the ability to make plans and a strong will to carry them out.

* The ‘organizer’. The entrepreneur has to have the ability to bring large numbers of people together into a happy, successful creative force.

* The ‘trader’. What Sombart describes as a ‘trader’, we would more likely call a talented salesperson today. The entrepreneur has to “confer with another, and, by making the best of your own case and demonstrating the weakness of his, get him to adopt what you propose. Negotiation is but an intellectual sparring match.”

Entrepreneurial success personality traits

* Commitment

* Creativity

* A high degree of extroversion

* Low levels of agreeableness

Entrepreneurial success personality traits

* Orientation towards action after suffering disappointments (the entrepreneur remains able to act, even after failure)

* Internal locus of control (the conviction “I hold my destiny in my own two hands”)

* Optimism (the expectation that the future holds positive things in store)

* Self-efficacy (the expectation that tasks can be performed successfully, even in difficult circumstances).

constant power struggles with their teachers in order to ascertain who would emerge the stronger from such confrontations.

Secret of selling

* Empathy

* Didactics

* Expert knowledge

* Networking.

Conscientiousness is the dominant personality trait. Extroversion is also very common among the interviewees. Openness to Experience is very common

A high tolerance to frustration is one of the most characteristic personality traits of this group.

exceptionally high levels of mental stability.

primarily characterize entrepreneurs as being prepared to swim against the current and make their decisions irrespective of majority opinion.

“No, I never did that (lost my temper). I never get loud. But I can be resolute and say: “That is unacceptable.” And then you either have to go your separate ways or make a decision that the other party might not like. It’s the same in negotiations. I was always described by other people as a bit of a toughie.”

Having the courage to stand against majority opinion is probably a prerequisite for making successful investments, as this is what makes it possible to buy cheap and sell high.

Many of the interviewees spoke about their ability to switch off and direct their focus, even in the event of major problems. The interviewees consistently referred to their ability to focus on solutions, rather than torturing themselves with problems.

At least in the initial phases of wealth creation, most of the interviewees rated their own risk profiles as very high. This changes during the stabilization phase, when risk profiles decrease. In this phase, the hypothesis of moderate risk does apply.

Conscientiousness was the interviewees’ most dominant personality trait. It is important to remember that the Big Five theory’s definition of conscientiousness does not just include qualities such as duty, precision, and thoroughness, but also emphasizes diligence, discipline, ambition, and stamina.

[phantomrose96]

Hey not to go all "tumblr is a professional networking site" on you, but how did you get to work for Microsoft??? I'm a recent grad and I'm being eviscerated out here trying to apply for industry jobs & your liveblogging about your job sounds so much less evil than Data Entry IT Job #43461

This place is basically LinkedIn to me.

I'm gonna start by saying I am so so very sorry you're a recent grad in the year 2024... Tech job market is complete ass right now and it is not just you. I started fulltime in 2018, and for 2018-2022 it was completely normal to see a yearly outflow of people hopping to new jobs and a yearly inflow of new hires. Then sometime around late-spring/early-summer of 2022 Wallstreet sneezed the word "recession" and every tech company simultaneously shit themselves.

Tons of layoffs happened, meaning you're competing not just with new grads but with thousands of experienced workers who got shafted by their company. My org squeaked by with a small amount of layoffs (3 people among ~100), but it also means we have not hired anyone new since mid-2022. And where I used to see maybe 4-8 people yearly leave in order to hop to a new job, I think I've seen 1 person do that in the whole last year and a half.

All this to say it's rough and I can't just say "send applications and believe in yourself :)".

I have done interviews though. (I'm not involved in resume screening though, just the interviews of candidates who made it past the screening phase.) So I have at least some relevant advice, as well as second-hand knowledge from other people I know who've had to hop jobs or get hired recently.

If you have friends already in industry who you feel comfortable asking, reach out to them. Most companies have a recommendation process where a current employee fills out a little form that says "yeah I'd recommend such-and-such for this job." These do seem to carry weight, since it's coming from a trusted internal person and isn't just one of the hundreds of cold-call applications they've received.

A lot of tech companies--whether for truly well-intentioned reasons or to just check a checkbox--are on the lookout for increasing employee diversity. If you happen to have anything like, for example, "member of my college Latino society", it's worth including on your resume among your technical skills and technical projects.

I would add "you're probably gonna have to send a lot of applications" as a bullet point but I'm sure you're already doing that. But here it is as a bullet point anyway.

(This is kind of a guess, since it's part of the resume screening) but if you can dedicate some time to getting at least passingly familiar with popular tech/stacks for the positions you're looking into, try doing that in your free time so you can list it on your resume. Even better if you make a project you can point to. Like if you're aiming for webdev, get familiar with React and probably NodeJS. On top of being comfortable in one of the all-purpose languages like C(++) or Java or Python.

If you get to the interview phase - a company that is good to work for WILL care that you're someone who's good to work with. A tech-genius who's a coworker-hating egotistical snob is a nuisance at best and a liability at worst for companies with even a half-decent culture. When I do interviews, "Is this someone who's a good culture fit?" is as important as the technical skills. You'll want to show you'll be a perfectly pleasant, helpful, collaborative coworker. If the company DOESN'T care about that... bullet dodged.

For the technical questions, I care more about the thought process than I do the right answer, especially for entry-level. If you show a capacity for asking good, insightful clarifying questions, an ability to break down the problem, explain your thought process, and backtrack&alter your approach upon realizing something won't work, that's all more important than just being able to spit out a memorized leetcode answer. (I kinda hate leetcode for this reason, and therefore I only ask homebrewed questions, because I don't want the technical portion to hinge at all on whether someone managed to memorize the first 47 pages of leetcode problems). For a new hire, the most important impression you can give me is that you have a technical grasp and that you're capable of learning. Because a new hire isn't going to be an expert in anything, but they're someone who's capable of learning the ropes.

That's everything I have off the top of my head. Good luck anon. I'm very sorry you were born during a specific range of years that made you a new grad in 2024 and I hope it gets better.

[probablyasocialecologist]

Market-based approaches to forest conservation like carbon offsets and deforestation-free certification schemes have largely failed to protect trees or alleviate poverty, according to a major scientific review published on Monday. The global study—the most comprehensive of its kind to date—found that trade and finance-driven initiatives had made "limited" progress halting deforestation and in some cases worsened economic inequality. Drawn from years of academic and field work, the report compiled by the International Union of Forest Research Organizations (IUFRO), a group of 15,000 scientists in 120 countries, will be presented at a high-level UN forum starting Monday. Its authors urged a "radical rethink" of increasingly popular market-based approaches often promoted as effective at saving forests, curbing global warming and raising living standards in developing nations. "The evidence does not support the claim of win-wins or triple wins for environment, economy and people often made for market mechanisms as a policy response to environmental problems," said contributing author Maria Brockhaus from the University of Helsinki. "Rather our cases show that poverty and forest loss both are persistent across different regions of the world... where market mechanisms have been the main policy option for decades," she told AFP by email.

Read the report here

[queerly-autistic]

Right, I think it's time for some positivity, and also a reality check (and I mean that in the most loving way possible) regarding the campaign to save OFMD. I've seen a lot of people saying 'it's been nearly a month, we should have been picked up by now', and whilst, yes, some cancelled shows have received very quick movement to other streamers, it's absolutely not the story for all of them. We've seen numerous shows follow different journeys from cancellation to pick-up, and there's no way of knowing what journey we might be going on.

Are we in the fast lane where we get picked up the next month (lookin' at you, Lucifer and The Expanse)? The middling lane where it takes months for a pick-up deal to be hashed out (lookin' at you, One Day At A Time, The Tourist, and Warrior)? The slow lane where we keep pushing for years and then eventually crowdfund a film (lookin' at you Veronica Mars)?

I think we have to consider the fact that OFMD being cancelled was a last minute thing that blindsided the cast and crew (and shocked people across the industry). So we're going into it in a different position to other shows that had maybe had a hint/suggestion that cancellation was coming before it happened. This is because if there are rumours of cancellation circling, it gives a chance for feelers to be put out to other networks/by other networks before the actual cancellation is confirmed. That didn't happen here. Which is important.

It's not just wham bam thank you ma'am and now you've been picked up by Netflix (or insert streamer of your choice). It's a negotiation. It's a process. It takes time. There is a very good reason that people heavily suspect that Brooklyn 99 had already been picked up before the cancellation was officially announced, and that the cancelled-to-new-home-in-24-hours thing was pretty much just a marketing stunt. No way was that all negotiated to the point of announcement within a day,

There are many reasons why any potential pick-up elsewhere might take a bit more time. For example, if David is (hopefully) juggling interest from multiple different networks, then that has to be hashed out and negotiated to make sure the best deal is reached for everyone. Also, OFMD is potentially a more complicated show to negotiate than we imagine: at a very basic level, it has a large ensemble (a large international ensemble), which would need to be discussed and negotiated, and it's filmed in New Zealand, which would need to be discussed and negotiated. That doesn't work against it in terms of 'it's more complicated, so it won't be picked up' but it could very well mean that the time needed to negotiate a pick-up is longer.

Remember: One Day At A Time had a much smaller cast (which wasn't an international cast) and it basically had one single studio set (being a sitcom), and that took three months to be saved.

I chatted with my friend, also a fan, who has worked in television production previously and is currently working as a screenwriter, and she confirmed just how much time, discussion and negotiation this stuff takes. She basically said: yep, this all takes time and this is very normal. And this is coming from someone who is very firmly in the 'I am refusing to get my hopes up because I can't bear to get hurt again' camp of trying to save the show.

On that note, I think it's important to address David's silence, because I've seen a few people panicking about that. There's a very good chance that if he is in negotiations right now (and I do not know if he is, he might not be!) then there would be a lot he wouldn't be able to talk about. And he knows that we dissect every single syllable of his posts, so posting anything would be risky. Negotiations are tricky things that involve juggling multiple balls (and torches and knives and chainsaws), and a lot of push-and-pull, back-and-forth, variables-upon-variables, and so going silent on social media would be absolutely what I would expect from him if that was happening.

It's eerie for us because we had a burst of activity from David, a lot of noise and a lot of confidence, and then...nothing. That's jarring, and anxiety-inducing. But I want us to think of it this way: David did a big post about being back in New York, about things looking up, and then he went uncharacteristically silent, which is what would happen if things were going on that he couldn't talk about. I have no idea what, if anything, might be going on, but it's important not to see this as a bad thing.

As someone on Twitter, who also works in the industry (they work as an actor) said the other day: in this business, no news is good news.

(also important to note: if he suddenly reappears on social media, that also doesn't mean that any negotiations have fallen through, and we should all panic; anything could be happening, and I know we're little anxiety gremlins - me included, bigly - but until we are definitively told that this is over and there's no hope, then it's not over and there is hope)

There's no way of knowing what is going on, or how long whatever is (or isn't) going on might take. This might be a sprint, but it could just as easily be a marathon. The show not being picked up immediately does not mean there is no hope, as we have seen with numerous other shows. Look at fandoms like Shadow and Bone, who are still fighting tooth and nail for their show because they refuse to give up on it. They haven't given up, and neither should we.

We need to decide if we love OFMD enough to fight for it long-term, to settle in for a long battle, and keep pushing for as long as it takes. And I think, as difficult as it might be, we all know that this show, and its cast and crew, is worth it.

[txttletale]

Your discussions on AI art have been really interesting and changed my mind on it quite a bit, so thank you for that! I don’t think I’m interested in using it, but I feel much less threatened by it in the same way. That being said, I was wondering, how you felt about AI generated creative writing: not, like AI writing in the context of garbage listicles or academic essays, but like, people who generate short stories and then submit them to contests. Do you think it’s the same sort of situation as AI art? Do you think there’s a difference in ChatGPT vs mid journey? Legitimate curiosity here! I don’t quite have an opinion on this in the same way, and I’ve seen v little from folks about creative writing in particular vs generated academic essays/articles

i think that ai generated writing is also indisputably writing but it is mostly really really fucking awful writing for the same reason that most ai art is not good art -- that the large training sets and low 'temperature' of commercially available/mass market models mean that anything produced will be the most generic version of itself. i also think that narrative writing is very very poorly suited to LLM generation because it generally requires very basic internal logic which LLMs are famously bad at (i imagine you'd have similar problems trying to create something visual like a comic that requires consistent character or location design rather than the singular images that AI art is mostly used for). i think it's going to be a very long time before we see anything good long-form from an LLM, especially because it's just not a priority for the people making them.

ultimately though i think you could absolutely do some really cool stuff with AI generated text if you had a tighter training set and let it get a bit wild with it. i've really enjoyed a lot of AI writing for being funny, especially when it was being done with tools like botnik that involve more human curation but still have the ability to completely blindside you with choices -- i unironically think the botnik collegehumour sketch is funnier than anything human-written on the channel. & i think that means it could reliably be used, with similar levels of curation, to make some stuff that feels alien, or unsettling, or etheral, or horrifying, because those are somewhat adjacent to the surreal humour i think it excels at. i could absolutely see it being used in workflows -- one of my friends told me recently, essentially, "if i'm stuck with writer's block, i ask chatgpt what should happen next, it gives me a horrible idea, and i immediately think 'that's shit, and i can do much better' and start writing again" -- which is both very funny but i think presents a great use case as a 'rubber duck'.

but yea i think that if there's anything good to be found in AI-written fiction or poetry it's not going to come from chatGPT specifically, it's going to come from some locally hosted GPT model trained on a curated set of influences -- and will have to either be kind of incoherent or heavily curated into coherence.

that said the submission of AI-written stories to short story mags & such fucking blows -- not because it's "not writing" but because it's just bad writing that's very very easy to produce (as in, 'just tell chatGPT 'write a short story'-easy) -- which ofc isn't bad in and of itself but means that the already existing phenomenon of people cynically submitting awful garbage to literary mags that doesn't even meet the submission guidelines has been magnified immensely and editors are finding it hard to keep up. i think part of believing that generative writing and art are legitimate mediums is also believing they are and should be treated as though they are separate mediums -- i don't think that there's no skill in these disciplines (like, if someone managed to make writing with chatGPT that wasnt unreadably bad, i would be very fucking impressed!) but they're deeply different skills to the traditional artforms and so imo should be in general judged, presented, published etc. separately.

[cathkaesque]

Statement on Israel’s Use of Starvation as a Weapon of War in Gaza by the Union of Agricultural Work Committees, Palestine

For five days, Israel has attacked Gaza with the aim of total destruction, and the situation is at an unprecedented level of urgency. Israel’s actions have amounted to a humanitarian catastrophe of unfathomable proportions. At the time of publication, the Palestinian Ministry of Health reports 1,055 martyrs and approximately 5,184 injured.

Israel has declared a total warfare stance on Gaza, imposing a ruthless blockade that denies over two million Palestinian residents of Gaza access to electricity, water, food, fuel, medical supplies, and any humanitarian aid. Israeli Defense Minister Yoav Gallant explicitly stated this strategy on 9 October 2023, saying: “We are imposing a complete siege on [Gaza]. No electricity, no food, no water, no fuel – everything is closed. We are fighting human animals, and we act accordingly.”

Israel’s deliberate use of starvation as a weapon of war demands the international community immediately respond with unwavering urgency and resolve.

Israel is indiscriminately decimating hospitals, schools, mosques, markets, and entire neighborhoods. Further, Israel threatened Egypt that it would bomb humanitarian aid deliveries to Gaza, prompting Egypt to withdraw its aid convoys. The Rafah Crossing into Egypt, the sole international exit from Gaza, has been bombed by Israel three times in a 24-hour period. This calculated assault severs Gazans’ only means of escape from ceaseless bombings or access to essential humanitarian aid. With Israel cutting off Gaza’s source of electricity, the only source of power was the Gaza Power Plant, which has just run out of fuel. In the case that it receives more fuel, Israel has threatened to attack the plant.

Israel’s assault is deliberately destroying any infrastructure that allows Gazans to support themselves. Vital agricultural and fishing infrastructure, crucial for food production, have been mercilessly attacked. Fisher folk cannot access the sea, into which sewage is spilling. The seaport is damaged, and tools are obliterated. Farming areas, often near the fence, have become vulnerable targets in Israeli airstrikes, and farmers whose land has not been destroyed cannot access it for daily agricultural practices. The Ministry of Agriculture reports that the bombing has done immense damage to agricultural areas and poultry farms, but the conditions make it impossible to precisely assess the situation in the field. There is a catastrophic decrease in food stocks, with shops across Gaza reporting severe shortages. The land and sea will face unimaginable environmental damages following these attacks, further preventing efforts to rebuild livelihoods.

Israel’s strategy aims to ensure that those who survive the bombs are condemned to a future without sustenance.

OCHA reports that the assaults have disrupted the UNRWA food operation, impacting at least 112,759 families. The poultry and livestock sectors are on the brink of collapse due to the severe shortage of fodder, endangering the livelihoods of more than 1,000 herders and affecting over 10,000 producers. This jeopardizes the provision of animal protein and the availability of meat and fresh sources of protein for Gaza’s entire population. Transportation of poultry to markets has virtually halted, and dairy cattle milk cannot be refrigerated nor marketed to factories, resulting in an expected daily spoilage of 35,000 liters of milk. More than 4,000 fisheries are at risk due to the closure of the sea. Gaza’s agriculture, poultry, cattle, fish, and other products are suffering from a lack of refrigeration, irrigation, incubation, and other machinery due to electricity cuts, causing spoilage.

Israel’s use of these tactics is not new by any means. Before Saturday, around 65% of the Gazan population was food insecure. More than 46% of the agricultural land in Gaza was inaccessible, and the fishing industry was severely struggling since fishing off the coast of Gaza has been restricted by Israel to 3 to 6 nautical miles.

Food insecurity is a human-made crisis, and Israel is manufacturing a mass starvation of the Gazan people.

It is the moral and legal obligation of the international community to intervene and end this crisis immediately. Food, as a basic necessity, must be allowed to reach the people of Gaza, and the deliberate targeting of civilian infrastructure must cease without delay.

We call upon the international community to take immediate action to stop Israel’s massacre of the Gazan population, demand the lifting of the siege, and establish humanitarian corridors for entry of aid.

[stonedcoldfoxtarot]

How you will step into your rich bitch era + advice

Pile 1 -> Pile 2 -> Pile 3

Pile 1:

3oS, 9oP, World, 5oW, Empress (AoW)

I see that some of you may have recently experienced a setback in your career or personal life that was mostly outside of your control. For many of you, this may have been in the form of an unexpected job loss or an expensive and contentious divorce or separation. However, I see this situation as a blessing in disguise because whatever you lost had already outgrown its usefulness in your life. For many of you, this misfortune has already led to an unexpected material gain and an increased feeling of self-confidence in your ability to stand on your own two feet. If not, I see this set back being short lived, as you are now well on your way to stepping into your winning season.

Deep down you know the world is yours, and from here on out I see you will be working to achieve a level of self-mastery that allows you to realize all of your goals. Some of you may decide to work in the field of Project Management or Marketing and PR, while others of you may be interested in careers that involve lots of international travel or relocating to a different country. I see that whatever path you choose Pile 1, you have the determination and fortitude to take on the competition and still come out on top.

For a few of you, I feel you could also be fighting with yourself or feeling divided about which direction to take next. You have a lot of different skills that could take you in completely opposite directions and you might be struggling to focus on or pick just one option. However, I see that once you figure out which path to choose you will move forward with determination until you reach a life that resembles the one you’ve always dreamed of. Whatever you decide to do, keep moving forward Pile 1 because it only gets better from here!

Advice: 9oP

Always remember that you have full control over your financial abundance and success. Start cultivating your dream life by building upon the work you have already done and you will be amazed at how quickly things begin to fall into place. If you’ve felt compelled to pursue a career that provides you with the freedom to set your own schedule, you are being advised to explore other options outside of a traditional 9 to 5.

Pile 2

AoW, Empress rev, Chariot, 10oP, Magician (9oP)

If you're not already self-employed, I see that many of you have a lot of creative ideas in your mind that are just waiting to be acted upon or brought to life. For some of you, I see that in the past you may have experienced periods of stagnation in your career which of course left you feeling frustrated and angry or even depressed. At some point, you may have felt rejected in your previous efforts or that others did not recognize all that you really have to offer. If that resonates, I see you are now focused on balancing your emotions surrounding past failures and regaining control over your circumstances as you dust yourself off and try your luck again. Pile 2, many of you are incredibly talented and hard working. I’m hearing that all that is needed to step into your rich bitch era is for you to confidently move forward towards the direction of your dreams, knowing that what is meant for you is already yours.

In fact, pile 2, once you find your niche or begin to put in work towards a new project or idea, I see you quickly becoming unstoppable! Many of you are visionaries and forward thinkers, possessing the strength and vitality necessary to bring your creative ideas or business ventures to fruition in a way that most others cannot. You have a natural talent for thinking outside the box, and this is what makes you so powerful. Regardless of any losses you may have faced in the past, you have all the resources and strength needed to pursue whatever you desire in this lifetime. For many of you, I see that success and abundance are right around the corner, if it’s not already here now. And if you are not self-employed or an independent contractor, I see that you will find success as an entrepreneur once you combine your creative ideas with your knack for selling, investing or bringing in money from multiple sources. I see that some of you may end up retiring early and living off of several streams of passive income or interest & residuals. Pile 2, your life has the potential to be the embodiment of the phrase “work smarter, not harder.”

Advice: Justice

Pile 2, if you have been feeling lost, confused or unbalanced in your career, you are being advised to seek out ways to bring fairness, clear-thinking and balance back into your life. Some of you may be a Libra sun, moon or rising, as represented by The Justice card, or you may feel naturally drawn towards a job or career in the legal field. Those of you who resonate with this card are powerful decision-makers who have reached perfect equilibrium between the intuitive and the intellectual mind. To step into your abundant era, focus on restoring balance in your life, especially emotional balance, so that you can allow the laws of karma to begin working in your favor once again.

Pile 3

10oP, 5oC, 9oC, 8oS, Magician (High Priestess)

Pile 3, I see that many of you have achieved financial abundance and prosperity in the past, but you may have also recently experienced financial losses or setbacks which have effected you quite deeply. Some of you may have been let go from a large company or corporation, or you feel stuck in a dead end job, trying to make ends meet as your costs rise and your savings continue to dwindle. Despite this, I see you haven’t lost hope for a new beginning, as you still really desire to live a life full of abundance and financial freedom like you did once before.

Pile 3, I see here that some of you are not recognizing your own power or that you give it away easily to those who may not have your best interest at heart. There could also be an issue with you simply wishing for things to get better instead of taking action to go after what it is you truly want. I feel this could be due to a fear of failure or of making a decision and being stuck with it. I also feel that some of you may feel stuck or trapped due to internal or external pressures, some of which might stem from your past, your childhood or the unealistic expectations set upon you by others.

However, I see that as you begin to harness the power of your mind to plan, direct and create your ideal life, things will slowly but surely begin to turn around for you. Many of you may be blessed with the ability to easily manifest your desires. Pile 3, your minds are incredibly powerful! In fact, you may be the type who has to stay mindful of your thoughts and words, as you have the power to easily speak things into existence. If you can see it in your mind’s eye, you can achieve it. (I’m hearing the lyrics to I Believe I Can Fly by R. K*lly, so maybe that song might resonate with some of you). The Magician is attributed to Mercury, and deals with communication, intellect and action, so some of you may find you are naturally drawn to careers that allow you to express your thoughts on paper or speak directly with others. You may be great at giving speeches or lectures, writing manuals and SOPs or anything that requires being good at both effective communication and teaching or motivating others. Many will see your success and look up to you in this lifetime, Pile 3. Just remember, what it meant for you will ever ever pass you by. You just have to be willing to go out there and get it.

Advice: High Priestess

Remember that all success and failure begins in the mind. You can manifest your conscious desires by harnessing the power of telepathy, clairvoyance, and intuitive communication to receive insight into your current situation. Here you are being advised to utilize your conscious mind to bring your creative ambitions to life and tap into your intuitive side to receive the answers you’re looking for, instead of manifesting from a place of fear or uncertainty.

Thanks for reading🔮✨

© 2023 stonedcoldfoxtarot. All rights reserved. Please do not copy, translate, edit or redistribute.

[zvaigzdelasas]

[BBC is UK State Media]

Months in jail alongside ally and kingmaker Ousmane Sonko ended suddenly, with the pair released the week before the presidential election.

Now Mr Clean, as he's nicknamed, must get to work on the sweeping reforms he has promised.[...]

Fighting poverty, injustice and corruption are top of Mr Faye's agenda. While working at the Treasury, he and Mr Sonko created a union taskforce to tackle graft.

Gas, oil, fishing and defence deals must all be negotiated to better serve the Senegalese people, says Mr Faye.

He is ushering in an era of "sovereignty" and "rupture" as opposed to more of the same, he told voters, and that is especially true of ties to France.

Senegal's president-elect says he will drop the much-criticised CFA franc currency, which is pegged to the euro and backed by former colonial power France.

Mr Faye wants to replace it with a new Senegalese, or regional West African, currency[...]

Strengthening judicial independence and creating jobs for Senegal's large young population are also key priorities for Mr Faye[...]

One of Mr Faye's heroes is the late Senegalese historian Cheikh Anta Diop - whose work is seen as a precursor to Afrocentrism. Both are seen as left-wing cheerleaders for pan-Africanism.

As early results came in on Monday showing Mr Faye was set for victory, people in the capital, Dakar, celebrated by honking car horns and singing to loud music.

The reaction from international markets was less jubilant, with Senegal's dollar bonds falling to their lowest level in five months. Reuters news agency reports that investors are concerned Mr Faye's presidency may wind down the country's business-friendly policies.

25 Mar 24

[dresshistorynerd]

How did cotton win over linen anyway?

In short, colonialism, slavery and the industrial revolution. In length:

Cotton doesn't grow in Europe so before the Modern Era, cotton was rare and used in small quantities for specific purposes (lining doublets for example). The thing with cotton is, that's it can be printed with dye very easily. The colors are bright and they don't fade easily. With wool and silk fabrics, which were the more traditional fabrics for outer wear in Europe (silk for upper classes of course), patterns usually needed to be embroidered or woven to the cloth to last, which was very expensive. Wool is extremely hard to print to anything detailed that would stay even with modern technology. Silk can be printed easily today with screen printing, but before late 18th century the technique wasn't known in western world (it was invented in China a millenium ago) and the available methods didn't yeld good results.

So when in the late 17th century European trading companies were establishing trading posts in India, a huge producer of cotton fabrics, suddenly cotton was much more available in Europe. Indian calico cotton, which was sturdy and cheap and was painted or printed with colorful and intricate floral patters, chintz, especially caught on and became very fashionable. The popular Orientalism of the time also contributed to it becoming fasionable, chintz was seen as "exotic" and therefore appealing.

Here's a typical calico jacket from late 18th century. The ones in European markets often had white background, but red background was also fairly common.

The problem with this was that this was not great for the business of the European fabric producers, especially silk producers in France and wool producers in England, who before were dominating the European textile market and didn't like that they now had competition. So European countries imposed trade restrictions for Indian cotton, England banning cotton almost fully in 1721. Since the introduction of Indian cottons, there had been attempts to recreate it in Europe with little success. They didn't have nearly advanced enough fabric printing and cotton weaving techniques to match the level of Indian calico. Cotton trade with India didn't end though. The European trading companies would export Indian cottons to West African market to fund the trans-Atlantic slave trade that was growing quickly. European cottons were also imported to Africa. At first they didn't have great demand as they were so lacking compared to Indian cotton, but by the mid 1700s quality of English cotton had improved enough to be competitive.

Inventions in industrial textile machinery, specifically spinning jenny in 1780s and water frame in 1770s, would finally give England the advantages they needed to conquer the cotton market. These inventions allowed producing very cheap but good quality cotton and fabric printing, which would finally produce decent imitations of Indian calico in large quantities. Around the same time in mid 1700s, The East Indian Company had taken over Bengal and soon following most of the Indian sub-continent, effectively putting it under British colonial rule (but with a corporate rule dystopian twist). So when industrialized English cotton took over the market, The East India Company would suppress Indian textile industry to utilize Indian raw cotton production for English textile industry and then import cotton textiles back to India. In 1750s India's exports were mainly fine cotton and silk, but during the next century Indian export would become mostly raw materials. They effectively de-industrialized India to industrialize England further.

India, most notably Bengal area, had been an international textile hub for millennia, producing the finest cottons and silks with extremely advance techniques. Loosing cotton textile industry devastated Indian local economies and eradicated many traditional textile craft skills. Perhaps the most glaring example is that of Dhaka muslin. Named after the city in Bengal it was produced in, it was extremely fine and thin cotton requiring very complicated and time consuming spinning process, painstakingly meticulous hand-weaving process and a very specific breed of cotton. It was basically transparent as seen depicted in this Mughal painting from early 17th century.

It was used by e.g. the ancient Greeks, Mughal emperors and, while the methods and it's production was systematically being destroyed by the British to squash competition, it became super fashionable in Europe. It was extremely expensive, even more so than silk, which is probably why it became so popular among the rich. In 1780s Marie Antoinette famously and scandalously wore chemise a la reine made from multiple layers of Dhaka muslin. In 1790s, when the empire silhouette took over, it became even more popular, continuing to the very early 1800s, till Dhaka muslin production fully collapsed and the knowledge and skill to produce it were lost. But earlier this year, after years lasting research to revive the Dhaka muslin funded by Bangladeshi government, they actually recreated it after finding the right right cotton plant and gathering spinners and weavers skilled in traditional craft to train with it. (It's super cool and I'm making a whole post about it (it has been in the making for months now) so I won't extend this post more.)

Marie Antoinette in the famous painting with wearing Dhaka muslin in 1783, and empress Joséphine Bonaparte in 1801 also wearing Dhaka muslin.

While the trans-Atlantic slave trade was partly funded by the cotton trade and industrial English cotton, the slave trade would also be used to bolster the emerging English cotton industry by forcing African slaves to work in the cotton plantations of Southern US. This produced even more (and cheaper (again slave labor)) raw material, which allowed the quick upward scaling of the cotton factories in Britain. Cotton was what really kicked off the industrial revolution, and it started in England, because they colonized their biggest competitor India and therefore were able to take hold of the whole cotton market and fund rapid industrialization.

Eventually the availability of cotton, increase in ready-made clothing and the luxurious reputation of cotton lead to cotton underwear replacing linen underwear (and eventually sheets) (the far superior option for the reasons I talked about here) in early Victorian Era. Before Victorian era underwear was very practical, just simple rectangles and triangles sewn together. It was just meant to protect the outer clothing and the skin, and it wasn't seen anyway, so why put the relatively scarce resources into making it pretty? Well, by the mid 1800s England was basically fully industrialized and resource were not scarce anymore. Middle class was increasing during the Victorian Era and, after the hard won battles of the workers movement, the conditions of workers was improving a bit. That combined with decrease in prices of clothing, most people were able to partake in fashion. This of course led to the upper classes finding new ways to separate themselves from lower classes. One of these things was getting fancy underwear. Fine cotton kept the fancy reputation it had gained first as an exotic new commodity in late 17th century and then in Regency Era as the extremely expensive fabric of queens and empresses. Cotton also is softer than linen, and therefore was seen as more luxurious against skin. So cotton shifts became the fancier shifts. At the same time cotton drawers were becoming common additional underwear for women.

It wouldn't stay as an upper class thing, because as said cotton was cheap and available. Ready-made clothing also helped spread the fancier cotton underwear, as then you could buy fairly cheaply pretty underwear and you didn't even have to put extra effort into it's decoration. At the same time cotton industry was massive and powerful and very much eager to promote cotton underwear as it would make a very steady and long lasting demand for cotton.

In conclusion, cotton has a dark and bloody history and it didn't become the standard underwear fabric for very good reasons.

Here's couple of excellent sources regarding the history of cotton industry:

The European Response to Indian Cottons, Prasannan Parthasarathi

INDIAN COTTON MILLS AND THE BRITISH ECONOMIC POLICY, 1854-1894, Rajib Lochan Sahoo

[carsthatnevermadeitetc]

What a difference 50 years makes juxtaposition of Volkswagen Golf, 1974 and Volkswagen Golf 2024. This year marks half a century since VW's "right-size" hatchback entered the market. It has survived through 8 generations with multiple variants and trim levels. The current generation will be the last to offer internal combustion engines. The Golf model name will survive to a ninth generation later this decade but it will be an all-electric range