Kyoko in DR3 looked at her impossible task - solve the murders before she and Makoto both die - and then, when forced to make a choice between save herself or save the person she loves?
Made the same choice Yui did.
And that's Yui's influence.
Pre-Black Challenge Kyoko could never. Her family creed is to put the case first, even above family (which is why Jin split - because Grandpa Kirigiri wouldn't let Kyoko go see her dying mother because they were on a case, and Mama Kirigiri died - and Jin was right for splitting, but he was wrong for leaving Kyoko there).
During DR Kirigiri, we see Kyoko making the comment that sometimes you have to let people die to solve the case, and every time she makes that claim, Yui rebukes her. No. We try and save everyone. We save as many people as we possibly can. Like them or not, we go to save them, even at the risk of our own lives.
Saving victims is the most important thing.
And we see Kyoko learning from this in vol. 6 - we maybe can't win the sniper game, but we can try to keep everyone from getting on the island. (Except there are flaws in that plan which she quickly brings up.)
Kyoko doesn't pull Makoto into her investigations because then he would be at risk from the mastermind, made most blatant when Junko bops him on the head and steals the Hope's Peak yearbooks.
Junko is playing a game with Kyoko.
Makoto becomes alibi and bait.
DR3 and Kyoko's choice to sacrifice herself to save Makoto, even though he might not be able to figure things out, is an homage to Yui and what she learned from her.
(It's also her way of saying that she's tired of other people dying for her. That she's taking the bullet this time.)
This is how you recontextualize canon.
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“ - but have you ever considered, I don’t know, not sucking all the time? Just a thought.”
It takes the combined grips of Nuisance and Hound to keep the wriggling, snarling body beneath Fox from throwing him off its back. With three years’ practice of having to fix his own rickety desk chair over and over again, the movement merely ruffles the proverbial fringe on his helmet.
“And I don’t mean that as an insult, necessarily. Well, I do a little bit. But also I have some amount of empathy for the no doubt immense amounts of trauma that had to go into the creation of something so dysfunctional as you, on a very personal level, so have you considered going to the root of that in a way that’s like… useful? Instead of wasting it all on kriffing Kenobi, I mean. Look at the guy. All he does all day is drink tea and commit warcrimes. I bet he knits for fun. Bit of an embarrassing nemesis, don’t you think?”
“I”, says Kenobi, then pauses. The space between his eyebrows is creased with uncertainty, and he looks deeply torn between continuing rocking the shaking Duchess of Mandalore against his chest from his corner of the throne room and re-activating his lightsaber to continue losing his fight against the Darksider Fox is currently sitting on. “I feel like I should object to some part of that, but I’m not entirely clear on what. Or how this happened, again. Isn’t Mandalore a few star systems from your purview, Commander?”
“Probably the warcrimes”, mutters Nuisance underneath his strained breath.
“About as far from my supposed assignment as yours, General”, says Fox a little louder.
Kenobi twitches. Fox cannot claim to know which of them does it. Both, maybe. Probably.
“I will - taste - your - flesh!”, heaves out Darth Maul, snarling and hissing.
“Oooh, kinky!”, calls Grids, from the corner where she’s got her stun-setting aimed at the other Zabrak, currently passed out cold. Fox sighs deeply. He knew he shouldn’t have taken those three - any combination of Grids, Hound and Nuisance in a room together usually spelled chaos.
Unfortunately, it also spelled competence. The Basic alphabet can be funny that way.
The point being: as of some months into the war, one of Fox’s assigned tasks is the surveillance of all GAR-wide communication. All command-class staff theoretically got that memo, but no one seems to have read the fine print where that includes both professional and personal communication, as well as any and all comm devices registered or suspected to be registered to that person. Especially not one Anakin Skywalker and Padmé Amidala.
The point further being, if that sounds both immensely impractical and sort of terrifying in a democratic supposedly non-surveillance state, you’d be bang on the credits, and to Fox’ eternal chagrin the singular person in this whole useless army who’s spent the second of thinking necessary for that conclusion.
The final point being, when one frantic General’s mad dash across the Galaxy to rescue his teenage sweetheart from the spectre of his supposedly dead nemesis crosses his desk on its way to the Chancellor’s inbox, it doesn’t take much time for him to block any and all trace of it across the digital space of the GAR commboard and take matters into his own hands.
“ - which is why I told Thorn to suck it up and be in charge for a few days, and also why you’re still alive, your Highness, very welcome, was no trouble at all”, he concludes, drily. The Duchess stares the wide-eyed look of someone attempting to reconcile clones with ‘sentience’ or perhaps ‘personality’ in her head, but won’t say it outright.
Or the look of someone who’s just been violently overthrown and nearly murdered, perhaps, Fox allows.
“Um -“, Kenobi hedges, blinking rapidly.
“And the reason you’re still alive, probably. You’re welcome for that too, by the way”, Grids calls from the back of the throne room, cheekily.
“Alright”, says Kenobi, loudly. There’s color back in his deathly-pale cheeks, Fox notes, even if that color is a lot of red. It doesn’t fade very gracefully into his beard. “Opinions on whether or not I had everything under control notwithstanding -“
“You really didn’t”, Hound supplies helpfully.
“ - opinions notwithstanding, I am admittedly still lost on why you’re now sitting on Darth Maul and attempting to, to - jeer at him, Marshall Commander!”
“We’re not jeering, we’re trying to create a safe space and lay the groundwork for more open communication”, Fox says, primly.
Maul screams into the ground, attempting for the umpteenth time to rear up and visit great violence upon Fox, which admittedly has him rattling in his crosslegged seat atop his back.
Kenobi raises a perfectly plucked eyebrow. “Safe space?”
“He’s restrained and not stabbing anyone, I personally feel much safer than before”, Grids muses. “Watch the teeth though, Hound. Little biter.”
Indeed. Fox’s right greave will have to be replaced posthaste.
“And anyways, the point isn’t to jeer at him, it’s to make clear that he’s focusing his energy in the wrong places and could be doing much better things with his admittedly not-great life”, Fox adds, shifting to cast a pointed look down at Maul. The Sith is panting open-mouthed into the durasteel floor, sharp teeth gnashing wildly as his piercing yellow eyes shine with barely restrained rage. “I’m just saying - aim higher. You aren’t seeing the forest for the Kenobis, Maul. Can I call you Maul?”
“I will feed you your own entrails”, yowls Maul.
“See, that’s exactly what I’m talking about. Right now, I’m an easy target to focus all that built-up rage on, but is killing me really going to help you achieve any of your goals? No! Think about it - when it all comes down to it, who sent you on that mission to Naboo in the first place? Who made sure the Jedi and, by extension, Kenobi would be there to kill you? Who used you as a dejarik piece and then cast you aside the second you outlived your usefulness?”
Beneath him, Maul slowly stills in his struggle, still panting heavily. Hound and Nuisance don’t let it deter them in their vigilance, because they’re damn good vod’e and possess an ounce of common sense.
“And, look, I get it. I could spend the rest of my life punching every civilian who spits on me in the streets and it would even be satisfying. I could hit back the Senators who think of clones as easy targets. Or - I can aim my sights at who’s on top. And I think you know who I mean, because you know as well as I do the same damn man has ruined both our lives.”
Kenobi makes an alarmed noise, and Maul an interested one - not that Fox is going to let him walk out of this place awake. Still, he tilts his head in a way he hopes conveys his helmeted grin successfully to non-vod, as well as the bloodlust behind it. “You’re also welcome for the fact that the Chancellor won’t have heard of your spontaneous resurrection yet, by the way. You’ll retain your element of surprise instead of gambling it away on petty revenge on Kenobi.”
“He cut me in half!”
“He killed my master!”
Fox waves their protests away.
“Also, that’s treason!”, Kenobi adds, sputtering. Fox grins. Kenobi purses his lips, and continues. petulantly, “…do you have any proof?”
“So. Much. Proof”, says Nuisance, dreamily. “Like, do you want it alphabetically or by date?”
Which is when the Duchess, of all people, bursts out into barking, crazed laughter.
“You - you’ve certainly given yourself an edge in that fight, Marshall Commander”, she wheezes, brushing tears from her eyes. Fox raises his eyebrows at her, which she somehow seems to be able to tell, because she gestures at the clunky handle dangling from his belt.
“What, this old thing?” He unclasps the black rectangle from its hook, holding it up in the air. Maul stills strangely beneath him, and Kenobi goes ghostly pale again. Fox is starting to get a bad feeling.
“I took it off Viszla and beat him over the head with it. I figured he’d taken it off a Jedi cadet or something. What? Why are you looking at me like that?”
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hello! i've been thinking about asking about this detail of machete for a while now and figured i'd just go for it, it sounds quite dark but it isn't my intention for it to i'm just really intrigued by his character and want to learn more about it yknow? essentially, with all the hardship machete faces, long before he meets vasco i mean, why does he continue to have such a drive to keep going? (when it'd be so easy to give up long before he meets vasco) what drives him to strive to do so well (in terms of succeeding not, well-being wise) essentially, in the path he is handed? it isn't that i do not find this believable and that there aren't many possible motivators bc i do see that wholeheartedly which is specifically why i am just very curious as to what specifically motivates him in his youngest years you know? does that make sense? i know you've mentioned guilt and perfectionism, are those already his driving forces? does it go deeper than that? is it simply not that deep, etc? (ps. much love for the creation of your storyline and your characters, it's immaculate, and your art illustrates all of it so well, it gets across exactly the things you intend to me)
I think guilt and perfectionism definitely play a big part in his drive to be successful, but the main motivator is probably his low self-esteem. He's overcompensating to a pathological degree, he needs to convince everyone, including God and himself, that he's not weak, stupid and useless. He was somewhat neglected and eventually abandoned by his birth family and since then he's been seeking approval and validation from outside sources, the more esteemed person the better. He's not highborn, particularly talented or good looking, but I like to think he's naturally inquisitive and academically oriented so being the smartest, most educated person in the room just gradually became his objective in life. He was also extremely hardworking right from the start. Many of his teachers regarded him as an exemplary student with great potential, but behind the scenes he was sacrificing much of his health and wellbeing to keep up that "gifted kid" image, constantly fearing of not living up to their expectations and failing everyone who had ever believed in him. As a grown man he continues to measure his worth by his achievements which leads to stress and overworking, but also rapid and impressive career progression. I believe he goes through multiple burnouts before he snaps for good.
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Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.
Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.
Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.
So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.
I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.
I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.
Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?
I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?
I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.
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