#but also adds more depth to it

[aparticularbandit]

Kyoko in DR3 looked at her impossible task - solve the murders before she and Makoto both die - and then, when forced to make a choice between save herself or save the person she loves?

Made the same choice Yui did.

And that's Yui's influence.

Pre-Black Challenge Kyoko could never. Her family creed is to put the case first, even above family (which is why Jin split - because Grandpa Kirigiri wouldn't let Kyoko go see her dying mother because they were on a case, and Mama Kirigiri died - and Jin was right for splitting, but he was wrong for leaving Kyoko there).

During DR Kirigiri, we see Kyoko making the comment that sometimes you have to let people die to solve the case, and every time she makes that claim, Yui rebukes her. No. We try and save everyone. We save as many people as we possibly can. Like them or not, we go to save them, even at the risk of our own lives.

Saving victims is the most important thing.

And we see Kyoko learning from this in vol. 6 - we maybe can't win the sniper game, but we can try to keep everyone from getting on the island. (Except there are flaws in that plan which she quickly brings up.)

Kyoko doesn't pull Makoto into her investigations because then he would be at risk from the mastermind, made most blatant when Junko bops him on the head and steals the Hope's Peak yearbooks.

Junko is playing a game with Kyoko.

Makoto becomes alibi and bait.

DR3 and Kyoko's choice to sacrifice herself to save Makoto, even though he might not be able to figure things out, is an homage to Yui and what she learned from her.

(It's also her way of saying that she's tired of other people dying for her. That she's taking the bullet this time.)

This is how you recontextualize canon.

[maddymoreau]

Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.

When asked, “Do you wish to see your father?”

Diavolo responds:

“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.

Along with how Diavolo describe his father.

It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.

Diavolo can tell when others are lying but is unable to understand his father’s intentions.

Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.

His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.

The isolating childhood he experienced riddled with his strict father constantly scolding him.

Despite everything MC is so important to him he wants to see his father again so we can meet.

[anakinh]

tell me, how does it feel? I have no home, so I wouldn't know uh... you still got parents, right?

[luniviravosshipper]

Okay, so this is going to be a very low effort post because it’s late where I am and I’m tired, but I honestly really want to talk about this so I’m going to anyways.

So. About Sol Regem eating Pharos.

This is most definitely one of my most favorite scenes and moments in the show for many different reasons. But one of the many aspects I thought was great about it was that it did the opposite of ‘tell no show’.

The show has been hinting for ages how the dragons see the humans and elves as ants for them to stomp on or to toss around. It’s always been implied or explicitly said. There’s several moments in the show where we see the dragons threatening the lives of the main cast whenever they are even slightly displeased with them. All in all, they see them as just small things that they can disregard the lives of whenever.

Although they perhaps have more of a bias against humans, in general they look down upon both humans and elves and view them as less then. They don’t value their lives because they find their lives to be so short and them to be so minuscule in comparison to them.

And yet when we finally get to see a dragon prove this sentiment by literally eating someone, they end up choking. It’s only fitting for a dragon who believes himself to be so powerful and shows absolutely no remorse for harming the lives of others around him to end up dying literally by doing just that. His pride and arrogance, as Aaravos calls it, finally caught up to him. And in a way, as awful as it probably was for Aaravos to basically sacrifice Pharos here, it helped prove a point. It proved Aaravos’s whole argument regarding the dragons, and how selfish and apathetic they are. How they do not care about life. In this situation in particular, Sol Regem did this knowing that Pharos wasn’t the real body of Aaravos and that he was only manifesting himself through him and still ate him rashly and in a fit of rage, not even considering for a moment that he’s hurting this other person and not even remotely doing anything to harm Aaravos. If anything, again, he only helped his argument.

(I can talk about this more in another post, but I just realized that it’s also ironic how much Sol Regem hated humans because he thought they took life and showed no care for it when that’s literally all that he does. And I think that specifically is actually what Aaravos was kind of trying to prove all along. His personal vendetta against him started off with him wanting to get back at him for ratting out his daughter for sharing magic with humans, but I can imagine that after he discovered dark magic it started to shift and became more so about proving to Sol Regem that he simply had no place in general to judge dark magic or humans who use it.)

This works very well thematically and really helps to better shape the viewers understanding of the role the dragons take in the world building of this universe. As these creatures who have been put into positions of power throughout Xadia’s history, not because of what knowledge or wisdom they have or because of some special capabilities that they possess that others don’t, but because they’re so feared. They’re these big, angry, and violent creatures that everyone has just grown too fearful of to actually face.

And when we’re finally shown why they have been so feared, we see one of them face the consequences of his own actions within the very same moment he acts. And it’s great.

[maesonc-artistic-adventures]

The flip of a coin.

[blueskittlesart]

at a certain point i think we need to acknowledge that art is very rarely created accidentally. if you can see a theme in a work than that theme was, more likely than not, at least somewhat intentional on behalf of the creator. you don't put a piece of yourself out into the world without thinking about what it means at least a little bit.

[pseudokap]

just an absolute MASSIVE HUGE HUMONGUS GIANT jrwi doodle/sketch/idk dump from all my sudden bursts of motivation INCOMING TAKE COVER HIDE STOP DROP AND ROLL

yeah they are all headshots (except for one)!!! What about it (falls over. imposter syndrome GO)

[thefirstknife]

*hears Witness refer to themselves as the First Knife*

*eyes Bel*

*slowly backs away*

Welcome to my twisted mind.

Jokes aside, I also saw that ofc! It was also called that in the campaign by the dissenters:

I really enjoy that this got confirmed (either way!). There's been so much speculation on it. I've personally been on and off on the theory that the Witness is the first knife or just a manifestation of it or maybe that the first knife is just a concept, and if the Witness is trying to embody it or not. And so on. It's been really cool speculating and theorycrafting!

But now we know! Well... sort of, still. The Witness certainly believes itself to be the first knife, but is it truly? What does that mean? Does it even matter?

There's a ship you can get for finishing one of the sidequests: The First Knife. It has really cool lore of Mara and Ikora discussing the first knife and its meaning. I'll shorten the lore tab to just their dialogue so it's easier to copy and have at hand:

Mara: "When I first encountered the Witness, I heard it proclaim to me, 'We are the first knife.' It was as if that title held power. Meaning." Ikora: "The apocryphal texts we dug up on the moon, the ones Eris translated, mentioned the knife as a concept." Mara: "And even if we consider that unveiled text as dogmatic propaganda, there may be truth behind the allegory. The knife becomes the metaphor of a concept. A power. A knife that winnows, cutting things into a defined shape." Ikora: "A power that winnowed living beings into Taken. A power Oryx wielded." Mara: "You're wondering if the knife is a title, or a power. Did Oryx wield the power of the Witness like a knife?" Ikora: "The Witness is a manipulator. It distorts the truth to bend the wills of its supplicants. The allegorical fantasy told to us by the Witness paints itself as a monolithic cosmic force. But perhaps that's a shadow cast by the truth." Mara: "A knife is a tool, wielded by another's hand." Ikora: "If the Witness is the knife, as it asserts, then what wields it?" Mara: "The Witness is not a being. It is the culmination of a bleak ethos willed into existence by the nihilistic desires of its creators. Is their will the hand on the knife? Or is there something else?" Ikora: "I don't know."

This about summarises my thoughts on it, the ones I've always had. I'm not sure if there's any other information, maybe in the raid or the raid's lore book, but for now I'll focus on just this.

Mara says what I've always also agreed with: Unveiling is an allegory, but it has shreds of truth. The problem is that we don't know which parts are truth. We could speculate on that to no end. Ikora agrees as well and also asserts what I believe is the confirmation that the Witness wrote it, by calling it the "allegorical fantasy told to us by the Witness." Or at least this is what the characters believe to be true; Ikora also notes how even that could be a part of that truth among the allegories.

They consider it as a possible power, but they also consider it through the concept of it being a knife: a knife is wielded. Is the Witness being wielded by something else? Is it a knife because the species that made the Witness is the hand? Or is there something different? The conclusion is that neither of them know.

The problem, I think, we'll always have here in regards to the Winnower and anything above the Witness is that it will be hard to tell unless this hypothetical other being actually appears. The Witness may believe that it is the knife of the Winnower, but that could just be its interpretation of its own purpose. Essentially, the Witness may hold a religious belief about its place in the universe that simply isn't true, or believe in a being that isn't real. Just because the Witness says "We are the first knife [of the Winnower (?)]," doesn't mean that is the actual truth. It could be! But we simply don't know, and we won't know, until the Winnower appears (if it ever does; even if it is real, it may still not ever appear in person, in lore or the game).

Even if there's any other information, unless that information is from a reputable source (something that isn't the Witness itself or the Witness-aligned factions telling us a story), it will be hard to tell what's the truth. I really like that! I also really like that the first knife is still discussed also as a concept, not just something that the Witness believes it is. At the end of the day, this title represents something and it's the concept of winnowing, cutting things off.

But I do also like that "the first knife" has been addressed and explained. The Witness believes it is the first knife, and depending on more unfathomable cosmic forces, it may or may not really be that thing as something tangible and powerful, or even just as a title. Does the title matter? It does only because it matters to the Witness. At least for now. Until something actually shows up and presents itself as the wielder of the first knife, we will not know for certain.

Currently waiting to see when I can get the raid clear and the raid lore book, maybe for more information!

[harpermiller]

I think people need to realize that Eddie isn’t thinking.

He’s not thinking of the bigger picture or the consequences. He’s not thinking of Marisol or how this woman with Shannon’s face would effect Chris.

He’s thinking about Shannon and having more time with her.

He’s not seeing Kim, flirting with Kim, or going on a date with Kim. It’s Shannon and Shannon only.

Everyone deals with grief differently and this is Eddie’s grief taking a hold of his brain and his heart going “look. There she is. Don’t you want more time with her? It’s right there take it” and for once in his life Eddie is being selfish.

He’s remembering this idealized version of his wife and their love, crystallized and polished by grief, and projecting it onto this woman who looks just like her.

And someone (it would probably be Bobby but with all the shit he’s got going on in the next few episodes it’s most likely going to be Buck) is going to have to shake some sense into Eddie and go “She’s not Shannon. She’s never going to be Shannon. What are you doing?”

This is a delicious and messy and intriguing character arc and I cannot wait to see the rest of it

[swallowtail-ageha]

I love how the shattered stone talisman item description [Shattered linchpin stone. Linchpin stones are spiritual anchors said to hold the ground in place and quell the fury of earthquakes—when this one shattered, the surrounding town fell into the broken earth. One account claimed that the moon itself had come tumbling down.] implies that it was likely rellana the one who destroyed moorth. Like her signature attack is throwing two fuckass big moons at us and it causes huge earthquakes and likely the one she used on moorth caused the linchpin stone to shatter and for the city to crumble. Go war criminal girl go

[notearsnora]

All the snippets from Defying Gravity from the latest Wicked trailer put together. (It’s messy but I did my best.)

[ravenlilyrose]

I love the trope where Tim jump scares people by reminding them he’s Janet Drake’s son.

[iunpackmyadjectives]

Okay hear me out

What if Skybound, but Jay was the one who opened the teapot in the first place, so that he could wish for Nya to be in love with him

[sotc]

okay wait the entire quest of "In Your Heart Shall Burn" was a lot better than I remembered ten years ago. Maybe because I'm also playing an Andrastian this time around but listening to the corny ass singing wasn't that bad? people kneeling before the Inquisitor after coming out alive from desperate times? finding Skyhold and being handed a sick ass sword? poetic cinema. chills even.

[cathodic-clairvoyant]

Oh hi there transfem discussing her experience in the trans community i just had a quick question about your post

What does tme mean?

Oh okay i see i understand, thank you.

What does transmisogyny mean?

Ah I see, I get it.

What's a trans woman?

Oof scary. One last question.

What's a woman?

Thank you for being my own personal google (not like you had anything better to do right?) and derailing the point of your post for my own personal education. I will now add nothing of value to this post in return. Bye bye!

[transfem-kirito-truther]

You made me start rewatching SAO, and I think I get it now

SAO is actually so good when you look at it through the specific lens of queer people grappling with their identities in an environment where they are simultaneously given the freedom to do so, perhaps for the first time ever, and also an environment where everyday spent not fighting is a day lost in the real world, so the focus is on getting out as fast as possible. It makes for an incredibly nuanced work that was completely unintended lol