#it just i think about my flaws and everything

[aliceintheworld]

PURE ATTRACTION | JJK | TATTOO ARTIST

Pairing: TattooArtistJungkook X NaiveReader

Summary: "I shouldn't be watching a man undressing, especially not from the house next door."

Warning: more religion 😬 depression, Jimin, Taehyung, and Yoongi appear. Jungkook in a towel 💦👅 finally a kiss (things from here happen quickly.) ATTENTION, THIS STORY IS NOT SLOWBURN.

A/N: Guys, I took a while this time for reasons of: laziness and discouragement. I wanted more people to read what I write, but I'm introverted even on the Internet, which leaves me with few alternatives to show my writing to the world. Thinking about it, I'm in trouble. Other than that, only a few days have passed, so everything is fine. Back to the story, everything starts to pick up pace. Just to repeat, the fanfic is not slowburn, so there will be smut in the next chapter. Stay tuned.

Previous Chapter

Chapter 3

I spend the whole week riding an emotional rollercoaster. I find myself visiting my neighbor, Mrs. Jeon, more frequently than usual, and with each visit, our friendship blossoms deeper. She shares stories of her youth, of wild adventures and carefree days when she was my age. Her openness encourages me to share my own experiences–or rather, my lack of them. I recount my first disastrous kiss, confess that I've never been in love, and reveal how my once unshakeable faith in the church has wavered since my father's passing. I feel a weight lift off my shoulders; here, I am free to be imperfect, to be vulnerable, without fear of judgment.

Yet, there's one thing I keep to myself: the incident with her son, Jungkook, and the profound effect he has on me. Throughout all my visits, I never see him again. Curiosity gets the better of me, and I casually ask Mrs. Jeon where he is. She tells me that he moved and rented an apartment to avoid being a burden. He only spent the first night at home after his trip, and I remember that night well–from my window, of course–but I don't mention it. Disappointment settles in me like a stone; I long to see him again, but I focus on his mother instead. Having her to confide in is a relief, a breath of fresh air in my otherwise stifling life.

I patiently wait for her to open up about her own struggles, her depression, but she never does. I worry that I might know something I shouldn't, that perhaps she's not comfortable sharing with me. But I promise myself I'll keep her secret safe, no matter what. Today is Sunday, and I won't visit Mrs. Jeon since I'll see her at church. I'm excited–despite my mother making unnecessary comments and disturbing my peace of mind, I'll have someone to rely on.

I smooth down my dark brown dress, fixing my messy hair. I dab a bit of lipstick on my fingertips and press it onto my lips, careful not to overdo it. The truth is, I enjoy makeup, but I've never learned how to apply it properly. I feel embarrassed drawing attention to myself with bolder colors; after all, people are used to my lack of vanity. I sigh, steeling myself as I head downstairs to meet my mother.

She hasn't stopped talking about Jungkook. Unlike me, who had a good first impression, she despises him. She criticizes everything: his eyebrow piercing, his bold style, his tattoos, even the way he carries himself. I can't help but wonder if she accepted the dinner invitation just to analyze him, searching for flaws that exist only in her mind. She's been friends with Misuk since moving to town, and I want to believe–perhaps naively–that my mother doesn't have ulterior motives.

We arrive at church early, the space quiet with only a few members milling about. My mother drifts away to chat with the older congregation, and I find a seat, taking a deep breath. I scan the room for Mrs. Jeon but I don't see her. Since it's still early, I'm not too worried. I take a moment to read the Bible, reflecting on positive thoughts when I feel a gentle touch on my shoulder. I turn, and there he is–Jungkook, smiling brightly. I frown, almost convinced he's a mirage. Am I daydreaming?

"Hi Y/N, are you okay?" he asks softly, his lips brushing almost against my ear. His intense gaze locks with mine, and I'm relieved to be sitting down; my legs feel weak in his presence.

"Everything's fine," I reply, my eyes dropping to my fingers. I want to engage him, ask about his week, inquire how he's been, but the words stick in my throat. It's as though I can't act normally around him. I take a deep breath, mustering the courage to comment, "I didn't know you attended church."

"I don't," he laughs, amusement dancing in his eyes. And rightly so; considering his clothes–a heavy leather jacket, shaved sides, and a wavy fringe–it's sexy but definitely not what you'd expect at church. "I haven't been since I was a kid."

"Really? Why?" I ask, genuinely curious, my gaze drawn to his eyebrow piercing, oddly captivating.

"I didn't feel welcome," he replies simply. There's no bitterness in his voice, and I understand all too well what he means. My mother, for example, was the first to judge him based on his appearance, and I can only imagine how difficult it is to feel at home in a place where you're not embraced.

"I understand," I say, unsure of what else to add. "So, you came here to give it another shot?"

"No way," he chuckles. "Actually, my mom mentioned you two planned to meet at church today."

"That's true," I confirm.

"Unfortunately, she can't make it today. She's not feeling well."

"Is she okay?" My concern surfaces immediately.

"She's fine, don't worry. Just a headache, and she took some medicine. She'll be better soon," he assures me, his hand lightly touching my shoulder. I can't help but notice how warm and gentle his touch is. I shake my head, trying to divert my thoughts from Jungkook's hands to anything else.

"I'm relieved to hear that," I smile, noticing the church is starting to fill up.

"I'm actually inviting some friends over to my apartment, and I wanted to know if you'd like to join us," he says, brushing his fingertips against his ear, a bit shy. I'm taken aback; I didn't expect this invitation. He wants me to come over with his friends?

"And why?" I ask, surprised. It's been a while since we last saw each other, and we haven't talked much even then.

"I like you. I want you to come so we can have fun."

"If this is some kind of payment, or something like that... you really don't need to." I reply, not believing it. I don't have friends, and the thought that he wants to be with me and the people he likes seems absurd to me.

"It's not that. I'm even a bit offended." He jokes, smiling. "I really want you to come, please."

"Jungkook... I don't know."

"I swear they're nice. Every time I'm in Busan, we hang out. They're trustworthy, I promise."

"I can imagine," I reply, still hesitant. I'd have to leave church, skip the service, and ask my mother for permission to go out with him, and of course, she wouldn't allow it. No way. It's not that I don't want to; I desperately want to spend time with him. That's been on my mind all week. "I don't think it's possible; my mom..."

"I know," he interjects, as if he anticipated my response. "But what if, just this once, you say you are going to my mom's? We could say I'm taking you there when in fact, you're coming to my apartment."

"Are you asking me to lie to my mother in a church?" I can't help but laugh at the absurdity of it. He shrugs, grinning.

"God knows it's just once," he replies confidently, pouting slightly. "What do you say? Later, I can take you to my mom's whenever you want, or you can stay at my apartment since I have more than one room. You set the time and conditions."

"Jungkook..." I groan, covering my face with my hands. The thought of lying to my mother, especially to go to a guy's house, sends a wave of anxiety through me. If she finds out, I'll be in big trouble.

"Come on! It'll be fun. I promise," he pleads softly. I can't say no to him, at least not now. I nod, agreeing to the madness.

"Okay, but you're the one who's going to talk to my mom. And if I say I want to leave, you agree. No alcohol because I know you drive. Those are my conditions," I assert, trying to sound firm. He smiles and salutes me, like a soldier receiving orders, and I slowly get up, taking small steps toward my mother. I let Jungkook lead the way, my nerves creeping back as I prepare to tell a lie in this sacred place.

"Good afternoon, Mrs. Eunji. Good afternoon, everyone," he greets my mom and the other church members. My mother looks utterly shocked, her eyes nearly popping out of her head as she takes in his appearance.

"Good afternoon, Jungkook," she replies, lacking enthusiasm, her gaze scanning him from head to toe. "What are you doing here?"

"I came to do a favor for my mom," he clarifies, and if I didn't know better, I'd almost believe him. "My mom asked Y/N to keep her company since my dad will be out of town for a few days. I came to pick her up."

"Really?" my mom looks at me, and I don't say anything, just nodding.

"It's true. My dad went to Daegu this weekend, and since my mom hasn't been feeling well, she asked Y/N to spend time with her. If you allow it, of course," he smiles calmly, and I brace myself waiting for my mother's response. I watch her weigh her options, glancing between Jungkook and me for what feels like an eternity before she sighs and nods.

"Alright, that's fine. Is your mom feeling okay?"

"Yes, she's getting better. Can we go now?" he asks, a hint of urgency in his voice.

"Yes, you may go," my mom sighs, placing a hand on her forehead. "It's a shame you're missing the service today, Y/N. Next week, you'll definitely come, okay?"

"Yes, mom, for sure," I agree weakly, clearing my throat and avoiding her gaze, still stunned that she let me go to Jungkook's house. Well, not his house, but is practically the same thing.

"Shall we go, Y/N? My mom is waiting," Jungkook says, raising an eyebrow. I nod, still silent, as we make our way toward the exit.

Some people stare, especially the older members, who seem shocked by Jungkook's appearance–too conservative, in my opinion. Somehow, the situation feels even funnier. Once we're sure no one can see us anymore, I burst into laughter, clutching my stomach. Jungkook chuckles too, exhaling as if he's just finished a tough exam and is finally free.

"Your mom is tough, huh?" he laughs. "I thought she was going to kill me with her eyes."

"Sorry," I say, still giggling a little. "She's like that with everyone."

"Even with you?"

"Even with me," I nod. "What do we do now?"

"Now, we go to my apartment. My friends have the key, so they're probably already there."

"Don't tell me they're all guys," I groan, suddenly anxious. I hadn't considered that he might not have any female friends, and I'd be the only girl at the apartment if that were the case.

"No, relax! I have female friends too. You'll like them," he assures me, walking toward a sleek black car parked across the street. I know nothing about cars, but I can tell this one is expensive. I feel out of place, acutely aware that Jungkook lives in a different world, one that's far removed from my own.

The tension in the car is palpable as we drive. The ride feels like it takes forever, the windows closed, and I'm intoxicated by his scent. I discreetly watch his large hands on the wheel, the way his long fingers tap rhythmically against the leather seat. I have to swallow hard to keep from drooling over him. I'm starving–not for food, but for him. All week, I've yearned to be near him, to touch him. I think I'm suffering from a Jungkook overdose, craving something I haven't even tasted yet.

I ponder whether he's aware of the effect he has on me, but I like to believe he hasn't noticed. It's easier that way. I breathe slowly, attempting to relax in my seat. It takes another ten minutes before Jungkook opens the gate to a condo with a small remote and drives in slowly. His car fits the place perfectly. Everything is stunning and upscale. I glance at my clothes and regret agreeing to come. Why did I say yes? I don't know his friends, and I don't know Jungkook that well, aside from the overwhelming attraction I feel toward him. What do I actually know about him? That he's a tattoo artist from Seoul? That he's rich and hasn't set foot in a church since childhood? I feel like I've walked into a situation that's spiraling out of control.

"Hey, Y/N, are you okay? You went quiet all of a sudden," he asks, concern etched on his face.

"I'm fine. Just feeling a bit strange," I admit.

"Why?"

"I don't know," I confess, omitting my paranoid thoughts. "I always feel like this in new places."

"I get that. I feel that way too," he tells me as we step into the parking elevator. I follow him, digesting this new revelation.

"You seem so confident and social," I comment, genuinely amazed. His big eyes meet mine as the elevator rises, floors passing by in a blur.

"I know, it seems that way. But in reality, I'm quite introverted. I have a small circle of friends and prefer it that way. I just fake it really well," he shares, and I find myself wanting to know more about the person behind the confident exterior.

"Really?" I ask, intrigued.

"Yeah," he nods, his expression earnest.

I try to respond, but the elevator stops on a floor, and Jungkook smiles at me, indicating that this is the right place. I feel one of his hands gently touch my waist, guiding me to a white door. I have to take a deep breath to keep from freaking out, my sweaty, trembling hands hidden in my pocket. I hear different music from the other side of the door before the place fully opens up to us.

"Hey, he's here! Finally, Jungkook!" I hear a male voice. It's a guy around Jungkook's age, I realize as soon as we walk in. His hair is a dark red, and his skin is pale and smooth. It's no surprise that his arms are covered in tattoos, drawings and phrases I can't read so far away. He also watches me closely, smiling warmly.

"Guys, this is YN, the one I told you about," Jungkook introduces me with a smile.

I turn red because there are at least seven people staring at me from head to toe. The apartment is well-kept, with dark wooden furniture. The living room is immaculate, with abstract paintings and photos of Jungkook and his family on the walls. I don't have much time to take everything in as my eyes focus on Jungkook's friends, who are strangers to me so far. Saying they're different from me would be an understatement.

They all have many tattoos and wear dark clothing. I sense an aura of confidence from all of them, but never hostility. It's as if they're very similar to Jungkook, with a completely different exterior from their inner selves. I relax a bit, smiling warmly and putting on my best expression.

"Nice to meet you all," I say, feeling a bit shy. They stand up and smile at me.

"Nice to meet you, Y/N. I'm Yoongi. That's my girlfriend, Minji," says the red-haired guy, pointing to the woman who just smiles. I offer my hand, feeling his cold skin from the beer bottle he was holding earlier.

"I'm Bora, and this is my boyfriend, Jimin," one of the dark-haired women greets me next, pointing to her boyfriend. They're a good-looking couple, the kind you see in magazines. Jimin has the brightest and most open smile.

"Nice to meet you," I nod.

"I'm Taehyung, but you can call me Tae," one of the guys says, taking a sip of his drink.

"I'm Yoori, Tae's girlfriend. Nice to meet you," she winks, making me laugh.

"And I'm Hayun, the only single one in the group," one of the girls shakes my hand, pulling me into a hug. She kisses my cheek, making her presence increasingly noticeable.

"Hayun, you're only single because you want to be, come on," Bora rolls her eyes. Hayun laughs, grabbing a snack from the coffee table.

"I like being single, except when I'm surrounded by couples. Especially couples like you guys."

"Do you have a boyfriend, Y/N?" Jimin asks. Embarrassed, I shake my head.

"No," I reply. They seem surprised, making noises with their mouths.

"But Jungkook is single too, right?" The guy with dark hair says, drinking his beverage. I thinks his name is Tae, if I remember right.

"And I want to keep that way." Jungkook replys.

"Of course you do." Yoongi laughs along with his friends, rolling his eyes. I remain silent, not understanding the joke. Then Yoongi looks at me and seems to notice my confusion. "Y/N, Jungkook never dates. The only time he tried, it went so wrong that now he doesn’t want to do it again."

"It was a disaster." Yoori adds, as if telling a fictional story. Jungkook rolls his eyes, sighing, but his friend continues: "he’s been avoiding relationships like the devil avoids the cross since then."

"Really?" I ask, genuinely curious.

"It’s not true, Y/N." Jungkook smiles at me. "They’re idiots."

"That’s not a lie." Minji, who had been silent until then, clarifies. "He’s been asked out several times, and he always declines. Women go crazy for him, for some reason."

"I know what the reason is." Jimin laughs mischievously, suggesting something while raising an eyebrow. I turn red when they laugh at the joke. Jungkook doesn’t contest it, too busy eating one of the snacks on the table. "But what about you, Y/N? Have you ever dated before?"

"Never." I reply. They don't look surprised this time.

"So you're like Jungkook, who avoids relationships?" Bora asks with a laugh. I feel Jungkook's eyes on me, watching attentively for my response. I shake my head, feeling awkward.

"No, actually, it's just a lack of options," I clarify, deciding to be honest. I hold my hands together nervously.

"Now you have two options," Yoongi suggests with a chuckle. Minji hits his arm trying to stop him, but he continues: "There's Hayun, since she likes to try out a little bit of everything, like some pussy and shit."

"Oh!" I widen my eyes, shocked, as they laugh even more. It's the first time I've seen someone speak so openly like this. Embarrassed, I look at Hayun, but she doesn't seem to mind the comment, laughing with the others.

"Who would be the other option?" Taehyung asks his friend with his trademark grin.

"Our friend Jungkook, obviously," Yoongi clarifies, and I choke on the answer, coughing uncontrollably.

They laugh even more, watching me nearly suffocate from the joke. Jungkook pats my back, smiling widely. His thumb caresses the skin of my arm, waiting for me to calm down. We're so close that he inadvertently wraps one of his arms around my shoulder. I'm shocked and even more unsettled. For me, physical contact beyond my mom is rare. Hugs, affection... I'm just not used to it.

"Are you okay?" he asks amidst his friends' chatter. I nod, staring at my hands. "Sorry about Yoongi; he always makes these kinds of jokes. He doesn't mean any harm."

"It's fine," I assure him, feeling awkward, unable to look into his eyes. "I actually liked everyone."

"Really?" he asks, bringing his nose close to my hair. My whole body shivers as I realize he's smelling my perfume, giving a satisfied smile when he pulls away. "Good to know."

I stay silent, feeling his warm breath near me. Jungkook removes his arm from my shoulder, but his skin still brushes against mine when he takes off his heavy jacket, leaving him in just a T-shirt. His friends are fun and involve me in the conversation, making me feel comfortable, but the truth is that having Jungkook so close drives me crazy and I can't pay much attention. I wonder how long I'll feel this way about him. Will this strong effect never go away? This is the third time we've met, but something tells me that no matter how many times I see him-be it two times or a thousand-my heart will always race whenever he gets close and smiles at me.

I don't even notice the time passing and only realize it's late when Yoongi, Jimin and Taehyung offer to take their girlfriends home, along with Hayun, who complains about not having anyone waiting for her at her apartment. Everyone leaves until only Jungkook and I remain. He promised to take me to his mother's house if I wanted, but I'm hesitant to ask as it's quite likely Mrs. Jeon is already asleep by now.

"Y/N, do you want me to get a towel for you?" Jungkook asks, tidying up the living room. I'm confused, picking up some empty soju bottles his friends drank to throw away.

"What do you mean?"

"You're not going to stay here?" he asks, furrowing his brow.

"Not really?" I laugh, then realize I might have been a bit rude, so I rephrase my response. "I mean, I don't think so. I don't want to be a bother."

"It's no bother. If you want, you can take a shower in my bathroom and sleep in the guest room." He offers with a smile. I bite my lower lip, unsure what to decide. I want to stay here, but it's just him and me now; is it really the right thing to do? It doesn't matter, Y/N. Just for one night.

"Okay then. Do you have a toothbrush, please?"

"Of course I do. Come with me, I'll get the stuff for you to use the bathroom." He calls me with a smile and walks down the long hallway. We pass by a few doors until we reach his room. My throat goes dry as my eyes scan the new space. His bed is large and covered with a dark gray blanket. The walls are white and everything is very organized, with a laptop next to the wardrobe and a fluffy black rug on the floor. His scent is everywhere, almost as if I'm breathing him. I clutch my hands together nervously about being alone with Jungkook in such an intimate space. He reappears after going to the closet, holding a white towel and some cotton clothes.

"You can take a shower in my bathroom while I use the guest one," he says, placing the items in my hands.

"Jungkook, that's not necessary..."

"Don't worry. I want you to be comfortable." He says before I can argue. His satisfied smile makes me not deny it again, happy to receive so much care from him. I just nod, agreeing. "The toothbrush is in the cabinet by the sink, in the package. You can open it, okay?"

"Okay, thank you very much." I smile before he walks down the hallway. I head to the door leading to the bathroom and sneak into the new space. I start thinking Jungkook has no flaws.

The place is as clean as the rest of the apartment, which makes me curious; does he clean everything himself, or does he hire someone to keep it tidy? I slowly take off my dress, grabbing my phone to text my mom and let her know I'm okay. I feel bad for lying, but the night was so good that I can't truly regret it. If I had to lie, to meet these same people, I would do it again. Thinking this surprises me, because just a few hours ago, I didn't think this way. The shower has a strong hot jet of water that massages my whole body, and it's so good that I have to convince myself to finish the shower and put on the clothes, trying to be done before Jungkook.

I brush my teeth quickly, smelling my skin that's still male fragrant with the liquid soap. I smile at myself in the mirror, brushing my hair with my fingers, trying to manage the unwashed strands. I open the bathroom door carefully, trying not to make too much noise and disturb the neighbors at this hour, when I see Jungkook again, this time only in a towel. I hold onto the doorframe, barely able to stand. A voice in my head tells me I shouldn't be watching him naked again and that I should turn around, go back into the bathroom, and pretend nothing happened, but I can't. I simply can't anymore. His muscular, wet back is in my field of vision as he searches for clothes. At that moment, my brain turns to mush and I decide to say what's been stuck in my throat.

"You're doing this on purpose, aren't you?" I muster the courage to ask him but I regret it immediately. What the hell am I doing? Jungkook turns slowly and the view from the front is a thousand times better than from the back. His whole body glistens in the light of the room, and his tattoos have never been so vivid. His body is muscular, virile and strong. I gonna lose my mind! Feeling new sensations I've never experienced for anyone before.

"Y/N?" He whispers my name with that soft voice he used when we first met. He doesn't seem surprised or embarrassed, which makes me even more unsettled.

"You're doing this on purpose, Jungkook?" I ask again. I have no idea where I got such courage and I don't know how long it will last. My heart feels like it's going to leap out of my chest. My whole body is on edge and sweating. I feel my hands trembling as I swallow hard. "You're trying something? I mean... you're not wearing clothes again and..."

"What do you think, Y/N?" he retorts suddenly, with a hoarse, deep voice. His eyes wander from my head to toes, as he raises an eyebrow along with his piercing, with a smirk at the corner of his mouth. My legs turn to weak twigs immediately, ready to collapse.

"I-I don't know." I stammer as he takes one step, then two and three, getting closer and closer to me.

"When I arrived from my trip to Busan, on the first day, I was tired and exhausted," he tells me, taking another step. I start to run out of breath, anxious and aroused. My cheeks flush as he speaks more slowly. "All I wanted was to rest and sleep the whole night, but that night I couldn't, not for an hour. Do you know why?"

"N-no..." I moan softly as his chest presses against mine. His warm, wet skin makes contact with mine, and I no longer know where I begin or end, pressed against his body. His pink lips curl into a wicked smile, as if he knows exactly what he's doing to me and it's all intentional. I shiver as his free hand moves up my wrist and grips the back of my neck firmly, making my eyes focus on his mouth and then his dark, deep eyes.

"A woman, next window, taking off all her damn clothes, completely shameless," he growls, pulling my neck closer to his face and pressing his lips to my ear. My spine tingles as I feel his teeth on my earlobe, in a bite that doesn't hurt but damn, it makes me shiver. My body contracts once and twice, and I know exactly what I'm feeling now: desire. The kind I feel occasionally when I try to touch myself alone and can't reach climax. The feeling I only have when I'm alone and confortable in my bed, trying to use my imagination even with the lack of real experience, but this is real, and it is infinitely better than what my mind could create.

"It was an accident, Jung..." I try to say, but my voice doesn't come out. The tip of his nose travels along a sensitive spot behind my ear, one I didn't even know existed, slowly moving down my jawline, discovering new paths. His hand tightens around my waist, keeping me in place, immobile.

"It may be that you didn't notice, Y/N, but I know you were watching me, even while I was undressing, even when you had every opportunity to stop." He argues with a smile, as someone who knows what they're doing and enjoys seeing the result. "And you know what's worse...? The worst thing is knowing the effect you have on me. From the first time I saw you in my house, with your innocent and curious eyes. I can't get you out of my damn head. Your mouth, your scent..."

"J-Jungkook... please." I beg, closing my eyes tightly. And I know what I want. I want him, since the first time I saw him. Since my eyes met his, I desired him so strongly that I couldn't think straight. He pulls away just a little, and I almost moan in a plea for him not to go. He sighs, pressing his forehead to mine.

"Can I kiss you, Y/N?" he asks in a very soft voice, and I nod because, despite all the things I believe in–God, hell, heaven and even my mother–nothing has ever been as adored as Jungkook. Since I met him, inexplicably, I only think about him, like a spell unable to contemplate of any other answer besides yes. I look at his eyes as they travel to my mouth, and I lower mine to his, exhilarated by that pink that only exists in him.

I move closer, my lips almost touching his, feeling the warmth of his breath. "Just kiss me, please." I murmur scared of what I'm doing; temptation clear in every word. And then he does.

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@ane102 @ttipa @joonwater

[l-in-the-light]

The most embarrassing series of posts about Lawlu you will ever read: edition Whole Cake Island (part 12)

Lawlu in Whole Cake Island? There is none! Actually... do we really need Law to be present to analyze it, come to think of it? Luffy is really all we need; to watch his behaviour, things he says, his determination, to guess how Law's influence would show and how partying ways with him (even if temporarily) would impact Luffy.

This is the Alice in Wonderland Arc of One Piece, which means Luffy's main struggle will be to face himself, his own weakness, fears, and maybe even his own self-hatred. Which is why this time it won't be the usual scrutinizing analysis of frame by frame, but instead I will take a deep-dive into Luffy's mind. Are you ready? :D

Luffy starts Whole Cake Island arc in a rush. Because why wouldn't he feel in a rush? There's a wedding to stop! There's a chance they won't make it in time, after all. But... seeing how Zou ended, there's probably one more reason why Luffy is so irritated and wants to get things done as fast as possible... there will be someone waiting for him in Wano, alongside the rest of Luffy's own crew. Luffy could tolerate being seperated from his own crew for two years, but this two weeks trip to Whole Cake Island seems like a torture to him. What changed exactly between timeskip and now? Oh, right, Law got added into the picture ;)

"See? She didn't have any problem with my yeeting!" and I wish he could add "Law also had no trouble after I yeeted us in Dressrosa, you should be more hardboiled like him!", because I swear, this feels like the thing he actually means. And he is right, Law hated being yeeted, but he dealed with it just fine in the end, keeping his clear mind and sense of direction intact.

And then, out of nowhere, Luffy gains an interest in cooking. Luffy, of all people! The very same Luffy who thought a musician is more essential on the crew than a cook!

He even compares Nami's nutritional knowledge to a doctor instead of a cook. For Luffy, a cook is just someone who makes your food look and taste extra great, but it's not neccessary for a kid who grew up in a jungle eating everything the way it comes or simply by roasting it over a fire. So why is he suddenly so interested in cooking?? Is he missing Sanji that much? Is he trying to make his crew miss Sanji so the reunion is more emotional? Good guesses, but they have one flaw: they don't take Luffy's personality enough into account.

Back in East Blue, Luffy agreed to recruit a cook before a musician only because his crew wanted one and also because he's a freaking glutton.

"You guys are really rude, I made this food for you!" now that doesn't fit with Luffy's personality of "I want to eat all the meat". Suddenly, it's for them, hm?

Then he tries his own "kitchen sink curry", spits it out, shouts that's it's inedible and flips the table! Why so mad? Oh yeah, because as we learn soon after, he tried cooking multiple times and it's still something that can't be eaten. He tried so many times that he wasted a stock of food they had that was supposed to last them for a week, for all of them! And it's all gone in one day.

Luffy's frustration is understandable then, because this is what he considers to be "his best attempt". As we learn from SBS, Luffy's best dish is just a bowl of meat (in other words: pieces of meat put in a bowl lol), which means he would not prepare "curry" or any sort of exquisite dish for himself. He indeed did this dish with others in mind. He would be more likely to just roast whatever he caught and shove it towards them, asking "you want some?", if it was only about him.

Despite his constant failures, he's still not getting discouraged and wants to learn how to cook edible things for people to enjoy. Nami though stops him and tells him "to never go into the kitchen again", ouch. They have been starving for days as the result of Luffy's "cooking attempts" and Luffy almost lost his life as the result (eating poisonous skin of a fish they finally caught), so her reaction is understandable. But this should make us realize that Luffy, thanks to this whole (mis)adventure, understands Sanji better without even realizing it. After all, Sanji was also told to "never cook again" by his father.

But I think this adventure has one more meaning. Whole Cake Island is basically a tale about the good and bad sides of food industry, but also how food creates connections between people. And I think XxXholic covered the latter part better than I could ever put in words, so forgive me for the unexpected crossover here. You don't need to know XxXholic, its plot or characters to be able to follow the quotes, they also don't spoil anything from the plot, so don't worry. We're just following one of the many, many side characters there.

First of all, if you want to repay a debt or show your gratitude, the best way is to offer food and good drink. And the best way to do it, is to offer stuff you cooked yourself, because they require your own time and effort, and include your feelings (of gratitude and love) for the person you cooked it for. If someone does you a favour, it's a good idea to say "thanks" by preparing a dish they like, for example.

"I would like to cook with you and then eat it together. And then I would really like to know more about you. And for you to learn about me, as well" says the protagonist to one of his clients. Cooking together is a big thing because it creates an equal, mutual bond: you get to know me, I get to know you, and we can both try to become better at cooking together, but also better people for each other as well. Because by cooking we learn more about what the other person likes and dislikes, but also about their personality: their usual way of problem solving, about their patience, flexibility, stubborness, ability to learn etc. Your prefered way of cooking can also reflect your personality this way and you try to offer your best through a dish you put a lot of effort to make, for someone to enjoy.

You can learn a lot about yourself as well through cooking. If you compare your own cooking to someone else's, you can realize your own personality traits you wished you would have never noticed (for example impatience, like Luffy flipping the table in anger: even Nami called him out on it, Sanji would not approve of that action!). You might also realize that someone preparing food for you did it with lots of feelings, of kindness and love, and that's why that food tastes good. And if in comparison your own food is terrible, bland, without flavour or personality, it just shows you don't really share your own love with the world through the act of cooking. In Luffy's case up there, his food was so terrible (though definitely full of his personality lol) despite him putting in his best effort and feelings. How did it make him feel about himself? Perhaps like he has nothing good to offer to people he loves? But his final reaction is always this: try to be better and do better!

Luffy offering his failed attempts to his crew serves the same purpose: he's offering them what he has, even if the result is disgusting. But this is the kind of person Luffy is at the moment and he has nothing better to offer!

The sidestory in XxXholic has a happy ending, the struggle continues on and the woman's significant other supports her efforts and says they will wait for as long as it takes. Now, what does that have to do with One Piece? The reason this woman couldn't cook something that would taste good wasn't because she's clumsy, or didn't put any effort in or lacked knowledge (she actually studied cooking like it's an university subject, it clearly mattered a lot to her!).

What she lacked in the end was love, not for others, but for herself. She hated herself so much that she believed anything she would do would turn out bad (which is exactly what happened over and over), almost like she was subconsciously self-sabotaging her own efforts. And since she didn't have love for herself she had nothing to give to others either, despite caring for them and being so grateful to people who loved her the way she is, imperfect, disbelieving in her own worth, broken. She just didn't feel like she has anything to offer to all the great people around her.

Sounds familiar?

"What can you do?" Arlong asks Luffy. "You can't do anything, you're a disgrace as a captain". And Luffy proceeds to say he has great people who support him (which means he does not think of himself as great, he knows he lacks in so many ways), but there is one, just one thing he can do for them back: it's to beat up people like Arlong.

And yet despite that, in Whole Cake Island, Luffy attempts to do what he literally can't do: to cook. He knows he can't do it, but he tries it anyway, knowing very well what the end result will be. It's not that he lost his mind. We mustn't forget why he's doing a stealthy mission on WCI. It's exactly because he can't do what he usually does: beat up Big Mom. He promised he won't do it. But what *can* he do then? It's his struggle to become better and get out of his comfort zone, and he starts that from attempting cooking. It won't be the first or last time that he will fight against himself in this arc, even denying things he had the most confidence in. This is the arc in which Luffy loses the sight of what he can and can't do, and needs to come up with a new answer or rediscover the one he already had all along. This is Luffy in a crisis.

Now is that related to Luffy being seperated from Law and dealing badly with it? Or Luffy realizing how much he knows Law has faith in him and he wants to live up to it? Because like we established before, Luffy is doing this stealthy attempt only for the sake of his alliance with Law, he would not bother usually and would just destroy Big Mom because she's in his way. I can only imagine Luffy's inner struggle when he tries to come up with a new solution here but can't get any, nothing works out if he just can't beat up the bad guy and move on. Luffy's later refusal to eat anything that isn't Sanji's cooking, not even the syrup rain, must reflect how Luffy feels about himself in this moment: he feels pathetic and useless and he must hate himself for it.

There's one more angle to it. Luffy suspiciously wants to cook as fast as they're seperated from Law. He thinks nutritional knowledge is something a doctor does and he's impressed with it. Law is a doctor. It's not a stretch to think that Luffy wants to learn something new to impress his favourite person upon return. It's highly likely he wants to cook for Law as well (and he's using his crew for taste-testing for now), because he has feelings of love and gratitude he wants to convey to him, but he doesn't know how to do it. But Luffy always had Sanji who used his cooking exactly for that: to show his feelings of love for people (and was very vocal about it!). Luffy is just trying to do the same, but he realized he can't do it no matter what. By the end of the arc he comes back to terms with himself and finds the old truth again: he will leave the cooking to Sanji and rely on his crew. He can try to be a better person in other ways, but he will keep on searching for a way to show love and gratitude to them.

And we will not talk about Luffy suddenly remembering people smooch each other and talking about it in context of Sanji's wedding, uhum. If that's on his mind all of a sudden when it wasn't even once for last 80 volumes, then you can guess why it suddenly would be. People who love and care for each other smooch, so maybe he was considering... things...

Another odd thing Luffy does, which is to check on the map and comments, frowning "it's weird". He has a point, because we learn later it was a deliberate trap. But he's paying attention here because he tries to be useful and does things he usually wouldn't be doing. Just like with cooking.

Same here. It's probably the first moment in which Luffy realizes that having a longterm plan would be actually a good thing. Yeah, Luffy of all people. That's because he must be thinking "if it was Law, he would definitely have one". I feel like other people were pointing it out to Luffy before, but it's the first time he actually shows that he kinda cares and isn't answering with "I'm just here for the adventure. And become a king of the pirates, no plans included!".

Look here. This is Luffy in a crisis. "I have to get back and I'll destroy everything in my way if I have to!" Not only he's not supposed to destroy everything or beat up Big Mom, which he points out a moment later, but Luffy is clear here, he made his decision: if he can't go back, he will simply get rid of everything on his way. Getting back is the most important thing, everything else be damned.

Except... are we really talking about Sanji here? Get back where, Luffy? To Wano perhaps, where your crew and Law will be waiting?

"I'm not going to die in a place like this!!", "I made him a promise, but it's not here!!". I'm just saying, this applies both to Sanji and the promise Luffy made "to meet up in Wano". And if he wants to get back no matter what, it's because he knows he can't die here, he can't force a certain someone to go through a big loss again. He would rather tear off his arms than not return at all and break his promise.

And we get Sanji with his "I didn't tell you to wait..." and Luffy just laughs in reply. This particular laugh he used only once before, btw, and I don't recall anywhere else:

When he was telling Zoro how much he's worrying about Sanji. Because why wouldn't Luffy know that Zoro and Sanji are the most important people for each other? Zoro is his best friend and his first crewmate, Luffy just knows what's in his heart, the same way that Zoro probably knows who is so important for Luffy as well.

Do you still think Luffy-Sanji scene was *only* about Luffy and Sanji? That the whole promise talk was only about Sanji? And not two particular people waiting for both of them in Wano? It was always about both reasons.

Luffy says he can't be the king of the pirates without Sanji. And demands that Sanji says how he really feels (which is "to go back on Sunny" ❤). Imagine if Luffy said both of those lines to Usopp in Water 7. Maybe a lot of the conflict could have been avoided. Especially if Luffy would also follow his very own advice, because he was not saying his true feelings in the quarrel with Usopp. What changed since Water 7 in Luffy? A lot, actually. Ace, timeskip, Dressrosa, Law... All those things are huge milestones in Luffy's development. But there's also the promise he made. He promised Zoro his crew to bring Sanji back. And that promise also changed everything.

WCI is also the first arc in which Luffy says he is ready to drop everything, even his own dream, and go save whoever needs to be saved for his crew's sake. It's very ironic how in this scene he also needs to struggle against himself, this time with his enormous hunger, that seems to sabotage his ironclad determination. For once Luffy doesn't do things for food and that despite the whole arc being exactly about food. That's how serious he is.

Now we have to talk about the alliance with Bege. Here is Luffy's initial reaction: "what an awful person", "Bege is gonna get it!". He does not like Bege at all, he also wants to punch him for what Bege did to Pekoms. In other words, Luffy doesn't think Bege is a good person, at all.

But just a moment later, when Jimbei tells him "you should work together with Bege", Luffy changes his mind immediately. He's all up for this alliance. His crew, that has been with Luffy the longest (Nami and Sanji) can't believe their ears. What an interesting change, isn't it? Like I argued at the beginning of this post, Luffy has to do things differently this time instead of doing what he usually does. The problem is, he's not good at anything else than "beating the main bad guy". That's why in this case he's determined to do something he would usually never do. And forgive me for the callback again to XxXholic, because I can't resist:

Luffy has the same idea as the protagonist here. "This is all I can do", and "if this person was with me, they would be able to find a better way". In other words, Luffy agreed to this alliance because he thinks this is something Law would do as well. Luffy is constantly wondering in Whole Cake Island how Law would handle the situation and he knows he can't come even close to his level, but at least he will try to follow in his footsteps.

Of course Luffy wants at first to punch Bege for Pekoms. He's still trying to make this alliance a friendship, and if he hits Bege then they will be even, so they can try becoming friends. That's basically the idea.

But he doesn't get to do that and in the end, Luffy agrees to alliance based on "common goal" or "allignment of interest". He did not become friends with Bege in the process and didn't make things even between them. This proves Luffy knows what an alliance is and it's not friendship. I wouldn't say this means Luffy finally learned what an actual alliance is (though it's tempting, ngl). I would rather say he always knew that, but he chose to make it a point that whatever he has with Law, is friendship firstmost, alliance second.

And here is Luffy listening to Bege's plan. He's trying, okay. Not his fault he's constantly getting distracted, sidetracked and overfocused on making a silly entrance party trick (jumping out of the wedding cake). Bege is just not Law, and Luffy's tiktok's level span of attention is struggling here, heh. Also please notice Luffy's unusual focus on the smooching lol.

Oh, so that's Luffy's idea for the wedding surprise. He just wanted to do ninja's shadow clonining trick, definitely inspired by Raizou's show in Zou.

Coincidentally, that's the technique that was Law's request and made Law so damn impressed. Yeah, this is for sure a coincidence, that Luffy chose to do it like that, even though he didn't really have to have multiple copies of himself here to make it work. I bet he just thought "if Law would be here, that would impress him, I'm sure!" and I bet he's looking forward to telling him all about this adventure later on and seeing his face.

But it was essenstial for his plan to create chaos! He didn't do it just for fun! Are you sure? Because it was Brook who hid himself in the midst and did the deed with Mother Carmel's photo frame, and Luffy did not tell him to do this. Luffy simply wanted to be cool, okay, he didn't think that far ahead. He was supposed to cause chaos, he delivered.

And in his fight with Katakuri, Luffy is the one who has to have faith. Law had his faith moment in Dressrosa, now it's Luffy's turn.

Luffy found his answer about what he can do and how to become a better person for someone. It's to master his observation haki. Which, coincidentally, is Law's forte.

Luffy's curious, very strict words to Jimbei. "Don't let even death stop you, we'll be waiting in Wano!" It's basically Luffy's own promise he made before leaving Zou, just said in more deadly serious manner. That's because his experience in Whole Cake Island made him realize it himself: he will go back to Wano and not even death can stop him from achieving that. Because he promised that to Law people.

I'm sure for Law this would be indeed the most important thing, not to lose anyone ever again, especially Luffy who he (miraculously) managed to save all the way back in Marineford. I don't know how Luffy knows this or if he knows at all about Law's deepest fear, but he's determined not to die on him, that's for sure.

This is also the first big seperation for Luffy and Law. Luffy deals with it, treating everything like an adventure to tell Law later so it feels like Law is there with him even though he's not. But also treats it like a challenge, to become a better and stronger person so he won't disappoint him.

Still convinced there was no Lawlu in WCI? Oh well, if that's the case then all I can say is: I tried my best :D

If anyone wants to read all the parts of this series without going to my masterpost, then just click "love is a hurricane" tag :3

[hyperfixingfr]

I'm putting this in the tags for the people who are sending me rude asks. Please do the mature thing and just don't send me nasty things. Thanks.

For the last time since I keep getting nasty fucking asks about it insulting me and calling me names; I am not tryna run none of you people outta this damn fandom and that was never my goal so quit playing victim and pretending I am. This is a fandom for everyone, obviously... Which is why I criticize when you guys treat it like it isn't. I was trying countless times yesterday to drop the conversation when the person arguing with me kept insisting that they had an issue with me talking about an aspect they didn't like, because they were arguing with me over an opinion I had that they didn't like, not over something that mattered. This aspect personally affected me, and many others in the server. This isn't an aspect I enjoy people pretending is cute or funny because it caused very, very real damage to things like body positivity. I don't try to fight with ANYONE here, ever. My entire goal in these situations is to educate when someone believes this is bad behavior by explaining why it's problematic to gloss over this aspect or glorify it when it was a very real issue. Please, ask yourself why you're beefing with a minor. I beg of you. This person had no intention to listen to me, OR the server owner, when we told them that they can have different opinions and simply ignore it if they don't like it. They also ignored the countless attempts at de-escalating the situation, proving they just wanted to argue about it.

I should also mention this person said some really nasty things that implied I was apart of cancel culture, or on the "everything is problematic" bandwagon which is kind of implying they think that criticizing bigotry is wrong, even when it's coming from the minority group it affected. My criticizing of a media is not disliking of a media, nor is it "cancel culture". I am not trying to CANCEL a show from the 2000s. I am merely pointing out its flaws. If you can't handle being apart of a morally flawed show's fandom, don't be apart of it. Not only that, but this person made passive aggressive comments such as "wow you ramble a lot" completely unnecessarily when I was speaking. Why was this needed? I know I do. Why are you trying to insinuate that my passion about the subject is weird? Either way, I wasn't trying to have this fight. They were. This person said a lot of insensitive things to me, claiming I pulled the autism card when I rebuttaled the "wow you ramble a lot" stuff, telling me they had an issue with me merely discussing a topic that was 100% allowed in the server (stated by the server owner, the channel was allowed for criticism), and was overall very passionate about putting me in the wrong for simply pointing out and discussing the flaws of a show because it was brought up. That's not okay and that's incredibly judgy. I dunno why this person can't admit they're wrong, but it's not hard to understand that my criticism is not unwarranted nor is it unwelcome. I did nothing wrong by speaking about it in a channel that directly said criticism was allowed.

Do not play victim when you started the argument AND fueled the argument when people tried to stop it. Simple as. I'm really hoping this person realizes they're wrong and apologizes appropriately like a mature adult, because this is ridiculous. This is such a stupid thing for them to have fought me over and no one's gonna be upset if they just... Did the right thing and apologize. This applies to ANY of you who mess up. If you mess up and realize you've done something you shouldn't have, just apologize man. Especially in a case like this where the person was arguing over "toma-to, tamato-e" or whatever. They didn't like my WARRENTED opinion and they got on my ass about it repeatedly, and I got nothing out of asking them why they held it because their response was basically "you don't like this media how I like it, so you can't possibly like it, get out". Hence, them asking why I'm in a server of fans if I... "Don't like the show". Simply because I criticized an aspect.

Please, if any of you don't believe me, the server is open for the public. You can go in there and see the conversation yourself. I am not hiding myself at all from this, and I'm glad to share evidence that I did just as I said and they did just as I said. This is a stupid fvking argument and any of you still dragging it on should be ashamed for thinking this is worth arguing about. People have opinions, leave it at that. What happened to respecting valid stances?

[ficks-of-fancy2]

MHA is a nightmare and my personal punching bag

A lot of people like to say that MHA is bad. But a large sum of the fandom has largely ignored the actually problems with the story and characters as a whole. The problems that have been applauded despite the gaping flaws. So let's discus.

Where do I start? My Hero Academia is the single most horrible show I have watched for some time. It's good points are far and few between the shit show of it's story and characters. So it's small problems first. It's over sexualizaton of it the teens in it's cast is just abhorrent and I hold similar sentiments for the fandom in some cases. The villains frankly get too much attention, with one crazy man's ideology pulling all the weight of their missguided motive. Or everything being a direct result of one delusional man's puppeteering. Not to mention the overall demonization of mental illness and inherently flawed take of forgiving your abusers.

Midoriya and All Might is a toxic relationship. Sorry about the whiplash, allow me to explain. From the start we get to see Midoriya as a victim of Bakugo's almost constant abuse, but also his love of All Might. The idyllic and 'perfect' hero he aspires to be and is convenient to. Izuku Midoriya is All Might's convenient child because Midoriya is too blinded by his idol worship to see that All Might is using him to continue his battles, slowly grooming Midoriya into the next him. All Might is the last oasis in the desert of his life and Midoriya has none of the tools necessary to leave, All Might wont let him leave. And he goes unchallenged by the story for lifting up Midoriya's suicidal tendencies by preying on his need for validation through action. All Might is using Midoriya to desperately cling to his golden years and that is actively detrimental to Midoriya's growth as a character.

If I may compare Izuku to another similar character, and I shall. Mahiru Shirota is one of the protagonists of Servamp, a character driven manga about servant vampires or Servamps and their masters or Eves. Mahiru is the eve of sloth, his Servamp, Kuro or Sleepy Ash. Mahiru at the start of the story is almost identical to Midoriya through out mha, Mahiru is a convenient child for everyone in the story. He doesn't voice his objection or opinions beyond what you would expect from a kid like him. He aims to please and is almost suicidal in his pursuit of validation. But were Midoriya stagnates, Mahiru blooms, he grows to be more selfish and loving thanks to the logical end point of that stagnant arc, Kuro. Kuro was killed by sloth, his willingness to take the blame for a crime he didn't commit for the sake of his village. His selflessness and the inherent selfish need of external validation was no different than suicide. But were Kuro and Mahiru grow, Midoriya just doesn't, he rots on the vine and fails to become anything. His lack of growth makes him come off as winey and pathetic or just boring because he doesn't change for the better. His stint of vigilantism is just every adult in his life telling him that sacrificing himself is how he will atone for his inherited burden. For the sin of All Might's sloth for what Yagi and the other holders allowed to fester in the dark.

Bakugo Katsuki is... a good premise with bad execution. Bakugo's entire arc is learning to not be a fucking asshole, simple in premise and absolute horse shit in execution. From the word go, Bakugo is shown to be an abuser. Midoriya's abuser to be precise. Going so far as to actively tell Midoriya to kill himself. Now, Bakugo's abuse is born from a place of projection, Bakugo is a narcissist, not in the traditional sense, but more in a way that makes him unable to empathize with positive emotion in relation to himself and others. He is the center of the world, but at the same time he thinks of himself as worthless without his strength, unable to exist with the knowledge that he isn't the best of the best. Bakugo's arc ends far too late. Bakugo's arc should had started after the sports festival at his interaction with Best Jeanist leading to an apology tour and ended during the culture festival, his payoff during the fight against AFO Shigaraki and the vigilante Deku arc. Bonus points if Midoriya doesn't forgive him at first, leading to Bakugo working to regain that trust in more tangible ways. Have Bakugo seek towards empathy.

Ochako Uraraka isn't a character, not a well made one at least. To be fair this is something most of the cast suffers from. If it isn't the main protagonists or antagonists, the writer doesn't care. Uraraka is just the love interest without any depth of character beyond that. People like to pretend there is more going on, but I just don't see it. All of her 'growth' is motivated by her obsessive and honestly one sided love for Midoriya, a love that is only returned when Midoriya and she are looking for something to fill the void. It's toxic and terribly familiar to his and All Might's relationship. Midoriya is constantly put into the role of savior to all of these characters that don't in turn assist in his growth.

Speaking of Midoriya's role of savior, we have finally arrived at the L.O.V. The League of Villains is a good premise for an exploration of the inner politics of a world where 20% of the world lacks a unique superpower (that's still a lot BTW). Or to dive into the segregation of those with detrimental, uncontrollable, or 'villainous' quirks. The bigotry towards mutagenic quirks. Or an actual exploration of the inherent flaws of a society that has put a price tag on altruism, something more than senseless slaughter spearheaded by manchilds and mass murderers. The L.O.V deserved to be something more than the flawed argument of some fanatical lack of worthiness and some vague notion that rebellion against a already broken system is a problem. It's stupid, The League of Villains had potential to be actually interesting, but it was made into anarchy for the sake of it never even attempting to offer a solution to a system broken for those already in power.

Yet somehow we have missed the biggest point of what a hero is. A hero is a person who does what they can to save people who are hurt, broken, or lost. Even when they are the 'villains' or more plainly the mentally ill and those rejected by society. Somehow we have forgotten or ignored all of the Wake the Deads, the For the Man Who Has Everythings, the Flash And Substances, and the Epilogues. All the stories that told us that sometimes the best thing to do is be there for people. Being a hero isn't about fighting. It's just about being there. For the people, all of the people. But also understanding that some people can't be helped. People like Baby Doll and Shigaraki, Dabi and All For One, people too far gone or too hurt to help. Toga and Twice just needed help they weren't given. It is what was born of the legacy of All Might, peace and complacency, a smile hiding everyone else's tears. Every single crime committed by Shigaraki and the L.O.V is the direct fault of All Might. Because he refused to see the people he was fighting as what they were. Evil is often relative because to an ant a boot is evil. Rarely in the world does true evil exist and often it is taught or held in those who believe themselves without betters or equals.

[ordinaryschmuck]

Why I Love The Owl House: Part 5-The Themes

Prev Part

Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

And we’re just two parts away from me never talking about The Owl House again! In previous parts, we’ve talked about the characters, their relationships, and the narrative threads that are closely tied to them. For this part, we’re now discussing the show’s themes and messages. And I’ll level with you all: I’m admittedly...faulty at this part of media analysis. Anything regarding the discussion of a theme or message that a story tries to tell is something I struggle to do right. I regrettably either come across a theme through luck or piggybacking off of what others have said and throwing my two cents in. When it comes to putting it in my own words, I just…have issues in describing what the theme is. Hell, this whole part was the hardest to write because I often drew a blank of what to discuss or how to dig into it further. A part of me, deep down, KNOWS what a story is trying to say but I, a lot of the time, struggle finding the right words to best convey it.

Yeah, isn’t that rich? An English Major with a limited vocabulary and an ineptitude towards analysis. My life sucks sometimes…

With that said, there are some things that I’ve noticed about The Owl House and what it’s trying to tell to kids and maybe a few adults. A lot of its messages are definitely simple to older audiences, but with the things it has to say to kids it makes The Owl House something important to watch if they’re to shape the future. And no, I’m not talking about those lessons told at the end of each episode, but overall themes that occur through the course of the series. As far as I can tell, The Owl House has about…thirteen things to say about life, love, the trials of growing up, and how to deal with people. Plus, much like the narratives, it’s all tied closely to the characters and their personal journeys. Does the show say everything it needs to say well? Or is this another case of “If the show had more time it’d be better” and all that yada-yada? Well, let’s find out together as we count off the things that The Owl House has to say. Starting with a point the series makes exponentially clear:

(Also, prepare thyself. This one is twenty-five pages)

Honesty is the best policy 

I don’t know if you noticed, but these characters tend to lie. A LOT. And we’ve already gone into great detail with how often Luz lies in previous parts. Whether it's to her mom, her girlfriend, or friend group, Luz tends to keep some dark truths from the people she cares about. It’s partially selfish, but it comes from not wanting them to worry about her when they’re the ones currently going through it. It’s part of Luz’s bigger flaw of caring more for others than she does for herself (Which we’ll get to later), but the point remains constant that if she told the truth sooner, she’d have saved a lot of pain and heartache for herself and others. Same goes for other characters who lie for similar reasons but with greater consequences.

Going from least hurtful to most, let’s start with Eda, the one who lies in two different ways. The most obvious lies come with her pain, primarily the curse. She initially chose to keep her mouth shut about it, hoping that it’ll never turn into a big deal or a problem. If you’ve been paying attention to her character’s journey, you can tell how wrong that assumption was. When keeping it a secret from the rest of her family, the Owl Beast came out at the worst possible time, making Dell disabled and Gwen desperate to get the beast out of her precious daughter. By underplaying how bad it is to Raine, it makes Raine think their relationship isn’t serious enough so they break it off. She didn’t even tell Luz and King until they met the Owl Beast themselves and tried to survive it. Eda had King in her home for eight years and this was the first time he’s ever known ANYTHING about the Owl Beast. And even then, she still hides that it’s getting worse by the day, giving King and Luz an IDEA of what Eda’s going through but withholding the part that could upset them. Just telling them about the curse is arguably Eda at her most honest about what’s wrong with her, and she still doesn’t want to reveal everything. It’s part of this underlying problem where Eda’s unwilling to reveal the pain inside herself because, well, she’s the big bad Owl Lady. The most powerful witch on the Boiling Isles. And with a title like that, she doesn’t want anyone to know that she’s fragile. She tried being fragile once in the beginning of “Keeping Up A-Fear-Ances,” detailing what the curse does to her, and it made her mother go a little overboard in wanting to help her precious daughter. Needless to say, she’s not willing to go through that again, especially since Luz and Raine proves her point by putting themselves in danger when knowing how much Eda hurts. When Luz learns about how bad the curse got, she practically threw herself into the arms of the Emperor to find this specific thing that could help. And with Raine, while Eda opened up more about the curse and how it affected her magic, she still remains tight lipped about another thing: Her kids. She never brought them up, hiding her turmoil about them leaving her for good and was lucky enough that Raine found out soon enough so that SHE won’t abandon Luz and King when they still need her. It’s fortunate that Raine found out by accident, but UNFORTUNATE that it led to them getting captured to save Eda so she could talk things out with her kids. In Eda’s eyes, vulnerability means that you need to be helped or protected, with the ones you love paying the price more. She hates that feeling and despises it even more when people she loves get in danger because of it. Eda eventually finds her way out of this mindset thanks to the love King and Luz share with her and how Hooty and Dell prove that facing pain head on is the only way to heal from it. It was a slow process, but one that eventually led to her opening up more, even allowing herself to cry when she would usually hide her pain with a smile or push it down for the sake of a brave face. She becomes honest with her own pain, with her curse, and how much she truly cares about her loved ones. However, that’s more of a general lie with Eda. There’s one specific lie that she told that went on for way too long.

Lying to King about being a King of Demons seemed harmless at first. Eda was just messing around with what she thought was a pet. Only for that pet to prove he’s more intelligent than she thought and, as a result, more delusional. King took being the King of Demons as part of his whole identity, with every action he made trying to live out that fantasy. By the time Eda revealed the truth, it’s like telling a child that there’s no such thing as Santa Claus, the Easter Bunny, AND the Tooth Fairy all at once. Only the effects would be ten times worse because it would destroy all of King’s sense of self AND give him questions that Eda wouldn’t have any answers to. Eda knew this inevitability would come any day now, so she put it off as long as she could, initially hoping that King would outgrow this fantasy himself so she won’t have to rip off this particular bandaid. Only to be backed into a corner because King and the others almost got killed in trying to prove that King’s really, well, a king. This time, telling a lie actually put someone in danger, so Eda tried the truth for a change and, well…it crushed him. More accurately, it shattered King’s core identity and sense of what's real and what isn't. Eda saw this, immediately felt guilty for holding it in for too long, but never comes to regret this decision. It’s something she KNEW needed to be done from the start and accepts the “consequences” of what comes from this lie. I put “consequences” in quotes because aside from a lot of tears being shed, this was the first step to King growing up and he would come to appreciate the honesty (even though he had a long, emotionally draining road ahead). Eda telling the truth WAS for the better, even if she should have told it long ago. But, all things considered, the lie wasn’t THAT bad of one. It was done to keep King happy and let him have some childhood innocence for a while…As for the lie AMITY told?

All Amity had to tell Willow was that her parents are forcing them apart because Willow’s family isn’t rich enough. That’s all. It wouldn’t have been great, but it would at least be the truth and Willow could have understood…Maybe. Well, there’s a slight possibility that Willow would have tried talking things out with Amity’s parents or continue to be friends despite them, not caring what they’ll do to her. Amity, not wanting to take that chance, decided it’d be best to make herself look like the bad guy. So, she lied that she doesn’t want to be friends with Willow because her magic is weak, thus distancing herself from her first real friend. Was it an extreme decision that crushed Willow’s heart and left her unsure if she’s capable of doing anything right? Yes. But to be fair…Amity said that lie when she was probably seven years old. I’d like to see what morally correct decision you made at seven.

But the first lie isn’t the worst part about Amity’s decision. In actuality, it’s how she decided to keep the lie going for years until Luz showed up and intervened. In Amity’s “defense,” which is really a frail excuse, she didn’t have any choice but to keep up the act. She already said it, it did its job, and now she has to commit to her lie or risk putting Willow in the warpath of her parents. Amity says it herself that she’s not brave enough to fight them for Willow, so she instead puts on a mask that makes her appear to be a mean girl and further separates herself from her now ex-friend. This led to Amity disrespecting Willow and belittling her because it’s better to have Willow hate Amity instead of let Odalia follow through on her threats. It wasn’t until Luz showed up and started improving Amity’s life that she realized that being nice FEELS nice. Is that an oversimplification? You better believe it is, but I talked about these three characters and this aspect of Amity and Willow’s relationship three parts in a row so LET ME SIMPLIFY! Anywho, it is good that Amity told the truth and it’s even better that she apologized, but it doesn’t change how the initial lie made things worse. In an attempt to protect Willow from Amity’s parents, she left Willow to face bullies and judgmental peers without anyone to comfort her or be in her corner. At least, not until she met Gus and then later Luz. It was almost a well-intentioned lie like Eda’s with King, but while Eda put off the truth to protect King’s innocence, Amity destroyed WILLOW’S with a single lie. By the time the truth came out, it finally STARTED the healing process. It didn’t fully heal Willow, but it STARTED to, with her admitting that making things right with Amity is what jump started her having more confidence. Confidence that she’d have since the beginning if Amity wasn’t the one to crush it by saying Willow being weak is the reason they can’t be friends anymore. Amity had her reasons, and I went over them thoroughly enough in previous parts (Go read THOSE), but it doesn’t change that Amity caused a lot of damage to Willow by lying about why they can’t be friends. On the bright side, while she did keep it going for too long, she at least made things right in about a couple years down the line. It’s not like she kept this one lie going for a dozen years until adulthood and letting things get so worse that it was almost too late to fix things. That would be AWFUL…Anyways, let’s talk about Lilith.

Lilith proves that a lie of omission still counts as a lie. For YEARS she kept in the secret of cursing Eda and for YEARS let Eda’s life get worse because of it. I’ll get to how thoroughly screwed up things got with Eda in a minute, but to keep things brief: Things would not have been as bad if Lilith fessed up sooner. There might have been a lot of yelling, a bruised nose, and Eda proclaiming she has no sister sooner, but time tends to heal all wounds. And they would have had more time to heal if Lilith spit the truth out at fourteen. She would have more time to fix things and prove that she can help Eda, just like how Amity started fixing things with Willow once revealing who was the REAL weak one in the relationship. Now, these are two VASTLY different scenarios and Eda would most certainly have been out for blood immediately, but I’m certain that if the rage settled they could have worked things out and Lilith might have helped Eda with the curse sooner. And, heck, if you go back FURTHER, there’s a chance that honesty could have stopped the curse altogether. If Lilith was honest about her own inadequacy and confessed to Eda about how she’s POSITIVE that her sister would win, Eda would have just shrugged and given the Emperor’s Coven position to Lilith no problem. Granted, joining that coven would have been its own can of worms, but it would have certainly saved Eda a lot of emotional and physical pain. Unfortunately, problems with showing weakness apparently run in the family and Lilith didn’t want to admit that she wasn’t stronger than her sister. She needed to PROVE it…by cheating and completely derailing Eda’s life in the most outrageous fashion. And Lilith would learn years later that the truth really does set one free. But again, I’ll get to that in a minute…

We all have our reasons for being dishonest. They’re selfish reasons in hindsight, but we still have them. Sometimes it’s to stop others from worrying about us, other times it's to hide something we’re ashamed of, and most of the time we just want to stall a bad reaction that we KNOW is inevitable. What we need to learn is that the truth ALWAYS comes out eventually, whether it's through us or through others. We can try to deny the truth, bury it, and hope that it never gets out, but it always does. And what The Owl House tells us is that it’s a GOOD THING for the truth to be out there, especially for loved ones. There might be secrets we HAVE to keep to ourselves, but if you can’t be honest with the people you love, then they can’t effectively help you nor can you help them. It’s always important to be as honest as you can be, because the more you put off the truth the worse the consequences will be. Because you never know how bad one action can snowball into something worse. Which brings me to another theme in the series…

Your actions can have unintended consequences

There are two characters this applies to: Luz and Lilith. You can…probably see where this is headed.

Luz and Lilith tend to make mistakes in the series, Luz more so than Lilith. Granted, Luz’s mistakes mostly stem from her character flaw of not thinking things through, mixed with some impatience and being afraid of confrontation. In other words: She’s a teenager. Dumb teens are going to do some dumb things, and while Luz is smarter than people will give her credit for, she’s still the kid who angered a Slitherbeast by stealing Amity’s wand when Eda’s lessons seemed like they were going nowhere. And that’s just a MINOR thing in Luz’s adventures. We already went over the domino effect last time and how Luz texting ONE LIE to Camila ended up putting her in a more stressful position than how telling the truth outright would have. There are also the many times Luz almost got herself killed, sometimes due to overconfidence or being too emotionally driven to take down someone threatening the people she loves. Most notable examples of that second one definitely comes from being hyper focused on fighting Lilith and Belos in “Young Blood, Old Souls,” which led to the destruction of the portal door and Luz struggling to get back home. Or how Luz thought she could take Belos head on again in "King's Tide," nearly getting petrified in the process if not for smooth talk and tricking him with an invisible branding glove. As for her near death experiences caused by overconfidence, well, let’s see: You have her going on that fake quest for Adeghast, pretending to be an abomination, fighting Grom, challenging Boscha to a grudgby match (That might as well count), and trying to steal the healing hat. And that’s just the stuff that happens in Season One, with some of it carrying over to MORE consequences aside from just almost dying. The wacky adventures in Hexside made Odalia think she has a case to get Luz, Willow, and Gus expelled. And when getting caught by stealing the hat and Lilith consequently using her as bait, it leads to Eda’s curse getting irrevocably worse and Luz being forced to destroy the portal during her attempt to save Eda from Belos. A part of growing up is learning that if you don’t think far enough ahead, you could cause disastrous consequences. Thankfully, for each mistake Luz makes, she is often quick to correct it when the problem arises at any time. Plus, after so many near-death experiences, it eventually molded Luz into becoming the kind of person who doesn't wants lasting consequences over something stupid she did, trying to be more careful in her approach to something. Because Lilith proves just how disastrous it can be to yourself and others if you don't think about the consequences.

The thing is, Lilith PARTIALLY knew the repercussions that came from cursing Eda. Simply put, Eda would have lost the duel and not join the Emperor’s coven. It was a selfish plan made by selfish desires, but Lilith believed she had things all figured out and that things SURELY wouldn’t snowball from there. Turns out, she didn’t think ahead enough (Yeah, big shock). Because everything that went wrong with Eda’s life is all Lilith’s fault. The Owl Beast attacking their dad? Eda running away from their mom? The distance Eda has with her whole family? Eda breaking up with Raine? It all circles back to the curse that Lilith put on her. Now, Eda owns partial blame as some of these were caused by HER actions that no one forced her to make. Yet the curse didn’t help much, especially as it got worse the older Eda got with her magic fading away with the curse’s effects. Lilith excuses this by saying she didn’t expect the curse to last more than a day, as if that actually means anything. Look, I get that she was young and very stupid, with her hyperfixation on joining the Emperor’s Coven blinding Lilith from what was right and wrong. But she still kept that secret for YEARS, not wanting to reveal it until she got a cure for Eda, only to make things worse not just because the curse got stronger and the distance with Eda and Lilith became greater. It’s because., by the time Lilith DOES spit out the truth, Eda’s already at her lowest point with the curse and is furious at Lilith for kidnapping Luz. Just like how Camila would have been LESS upset if Luz told the truth sooner, Eda would be significantly less blood thirsty if Lilith came out and admitted her guilt from the start. I said it with the honest theme: Time heals all wounds, and Luz and Camila prove that forgiveness CAN come if someone proves they’re sorry enough and had more time to reflect on their actions. Lilith was just afraid of that inevitable confrontation that she kept her mouth shut for YEARS to avoid it. She was too scared of facing her own consequences, and it’s why it’s a smart decision to let Lilith decide to SHARE the curse. It finally allows Lilith to understand what she put Eda through and express her apologies far better. It finally hammers into her mind what she did was wrong and how she can take the steps to improve things…We barely see any of this, but at least she’s NOW experiencing consequences for herself instead of letting someone else’s life get worse.

The Owl House does a great job of showing that anything we do, no matter how big or small, can always cause big problems for ourselves and others. There’s no changing that, and what matters most is how we react. If we wait too long, things can only get worse and it’s for the best to fix things as quickly as possible instead of pushing aside the inevitable. And be careful of what you do because you never know when one stupid idea could lead to something even worse for your future. However, while The Owl House does show how our actions have negative consequences, it is smart enough to say that the opposite is true. You see…

Your existence changes lives in unexpected ways

Whenever we do something bad, the domino effect it causes could lead to disastrous outcomes that we could never prepare for, but that doesn’t mean our existence is nothing but accidentally causing harm to ourselves and others. Existence is actually about changing the lives of people around us, a lot of the time for the better. And there’s no character that perfectly proves this more than Luz Noceda, who is the very reason that most people in the Isles is living their best lives.

“She also caused Belos to—”

SHE IS THE VERY REASON THAT THEY’RE LIVING THEIR BEST LIVES! Nearly every person she's come into contact with is better than they were before meeting Luz because she has this tendency to make life better through mere existence. Sometimes it’s unintentional, with Vee being the first person Luz helped. When Vee saw Luz in the Demon Realm, she saw that there was a chance to escape Belos and took it with no regrets…That is, until Luz showed up again, but it all worked out for the best. Vee got a home she felt safe in, friends to spend her life with, and a family that treats her as one of their own because Luz unintentionally gave her an out. And when Luz officially met Vee, she did everything to secure her future sister a safe space to live in. As for other characters Luz more DIRECTLY changed for the better, Eda and King are the first in that regard. They were looking for someone to steal something for them, only for Luz to bring them together as a family. She became the daughter that Eda never had but likely wished she did as Luz is just as chaotic as Eda was but with more of a good heart. Luz gave Eda someone to care for, someone to FIGHT for, as she proves that having someone in your life is a lot better than living alone as a criminal with her son being misconstrued as a pet. With Luz around, Eda allowed herself to love again, letting other people back in because she needs to when taking care of this fun, energetic girl that practically crashed into her life. And with King, Luz gave him someone that is almost ALWAYS on his side, being protective and caring towards this cute little guy who never had a friend before. Luz was the first person he’s consistently interacted with that’s anywhere CLOSE to King’s age, and she was there to offer warmth and snuggles, endless support in finding the truth about his people, and inspiration on how to handle someone like The Collector. With Luz’s help, King went from a greedy demon hungry for power that will never be his, to a sweet boy who learned that all he ever needed was the found family around him. Luz met two misfits who often fought but cared for each other, and brought them to become even closer as a family. A family that would be nothing without her, with the same going for Luz’s friends.

Luz formed her very own squad of pals, all of them coming together because she was there to make them close. Willow and Gus were already buddies when they met Luz, but she was still there to make things better between Willow and Amity and, through inadvertently meddling in Hunter’s life, made him and Gus the best of bros. The most unlikely of friendships, one rekindled while the other forged through adventure, all happened because Luz showed up and improved all their lives. I already THOROUGHLY went over how she was able to change Amity’s life for the better, so…go read that. As for Willow, Luz acted as a cheerleader that often pushed her first best friend to do something that was stupid and reckless but ultimately for the best. Whether it’s pretending to be an abomination or playing grudgby against a team’s captain, Luz nudging Willow towards adventures allowed her to find her true magical strength, face her bullies, and become a confident witch that Amity would relearn to respect and for Hunter to love. With Gus, while neither are as close to each other as they are with Willow, Luz still helped him get something he always wanted: More friends. Before Luz or Willow, Gus was looking for someone to like and respect him instead of using him as a way to get something they want. Then here comes Luz to not just be another friend but unintentionally give Gus the chance to make more of his own. She gave him glyphs to help impress Glandis kids, only to grow closer to Matt when someone like Bria started showing her true colors. And, again, meddling in Hunter’s life led to him and Gus going on an adventure that brought them together as bros. Now, how did meddling lead to that? Well, aside from giving Hunter his first social interaction with someone close to his age, accidentally giving him an emotional support bird, and being the first crack in the wall around his heart, Luz also took Hunter into the Emperor’s mind and completely shattered his worldview. By the time Gus found Hunter, the poor boy was shattered and desperate for comfort, even if he didn’t want to admit it. Gus was just the one there to pick up the pieces with Hunter paying him back when it was Gus’ turn to need help. Luz created this friend group where the kids all care and help one another and gives them the opportunities to grow and better themselves for the company they want to keep. These four wouldn’t be as close as they are without Luz. Willow, Gus, and Amity might not even have the CHANCE to meet Hunter or know who he is if not for Luz intervening and helping him out of Belos’ hold.

“But she still help free The Collector–”

Oh, you mean the child who was falsely imprisoned and needed to learn how to play nicely and safely with others? The same child who wouldn’t have been better if not for Luz teaching him the value of a mortal life? THAT Collector? Because you’re right. It is good that Luz helped free them, even if accidentally.

“But she still helped Belos–”

OKAY! Okay. I get it. You have this weird obsession with Luz accidentally helping Belos and believing that everything wrong with the Isles is because of her, regardless if it was an accident or not. Good for you and go f**k yourself. But let’s not forget that Luz is the reason why Belos’ regime toppled. Heck, she was doing that before she knew Belos was a problem. In Hexside, they limit students to stick to learning one magic track before graduating and picking one coven. It’s a blatant display of preparing them for the inevitable, only for Luz to come in and allow Principal Bump to realize maybe it’s worth letting kids sign up for multiple magic tracks before making a final decision. The results make the adults remember how much they miss their covenless days and a character like Jerbo being inspired to change the system when he grows up. Luz already started the gears turning to tear down the systems Belos built ALL IN her first day at Hexside no less. By the time she does meet Belos and see how clearly evil he is, Luz still goes about trying to ruin every part of his plan. Luz slows down his plans to flee the Isles after committing genocide by blowing up the portal door, she saves the palismen Belos would have used to extend his worthless life, and goes so far to help Lilith and Hunter, his most loyal soldiers, turn their backs on him. Luz was cleaning up the “mess” she made for helping Belos long before she knew she was “responsible,” which she wasn’t. Belos knew this, and it’s exactly why he revealed that Luz helped him with his plans, even though he could have tricked anybody. He used this ploy to trip Luz up, only for it to make her more determined to stop him…until the guilt became too much to bare at one point, but that’s where her friends, the support group that SHE cultivated because of HER actions, came in to encourage Luz and tell her nothing is her fault. And when Luz came back…she died. But the Titan, the GOD of this universe, took note of Luz’s actions and all that she did to give King a good life as a shining light of kindness and would then give Luz the powers she needed to come back, rip Belos out of the Titan’s heart, and let him melt away in the boiling rain. You can claim all you want that Belos’ rule is all because of Luz, but Luz still ruined all of his plans and stopped him for good, doing it intentionally and unintentionally. Meaning that everything she “caused” was being fixed by her own existence.

…Okay, might have went on a bit of a rant there, But I can’t help it! You see, I made a post THREE YEARS ago, listing the ways Luz improved lives and how that wouldn’t have happened if she never came to the Isles. And one person, on THREE SEPARATE OCCASIONS, replied to that post and mentioned how those problems wouldn’t have existed if Luz never came at all. And it just feels like it devalues Luz’s accomplishments, the good that she did, and takes away some of the blame from Belos. Luz didn’t force him to use coven sigils or steal palisman or even commit genocide. That was all him and if it wasn’t Luz it would’ve been someone else he tricked to get what he wanted. We don’t blame Hitler’s dictatorship on the guy who stopped him from stepping into traffic before having the chance to DO all those bad things, and we definitely don’t blame the fourteen year old who couldn’t tell that the spineless, shaggy human would become the most dangerous person on the Isles. Because if you want to go so far back as to blame Luz, then you can blame Eda too. After all, she’s the one who told Luz about the time pools, she’s the one who allowed Luz to stay, and she’s even the one who’s responsible for Luz coming to the Isles in the first place! Yet you don’t see people blaming HER for all the world’s problems, do you? No, you f**king DON'T…Though, now that I think about it, if we could transition to this finger pointing and unnecessary blaming, there are some positive things Eda’s existence brought out into the world.

Real quick: I’m not saying that everything good that happened to the Isles and Luz’s friends is because of Eda. Only a lunatic would go that far. What Eda DOES get credit for is how she gave her kids a better life. Luz was from a world where most kids never got her or her weird interests and actions. She was a social outcast looking to be understood and Eda gave her that chance of understanding. She brought Luz into a magical world, protecting her from its darker edges, giving her a chance to explore, and letting her find her people. Eda found a kid who was alone in her own world and brought her to one that would eventually greet her with open arms. Things weren’t perfect at first, as Luz almost died three times within her first week, but with Eda’s guidance and care, she gave Luz a place she could call a second home and two people she could call an extension to her family. Speaking of family, Eda is the reason why King has one. She saw a little creature that lived in the cave of a dangerous monster, took him home with her, and that creature grew up to be her pseudo son. She treated him as a pet at first, thinking nothing of it, but as she grew to realize his intelligence and childlike behavior, she started treating him more like a son. Plus it’s a good thing that she got King out of that spire. He would have grown up alone as the last of his species with no one but the mute Jean-Luc as company. By taking him with her, Eda gave King a warm home, good food, and, eventually, Luz. All that is before King legally made himself a Clawthorne, making his family larger and causing Eda to cry tears of joy because she grew to love the little. She grew to love BOTH her kids as she wouldn’t be the same without them just like how they wouldn’t be the same without her. Eda didn’t think much when taking these two in, she was only being charitable. Still, regardless of intention, Eda managed to improve the lives of two innocent kids that needed more love in their life.

Life is a chaotic thing, giving us consequences to our negative actions but also rewards ourselves and others through the mere act of existing. Sometimes we’re rewarded and other times the people we love are. In either case, we can never truly know how much a simple action can affect someone’s life, whether or not we intend to do so. If Luz is any indication, as well as Eda to a lesser extent, then the show is trying to tell us that your life might seem small and your choices smaller, but you’d be surprised by how big of an impact you can leave on the world just by being yourself. It’s a beautiful sentiment that the show stands by, being one of several ways it tries to tell people that they matter. Especially with this next theme.

There’s nothing wrong with who you are

In case you’re wondering, no, this isn’t about how the show normalizes sexualities, genders, different races, and overall equality. Though, real quick, that IS a valid and important aspect of the series that not enough people took into account, meaning that we SHOULD spread that message more so that it can stick. However, for this theme, it’s more than just about representation and letting many different kinds of people feel seen as individuals. It’s more about the image issues that a few different characters have.

Starting with the most obvious, we have Willow, The Owl House’s shy girl. The poor girl starts off so unsure of herself because she’s not as good as others in one specific kind of magic even though it’s obvious to everyone in the room what Willow’s real talent is. It doesn’t help that most of her classmates judge and make fun of Willow for her “weakness,” with the time she had on the show being spent proving to herself and others that she isn’t weak. It’s why when Willow DOES mess up or feels unable to help that it causes her to break down and think that maybe she is just “Half-A-Witch Willow” like all of her bullies say. Thankfully, she has her support system to be there for her, Luz and Gus constantly acting as cheerleaders to raise Willow’s spirits and Hunter sharing how much he admires her strength and kindness. Interestingly enough, he also has the same confidence issues as Willow, having no natural magic and always pushing himself twice as hard to be seen as an equal among his peers, who are some of the best witches in the Isles. They’re also GROWN witches who had more time to mature their magical capabilities, but nonetheless, it made Hunter constantly feel like he wasn’t good enough either. It’s what makes him and Willow having each other in their corner kind of beautiful. Most of the people they see everyday look down on them, with Willow and Hunter not doing themselves any favors. But together, they can remind each other that they ARE worth more than anyone bargained for. Though, they don’t JUST have each other. Again, Willow has her cheerleaders and Hunter eventually has Flapjack pulling him in the right direction. To be honest, I’ve said all that I’ve needed to say with these two, how they grew, and how they affected each other. Or rather how Willow affected Hunter, as it’s still mostly one-sided. If you want to find out why, just go back and read parts one and two, it clears things up better. For now, I’ll say that these two definitely had their fair share of confidence issues, with Willow’s being obvious from the start while Hunter’s became more apparent the more his heart opened up. When you’re surrounded by people you think are “better” than you, it’s easy to feel like you matter less despite your own talents. But in some cases, a lot like Hunter, people are better at hiding it.

Take a look at Eda. With the amount of confidence that she has and the ego she flaunts, you wouldn’t guess she has image issues. But then you look at the curse and it all becomes clear. Eda’s regrets, nightmares, and worries proves that she does care about how others see her and react to her bad side. It’s not as prevalent or as evident as Willow or Hunter’s issues but it’s still there, with things getting worse when the curse took away Eda’s magic. She’s no longer the most powerful witch on the Isles, losing all the fear and respect she’s garnished and is now forced to relearn to be powerful in different ways. She bounces back but not without a lot of frustration, more towards herself if anything else. Eda hates the fact that she’s “weak” now and was desperate to get herself back to the top as quickly as possible. It’s not until she learned that her curse can become a strength instead of a weakness did Eda really begin to feel better about herself. I mean, I’d probably feel better about myself too if I could suddenly transform into a hot harpy. She certainly isn’t complaining, and good for her. She proves that you can always get over your issues, no matter how long it takes. For Eda, it might’ve taken her late thirties or…early forties? Regardless of how old Eda is, it definitely took a long time to get better and, even then, she still has The Collector's manufactured nightmare about people seeing her as a monster, which clearly got to her. The unfortunate truth is that it takes time to heal and you won’t be completely cured. There are times you will have good days or bad days, with Eda representing that through her false, and sometimes honest, bravado that tends to hide how messed up her issues really are. It’s good to show kids how slow that progress can be, even if it’s handled in a way that’s not as noticeable. However, while one’s issues can take time to fix, others’ tend to get worse with more time and, of course, more trauma.

Luz definitely had her issues, even before the whole Belos thing. She hoped being a “chosen one” would help her fit in, was worried about being seen as fragile, and became concerned about tanking her reputation on the first day of going to Hexside. Luz may be a proud nerd at heart, but she’s also one who cares about how others see her, whether it’d be her classmates or the people close to her. It comes with spending years of others signaling Luz out as “the weird girl,” with the Boiling Isles giving her a fresh start. Luz can be whatever she wants, even the hero of her own story…only to feel worse about herself once growing some attachments. Every time she accidentally caused troubles for other people, it caused Luz to sometimes believe she was a burden and needed to fix any problem she indirectly caused. Just look at how Luz reacted to accidentally making Amity lose her job. After getting it back for her, Luz was ready to accept that Amity would never want to see her again, despite Amity sharing the blame for it. Because Luz, at her core, is a good person, and it hurts her deep down when she sometimes hurts the people she loves in this world that she feels more at home in. It’s why Belos telling Luz that she helped him with his genocide affects her so much. It’s not true, everyone in the show knows it’s not true, and even members of the fandom who aren’t idiots know that Belos is full of crap. His actions are still his own and what Luz did is nothing wrong compared to his horrible deeds. Yet it still gets to Luz because it takes all of her issues of feeling like a burden turned up to the highest degree because she blames herself for the Day of Unity happening and all the craziness that comes from it. It hurts her so much that she forgets one important detail: She’s just a kid. Her mistakes are common, but nothing to beat herself up over. She’s still growing and learning to be better, not having the mental or emotional maturity to know better than to trust a shaggy man that claims to be on her side. As long as Luz makes it clear that she regrets what she did wrong and learned from it, which she always does, there’s no one with a rational mind that will blame her. It’s why it hurts that Luz doesn’t think she deserves it. Even though everybody constantly reminds Luz that life is better because she’s in it, it’s still something hard for her to accept. The times she accidentally caused trouble back home likely attributed this behavior, having only Camila in Luz’s corner as everyone else was busy calling her a freak or a problem child. Sometimes when you’re told your whole life that you’re a problem, it’s hard to stop seeing yourself as one. That’s Luz to a T, and it’s not until she found people that understood her and how she’s neither a problem nor a screw up did Luz slowly start to believe it, even though part of her can’t help but go back to the guilt she felt about things she didn’t mean to do.

We all have our reasons for self-doubt and sometimes self-hatred. It can stem from how others see us, how we see ourselves, or sometimes how we BELIEVE others see ourselves. And it can be an issue that could unfortunately last decades, where we get better but not completely healed of what hurts us. The only way to help ease that pain is remembering, simply put, there’s nothing wrong with who we are. Are there times when people SHOULD improve themselves? Absolutely. But if you’re anything like Willow, Hunter, Eda, and Luz, you should know that there’s not much you need to improve aside from your attitude. You’ll make mistakes, you’ll go back to how you feel, and you will find it hard to get over this problem you’re dealing with. But with the people you love cheering you on and reminding you that you ARE loved in this world, then that’s already the first step you need. And if you think you’re not someone worth the effort as there are more people suffering harder than you, just remember…

Your pain matters too

Sometimes, the nicest kinds of people tend to think that the problems of others outweigh anything that they’re going through. Especially those who lived most of their lives being told that they matter less than anyone else. And…you can already tell which two characters this theme applies to.

Luz and Willow are both victims of caring too much. You wouldn’t think that’s an issue, but it very much becomes one when helping others stop you from helping yourself. Luz is a more popular example of this as she will frequently throw herself into danger just to help the people she loves. She’ll even treat helping someone as a distraction to her problems like helping Eda reunite with Raine and getting Kikimora out of the Emperor’s Coven to forget Luz’s promise to her mom. Or using Amity’s desire to join the Bonesborough Brawl as a way not to think about her dad. Luz constantly decides helping people is more important than anything she could be going through, with Willow being in a similar yet less intense boat. “For the Future” proves this, with Willow hyper focusing on making Hunter happy and suppressing her own stress and anxieties of her fathers as she did so. It’s exactly what Luz does throughout the series, just as a one-time occurrence that Willow learns from quickly. Her caring for others more than herself fits her good-natured attitude, but after her talk with Hunter and Gus it’s likely Willow won’t return to this behavior again…Which in turn presents a problem with Luz and this theme.

That moment between Gus, Hunter, and Willow in “For the Future” is great, but it feels like LUZ needed a moment like that with the people she loves. She KIND OF gets it with Amity in “Reaching Out,” but not to the same extent Willow got with her boys. Amity just boxed Luz into a corner and forced her to spit out what’s bothering her, with the truth and how Amity reacted to it making Luz think she can be a little honest with her feelings. Only for her to go right back to distracting herself so she doesn’t confront her emotions in the very next episode, with Eda helping out by telling Luz the story of how she first met Raine. Meanwhile, Gus and Hunter told Willow that they appreciate her and everything she’s done for them, but tell her it’s okay to feel sad and to let it all out. And…Well, since there was only one episode left after that moment and all of it was dedicated to fighting the bad guys and giving our characters happy endings, all we can do is assume that Willow DID learn from her adventure in “For the Future” and grew from it. Even though Luz sort of gets that same lesson, there’s never this explicit case that she’s growing from it. If you dig deep enough in how she slowly admits what’s wrong or how she’s willing to vocalize her journal entry about what’s bothering her, then you can see that Luz learns a little. But when she’s the character that constantly puts others' needs above her own, especially for mistakes she didn’t intend, then it feels weird that she doesn’t get the same thing Willow got. If anything, it makes what Willow went through feels more like a lesson of the week than an application of this underlying theme within the series. It’s still a valid lesson to teach, but if this was something both Luz AND Willow needed to learn then Willow needed more moments in the spotlight of putting others' needs in front of her own and Luz needed more of a scene like Willow’s to better herself. It’s still fine as is, it just could have been better.

Still, it’s an overall good theme to teach kids. The Owl House is clearly telling them to be kind to others, primarily through its main character being the purest one of the bunch. But as good and important it is to spread the message of kindness, it’s equally essential to let them know it’s okay to focus on themselves sometimes too. You’re not going to properly help anyone if YOU’RE not feeling good yourself. Whether you just need to cry it out or talk it out with someone you love, it’s important to think of yourself from time to time. It’s not selfish to care about your own well-being and you won’t be a bad person for taking a day to just…decompress. You can do much worse than make yourself happy. As for those who HAVE done worse, well, there’s a theme meant for them.

People can always improve

The Owl House is one of those shows that spreads the message of turning enemies into friends instead of leaving them as, er, enemies. And if it’s enough to piss off Lily Orchard (Don’t bother with her), then you KNOW the show is doing something right. But in fairness, the show makes it clear that this decision is best reserved for those who are explicitly complex. Just look at Amity, Lilith, Hunter, and The Collector, characters we would have never expected to be reformed by their first appearances. Amity started out as generic prissy mean girl #115, Lilith was a snooty witch with a stick up her bum, Hunter was a charismatic fighter who threatened the lives of “criminals,” and The Collector was a god-like being who seemed to take joy in wiping out an entire race of people. Not great setups for characters you eventually want us to find redemption. Thankfully, The Owl House is a smartly written show and knows that you got to show layers to a person and why they’re like a certain way.

Amity and Hunter are by far the best examples of this. Every episode they’re in shows a new layer to them and the lives they live. To keep things brief (because I’ve talked enough about them already), they’re both kids who grew up with parental figures that made them believe that you have to always do what you’re told to justify your existence. Odalia and Belos both proved that there will be major punishments for when Amity and Hunter fail, motivating them to do their best for the wrong reasons. And doing their best often meant putting others down or doing something without knowing better because…what else could you do? Run away? Fight back? Stand up for yourself? Yeah, easier said than done. Hunter is proof that it’s not that simple, with Belos physically mistreating Hunter whenever he spoke up or how Belos WILL send his guards out to hunt Hunter down. Not everyone can be like Amity who has a parent that EVENTUALLY cares enough to kick the more abusive parent out. Sometimes, when you’re on your own with no real support group, it causes you to do as you're told without learning until later that it was the wrong choice. Amity and Hunter both show that, and it isn’t until meeting their friends that things start to change for the better for them. And they sure did change, with Amity and Hunter always getting a little bit better, even if their living conditions made it a bit difficult to do so. Plus, they’re kids. Kids are allowed to grow and change, especially if they’re always learning from their mistakes before doing something TRULY unforgivable. Unlike…other characters that I’m not a fan of in a different show I tried so hard to love. And when it comes to fictional storytelling, especially ones aimed for kids, I usually try not to avoid the “They’re just kids” argument because…yeah, obviously they’re just kids. That doesn’t change how well the writers handle their redemption, because if I’m left questioning if this character is MEANT to be redeemed, something screwy is going on here. With The Owl House, the writers consistently remind you that these characters are young and naive, with that knowledge playing into Amity and Hunter’s redemptions as it makes it an easier pill to swallow. And it doesn’t work JUST for these two.

The Collector being a kid is the central point to their redemption. He literally doesn't know better and–I’ve also gone over this a lot too, I know. But the point keeps being valid every time you look at The Collector’s actions. Even with the way they put Luz, Eda, and King into playing his weird games, The Collector still sits down and mopes because they all kept winning. It’s very much the same as a sad, lonely child who doesn’t like losing or people having more fun than them. All The Collector wanted was to play and have fun, but was punished for it because his siblings abused The Collector’s naïveté and made it look THEY were responsible for the other Titans…going extinct. And being falsely imprisoned for thousands of years tends to leave one a little agitated, as well as overly excited to be free and let loose. He didn’t do better because they never KNEW better, with Luz understanding that after just ONE real conversation with the kid. She was as freaked out as anyone else when first meeting The Collector, but, just like with Hunter and Amity, the more Luz got to know him the better she understood why The Collector acts the way they do. Everyone has reasons for their actions, some of them more justified than others. And even for the unjustifiable, it’s not too late to turn things around.

Lilith’s redemption still has some issues. Again, I VERY MUCH went over that enough. Yet it again comes with the best intentions of proving that you’re never too old to change. Lilith cursing Eda was wrong. VERY wrong. But she at least admitted to it and put the work into making up with her sister, already off to a great start by sharing the curse with Eda. Sure, Lilith still felt aggravation towards Eda and would occasionally act a LITTLE stuck upish, but the more Lilith stuck around the more it’s revealed how desperate she is for approval. Even a quick bit of Lilith making a little ice sculpture of Luz as a teacher giving Lilith a gold star speaks VOLUMES of her need for authority figures to give Lilith approval. Even if said authority figure is a fourteen year old who just knows more about glyph magic than Lilith. It also helped that Lilith had Hooty there, bringing out her best and bringing some levity in her life. It makes her from thinking that she’s at the lowest point of her life to realizing that life just got started for her and that she CAN make improvements, have better connections with the people, and can be a kinder person instead of a cold, stick in the mud. And with each episode we see her in Season Two, Lilith DID get better as a character and as a person, finding her true self and proving that you don’t NEED to be dragged through the coals forever to better yourself…Even if a sick part of me kind of wishes she was. I just feel like everyone forgave Lilith a little too fast, and while improving herself is fine, forgiveness is a completely different thing. But I also went over THAT enough, so I’ll just stick with the fact that while Lilith’s redemption is the most flawed here, it still does the job to prove that people are never just one thing forever.

People can change, and a lot of the time it’s for the better. They might have done things they’re not proud of or learn to regret, but everyone has a reason for it. Whether it’s how they’re raised to act, how their goals blind their morals, and quite literally didn’t know better. For these people, it’s always best to give them a second and maybe even third chance, especially if they have a clear desire to change. Some certain cynical sycophants will sometimes say that a character shouldn’t be redeemed because they don’t deserve it, but that’s not really how redemption works. It’s not about DESERVING redemption but proving you’re capable of it. When a show paints how a character is always bad and needs to change yet consistently goes back and forth on them being better or worse without much apparent growth, then that’s where it becomes a problem within the story. But if the show reveals layers to a character, proving that they’re flawed but good deep down and allowing that character to better themselves throughout the story, then it’s writing the message correctly. There are cases where there’s a good person deep down a LOT of hot garbage, with a lot of morally dark actions burying them deeper, but that doesn’t mean we shouldn’t forget that bright light of a human being that still wants to do good and trying desperately to claw their way out of their own pile. It’s…a complicated metaphor, but people are just the same as that: Complicated. We can grow and be better, it just takes time and love to do so. Although, to teach a message like that to kids, it is important to make one thing clear…

Some people don’t deserve redemption/forgiveness

This is the most ESSENTIAL distinction to make when writing a show about bringing the best out of others and getting them to change and redeem themselves. Yes, there are people capable of being good but there are still people out there who are too far gone to change or refuse to see how they’re a problem on all accounts. You can reason all you want with them or try your hardest to bring them out into the light, but no matter what you do, they’ll still refuse to accept that they’re the problem.

Kikimora is a perfect starting example of this. “Follies At the Coven Day Parade” was our first and…honestly, It’s our ONLY insight into there being more to Kikimora than a psycho who’s very okay with child murder. Luz catches Kiki getting stressed over not being able to see her family due to her duties being more important. The Owl House has done more with less when it comes to trying to hook viewers into sympathizing with characters worthy of redemption. I mean, just look at what they eventually try with Boscha. Besides, you don’t need a BIG reason to help someone into the light. As long as it seems like there’s a GLIMMER of a hope, then that can be enough to make it justified to help them. It’s only dependent on how quickly that glimmer gets stomped out that you realize mistakes were made in helping someone. To Kikimora’s credit, it seemed at first she was grateful for Luz and the others to help her be free of the Emperor’s Coven, even if a little annoyed by their flawed plan and ridiculous antics. It’s not until Terra (We’ll get to you in a sec) mentioned a promotion did Kikimora’s true colors show. When it seems like she’s at her lowest, Kikimora is willing to find an out so she doesn’t get disposed of like your average Golden Guard (Which she might have always known about?). But when it seems like she has a chance to be on top? Well, then Kiki will say her family could rot for all she cares if it means she’ll be seen as the best of the best. It’s that desire to inflate her already big ego, mixed with the insane drive to do so, that proves how Kikimora isn’t one to change because she has no desire to. Her only desire is to look out for herself and do what’s best for her, but to a selfish degree that often leads to others getting hurt. To Kikimora, the only problems that she needs to take care of are those who try to prevent her goals of reaching to the top. And she’s not the only one.

It still amazes me how Amity desperately tried to convince Odalia not to assist a genocide. I said it before, and I’ll say it one more time: This was Amity’s last attempt at proving that her mother isn’t evil. And we all know how well that turned out. The reason that it amazes me that Amity even TRIED because…there hasn’t been an ounce of kindness that Odalia showed to anyone. With Alador, there’s at least SOMETHING, whereas the nicest thing Odalia did was compliment on Alador’s work. Still, even then, it isn’t much given that she didn’t really know how much Alador would appreciate the compliment. So if Odalia never acted good, why bother reaching out? Well, as I’ve said several times before, it’s hard for a child to accept that their parent has ZERO good inside them. Amity wanted to see for herself, once and for all, if there’s really NOTHING good in Odalia and the answer…was exactly what she needed to hear. Even if it’s baffling that Amity tried to reach out, it’s still good that she did. It’s always important to at least TRY instead of giving up on someone outright. Amity more than anyone knows that not everyone is completely bad, so it’s great that she and kids watching understand that sometimes what you see really is what you get. A better example of this is Terra.

No one really tried with Terra. Specifically, no one in the CAST tried with her. The most people did was try to reign Terra in and tell her NOT to kill children and that didn’t really change anything. The fact that Terra RELUCTANTLY agreed just proves how deranged she is and how no sane person would want to change her. The writers knew this as even they didn’t try giving Terra that many layers outside of a crazy person who liked torturing the youths. And given that this is a series that loves showing how most of its characters are layered with a few of them deserving redemption, it’s perfectly fine to show one that’s one-dimensional and bloodthirsty. It helps sell the fact that not EVERYONE is redeemable, like having Season One Boscha act as a one-dimensional bully to make Amity’s redemption more digestible. You got to show a bigger bully to prove how the other isn’t so bad, and that’s what makes Terra so important. She’s the bigger bully, and her actions prove that while SOME people are capable of change, others like Terra are more than fine with who they are. And I’ll give Terra this, at least she’s sociopathic enough to understand she’s the bad guy and LOVES that about herself. Unlike others who genuinely believe what they’re doing is for the greater good.

Belos is the best example of how some people will just NEVER change. It’s never too late for one to redeem themselves in some way, but Belos has been living among witches and demons for CENTURIES. He had hundreds of years to see that there’s nothing wrong with who they are and take note that they’re kind people just living life and not really hurting anybody. Instead, he focused on the bad parts. The witches who made him dance for his book. Lilith, who punched him in the nose. And, of course, the witch who stole his brother away. These all circle around in his brain for as long as he lived, ignoring the TRUTH behind these responses. The Fang brothers and Lilith only treated Belos that way because he killed the Fangs’ brother and put Luz and Lilith in danger for his own reward. As for Evelyn, she didn’t STEAL Caleb away, he willingly followed her to a new world. Yet Belos refused to see anyone else’s point of view and that witches were ALWAYS the problem. Never him, and not anyone else. So he dedicated his entire life to fulfilling his plan, mutilating himself and becoming less human by the day, all so he could wipe out witches and demons from existence. He justified it because of his idea of the greater good, believing he was some tragic hero pushing himself to do what’s best for humanity. In reality, he was just a sad old man who never took the time to ask “What if I’m wrong?” And if he DID ask that, well, he likely suppressed that thought deep, deep, DEEP down inside himself so he wouldn’t have to think it again. Belos was a monster that would never change because he didn’t think he needed to despite having all the time, all the chances, to see that he could be wrong only to deny and refuse any other possible answer. Not even Luz, who forgave most of her enemies, wasn’t even willing to give Belos a chance, appealing only to his ego instead of his humanity as she knew full well he wouldn’t listen. The only person who really tried with Belos was The Collector, a child who learned the concept of kindness and forgiveness for the first time in their life and didn’t know better. If that doesn’t say a lot about Belos, I don’t know what does.

It’s always important to preach the message of helping people better themselves. There are good people in this world and it’s admirable to help those who want to be good but need to learn or relearn how. However, not EVERYONE is going to be like that. One way or another, they don’t see themselves as someone who needs to change. They either think there’s nothing wrong with them or believe that the rest of the world should change itself first. You can TRY to reach out to them and maybe you’ll succeed in some way with a few of these people. Just don’t feel too disappointed when it turns out that some people are too broken to fix. In that regard, there’s not much you could do to help them and you’ll often find yourself fighting against them. And you might want to make sure none of those people get too big of a dangerous job, because you’re not going to like what they’re capable of. You’ll see why in this next theme.

The ones who make the rules are sometimes the most dangerous

Not ALL the time, mind you. There are SOME nice people running things…probably. But not EVERY person should be in charge. There are those who abuse the system for the chance of lifting themselves up higher or hurting those whose only crime is existence. They have their “reasoning,” but it always boils down to excuses in some ways. It’s always based on “How they’re raised” or “It’s based on what their religion says.” While that explains their actions, never does it justify anything they’ve done as it’s a weak shield against the arguments about their moral character. Your upbringing and religion doesn’t stop you from coming across as a turd nugget, and if you’re wondering who I’m calling out with this, it’s the kind of people that Belos represents.

The absolute tragedy is that there are people in real life who are a lot like Belos. It’s just that he’s exaggerated for a storytelling effect and to keep things simple for the kiddos. Regardless of that, he still acts like those you’d see and hate. He’s a maniacal, manipulative leader who made the ranks through lies, smooth talk, and telling people what they want to hear. Because when you act like you know better than others, and do so with enough confidence, you’d be surprised with how easily people will be convinced to follow someone who speaks nothing but nonsense. And nonsense really is the name of Belos’ game, as he manipulated a group of people’s sacred beliefs and formed a religious oligarchy just so he could kill those he was manipulating in the first place. As far as my admittedly limited political knowledge goes, there hasn’t been a person that’s gone THAT far, as most of them actually believe the crap they’re saying. It’s just Belos who manipulates beliefs to get his way. The Witches consider the Titan their god? Then he’ll use that god to make them think he’s unhappy with how witches use magic. It’s similar to how people use the “It’s not what God would want” when making their stance on other people’s rights, except it’s not THEIR god that Belos believes in. He’s a puritan who thinks that all these sins he’s committing to the people of the Isles is worth it because it’s what HIS god wants. And for the record, I don’t think that there’s anything wrong with believing in God or any god for that matter. But if you really believe that God would want you to kill others to appease him when his teachings boil down to love and forgiveness, then I don’t think you’re worshiping God the right way. That’s something Belos doesn’t realize, as he would twist his own soul into a pretzel for the sake of his “holy mission.” Yet that mission was nothing more than a shield to hide behind his discrimination. Much like other “leaders” in the world.

Am I projecting how I see certain scumbags on social media onto Belos? Most definitely, but I feel like Dana Terrace is most certainly doing the same thing. Look at any conservative online and tell me that they don’t have similar mindsets to Belos. Because to me, they definitely do, and it’s the way Belos transformed the Isles that makes me worry about those real life dingles. Especially with how REAL the Isles feel in that regard. Oh, things seem fine. In fact, things are relatively normal with people living their lives without any real negatives. That is, as long as you join a coven, otherwise you’ll be marked for death if you break the one important rule. Everything seems to be alright for everyone who stays in line and follows the rules, much like real life society. We can live normally and be at peace as long as we ignore the problems that exist, do as we’re told, and never CONSIDER straying from the path. And that acceptance of how things are is exactly what the bad guys in charge use to get what they want. They spread their message to those who WANT to listen and are fine with what’s being preached, all while painting those who say otherwise as the purest of evil. When, nine times out of ten, it’s usually the person preaching that crap who turns out to be the real scumbag. They don’t want you to think differently or question why things are the way they are, either because they don’t want their own place in the world to be challenged or, like Belos, they actually believe that people who are “other” are actually evil. It’s why he gave these people, who were initially content with their lives, a system that seemed to encourage in-fighting, proving that you’re the best at a specific skill, and letting others climb to be the most powerful in the world for the sake of their god. Belos devised a way for witches to basically fight each OTHER, temporarily playing the long game so he can stall until finding a way to kill them all at once when his time was starting to run out.

I wouldn’t say that the show is ENTIRELY anti-government. If it was, the ending wouldn’t have implied that Raine and Darius have basically started their own. To me, the show is more likely saying that you need to be careful in who you put your faith in to lead you. Not EVERY politician is evil, but none of them are saints either. A lot of them have ulterior motives for letting them lead, with a person like Belos showing just why we should be wary of who to trust. Belos may be an exaggerated worst case scenario, but one that’s very much possible if we don’t prepare well enough to stop those just like him. As for who’s who, well, that’s up to your own beliefs and research to find out. Just remember that even though someone is in charge, that doesn’t mean they have your best intentions in mind. Though, keep in mind, this is mostly about the people in politics. There are authority figures you should be wary of, but most of the ones who know you personally are trying to keep you safe. It’s the ones that have known you for years. Ones who want to make sure you’re having the best life. And while they’re not always right, there are some out there who want to do right by you. And what authority figures are those? Why, your parents of course!

…Look, I wrote myself into a corner and I needed a good transition into the next theme. I know parents are nowhere NEAR the same government officials or those who uphold the law, but they at least uphold the law in YOUR house. Though, some of them aren’t perfect at it.

Parenting isn’t easy

There are a LOT of parents that do their best in this show. The only real exception is Odalia because…she’s Odalia. It’s the rest that shows they’re doing all they can to give their children a better life. Willow’s dads are willing to give up their jobs to continue Willow’s education when she’s expelled, Perry wants to support Gus’ talents, and, hell, even one of Boscha’s moms seems desperate to be a part of her daughter’s life by asking to join in on the Moonlight Conjuring. There are some decent parents in this show, but not a lot of them tend to get credit for their efforts. Mainly because, in some cases, their efforts aren’t good enough to those who’ve had…similar experiences that turned out for the worst. Those types of people tend to not feel good when a show says, “Give your parents the benefit of the doubt.” You can…already tell where this is going, and I want those fans to know that their emotions are valid and, if I were in their shoes, I would feel the same way. However, I think there’s some value in how The Owl House tries pointing out a parent’s love is the most essential part done right, even if some parents tend to fumble at first.

Starting with the most forgiving, we have…Camila.

“LE GASP!”

DO NOT get me wrong: Camila is still the best parent in the show and one of the best cartoon moms of all time…That doesn’t mean she hasn’t made any mistakes. In fact, Camila acknowledging her mistakes is part of what makes her one of the best parents. She was a single mother trying her best to raise Luz right, but got lost along the way due to how OTHERS perceived Luz, not so much how CAMILA saw her. She loved Luz’s wackiness and oddities, it’s what made Luz…Luz. Camila was just worried because not everyone would feel the same way, and that would mean Luz would not fit in with…anyone. And with everybody judging Luz and even judging CAMILA, it left her feeling pressured to make a change to fix the situation. Her fault was that Camila decided on sending Luz away to a camp in an effort to help her daughter, only for that to make Luz feel like SHE’S the problem. It’s not what Camila intended, but it’s how her actions came across, and it immediately left some bad tastes in some fans’ mouths. Some of it was very unwarranted as too many jumped on the hate wagon by calling Camila a bad mom who doesn’t love her daughter despite a fair amount of evidence pointing to the contrary. Still, when she does things like send Luz away or unintentionally guilt Luz into thinking she can never return to the Isles, some fans can’t help but see their own dismissive or possessive parents, even if Camila isn’t meant to be like that. She’s a mother trying her best and made a few mistakes along the way. She at least learned from her mistakes, managed to be better, and was given more depth for why she acted this way. And her character was certainly more well-received than other problematic parents doing their best.

If you couldn’t guess already, Gwen and Alador are the other two. I’ve said ALL that I’ve needed to say about them, there’s no need to stretch it out further, and so I’ll just speed by them. Firstly, they’re both characters where you understand the intention the writers were going for. They’re meant to be parents who genuinely love their kids but went about supporting or helping them the wrong way. Gwen was a mother who wanted to cure her daughter’s curse at all costs due to the pain it caused Eda and the rest of the family. She just ignored Eda’s feelings about the matter, not being satisfied unless the curse is gone FOREVER. And all that ignoring led to Eda distancing herself from Gwen because of all the intense and ineffective treatments, with an extra side-effect of Gwen ignoring Lilith because her problems weren’t as “important” as the one she caused. Though, that last bit might have been a thing long before the curse. At least, that’s what’s implied. Her actions were less than ideal, and to some fans, it would take more than a single “I’m sorry” to make things right. Unfortunately for Gwen, she never really got a chance to prove she’s forever changed like Camila did. Outside of redeeming herself at the end of her introductory episode. The next time we see her, she drops the news to Eda that Dell is about to visit, giving Eda no time to mentally or emotionally prepare herself for her father’s arrival. It was done with the best of intentions and Eda would have refused until the day she died anyways, but it’s still the same as Gwen showing up unannounced with a new and “totally legitimate” cure. Camila at least put in an effort to be okay with the Isles, even if some aspects freak her outyears after her first visit. But that’s the benefit of being a character who was allowed to grow and change because the writers found a way to include her in the main story. Gwen didn’t have that luxury, with the show barely having enough time to fit her in at all. I feel like the reason for that was because the writers didn’t have plans for Gwen outside of her introduction, so they just hoped that what she did in that episode would be enough. And…it is for a mostly one-off character, but it causes SOME reservations with fans due to the years of damage and neglect Gwen partook in. I would still personally say that what she does is enough, but I’m a person who didn’t have a mother problem like Gwen, and the fans who did are likely going to respectfully disagree with me. Though, I feel like I can confidently say that Gwen’s mistakes are an easier pill to swallow than Alador’s.

Alador is very much not an improvement as he constantly stayed out of Odalia’s way and did what she said to make her happy so she wouldn’t do anything WORSE to the kids. Even though what she already did wasn’t all that great to begin with, Alador kept telling himself that Odalia will somehow be even worse if she doesn’t get her way. He tried to SUBTLY steer Odalia off course, but still did next to nothing to really stop anything she’s done. He does when she finally goes too far, but to some fans’ eyes it’s too late. Now the question is: Is Alador stopping Odalia from assisting a genocide and promising to do better ENOUGH to accept? And to some fans…the answer is no. It’s a good start, but it’s hard for some people to accept an apology that seems to come too late. It’s even harder to accept because the show’s about over and there’s next to no time for Alador to improve himself as a good parent. I get that he WANTS to, but wanting to be a better parent and actually being one are two different things. Trust me. The epilogue hints that he did well enough for Amity to still be happy to see him, it’s just that we don’t get to see that change for ourselves, thus making it a harder pill to swallow that he’s really a good parent.

It is a good thing for kids shows to say that parents are doing their very best. I’m willing to say that there’s a VAST majority of parents who actually love their kids, even if they sometimes make decisions that could unintentionally upset the child at first. It’s nice to tell kids that their parents still love them, and it gives the parents watching The Owl House a chance to see some of their mistakes be painted negatively and it’s not too late to change. However, there are still teens and young adults who DIDN’T have the best parents growing up, and they’re going to be slightly willing to resent some attempts to make imperfect parents better. It at least works with Camila, with only those who disagree being fans who hyper-focused on her worst attributes and ignored her most nurturing moments for the sake of just…hating her, I guess. Ever since “Thanks to Them,” the hate train for Camila has LONG since left the station with barely any passengers on it anymore, and it’s all because of Season Three having her confront her mistakes and improve on herself. We don’t get that with Alador and Gwen, so saying that they’re parents doing their best doesn’t really cut it because we never got the chance to see what their “best” ever was. Both have their moments that make me appreciate the effort, but they’re a case of the intention being better than the execution, making this a lesson that needed better planning for its other parents. Though, in fairness, the lack of proper preparation for making imperfect yet loving BIOLOGICAL parents MIGHT have something to do with The Owl House LOVING the Found Family trope…

Family is more than blood

Ah, the found family trope. Something that’s genuinely wholesome every time it’s used. Whether it’s outcasts and weirdos finding acceptance through each other or poor sad sacs finally experiencing love for the first time with someone who isn’t a blood relative. The Owl House loves this trope, especially with its main trio. I’ve said…pretty much all I need to say about these three and how important their love for each other is. Their bond is at the core of what makes the show so compelling, and seeing them be happy together is what makes watching The Owl House great. On top of that, it also does a job of showing that you don’t need to be a child’s birth parent to be a GOOD parent.

Eda’s a surrogate mother to Luz and an adopted mother to King. Neither of them are her flesh and blood, but she will ALWAYS treat them as such. At least, she eventually does. Initially, Eda kept pushing the label of Luz being her APPRENTICE before sticking with calling Luz her “kid” and would treat King more as a pet before seeing him as a son. It’s partly Eda not wanting to accept that she likes having people in her life, and partly because the writers were not a hundred percent sure about character dynamics until almost halfway through the second season. Regardless, by the time everything is all figured out and accepted, Eda basically starts to become mom of the year. She prioritizes Luz and King’s safety above anything else, takes time out of her day to get those kids the things they need on the day-to-day, and will get extra murdery when someone so much as THINKS about hurting her babies. It gets to the point where if the pressure of her kids being in danger becomes too much, it’ll cause Eda to break, making her one of the few cartoon parents who absolutely refuses to let her children get mixed up in the danger. The parental figures of shows like these tend to accept that it’s something the kid HAS to do or begrudgingly goes along with it because…it makes the plot easier. Even the parental figures who tell their kids to be cautious when approaching danger tend to still bring their kids into said danger. With Eda, she’s the rare case where I’ve seen a mother actually cry from stress over worrying about her children, which proves how strong her love is for Luz and King. You don’t need to be a biological mother to love your kids, and Eda proves it. As well as a certain someone else.

I do want to gush about how Camila is the mother Vee never had, taking the poor little snake in when she had nowhere else to go. The problem is that there’s not really a greater focus on it, but, at the same time, there doesn’t need to be. We understand everything from something as simple as Camila running to hug Vee when she reveals her new form. At first, Camila may have been put off by the SURPRISE of Vee, mainly because the reveal of a snake demon pretending to be her daughter was a bit too much for her. But after calming down and seeing Vee for what she is (Which is a scared teenager with boatloads of trauma), Camila agrees to let Vee stay with her because the girl has nowhere else to go. That very act shows off Camila’s kindness, sure, but the little bits we get in “Thanks to Them” shows that this is more than a woman offering a teen a place to stay out of the goodness of her heart. There’s that first hug I’ve mentioned, sure, but we also have Vee learning Spanish fluently and a picture of Camila proudly teaching Vee how to make empanadas. It makes it seem like there’s a genuine effort to make Vee a permanent member of the family, with Camila not seeming to be against it. And her final hug to Vee at the end of the special cements that she’s more than happy to have Vee in her life, which is further confirmed in the pictures we see in “Watching and Dreaming.” Vee became a permanent part of the Noceda family, joining in on family outings and graduating with Vee in pure glee. She hasn’t been with them long, but Camila and Luz love Vee like a mother and sister would, being something that’s so genuinely heartwarming to think about despite how little we see in the show…It also feels more earned when compared to Hunter and Darius.

I still appreciate what was MEANT to be done with Hunter and Darius, don’t get me wrong. It’s sweet to give Hunter a father figure and someone to consider family outside of Belos because…it’s Belos. Hunter deserves SOMEONE to love and guide him outside of Flapjack, and Darius is revealed to be someone that was strict but understanding about Hunter being a teenager. Plus, with the information that he was close with Hunter's predecessor, and the knowledge of what happened to previous Golden Guards, you can take this as Darius wanting to keep his friend’s memory alive through Hunter. The potential of what they could be is there and what we see is still good. I really do enjoy that Darius seems ready to take Hunter in after Hunter was ready to accept that he has no one, even taking interest in Hunter’s love of wolves the second he talks about them. It’s certainly charming…but we also barely see any of it. More than that, we’ve hardly seen it built up. I know the same applies to Vee and Camila, but here’s what they have that Darius and Hunter don’t: Time and close proximity. Even when they’re off screen together, they’re still together and you can imagine the bonding they MUST be going through, even if they’re off-screen. You can’t live in the same house with somebody and NOT form some kind of connection with them. For Hunter and Darius, while they MIGHT live in the same castle, but they’re often both busy with duties and responsibilities to even TALK to each other. At least, that’s what we can assume from these two. Camila and Vee seem significantly less busy with one another, so it’s easy to imagine that they have all the time in the world to chat and bond. Hunter is rarely in the same room as Darius unless in uniform. I get that Darius cares for the boy, what with how overprotective he got and ready to rain hell once learning that Hunter’s in Belos’ mind too. But that’s the only real big showcase of their bond between “Any Sport in a Storm” and “Watching and Dreaming” that so much as hints to their relationship. It’s a decent attempt, but it’s another one of those things where I wonder if it’d turn out better if we had more time.

Regardless, it’s still an effective theme. Only a third of the found families here were allowed to have a lot of attention on them, but Camila and Darius were still allowed a chance to prove their loving parents despite not having a lot of time to show it. Familial love isn’t JUST defined by the blood one shares. It’s something experienced the exact same way through adoption or considering someone to be close enough where they might as well be family. Blood’s not all that binds us, and it’s sweet for the show to say that, not only for the kids looking for a new home but also for ones looking for an out from a hostile environment. They WILL get a better life with people who will love them regardless of being related or not. And it’s not just a familial bond you’ll get from people out in the world. Because while you might currently feel alone without anyone there to understand or love you, just know this:

You’ll find your people

This one…really applies to a lot of the characters in the series. One way or another, they each experience a state of loneliness at some point, having no one in their life for a period of time to then having the closest companions and romantic partners that make things…better. These are characters that likely thought they’d never find anyone, but they’ve either now have one person or a group of people that make them feel seen and heard as an individual. And I could go on entire essays about these characters…but this whole sticking thing has gone on long enough, so we’ll lightning round these examples.

Luz was your average nerd that no one understood, with her antics being too weird for anyone to even want to associate themselves with her. That is, until she found herself in a land that’s weirder than her, yet ironically remaining a social outcast due to her being the only human. Yet she still manage to befriend almost every person she met, with all of them showing up to celebrate her birthday. It made Luz go from the loneliest girl in her grade to basically the leader of her own squad of losers and town sweetheart to the lives she saved.

After losing a friendship with Amity, Willow spent a lot of her time all alone and struggling to catch up with others, bullies in particular calling her half-a-witch. But we already established where this led her. She got two personal cheerleaders and a boyfriend that all express how amazing and talented Willow is, having blossomed into the badass she is now. She even repaired things with Amity, making a friendship that’s stronger than it was before.

Older kids used Gus for his intelligence and didn’t respect him for his age. Now he’s the personal cheerleader of a whole group of friends who have his back and value both his input and needs.

Amity may have had “friends” like Boscha and the whole mean girl clique, but it never felt real to her. She was surrounded by people, but never felt more alone until meeting Luz and understanding what real love and friendship felt like. It made Amity want to be better as a person, giving her a chance to rekindle a friendship with Willow and making things better than they’ve ever been.

Hunter had NO friends his age, only having a bird as a companion that he had to keep secret from his controlling, bloodthirsty uncle. It wasn’t until the bird kept pulling Hunter in the right direction did he manage to become friends with a girl who acted like an annoying sister, a new best bro, and a crush turned girlfriend, all inspiring him to stand up Belos and be his own person. And also Amity was there.

Vee had next to NO ONE in her life, and she was a monster in the Boiling Isles that was hunted down by Belos. By coming to the Human Realm, not only did she find peace, but she also found a family, made easy friends, and became part of a group that likely makes her feel a sense of belonging she never experienced before. And you know what? Good for her.

Throughout Hexside, all Eda had was Lilith, which implied that not a lot of students were a fan of her chaos. That is, until she met Raine and finally had someone who both understood her as well as wanting to join the fun.

Speaking of Raine, they were a top student for sure but one that was looked down upon/underestimated due to being a bard witch. Eda was the one who saw their potential and talents, being an easy first friend and eventual girlfriend who brought more excitement to Raine’s life.

It is HEAVILY implied that Camila was a closeted nerd who never had anyone that understood her until meeting Manny. Those two geeks assuredly bonded over their shared interest in Cosmic Frontier, making Camila feel loved and understood by a man that I REALLY wish we got to see in canon. Just one flashback or SOMETHING!

Lilith likely didn’t have any friends in Hexside, though it’s possibly by choice. She focussed more on studying and being better than her sister, with that mindset carrying over to the Emperor’s Coven as she won’t give up unless EVERYONE recognized her for her talents. Friendship took second place to those needs, and, for all we know, means that Hooty is her very first real friend. And that’s sad because…it’s Hooty, but at the same time it makes their friendship all the more beautiful with how much Hooty makes Lilith happy in a time when she felt like there was no one who’d face her let alone like her company.

And finally we have The Collector, who was alone for EONS, wanting to just play games and make friends. The only snag was that he was too powerful and needed a guide, with King stepping up as the role of The Collector’s (forced) best friend. And while the job wasn’t the BEST position, King grew fond of The Collector, making them feel fuller as a person.

Like I said, a LOT of characters felt alone for so long. The good news is that they eventually found those who made life better just through their company alone. And that’s good to teach–GREAT, even. Because it doesn’t matter how long it takes for those who feel so alone. Whether you’re a teenager or even an adult, you’ll find people in your life who will effortlessly make you happy. You just gotta let them in when they find you and allow them to make life better. For some of you, it might be hard to let friends into your life because you feel too damaged beyond repair. And for that, there’s another thing to remember…

Love heals all wounds 

On top of being lonely, a lot of characters tend to be…emotionally broken. At the very least, a lot of them needed a hug more than anything ele. At most, they need a whole new life with people that actually understand the importance of love and kindness. And I…pretty much just speedran my way through most of those characters, as well as thoroughly going over the two biggest examples in this show throughout every part of this dang review series. Amity and Hunter are their best selves now because of the new friends that they made and the families they formed. Most of their baggage, bad behaviors, and worst memories are darn near forgotten due to those in their lives making things better. I’d just be repeating myself to an excessive degree if I went further with these two. They’re the best examples for sure, explicitly showing how much a person can become better off with someone showing them what love feels like. The same goes with, like I said, a LOT of characters on the show. Luz was in a depressive state, one that made her question whether or not people would be better off without her, and was only healed through reassurance and reconfirmation that people loved her and are happy BECAUSE she was in their lives. Eda was a person that pushed away everyone in her life, from families to romantic partners, until she had two kids in her life that gave it meaning and encouraged her to reconnect with those she left behind. And do I even need to explain Vee? The connections we make with people is only important because of the love we share with one another, in a variety of ways. Romantic, platonic, even familial, a person saying “I care” can do wonders to a person’s psyche in ways you don’t even know.I should know. I speak from experience as a person who often felt like no one cares about him or his existence. It means WONDERS whenever I hear someone say they value having me around. Reassurance that you’ll find your people is one thing, but being reminded that the love you get from them is as essential just feels…so right. Because, yeah, of course relationships and love go hand in hand. It’s part of why The Owl House is such a delight to see and why this next and final theme hits so hard. And while I say final theme…it’s really one of the first things the show ever had to say.

“Us weirdos gotta stick together”

On top of being lonely and desiring love, The Owl House is a show of outcasts. As Luz puts it best, they don’t fit in anywhere so they just fit in together. Our main trio, of course, are the primary examples of this. King’s the last of his species with delusions of grandeur that makes him difficult to socialize, Eda’s a criminal wanted by the Emperor for not joining a coven, and Luz was the weird girl in school that became too much to handle. The three of them never really fit in anywhere so they found unity through each other. They’re the only ones who really knew and understood each other better than most people and would go through so much if it meant making one another happy. They were weird, but that’s what kept them united as people who can be their true selves while being…mostly unjudged. There is some teasing and some questionable looks, but it often comes from a place of love as these three would do a lot to make each other feel loved. And it’s not just with their group. 

Luz took Eda’s words to heart, setting out to form a weird little group of her own. She went out to make friends who were social outcasts as well. You have Willow, the powerful girl who couldn’t get good enough with one type of magic, getting ridiculed by both peers and faculty. And Gus, a magical prodigy who is OBSESSED with humans. Both of them get along great with Luz, appreciating her siliness and joining in because it was fun for them. What’s even better is that they’re not the only weird bunch in school. The Detention Track kids also came together, due to a shared “oddity” of wanting to learn more magic by combining different kinds of spells. They went about things the wrong way and were definitely a little too chaotic, but that’s just what kept them all so close together. And “Any Sport in the Storm” showed them making new friends outside of their group, more so with Viney as the episode mostly hints that the same applies to Jerbo and Barcus. Speaking of Viney, though, she managed to become close with Gus, Willow, and surprisingly Skara, all of them sharing an understanding of being underestimated in one way or another. Weirdness tends to attract more weirdness, with The Owl House saying it’s a good thing. It furthers the theme about how you will find your people, with these little groups proving that you’re never too weird for EVERYONE. And, even further, your weirdness can inspire others to let out their inner weirdos. Amity was allowed to be a more of an open nerd, sharing her love of Azura with Luz, and Hunter was allowed to take interests and show off how he enjoys something without worrying about how others judged him. In fact, NONE of these characters worried about how they were judged as people because of the company they keep. Most of them may have been a little odd, but they all felt seen, heard, and appreciated for who they were. But that remains a final question: Who WERE they?

What does the show mean with the word “Weirdo?” What are “weirdos” meant to represent? There’s the obvious answer in saying that it’s meant to be more literal, saying that the show is speaking to anybody that’s more or less odd or goes against the grain, in a way. Although, even then, what does that mean? What counts as weird? Is it weird to be a fan of something you love? Is it weird to be unpopular or to not shine as brighter as others? Is it weird to…love someone…who happens to be the same gender…?

Maybe I’m overreaching, but this is where my mind goes when the show says “weirdos.” It’s a very vague term that can apply to a lot of people who don’t feel like they fit in for a variety of reasons. Stuff like loving a certain thing or loving a certain someone COULD fit into that and it makes the message of sticking together all the more important. Because it’s true, weirdos should stick together. Whether you like it or not, we’re all in the same boat. People will look down at us as if we commit the worst crimes, when all we did was act as our unique selves. We didn’t hurt anybody, we never PLANNED to hurt anybody. We just want to be allowed to exist, and it’s perfectly fine to find unity through that desire of existence. No matter how you’re seen as weird, from who or what you love, to the way that you act, and the way that you talk, you’re allowed to be who you are. We don’t like being judged, so we shouldn’t judge others who just want the same things we do. So unite, because us weirdos have got to stick together.

And that…is that. That’s all the things I figured that The Owl House tried to say to the kids. I may not have gotten EVERYTHING, but these are what stood out to me and they’re the lessons that I love most to have come from the show. If there’s any theme you want discussed, then by all means share. Tell everyone how there’s more to this series that makes it stand out from all the other kids shows with a point. And, more importantly, how it does it well. Because at the end of the day, while the messages can be a little muddled, I wouldn’t say that The Owl House has anything bad to say. At all. Its heart is always in the right place, and that’s what I personally admire most about this series.

Speaking of admiration, I’m running out of things to talk about why I love this show. So, tune in next time for the FINAL PART as I discuss more of what does and doesn’t work with this series as I finally conclude why I love it so much. It’s…likely going to be emotional, so see you then.

[myfairkatiecat]

nightfall was crazy, but I'm also kind of confused??? It went by sooo fast I was like WHAT? WAIT, WHAT? WAIT WAIT WAIT-

Love the fact that they went on with keefes whole "I'm not worth it, but you are, so I'm going to take over decisions we need to make (as a team) and screw them over so that they cause harm to me and not you!" Kinda vibe, honestly thought that after he came back from the neverseen in lodestar they were just going to forget about it, yk??

Only thing I really didn't like is that like...everyone has a slight distrust to keefe (at least in the start, till he apologized ) but Sophie, the person who was (in my opinion) most affected by his 'betrayal' never once had a doubt???? Like, if someone betrayed me, right? Yk they're my friend whatever whatever, ID STILL HAVE SOME KIND OF LIKE ISSUES WITH THEM???

I feel like her distrusting keefe and then slowly learning to trust him would have made the book MUUUCH better!!

Also, I'm still not getting where the Fitz discourse is coming from, like, his sibling just betrayed him, fell unconscious and WOKE UP WITH NO MEMORY OF ANYTHING?? I can see where the anger issues come from

Holy shit this was long, sorry!

-- @localburntoutkid

Had a blast reading this!

You’re so right about Keefe. That definitely doesn’t get dropped after lodestar, or even nightfall—it’s one of his character’s main flaws, and while it does shift and evolve as the series moves on, it’s kind of there, you know? And I’m really hoping it resolves in some way by the end of the series, because his arc is just… so interesting to me. Because it is NOT arc-shaped. At all.

I get what you mean about Sophie being the only one who doesn’t distrust Keefe when he comes back. I really like that too acknowledge that it’s a Sophie-specific thing, though! Too many people forget that this is a third person limited story told by an unreliable narrator, and act like Shannon Messenger herself is telling us Keefe deserves to be fully trusted. Sophie Foster decides, at the end of Neverseen, not to hate him, and Lodestar is where she has her moments of doubt and distrust, but even in Lodestar, she always believes in Keefe’s good intentions. There’s even a scene where she says something like “Yes, Keefe’s plan is horrible and I hate it, but his heart is in the right place. I have to believe that.” The part about keefe’s plan is paraphrased, but she did say she needs to believe his heart was in the right place, in that wording, and it’s fascinating to me. She’s very attatched to Keefe (obviously) and I think it’s mostly for her own sanity that she chooses over and over to believe that there’s something right about what he’s doing, because letting him go sounds excruciating, even by his own fault.

I actually have no issue with this being Sophie’s perspective, and I actually find it interesting especially in the context of sokeefe, but I wish we got to see this portion through another character’s eyes. For example, Fitz. Someone who does distrust him afterwards, and rightfully so.

As far as Fitz discourse goes, that stuff stemmed less from nightfall and more from flashback and legacy. I don’t hate Fitz in either of those books, but you’ll probably notice the moments that made people kind of go nuts about hating him and ran away with his character (personally, I think Fitz is fully understandable in both books, but don’t fully condone the way he acts in a few scenes, particularly in legacy. I’ll explain later after you’ve read it)

Don’t apologize for length, I’m literally Katie, have you met me? Everything I write is longer than I intend

I’m glad you’re having fun with the KOTLC series. Keep me updated!!!

[weirdo09]

that moment when you realize no one’s gonna love you

[captain-astors]

Creature. (The rendered ones are referenced from manga panels)

[unfortunatelyilikebnha]

Bnha makes me so mad because it could’ve been good. It had a lot of good aspects. But in the end none of them were satisfyingly resolved so it just feels bad.

[mumblesplash]

thought about the expression “big fish in a small pond” too hard and accidentally invented new ocs

[stop-breaking-my-heart-dragonage]

This. This. This entire conversation with Morrigan actually makes me want to sob. She and my Tabris always becomes close friends over the course of DAO; that, paired with the fact that my Tabris always romances Alistair, makes everything about this hurt so much more when you take DAO's ending into account.

Her confusion over why my Tabris didn't send her away. Why she didn't abandon her after they learned of Flemeth's plans. Why Tabris went out of her way to slay Flemeth and bring her the true grimoire. She asks Tabris why, and is baffled when the answer is, "I did it because I'm your friend," as if it's that simple.

The way Morrigan looks at the warden, the way her voice cracks when she says, "I want you to know that while I may not always prove... worthy... of your friendship, I will always value it."

She knows how this will end; Flemeth sent her with the wardens with the end goal of stopping the blight and obtaining the old god soul through the dark ritual. Morrigan knows that Alistair and Tabris are the only Grey Wardens here, and assuming they don't find more, one of them will have to die defeating the archdemon unless they agree to do the dark ritual.

With that context, her asking Alistair, "And what if a Grey Warden has forced to choose between the Warden he loved and ending the Blight? What should his choice be?" suddenly has so much subtext weaved through the words that I'm gonna start foaming at the mouth. She's practically telling Alistair that a warden has to die. She's scrutinizing his reaction to find any hint that suggests he would agree to the dark ritual in order to save himself and the woman he loves. And when he doesn't choose, she has her answer.

Morrigan made comments to Tabris about him, almost hopeful that their relationship was just a physical thing between them and not actually riddled with feelings... and then gives disapproval when Tabris says she loves him.

She doesn't want the warden to die; hell, she doesn't want Alistair to die, either; whether because she does actually care about him or because she knows it'll break her friend's heart if she loses him, or both!

Things would be so much easier if the only two Grey Wardens left to defeat the blight didn't fall in love, wouldn't they, Morrigan?

She knows that in the end, no matter the outcome, she will lose the woman she called sister and it's devastating.

Morrigan, who has never known true friendship. Who grew up isolated in the woods with an abusive mother and terrible implications for her future. Who discovered said mother planned to take over her body just as she did with her other daughters. Who doesn't understand kindness as it was rarely given to her without a catch. Who isolates herself from the others in camp. Who finally has a companion she cares about... and in the end, if her plan works and the dark ritual is completed, she'll end up pregnant and alone and wearing Tabris' resentment like a tender wound on her heart.

Or Tabris will reject the ritual, and will die to the archdemon.

Or her lover will.

I just- the dynamic between the warden, romanced Alistair, and Morrigan is so good and painful and rich that I'm gnawing on furniture as we speak.

[uncanny-tranny]

You know... it's okay to trust your body. If you are separated from your body to such an extent you feel you cannot trust it, I truly from the bottom of my heart empathize and feel grief for you, but you can trust your body.

It's okay to listen to your body and to heed what it is telling you. I wish you (and your body) well wherever you go. You deserve the peace of mind to feel able to do what you want.

[raccoonnutella13]

why are ppl always so mean about taz :(

[spikrock]

ok i just needed to get it out of my system

[jinxedshapeshifter]

I've been listening to Loser, Baby from Hazbin Hotel on repeat despite having a minimal interest in Hazbin Hotel and tbh I think Loser, Baby might go in the "songs to listen to if you need cheering up" playlist lol.

It's just such a funny song but also the message isn't horrible. I love that it starts off sounding like Husk is just being a dick to Angel Dust for the sake of being a dick but no, he has a point to make (although I will say that it definitely feels like Husk is intentionally making it seem like he's being a dick to be a dick just to get a rise out of Angel, especially in the show lmao). So here are my takeaways from it:

Because I vaguely know what Husk is like in terms of his personality overall, I'm pretty confident in saying that he was intentionally trying to get a rise out of Angel to prove a point. Genuinely watching Angel slowly lose his mind as Husk bullies him is hilarious lmao

The entire song is basically Husk trying to get Angel to accept himself as he is and realize he's not alone, because Husk and Angel's flaws and trauma don't have to completely destroy them.

Disney underutilized Keith David in The Princess and The Frog

Husk says "But letting walls down, it can sometimes set you straight" and I think that's one of the biggest takeaways from Loser, Baby. Sometimes (usually. always) opening up is the first step to recovery.

The message of Loser, Baby is very much "You're not alone and you should feel more than free to embrace and own your flaws" and I love it. Loser, Baby doesn't suggest that being a loser is a bad thing, but something to embrace. Husk's goal isn't to put down Angel Dust, it's to get him to embrace a part of himself he's grown to hate and tell him that being damaged doesn't mean he should give into hopelessness (hell, he even accepts the parts of Angel that Angel himself hates with no hesitation), and especially in the context of the episode Loser, Baby appears in it's not a bad message.

i love these two and i love this song and i love how loser, baby promotes embracing aspects of yourself you hate

[florbelles]

finished hera & started lady macbeth and we have got to start blaming women for shit again for real