#it tells a story. It does

[medicalunprofessional]

[muppetfreak]

Mr. Riordan, it is truly a pleasure getting to experience your second draft.

[nerdpoe]

Danny wakes up, strapped into a rollercoaster train car with a bunch of other civilians, in a dilapidated amusement park, with an insane clown laughing through the speakers.

He can see that the track is entirely broken, and that it will send them straight to the ground.

Danny knows he won't die.

Danny knows the civilians in the train car with him will.

So he slowly freezes the wheels until the car stops, a mere four feet from the edge, allowing the icy tendrils to snake down the support struts and reinforce them. His eyes are letting out a faint blue glow, his hands frosted over, and he isn't so much focusing on keeping the ice stable as he is focusing on getting it into the gears and ensuring that the train car can't be knocked off the track.

Now the civilians are feverishly whispering words of encouragement to him, to keep it up, while the local vigilante family fights the Joker.

Why, oh why, did he think that going on vacation in Gotham was a good idea?

[thatone-highlighter]

I love you albums. I love you songs connected by similar themes. I love you listening to songs in a specific order picked by the artist. I love you reoccurring motifs throughout the same album. I love you album covers. I love you albums with extended editions. I love you songs that reference each other.

[zombie-bait]

"old man yaoi" has become one of my new favourite phrases which is unfortunate because it is inappropriate in roughly 99% of real world scenarios

[egophiliac]

Why do you think they put Savannah Claw Rook up to pull??? Is he even going to participate in Book 7???? I am so confused WHY HIM??? WHY NOT IDK, CREWEL? VARGAS? MAYBE TREIN?? WHY HIM.

I’m SO CONFUSED. Is it just for money grabbing or something like that? It doesn’t make any sense.

Also how prepared you are for the probably last update of Book 7?

I mean...it said he's a story card, and all the other story cards have had major roles, so I see no reason to assume he won't as well! (plus any staff cards are probably all going to be events like Crowley was; I would honestly be MORE surprised to see them as story cards.) really though I'm having fun trying to figure out how he's going to tie into things! we're back at Cerberus Ortho levels of "WHAT DOES IT MEEEAAAAN" and it's great. :D

I assume we're going to be doing some more dream-hopping, but I think it would be hilarious if it turned out to be someone else's dream instead of Rook's. who else could possibly be dreaming about him pre-fancification.

(I'm also half afraid that this really is the last part, and half afraid that it isn't. I'm -- I'm not going to believe anything until we get the diadorm rerun pickups, and maybe not even then)

[uncanny-tranny]

Love disabled people who just lie about their disabilities to nosy, intrusive questions. Sorry, yeah, I lost my arm in the wash one day. It's funny how that happens! Oh, I got back pain from saving nineteen children from a burning fire department <3

[lesovyart]

((shows up to Willow 2 yrs late)) I LOVE THEM

[withdenim]

So uh. How about that time skip huh. (Corvus composing and performing the best track in the show was so hot of him btw if you care)

[horse-surgeon-barbie]

maybe we STOP playing house ,, we're not good at it

[greekcomedy]

mr d is very funny in the show However. his first conversation with percy also just highlights how they've messed with the smelly gabe storyline in a way that is making me very nervous.

when percy met him in the lighting thief he immediately identified him as drunk adult = dangerous. a guy who would be sitting at gabe's poker game, saying nothing as percy is belittled and gabe demands his money. whether or not mr d would actually do that is irrelevant. it shows how percy is affected by gabe, that he hates him to the point that he would try to join the army or be homeless in new york before living alone with him after he thought his mom was dead. book percy would have had the joke conversation about dionysus being his dad and felt insanely betrayed that the kind sailor from sally's stories that he dreamed about had turned out to be someone just like smelly gabe.

but instead, gabe is just some guy. like he sucks but not to an extent that would drive them to kill him by the end of the season, at least not from what we've seen so far. talking to dionysus percy is just angry and confused about what's going on and upset by the loss of his mom, dionysus does not concern him at all. he is not especially upset by the idea of mr d being his dad except for his having ignored him up to this point.

like, the show is being kind of weird imo in terms of how the characters are reacting to the things that happen to them and having them react differently than they do in the books. and also we aren't in percy's head now the way we were in the books, and he often had very different internal vs external reactions to things in the books and i'm sure this would have been among them. but "can you help me find my father?" "actually i think i can... son. go get me a bottle of wine" would NOT have flown in tlt

[dontfindmeimscared]

ouch

[master-thief-gray-shadow]

In terms of how to approach the inevitable "but we're both girls!" dilemma, G-Witch's "yeah gay relationships are normal here, what kind of backwards hillbilly are you" and I'm In Love with the Villainess's "the characters spend an entire scene having an in-depth conversation about sexuality and homophobia" are on complete and total opposites of a spectrum and personally I think they're both correct

[melverie]

Can I just say that I absolutely LOVE how ever since they all found out that MC is human and was brought here against their will, it was Lucifer who kept insisting that they shouldn't be the ones to trap MC in the Devildom. That whether they want to stay or not is a decision MC has to make themself and that the brothers should support them no matter what they end up choosing

And now that the moment is finally here, now that MC has confirmed that they indeed plan on heading home, and now that all of his brothers agreed on helping them get back, having forged a pact and lending their powers to do so—

Now that he knows that he's the final piece needed to send them back; that the lingering idea of the yet to be forged pact between them is what's stopping MC from potentially leaving their side for good, leaving his side for good—

Now that they have finally gotten to this point, he realizes something. And he's unable to live with it

And so, he goes back on his word.

He's taking that choice from them.

"I don't want to."

Lucifer's pride is what keeps his voice leveled and neutral, as if it were just another day. As if he everything was completely fine. As if he didn't feel this pain in his heart, almost as if someone had rammed a dagger through his chest over and over and over again

To most people, he'd appear to be in perfect control of his emotions—if only his gaze wouldn't completely obliterated that frail façade of his. The way his beautiful dark eyes shimmering with a hint of blood red silently plead, beg MC to stay...

Internally, he is breaking apart because he knows what he is doing isn't right. He knows that he shouldn't trap them like a bird in a cage, and yet he can't help himself. Not in this situation. Not when it comes to MC

'No'

He—Lucifer, Avatar of Pride himself—is the last thing trapping the very person that finally made him realize what his sister had meant forever ago

'I won't let you go'

How one day, someone would stumble their way into his life, and how he'd love them so wholeheartedly and so deeply that everything else would become trivial as long as he'd get to hold them in his arms

'I can't let you go'

Someone that he'd happily throw away everything for, not even considering any alternatives if only for the shred of a chance at just one last tomorrow with them

'Please stay with us. Please stay with me'

Everything.

'I cannot lose you, MC'

Even if they'll never forgive him for it.

"I'm not going to forge a pact with MC."

[buckttommy]

recontextualizing this story through the lens of buck/eddie and what it means for them, is like. it's so interesting because recently, i got an anon that asked me (paraphrasing) if i thought 9-1-1 would actually "go there" with buck and eddie as individuals, and that three main characters discovering their queerness would be "too much" for the general audience. and, like, not withstanding that it's actually true to life — that queer people can and do naturally gravitate toward each other even when we aren't out / passing / aware of our sexualities at the time — it's also just like. the belief (or disbelief) that 911 wouldn't "go there" with their stories also comes with this inherent assumption that there's only one way to tell a queer discovery story.

like. when michael came out in season 1, he was already at the end of his journey. he had already walked through the self-hate and forced closeting and came out on the other side to self acceptance. when we meet michael, he is a queer man, a gay man (because the word is important), who has already stepped into self actualization and is ready to live his truth. this is not the story 911 is telling with buck.

and then with eddie, you have this character that is introduced with the idea of being perfect, as ryan said, of having it all together, only for the audience to realize he's not. only for the audience to realize that he's broken and cracked on the inside and that a lot of it stems from war. but most of it? most of it doesn't. most of it stems from his father, and from how he was raised. raised to shut it down, to swallow things whole even if they hurt, even if they make him bleed. he was told to keep it all quiet, repress repress repress. and so. i know this is an unpopular opinion, but to that end, i don't think an explicit queer discovery storyline is necessary for him, in the sense that, subtextually, i think it's already happened. season 5 was very much eddie's unrepression arc. we dug deep into the things that make eddie diaz, eddie diaz. and a lot of that was war. violence. chaos."warzones are my thing." but if that was all that his arc was meant to be, why have it end with a conversation with his father? they could have played that arc out in so many different ways.

for one, they could have had mills still be alive. they could have had her and eddie reconnect. they could have had her and eddie have a conversation where she shoulders some of the weight that eddie's been putting on himself and have him settle into the peace of the realization that he's not alone in this specific thing, that he never has been, that other people survived what he did and that he can find solace in them. but the writers didn't do that. they took it back to his childhood, to the root of where eddie diaz began and they said, this is where you need to go. this is what you need to address before you can heal and move on. so that conversation with his dad that culminated in him choosing wellness, in him choosing happiness, in him choosing safety in his body for himself has very much always read to me as queer acceptance even if not explicit (due to the assumed barriers that were placed on that story at the time).

eddie has always been with women, eddie has always liked being with women, so i'd be shocked if he's ever even thought about the nuances of his sexuality. but his unrepression in season 5, to me, has always made him open to the possibility of falling into whatever comes next, whatever that looks like.

this is also not the story they're telling with buck.

(as a side note, i'd just like to say that queer subtext is still queer existence. subtext is how our stories have been told for generations, well before we were able to take up space on the page, and subtext is still a wholly valid and beautiful way of telling a queer story. please don't forget that).

so then, finally, we get to buck, and he's so very new at this. so very green he may as well be a blade of grass on a country club golf course. and so, despite the fact that there have already been two queer storylines prior, this is the first time in 9-1-1 (and tv!) history, that we have ever gotten to see an unplanned queer character discover who he is at this intimate, detailed level. we get to see buck's story unfold in real time, we get to learn about who this actualized version of himself is, as he is realizing it, and we get to know and dissect the layers and nuances, the ebbs and flows of his sexuality as he's taking himself apart and seeing what's underneath.

friends. this is the story they've always needed to tell.

and so, when i think about buck and eddie, and i think about their progression toward a romantic relationship and what that would look like, realistically and in the eyes of the audience, buck has really always been the missing key. we've talked about it before — who he is, who he was, has in no way been ready for eddie on multiple levels. whether it was because of his insecurity, his lack of place in the world, etc, buck has always been (for lack of a better word) too immature for eddie. eddie is a single father. he doesn't have time to play games, and though he will always love and reassure buck when he needs it, he doesn't have time to heal buck for him. nor should he. so buck was the only one who canonically, canonically, needed to be yanked from point a to point z.

and. it's like everyone's said, even before the season began — buck has been on a hamster wheel, buck has been stuck in a rut, yadda yadda yadda, which means that, as far as the audience was concerned, what always was for buck (women) is what always would have been. and there was nothing in canon, nothing concrete to disprove them from believing so. so we needed him to fall into something, not just radical, but sometime new.

and when i think about buck, and when i think about eddie, and when i think about their stories both as individuals and together, buck has, realistically, been the only real stopping point. at least with eddie, when the time is right and buck/eddie go canon, we, the audience, can go back in time and we can look at the way he came into himself and settled into his identity as a person, as a man, and say, like, oh okay, this is the moment. you know? we don't need the writers to take our hands and guide us through the same processes buck is experiencing because eddie's already had his ah moment, he's already experienced the moment where he decides that his life and his needs and his joy and his liberation are just as beautiful and valuable and worthy like everyone else's.

so when people ask, like, "would 9-1-1 really go there with three queer discovery arcs?" it's just like. well yes. they already have. we've already there. in fact, we're well into the third and final act. buck, eddie, and the audience, are almost ready — as in, actively ready — for each other. and yes, sure, even after the meat of this arc has passed, there will still be some things buck and eddie need to learn — specifically, they will need to learn that, not only do they have feelings for each other, but that feelings for each other is actually an option — but. for all intents and purposes, this is the crescendo before the final chord. this is it. and the thought that we've been here, that we've witnessed these three beautiful queer storylines unfold with these three beautiful characters (two of which are gentle, loving, present men of color) makes me entirely too emotional for words. tbh.

[katabay]

original thief series basso & garrett :)

ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels

there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.

anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app