#it would be better to read on the platforms provided

[art]

Creator Spotlight: @jdebbiel

Deb JJ Lee is a non-binary Korean artist based in Brooklyn, NY. They have appeared in the New Yorker, New York Times, NPR, Google, Radiolab, and more. Their award-winning graphic memoir, IN LIMBO, about mental illness and difficult relationships with trauma, released in March 2023 from First Second.

Below is our interview with Deb!

Have you ever had an art block? If so, how did you overcome it?

That implies I am over my art block, but I’m still in it! I think about Kiki’s Delivery Service a lot and how she had to stop doing a thing, and that you can’t really force it, and you have to let it come back to you. It’s a pretty humbling moment, realizing there is more to life than just drawing. I’ve been trying to consume other content like reading or watching movies—anything that is not drawing-related—and to trust that it will come back to me. I think not being afraid to do the small pieces before committing to the big pieces is helpful. Because big pieces are what I am known for, I dig myself into a deeper hole, thinking that each piece has to be bigger than the last one. So yeah! Relaxing and doing the small things before overcommitting to a big piece is the best way to go about it for me.

Which 3 famous artists (dead or alive) would you invite to your dinner party?

I feel like these are all artists that I have second-degree connections with! Jillian Tamaki, Victo Ngai, and Tillie Walden would be my picks!

What are your file name conventions?

…What file name conventions? I mean, I don’t have specific file name conventions, but I actually have a public Google Drive archive! But I usually put “djjl_whatever-the-title-is_final,” and I would always know it’s the final and legit version.

What is a recent creative project that you are proud of?

I did an illustration for the whiskey brand Johnnie Walker. It’s so wild because I only had four days to finish it, and it usually takes me a week and a half if I rush. And honestly, it’s probably one of my best pieces from this year, which is funny. It was for the Mid-Autumn festival, so I made it as Korean as possible.

How has technology changed the way you approach your work?

I only use my iPad to draw everything now, and if I want to pretend that I have a steady workstation, I’ll use my Cintiq. I still am not as comfortable on the Cintiq as I am on Procreate, but it’s still pretty solid and nice. That’s the good part about technology. The bad part about technology is how AI art has been messing things up for me. I’m currently in a lawsuit about AI art as a class rep. Some of my stuff got turned into AI art late last year, so I have to give a deposition at some point. 

What is a convention experience that has stuck with you?

Honestly, they’re all good! I feel like Lightbox Expo has been really nice because it’s truly been a convention for artists. I feel like that’s where most of my audience is, and they’re all around because their purpose is to be better at art. That’s where a lot of original artists do well because they’re getting art they’re inspired by, not so much fanart. I like the Lightbox Expo because it encompasses the pure love of art very well. 

Top tips on setting up an Artist Alley booth?

Use a Y axis, not just your X axis! Take advantage of it! Branding is also something to think about. It is definitely something I’m getting better at. Having an assistant is also very important. I’ve also heard that 8.5x11 to 12x18 inches is usually a good size for prints, but I also provide postcard-sized prints because sometimes people don’t want to commit to a larger size. 

Who on Tumblr inspires you and why?

You know this is so funny. I’ve been following @alicexz for over a decade on Tumblr and other platforms. I’ve followed her work since high school, and we’ve only recently become peers. I found her, and we met for the first time in real life, and she recognized me. And then I found all my drawings from when I was in my Alice phase, back in high school, and I was like, “Yo, this is when I was trying to be you so badly!” and she was cracking up and was like “Wow, this is so good!” It was such a sweet moment. I wanted to take a picture of her holding my drawing up. It’s really nice because now we’re peers.

Thank you so much for stopping by and sharing, Deb! Be sure to check out their Tumblr blog over at @jdebbiel.

[savagegood]

@shinjiroatae1126: To all my fans, today was a very special day for me. For years, I struggled to accept a part of myself...But now, after all I have been through, I finally have the courage to open up to you about something. I am a gay man. It has taken me a long time to be able to say I am gay. I could not even say it to myself. However, I’ve come to realize it is better, both for me, and for the people I care about, including my fans, to live life authentically than to live a life never accepting who I truly am. I hope people who are struggling with the same feeling will find courage and know they are not alone.

ps, he’s released a new song, “into the light”, which you can watch here. part of the proceeds from the single will go to lgbtq+ organisations

@shinjiroatae1126: July 26th, 2023 was a big day for me. I finally gathered the courage to come out to the public as a gay man. I am grateful to have received media coverage from multiple platforms both within Japan and overseas.

To be honest, I was extremely anxious before all of this happened. However, I've been pleasantly surprised to discover the overwhelming amount of positive feedback pouring in from both my fans and people who have come across the news about me. It's heartwarming to see that my story is being acknowledged from all around the world, and this brings me immense joy. Although they may be baby steps, I sense that this world is gradually moving into the light. Yesterday, I made an announcement about resuming my career as an artist. I also released a new song titled “Into The Light”. The music video for the song is also on YouTube now. This song is packed with the emotions and thoughts leading up to this point, including my decision to come out. Living with anxieties and struggles is not limited to just LGBTQ+ individuals. I hope this song can be a source of encouragement for anyone carrying such emotions. I've aimed for it to become a song that can uplift those with similar feelings. A portion of the proceeds will be donated to Pride House Tokyo, Japan’s first permanent LGBTQ+ center, and ReBit, an organization providing resources and support for LGBTQ+ youth. I hope this song will touch many hearts.🙏🌈

At first, there was total silence. Then, there were shrieks, wild applause, weeping and shouts of “I love you!”

Fans of Shinjiro Atae, a J-pop idol who has been on a nearly two-year performance hiatus, had come to hear him talk about “the challenge of my life.” Standing onstage in a dark auditorium in front of 2,000 fans in central Tokyo on Wednesday night, he revealed something he has kept hidden for most of his life: He is gay.

“I respect you and believe you deserve to hear this directly from me,” he said, reading from a letter he had prepared. “For years, I struggled to accept a part of myself. But now, after all I have been through, I finally have the courage to open up to you about something. I am a gay man.”

Such an announcement is extremely unusual in conservative Japan, the only G7 country that has not legalized same-sex unions. Earlier this summer, the Japanese Parliament passed an L.G.B.T.Q rights bill but it had been watered down by the political right, stating that there “should be no unfair discrimination” against gay and transgender people.

In making a public declaration, the 34-year-old Mr. Atae, who spent two decades performing with AAA, a hit Japanese pop group, before embarking on a solo career, said he wanted his fans to know his true self. He also hopes to comfort those who might be grappling with anxieties about their sexuality.

“I don’t want people to struggle like me,” he said.

AAA debuted in 2005, with Mr. Atae, the youngest member, forgoing high school. He performed mostly as a dancer, and began appearing in TV series and movies.

His sexuality perplexed him. “It was a time when on TV, comedians would say two men kissing was gross,” he said. If anyone asked if he had a girlfriend, he just said he was too busy working.

Activists said they could not recall an instance when a Japanese pop star of his stature had publicly declared they were gay, because of anxieties about losing fans or sponsors.

“I think he has decided to come out in order to change Japan,” said Gon Matsunaka, a director and adviser to Pride House Tokyo, a support center for the gay and transgender community.

The decision to open up about his sexuality, he said, evolved over seven years of living in Los Angeles, where he saw how freely gay couples could show affection in public and built an extensive support network.

“Everyone was so open,” he said. “People would talk about their vulnerabilities. In Japan, people think it’s best not to talk about those things.”

Mr. Atae’s decision, he said, was not political.  All he wanted, he said, was to “normalize” being gay. Coming out, he knew, would likely draw criticism. “Whatever you do, there will be haters,” he said. “I can only focus on the people I might be helping.”

[reasonsforhope]

"Is social media designed to reward people for acting badly?

The answer is clearly yes, given that the reward structure on social media platforms relies on popularity, as indicated by the number of responses – likes and comments – a post receives from other users. Black-box algorithms then further amplify the spread of posts that have attracted attention.

Sharing widely read content, by itself, isn’t a problem. But it becomes a problem when attention-getting, controversial content is prioritized by design. Given the design of social media sites, users form habits to automatically share the most engaging information regardless of its accuracy and potential harm. Offensive statements, attacks on out groups and false news are amplified, and misinformation often spreads further and faster than the truth.

We are two social psychologists and a marketing scholar. Our research, presented at the 2023 Nobel Prize Summit, shows that social media actually has the ability to create user habits to share high-quality content. After a few tweaks to the reward structure of social media platforms, users begin to share information that is accurate and fact-based...

Re-targeting rewards

To investigate the effect of a new reward structure, we gave financial rewards to some users for sharing accurate content and not sharing misinformation. These financial rewards simulated the positive social feedback, such as likes, that users typically receive when they share content on platforms. In essence, we created a new reward structure based on accuracy instead of attention.

As on popular social media platforms, participants in our research learned what got rewarded by sharing information and observing the outcome, without being explicitly informed of the rewards beforehand. This means that the intervention did not change the users’ goals, just their online experiences. After the change in reward structure, participants shared significantly more content that was accurate. More remarkably, users continued to share accurate content even after we removed rewards for accuracy in a subsequent round of testing. These results show that users can be given incentives to share accurate information as a matter of habit.

A different group of users received rewards for sharing misinformation and for not sharing accurate content. Surprisingly, their sharing most resembled that of users who shared news as they normally would, without any financial reward. The striking similarity between these groups reveals that social media platforms encourage users to share attention-getting content that engages others at the expense of accuracy and safety...

Doing right and doing well

Our approach, using the existing rewards on social media to create incentives for accuracy, tackles misinformation spread without significantly disrupting the sites’ business model. This has the additional advantage of altering rewards instead of introducing content restrictions, which are often controversial and costly in financial and human terms.

Implementing our proposed reward system for news sharing carries minimal costs and can be easily integrated into existing platforms. The key idea is to provide users with rewards in the form of social recognition when they share accurate news content. This can be achieved by introducing response buttons to indicate trust and accuracy. By incorporating social recognition for accurate content, algorithms that amplify popular content can leverage crowdsourcing to identify and amplify truthful information.

Both sides of the political aisle now agree that social media has challenges, and our data pinpoints the root of the problem: the design of social media platforms."

And here's the video of one of the scientsts presenting this research at the Nobel Prize Summit!

-Article via The Conversation, August 1, 2023. Video via the Nobel Prize's official Youtube channel, Nobel Prize, posted May 31, 2023.

[tuliptic]

Let Me Describe Your Aura

Hello, I'm back again. I have this in my drafts for a very, very long time (since last year), and I have finally completed it. This was meant to be a short reading for Instagram, but well, it ended up longer than what I expected. Tho I posted it there, you can still read it here. Honestly speaking, this reading ended up quite different from what I've expected and I don't really know what I was hoping to get from this. Maybe colours? And vibes? No idea. But still, I hope you all enjoy the reading.

As usual, close your eyes, breathe in and out, make sure your mind and heart is calm. Then, open your eyes to see which pile talks to you the most/draws you in the most. Once you’ve found your pile, scroll down to the respective parts to see what are the messages for you.

Pile 1    -     Pile 2

Pile 3    -     Pile 4

Disclaimer: This is solely for my entertainment purposes. Take only whatever that you feel like it. If it doesn’t resonate, it’s okay to just drop it. That aside, I do not consent to my work or here to be used by third parties on this platform or other websites.

Decks used: Luna Cat Tarot Deck  (Major Arcana), Linestrider Tarot Deck, Starcodes Astro Oracle Deck.

Pile 1:

For some reason, it gives me a very Uranus vibe? It’s like you’re a person who’s constantly on board with change as you constantly get involved in almost everything possible. You also give me the feeling that you’re… Not satisfied. You are not satisfied with a lot of things, especially with finances. Imagine the hierarchy of needs. Every time you fulfill one of them, you constantly seek to fulfill the other level.  You’re constantly pushing yourself to achieve better and achieve more, but with this, you’re unable to have some form of balance and may have some conflicts with people you work with. I wouldn’t really say it’s insecurity, but there’s some form of fear and being “not enough” for others that I’m seeing here. Perhaps you come from a big family, and you feel that you have the responsibility to feed everyone and to answer to their needs as well as wants.  There’s an inner child in you that is trying to nurture yourself despite all the rush that you’re putting yourself through, sending you messages so that you can take a break from time to time. You not only receive messages, but you also send them out as well. Some (or perhaps, most) of you may like writing memos or notes for your loved ones.

Tl;dr: Instead of saying aura, I would say that there’s this air of uncertainty that you bring with you. You wouldn’t be called a wildcard, because there’s still some elements of earth in you, aka a sense of stability. But still, many may wonder how to approach you without feeling threatened, I guess. For some of you, you may also have an air of authority, or maybe an RBF, hence the fear towards you too.

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Pile 2:

For some reason, the first thing I’m picking up here is that you like to present yourself as mysterious? However, there is some secrecy involved here that I’m seeing, and you may be good at redirecting conversations or attention to other people. Butterfly effect as well? It’s like you’re fluttering away and not caring about what you’ve done or what are the actions they’ll take.  You have swords and court cards here, and I’m feeling that you’re that person, providing mental insight and stimulation to people around you. Just that there may be some concerns with how you present yourself, how you word yourself, and how people can be easily offended by you. Honestly, I’d say that they’re more offended to you as a person instead of your words or what you do. It’s like… They’re threatened by your presence. Pile 1 makes people feel threatened by their nature, but for you, people are threatened by what you’re capable of bringing - an unwanted change. It’s like seeing you will remind them of what they’re lacking and how much comfort they’ll need to give up, and hence, you may feel like an outcast most of the time, feeling that you do not belong to anywhere.  Still, I’d say, people who are close to you, especially your friends will find comfort in you. You’re a good listener and will be able to provide valuable insights. They’ll be glad that you’re on their team with whatever project you’re working on. If you’re ever interested in working on a collab, do it. You’re meant for it. 

Tl;dr: For you, your aura would be swords-ish, sharp but clear. You know how a sharp and strong sword can be used as a mirror? Yeah that. That’s you, reflecting the fear of others. It’s difficult, but with time, I believe you’ll be able to work along with it.

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Pile 3:

Hmmmm. Harmonious, I’d say. That’s the first word I’m picking up. I kinda have an image of an orange cat sleeping in the sun, probably the warmth, coziness and fuzzy feeling that it gives. You may have heard your friends or people around you describing you as a fun or sunny person, or that you’re like the sun, bringing warmth to people around you. You may also have a lot of passion projects and most of them are incomplete as of current, the same goes with how your life is right now too. Remember to continue whatever efforts you’re putting in. The rewards will come at unexpected times. Another thing I’m picking up is that you like to go along with the flow. Good things happen? Great! Not so nice things happening? Aww sheesh better luck next time. Kinda feeling. Or perhaps, this is what you portray yourself as. I’m getting a weight on my chest eventho there are happy cards. Probably it’s because you put up that mask so that people around you won’t see the pain you’re in.  Vulnerability sounds like a theme that you’ll need to explore, understand, and wield. It sounds difficult and probably painful, but it is needed for you to be able to understand the various facets of life. You’re very perceptive, or perhaps, you have a gift in it. But then, to be able to utilize that skill of yours, you’ll need to expand your knowledge base, experience the various emotions, look into all the tiny things that life has for you. 

Tl;dr: Some may say that you’re a person of culture but you know you’re far from that. Still, people generally like you with how amiable you are, and how you put an effort to make people around you comfortable. However, people will not cross you because you have respect for yourself too. There may be some similarities to Pile 1 with the earthy energy here, so you may check out Pile 1 if you’re drawn to it as well, especially if you have Saturn energy.

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Pile 4: 

A Chinese idiom came to my mind when I see this pile: 与世无争. It means there’s no quarrel or argument with the society, but it generally means a way of avoiding conflict in a passive way. As though you want nothing to do with the current world. Not sure if it’s correct to say that you’re disappointed with the society but there’s some apathy in here, not having much hope with the people you’ve seen. With this, you may have decided to keep yourself closed from the people around you. Not to use strong words, but you may detest the world and build a utopia in your head, imagining a world that is ideal to you and the rules you live with. Majority of the cards here are in reverse, which explains the dejection and dissatisfaction I’m feeling here. I am having problems in describing this pile and it’s making me scratch on my keyboard because of how I’m unable to phrase words. Still, despite all of that, you’re a very capable individual, especially with the King and Queens in your reading. You may have more feminine energy or may present yourself in a more feminine way than others, tho there’s a chance of you rejecting it. People may come to you for help and advice not only because they trust you, but also your words are able to assure them that things will be alright. You have quite a lot of resources on your hands, may it be finances/monetary resources, knowledge, or even network/connections, and you use them according to your needs and values. There may be some… Unconventional skills that you have. I’m not sure what they are, but it’s up to you to figure out how you want to put them to good use.

Tl;dr: This pile is the most difficult pile for me to write as the energy is all around the place yet focused at the same time. It’s very conflicting and confusing, which may be the aura that you exude. There is no clear definition of good or bad in this reading, but more of what you want yourself to be and how you’re going to work on it. 

[hanatagami]

sagau imposter au (part 1)

i was just introduced and am now an avid enjoyer to sagau, especially imposter ones, so i wanted to make some hcs. this is gonna be your pov, but i would like to do povs of the actual characters too.

Upon “descending” to teyvat, under circumstances you know now, you find yourself to be incredibly lucky that you arrived where you did

you woke up in a domain of all places

it was a weird thing to wake up to, being in the middle of a strange platform with a golden tree not to far from you

you weren’t certain what domain per say, but you could confidently deduce its domain-hood, though it never acted like a typical domain

as in monsters didnt spawn and there wasn’t a challenge for you to face

instead it acted like your own personal sanctuary

if you wanted to sleep: a bed would appear inside

the same with a bathroom (which was weird to use in a space that seemed almost alive) and any other luxuries or necessities you needed

you made sure to compliment the space you were in, just in case, and was surprised when the tree tinted pink, but in a situation like this

more shocking things were bound to happen

like looking at your body and noticing veins of gold which was plenty shocking, the gold seemed to be able to glow or dim to your desire.

You could make it so looked like your body was covered in rivers made of stars (which did wonders for your confidence, way better then any tattoo you could’ve gotten irl) or dim it to where the gold looked completely unnoticeable 

now youve read your fair share of sagau fics, and you deemed its probably safest to stay in a domain for now, until you figure what tropes may await you

god forbid-

‘(Y/n) forbid...? no thats weird’ you think to yourself

god forbid it was an imposter au or smth and you get smited by whatever archon this domain resides in

luckily, the people in the world dont seem to be checking domains you      h o p e

your content residing in the domain till you’ve figured out the full extent of your abilities, and it was only then that the domain provided enemies for you to practice on

(thankfully they weren’t actually alive, cause they are supposed to be your subjects now or something)

you figured out what you could with the guidance of a space that couldn’t physically speak with you, but you did your best

you were surprised to find that a lot of abilities weren’t really used by you per say, but rather that things followed your requests, if that made sense

you didn’t conjure wind to blow enemies away, but you gave silent requests and was gleefully answered

you didn’t create waves of water to send crashing against opponents, you asked and something, maybe Teyvat itself, listened

your hypothesis was that the original creator could manipulate things, but that is either learned or wasn’t passed on to you? 

you thought yourself not as the original creator, but a reinvention of them. Almost like Nahida, you aren’t the orginal creator but perhaps the creator remade themselves into you and placed in another world to be raised as peoples equal and learn things like morals

 perhaps tired of an eternal, all knowing, and all powerful existence.

it was a good idea to keep yourself free of the burdens of immortality, a self-imposed somewhat-life cycle

well that was your hypothesis, you didn't know for sure

but what you did know is that almost everything would answer your requests, even vague concepts like time, space, or gravity

you were even able to control the size of your body, growing big enough to fill the void below the domain, or small enough to be a molecule no one could see (you weren’t sure what was responding to you to do that, but it still worked) 

‘the original creator mustve been amazing...’ you often thought to yourself

You goofed around a lot with these abilities before deciding to go out and venture into actual teyvat, to figure out what you were actually dealing with 

imposters, killer characters, or whoever...beware, you know what your doing (kinda)

and as you stepped out into the land (after giving the domain a big thanks and promise to visit again) you grew a little surprised at the outfit change that happened the moment you stepped on land.

rocks and minerals from the earth arose and surrounded your body, not stabbing or poking you in anyway

instead it felt secure and comforting

you spun and gazed down in awe as all kinds of materials formed garments around your body

it was like a dream outfit for you, something celestial that you could only see in your imagination

and it looked like it came straight from Liyue

and which upon surveying your surroundings of the things in the area, seemed to be Liyue

when you turned around, there wasn’t actually a domain there, so you couldn’t use it as a landmark or anything

(it must be some personal creator domain? that would make sense)

maybe your “holy” garments change depending the country you were in?

Interesting theory, but you didn’t feel like testing it out just yet

requesting the materials to form something a little more Liyue casual to hopefully blend in

and with that you set off!

it only took a few minutes to realize you weren’t quite sure where you were going, but don’t worry, Teyvats got you

a beautiful path made of stone that was embedded with cor lapis arose from the ground to guide you to the city, your desired destination

and as you gazed behind you noticed the path disappeared a couple steps behind you

‘only i get the red carpet, eh? how kind~’

 and with that NOW you set off

it was a very wonderful walk, really

much more peaceful then any walk you’ve had playing the game

no hilichurls or slimes or abyss mages trying to test your patience like they did with your designated traveler

well they did approach, but they approached bearing gifts! it was actually cute watching hilichurls walk up to you with their most valued item, and its like just an apple or something

but you thanked them, gave them a pat to which they always did their little dance which you couldn’t help but chuckle at (it was so much better in person) and that only seemed to make them more cheery as they went back to their tribe

slimes came up for some pets, which how could you not

when you pet the first slime that came up, a pyro slime, you were amazed at the way it felt. It didn’t turn its element off, cause apparently it didnt need too. when you touched it you could feel the pure heat it eminated, but it wasn’t painful. there was a firmness from slime section but the fire itself only seemed to keep you warm

it was then your goal to experience petting slimes of all elements on your way to Liyue’s city

and the results of your petting: electro had a pleasant tingling (especially if you have one hand on a purple one and the other ona yellow one), hydro was more water then slime, anemo felt like putting your hand above a air hockey table, dendro was disappointingly normal but it smelt really nice, and cryo felt like a thin layer of ice on top of water, and geo was rough (unshockingly)

it made your trip to the city very eventful and quick, you didn’t notice time passing at all

it was upon approaching the big gate of Liyue did you really stop to think of a plan

what were you gonna do when they recognize you? cause according to the fics you’ve read, they always do

eh you’ll wing it, you just wanna try Xiangling’s cooking tbh

and maybe one of Chongyun’s popsicles

would they recognize you and agree? would they think you were an imposter or something? you were kinda excited to find out

to avoid the small fries (the guards) from pulling anything, you covered the rest of the distance using a form of teleportation (thanks space) and entered straight into Liyue

you had appeared in an ally to hopefully avoid people spotting you fade into existence there

willing yourself to appear a little more confident (you’ve heard looking confident can really get you places when trying to sneak or fool people)

you began to trek through the big city you’ve grown so used to seeing from a screen

and you really arrived at just the right time, since it was dark from the night sky so all the lights and lanterns were lit, lighting up the city beautifully

so much more beautiful then in game, thats for sure

it kinda made you eager to see the lantern festival! the big deer lantern (the deer was actually an adepti wasn’t it? you kinda forgot) was sure to be breathtaking in person

and maybe it was your outfit, or maybe the lack of guards, nobody was really clocking you on your appearance

(you were only now deliberating that they may not know your appearance, it may be a vibe thing but who knows)

you didn’t see any statues dedicated in your honor, which was kinda a plus. no direct comparisons can be made

you had come up to Xiangling’s restaurant and she was, thankfully, the only one there

“Uh, excuse me.”

“Yes, how can I- Your grace!?” 

ah, she knows

“SHHHH, I dont want anyone to know!”

“How are you here? Where are your guards?? It isn’t safe-”

“Don’t worry about it! I just want some of your food is all, I promise I’ll go back right away.”

 So there was an imposter...how interesting.

“I could of just delivered it to you Your Grace, or someone could of picked it up!” She was looking at you with great concern, you weren’t entirely sure what would threaten the “creator” in this world to begin with, but they may just be paranoid.

“I mean with this imposter going around, who knows what they may try and do...” The thought itself seemed to bring Xiangling great distress, her body visibly drooping at her words.

It felt weird for her to be so concerned over you, when its not actually you shes concerned for. Not you, but someone whose trying to be you, so ig in concept shes concerned for you?

whatever

“Come on, this is definitely one of the safest cities to be in, you know that. By the time they tried anything they’d already be getting chased outta here! Besides, your right here, you can protect me!” It was weird trying to comfort her in this situation, and you could only guess if you were mimicking the actual imposter correctly.

“Well...I guess so...” She didn’t seem completely convinced at that, but she seemed to be letting it slide slightly at the thought of protecting and spending time with you. How sweet~

“Hey, do you think you can make me your signature boiled fish?” You were trying to stay vague...you wanted to try it, but you weren’t sure if the imposter had already, so you had to be picky about your words.

“Uh, sure. Yeah! I can do that for you!” She was channeling some optimism now, her face bright at the thought of “your grace” trying her signature dish. It was really cute!

You were lucky no one heard her shouting “your grace” however many times, there weren’t any other customers and her dad wasn’t there for whatever reason.

But that didn’t stop someone from recognizing you though.

You had felt something pulling on the lower half of your clothes, so naturally you look down and see 

the one and only

former god

Guoba was gazing up at you with sparkles around his eyes

he seemed really excited to see you!

“Oh, aren’t you the cutest!” You were quick to scoop him up and give him the bestest of cuddles you could muster, and he seem to respond in kind

he was so much softer then you could of thought, and he emitted such a nice warmth

people in your world were told not to hug bears, so you werent gonna pass the chance to do so in this one

“Wha--Guoba?!” You both pause in your cuddling sensation to give Xiangling a shocked look at her interuption. Her attention had completely left the food she had been preparing previously (impressively enough her hands still seemed to be cooking it perfectly) and was focused solely on your interaction with the little guy.

“What’s the matter? Should I not be hugging him?” 

“No no! Your more then welcome too Your Grace! Well at least I say but...the last couple times Guoba completely...disregarded you! I guess I’m just shocked.” Her gaze had bashfully returned to the food, potentially embarrassed at having such an outburst in front of you.

“Well I don’t know, maybe he just needed to get used to me.” You focus back on the little guy in front of you and part of you knows thats not really the truth. He’d been so “disregarding” because it was the imposter he had been presented with, not you. He didn’t really make expression but you could tell that he was really excited to see you and be held by you. he’s so freakin cuTE-

Another part of you was thinking, surely someone must’ve seen that as strange. You thought back to the “monsters” too, someone surely must’ve picked up that the imposter being ignored by animals or attacked by “monsters” should be very suspicious. But according to this whole imposter fiasco, it wasn’t suspicious to warrant a check. 

“Here you are! A Wanmin Restaurant Boiled Fish, our speciality!” Xiangling placed the meal in front of you and gave you one of the brightest smiles you’ve ever seen, you almost had to squint at it. A mix of Guoba’s sudden acceptance of you, and trying her signature dish must be really exciting.

Sitting Guoba down in the chair next to you (to his displeasure, as he made sure you knew with an unhappy grunt) you pick up the utensils and look down at the meal in front of you. It smelled heavenly and you made sure to give it a good sniff before getting a spoonful and getting a taste.

The flavor embraced your tongue wonderfully, it was so delicious it was easy to think you wouldn’t order anything else at this establishment. I mean the characters always said Xiangling was a good cook, but this meal was just a whole other level of good.

During your food-caused glee, you didn’t take notice on how Xiangling had looked at you. She couldn’t help but think you looked especially radiant today, not to say you didn’t anytime else, but there was something about today that gave you such a...glow. Watching your eyes shut in delight, humming at the taste of the meal, she felt a warmth from your presence she hadn’t realized was lacking before. Even in a common Liyue garb, every aspect of you invited people to be enraptured by you and your presence. Her heart raced as your eyes cracked open happily to indulge in another bite. She hadn’t seen you so pleased trying food before, though she wasn’t really around to see you eatting

but the face you were making...part of her wishes you only made that face when you ate her food

she knew that if the rest of her life was spent only cooking for you, it’d be a life worth living. (she knew that before hand, but now more then ever did she feel that way)

Guoba had grumpily forced himself into your lap, making you have to scooch your chair back a bit to fit him while still eating (not that you minded, it enhanced the experience tbh)

Letting out a sigh at your full and satisfied stomach, you wrapped your arms around Guoba and buried your face into the top of his head

He let out a small sound of satisfaction, which was very cute

Gazing at Xiangling she seemed to be flustered trying to find a topic of conversation, which was kinda shocking cause she didnt seem like the type to struggle conversationally

(it was probably cause it was you)

“Bleh...I don’t really wanna go back after such a nice meal. I wanna have fuuun! Is there anything we can do that won’t get me caught?” You interrupted her internal dilemma with your own dilemma. 

How do we get more out of my time in Liyue before im wrongfully exposed?

“I know! Are Chongyun or Xingqiu busy? We can hang out with them!”

She seemed conflicted at your suggestion, probably wanting to take you back for safety reasons, but also not wanting to cut your time together short.

“And Guoba doesn’t me to go either, see?” And indeed you were correct! The bear was giving Xiangling the best puppy eyes he could while in possession of bear eyes, and you could tell it was working wonders on her

you could tell by the sudden slump of her shoulders that her internal battle had concluded, and you let a bright smile at her sheepish nods.

Now what misdeeds can you guys get into before getting caught??

[neoyi]

Neo Yi's Super Fun Webcomic Reading List Time!

I wanna do it. I wanna be the guy! I wanna recommend and impart my personal views on the webcomics I've read over the better part of the year. I feel like I've read more online comics since 2023 then I had in over a decade. It is an excellent time to get into comics.

Not every webcomic on the list worked for me, but I'm not going to comment negativity on any of them because all of them deserve to be read and appreciated. No, what I am going to do, regardless of how I feel about ANY of these comics, is to state some things I liked about it. Hopefully something will catch your eyes.

Links to each webcomic will be provided, though Tumblr hates annnnnything with actual links, so I'm just going to copy and paste them in an attempt to reach a broader audience and get these out into the greater wild. It ain't much, but I hope it helps the creators making 'em.

All images I used for each comic are usually the first cover/first page. If the creators prefer I not do that or have another image they'd like me to use instead, please let me know.

I'm also hoping I can regularly update this as I continuously read more and more as I had to split the current list I had into two parts. So consider this Part 1.

No rank because this ain't a ranking list; we going alphabetical order.

1. A Dance With Death (http://overmorrowtales.com/death/cover.php)

Summary: It's the end of the world and Death is waiting for someone to dance with. Who could it be?

Hi, I went into this comic because the main cover had the Grim Reaper in a suit. I know what I'm about, son.

I left this short (really, it's only 34 pages, so you can finish it in about thirty minutes) with a mix of existential crisis and an odd sense of peace. I love seeing anthropomorphic personification of human ideas and the world around us. Just seeing the creator indulge in what they interpret the likes of the Four Horsemen, or Pain, or Fear, or etc etc was a visual treat to see.

Who Death dances with might feel obvious once you put the pieces together, but its the explanation behind why he chose them, especially in the face of an ongoing apocalypse, that both felt utterly clever in its interpretation and worthy of the wait.

2. All Known Alternatives (https://akacomic.com/)

SUMMARY: Akane must find the 42 keys spread across parallel worlds in order to get back home. Eri and Ben is spending summer vacation before university, but get caught in the conflict when one of the keys end up in their world.

All Known Alternatives is described as both fantasy and slice-of-life and it definitely feels like it. I'm a huge fan of collect-a-thon stories, a quest forever molded and shaped by the approx. one gazillion platformers that I've been playing since 1989.

The comic is still new, so for the most part, I've mostly been seeing the slice-of-life aspect of Eri (and a reluctant Ben) settling Akane in. While no doubt finding ALL 42 keys would been an ordeal task for any comic artist (indie or otherwise) to write and draw about (indeed, Akane has half the amount prior to the comic's start), I am curious to keep going to see if the main cast will get the reminding 20+ left, and presumably, enter other worlds (well, other then the ones we've seen so far.)

In-between chapters are, what I think are flashbacks, centered on a squad of military folks. Presumably this will be a "How-Did-They-Get-Here" kinda tale, possibly centered on Akane's origin, but it's too early to tell.

It's three chapters in, each roughly about 40+ pages plus intermission chapters (roughly anywhere from 6 - 10 pages), so it's got a decent-sized backlog to get into. I'll be keeping an eye on this one.

3. Augustine (https://comics.windywallflower.com/augustine)

SUMMARY: August and friends are constantly surviving in the region known as the Crater as they collect bounties, often with a huge heap of trouble they tend to leave in their wake. When they stumble upon an ancient artifact, they''ll be force to contest with other bounty hunters and Gods!

As of this post, I've only wrapped up Chapter 1. I think Chapter 2 had just started, so I haven't ventured further, so there's not a whole lot I can say about Augustine yet. However, the first issue is a good introduction to both the characters (lovable misfits who all Try Their Best) and the absolute chaotic tone of the whole comic.

Augustine wants you to be pumped. It's incredibly energetic and fun, helped by the largely orange background. And I'm not talking orange orange, I am talking bright, vibrant sugar-infested Tang orange. It really lends well to the vitality of this comic and it's really gorgeous when the creator mixes it with the other color they use a lot: deep blue.

I'm also just a casual fan of Greek mythology, so I'm excited for the possibility of backstories and/or meeting with Godly pantheons. This bitch loves Godly pantheons.

4. BACK (http://www.backcomic.com/)

(Note: I used the front cover of the first BACK physical comic because the first page is kinda just background.)

SUMMARY: Abigail wakes up from a coffin and is immediately told she is the key to ending the world. With no memory of who she is, Abigail just accepts and goes about her mission. Trailing along is a druid named Daniel, someone with enough morals hoping that maybe, Abigail, shouldn't really do the whole Ending the World thing.

BACK was still updating when I first read it (up to the Dead Man Arc, I believe) and at the time, I remember being restless for reasons I now can't comprehend. I read through the whole thing again and asked myself, "Why did I feel like it dragged? This is one of the breeziest comics I've ever read!"

Ya know what I also like besides collect-a-thons? Its cousin, the "Fight Every Major Boss to Get To The Final Boss and Save the World: plot. BACK comic is actually pretty straightforward, but it's brandished with KC Green's (well, and perhaps Anthony Clark's: as of this post, I have not read Nedroid, but I've been recommended to it by a mutual) trademark sense of humor, so there's plenty of lingering weirdness and cartoonish, over-the-top characters. It's the kind of comic where the silliness never leaves, often used as much for laughs as it does for brevity whenever it gets serious. I kinda thing it'd work as a Cartoon Network program, honestly. It kind of dips a fine line between being all-age or something Adult Swim would play.

By the time I finished, I was left immensely satisfied. It's about 800 pages, but reading BACK felt effortless. Maybe I would have felt differently if I had been keeping up with it per update when it was still going, but diving into it as a whole? It works. Each chapter, character introduction, and action scenes never overstay their welcome.

I'm pretty invested in the idea of getting physical copies of these books soon, BACK is just that dang good.

5. Come Hell or High Water (https://www.chohwcomic.com/)

SUMMARY: Prince Gladimir did not want to fall in love with a pirate, but he's thrown into his world of sea-farers and ne'ers do-wellers if it means saving his kingdom.

Can I just say I love the title of this comic? Come Hell or High Water is probably one of the badassest of all catchphrases and the creator just chose to use it as their title and it rules.

Everything about this premise rocks my world: elegant princely figure falling for his dashing, roguish pirate guy, fictional kingdoms and the political intrigues and conflict that arises within, high-faring sea ventures, and etc etc. This comic, by all means, is my jam.

Soooooooo, I actually kind of fell out of this comic early into its run. Something about it wasn't clicking for me, personally, but with thirteen chapters under its belt and me, having only gotten up to, roughly, the third chapter, I want to give this one another go later down the line. There is no way I can't leave this comic left unread when EVERYTHING about it fits my particular mold so well. I'm not sure what didn't stick with me, but it certainly is not the sexual tension between the main characters which, god, Chapter One starts off with Gladinmir breaking up with his hot pirate boyfriend and if that isn't a good conflict for the two of them to work out their issues, then I don't know what is.

6. Dead City (https://topazcomics.com/deadcity/welcome/)

(NOTE: The cover is from the physical copy of Dead City. I screencapped this from their official store, hence why the link is watermarked on it. But hey, now you can go and buy it. It's good! Read it!)

SUMMARY: Two guys survive a zombie apocalypse, learn a little about each other, and maybe, just maybe, fall in love. ;O

If it wasn't for a couple of blogs I follow vouching for this comic, I might not have read Dead City. Me and zombie stuff are not syncopatico. Dead City is not about that. The zombie stuff is just background for what it's really about: a slice-of-life and cozy (yes, really!) story of two guys just trying to make through a dying world one day at a time. Throughout the comic, they learn to lean on each other, learn who they are, and get into internal conflicts fighting off their demons.

It's short (roughly 190+ pages), it's sweet, and it genuinely left me feeling like things will be alright in spite of a burning world.

7. Doris Doodle (https://www.dorisdoodle.com/)

SUMMARY: Doris Doodle is an old-timey cartoon struggling to find acting jobs in a media field where she's considered a thing of the past. However, when she is caught on camera for an act of goodwill that launches her into viral popularity, a new door opens up for her, but not without drawbacks.

I think Doris Doodle ended up being one of my new favorites. I'm fond of the Roger Rabbit-ish world of toons living in a human environment, breathed to life by animators, and going about their daily lives in-between gigs as actors. Indeed, you see a lot of crossovers from numerous famous cartoon stars (Betty Boop being a prominent one), which leaves me curious on how much workload the creator has to do with their current goal to make a non-copyright-infringement, physical version of this. It'll be interesting to see.

In any case, Doris Doodle left me emotionally yearning for a happy ending for the main character. We see how the media world chews and spit her out even decades later, and how, once a wide-eyed actress who wanted to be seen, can turn so cynical and bitter at what she was denied, through acts often not of her own faults.

The comic explores the usual horridness of Hollywood shallowness and sexist bullshit, but it also explains what its like to be an old toon out-of-touch of an ever increasing modern world. I love the latter a bit more since it's uniquely set for fictional pen-and-paper denizens; seeing how Toons exist, how restricted their livelihood is no matter what decade you were born, and the methods they go through to survive is fascinatingly good worldbuilding.

8. Earth In a Pocket (http://earthinapocket.spiderforest.com/)

SUMMARY: Anthropologist Halisi Mwangi wants to bring Earth's past to numerous human space colonies. Grabbing precious artifacts that has dotted human history, she blasts off to achieve her goals. Unfortunately, an accident causes her to be stranded on an unknown planet, with only its residences left to keep her company.

I think about the future of our planet a lot, and I'm often terrified of what will happen. I've found myself increasingly annoyed at End of the World stories heavily laden with cynical, edgy bents. I'm not saying these can't have commentary, but geez louise, one can only deal with another "Humans Suck and Can't Be Trusted In the Face of Despair" narrative without withering into a fetal position. Like, man, I get it, but also, come on.

Futurama has always been kind of a comfort show for me. There's something reassuring to see a fictional depiction of Earth a thousand years later, still thriving. Their problems aren't any more or less better or worse than ours, but they're living and doing things and it's just kinda nice.

Earth in a Pocket does something similar: it's a futuristic world where science benefited mankind. There are space colonies now and safe travels in-between, with no sign of the Earth itself in any danger. The main characters is utterly positive and obsessively in love with what humanity has accomplished. She praises the capabilities of what we have done and can do; it's this thinking that not only motivates her to survive, but educate the little adorable jellyfish aliens, all of whom are curious to learn about this strange, bipedal creature.

This is another short comic, so it'll take maybe an hour to finish. I urge you, if you ever feel sad about the current state of the world, give Earth in a Pocket a try. It's compassionate to mankind's achievements, endlessly encourages learning through curiosity and mutual respect for each other's cultures, and reminds us the good we can do. It's just feels good.

9. Fairmeadow (https://www.fairmeadowcomic.com/)

SUMMARY: Goma, a warrior orc, lost and broken, ends up in Fairmeadow, a small community of pacifists lead by Sanctuary. There, Goma is accepted as long as she abides by their peacekeeping rules, which she increasingly challenges every step of the way.

I was initially hesitant to approach this comic because of its tabletop RPG influence, something I am vastly unfamiliar with. I wondered if there would have been terminology I wouldn't get, but I strode on because the premise sounded interesting.

And it was totally worth it. I didn't need to know a goddamn thing about Dungeons n' Dragons or whatnot to enjoy the heck out of this comic. It is exactly what the summary say it is: hardened warrior who has Seen War clashes with a bunch of idealists who refuses to engage. It is damn good showing the flaws behind what an isolationist, hippie-like community is when they refuse to engage in politic strife that, though they refuse to admit, does reflect the world they live in. Goma doesn't instantly endear, both in-universe and out, but the further you read, the more you understand and even side with her frustrations on these crop-hoarding loners who seem content in their impossibly fantasy world. And I love that both sides represent their positions as justified. It's a constant battle and I am eager to find out how these characters will engage with each other, and especially, how it'll end. Fairmeadow feels like the kind of comic where we won't get an easy answer by the time it wraps up.

10. The Glass Scientists (https://www.theglassscientists.com/)

SUMMARY: In a city increasingly hostile to mad scientists everywhere, a one Dr. Jekyll took it upon himself to create an academy to encourage and prep those scientists to fit into good society. Course, things get complicated when Jekyll's other side, the impish Mr. Hyde, constantly takes over to rein a little chaos.

Okay, so, I do enjoy The Glass Scientists. The comic seem to be reaching its end point, so shit is hitting the fan, and I am glued. But I think I'm drawn more to the aesthetic of the comic than anything. Like Victorian-era mad scientists aren't my particular bread and butter, but everything about the Victorian-era fashion is, so Dr. Jekyll in a top hat as the first thing I saw was going to draw me in no matter what.

The second thing that dragged me in was the HOLY SHIT THE ARTWORK IS FREAKIN' AMAZING WHAT THE FUCK THESE LOOK LIKE ONE OF THOSE COMICS WHERE THEY SCREENCAP CARTOONS. I found out the creator works for animation professionally, so that explains a lot. This is a maddeningly great looking comic, with some incredibly good lighting haunting the streets of London.

Things really get interesting a few chapters in when Dr. Frankenstein appears and I feel that's when the comic really takes off. Like, if 19th century English literature and mad scientist gremlins are your thing, definitely give this a read. If anything, maybe you, too, will weep in tears at how gorgeous the comic looks.

11. Goth Western (https://www.gothwestern.com/)

SUMMARY: With an act of necromancy, Jack brings her lover, Evelyn, back to life, at the cost of working for the God she gave her soul to. Now she must hunt down a man in order for the two of them to have their happy ending.

Damn. "Goth Western." That's a title that goes hard. Another short comic that can be read in one fell swoop, Goth Western is pretty much what it is: a dark fantasy ol' west story between two women who would go to the ends of the Earth for each other. It's got all the hallmarks of the western genre: gun fights, bounty hunters, deserts and saloons, etc. I'm not particularly ride or die for Westerns, but it's there for those who are.

What I did love is the sheer optimism behind the grit. I like that Jack and Evie are genuinely decent people who just so happens to have no conniption committing some immoral acts or a crime or two if it means ensuring their own future. And they go through some shit. And you root for them regardless because they love each other and deserve to be together, and in spite of its harsh background, they will find it.

Honestly, with the length of the book, Goth Western feels like it could be an amazing and fun film.

12. Hans Vogel Is Dead (https://www.hansvogelisdead.com/)

SUMMARY: Ace pilot Hans Vogel dies in the Battle of Britain, wherein he ends up in a stagnating fairy tale world. Along with a girl cursed in a fox's body, Hans traverse the land as he strives to be a better person and unlearn the rampant fascism that has encapsulated his entire life.

I can only reason reading the summary above is enough for people to put two-and-two together that this takes place in 1940s World War II. And it's even more obvious what Party Hans is involved in, so if that kind of background is not to your liking, I don't recommend it.

If it's any worth, the majority of the story takes place in said fictional fairy tale world, using it as a thematic drive to explore Hans' background to have him realize, pretty early, in fact, that his entire fascist view is wrong. It's clearly a lovingly-crafted story, the creator constantly peppers each page notes with trivia and facts about the time period (her bio states she's a historian.)

I've gone in and out with the comic (one of those "I'll check back when it updates a few page" sorta thing), but I appreciate the chutzpah of the creator to make its lead character a literal Nazi and going out of her way to explore what it is like to have lived in that specific time period with a society and culture that devalued so many people. How will Hans get out of this kind of thinking and be a better person? Are his actions forgivable? I kind of feel questions like these are somewhat balanced by Hans himself, who, rather than portrayed as some arrogant jackass, is instead rather timid and unsure of himself.

Hans Vogel Is Dead feels very much like a "We will be doomed to repeat history unless we learn it" kind of comic, which, shit, given the politic course my country is going through, having a comic like this educating on why being a dangerous bigot is an awful thing, feels appropriately well-timed.

13. Harpy Gee (https://www.harpygee.com/)

SUMMARY: A young, magic-less elf enters the town of Podunk. There she has fantastical adventures with her new friends.

I know the summary's lacking, but 1.) I imagine most people already know about Harpy Gee or its artist. I've followed her stuff before she launched this comic because of wowie-zowie I would kill to use copic markers the way she does let me learn your ways coloring skills and 2.) That's kinda what Harpy Gee is.

For sure there are scenes, foreshadowing, and characters that launch off future plot points, but otherwise, Harpy Gee is like watching a family-friend cartoon. It's got the bright colors, often has cheesy little dialogues, magic and monsters, and every other little dangerous, but manageable adventures the main characters get into. It's a nice comic to read when you want to unwind, and I really dig how earnest it is with its kid-friendly appeal. There's not a drop of cynicism or edge to it; the optimism and sense of fun is what gives Harpy Gee so much of its charm.

The creator has since graduated to digital coloring (though she still inks her comics the ol' fashion way), but I really recommend checking out the early pages to see how she works her magic with markers. Like, I'm biased, my stuff is traditional artwork, so I'm endlessly fascinated when I DO see another webcomic in the wild doing the same, but her stuff is eye candy. Like *chef's kiss.*

14. Hoppscotch (https://z-t00n.tumblr.com/tagged/hoppscotch)

SUMMARY: Bunch of animal people get into wacky shenanigans and boy, that is an understatement.

So, as far as I'm concerned, this comic is only hosted on the creator's tumblr page. It also doesn't have a cover and I wasn't very comfortable even posting a full page because of where its hosted, so I just took a small screencap of a couple of panels from a newer page to give an indicator of the kind of humor you are in for when reading Hoppscotch. (Though let me know if you'd rather this pic be removed.)

In any case, this comic wondered into my radar when a person I follow reblogged the one Hoppscotch comic with the exploding school bus. I remember scrolling down thinking it couldn't possibly get any more bizarre, but it kept elevating itself until I was left in awe at how GOOD with spontaneity it is. This is a comic that sets you up to think it'll go the expected route, but will often always, always go in a completely unpredictable, unhinged ending, and it gets me every. single. time. I haven't laughed so hard in a comic in a while. I was floored by its mastery of deranged comedy and I am genuinely looking forward to more.

A lot of this is really helped by the appealing artwork. Furries aren't in my radar, but I love the character designs. They're colorful, adorable, and really streamlined. Like this kinda has a mid-to-late 2000s Nicktoons/CN sorta vibe.

15. Kidd Commander (https://kiddcommander.com/)

SUMMARY: Phineas Kidd vows to gather a crew so she can fly off to Kairos Crossing to accomplish her goal: to catch the Sun.

Kidd Commander immediately drew me in the moment I read "to catch the sun" in the comic's "About" page. Maybe it's my love for cosmic eldritch horrors. Maybe it's that one Specter Knight fancomic I'll never get to making where I have him literally cut the sun (long story), but whatever it is, I bookmarked the webcomic to read it when I had time because I had to know what the hell I was getting into.

And then I read it (as of this writing, I wrapped up the Mile High Engage arc and stopped shortly after I started the A Wretched Analog arc) and I sat there with my hand over my head, wondering, "What the heck did I just read?"

I mean that in the best way.

Kidd Commander is a dense webcomic. It pounds you deep into its constructed world, with terms that I admit, I'm still trying to make sense of. Mind you, the comic explains what I need to know. What is it about Kidd Commander is that it goes with the assumption that you, the reader, is not a moron. It won't hold your hand; it expects you to keep up with the characters' nuances, the nature of its world and how it exists, and every other little intricate of foreshadowing waiting to be unraveled. The creator has a degree in English literature and it shows, in that while this can be a wordy comic, it's less about how much is squeezed in a word balloon (of which Kidd Commander does fine), but the way it is written. If it isn't casual dialogue, then it gets evocative, especially when it gets serious and/or bigger plot stuff unravel.

After I finished the first arc (which was a sizable 440 pages), I had to take a breather. It can be overwhelming, but it's also a comic that is clearly driven both by passion and anger. It feels like the comic equ. of wanting to punch all the bastards that has ever wronged you. It wants to internally liberate itself as much as it hopes for you. Its constructed world genuinely feels like the creator's own, all the while drawing in the best of shonen comics (bonus points for the aesthetic airship. This bitch loves airships.)

I plan to read further into the comic, but I wanted to make sense of the world it has laid out first. And I found out that sometimes the best way for me to read a piece of fiction and really get to the meat is not through digital format, but physically in my hands.

So I ended up buying the book to do exactly that:

I implore people to give Kidd Commander a shot. If you want something that feels so raw, built to give you a sense of catharsis to people of things with greater power that has wronged you, then this comic might as well be its spokesperson.

[beguilingcorpse]

it seems to me like staff is realizing that people are flocking to tumblr from other social media sites like twitter and reddit, and instead of emphasizing what's great about tumblr as a platform - you can comment on posts sotto voce via tags! you can reblog the same post multiple times, including different versions of the same post! you can completely curate your own tumblr experience by ONLY looking at posts reverse-chronologically from users you follow, which literally no other mainstream social media site lets you do!!! - they've decided that the best way to appeal to these incoming audiences is to conform to the expectations that they have from other sites. staff is planning on changing tumblr UI to better fit these expectations - but those changes would directly destroy what its EXISTING userbase likes about tumblr in the first place.

tumblr does not function like any other social media site. that is a good thing! for example people love being able to click back through reblog chains, especially to read the previous tags, which is a function that doesn't exist on any other social media platform - and it's a function that staff has tumblr has already nerfed on desktop. "prev tags" are a common way for users to interact with the people they're following and provide merit and feedback to those sotto voce comments of the people they follow, and as of right now, it's a functionally extinct practice on the desktop version of the site. the changes that staff has discussed making follow this same trend of eliminating the quirks and idiosyncrasies that people love about this platform.

staff is concerned about tumblr's ability to grow its userbase and generate revenue. they are worried that tumblr isn't intuitive to use, and that the learning curve required to use the site will turn off new users. this is fair. it is a valid concern for a company for have about its product. the issue is that staff doesn't seem to realize that tumblr's uniqueness is its strongest asset. yeah, some of tumblr's features are bugs wearing a suit and tie. but they are, genuinely, features that make the site better and easier to use - and features that tumblr stands out for having. new users are coming to the platform precisely BECAUSE of tumblr's reputation as a site unlike twitter, or instagram, or facebook, or reddit. instead of examining what works about tumblr's current UI and fixing what doesn't (i.e., creating a functional tag searching system), they've decided to stuff tumblr into the twitter mold - but that isn't what people want.

i'm sincerely hoping that tumblr starts listening to its current users. i know a lot of people who use tumblr exclusively as their only social media presence, and i know a lot of those same people who would just quit social media entirely if tumblr gives up the things that make it a good social media platform.

tl;dr: @staff please listen to your userbase about the features that should stick around and about the things that do need to change

[twptwp]

Please share

Hello, I contemplated it a lot, I decided it would be best. I will be sharing this beware on a rather big artist here who hurt me personally.

I will write more at the end. Please take care. Warning: the post is very big

Pestkitty is also known as Nopperabou if I remember the name correctly on other platforms such as Artfight and Youtube

*It should be noted this is very blatant lying on that guys part, I was keeping to myself for this entire time and harassed nobody, on the contrary his friends had been harassing me. I regret not writing that more clearly

I don't think I mentioned it in the original post images but I would also like to note at the time I was not an adult yet and it was my first time going on a plane... 11 hour flight completely alone is scary, no family, nobody in my family has ever travelled so far. It was a very big deal

END OF IMAGES

Description from original post on Instagram (it's a lot so I'll make it small):

HI HI PAWB! Lots and lots of people wanted me to put this together, please do share, even if you do not know the people it would be great help. The more people who know the more people who can stay safe. This post is a little overdue but I was gaslit by them into thinking these were not big issues and that I was the one being strange so it took a while for me to gain the stability to put this together, I ended up downplaying my feelings a lot and it wasn't untill somewhat recent when I realised I may be developing a new disorder from their abuse that oh... I was not wrong for my concerns and feelings; these people really are harmful. I do not condone harassment so please do not go messaging these people. Block, share, and move on. Stay safe. That is my internet mission for you🚀

I make this post because they are rather gross and dangerous and have considerably big audiences, people have told me their opinions that they should not have the platforms that they have because their behaviours are dangerous. There is more things they've done that I have not included because I would like some of my own privacy even after my private information was leaked in a comic haha... I've displayed enough behaviour from them to show who they are and what they do though, so this is enough!

This is quite intimidating for me, so, I will be going offline off of this account for a few days and just let this post simmer... Not for too long because I have some awesome art cooking HEHE but YA! If there are questions in the comments my friends will answer for me! Though, I think I've been rather transparent so I don't think there would be any.

I will also be providing more proof in my story, specifically proof that slide 10 IS that guy because quite frankly anybody could be "Instagram user" and they have fabricated stuff against me in the past so I think it would be good to prove it is that account.

Okay bla bla that is all, apologies this is such a scary and serious post especially as I like to keep my account a friendly nice place but ahhh it really has been burning at me. So, thank you for reading so very much. Bye bye pawb!

End of description^

That was a lot! So here is why I'm sharing it to Tumblr:

☆Awareness! NOBODY should have to risk getting close to these people. NOBODY.

☆Better circulation! My Instagram post got over 3000 likes, lots of shares, 100s of comment and many saves so it did very well however after a while things leave the light and become something "of the past". I notice this does not happen so much on Tumblr and things continue to be shared

☆This still effects me. The original Beware is from 3 months ago however I am currently doing this because I was restless from lastnight nightmare (I had a nightmare about these people) and now I'm all nauseous and shaky again! It's 3am and I was panicking a lot so I put this together, I'm yet to rest

And finally....

☆TAGS

I notice that if an image in a tag becomes popular enough it shows up on things like Google! Isn't that cwl! So, if a fan of these people searches for them on the internet the beware could show up which may deter them from the artist. This is great, which is why I also need your help in making this popular!

Thank you sincerely for your time, it is greatly appreciated. I feel calmer now that I have made this post, I regret not making it earlier but it is better now than never. Nos da ac breuddwydion melys pawb♡

[starbunii]

Sorry if this is a personal request but!! Can I get Venti, Scara, and Gorou with a S/O who has heavy triggers to alcohol/the smell and stuff bc of a parent who was always drunk so they had to be the parent in the house? Not like abusive or anyth but just always drunk and emotionally distressing to see

No worries if you don't wanna take this, ty for reading! 💕

. fear of alcohol 𓂃 ♥︎

𝜗𝜚 ┈ venti, scara, and gorou x reader (seperate) ! ｡

notes: idm taking this at all! i feel very honored that you came to my writing for this kind of comfort. that means very much to me. i hope you're ok and in a safer place now, anon. if not, it's ok. everything will get better; i promise you <3

headcanons ノ fluff/angst (?) ノgn! reader ノcanon universe

second person pov !! please enjoy! ˶ᵔ ᵕ ᵔ˶

-- ♡ --

venti

now, we're all well aware of his drinking habits. it's a fun past time for him, and it helps him relax

one night, he tried to drink around you, and was admittedly very surprised when you didn't want to

the two of you were practically attached to the hip, you two did everything together! so...why was this any different?

once you explained everything to him, he immediately understood and put the alcohol away and makes a fun soda/cider kind of drink instead!

over time, he starts drinking a lot less. on the odd occasion that he does get drunk, he just lets you know and stays kind of far away (he'll miss you greatly, but your comfort is safety is far more important to him)

will come to you the next day, hung over and clingy, but most of all; so happy to see you

scaramouche

he only really drinks as a sign of politeness, but nothing too crazy

he hates the taste and gets 0 enjoyment off being drunk. him coming home wasted isn't something you have to worry about

however, if you're at a place like a party or a festival, where there's a large collection of drunk people, he'll immediately whisk you away and take you somewhere else; wherever you want to go

if you two go back home, he'll immediately start to pamper you. he wants you to remember that you don't owe him anything. that you aren't a child stuck as a parent

he knows you weren't exactly abused or anything, but he's still careful with his touches regardless, only wanting you to be comfortable

expect gentle massages and light kisses. he'll praise you on how well you're doing, no matter if you're freaking out, or if you're just calm

gorou

similar to scara, gorou only drinks for polite reasons, or if there's something to celebrate. he never goes too far

however, if he does get drunk, he might get a tad bit clingier. not to the point where he's totally helpless; just more affectionate

if you need him to step away because you're getting upset, he'll do so with no complaints. he knows your boundaries need to be respected

will 100% show up with a bouquet and a box of candies the next day as an apology, even if he didn't exactly do anything wrong

gorou would probably stay the night with a buddy to make sure you don't end up triggered or scared. the last thing he wants is for you to be unsettled because of him or something he did

listens if you need to just vent and talk abt it. he understands that what you went through was traumatic, and that seeing someone you love in that very same state must hurt you to a degree. he'll just hold you and comfort you, providing all you need <3

starbunii 2024 — all rights reserved. do not redistribute or translate to any other platforms

[end-otw-racism]

#Vote to End OTW Racism

A Call To Action

Earlier this week the OTW responded to our previous action and reaffirmed their commitment towards combating and preventing racism within its platforms. 

They also thanked us for working to keep holding them accountable to their goals and we intend to keep doing so. 

To that end, Fandom Against OTW Racism is calling for our Second Action!! This action is centered around the upcoming Board Elections set for August 11-14. We want to encourage everyone who can to participate in the election process and spread the word far and wide about these elections! 

Currently, 4 of the 7 Board positions are up for election, which is a majority. Now is the time to get involved. In light of multiple accounts coming forth about the state of the organization, it is clear that fundamental changes need to happen – and those can only happen with a shift in leadership, from what we currently have to one that is capable of supporting and implementing those much-needed changes.

Please join us in calling upon our fellow fans to vote to make things better for all of us!

How to get involved:

With four Board Seats open, now is the perfect time to act and make this issue a key component of this election to select people who demonstrate a commitment to combating racism in our fannish spaces. So if you can, please plan to vote this election cycle!!

If you already are a member, use your voice and Vote. If you have donated in any of the fundraising drives for AO3 in the last year, you are likely eligible. You can check your eligibility status here by selecting “Is my membership current/Am I eligible to vote?”

If you are not currently a member or eligible, consider donating $10.00 so that you can gain membership in OTW and be able to vote. In order to vote your donation must be received by June 30th. 

When donating you can add ‘End OTW Racism’ to the ‘In Honor Of’ field if you feel comfortable doing so.

If you donate, ensure you select the yes to the ‘Do you want to be an OTW member?’ question

[alt text: image of text that reads “Do you want to be an OTW member? ($10 minimum donation)” with two radio buttons to select from with the choices of “Yes” or “No”]

We understand that many people may not be comfortable doing so or may be unable to and that is perfectly fine! You are under no obligation to spend any money and we do not want to pressure anyone into doing so. There are plenty other ways to get the word out to encourage others to vote as well as continue to show support for this issue.

Other ways to get involved:

When posting a new fanwork between now and August 14, add ‘Vote to End OTW Racism’ to your title and provide a link to the End OTW Racism blog in your top Author’s Note. Reminder: New fanworks participating in the action are always welcome to join our AO3 collection.

For those who may not be creating works or who use AO3 just for commenting/ kudosing, create a Pseud named Vote To End OTW Racism. AO3 will automatically append your default name at the end. So it would look like “Vote To End OTW Racism (Your Name)

Add a link back to this call to action on your profile page, for anyone clicking on your name to see. 

Update your pfps/avatars/user icons across social media

Participate in the upcoming Board Meeting between now and the election (August 11-14). The next Board Meeting is scheduled for July 2 and we will post an explainer about how to participate soon!

Send a letter to the Board encouraging them to be more transparent and to better advertise their Board Meetings. (credit to Punk who allowed us to utilize their work for this template)

Submit questions during the Q&A period with the Board Nominees. (We will post about this closer to election time)

Follow us on Tumblr, Twitter or Dreamwidth as we will be reviewing Board Candidates through the lens of our goals and providing more information on how to be involved over the election period. 

[homestuckreplay]

hey so what sort of insane loot did you rake in today: A Conversation Analysis of Pesterlogs in Acts 1 & 2 of Homestuck

This essay contains spoilers for pages 1-386 of Homestuck. Wordcount 6,700. If you prefer, you can read this on google docs. 

Love and thanks to @rudebreadrolls for being my very cool editor. They did not reduce the wordcount, but did provide some extremely helpful feedback. <3

Introduction

‘In watching our participants deftly manage multiple messages, and then interweave these messages into the larger storylines of their lives, we became aware that the drama, the story, and, indeed, the enjoyment of [instant messaging] comes from the entire session itself: its flow, its arc, and various aspects of narrative tension across messages.’ - Lewis & Fabos (2005)

In 2009, internet use is approaching universality among American teenagers. Around 93% of teenagers use the internet, compared to around 10% just ten years earlier, and academic research about the effects of internet use is beginning to catch up. There is huge variation in findings, with some studies reporting that internet use, social media use, and instant messaging with friends can decrease depression and social anxiety, while other studies find that online activities are harmful to mental health. Similarly, some papers show that friendships formed or maintained online are more surface level, less honest and less emotionally fulfilling than friendships maintained in person, while other papers suggest that young people are more vulnerable and uninhibited online, leading to deeper friendships. 

‘The internet’ and ‘teenagers’ are extremely broad categories, so it’s no surprise that findings are so varied. Two particularly interesting individual findings are that ‘Lesbian, gay, bisexual, and transgender (LGBT) youth were more likely than non-LGBT youth to have online friends and to appraise these friends as better than their in-person friends at providing emotional support’ (Ybarra et al.), and that ‘online communities illustrate these tenets [belongingness, social connectedness, and political connectedness] of the autistic cultural identity, as well as how these communities, by the basis of being online, enable autistic social connectedness to occur more readily and smoothly then within everyday life in the “real” world’ (Le Vine-Miller). 

Two common hypotheses discussed in online friendship research are the rich-get-richer hypothesis, which posits that popular individuals with good offline social skills can use those same skills to achieve similar popularity online, and the social compensation hypothesis, which argues that people who struggle to form social connections offline often find it far easier to form friendships in online spaces. These hypotheses are not mutually exclusive, and both are supported by research. When discussing Homestuck, I make the assumption that the main characters are friends exclusively online and have never met in person, due to their geographical distance from one another, and that they are socially isolated with few if any in person friends, due to none of the characters mentioning a social life outside of their families and online messaging group. I also believe that whether or not this is intended by the author, it is easy to read these characters as queer and/or neurodivergent, which further positions them as socially marginalized. Therefore, these characters would best fit within the framework of the social compensation hypothesis.

Research on instant messaging (IM) typically discusses IM as a hybrid communication form, incorporating elements of both spoken and written communication, and further suggests that IM is a third form of communication that cannot fully be analyzed by either or both of these frameworks. Significant variation is seen between participants in their use of language and paralanguage, and there is a strong research focus on the capabilities and constraints of IM platforms. Researchers also discuss the varying prevalence of features unique to IM or other computer mediated communication (CMC), such as emojis, acronyms, gestures, and message spacing and timestamps.

However, this research is often limited by researchers’ needs to compare IM to in person communication and judge which is ‘better’. They typically conclude that IM is a lesser form of communication, and that participants in their studies have a preference for talking face to face. This may be because these studies primarily use participants who began using IM as teenagers or college students once they already have strong real life friendships. General studies on IM are less likely to study those who grew up with IM from a young age and who use the medium more akin to a first or native language - an increasingly common phenomenon - which limits the conclusions these studies can draw.

In instant messaging research, most authors rhetorically distance themselves from the topic, with some explicitly stating that they do not use instant messaging services themselves and none (that I found) discussing their own personal experiences. I personally have been a regular user of instant messaging services since the mid 2000s, including both one-on-one and group chats with both online only and in person friends, using primarily MSN Messenger, Skype, Facebook Messenger and Discord, and these experiences inform my discussion of this topic.

In this essay I will explore how Homestuck’s online teenage social group - John Egbert, Rose Lalonde, Dave Strider, and gardenGnostic (GG) - communicate with each other and manage friendship via the in-universe instant messaging service Pesterchum. I will discuss what these friendships mean for the characters within the story itself, as well as what the use of instant messaging does for the author and audience who are reading this story. 

I used five Pesterchum conversations to conduct this analysis: John-Rose (p.256 - 332 words), John-Dave (p.386 - 542 words), John-GG (p.293 - 412 words), Rose-Dave (p.333 - 402 words) and Dave-GG (p.382 - 424 words). For each pair of chums, I chose the longest Pesterlog by wordcount between the two characters, with a pesterlog defined as a conversation occurring on a single page of Homestuck. In the end, all these conversations came from the first 140 pages of Act 2. 

I selected eight possible characteristics of instant messages to analyze in these conversations, inspired by, but not identical to, those explored in Kelley’s work ‘The Hybrid Structure of Instant Messaging’ (2008). My categories are as follows.

Grammar - includes punctuation, capitalization, and similarities to formal written language

Conversationality - includes exclamations, filler words, and similarities to informal spoken language

Internet Language - includes internet specific features such as emojis, abbreviations, and methods to emphasize words

Structure - includes length of messages and numbers of consecutive messages

Informativity - how effectively information is conveyed and interpreted

Vulnerability - emotional honesty and openness 

Agency - control over topics and flow of conversation

Color - cultural associations with chosen text color

I was unable to analyze two additional features. Pesterlogs do not include timestamps, so I could not discuss time between messages. However, overlap between messages and events in the narrative suggest that conversations take place in near-real time and are the primary activity holding characters’ attention. Interjections like ‘EB: um… hello?’ suggest that waiting for a response is the exception between these characters and not the norm. Additionally, errors and repair, where one participant makes a typo and corrects it in a subsequent message, do not appear in Homestuck. I assume that this is artistic license on the part of the author to improve readability of the text.

John Egbert

John’s typing style is the most conversational of the four main characters, with the greatest similarities to spoken dialog. He appears to be fairly unfiltered, and it’s easy to imagine that he would talk very similarly if he were hanging out with his friends in person. Grammatically, John does not capitalize proper nouns or the start of sentences, but he does use correct punctuation including commas, periods, and apostrophes. This is his main concession to written language, as correct punctuation makes his messages very readable even for people who are not familiar with instant messaging dialects, and means his statements are clearly delineated from each other. 

John uses contractions such as ‘can’t’ and ‘don’t’ whenever it makes sense to do so. His text contains a lot of filler words, such as ‘well ok,’ ‘like,’ and ‘er…’ which demonstrate his unfiltered, stream of consciousness style. He also uses exclamations such as ‘oh jeez’ and ‘ok ok stop!’ which would also be common to spoken language, but not written. 

John occasionally uses Internet-typical acronyms such as ‘brb,’ but they don’t form a major part of his typing, and he doesn’t make use of emojis or special characters that could indicate paralanguage cues. Once in a while, he uses all caps for emphasis, such as ‘haha I WISH.’ and ‘SO LAME.’ As this is the only capitalization he uses, it’s effective when present. John doesn’t elongate letters in words for emphasis, but he regularly uses question marks and exclamation points, and sometimes elongates these to two question marks or three exclamation points when he wants to indicate that something is particularly important.

John’s messages tend to be short and sweet, mostly containing a single clause or sentence, but there are outliers. When he has particularly strong feelings about something, for example his near-death meteor experience or the idea of a white ventriloquist rapper, he can get caught up in a run-on sentence confined to a single message. In instant messaging, it’s common to split a thought across multiple messages and take several conversational ‘turns’ in a row. John does this sometimes, especially when each message contains separate thoughts or when he needs some time to think, indicated by ‘hmm…’ or ‘see…’ as a single message, followed by a longer response. However, when he is having a singular thought, he doesn’t always take the time to hit the enter key, and instead constructs the whole story at once, as in the example below.

EB: but now i'm trapped here and it's weird and dark and i can't find my dad and i just lost the car and my copy of the game in the pit and i think i have to save the world from the apocalypse!!!

He could have chosen to split this message into multiple parts, as demonstrated below, but is either too caught up in the emotions of what he’s typing to do this, or sees this as a singular thought that should be kept together without line and punctuation breaks.

EB: but now i'm trapped here.EB: and it's weird and dark.EB: and i can't find my dad!EB: and i just lost the car and my copy of the game in the pit!EB: and i think i have to save the world from the apocalypse!!!

John can be vague with information, using ‘i think’ and ‘i guess,’ but he seems to be aware of that fact - possibly from communicating with the same people for an extended time. He sometimes self corrects to add more information when he realizes he’s being confusing. In general, he doesn’t seem to have perfect control over language, and can use awkward and clunky phrasing - ‘yeah, more like the opposite of all those things is the thing that is true!’ - which ties back to the social compensation hypothesis of online friendships. John isn’t a smooth talker, but it’s easier for him to talk through IM, because it provides more opportunities to self correct, and his conversation partner can read back over what he’s said and take more time to interpret it than they could in a spoken conversation.

John is honest with his friends about the situations he’s in, and the unfiltered way he talks carries a lot of implicit emotion, but it’s rare for him to outright state how he feels. When he does, it’s always more neutral emotions - ‘ok i don’t really care.’ or ‘but i’m ok!’ - never strong emotions, either positive or negative. However, it’s easy for someone who knows him to interpret how he feels through messages like ‘you never even wished me a happy birthday!’ It seems that John isn’t making an attempt to hide his emotions, but also doesn’t explicitly acknowledge them, whether that’s just to his conversation partners or also to himself.

John’s conversational agency is highly variable. He seems to naturally take the lead in conversations when he has strong opinions about the topic under discussion, like when he tells Dave to stop an extended monologue, or changes the topic away from Dave’s criticism of his sylladex. In his conversations with both Dave and GG, he seems to be guiding the flow of topics, even though Dave is sending far more and longer messages. In contrast, in his conversation with Rose, John is taking a backseat. He recognizes that he has less information than she does, although he sometimes pushes back against her with emotional interjections. He still attempts to exert agency in the conversation by asking questions, but she overall appears in control.

John’s chosen color for his messages is #0715cd, which is described as ‘medium blue’ or ‘strong blue.’ Blue in its entire spectrum is currently seen as a masculine color, and is associated with oceans, sky, open spaces, introspection, sadness, wisdom and serenity. This particular shade of blue is closely linked to computers - the standard HTML code for hyperlinks, including the ‘next page’ links in Homestuck, is #0000ee, ‘blue’ or ‘pure blue.’ John’s text evokes his status as a ‘digital native’ who predominantly spends his time using technology. Blue is also a standard color for ink pens, and a color most people are accustomed to reading in. John may have chosen blue for his text because it is unobtrusive and doesn’t stand out in any particular way.

Rose Lalonde

Rose’s typing style stands out because of the four main characters, she is the only one whose messages reflect formal written writing. Outside of messages she is both a creative writer and an informative writer (via GameFAQs), and unlike some writers, she doesn’t draw a strong distinction between this and her instant messaging. Without exception, her messages are complete sentences with correct punctuation and grammar. She also obeys some stylistic guidelines for writing, such as varying her word choice, mixing complex, multi-clause sentences with shorter ones, and occasionally using metaphor and simile. 

Rose does not use filler words, and each word she chooses appears purposefully placed to add something to her message. She does make use of contractions such as ‘I’ve’ and ‘didn’t,’ as her one concession to spoken language, although she uses the full ‘cannot.’ She also makes some use of exclamations, although in the sample studied here this still appear to be carefully considered full sentences, such as ‘Baseless accusation!’

Rose appears to have no interest in tailoring her writing to the Internet. Some users of IM believe that using internet language and paralanguage makes them appear younger and less intelligent, which could motivate Rose to avoid these. The one acronym she uses is ‘PDA,’ which is an accepted acronym outside of IM, and the closest she comes to slang is the phrase ‘skyward asses.’ This phrase is more likely an example of mimicry, where somebody uses a phrase they would not normally use to (whether intentionally or unintentionally)  imitate their conversation partner, in this case Dave.

Rose does make use of message spacing and multiple turns, the one clear difference between her instant messages and other forms of writing. She averages around 10 words per message, the highest of the four characters, and sends strings of two to three messages more often than single messages. Each message can be as many as three full sentences, which are always directly related. Her message strings can be due to topic changes, but can be directly related thoughts separated for stylistic effect or to create tension by making her conversation partner wait for the next message.

Rose clearly pays great attention to precision in her writing, conveying all necessary information without shortcuts. She uses a wide vocabulary for her age, with sentences typically readable at a high school level, and expects her conversation partners to be able to understand her. She is also excessively verbose, choosing words to showcase her personality and intelligence, instead of trying to send the quickest messages possible, as in the example below.

TT: Navigating the urban landscape I'm sure is difficult enough without an obstacle course of deferential flesh and skyward asses.TT: Perhaps adapting the art of parkour to your unique environment would help?

Rose could instead write the following, which is significantly quicker to type and easier to read, but she does not.

TT: Being in the city must be hard enough without people falling at your feet.TT: Have you tried parkour?

Many researchers hypothesize that response speed is a big factor in people’s IM word usage, but this is not true for Rose - even when her life is in imminent danger, her typing style does not change. This is probably uncommon, but no ethics board has yet approved a research study investigating this.

Rose’s messages typically stick to the facts, with occasional speculation. She prefers to discuss the specifics of her situation and goals, and avoids obvious cues to her emotions. In both conversations analyzed, she offers one emotion-based statement at the end of the conversation, which could suggest one of two things - either she needs to take some time to warm up to a conversation before she’s comfortable expressing an emotion, or she’s so uncomfortable expressing an emotion that she needs to leave immediately afterwards. In both cases, the emotions remain somewhat buried within intentionally complex language.

Rose naturally takes charge in conversations, and prefers to discuss topics she feels knowledgeable on. When talking to John, she employs subtle topic shifts to focus on what she knows for certain and what is directly actionable. She also explicitly refers to doing outside research to be better informed in this conversation. When talking to Dave, Rose engages in conversational sparring where neither party is in charge of the flow, and is thrown off when Dave is able to take control over the conversation by seeing through her surface words to the motives beneath.

Rose’s message color is #b536da, described as ‘bright magenta’ or ‘dark orchid.’ Purple is broadly associated with royalty, power, magic, night, creativity, and enlightenment. It is also a feminine color, and surveys suggest it is a more popular color for women than the archetypically feminine pink. In Rose’s case I would highlight purple as a spooky and mysterious color, distinct from black (which is most likely the Pesterchum default color), which she may have chosen due to her interest in horror and her desire to appear mysterious. ‘Purple prose’ is also a common term for unnecessarily extravagant and fanciful writing, which on the meta level of the story, could be a good description of Rose’s typing overall.

Dave Strider

Dave’s typing style is extremely minimalist, stripped of most signifiers of spoken, written, and internet language. He very rarely uses capitalization or punctuation - he sometimes uses question marks when relevant, but not always. ‘what do you want with john’ leaves the question mark implied. Dave does however make extensive use of quotation marks, which he uses to roleplay with himself and create hypothetical characters on the fly. He is a writer like Rose, creating blogs and webcomics, and this shows in his extensive instant message monologues. However, as all of his writing intentionally breaks the formal rules of written language, his messages share very few similarities with standard writing and are mostly incomplete sentence fragments.

Dave uses filler words and conversational slang, and contractions without an apostrophe. He regularly uses ‘yeah,’ ‘what,’ ‘look,’ ‘ok,’ ‘damn,’ and ‘shit,’ which are written out even though they don’t add additional meaning to his messages. Despite this, his typing overall reads as less conversational than John, partly because the lack of punctuation means his words don’t have the clear cadence of speech. 

Dave does not use emojis or laughter, which connects to the overall lack of emotion in his messages. He occasionally uses acronyms such as ‘FU’ and ‘nm’ which are exclusive to internet language. In his case, this might indicate that he has no interest in the topic under discussion and doesn’t think it’s worth the attention of a full message, as he has no issue writing far longer messages when he has the inspiration. His other hobbies indicate that Dave is familiar with Internet culture overall, so not using internet language is a conscious choice he makes - perhaps he thinks this style of messaging is no longer cool.

According to my editor who is cool for real, being taciturn (untalkative and reserved) is a classic trait of “cool guys,” suggesting that Dave uses acronyms when he is focused on his cool persona, and writes longer messages when he gets swept away in his thoughts and forgets to put on this act.

Dave averages around seven words per message, although the sample taken did not include any of his raps, which could potentially raise this number. In his conversations with Rose and John, he sends significantly more messages than his conversation partner. With GG he sends a similar number of messages, but in all three conversations, Dave has a much higher total wordcount. He clearly has a lot to say and has no qualms about saying it as often as he likes. There are also only two occasions where he includes two separate sentences in the same message, and he regularly splits up a sentence across multiple messages, such as when he sends ‘cal is dope’ ‘puppets are awesome’ ‘john egbert blows’ as three separate entries. Dave’s general lack of punctuation means that the enter key is the closest thing he has to a comma or period, which could explain his greater tendency to split messages. Alternatively, the fact that he is generally extroverted and enjoys talking could mean that he sends one message at a time and then continues to add additional thoughts until his conversation partner responds.

Dave is fairly vague with information as it pertains to his own life, saying that he ‘took [his] awesome katana’ to the living room ‘in case things get too hot to handle’ without elaboration. It is possible that he is working on the assumption that his friends already know about his life. Alternatively, he may not want his friends to know these details, or he may simply want to appear cool and mysterious. When talking about a hypothetical scenario, Dave gets a lot more specific and highly detailed. This shows that he has a strong and active imagination and has no trouble conveying information when he chooses to do so.

Dave is highly defensive when criticized by his friends, even on things that do not particularly matter. He is also extremely opinionated and expresses this often, using a lot of language that is strongly positively or negatively charged. This definitely gives a sense of his personality, and could perhaps be mistaken for emotion, but it’s very hard to get a sense of how he actually feels from his messages. The only emotion he expresses is frustration – despite his desire to talk to his friends often and extensively, he interjects often with ‘oh for fucks sake,’ ‘ok whatever’ or ‘whenever we talk about your goofy modusses i get a migrane [sic]’. It is uncertain if this frustration is how he genuinely feels, or if this is part of an overall affectation crafted to hide more vulnerable feelings.

Dave tries to maintain agency in conversations primarily by holding the floor. In his conversation with John he sends nine consecutive messages, by far the most of any character in the samples taken. When taking these multiple turns, there is less of a chance for his conversation partner to change topics or disrupt the flow. When his friends get a word in edgewise, Dave does accede to topic changes and will stop talking if instructed. He often doesn’t have as much control over his conversations as he’d like, and with both John and Rose, he regularly plays defense against their differing opinions, such as when Rose suggests he might be gay due to refusing to play a game with her, and he tries to assert that he’s just busy.

Interestingly, Dave is just as wrongfooted in his conversation with GG as he is with John and Rose, but he does not act anywhere near as defensive. This may be because John and Rose are intentionally trying to throw him off balance, while GG is simply stating their greater knowledge without a motivation.

Dave’s chosen text color is #e00707, described as ‘vivid red’ or ‘electric red.’ Red is overall associated with heat, fire, passion, danger, blood, anger, love, and courage. It is thought of as a highly emotional color and is eye-catching and difficult to miss on the page. Dave could have chosen to type in red because it gives his messages a sense of urgency, meaning his friends might respond to him more quickly, like when a red flag or exclamation point is added to an email to indicate high priority. A red flag is also a metaphor used to indicate a problem requiring attention – Dave’s red text could mean he either has a problem that isn’t being addressed, or will go on to cause problems for others. Red text is also used in schools to correct errors, and Dave talking in red feels like he is always correcting his friends on their opinions and beliefs.

gardenGnostic

GG has adapted their typing style to the instant messaging medium more than any other character. An online typing style seeks to replicate not only spoken and written dialog, but also paralanguage cues, and adapts itself to the specific medium where the conversation is happening – in this case Pesterchum. In some programs, this could include adding images or external files to a message, or changing font style and size, although we have seen no indication of these being supported on Pesterchum. One of GG’s concessions to the medium is primarily using punctuation for emphasis and effect, not grammar. GG also varies on whether or not they use contractions, sometimes using ‘im’ and ‘dont’ but sometimes using the extended form ‘it is’ – this lack of consistency could again suggest that this is done for effect. 

GG s does not always use full sentences, for example using ‘mr cool guy?’ as a sentence when it’s really just a fragment. As such, GG’s messages don’t resemble written language in any meaningful way besides being technically written down.

GG uses filler words such as ‘well,’ ‘anyway,’ ‘so,’ and ‘oh!!!!’ as a way of changing the topic while acknowledging that they are doing so. This is their main concession to spoken language, softening their messages and indicating that they are paying attention to their conversation partner and the overall flow of topics.

GG is the only character to make regular use of emojis, and uses a variety of them. :), :O, :D, ._., O_O and <3 all appear in their text at some point, either as responses in their own right or at the end of another message. They also sometimes use long and drawn out words for emphasis or sarcasm, such as ‘sooooo cooooooool!!!’ As indicated in the same phrase, they are prone to using long strings of exclamation points and ellipses – up to seven exclamation points at once and an eight-period ellipses, both when talking to Dave. They use both ‘lol’ and ‘hehehe’ to indicate laughter. 

These adaptations could suggest that GG is accustomed to talking to people on the internet – perhaps they have grown up regularly using chatrooms and have adopted internet communication from here. The opposite could also be true. GG could be accustomed to conversations in real life, and could be making use of these features as they are the only way to convey facial expressions, tone and body language that would come across automatically in person.

GG averages around five words per message, the lowest of the four characters. Their average is brought down by their single-emoji messages (each counted as one word) and their extensive use of message splitting. There are only a few occasions where they include two sentence clauses in a single message, and sometimes they even break up a single clause, seemingly for anticipation – for example ‘it is usually……..’ ‘intense!!!’ as two separate messages. Overall, GG sends fewer words than their conversation partners, but sends a similar number of messages. They don’t appear to be mimicking the number of messages sent, as in their conversation with John, each of them gets a chance to hold the floor and tell a longer story. 

GG conveys information clearly, but obscures its source. Their sentences are easy to interpret linguistically, but content wise can appear nonsensical, as they make wild claims that cannot be backed up by available evidence and expect their conversation partners to take this on faith. When questioned how they know these things, GG states ‘i don’t know’ ‘i just know that i know!’ Interestingly, GG does not offer this same faith to their friends, asking John ‘how did you know??’ when he correctly guesses that a meteor explosion happened near her house.

GG’s messages contain almost exclusively positive emotions, and these tend to be exaggerated. Even when discussing restrictions on their own life, they soften more negatively charged messages with a brighter tone and liberal use of exclamation points - ‘i dont think i could if i tried!!!’ GG might be uncomfortable discussing their own negative emotions and any problems in their life, but they’re happy to discuss and even speculate on other people’s feelings. They commiserate with John when he’s upset about losing his neighborhood and potentially his dad to the meteor collision, and they suggest that their pet Bec thinks their own local meteor is dangerous and is trying to protect GG from it. It’s possible that focusing on other people in this way serves to divert attention from GG’s own emotions, allowing them to maintain that positivity whether or not it is true.

GG appears fairly savvy regarding social dynamics and conversational practice, more so than any of the other characters. They seem to maintain agency in conversations whether or not they are actually taking the lead. When talking to Dave, they dispense information slowly and on their own terms, taking advantage of their own superior knowledge. This technique for maintaining tension in a conversation has also been noted in research. GG also utilizes more subtle techniques to manipulate the affect of others, gently poking fun at Dave’s coolness and telling John that all the bad things happening to him might actually be his destiny. This understanding of their friends’ feelings is a unique skill within the friend group.

GG’s text color is #4ac925, also known as ‘strong lime green’ or ‘harlequin green’ - ‘harlequin’ specifically linking them with John, whose house is covered in harlequins. Green in all its variations is associated with nature and plants, growth, life, envy, money, and both health and sickness. Somebody being ‘green’ can mean they are naive or new to something, and GG certainly seems to have a bright and idealistic worldview. Bright green is a fairly gender neutral color and could be used by someone who doesn’t want to associate with either masculinity or femininity. More generally, GG may have selected a bright color to indicate a fun-loving person who doesn’t take themselves too seriously. GG is also the only character whose screen name – gardenGnostic – directly relates to their text color, with the phrase ‘green thumb’ referring to somebody with a talent for gardening. Lime specifically is a type of fruit, potentially one GG could grow if they live in a hot climate.

Analysis (in universe)

When Homestuck begins, John, Rose, Dave and GG already have an established friendship. We don’t see their early interactions or learn how long they’ve been friends, but they know each other well enough to exchange real full names and home addresses, and send each other expensive birthday gifts. As online communities in this era focus on anonymity and internet safety, with many users exclusively going by their screen names, this indicates a close and long term friendship.

Furthermore, these characters have a deep involvement in each other’s day to day lives. One criticism of online friendships in research is that they will always be more surface level than in person friendships, as online friends cannot exist in each other’s space, with their interactions limited to an online setting and sometimes a specific online activity, such as gaming. The rise of smartphones may see this change in the real world, and it’s reflected in Homestuck – John has adopted his dad’s PDA while Dave owns an iPhone, a top of the line technology first released in 2007. Both of them can now talk to their friends from anywhere with internet signal.

Even without portable devices, these characters’ conversations deal with the minutiae of their movements. Dave mentions moving from his bedroom to the living room, John discusses looking for his dad, GG talks about having to go feed a pet, and Dave and GG even consider whether John has checked his mail today. They are about as involved in other people’s lives as geographically distant friends can possibly be, even without accounting for Sburb. They do not exclusively talk about shared interests or focus on the most exciting things happening to them. 

In some ways, their relationship is closer to roommates or colleagues – people who spend enough time together every single day that they don’t always enjoy each other’s company, but they continue to navigate how to share space. This is even indicated by the application name ‘Pesterchum,’ with ‘chum’ being a colloquial term for a friend, and ‘pester’ meaning to trouble, disturb, or annoy persistently.

In Homestuck, this shared space is a digital space and all four of them are free to disconnect at any point. Leaving a house or a job is complex, but online there are infinite chatrooms and forums these kids could explore to find new friends, and Pesterchum almost certainly has a ‘blocked users’ function if any of them wanted to cut the others out of their lives. Online friends are friends who continually make the choice to be in each other’s lives without circumstances dictating this, and it is a sign of a strong bond, maturity, and the acceptance of others’ quirks that four thirteen year olds are making this choice despite personality differences and sometimes visible annoyance with each other. 

All four characters have strong and well established typing styles that they don’t significantly modify based on their conversation partner. While they might use an individual turn of phrase borrowed from a friend, they keep the same stylistic features, which is not always the case for IM users. Some real world users may be inclined to, for example, use capitalization if their conversation partner does this also, for fear of standing out negatively.

It’s certainly possible that they would change styles when talking to somebody outside their social group, and the biggest limitation of this analysis is that we only have Pesterlogs between these existing close friends. It would be very interesting to see these characters talk with strangers or acquaintances, and compare these with their in-group chats. It would also be interesting, if any of these characters ever meet in person – as John and Rose may if she is able to enter the Sburb universe – to compare their spoken dialog to their Pesterlogs.

One research group noted that young people did not subscribe to ‘an artificial distinction between the corruption of online space and the sanctuary of the home’ (Valentine et al.), as their participants broadly believed that harmful content online could also be found offline. I believe that on both its in-universe and meta levels, Homestuck begins by drawing this boundary in the opposite direction. The work presents Pesterchum as a sanctuary from the troubles of the offline world, and the home as the corrupt space where unpleasant entities invade on the characters’ lives and minds. 

Homestuck may go on to interrogate this dichotomy via Sburb, but its early position does reflect a reality. Many young people don’t view the home as a sanctuary, and are forced to find community and collective identity elsewhere. These characters’ geographical isolation is not their only problem; all four have tense relationships with their families due to a disconnect in identities or expectations. And due to their differences in personality and hobbies, there is likely a common factor linking these four kids together. 

Queer communities and neurodivergent communities have been found to flourish online, and these communities often more easily understand the communication styles of others within the group, while those outside the group may struggle. I believe that the characters all belonging to one of these groups could explain the strength of their friendship, and the reason they feel most comfortable in online spaces.

Analysis (out of universe)

Zooming out one layer further, I’ll consider the implications that Pesterchum has on Homestuck as a work and its audience.

So far, Homestuck only has one line of spoken dialog – the word “Stop!” used by Dave on page 354. As such, Pesterlogs are not a supplement to spoken conversations, they are a substitute. Pesterlogs are effective in that they can make use of the stylistic features discussed in this essay to add characterization. These features show how the author views their characters, as well as how the characters view themselves, given their control (in universe) over their messages. In a story where the narrator appears to be a character, with their own perspectives filtering the thoughts of John, Rose, Dave and GG, it is valuable to give these characters a chance to make themselves heard directly through their messages.

A webcomic is an exclusively online medium, and while some aspects of the Internet (such as social media) are becoming mainstream, webcomics still attract niche audiences of people who spend a lot of time online. While a few have broken from their confines, such as xkcd, these tend to be single-strip serialized comics like those found in newspapers, not longform stories like Homestuck. As such, it’s a reasonable assumption that Homestuck readers are probably also instant messenger users – and that they likely have online friends and acquaintances, read other webcomics, look at memes, read or maintain blogs, play video games, and may even have a basic knowledge of coding. The average audience member has already experienced the different multimedia formats that Homestuck plays with, and can relate these to their own experiences online.

Instant messaging chatlogs are just one of many formats that slot perfectly into a webcomic, not only because the medium allows for them on a technological level, but because of this assumed familiarity that would not be present in other groups. A Pesterlog could appear in a different form of fiction, such as a novel or even a poem, but novel and poetry readers skew to an older and less online demographic. They may struggle to interpret Dave’s coolguy slang, GG’s emojis, or the significance of Rose’s perfect grammar, while reading messages and gaining an implicit sense of character comes naturally to IM users.

John, Rose, Dave and GG’s typing styles are all different enough that, even without chumhandles or colors, it would be easy to determine who was speaking just from their messages - something much easier for an author to achieve in IM versus spoken dialog. It also reflects the reality that, far from being the homogenous wall of acronyms expected by writers and researchers who don’t use IM, people do type in a wide range of styles that reflect their actual and assumed personalities. IM users exercise a certain amount of control over how to present themselves, but their choices here reveal many clues to their underlying selves.

Finally, Homestuck successfully and sympathetically portrays a different lifestyle to what’s commonly found in fiction about teenagers. Television shows commonly explore the social and popularity dynamics of high schoolers forced into the same building, and while unpopular characters may well be protagonists, giving them friends and love interests at school is necessary to tell the story. Characters who are entirely socially isolated in real life need to have this factor changed before they can be three dimensional and participate in the narrative. This means that a character who lives online is typically a caricature, shown either as an unfortunate and inept loser who needs to be ‘fixed’ (or is beyond help), or a naive and uneducated child who will learn a lesson about internet safety when someone they talk to online turns out to not be who they claim. 

In Homestuck, in person social dynamics are nonexistent or irrelevant. Online friendships are allowed to meet characters’ social needs with peers of their own age, and are never shown as lesser than other kids for having these online social lives. While the narrator gently pokes fun at characters for their mishaps, these jabs aren’t based on their popularity or ‘weird’ status. To an online audience, many of whom are or were in the same position as these main characters, Homestuck earnestly validates how fulfilling and meaningful an online, instant messenger based friendship can be. In my opinion, this is one of its greatest strengths as a work.

--

Here is a list of sources used in this essay 

Thanks so much to anyone who read all this! :D

[quasi-normalcy]

So here's the thing:

I recently moved to a new province to pursue a PhD in Science and Technology Studies.

My funding doesn't cover my living expenses.

I was my department's first pick for a Social Sciences and Humanities Research Council Grant, but the Federal committee that allocates the grants decided not to give one to me. I have applied for a line of credit from a bank, but they've been dragging their heels. I have applied for a student loan and bursary from the government of Ontario, but they say that, because I only moved to this province in order to do my degree, I don't actually count as a "resident," so they won't give me any money unless I can provide a letter from the government of Quebec (where I lived for less than a year) certifying that I am ineligible for funding from that province. So I need to go through the whole rigamarole of applying for a loan from the government of Quebec, wasting my time and that of some poor civil servant, just so that I can get a rejection letter, show it to the government of Ontario, and hopefully get some money out of them. And to make it even better, I need to pray that I can get this rejection letter within 40 days of the start of the next term, or they're not even going to consider my request until September.

Anyways. I hate to ask this. I absolutely hate to ask this. I have been on this platform for eleven years and I have never asked this. But I need money. I need to keep myself going for the next however long it takes for me to actually access student loans.

Can you please help me?

If you have ever enjoyed one of my posts; If you have ever looked at something that I've written and said "I needed to read this right now" or "Thank you for writing this"; If you ever been moved by one of my fanfics; I would be very, very grateful if you could send me a few dollars right now.

PayPal is queeniacomina at gmail

Thank you.

[onlycosmere]

REGARDING AUDIBLE

Brandon Sanderson: Hey, all. Brandon here, with what I consider to be some pretty exciting news. Many of you may remember when I wrote last year about my worries regarding audiobook royalties (particularly for independent authors). You can read it HERE, but some of the main bullet points are as follows:

I seriously worried about the opacity of reporting to authors about audio sales. We didn’t know what a sale meant, how much of an Audible credit was given to authors when a book sold via one, and how royalties were being accounted.

I felt that the industry was taking advantage of authors because of their lack of powerful corporate interests to advocate for them. While video game creators and musicians get 70–80% (88%, in fact, on two major platforms) of a sale of their products in a digital platform, Audible was paying as low as 25%–with the high end being instead 40%.

I felt I could have gotten a better deal for myself, but the entire state of this industry was seriously concerning to me. So, I made the difficult decision NOT to release the four Secret Projects on Audible, costing me a large number of sales, to instead try to bolster healthy competition in the space, highlighting some of the smaller Audible competitors.

I hoped this wake-up call would prompt change. I didn’t refuse to put my books on Audible out of retribution or to declare war; I did it because I wanted to shine as powerful a light as I knew how on a system that highly favored the audio distributors over the authors. I was convinced that the people at Audible really did love books and writers, and that with the right stand taken, I could encourage them toward positive change.

I’m happy to say that this stand has borne some fruit. I’ve spent this last year in contact with Audible and other audio distributors, and have pushed carefully–but forcefully–for them to step up. A few weeks ago, three key officers high in Audible’s structure flew to Dragonsteel offices and presented for us a new royalty structure they intend to offer to independent writers and smaller publishers.

This new structure doesn’t give everything I’ve wanted, and there is still work to do, but it is encouraging. They showed me new minimum royalty rates for authors–and they are, as per my suggestions, improved over the previous ones. Moreover, this structure will move to a system like I have requested: a system that pays more predictably on each credit spent, and that is more transparent for authors. Audible will be paying royalties monthly, instead of quarterly, and will provide a spreadsheet that better shows how they split up the money received with their authors.

This part looked really good to me, as I understand their decisions. I tried poking holes in the system, looking for ways it could be exploited, and found each issue I raised had already been considered. This doesn’t mean it’s going to be perfect, and people smarter than me might still find problems that I didn’t. However, I think everyone is going to agree the new system IS better. We will better be able to track, for example, how Audible is dividing money between books purchased with a credit and books listened to as part of their Audible Plus program.

It’s all very technical, but I have to say I’m impressed with the effort they have made. The people there listened to my complaints, and have tried to improve. I’m not at liberty to explain in its entirety their new structure right now, as they’re still tweaking it, but they did say I could announce its existence–and that I could promise new, improved royalties are on the horizon.

Now, before we go too far, I do anticipate a few continuing issues with the final product. I want to manage expectations by talking about those below.

What I’ve seen doesn’t yet bring us to the 70% royalty I think is fair, and which other, similar industries get.

Audible continues to reserve the best royalties for those authors who are exclusive to their platform, which I consider bad for consumers, as it stifles competition. In the new structure, both exclusive and non-exclusive authors will see an increase, but the gap is staying about the same.

Authors continue to have very little (basically no) control over pricing. Whatever the “cover price” of books is largely doesn’t matter–books actually sell for the price of a credit in an Audible subscription. Authors can never raise prices alongside inflation. An Audible credit costs the same as it did almost two decades ago–with no incentive for Audible to raise it, lest it lose customers to other services willing to loss-lead to draw customers over.

These are things I’d love to see change. However, this deal IS a step forward, and IS an attempt to meet me partway. Indeed, even incremental changes can mean a lot. When I was new in this business, my agent spent months arguing for a two-percent change in one of my print royalties–because every little bit helps. These improvements are going to be larger than two-percent increases.

Because of this, I will be bringing the Secret Projects to Audible very soon. I consider Audible to again be a positive force for the industry, and I have decided to shake hands with them. Audible has promised to release their new royalty system for all authors sometime in 2024, though I should be testing it in the next month or so.

And…if you’ll allow me a moment, I’d like to say that this feels good. It isn’t what I wanted, but I’d begun to think that nothing would ever change–that even my voice, loud though it can be, wouldn’t be enough. Yet change IS possible.

I know that there are plenty of people out there who are tired of hearing about me and my works (I’m sorry–I do have quite the group of evangelists, and we can be an enthusiastic lot). However, for better or for worse, I am one of the bestselling authors in the world. Historically, one of the best ways to change things in my industry is for authors like myself to force it to happen.

Feeling this responsibility, when I was first talking to Audible about these issues in 2022, I made it very clear that I wasn’t just seeking some quiet deal that gave me an individual advantage. I wanted to see positive change for all authors. And while I don’t think I can take sole credit, I do feel like my efforts this year have had a significantly positive effect. Soon every independent author who publishes on Audible (and maybe, eventually, traditionally published authors with the huge publishers–depending on what New York decides) will be getting a larger cut of the profit, with more transparency about how that cut is allocated.

So, for those who have been waiting until Audible had the Secret Projects, you’ll get your chance soon. I hope you’ll support them, and support Audible for their decisions. And thank you to all of you who shared the news about my problems with the audio industry last year; I believe that pressure really did help. This is a victory for all of us, because happier authors able to make a better living (particularly those authors who are struggling in the midlist trenches) make for a more vibrant world for everyone.

[briarrolfe]

Recently, I was sent a job listing. It called for a graphic designer "to produce direct response static & video ads for various social media channels, such as Facebook, TikTok, Snapchat, and YouTube." So, even though it was asking for a graphic designer, it wasn't a graphic design job—it was an advertising/social media/videography job. The career I've dedicated eight years of my life to is the bit the ad referred to as 'static'.

Ever since, I've been thinking about this idea that video is the future, and also I have been (not coincidentally) extremely depressed. Not to be all "you kids and your phones," but...

In advertising, your consumer's attention is money. Video is THE most attention-demanding form of advertising and therefore the most bang for your buck. It's why Facebook fudged their own stats for the effectiveness of pivoting to video so aggressively in the first place. If your consumer is reading something—a magazine, a poster, a book, something on their phone—then they're still listening, and if something else demands their attention, they'll just look up. If they're listening—to somebody talking, to music, to a podcast—then their eyes and hands are free to do whatever they like. They can look at the world around them, which involves many forms of competing visual advertising.

Video is a media form that doesn't stop. It keeps talking when your consumer looks up, and then keeps moving to grab their visual attention again. The best method for advertising is one that a consumer has to exert energy to not pay attention to.

(—This is why I hate video so much as somebody with ADHD. When my dopamine and blood sugar are low, focusing past someone playing TikTok audio is hard enough for me that it hurts. I've never had the same problem with radio or with like... idk, billboards. And TV is kind of bad, but at least it makes predictable sounds, whereas every person who films a TikTok with sudden screams or yelling in it is, in my opinion, going to hell.)

This is why the UI for platforms like TikTok and Instagram have autoplay, algorithms that disappear things you've seen so quickly, no scrub bars, and don't have skip or pause buttons. Your consumer has to keep their phone in hand to keep swiping or scrolling to properly engage. If that consumer can't stop a video or go back, then the platform can train them not to look up until the video is over. Anxiety that a user will lose their place or not be able to keep up with what is happening is part of what keeps them from looking away.

This is also a reason to be suspicious of why so many tech companies are obsessed with VR in general. A phone that people have to hold and look at and listen to is pretty good, right? But they can ultimately still put it down when an ad plays. It would be way better if we could put the advertising somewhere that tracks and follows their eye movements so that they literally can't look away.

We all know that text is still a better, faster, and more information-dense delivery system. Sometimes I see people mourning the pivot to video because it's a worse way to consume information. They're right! It is! But social media platforms have NO INTEREST in providing their users with like, actual reliable information. If they did, then social media companies would have no interest in AI.

(—This is also why they have no interest in fighting misinformation on their services. People who get radicalised are very engaged platform users. And the people who radicalise them come with massive budgets for ad spend.)

All social media platforms want is to get consumers hooked on their content so that they'll continue to deliver ad revenue. Video is the best way of achieving that. That's why we're all pivoting to algorithms and video. That's why Tumblr Live exists and Snapchat miraculously has not died.

Anyway. I chose to become a graphic designer.

[shxwrunner]

Hi, I hope you're doing well. ❤️ I'm writing to you with a heavy heart and an urgent request for help. My family is in a very danger situation due to the ongoing war, and I've launched a GoFundMe campaign to save them. 😢 Could you please share my campaign post from my profile? Each share could be a lifeline for my family. 🙏 Feel free to share it in any other social media platform if you would like. Our campaign has been verified by operation olive branch, and is entry number 26 on their spreadsheet. From the bottom of my heart I want to thank you in advance for all of your support and kindness.

!!! Hello Haya, I am happy to boost your campaign, I am so sorry you have to go through with this. To everyone reading this; Haya's campaign for their family of 8 is 71% of the way along!! With enough help and spreading the word, we can absolutely help this family reach safety. There are a lot of severe allergies in this family, making medical care extremely hard as Ibuprofen and most penicillin based medications. Not to mention having lost their home and food and generally everything. I will keep this post updated and reblog with updates and keep a watchful eye on your campaign and endorse others to do the same ♥ I do not currently have the funds to donate myself but will be spreading your word not just on tumblr, but I will make a post on twitter as well for you, although I know Tumblr is much much better for these things. However, I want as much spread as possible to host your campaign.

As of right now the goal is €100,000, and we are at €71,843. Only a little over €28,000 and this family can finally be safe, and work to rebuild what they have lost, and find a way to get medical treatment without concern. Donate HERE. We can do it, I know we can. Additionally, if people would like, if you show me proof of donation I can provide you with some quick doodles to add to it. Just DM me here on tumblr. I want to do as much as I can.

[gravitycircuit]

Gravity Circuit has recently hit 60K total units sold!

Never in our wildest dreams did we expect the game to sell as much as it has done in just a few short months. As such, we thought this was a moment to celebrate, with new art provided by @jmanvelez!

Now, you might be asking: why are we taking a moment to celebrate such a specific number? Well, in truth, we were planning on doing a celebratory announcement earlier, at 50K. We were on track to hit that in December, but then the holiday sales happened. Thanks to the holiday sales on various storefronts, we essentially skyrocketed past 50K, climbing all the way up to 60K before the sales were over, so didn't have the time to prepare for it! Goodness, the sales performance just continues to surprise us. All in all, the reception and feedback we have received over these past months have been overwhelming, and we can't thank you, the players, enough. You are the best. Now, you might be curious about the sales distribution among the platforms? Fret not, we have prepared a pie chart for you (based on sales as of January 18th, 2024):

Note: PS4 and PS5 are coupled together due to crossbuy. This means that if you purchased the game on one, you can download it on the same account for the other at no extra cost.

On PC, the game is available on Steam, GOG, Epic Games Store, as well as Stove (Korea). Out of these, Steam is the most popular storefront.

On consoles, the game is available on Nintendo Switch and Sony's PlayStation 4 and 5. The game is also physically available on afore-mentioned consoles, by Pix'n'Love (PEGI), Red Art Games (ESRB) and Oizumi Amuzio (Japan).

Given the amount of wishlists on Steam before the game's release, as well as us getting Steam Deck verified by Valve, PC outselling the other platforms is not a wholly unexpected outcome. Steam is a huge storefront, after all.

But after all the sales across these platforms, what about the reception? Well, even on that front, Gravity Circuit has performed better than even our wildest expectations, as shown by the collage below:

Truthfully, before the game's release some six months ago, we weren't sure about what the reception ultimately would be. As a developer, it can be difficult to distance yourself from whatever project you have been working on for so long, to see the game for what it is. So, ultimately, it was up to you, the players, to determine the game's overall quality. Needless to say, we didn't expect the majority opinion to be this good, both from critics and players alike!

To provide some background: throughout the development, there were a plentiful of sleepless nights, fueled by stress, energy drinks, boatloads of work, and constant lingering doubts about the game's potential success. Creative endeavors while on a deadline are never easy, but we soldiered on, so to try and complete the game to the best of our abilities. Now, months after release, it has been a truly humbling experience that players have enjoyed Gravity Circuit as much as they have. Such a warm reception has made all that effort behind the game worth it. Again, we can't thank you all enough.

Of course, it might go without saying that even with all this positive feedback, the game hasn't been without its own sets of issues. Especially around the game's launch we had to do multiple quick rounds of bug fixes, so to address various situations and oversights that had slipped past us during development and Q&A. While doing all this was taxing, it's perhaps thanks to these rapid, quick responses that have helped minimize any lasting impact that the various game crashes and bugs could have otherwise had.

Essentially, on that point, our policy has been to accept any and all feedback from players with open arms. Whether positive or negative, we have read all points of feedback, and even responded to them wherever we have been able. Ultimately, this back-and-forth discussion with players has then resulted in us implementing various additions and changes post-launch (Speedrun Mode, Armor Paints, Boss Rush, small quality of life additions, etc), completely free of charge. And while we do try, it's not exactly realistic to act or respond to every bit of feedback without fundamentally changing some of the game's DNA. Nevertheless, we do try our best -- and perhaps hold onto the lessons learned for any future endeavors.

In the meanwhile, we at Domesticated Ant Games want to thank you all for all the support so far from the bottom of our hearts -- and we wish you all a good start to 2024!