until i recently read posts on here about how there is an inherent queerness to the doctor and rose's relationship in how it's unspoken and filled with yearning that i'd never really considered that element, despite knowing for ages that RTD is gay but. man. it's just reframed a lot of the series for me, like the idea that you have this lonely man who's just watched his people die and is self-destructive and misanthropic and traumatised and he can love again and he wants to but it has so many risks.
but especially S3 and how it adds even more weight to the doctor's grieving widower status. how he tells martha that he and rose were together but martha refers to rose as a friend to tallulah; the fact that he can only say they were together once she is gone; how the only other person that both can feel how he feels but also understands the depth of his feelings is jack, a queer man himself. and I've been thinking to myself lately oh, it's ok, the doctor and rose probably accidentally got married on at least one planet or something but also the point is that there was no official title that could convey to people the extent that they meant to each other, that the doctor can really only tell donna that rose was his friend even though it is so wholly inadequate and she comes to see that by the end of the episode (and martha too of course). how people who saw the doctor and rose together assumed they were a couple, like on krop tor, but once there's no more physical evidence of the relationship it becomes more vague (and simultaneously clearer).
anyway something about how christopher eccleston said he based his portrayal of nine on RTD and something about RTD saying that his husband is "in every good man i write now" and how the doctor and ruby seeing each other in the club mimics his first meeting with his husband aka the one moment he would use a time machine to go back to hmmm
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[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
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since weddings are such an important part of Beetlejuice lore I think third and final movie should be all about a wedding day. Lydia is late to an actual Astrid's wedding and on top of this she gets in a car crash and dies. so her only option to make in time for the ceremony dead or alive is BJ. basically the whole movie is a road movie with constant bikering a-la screwball comedies. meanwhile Astrid is trying to hide supernatural messages from her groom's normies family.
also this, but with BJ
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Remember when I said I swear I wasn't trying to drag out posting all the videos I took in Phoenix during the Teeth of God tour? 😅 Yeah, me too.
Like the description states, I almost decided against uploading this one altogether because of the angle and lighting. I eventually decided to because of a conversation I had with @autumns-veil about the lighting specifically during this song from the Teeth of God tour. Anyone lucky enough to make barricade in front of Vessel can attest to this, I'm certain; the lighting framed him in such a way that it felt like it was just you and Vessel in the venue together, despite being pressed up against 7 other people in the crowd and face to face with the security.
Whoever programed the lights, specifically for this song, deserves everything good in the world; a raise, awards, a good night's sleep.
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We were robbed of a Hueso Jr. episode because good god I need he and Leo to interact.
I can just imagine an episode where a very busy Hueso has no choice but to ask Leo to babysit, and Leo’s like heck yeah I’d rock at that.
And of course Hueso is constantly like oh god what if something goes wrong that’s PEPINO he left with his CHILD.
So continuously throughout the episode he imagines the worst case scenarios for what could possibly be happening.
Every time Hueso imagines another catastrophic scenario the scene cuts back to Leo and Hueso Jr just calmly watching a movie or playing a game or something else equally as innocuous.
Eventually the worry gets to Hueso so much that he cuts his business short and races back home to see -
A peacefully sleeping Hueso Jr smiling as he lays snuggled up next to a shockingly quiet Leonardo.
He’s pleasantly surprised, and agrees to ask for Leo again next time he needs a babysitter.
Or, as it seems he may need to, when Hueso Jr. wants Leo to visit.
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Laugh until the end
Penelope Spectra was an excellent school psychologist, she loved her charges and they loved her back, there was only one problem: her age.
Spectra had trouble coming to terms with the fact that she was getting older, she covered every wrinkle with makeup, every sign that she was over 25 disappeared, but always the same kid found a way to point out a mistake, which made her miserable.
She started using experimental products, which led to her death, luckily or badly she appeared in the Realms with a very human appearance, and shortly after learning what she had become a natural portal appeared.
It turns out that no one had properly reported her death so she disposed of her own corpse and went back to school trying to help the kids.
One specific boy who loved to play pranks started to get depressed during their sessions, Spectra couldn't understand the reason so she continued to try to help: she gave him comfort items, advice, even gave him a stuffed bat knowing they were his favorite animal, but nothing helped.
Strangely the more the boy got depressed she seemed to feel better, satisfied, and young, although it made her feel horrible at first, she began to get used to the feeling, want it, search for it, and her empathy faded.
Contradictory signals from her ended up driving the boy crazy, a small vein of madness that had barely been present before expanded while the constant sessions worsened his condition, until one day he stopped crying and started laughing out loud.
Then their innocent therapy sessions became a very dangerous game, their relationship changed until it became the reverse of the original and almost seemed like a rivalry, Spectra was trying to push him into submission and the boy was laughing, talking about jokes, and starting to show psychotic behaviors.
Unfortunately they had to stop their game when the school began to suspect that something was wrong with the psychologist, Spectra was forced to run away, but the boy never forgot, he suppressed his behavior until he seemed normal and waited for a new rival while hugging his stuffed bat.
He was sure that one day, someone would enjoy his jokes, even the deadly ones.
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i still can't believe merlin chose to reveal he had magic to the most random person on the planet who he had only known for a day (gilli in "the sorcerer's shadow") but NOT to morgana when she needed it most... by the time morgana figured out she had magic, her and merlin's friendship was already at a point where he could trust her with something like this, and he had already seen her stance on magic through the way she risked everything for mordred (a DRUID, aka a magical being). hell, she straight up said "what if [magic] chooses you?" to his FACE. he really had nothing to lose and morgana had everything to gain by him telling her he had magic too, and being there for her when she needed it. but nOoOoo merlin just HAD to listen to the overgrown basement gecko and keep it a secret. which i wouldn't really mind had he not gone and revealed that very same secret to a perfect stranger a season later. it just makes no sense whatsoever that he'd keep his magic a secret from morgana and refrain from helping her then turn around and show GILLI of all people that he had magic.
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