Thinking about Doki Doki Literature Club after replaying and also with the now added context of knowing more about Tokimeki Memorial from that almost 6 hour video review of it and i think its so good to take the way tokimeki diverges you to other girls while in pursuit of the "main" girl and turn that into a horror story about that girl being so unattainable that the game gives you no option to be with her despite her being the "main" girl. In Game, she is presented as the end goal, the one route that should be the end all be all of the game if you play it right. But the game will never let you have a chance with her. And when she realizes that, she tears everything apart, breaks the game and manipulates the other characters in pursuit of her own route.
But then to the player, the real player, they are only ever playing a Monika route. She is the only finished route in the game. She is the "main" girl of the story. You have no choice. Because DDLC is exactly like Tokimeki Memorial in that you have to meet and talk to the other girls, have them fall a little bit in love with you, but instead of Monika being impossible to romance, she is the ONLY one you can complete. She is the only one you truly get to know and understand. She is the only one you can choose to be with forever if you want. Just her. Just Monika.
In the narrative of the game it is the horror of a character not only realizing they're in a game, but the futility in trying to break free from their role as unattainable. But for the player, or at least for me upon replaying, the horror is in the knowledge that you only have one route, and the tragedy that is at the end of it.
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"old man yaoi" has become one of my new favourite phrases which is unfortunate because it is inappropriate in roughly 99% of real world scenarios
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GUYS. when i say i love haymitch i do not mean the black-out drunk, 'violent' haymitch abernathy i quite literally mean the one that advocated against his tribute becoming a sex symbol/stopping the capitol from physically altering her body, the one that made hefty sacrifices for both his tributes at times, the one that sleeps with a knife and the lights on out of safety, the one haunted by his past with little sparks of hope left inside of the rubble of his current self. the one that did so much and was pretty much glossed over despite how much was revealed about him. the seam boy with a fire that never was put out, but dimmed as he grew. the one that outlived 47 tributes and manipulated the arena with his intelligence that is so HEAVILY slept on. THAT, is my haymitch. not the one that fell off the stage, or puked on the rug, or anything that would turn him into some sort of joke because he's not. to me he's a little like the hidden meaning of an art piece, symbolic and aching like the painter who put their feelings on canvas.
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God I love Enver Gortash. Man literally went through hell, came back and made that everyone else's problem. Fell in love with a demigod, robbed a few important devils, tossed what one could possibly consider a friend to devils as he had been. Made an entire army of illithid zombie robot men, still possibly afraid of his parents despite all of that and has to wear anti-anxiety clothing.
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I love that this series of shots looks like Zayne is so freaking done with MC he doesn't even know what to do with himself
Like this poor man has suffered a million lifetimes for her and she's over here eating all his fucking cookies. The audacity 🍪
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Molly correcting Arthur when he calls her Miss O’Shea to call her Molly. And is then brushed off/ ignored when she was trying to confide in him.
Molly correcting Dutch when he calls her Miss O’Shea to call her Molly. And this literally being one of the final things she says before she’s killed.
The way she just wants people to use her name and treat her like an actual human being rather than an object to sit and look pretty next to Dutch. To look at her and see her and listen to her.
In this essay I will-
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The rock I cling to in a storm 🪨 ⛈️
Celebrating 7 years with @fell-contract today 🤍
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