#it's okay that things end

[poorly-drawn-mdzs]

The math just adds up!

[honeysunchild]

So it's come to an end

And it wasn't anybody's fault

And we both had a part in this

And it hurts,

But it also hurt when we had it

I guess it ended little by little

Trickling away

But now it's official

And that holds weight

Thank you for everything

Sorry for anything

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[tiny-vermin]

忘记他

this is a scene from the film fallen angels by wong kar wai, and the study club prompt in the good omens reference library discord was the 1941 blitz era, so ofc i had to combine them and make crowley really sad again

[pinetreevillain]

Stray Part 1

I’ve been calling this one “the big one” because THIS BAD BOY 👉👉 is a five parter. It’s also the one that I got into unarmed combat with the most in terms of the color palette, and after a long and bloody battle, it’s made itself out to be my favorite colors so far since the Friends Like These palette. Now i’ve rambled enough about the colors already! Please enjoy :)

<- Confrontation, next

Masterpost

[scaredii-cat]

My beautiful wife!! REAL!!!!

[gummi-ships]

[atalana]

so the good place is widely lauded on this site for its takes on morality and capitalism, which i totally agree with

but i think it should get more recognition for the line "all humans are aware of death. so we're all a little bit sad all the time. that's just the deal. we don't get offered any better ones. and if you try and ignore your sadness, it just ends up leaking out of you anyway. i've been there, and everybody's been there. so don't fight it. in the words of a very wise bed bath and beyond employee i once knew - go ahead and cry all you want. but you're gonna have to pay for that toilet plunger."

[almondcroissantsandink]

i feel the need--the need for speed!

[imfinereallyy]

I wonder if you look both ways (When you cross my mind) pt. 2

pt. 1 pt. 3

🐝･ﾟ ･ﾟ·:｡･ﾟﾟ･✦ʚɞ

June 1996, Chicago

Steve doesn’t exactly know when Eddie Munson became one of his best friends, let alone when he fell in love with him.

He supposes both things occurred between the end of the world, and Eddie’s back walking out the door for the last time, unbeknownst to anyone. Though, that is five years of time, who’s to say when it really happened.

Dustin will argue the friend part. He likes to think it was he who brought them together (it certainly wasn’t; in fact, it put a real bump in the road for them). Dustin also thinks, which Steve is more inclined to think is true, that the two of them had become friends during Eddie’s slow recovery and Steve’s guilt complex, which made him feel responsible for him.

Which—ouch, Dustin—but years of therapy would prove him right.

Little shit.

Dustin doesn't know about the love part, though, and Steve doesn’t think much of the party knows except for one or two of the perceptive ones.

Looking at you, Lucas.

Robin likes to argue that Steve doesn’t know when he fell in love with Eddie because Eddie was different from everyone else.

Steve puts everything into love, moves fast, falls hard, and ultimately gets crushed by his own passion. Steve doesn’t know how to take things slow or wait around for the right person.

Until he did, with Eddie.

Steve managed to have a slow decent into the madness of loving a man like Eddie Munson. And he never did anything about it, although he didn't mind. Steve was okay with just being friends and loving from afar.

Until they weren't even that, and Eddie was gone.

Steve can't think about that now, instead he should probably worry about the man himself breaking into his apartment at 3 a.m.

"Get. Out." Robin hisses, breaking Steve from his thoughts.

Suddenly, Eddie stands. His hands thrust forward in a placating nature, and nervous energy radiates off of him. "Robin, please—"

"No, Munson. You don't get to disappear from our lives for five years, and then break into our apartment!" Robin whisper shouts, the metal bat waving around in her grip.

Steve still hasn't said anything, still unsure of any of it is really happening. But he can't help but warm at Robin's fierceness.

She will go down swinging for Steve, even against someone she cares about.

Fuck, he loved her.

"Give me one good reason not to bash your skull in with this thing, Munson. I dare you!" Robin took the metal bat and pushed it into Eddie's chest.

Steve gets a good look at him as he stumbles backward. He doesn't look much different—well that's a lie. He does look different; more tattoos, more piercings and Steve is pretty surprised to catch him wearing anything other than a band tee. It is just so all quintessentially Eddie. The jewelry is all silver, any tattoo he got after 1986 appears to be in black and red ink only. Even his tee is still black despite the lack of a band on the front.

"Birdie, I don't think you should have Steve's bat in your hands, you're a bit dangerous." Eddie tries to grab the bat from her hands but Robin yanks it back.

"Oh, fuck you, Munson! You don't get to call me Birdie, and this is my bat. Steve's is wooden and full of nails and underneath his bed. You should know that, or has the last five years really rotted your brain?" Robin is now waving the bat around with gusto, nearly missing Steve's head at one point.

Trying to shake himself from his frozen state, Steve decides it is probably in everyone's best interest if he steps in.

"Robs." Steve speaks gently, hand on the bat as he slowly lowers it down. Her shoulders drop, the fight draining out of her in seconds. "It's okay."

It's not okay. Steve doesn't understand what's happening right now. But Steve is okay as long as he has Robin, and Robin has him. Steve hopes she understands that's what he meant.

Robin nods her head, and shuffles closer to him.

Steve takes a shaky breath, "What are you doing here, Munson?"

Eddie cringes at the use of his last name but doesn't comment. "Listen, I know it's weird me just stopping by suddenly—"

Robin snorts, "I wouldn't exactly call breaking in 'stopping by'."

Eddie shakes his head, ignoring her. Stray curls start to fall loose from their bun. "I just want to talk, for you guys to hear me out."

Steve rubs a hand down his face, he is getting too old for this stuff. Being blindsided, being surprised—being thrown sideways and upside down. Sure, twenty-nine isn't exactly old, but Steve has lived practically six different lifetimes by now. There is so much damage to him—physically and emotionally. He is supposed to be past nonsense like this.

Robin takes his silence as permission to snip at Eddie, "No. Go away, Eddie. You don't get to do that. Get out."

Eddie moves a step forward, he is now illuminated completely by the side table's light. He looks tired—good but tired. It's not the kind of tired you see of someone in distress, not the ache that comes along in the tunnel that has no light in the end. No, Eddie looks tired in the way that comes with healing. Like working hard exhaustion. As if coming home from a long but good day at work, and the night grows weary.

Eddie opens his mouth to argue, but Steve cuts him off. "It's fine, Robbie. It's late; let him crash on the couch."

Eddie's shoulders sag in relief, "Thanks, Stevie, we can talk—"

"No." Steve chokes out, moving his hand towards his throat so he can remember to breathe. "You don't get to call me that. And we're not talking about anything. You'll sleep here, but that's it. I might not want you here, but it doesn't mean I'm going to let you wander the streets at night."

"Steve, please—" Eddie reaches out his hands to touch Steve. It is most likely going to be a gentle touch, but Steve can't help the way he violently flinches.

Eddie looks taken aback, eyes wide and full of sadness. He pulls his hands back.

"No, Eddie." Steve grabs Robin's hand and starts to pull her to bed. She doesn't protest and instead leans into his touch. Steve turns over his shoulder to look at Eddie again. "You'll stay the night. It's not an option. But my morning? I want you gone. I don't want you to be the first thing I see after sunrise."

Steve turns quickly back around, ignoring the pained grunt from behind him.

Bypassing Robin's bedroom, Steve pulls them both into his. Robin doesn't question it and instead makes herself comfortable in his forest green blankets.

Steve quickly follows after, snuggling into the bed beside her. People have thought them weird over the years—always in each other's spaces and knowing every little thing about each other. Partners, friends, family—all of them had something to say about it, never even bothering to understand.

Well, except Eddie. Eddie appreciated it, accepted it. Adored it at times.

"Are you really okay with this, Dingus?" Robin whispers softly between them.

"No." Steve never lies to Robin; she'll know. "Not at all, but I'm not going to let him wander the streets, no matter what I loved him at some point. I don't let the people I loved, get hurt."

Robin squints in pity, "Loved?"

"Not now, Bobbie," Steve whispers.

Robin nods, "Besides, I'm pretty sure 'Ed Sloane' can afford a fucking hotel room."

Steve lets out a loud snort, it echoes throughout the room. "God, don't remind me. What a stupid fucking name."

The two of them dissolve into giggles, bumping their heads together. Under the covers, they clasp their hands together tight. "I just don't want you to derail your life, for someone who walked so easily out of it. I know you have that important lunch with Drew tomorrow."

Steve takes a breathe through his nose, "Yea, I do. But it'll be fine. He'll be gone before I'm even up. You know Eds, he's a runner. Wouldn't stop trying to prove it, in fact."

Robin's face is scrunched in pain, and her eyes pool with pity. It's as if she knows something Steve doesn't or sees something he chooses to ignore. She doesn't comment on it, though. Instead, she raises an eyebrow, "Eds?"

It isn't snippy or accusing. Her voice is soft against his cheek. Steve doesn't have the mental capacity to argue though. "G'night, Birdie."

"Goodnight, Stevie." She whispers.

Steve closes his eyes, knowing it will all feel like a dream tomorrow.

Steve is familiar with having dreams with Eddie in them.

🐝･ﾟ ･ﾟ·:｡･ﾟﾟ･✦ʚɞ

more to come i promise, especially after your (loving demands). especially my mutuals who yelled at me in the tags and my dm's (it made my day).Part 3 is currently being typed up. Also might fuck around and make this a full-blown ao3 one shot; who knows.

tag list!:

@stevesbipanic @withacapitalp @emryyyyy09 @brainfugk @blueberrylemontea-fanfic

@slv-333 @thetinymm @connected-dots-st-reblogger @helpimstuckposting @dreamercec

@goodolefashionedloverboi @stripey82 @little2nerdy @anne-bennett-cosplayer @resident-gay-bitch

@ghostquer @sourw0lfs @devondespresso

(please let me know if you don't want a tag, I had to guess by the comments, and sorry if you’re getting a random tag after posting, I had to fix the tag list cause tumblr is weird)

[ryllen]

obscure event that confirms yuu is well x x

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[kindaorangey]

my vision for post-train grace monroe. love u 4ever bbg

bonus:

[robindaydream]

A Few Days After A SLARPG fancomic

minor SLARPG spoilers contained within

[ruporas]

can’t talk about it

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.

Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."

The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"

The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."

The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."

The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."

The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]

[rebornrosess]

“if there was anyone to ever get through this life with their heart still intact they didn’t do it right” andrew i’m trying to escape seasonal depression don’t do this to me rn