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cripplecharacters · 3 months

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Write more Deaf characters!

[Large Text: Write more Deaf characters!]

When answering questions about deaf and hard of hearing characters, I have noticed they are overwhelmingly about:

A character who is deaf in one ear or hard of hearing because of an accident

A character who was born deaf and knows sign language, but seems to have 0 connection to the broader Deaf community

This is not the experience of most d/Deaf people! So, here's your primer to Deaf community and culture, and writing a Deaf character, because they are sorely underrepresented.

(Disclaimer: this post was written using viewpoints I, a singular Deaf person in the United States, have encountered. I tried to make this as general as possible to encompass many Deaf views, but it is possible that I have misconstrued something. Do not take this guide as the be-all and end-all of your knowledge on Deaf culture. Keep reading and researching the Deaf community, and explore viewpoints from many different Deaf people of all backgrounds.)

Why do you write Deaf with capital D?

[Large Text: Why do you write Deaf with capital D?]

The term "deaf" with the lowercase d means not being able to hear. The term "Deaf" with an uppercase D refers to the cultural identity formed by deaf people. This identity is difficult to explain but it includes knowing sign language and engaging with other Deaf people.

There are varying opinions within the Deaf community on who is allowed to call themselves culturally Deaf. Some Deaf believe that only those who were born into the Deaf community (whose family is Deaf, who attended a Deaf school, and/or who have sign language as a first language) are allowed to consider themselves culturally Deaf. On the 'flip' side, some Deaf believe that anyone with hearing loss can claim the label. And of course, you can find someone Deaf with any opinion in between.

This is all intracommunity nuance. If your character is born deaf and learns sign language at a young age or as a first language, they are likely culturally Deaf.

Sign Language Use

[Large Text: Sign Language Use]

Sign languages are the language of Deaf communities. (Note that there are many sign languages in different regions, and they are not related in the same way spoken languages are!)

Most sign languages did not originate alongside spoken language, either, so they usually have different grammar than the spoken language in a region. This means that someone whose first language is sign may have difficulty learning even the written version of the spoken language due to the different grammar and translation. For native signers, the spoken language of their area is their second language.

Sign languages are fully developed languages, with grammar and structure. Sign language is not "less" than spoken language, and encouraging sign language does not discourage speech. (Even if it did, that's not a bad thing! Sign languages are still a valid and rich communication form!) Sign languages have slang and expressions/idioms too.

Sign languages typically have a "manual alphabet" otherwise known as "fingerspelling". This is a way to represent words that don't have a sign. Fluent signers very rarely fingerspell; normally fingerspelling is for proper nouns which don't have a name sign.

Name signs are the last big point I want to cover about sign language. A name sign is a way to refer to someone so you don't have to spell their name every time. It's usually related to someone's attributes, like dimples or a specific way of moving. Sign names can only be given by Deaf people who are fluent in sign language.

Deaf Education

[Large Text: Deaf Education]

For a long time, deaf people were considered unable to learn, just because they couldn't hear. And since 1880, for about 100 years and even still today, the prevailing tradition in deaf education was/is oralism--a teaching method based on speech that rejects sign language.

Historically speaking, if deaf children were to receive an education, they would be sent to a Deaf residential school. These still exist, although there are also many Deaf schools that are typical day schools, just for d/Deaf/hoh students.

Deaf children may also attend "mainstream" schools; they might have sign language interpreters and other accessibility accommodations, or they may be forced to rely on lipreading and context, or placed in special education where their needs often still are not met.

Oralism still has lasting effects today. Deaf people have received, and still do receive, worse education than hearing people.

One common problem is language deprivation. Many deaf children grow up without access to sign language. About 90% of deaf people are born to hearing parents; even if hearing parents do send their deaf kids to a Deaf school, they may not learn sign language themselves, so the child must rely on what they can gather of spoken language at home. Sign language is even discouraged by some audiologists and speech professionals, because it "might interfere with speech". But by depriving deaf children of sign language, more often than not, they are being deprived of all language.

People who are born deaf do not learn spoken language naturally, even when provided with aids like hearing aids and cochlear implants. Many deaf kids who learn speech learn it through extensive speech therapy, and often have a "deaf accent" from copying mouth shapes but not being able to hear or process what sounds they are making, which may also include having an atypically pitched voice (e.g., very high-pitched). Lip-reading is inaccurate and the best lip-readers can only follow about 30% of a conversation, and that's by intently watching with no breaks.

It is possible to learn a language at any age. But it is easiest to pick up a new language when one is young. Children who do not learn a first language by around age 5--the age at which they would start school--have more difficulty learning any language, and may have frequent outbursts or trouble expressing emotions as a result of communication difficulties.

Another problem, especially within the Deaf community, is literacy. Spoken languages are often unrelated to the signed language of the same region. Learning to read and write, as a Deaf child, is like learning a whole new separate language, with different grammar and structure than their native language. This is why captions are not a perfect accessibility tool--it is, for many Deaf people, being offered an alternative in their second language, if they have learned to read and write at all.

Deaf Culture Norms

[Large Text: Deaf Culture Norms]

To hearing people, Deaf conversation can seem very blunt and to the point. This isn't to say Deaf people are inexpressive--quite the opposite: sign languages often use facial expressions as part of the grammar, and there is a lot of expression that can be incorporated into a sign--but there isn't a lot of "talking around" things. You can see part of this culture in name signs, which are usually based off a trait of the person. It's not offensive--it's just how they're recognized!

Another conception is of Deaf people being over expressive, but again, that is just part of sign language grammar. Face and body movements take the place of tone of voice, as well as other grammatical clarifications.

Deaf people talk a lot! It's very hard to end a conversation, because there will always be something else to say or a new person to meet. Hugging and other physical touch are really common greetings.

Tapping people on the shoulder to get their attention is fine. Other ways include flicking the lights or rattling a surface (for vibrations). Eye contact while signing is also important to make known that you are listening. Groups of Deaf people will sit in a circle so everyone can see everyone else. It's rude to talk in a Deaf space. If you are lost in the conversation, you'd ask if you can write or type instead.

Deaf Space also refers to design concepts that are more accessible to deaf people. This includes good lighting, minimal signing-height visual obstacles (e.g., low waist-height shelves), visual indicators instead of bells, open spaces so people can sit in a circle to talk, and automatic doors and wide hallways/passages so it is easier to continue a conversation while walking.

It's also very rude to comment on a Deaf person's voice. Do not mention you're surprised they can speak. Do not call their accent "cute" or "weird" or anything like that. Do not ask them to speak. Do not say their voice sounds really good ("for a deaf person") or that you wouldn't be able to tell they are deaf.

Deaf Views on Deafness

[Large Text: Deaf Views on Deafness]

The Deaf community is incredibly proud of their Deafness. You'll often hear the phrases "hearing loss = deaf gain" or "failing a hearing test" as "passing the deaf test". Continuing the Deaf community and culture is highly valued, and learning sign language is encouraged for everyone.

Many people in the Deaf community dislike cochlear implants as their success is incredibly variable and they require invasive surgery and therapies from a young age. Another big argument against CI is that they are often presented as the only or the first option to hearing parents, who misunderstand CI as a "cure" and then do not give their child access to sign language.

Deaf people also reject any sort of cure for deafness, especially genetic therapies. Many Deaf people do not think of their Deafness as a disability.

(Deaf people will often point out the advantages of Deaf culture and sign language, such as being able to talk over long distances, through windows, and even underwater.)

Most hard of hearing and some deaf people have hearing aids, although it is really an individual choice whether or not to wear them. Many d/Deaf/hoh people are overwhelmed and startled very easily by noise (since they're not used to that much auditory input) and get tinnitus from auditory overstimulation. They may also struggle with auditory processing--locating sounds, interpreting sounds, recognizing and interpreting speech, and other issues.

The Deaf community doesn't have any general complaints about hearing aids, just many prefer not to wear them. Do know that they are an imperfect aid; they just amplify sound, which doesn't improve processing or understanding, and it doesn't make people hearing. Not everyone even benefits from hearing aids--their specific hearing levels may make hearing aids a bad choice of aid.

A big point you'll hear in Deaf spaces is Deaf Can (and Deaf Power). Hearing people have historically treated deafness as a sign of incapability, but Deaf people can do everything hearing people can--except hear.

Myth Busting

[Large Text: Myth Busting]

Myth #1: All Deaf people are completely deaf. This is very far from the truth! Most deaf people have some degree of residual hearing, although this may require very loud sounds and/or at very specific pitches. Plus, there are many culturally Deaf people who are not deaf/hoh at all--CODAs, hearing children born to Deaf parents, are part of the Deaf community.

Myth #2: (Non-speaking) Deaf people do not make noise. Also very far from the truth! First off, Deaf people laugh. Many Deaf people also vocalize without knowing or intending, especially when excited. We can get very loud!

Myth #3: (Speaking) Deaf people talk loudly. While this can be true, often d/Deaf people talk more quietly than expected. This is because with severe to profound levels of deafness, no speaking volume is really going to be audible, so they will often rely on feeling vibrations in their throat to know if they're making noise. Vibrations are detectable at lower volumes than hearing people like to listen to.

Myth #4: Deaf people can't drive. I actually have no idea where this one came from but it's false. Deaf people can absolutely drive, and tend to have a lower rate of accidents and violations than hearing drivers. There is a common trend of treating d/Deaf people like they can't do things unrelated to hearing, but deafness on its own only affects hearing.

Deaf Struggles in the Hearing World

[Large Text: Deaf Struggles in the Hearing World]

A huge problem is just basic accessibility. Many places do not have captions or visual indicators, or rely on hearing (like drive-throughs). Movie open caption screenings are often at awkward times, and caption glasses are hard to find or access and awkward to wear.

Deaf people are also at increased risk of police violence. Police often treat signing as aggression, rather than attempts to communicate. When they yell, talk quickly, or shine a flashlight in Deaf people's faces, it's even harder to understand what is going on. Deaf people are also not often provided with a qualified interpreter and may not understand what is going on or why they were arrested.

Deaf people, specifically those who are mainly kept in the hearing world, have higher rates of drug use and addiction.

Hearing people also treat Deaf people as incapable or lesser. Gallaudet University had only hearing presidents until 1988 after the Deaf President Now protests; then-chair of the board at GU said in a statement that received heavy backlash from the students, "deaf people cannot function in the hearing world".

When writing your Deaf character:

[Large Text: When writing your Deaf Character:]

Were they born to hearing parents or to Deaf parents? (90% of deaf children are born to hearing parents.) Is anyone else in the family d/Deaf?

At what age was their deafness noticed? (It can be at birth, or it can take several years, even for children born deaf.) Is their hearing loss progressive? Is their hearing loss significantly different in each ear?

Were they eligible for cochlear implants? Did they get CI? Did they get hearing aids? (Consider cost as a factor: CI requires the surgery as well as intensive speech therapy; hearing aids are also expensive and can need replacement and refitting.) How well do the aids work for them? Do they have them in one or both ears?

What advice did their family receive from audiologists and speech therapists about sign language and communication, and did their family listen? Did they learn sign language? At what age? Did their parents and family learn sign language? Are they language-deprived? Did they go through speech therapy? What is their speech like? Do they like using their voice?

Did or do they attend Deaf school? Is it residential or day school? If it's residential, did they understand what was happening when they were dropped off? Does the school use sign language or rely on oralism? (Consider time period; most schools now use sign language, but from 1880-about 1980 the predominant method was oralism.)

If they don't attend a Deaf school, what accommodations are they receiving in mainstream setting? Are they in special education? Are they in a Deaf program at a mainstream school? Do they have an interpreter? How much do they understand what is going on in class?

How involved are they in Deaf community and culture? Are their friends and family involved and supportive of the Deaf community? Do they treat deafness like something to cure? Do their friends and family frequently ignore or "forget" that they are deaf?

In general, consider their scenario, what ableism they've faced, and what their Deaf identity is.

Happy writing, and please continue to send in your questions!

Mod Rock

#mod rock #writing guide #writing resources #deaf character #cultural deafness #sign language representation #long post

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dana-chan-the-control-brain · 5 months

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TADC: Thoughts on Jax in Episode 2

Thoughts on Jax after Amazing Digital Circus Episode 2 Dropped.

Massive spoilers below the cut. Just watch the ep before you read.

Amazing Digital Circus had an amazing second episode as we're introduced more to what the adventures are like, and what NPCs are like and ofc the existential horror of being a living AI only created for a source of entertainment.

Also, I love the dream sequence at the beginning, because we actually get some deeper insight into Pomni's thoughts on Ragatha. Feeling like her helpfulness is the guise of like "man, you're not cut out for this like the rest of us" which is typically something a lot of people who have been bullied in highschool perceive genuine acts of kindness and engagement. (which I kind of suspect Pomni might have been, or at least, been a shut-in and didn't have a lot of friends in her human life. )

Jax wasn't really the main focus of the episode, but it wasn't really until the end of the episode I understood his behavior and what this episode is foreshadowing overall.

Since while Jax isn't the focus emotionally, he is definitely the plot device to push things forward. And I mean, a plot device in a very active and quite literal way. He's the one that causes Pomni to clip out of the map, takes advantage of everyone and is just... genuinely an unpleasant person.

I actually really like this.

As, I know the first episode in the digital circus, many people (me included) could perceive or analyze Jax's actions as someone who is "helping" in a roundabout asshole way. Episode Two has none of that here. He just wants Bloodshed, And I love that we're getting additional context on his character.

It's hard to tell how much fan reception Gooseworx saw of episode one before episode two hit production, so I don't know how much of the fandom perception of Jax had an influence on the writing process, but I can't deny that might have been a factor in assuring us "no he's not secretly helpful, he's just an asshole" But I'm just going to assume that this has been part of his characterization from the start and it becomes way more clear as the episode goes on.

But there was something in his behavior throughout this whole episode that seemed off to me. Like Jax was taking up a majority of the B-plot, while Pomni had the A-plot. So I was wondering why Jax seemed to be the protagonist with the B-plot when Pomni was the A-plot when they seemed to be so disconnected with eachother in motivations and telling us things about the characters.

But then it hit me when the episode ended and the two plots merged together.

"who... knows... what could happen..."

And then it hit me.

Pomni finds comfort in an NPC who is going through a similar experience to her and can emphasize, despite their being other humans who have gone through the same thing, due to her self-admitting to being a loner in her human life. Well, she didn't admit it outright, but from how she perceives Ragatha's kindness as an act, or patronizing, it seems like she doesn't have a lot of friends...

Meanwhile... Jax... He treats the adventure like a videogame. Why shouldn't he? He's trapped in a videogame, right? But it really goes beyond that.

The fellow humans that Jax is trapped with, he treats THEM like they're NPCs, while Pomni treats the NPC like they're human.

Jax says to Gangle "Aren't you supposed to be the suggestible one?" Which you wouldn't typically wouldn't say to a person, right? That's something you would say more about a character that you maxed out the dialogue trees in.

He calls Pomni "His Bridge" even.

They're his objects. His tools, his own npcs he's exhausted the dialogue options on.

Jax dehumanizes the players in a way that Pomni humanizes the NPCS.

These are two opposite ends of the spectrum but what really sold it for me was Jax's reaction to the funeral.

And Jax is the one member out of the cast who doesn't even show up to the funeral. (aside from Caine and Bubble but they are AI.)

He does NOT want to think about the Players as real people. And showing that opposite perspective compared to Pomni I think is much as important going forward.

Jax was the plot catalyst of this entire episode, and served the thematic theme of the episode quite well, even if it didn't look like it on first glance.

I absolutely loved this episode and I can't wait for more.

Also... Poor Pomni can't have shit in Detroit

#the amazing digital circus #tadc #tadc jax #Jax #danachan's rants #digital circus #the amazing digital circus spoilers #tadc spoilers

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buckets-and-trees · 18 days

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Mob Bucky respects your own financial independence, but he also made sure you have access to his black card and use it when you need it. He doesn't care what you spend the money on, especially since the notification he gets those very rare times that you use his money is to buy something most practical or for your shared apartment.

However, he does not expect to see a notification for the purchase of some sex toys 😏

CHOCOLATE

Collection: DEVOUR Characters/Pairings: Mob Boss!James Buchanan Barnes x Female!Chef!Reader Word Count: 5.6k Timeline: Takes place 1-2 weeks after mint, 2-3 weeks after heat.

Content & Warnings: EXPLICIT SMUT - vaginal fingering, unprotected vaginal intercourse, creampie, food play, breeding kink. Feelings, so many feelings.

Author Notes: Surprise! At some points during the 2200 Followers Celebration poll, Devour Bucky and Chef were actually winning, so here's something I started months and months ago and brought out to finish for them. It's not quite everything from your ask, Eva, but I hope it's a satisfying scenario all the same...

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest

You had known the exact moment your fiancé – mob boss, venture capitalist, or philanthropist depending on who you asked and what they knew – got the notification of your purchase.

James Buchanan Barnes had given you a black card weeks ago, before the engagement, but you hadn’t used it until this week. Bucky had gone to Chicago for business (and you were sure he was there for business as well), and instead of staying home and pining away for him, you decided to treat yourself. The notification must have pinged his phone during a meeting, because exactly 47 minutes later, your own phone lit up with his name.

"What's this Cartier expense I see?" his voice a dangerous mix of amusement and curiosity.

You swallowed hard, fingering the velvet box in your lap. "Just a little shopping therapy while you're away. Nothing to worry about."

"Mmm," he hummed, unconvinced. "And here I thought I was the one who was supposed to shower you with gifts."

"Well," you said, "maybe I wanted to surprise you for once."

There was a pause, and you could almost see him leaning back in his chair, a predatory smile spreading across his face. "I suppose I am a little surprised you finally used the card. But how about a challenge?”

“What do you have in mind?”

“Why don’t you see if you can shock me with a purchase?”

“Challenge accepted. What do I get?”

He chuckled. “You already know I’ll give you the world.”

Butterflies surged in your stomach. This man.

“You’re back Saturday afternoon?” you confirmed.

“Yes,” he growled. “There’s a round of golf I can’t seem to move or negotiate.”

You sighed softly. “It’s only three more days.”

“I like that you miss me.”

You huffed but couldn’t deny it.

“I’m missing you, too,” he said.

“James…” you breathed.

“Did you get the gift I sent?”

“I did.” A stunning, six-foot mirror with an ornate, gold-gilded frame had been delivered that morning to your apartment and placed in your bedroom.

“I was taken with how beautiful it was and you were my first thought.”

Your heart skipped a beat. “I love you,” you said.

“I love you, too. I have to go. We’ll talk later.”

When you woke up Friday morning, you knew exactly how to shock him with the black card.

Or at least tease him.

The high-end, ridiculously expensive lingerie boutique you never thought you would enter in your lifetime - Boudoir.

The response to that expense notification was immediate, and you smirked when you read the text that came through.

JAMES: You have my interest piqued.

You thought for a moment, then typed out a reply.

YOU: Thought maybe I’d see if I can shock you and send some photos of what I got later tonight.

Three dots appeared straight away, and then

JAMES: Forget photos, I’ll fly out tonight straight away after my meeting with Levinson and come straight to you.

Your breath caught in your throat, heart swelling with adoration, anticipation, and maybe just a touch of nerves. You looked up the latest flights out of Chicago, and couldn’t help feeling a little forlorn. Even though the restaurant head chef life meant late nights for work, it would still be an ungodly hour when he landed.

YOU: I’ll try to stay up, but promise to wake me up if I’m asleep?

Again, you didn't have to wait long for his reply.

JAMES: I promise. Nothing could keep me from you tonight.

A shiver ran down your spine at his words. You glanced at the clock - it was barely noon. The hours until his arrival stretched before you, filled with anticipation and nervous energy. You busied yourself with things before work, trying to focus on anything other than the ticking clock and the bag from Boudoir sitting in your closet.

At Devour your mind was engaged fully in your craft and working with your team.

But once you returned home after the Friday night dinner service, you found yourself pacing the apartment, unable to settle. Should you put on the lingerie now? Wait until you heard from him? You compromised by showering and doing your hair and makeup, then slipping into a silky robe.

Just as you were debating whether to pour yourself a glass of wine to calm your nerves, your phone pinged.

JAMES: Landed. On my way to you.

Far earlier than you expected him, but a good thing, too.

Your heart raced as you read his message. You quickly made your way to the bedroom, retrieving the Boudoir bag from the closet with trembling hands. The delicate lace and silk felt cool against your skin as you slipped into the lingerie, adjusting the straps and garters with care. You stood before the new mirror James had sent, admiring how the deep, rich color complemented your skin tone. The set hugged your curves in all the right places. Standing before the mirror James had gifted you, you couldn’t help but feel a surge of confidence.

A text alert broke your reverie.

JAMES: Five minutes.

You took a deep breath, smoothing your hands over the silky fabric once more before draping the robe back over your shoulders. You dimmed the lights in the bedroom and lit a few candles, creating a soft, inviting ambiance.

The sound of a key in the lock made your pulse quicken. You perched on the edge of the bed, listening as Bucky’s footsteps approached.

The bedroom door opened slowly, and he stepped inside, his eyes immediately locking onto yours. His gaze was intense, a mix of hunger and adoration that made your breath catch in your throat. Would you ever get used to the way he looked at you?

"Well," he said, his voice low and gravelly, "this is certainly a welcome home."

You stood, your fingers toying with the tie of your robe. "I thought you might appreciate a little preview of my shopping spree."

He set a golden box on your dresser and then moved closer, his steps deliberate and predatory. He reached out, running his fingers along the edge of your robe. "May I?"

You nodded, your heart racing as he slowly undid the tie and pushed the silky fabric off your shoulders. The robe pooled at your feet, leaving you standing before him in the exquisite lingerie.

Bucky inhaled sharply, his eyes roaming over every inch of you. "Beautiful.” His hands settled on your waist, pulling you flush against him. "Show me how much you missed me," he growled.

You leaned into him, tilting your head up to meet his intense gaze. "I thought you were going to show me how much you missed me," you teased, running your hands up his chest and over his shoulders.

He chuckled, a low, dangerous sound that sent shivers down your spine. "Oh, I intend to," he murmured, his lips brushing against your ear. "But first, I want to savor this moment. You've outdone yourself."

His hands roamed over the delicate lace and silk, tracing the curves of your body with a reverence that made your breath hitch. You could feel the heat of his skin through his shirt, the barely contained power in his muscles as he held you close.

“I thought you wouldn’t be here until much, much later,” you said, breathing in the scent of him, cologne mingled with his natural musk. “The flights I saw had landings after midnight.”

He snorted. “My private jet provides service according to my schedule, not anyone else’s.”

“Oh,” was your soft and surprised reaction, realizing you should not be at all surprised to learn he owned a private jet.

"Turn around, love," he commanded softly. "Let me see all of you."

You complied, slowly spinning to face the mirror. He stood behind you, his eyes meeting yours in the reflection. His hands skimmed down your sides, fingertips tracing the lace edges of your lingerie. You shivered at his touch, watching as his expression darkened with desire.

"Do you see how stunning you are?" he murmured, his lips brushing against your neck. "How every curve, every line of your body is a work of art?"

You leaned back against his chest, feeling the solid warmth of him. "I see how you look at me," you whispered. "That's what makes me feel beautiful."

You watched in the mirror as his lips trailed up your neck, his stubble scratching deliciously against your skin. Your breath quickened as one of his hands splayed across your stomach, pulling you back against him.

He growled low in his throat, his arms tightening around you. "You still have no idea what you do to me," he said, his voice rough with need. His fingers traced the edge of the lace at your hip.

You turned in his arms, reaching up to cup his face. "Then show me," you challenged, your eyes locked on his.

Impossibly, his eyes darkened even more at your words, a predatory smile curving his lips. In one fluid motion, he lifted you, your legs instinctively wrapping around his waist. His lips crashed against yours in a searing kiss as he carried you to the bed, laying you down with surprising gentleness.

"You want me to show you?" he growled, hovering over you. His fingers traced the delicate straps of your lingerie, sending shivers across your skin. "I'll show you exactly what you do to me."

He began a torturous exploration of your body, his lips and hands mapping every inch of you. The exquisite lingerie became both a barrier and a tantalizing tease as Bucky lavished attention on the exposed skin while skimming over the lace and silk. You arched into his touch, desperate for more.

"James," you breathed, your fingers threading through his hair. "Please…"

He chuckled against your skin, the vibration sending sparks of pleasure through you. "Patience, love. I've been dreaming of you all week."

His talented fingers deftly unclasped the delicate hooks of your bra, slowly peeling the lace away to reveal your skin beneath. You gasped as the cool air hit your heated flesh, arching into his touch as he palmed your breasts.

"Beautiful," he murmured, lowering his head to trail kisses along your collarbone. "So fucking beautiful."

You tugged at his shirt, suddenly desperate to feel his skin against yours. "Too many clothes," you panted, fumbling with the buttons.

Bucky chuckled, sitting back on his heels to shrug off his jacket and unbutton his shirt. Your eyes roamed hungrily over his sculpted torso as more of his skin was revealed. The dim candlelight cast shadows that accentuated every plane and angle of his muscular form.

"Like what you see?" he teased, a knowing smirk playing on his lips.

"Always," you breathed, reaching up to run your hands over his chest and shoulders.

He caught your wrists gently, pinning them above your head as he leaned down to capture your lips in a searing kiss.

You melted into his kiss, your body arching up to meet his as he pressed you into the mattress. The weight of him, the heat of his skin against yours, was intoxicating. You tugged at his grip on your wrists, desperate to touch him, but he held firm.

"Ah ah," he murmured against your lips. "I'm not done admiring my gift yet."

His free hand skimmed down your side, fingers dancing along the edge of your panties. You whimpered, hips bucking involuntarily as he teased you.

"James, please," you gasped, breaking away from the kiss.

He chuckled, a dark, velvety sound that sent shivers down your spine. "So impatient," he tsked, nipping at your lower lip. "But I suppose I have kept you waiting all week, haven't I?"

In one fluid motion, he released your wrists and moved down your body. His lips and tongue traced a burning path along your skin, pausing to lavish attention on your breasts before continuing lower.

With deft movements, he removed the rest of your lingerie, his eyes dark with hunger as he drank in the sight of you. You reached for his belt, fumbling with the buckle in your eagerness. Bucky chuckled, gently moving your hands aside to finish undressing himself.

Finally skin to skin, you both sighed at the contact. Bucky's weight settled over you, comforting and electrifying all at once. His lips found yours again as he entered you slowly, savoring every inch. You gasped against his mouth, your body arching to take him deeper.

"God, I've missed you," Bucky growled, his forehead pressed against yours as he stilled for a moment.

You wrapped your legs around his waist, urging him closer. "Show me," you breathed, nails raking down his back.

That was all the encouragement he needed. Bucky began to move, setting a rhythm that had you clinging to him, gasping his name. His lips found your neck, kissing and nipping at the sensitive skin there as his hips drove into yours.

You lost yourself in the sensations - the slide of his skin against yours, the delicious friction where your bodies joined, the heat of his breath on your neck. Your hands roamed his broad back, feeling the flex and ripple of his muscles as he moved above you.

"James," you moaned, feeling the familiar tension building low in your belly. "I'm close."

Bucky slowed his movements, a wicked grin spreading across his face. "Not yet," he murmured, his voice husky with desire. "I'm not done with you."

With a low growl, he suddenly withdrew, leaving you gasping at the loss. Before you could protest, his strong hands grasped your hips and flipped you onto your stomach.

His palms glided down your sides, fingertips tracing the curve of your spine. You shivered at his touch, anticipation building as he gently urged your hips upward.

"On your knees for me, beautiful," he commanded softly, his palms smoothing over the swell of your backside.

You complied eagerly, pushing yourself up onto all fours. The cool air of the room kissed your heated skin, making you hyper-aware of every sensation. Bucky's hands continued their journey, kneading the flesh of your thighs and hips with intent appreciation.

You felt the bed shift as he positioned himself behind you, the heat of his body radiating against your back. His fingers tangled in your hair, gently tugging your head back. His lips brushed against your ear as he spoke.

"You're a vision like this," he murmured, his breath hot against your skin. "So perfect for me."

You whimpered, pressing back against him, desperate for more contact. Bucky chuckled, the sound vibrating through your body. Slowly, torturously, he dragged the tip of his length along your folds, teasing your clit with the blunt head of his cock.

You gasped at the sensation, your fingers curling into the sheets. "James, please," you whimpered, pushing back against him.

He groaned, his grip on your hips tightening. "So eager for me," he murmured, positioning himself at your entrance. "Tell me what you want."

"You," you breathed, looking back over your shoulder to meet his intense gaze. "I want you, James. Please."

With a low growl, he pushed into you in one smooth thrust, filling you completely. You both moaned at the sensation, savoring the feeling of being joined once again. Bucky stilled for a moment, his forehead resting against your back as he struggled to maintain control.

"God, you feel amazing," he groaned, pressing a kiss between your shoulder blades. "So tight, so wet, so warm and perfect for me."

He began to move, setting a slow, deep rhythm that had you gasping with each thrust. Your fingers clutched at the sheets, desperate for something to anchor you as waves of pleasure washed over you. Bucky's hands roamed your body, caressing and squeezing, leaving trails of fire in their wake.

"Look,” he said, and turned your head to take in the sight of you two in the mirror.

You locked your eyes on his through the reflection. “Need you to see how gorgeous you are when you come apart for me.”

You keened for him as he pulled you back on his cock with a particularly demanding thrust.

“When I breed you.”

You gasped.

He groaned and curled his body down over your back.

Because you also clenched powerfully around his cock.

“Mmm, you like that,” he murmured right into your ear, then licked the shell of it. “Want to be bred,” he continued, pace unyielding as he split you open with his cock. “Not as much as I want to fill you up with my seed,” another thrust, “until you’re growing with my child,” another thrust, “no question who you belong to,” thrust, “that you’re claimed,” thrust, “that you’re mine.”

You were utterly breathless for a moment, and he registered that, too, just as he registers every movement, every reaction.

He continued to thrust slowly in and out of your leaking cunt, but he noticed you were no longer fluid and pliant, but that you had tensed up. He stopped. “What’s going on in your beautiful head?”

You bit your lip, and your head dropped down, turning away from his direct gaze in the mirror.

He pulled out and laid on his side next to you.

“Talk to me,” he said, and you weren’t sure if this tone was commanding or pleading, but it was certainly serious.

You sat up, folded your hands in your lap and took a deep breath. As steadily as you could, you said, “You knew my measurements and had sent a perfect wardrobe of intimates to me withing twenty-four hours of our first encounter.”

He nodded, his lips quirking up at the corner.

“So, I assume you also know I have an IUD, and that you that knew before you fucked me in the kitchen that first night at the restaurant.”

“Yes,” he confirmed.

“I’m nowhere near ready to think about children.”

He leaned up on one elbow and reached for your hands, smoothing his thumb back and forth over your knuckles. “We have as much time to think about that as you want.”

You let out a breath you didn’t realize you were holding. Your eyes searched his. You could see he wasn’t merely trying to tell you what you wanted to hear - he never had.

“I look forward to children with you one day, but I’m in no rush. When I imagined settling down with a wife,” he continued, “I didn’t think it would be for another five or six years, but once I found you, there was no question that I wanted you.”

"I want that future with you too, just... not quite yet."

Bucky sat up, cupping your face in his hands. His thumbs stroked your cheeks gently as he looked into your eyes. "I'm sorry if I scared you," he said, his voice low and sincere. "Sometimes I get carried away in the moment. You inspire that in me. But I never want you to feel uncomfortable or trapped.”

You felt a wave of relief wash over you, your body relaxing as you processed his words. "I'm sorry," you murmured, leaning into his touch. "I didn't mean to kill the mood."

Bucky shook his head, pulling you closer. "Don't apologize. Communication is important, especially about something like this." His fingers traced soothing patterns on your skin.

You nodded, feeling a surge of warmth and affection for this man who could be so commanding and intense one moment, and so tender and understanding the next. "I love you," you said softly, leaning in to press a gentle kiss to his lips.

Bucky responded eagerly, his arms wrapping around you as he deepened the kiss. When you finally parted, both slightly breathless, he rested his forehead against yours. "I love you too," he murmured. "More than I ever thought possible."

His hands began to roam your body again, easily reigniting the need in both of your for each other.

You broke off the kiss briefly, "Just so we're clearly communicating, breeding kink? Yes. Children yet? No."

"Noted," he laughed, and returned to devouring your lips.

Bucky shifted his position from sitting to kneeling, settling back on his heels, then with one fluid motion he turned you and pulled you into his lap with your thighs falling on either side of his into a wide, kneeling position. He lifted your hips, then lined up his cock with your entrance, and brought you down again on his length. He guided your hips until you were impaled all the way down. The new angle sent sparks of pleasure through your body, drawing a low moan from your lips.

He banded his left arm around your torso, and his right hand smoothed up your sternum, between your breasts, coming to rest in a secure hold on your shoulder. You closed your eyes, focusing on nothing but the feel of him inside you, behind you, right at your back, every inch of your bodies pressed together. Your left hand traced over his forearm, then tangled with his fingers around your waist, your other hand moving back to anchor yourself on his hip. He pressed a hot, open-mouthed kiss to your shoulder, then began thrusting. Each thrust seemed to push a deep moan out of you for him, and you didn’t hold back.

"Open your eyes," he commanded softly, his breath hot against your ear. "Look at us."

You obeyed, your gaze meeting his in the reflection of the mirror. The sight before you was breathtaking. Bucky sat tall and powerful behind you, his muscular thighs flexed as he supported your weight. Your body was on full display, skin flushed and glistening with a fine sheen of sweat. His thick arm across your stomach, holding you close against his chest.

"Do you see how beautiful you are?" he murmured, his lips brushing against your neck. "How perfectly you fit with me?"

You watched in the mirror as one of his hands slowly trailed up your body, cupping your breast and teasing the sensitive peak. Your back arched at his touch, pressing you further onto his cock.

Bucky groaned, his hips bucking upwards involuntarily. "That's it," he breathed, his voice rough with desire. "Feel me inside you."

Entranced by his words and the intoxicating view in the mirror, you began to move. You rolled your hips, grinding down onto him in a slow, sensual rhythm. Bucky's hands guided your movements, his fingers digging into your flesh as he helped you ride him.

You watched in fascination as your bodies moved together, mesmerized by the play of muscles beneath Bucky's skin and the way your own body responded to his touch. The sight of him disappearing inside you with each downward motion was almost too much to bear.

"James," you gasped, your head falling back onto his shoulder as the pleasure built. "Oh god, James..."

“No,” he growled, and his hand went up to your neck, taking you by the throat, not aggressive, but commanding, making it clear that he wanted you to keep looking in the mirror. “I won’t let you fucking miss this.”

It occurred to you then that this handsome, audacious bastard, the fiancé who you’d given your heart to, knew exactly what he wanted when he sent you this mirror and had it placed in the exact spot in front of you now.

He wanted this.

He wanted to see this and have you see this. The debauchery and the devotion while the two of you were intimate together.

Your eyes locked with his in the mirror, the intensity of his gaze pushing you even closer to the brink. You watched as his free hand slid down your body, fingers finding your clit with unerring accuracy. The dual stimulation of his cock inside you and his fingers on your most sensitive area becoming more frantic. Bucky's grip on your hips tightened, guiding you into a faster pace.

"That's it, love," he growled, his voice low and husky in your ear. "Let go for me. I want to see you come undone."

His words, combined with the intense sensations and the erotic sight in the mirror, and touch pushed you over the edge. You cried out, your body tensing and shaking as waves of pleasure washed over you. Bucky held you tightly against him, his hips still moving as he worked you through your orgasm.

"Beautiful," he murmured, pressing kisses along your shoulder and neck. "So fucking beautiful."

As the aftershocks subsided, Bucky gently turned you in his lap so you were facing him. His hands cupped your face, drawing you in for a deep, passionate kiss. You could feel him still hard inside you, and you rocked your hips, drawing a groan from his lips.

"Your turn," you whispered, nipping at his lower lip.

With a growl, Bucky flipped you onto your back, hovering over you with a predatory gleam in his eyes. He hooked one of your legs over his shoulder, changing the angle as he began to thrust into you with renewed vigor.

You gasped at the deeper penetration, your hands clutching at his back as he sunk into you. The room filled with the sounds of your moans, heavy breaths, and the slap of skin on skin.

You reached up, pulling him down for a passionate kiss while he worked up to a relentless pace. He drove into you with powerful thrusts, each one pushing the air from your lungs. Your other leg wrapped around his waist, urging him deeper as you felt another orgasm building.

"James," you panted, your nails raking down his back, "I'm so close again."

He growled, his hips snapping against yours with increased fervor. "My good girl, I’ll always give you what you need."

His hand snaked between your bodies, fingers finding your oversensitive clit. The added stimulation was almost too much, pushing you right to the edge. You cried out, your body arching off the bed as your second orgasm crashed over you.

Bucky's rhythm faltered as your walls clenched around him. With a deep groan, he buried himself to the hilt inside you, his body shuddering as he found his own release. You felt the warmth of his seed spilling inside you, prolonging your own pleasure.

For a moment, you both lay there, panting and trembling in the aftermath. Bucky's weight was comforting on top of you, grounding you as you floated in post-orgasmic bliss. He pressed soft kisses to your neck and shoulder, murmuring words of love and praise against your skin.

Eventually, he rolled to the side, pulling you with him so you were tucked against his chest. His arms wrapped around you, holding you close as your breathing slowly returned to normal. You nuzzled into the crook of his neck, inhaling his scent and feeling utterly content.

"I love you," you murmured, pressing a soft kiss to his collarbone.

Bucky's hand stroked up and down your back, his touch soothing and gentle. "I love you too," he replied, his voice deep and warm. "More than I thought possible."

You hummed in agreement, nuzzling into the crook of his neck. The room was quiet save for the sound of your breathing and the faint flicker of the candles.

After a few moments, Bucky spoke again, his voice soft. "I meant what I said earlier. About children, about our future. We have all the time in the world."

You lifted your head to meet his gaze, seeing nothing but sincerity in his eyes. "I know," you said, leaning in to kiss him gently. "Thank you for understanding."

He smiled, tucking a strand of hair behind your ear. "Always. We're partners in this, in everything."

You lay in comfortable silence again for a while, basking in the afterglow and each other's presence. Bucky's fingers idly traced patterns on your skin, sending pleasant shivers down your spine.

"I missed this," you said softly, breaking the silence. "Having you here, holding me." Everything with him was still relatively so new, but it felt like this was exactly how it always should be.

He hummed in agreement, tightening his arms around you. "Me too. Those nights in Chicago felt endless without you."

You tilted your head up to look at him, a small smile playing on your lips. "Well, you're home now. And you brought me another present, didn’t you?”

“Oh, you noticed that golden box I brought in with me, did you?”

“Yes, can I have it, please?” you asked sweetly, your curiosity thrumming more with each second now that you had remembered it.

He chuckled at your eagerness, pressing a kiss to your forehead before reluctantly disentangling himself from your embrace. "Alright, love. Your wish is my command."

You watched appreciatively as he padded across the room, admiring the play of muscles beneath his skin. He retrieved the golden box from the dresser and returned to the bed, settling beside you with a mischievous glint in his eye.

"Close your eyes," he instructed softly, and you complied, feeling a thrill of anticipation.

You heard the rustle of paper and the soft click of a box opening. A moment later, an intoxicating aroma filled the air - rich, complex, with notes of cocoa, vanilla, and something tantalizingly exotic.

"Open," Bucky murmured.

Parting your lips, you allowed him to place a morsel of chocolate in your mouth.

The chocolate melted slowly on your tongue, releasing layers of flavor that made you moan softly in delight. Rich, dark cocoa mingled with hints of caramel and a subtle spiciness that lingered pleasantly. As the last of it dissolved, you opened your eyes to find Bucky watching you intently, his gaze dark with renewed desire.

"Good?" he asked, his voice low and husky.

You nodded, licking your lips. "Incredible. What is it?"

He smiled, holding up an elegantly crafted golden box. "Amedei Porcelana. Some of the rarest and most expensive chocolate in the world. I had it flown in from Tuscany."

Your eyes widened. "James, that must have cost a fortune."

He shrugged, a playful smirk tugging at his lips. "What's the point of having money if I can't spoil my beautiful fiancée?" His fingers traced along your jawline. "Besides, watching you enjoy it is worth every penny."

You felt a blush creeping up your cheeks at his words and the intensity of his gaze. Bucky leaned in, capturing your lips in a deep, sensual kiss. The lingering taste of chocolate on your tongue mingled with his unique flavor, creating an intoxicating blend. His hand cupped the back of your head, fingers tangling in your hair as he deepened the kiss.

When you finally parted, both slightly breathless, Bucky rested his forehead against yours. "I think I might enjoy that chocolate even more when I taste it on your lips," he murmured, his voice low and husky.

You smiled, reaching for the box. "Well, we have plenty more to sample. Maybe we should conduct a thorough taste test?"

Bucky's eyes darkened with desire, a wicked grin spreading across his face. "I like the way you think, chef."

He took the box from your hands, selecting another piece of chocolate. This time, instead of feeding it to you, he placed it between his teeth, raising an eyebrow in challenge. You leaned in, capturing the other half of the chocolate with your lips, your mouths meeting in a sweet, decadent kiss.

As the night wore on, you continued your playful exploration, alternating between savoring the exquisite chocolate and indulging in each other. Bucky trailed pieces along your skin, following the path with his lips and tongue. You reciprocated, drawing patterns on his sculpted chest and abs with melted chocolate before licking it clean.

The room filled with soft sighs, quiet laughter, and murmured words of affection as you rediscovered each other's bodies. The flickering candlelight cast a warm glow over your intertwined forms, creating an intimate cocoon that seemed to exist outside of time.

As dawn approached, you lay tangled together, satiated and drowsy. Bucky's fingers traced lazy patterns on your back as you rested your head on his chest, listening to the steady thrum of his heartbeat.

"I could get used to welcomes like this," he murmured, pressing a kiss to the top of your head.

You hummed contentedly, nuzzling closer. "Maybe I should send you away more often if this is how you come back to me."

He chuckled, the sound rumbling through his chest. "Don't you dare. I much prefer having you by my side every day."

You smiled, tilting your head up to meet his gaze. "Me too," you admitted softly. "Though I have to say, absence does make the heart grow fonder."

"And apparently inspires some very creative shopping," he teased, his hand skimming down your side to rest on your hip.

You laughed, a warm, carefree sound that filled the room. "Well, I had to make sure you'd remember me while you were away."

"Impossible," Bucky murmured, his voice taking on a more serious tone. His fingers traced the curve of your cheek, his touch feather-light but ardent. "You're etched into every part of me now, love."

The intensity of his gaze made your breath catch in your throat. Even after hours of intimacy, he still had the power to make your heart race with just a look. You leaned in, capturing his lips in a tender kiss that spoke volumes of your shared feelings.

As you parted, you noticed the first rays of dawn peeking in through the curtains of your window. You settled your head against his shoulder, and only just registered the press of his lips in a kiss to your forehead before you dropped off to sleep in his arms in the morning light, thoroughly exhausted and thoroughly in love with this man.

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest Read more in the DEVOUR collection...

Some of this was content I cut from the final chapter of the original 4-parts of the series (heat) that once I got to the end of that chapter felt like it didn't fit anymore, but it was stuff I couldn't throw away, so I just kept it, knowing it would have a place at some point in their story later, so I'm glad I finally got to share it with you!

#bucky barnes #bucky barnes smut #bucky barnes x reader #mob au #bucky barnes fanfic #female reader #devour au #aspen wrote something #2200 followers celebration #askpen #kink: breeding #kink: food play

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reiding-writing · 6 months

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hello!!!! could i get a continuation fic for "breaking the ice"? this time it could be like after a hard case and reader actively seeks out spencer for comfort (CONGRATS ON 1K FOLLOWERS!!! <33)

BREAKING DOWN [CLIMACTERIC]

/ˈbreɪ.kɪŋ daʊn/

spencer just wants to be there for you when you need him, but you get overwhelmed by his constant worrying and push him away, only to crawl right back into his embrace when you really need it.

WARNINGS: fem!reader, reader is mean to spencer in the beginning but apologises later, child death, guilt, reader having an emotional breakdown, angst to hurt/comfort

spencer x cold!reader | hurt/comfort | 2.4k | climacteric event

a/n: hit two birds with one stone for this one, god sometimes i forget how much i like writing characters suffering man-

this fic is a continuation of ‘breaking the ice’, but can be read as a stand alone!

main masterlist!! ⋆｡°✩ cold!reader masterlist!!

climacteric event masterlist!!

You felt like an idiot the first time Spencer caught you crying, failing to compose yourself in the office bathroom for no good reason and looking like an absolute wreck because your brain had just decided it wanted to ruin your day.

There’d been a few times since then when he’d caught you on the brink of a breakdown, but you’d masked them better the more he tried to look into your psyche.

“It’s okay not to be okay sometimes,” He said those few months ago. “I’m here for you, whatever you need.”

That was all said and good but it didn’t mean that you wanted him to be there whenever you were overwhelmed or emotional. Sometimes you needed the space to work through your emotions on your own.

“Reid. Leave me alone.” You turn to him sharply, impatience written all over your features.

He’d been asking you about your emotions for the past fifteen minutes after noticing you turn down one of the sugary treats Garcia had brought into the office and using the small amount of favouritism you had towards him as leeway in terms of you not getting angry.

But you had your breaking point even with him.

The harshness spilling from your lips wasn’t something that was ever directed at him, so much so that it actually took him a second to register that it was him you were snapping at and not some invisible person standing behind him.

He didn’t even have time to respond to you. You were already around the corner by the time he’d come back to his senses.

He didn’t bother you after that.

At all.

There was no small talk at the beginning of the office days, no conversations on the jet between cases. He stopped waiting for you before leaving the office and picking you up coffee on days he knew you’d be late.

It threw you back in time to the first few years of working with him. And it seemed that the rest of the team was feeling the inherent ‘nostalgia’ as well, and not in a good way.

The small lingering glances and silent conversations you’d engage in had completely disappeared, and not having Spencer has the bridge of proper communication between you and the rest of the team made merging your psychological profile with the main behavioural profile for your most recent case three steps longer than it needed to be.

Because he was basically refusing to speak to you. Following your instructions to a T.

It didn’t help that it was a child case either. You always seemed to have issues with those. You worked twice as fast, but also made twice as many mistakes, and without someone like Spencer to filter your thoughts through to make sure that they were all objective it meant that your profile was lagging behind.

The child you were looking for died before you found him.

And by the time you’d reached the jet to fly back to Virginia, you’d already internalised his death as your fault.

You kept yourself together through the airport, through boarding and take-off and until you watched your team members fall into a blanket of uneasy sleep as everyone tried to brush off the emotional wreckage that they’d seen over the last few days and detach themselves from the child they’d failed to save.

You were usually pretty good at that part.

Separating yourself from your work came naturally for you, and it was something you were extremely grateful for when getting rest after a particularly hard case. But children were different.

They always were. Especially when it felt like you had a personal hand in their death.

With an internal sigh you accepted your fate of staring at the beige walls of the jet’s cabin until you inevitably couldn’t take it anymore and barricaded yourself in the bathroom for the remainder of the flight.

Now’s about the time where you’d probably distract yourself by starting Spencer on a tangent. Getting him to talk about something that was completely unrelated to the case you’d just sat through to drown out the voices inside of your head and allow you to rest peacefully despite yourself.

But you couldn’t do that right now.

Half because Spencer was already asleep and half because you’d pushed him away.

And now you had to lie in the hole you’d created for yourself.

You didn’t even end up making it into the bathroom.

You curled your legs up into yourself in the corner chair you’d bagged yourself, rested your elbows on your knees, and covered your face with your palms as the tears started a steady flow down your cheeks.

It was honestly one of the worst feelings in the world. Curled up into yourself with your hands cupped over your mouth to keep your staggered breathing quiet enough to not wake the other agents sleeping around the cabin.

As you sat there, the weight of your emotions pressing down on you like a heavy blanket, you couldn't shake the feeling of regret for pushing Spencer away.

His concern was always genuine, his presence a source of comfort even when you didn't realise you needed it. Now, in the silence of the jet cabin, his absence felt like a void.

Each tear that slipped from your eyes felt like another weight added to the burden you were already carrying.

The familiar ache in your chest threatened to consume you as you struggled to contain the flood of emotions threatening to spill over and wake your teammates.

Despite the exhaustion pulling at your bones, sleep remained unobtainable, lost in the emotional maze of regret and self-blame that you’d managed to lose yourself in to the point where you couldn’t even stand up to give yourself some privacy.

You felt utterly alone, isolated by your own actions in every sense of the word. Each passing minute stretched on for what felt like hours, dragging you deeper into the abyss of your thoughts.

You weren’t quiet enough apparently, and you hear a small shift from the long sofa to your right as your emotional breakdown seemingly catches someone’s ears to the point where they’ve woken up.

“…are-” Spencer’s voice is quiet and mildly groggy as he wakes from the sounds of your internal anguish, and he cuts himself off before getting his whole question out.

You wanted him to leave you alone.

“sorry…” He shifts onto his side until his back is facing you, not wanting to pry if you were uncomfortable with it but also not willing to watch you break down if he knew he couldn’t do anything about it.

“I’m not okay Reid…” Your words are caught in between stunted breaths and shaking movements. “I need help-”

Your words sent an ache right through his heart that made him think it was going to split in two. He can hear the tremor in your voice, the shakiness in your tone as you force yourself to be vulnerable with him. And it makes him want to join you in a fit of tears.

If you were actively reaching out like this, it had to be bad.

“I know…” His voice is barely above a whisper as he slowly turns his body, still hesitant to look you in the eyes but wanting to see your expression.

He doesn’t know if you want comfort or advice, but he knows which he’d prefer to give as his eyes land on your face and take in the sight of you, curled up into yourself with tear stains tracking down your cheeks in the cabin’s low lighting.

“But I don’t know how to…” The silence is the worst part of the conversation from his end of things – a silence that was deafeningly loud. His eyes dart between the cabin door and you.

But he doesn’t move. He doesn’t get up, or get closer. He just stays put.

He doesn’t know what to do.

“Tell me how to help you…”

“I don’t-” You barely get the chance to start speaking before your crying renders you effectively mute, your throat filled with sobs that leave your mouth into the palm of your hand as you attempt to silence yourself and not ruin anyone else’s slumber.

He can see your fingers trembling as you hold back the noise. From across the aisle, Spencer watches the way you shake until his stomach ties in a knot just from seeing you distressed.

But there’s nothing he can do.

“Can I try something?” He murmurs his words softly, like he’s afraid of frightening you further as he pulls himself upright on the couch seat to plant his feet firmly on the floor.

You answer him with a nod, too unstable to even think about trying to answer him verbally under the threat of breaking down further.

He pads across the aisle deftly, taking a seat in the chair beside your own and deftly bringing his arm across the back of your shoulders to rub lines against your back.

It’s a somewhat pathetic pat, a mix of fatigue and hesitation mixing in his movements and making his attempt at comforting you feel clumsy and mildly awkward.

But he was trying, and that was the main point.

The awkwardness really held no ground under your inherent need to just feel comforted in the moment, and you take no note of it as you turn your head into Spencer’s shoulder with your hand still cupped over your mouth as you tremble under his arms.

His hand becomes a little more confident once you accept his attempts.

He didn’t know how to help you.

He didn’t know how to soothe you.

And the thought of not being able to save you from yourself was tearing him up inside.

But the least he could do was this.

Spencer’s touch is gentle as he places his other hand onto the back of your head, fingers brushing along your hairline as he encourages you further into his embrace.

There’s nothing he should say right now, nothing he could say right now.

Whatever would come from him would be a string of false assurances he wasn’t sure he would even believe himself.

Instead, he settles for the soft touches, his gentle fingers and trying to soften your breathless sobs into something less heartwrenching.

It felt mildly awkward to be the source of someone else’s comfort — he’d usually been on the receiving end of it — but it was working, and he could slowly feel your shoulders relax under his hands, your sobs reducing to small sniffles as you calmed under Spencer’s influence.

“Breathe…” He whispered the words quietly against the top of your head, making a show of taking deep breaths that you could feel against his chest as a silent instruction for you to mirror.

The rise and fall of his chest underneath your hand was crucial in helping you slowly regulate your breathing to match his, the remnants of sniffles that caught in your throat slowly dissipating until they were non-existent.

The peak of your distress slowly eludes you as you sink down to a gradual calm, and the harsh beating of your heart against your sternum was slowly regulating itself as well until it was soft enough that it didn’t ring in your ears.

Spencer remains quiet as he continues to rub gentle lines over your spine. If he kept you him his grasp like this for long enough, your fatigue might catch up to you and make you fall asleep. And that would be alright with him.

“I shouldn’t have snapped at you for trying to help me,” You air out your half-apology once you’re confident enough that speaking won’t send you down another spiral, your words muffled slightly against his shirt.

It’s a sudden break to the small pocket of silence you’d created, and Spencer’s hand pauses for a fleeting second before continuing to trace its path over your back. “You were stressed and I pushed a limit, it was understandable…”

He wouldn’t lie to you and say that everything was alright and he didn’t take it personally. It did hurt for you to be so harsh to him, but hearing you try to apologise made it feel a little better at least.

“I just wanted to help…”

“I know…” You turn your head further into his shoulder until your face is hidden in the curve of his neck. “I’m sorry,”

Your apology, voiced properly this time, elicited a small sigh from his lips, and he adjusted his arm around you to accommodate the new position you were in.

The feeling of somebody leaning on him, relying on him so much for comfort was a rather novel experience. He liked his distance, his personal space, and his preference for not being touched always trumped anything else. But this was different.

“Don’t apologise…” Spencer shakes his head against yours as he murmurs out his words. “Just rest…”

You give him a small hum as your only indication of acknowledging his suggestion, letting out a small yawn into his neck as the consequences of your emotional breakdown catch up to you and riddle your body with fatigue.

You were practically melting into him by now, your weight resting against his side, but Spencer wasn’t complaining.

It made you seem so vulnerable, so small and relaxed and different from how you usually presented yourself to the world.

Once your yawn reached his ears he knew your body was preparing to slip into unconsciousness.

But he couldn’t bring himself to move away from you.

He’d seen you fall asleep before; he’d seen the way your mouth had parted slightly right before a small snore left your lips, the delicate rise and fall of your chest as your breathing evened out and the way your eyebrows furrowed when you fell into a dream.

He didn’t want to interrupt his comfort by moving away. So he didn’t. It wouldn’t hurt to hold you for a little bit longer.

#✎𓂃climacteric。#cold!reader ᝰ.ᐟ #spencer reid x reader #spencer reid #criminal minds #criminal minds x reader #spencer reid angst #criminal minds angst #mgg #climacteric 🪶#asks 🫶

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cybernaght · 1 year

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The fandom echo chamber: fanon, microanalysis and conspiracy brain

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe.

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”.

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours.

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we?

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals.

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation.

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth.

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space.

Eventually, this chimaera becomes a reality.

Part two. Microanalysis

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling.

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season.

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal.

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal.

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works.

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time.

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever.

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding.

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs.

Part three. The Conspiracy Brain.

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To.

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another.

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership.

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake

C) this must be done on purpose

D) here is why

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another.

Three, Intentionality

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed.

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media.

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic.

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking.

Unfortunately, people make mistakes. We are all fallible that way.

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness.

Conspiracy theories create alternate realities, very much like we all do here.

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all.

All I am saying is… listen.

Do you hear that echo?

I do.

#fandom thoughts #fanon #good omens #good omens 2 #bbc sherlock #merlin bbc #think piece #it's been years and I still have no idea how to tag #conspiracy theories #fandom content #all fandoms

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reallyromealone · 5 months

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Title: fate

Fandom: jjk

Characters: Gojo, original character for plot purposes

Fic type: story

Pairings: Gojo x reader

Warnings: male reader, reader insert, omegaverse, angst, soulmate, Gojo is a jerk, slow burn

Notes:

🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸🌸

There was no space for weakness amongst sorcerer's, no space for mistakes and no space to be anything less than perfect.

He had always heard of his fiance, Gojo Satoru... The god amongst sorcerer's...

Though he never met the Alpha, the high and mighty sorcerer never bothered meeting the diamond of the (lastname) clan and did everything he wanted and everyone he wanted while (name) was expected to wait.

The only reason they were fiance's is because of stupid blood work, the two having extreme compatibility and thus an engagement... The Alpha apparently became a teacher.

(Name) Always stood out with people, clothes traditional and expensive as students gawked at the Royal looking omega with two S rank sorcerer's beside him as security and a calm yet serious expression on his face, he was rarely called here... Hell he wasn't even allowed to attend due to being the fiance of Gojo, the Alpha barring it.

That always made (name) laugh, couldn't meet his omega even once and downright ignored him but controlled every aspect.

"You will be expected to marry within the next month, you're both 19 and twenty and after the wedding we expect pups within the first year" Gojo sat beside him, legs spread out and sitting casual as if he didn't make them wait an hour for him to arrive. (Name) Didn't know what to do with the Alpha beside him, (name) expected to wear scent patches at all times and a collar but Gojo had his scent out and proud, it was almost suffocating.

The concept of marrying such an asshole... (Name) Didn't want that.

He didn't want to live a life being this fuckers baby machine.

So, a week after... He left.

Took the jewelry gifted to him by people wanting his hand or favor, once people learned who he was it was like floodgates opened and (name) just kept the expensive jewelry in a box... Now they served a purpose.

That was one year ago, now 20 and across the country away from Tokyo and away from... Him.

(Name) Lived in a farm house on a coastal village, trading his traditional clothes for t-shirts and cardigans, simple trousers and sneakers, all things he never wore before living on his own. The two was nice, the Omega had more money than god with the jewels he sold and worked part time at the small hobby shop in town, the elderly alpha woman introducing him to many hobbies.

For the first time, (name) felt calm.

His shoulders never tensed anymore.

But he knew to never eat his guard down.

(Name) Didn't keep much tech, he didn't really use it back in Tokyo so it didn't appeal to him but he did keep a radio and a small tv in the corner, his boss giving him her old dvd player and (name) would borrow movies from the library, catching up on things he missed.

Currently he was watching a drama as he crocheted another blanket for his nest, humming softly to himself as rain patterned outside against his roof and the smell of his food cooking in the oven.

Knock knock knock.

(Name) Was confused as he stood up, walking to the door and carefully he cracked the door open just a sliver when he smelt it... Pine and peppermint. The smell of Gojo Satoru.

"You are a very hard person to find, surprisingly" Gojo said as he pushed the door open, the smell of distress and anxiety filling the small space as the sorcerer walked in "cute place, not what I would have expected from the (last name)s clans little gem" his voice condescending as he looked around at the little decorations and such.

"I'm not going back" (name) hissed as he stepped away whenever Gojo got closer "im not being some daycare for your pups while you go sleep around japan!" Gojo wore his eye mask though even with that he could feel the glare, the man was done with this.

"So you're going to play farm boy here? We both know you're not even remotely cut out for that" Gojo taunted and (name) glared at him "you know nothing about me! I know you never opened that stupid packet about me! I was expected to give everything to you but you couldn't even muster up talking to me! You treated me like I didn't exist!" (Name) Yelled angrily, all the years of anger and resentment boiling over "you don't get to want me now, I don't care if we are fated or whatever! You are a jackass!" (Name) Felt the air knocked out of him as he was pushed against a wall, the infinity making him feel like the other was pressing against him as he realized that gojos mask was no longer present, piercing blue eyes staring down at him.

"Do you think I was happy with the elders deciding that I was going to marry some prissy Omega? That suddenly I was expected to play house with someone I didn't know!" He growled and (name) wasn't backing down despite the pharamones and pressure "you didn't even try and get to know me! You didn't want me!"

"Well I'm here now, aren't I !"

" A little late, don't you think!"

"God you're annoying!"

"Back at you"

This was not the Omega Gojo remembered, the poised and refined Omega who poured tea and wore pretty clothes was replaced by an angry man in comfy clothes and a heated glare and an attitude "we are literally bound by fate and we can't even hold a conversation without arguing" Gojo found the situation weirdly funny as (name) looked at him with a mix of annoyance and disgust as the sound of his timer went off and (name) managed to get away to go take his food out the oven.

Gojo followed the other and looked at the food, it looked really good "you know how to cook?"

"I was literally trained to be the perfect house wife" (name) said bluntly as the sound of a stomach growling caught both of their attention and Gojo looked at the other and (name) sighed "I literally can't make you leave" he hissed as he grabbed another plate.

Dinner was tense as (name) ate, reading his book as he did so as Gojo took the time to inspect his surroundings "it's like an old persons house, do you even have a computer?"

"Don't know how to use one, don't need it" (name) said as he took a bite of his food and Gojo looked surprised at his words "you grew up with cast wealth, how do you not?" He didn't believe it at all as (name) set his book down "an Omega and an alpha live different lives, you were given more freedoms then myself... You got to attend school and make friends and I was raised to be the perfect mate and technology wasn't deemed important to know compared to the art of tea pouring" he said simply as he looked into the others eyes "I have spent this year learning everything i was deprived of, I lived in Tokyo yet I had never seen it outside my escape"

If it was tense before then it was suffocating now, Gojo never considered these things.

He never once considered the life his fiance was living, having always been told he was living the perfect life of luxury and frankly assumed he was some spoiled Omega.

"I would have shown you..." Gojo started, guilt bubbling in him, "oh? You would have spared me time? Between your whores?" (Name) Tilted his head curiously and Gojo felt a headache form "I hear everything you know? From my maids... They always told me I should be lucky that I'm fated to you" (name) looked away and continued eating, book abandoned beside him as the smell of fury radiated from the Omega, Gojo sighing as he took a bite of his food. The food was phenomenal, seasoned perfectly and not one thing not amazing about it but he didn't comment "we can sort these things out when we go home" Gojo said finally, they would get everything in order when they returned home.

"I am home, I have no intentions of going anywhere with you" (name) said stiffly as he stood with an empty plate.

"Well, tough" Gojo said tired as he followed the Omega around the small farm house, cozy and warm "you're my Omega and I'm tired of this"

"Was I your omega when you screwed across the land?" (Name) Glared at him, he didn't care who he was or what strength he possessed... He was tired of everyone making choices for him! "You can go back to whatever life you had before, say I died or something... I know that there's countless omegas dying for a chance to be your fiance"

"Well if you're not going with me, in not going anywhere" Gojo said simply as he walked to the small couch and plopped down "you're like a child" (name) glared, wasn't even like he could go out, the rain so heavy.

"I'm going to bed" (name) grumbled as he went to his bedroom, Gojo getting up to follow but (name) slammed the door in his face.

This was going to be annoying, Gojo could feel it.

Come morning, (name) wore a loose shirt and sweatpants as he made himself his morning drink and stared at his mug sleepily as Gojo watched from the livingroom curiously, the other rubbed his eyes sleepily as calm and sweet pharamones filled the space. Gojo realized that this was the first time he could smell the others pharamones and not smell distress.

He never smelt anything so wonderful.

(Name) Set a mug of tea, brewed perfectly "how did..." "We were both given packets about one another, you pretended I didn't exist remember?"

Gojo had a feeling (name) wasn't going to let go of that anytime soon.

Gojo followed (name) around all day, when the Omega walked down the path towards the village "you really live out in the middle of nowhere" Gojo commented as they walked along the tree lined path, (name) holding a few bags "you know in Tokyo, I could have food delivered to us right?" Gojo remarked and (name) just ignored him, at least the Alpha had the sense to wear sunglasses instead of his mask so he didn't look insane "there's barely a connection out here" the Alpha remarked, (name) knew what he was doing and it wasn't working.

The villagers looked confused as (name) had a towering alpha follow him, the omega shopping as if he wasn't even there "(name)!" A couple kids ran up to the Omega who looked down curiously "what is it little ones?" (Name) Asked softly as the youngest clung to his leg, a little pup with wide eyes and a sweet smile "play with us!" One of the kids said excitedly and (name) smiled "maybe later little ones, I have errands I have to do" (name) ushered the children towards the small park area, Gojo watching the scene curiously.

"So why did you come looking for me? I thought you would have been elated at my sudden leaving" (name) asked as they walked home, Gojo forcing the other to let him hold the bags "my alpha... It practically destroyed half the estate when it found out you left... Geto ripped me a new one"

"So you had an epiphany and came here acting like everything would be fine" (name) said with a sigh and Gojo shrugged "I mean yeah" "and what? Expect me to be like 'oh thank you alpha! You're so kind and didn't make me feel worthless and your actions didn't cause me verbal and emotional abuse from my family!' been going to therapy and the therapist says you suck" (name) was way snarkier than Gojo thought he would be, he liked that his omega wasn't weak "I spent a year being on my own and doing what makes me happy, I don't want you messing that up"

"What do you even do out here?" Gojo asked and (name) shrugged "I have a part time job and I'm an active member of the community, no stress of either of our families... Everything is good"

"What would it take for you to come back?" Gojo asked "money? I can make sure you have everything you need"

"I don't want money, I don't want that stuff... I'm not marrying someone who doesn't love me and I don't love in turn"

Gojo spent the night thinking about it, while his omega slept peacefully in the other room and pulled out his phone to text Geto... He wasn't sure what to do.

#jjk x male reader #jjk x reader #jujutsu kaisen x male reader #jujutsu kaisen x reader #gojo satoru x male reader #gojo satoro x reader #Omegaverse #omega male reader #male reader

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fixyourwritinghabits · 5 months

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How to Handle Critique

I’ve got to admit, I wish I was one of those beatific saints that could take critique with a grateful smile. Instead, I am constantly suppressing a horrible little gremlin at the back of my head hissing at anything from legit plot critiques to grammar corrections. I’m well aware I used that comma wrong, GOD.

Don’t get me wrong, I’m very good at suppressing that gremlin, but the little bastard is still there. He exists because even though your brain knows critique can help, it also knows you worked damn hard on the thing being critiqued, and goddamnit, isn’t that enough???

Anyway, here are some tips on getting that gremlin to shut the hell up.

It is okay to be upset. You worked really hard on this thing, and now someone’s gone and pointed out all the things that suck about it. You cannot control how you feel about one thing or another, but you can allow yourself to feel that way and let it pass through you. Let your critique partner you’re taking time to reflect on it, and go for a walk. Do something else. Let those feelings pass through you before you get back to the page.

Give yourself time. Don’t feel like you need to correct things right away (unless they are minimal grammar tweaks). Some pieces of feedback might take awhile to sink in, especially when you’ve got a whole novel to wrestle through. Set it aside, think about something else for a week or so, and get back to it when you’ve reset.

Get a second opinion and/or ducky friend. It can be very hard to tell the difference between good and bad feedback sometimes. Someone who means very well could give feedback that just doesn’t work for you, and someone who doesn’t give two shits could have spotted that fatal flaw right away. You can bring in a real third party or just make use of the old rubber duck technique, where you talk through the issue with a friend or a Naruto poster telling you to Believe it. Working it out out-loud is a really effective technique to figure out what needs fixing and what doesn’t.

Guide critique-givers toward the feedback you want. I, a person who prefers straightforward fantasy and sci-fi, cannot give the fine-tooth points on how a romance novel should work. However, I can give feedback on what works for me and what doesn’t story-wise. Giving your beta reader or critique partner a list of questions to look for will help avoid vague feedback based on how they don’t like the genre. There are many ways to do this, but consider using the following as a base to tailor your own questions:

Did you get a good sense of the setting? Did the worldbuilding make sense to you?

Was this story clear? Where there any parts that seemed confusing?

What characters did you like and why? What characters didn’t you like?

Did any parts of the story feel slow or repetitive?

Did the beginning draw you in? Did the middle keep you engaged? Did the ending feel satisfying?

If you were to write [insert plot point here], what would you do differently?

Again, all of the above questions are up for debate depending on your goal, but we are rarely taught how to give good feedback, and a guided feedback session would work better for you than a free-for-all.

Figure out what kind of advice doesn’t work for you. It is really hard to give good feedback sometimes, even with guided questions. It can also be really hard to figure out why some feedback doesn’t click with you, and that’s a matter of digging deep to figure out what you really want. You may lean toward characters who are horrible fuck-ups, but your partner prefers more steady characters who always strive to do the right thing. Your characters, therefore, may never click with this person, no matter how much they want to help you. And that’s okay! Figuring out where your critique partner is coming from can help you figure out what parts of their feedback isn’t working for you. Sometimes the only thing you can do is thank them and move on, but you might also want to guide them to focus more on the plot or the worldbuilding when looking at your work.

And last, don’t focus on grammar. It’s great if they point that out, but if you end up changing everything, trying to fix that first is a waste of your time. Grammar tweaks last, plot points first.

And, I dunno, give yourself a treat to get that horrible little mind gremlin something else to focus on. Sometimes patting those bad feelings on the head and sending them away can help way more than ignoring them.

#writing feedback #writing advice #telling yourself this feels bad and I don't like it is okay!#even if you asked for that advice it can still hurt!#just let it pass and you'll be okay

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burst-of-iridescent · 5 months

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i've written before about how fire lady katara isn't an inherently disempowering or racist trope, as have many others, but lately i've been thinking about how arguments against fire lady katara often tend to utilise a surface-level interpretation of colonial trauma.

[edit: this post will use the term "colonial trauma" because those who argue against fire lady katara usually use the same wording or are referring to that concept. but it's important to note that according to show canon, the fire nation did not colonize the southern water tribe and zuko and katara did not have a colonizer/colonized relationship.]

antis who present this argument usually posit that marrying zuko would be a form of re-traumatization for katara, while marrying aang would "protect" her. katara is supposedly more shielded from confronting the impact of colonization in the southern water tribe or on air temple island than she would be with zuko in the fire nation, which contextualizes colonial trauma purely through the lens of physical interaction with the colonial power (ie. living in the fire nation or looking after the people of the fire nation). whether intended or not, this argument inadvertently limits colonial trauma to the geographical boundaries of the colonizing country and implies that it can be reduced or averted solely by minimizing contact with said country.

even leaving aside that we have seen katara in the fire nation (and enjoying herself there), the implication here is that active engagement with a colonial power as a member of colonized peoples is an inherent form of re-traumatization... which i take issue with for multiple reasons.

firstly, katara lives in a world that has been permanently shaped and changed by imperialism, and that's going to affect her no matter where she goes. sequestering herself in the south pole her whole life and never seeing a glimpse of fire nation red again won't allow katara to escape the legacy of colonization or the trauma it has caused her, because its influence is rooted in everything from her family to her tribe to her own bending. believe me, i understand the appeal of a world where women of colour can avoid reckoning with the impact of colonization by simply never setting foot in the colonizing country again, and why people might be uncomfortable with zutara individually as a result - but i can't accept it as a valid argument against the ship, because that's just not how colonial trauma works.

secondly, the idea that this "protects" katara reeks of paternalism because katara is not a character who chooses her path simply based on how safe or comfortable it is. if that was the case, she would never have left the southern water tribe at all! she could've remained there her whole life and likely been safe, since the fire nation had no real interest in the south pole any longer. katara is fundamentally defined by how relentlessly revolutionary she is - over and over, she chooses to do what is right, what is hard, what is unexpected, even at cost to herself. she challenges injustice and discrimination and bigotry; she fights for the downtrodden and speaks for those who can't speak for themselves; she will never ever turn her back on the people who need her. does that truly sound like someone who needs to be hid away and protected from her own supposed re-traumatization?

thirdly - and i fully accept that there are those who might disagree with this - katara actively choosing to engage with her colonial trauma can be empowering just as it can be traumatizing. don't get me wrong: as a woc and a minority in my own country, i understand how tiring it is to do this. i understand the exhaustion of confronting what was done to you and your people, of facing down bigotry over and over. i understand the desire to run away from it all, and why it can be wish fulfilment for others to let katara do so. i really, really do.

but there is also wish fulfilment in letting katara fight, as a brown girl with power and resources that few brown girls in the real world hold. there is a power fantasy in seeing katara head into the belly of the beast and emerging triumphant. there is empowerment to be found in seeing katara struggle with racism and ignorance and mindless hate to enact change - and succeed. i love reading and writing about katara unpacking her trauma regarding the fire nation, about growing to love the place she once hated, about reconciling both her homes and healing from the wounds of her childhood.

and ultimately, i think that's what katara would want for herself. after throwing herself head first into the fight against the fire nation, after facing down her greatest trauma instead of letting it consume her, after helping and protecting the people of the fire nation, after refusing to let the fire nation take anything else from her - i firmly believe that the last thing katara would do is allow herself to be ruled by the fire nation instead of being the one ruling it.

personally, i find that a more hopeful and victorious narrative than one where she remains safe and sheltered away from the fire nation, but forever haunted and dictated by her trauma. would that be realistic? perhaps. but the entire point of foiling katara with characters like jet and hama is to show that she's not doomed to be mired in the pain of her past. that where their stories could only end in tragedy, hers can - and does - end in hope for something better, as she always believed it could.

#zutara #anti kataang #katara #katara meta #fire lady katara

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batmanisagatewaydrug · 14 days

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You seem like an incredibly well read person, plus someone with a lot of insight into intimacy because of your work. So, in light of your romance book reviews, which are an absolute highlight on your patreon, do you have any insight into what is needed/suggested for a good romance novel?

g o d this is so fucking hard and also really fun to chew on. I want to preface this by saying this is ENTIRELY subjective and based completely on what I *PERSONALLY* find that I enjoy in a romance. this isn't, like, an objective guide on how to write a romance that doesn't suck. that doesn't exist because people like different things, and I'm speaking from one perspective.

also I should say that my preferred flavor of romance novel is solidly contemporary. I haven't read many historicals, certainly not enough to opine well on them, I don't do those mafia dark romances or whatever the fuck, and I've barely dabbled at all in any kind of fantasy romance, whether they're full high fantasy or witchy urban fantasy stories. (although I'm about to do one of the latter next month, you can vote for a book on my patreon rn!)

having gotten all of those caveats out of the way, here's some shit I like and dislike:

there are exceptions to this but broadly, I prefer a POV for everyone involved in the relationship. to me a romance where we're only seeing events from the POV of one member of the relationship automatically makes it seem like one person matters more in a dynamic where everyone should be of equal importance. also, god, if the plot's really going to hinge on not knowing what's going on in one partner's head suggests that miscommunication is going to be a pretty critical part of the plot, and I hate that shit. TALK TO EACH OTHER. I'LL KILL YOU.

on that note, there needs to be an actual compelling reason why the characters can't be together, okay? the #1 driving tension of every romance is "why the fuck can't they be together yet" and you BETTER have a good answer. whether it's interpersonal or external forces, if there's a very easy solution to what's keeping them apart then your characters look dumb and I'm bored. one of the most frustrating romances I've ever read involved two characters who were mutually attracted to each from the JUMP, who refused to act on it because they were coworkers (neither of them in any position of authority of the other, nothing unprofessional or inappropriate about it) and they were "only" living in the same state for A YEAR. A FULL YEAR !!! shut up. get a grip and kiss each other.

now, having said that: whatever your bullshit reason is for these two characters to be interacting with each other, you need to COMMIT to that shit so hard that I, the reader, will feel silly for even questioning the logic. the worst offender I've ever seen on this front is D'Vaughn and Kris Plan a Wedding, which pulls its protagonists together via a reality TV competition and then just... promptly loses any interest in really dealing with the actual realities of being filmed 24/7? it's insanely distracting how little the book engages with its central hook, and was a huge point deduction for me. whereas you have, like, The Bride Test, a book with a premise that skirts dangerously close to a little bit of human trafficking but embraces the whole premise so wholeheartedly that you completely forget about the potentially horrific elements in there. who cares that Esme was bribed here with the promise of a green card if she seduces a man she's never met? there's whimsy happening! we've moved on! it's literally fine and she's in no danger except the danger of a BROKEN HEART.

this one is going to seem SO obvious but like. I need them to be actually like each other. I'm not saying they can't be mutually bitchy while they grow to like each other or anything, they don't have to always be NICE to each other, but there are so many M/F romances where the dude is just flat out fucking MEAN and condescending to the girl until he decides he wants to fuck her. and sometimes even after that! stop it! after a certain point I don't want her to fuck him I want her to run him over a car!!!! there's suuuuch a line between "guy I butt heads and exchange banter with but could fuck if we just got to know each other" and "man who hates me and is for real fucking bullying me."

"kisses only," "doors closed," whatever term they use for a romance novel without any sex scenes on page, I don't like it. listen: I know that they're not everybody's cup of tea, and I FULLY recognize that a lot of romance novel sex scenes are unfathomably cringe. and yet, I need them. partly because they're funny, but also because if this book wants me to be invested in the developing relationship between two adults who are supposed to be WILDLY sexually attracted to each other, then I want to see the damn sex. no matter how many bad similes or unfortunate adjectives it entails. and if you're not going to show me the sex, don't you dare have the characters gushing about how great it is. I'll be the judge of that, thank you very much. (I'm looking at you, Sorry, Bro.)

related: there's this thing that I call "Horny Wolf Syndrome," which is derived from this tweet:

initially I used it to refer to when previously sweet-tempered male romance protags inexplicably started talking like horny wovles during sex scenes - "LET ME SEE YOUR PRETTY CUNT ON MY COCK" and the like - but now I more generally use it to refer to scenarios in which characters of any gender completely dispense with their established personality while they fuck in order to fulfill a more broadly appealing, one-size-fits-all sexual fantasy. I hate that shit; if your characters act like completely unrecognizable people during sex, you didn't write very strong characters. one of my favorite things about writing sex scenes is that it's so SO interesting to see how their the characters' personal quirks translate into a setting that's very different from most other contexts, and it's deeply disappointing when authors take the easy route in favor of some pornhub dialogue.

one of the things that actually won my most recent read, Raiders of the Lost Heart, a HUGE amount of points with me was how frank the female lead was about initiating sex for the first time. it was completely in character for her and felt really different than any other book I've read, and honestly? it was a breath of fresh air.

#bookblr

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bloomeng · 5 months

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One thing I will never understand is why most mdzs fans are so pressed about Jin Guangyao. I understand disliking him if you’re a huge fan of the canon characters he’s hurt, but so many of the people who hate him are only here for wangxian. And like wtf did he do to wangxian? To me, his biggest offense is killing Nie Mingjue who was literally already dying. But if you see any discussion online from people who don’t like him it’s only about how he married his sister. And it drives me insane.

Lemme spell it out (I say arguing with the wall)

1) When he is introduced to Qin Su he has no idea and accepts the engagement because it's expected of him to marry.

2) His father is a horrible abusive man.

3) Jin Guangyao sleeps with her once for the sake of propriety before he knows.

4) He finds out right before the wedding meaning that calling it off would be suspicious.

5) If he called out his father the best that would happen is him getting thrown out and losing everything he’s worked towards and the worst is his father killing him and Qin Su and even maybe her mother.

6) He never touches her again.

Whether MXTX meant it or not Meng Yao’s struggle is a foil to Wei Wuxian’s. This idea of severe classism controlling who gets to survive and prosper in this world is integral to the story. Wei Wuxian is lucky because he happened to be brought into a sect due to connections he had before his birth. Meng Yao isn’t so lucky. His mother being a sex worker is crucial to his whole story. Because of his mother Meng Yao suffers from this anti-sexwork rhetoric and I don’t say this lightly but a lot of his struggles in life are rooted in the misogyny towards his mother. So when people pick on him for marrying his sister— something he was forced into— and mock him for it… it feels tone-deaf. It’s similar to the way real-life misogyny effects the way people hate Madame Yu, but that’s a whole other can of worms.

To be clear it is not misogynistic to dislike Jin Guangyao that would be a crazy thing to say. It’s the way people go about it. When factors of his birth, his mother, and classism, in general, get mixed in, is when the conversation goes sour.

Jin Guangyao’s actions are not excused because his life was hard but neither are Wei Wuxian’s. People get so wrapped up in the POV of the novel they forget it’s biased. If the story were from Jin Guangyao’s POV I bet people would not loathe him to this extent. Which is so frustrating. Blah Blah Blah reading comprehension buzzword.

#txt #mdzs #jin guangyao #mdzs jgy #jgy

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wisteria-lodge · 2 months

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What do you think about Molly Weasley?

I have a lot of thoughts about Molly Weasley. I think she’s a fantastic character, just not in the way that JKR intended.

I think the intention was to make Molly kind of a mama bear. Fiercely loving, fiercely protective, hot tempered… but you know. In a cute way. In a warm way. I do think that Movie!Molly threads this needle. (I also think that her bear-ears hairstyle is perhaps intentional.)

Movie!Molly gets her big duel with Bellatrix, she gets (reasonably) annoyed at the boys for stealing the car. Her only spicy moment is the Howler… which is softened and made more comedic by 1) including a nice message for Ginny at the end 2) including a tongue-sticking-out moment, which turns the whole thing into more of a joke on Molly. Now it’s your mom being kind of weird and embarrassing… versus her public shaming you, toxic tik-tok mom style. The Howler is much worse in the book: “I THOUGHT YOUR FATHER WOULD DIE OF SHAME, WE DIDN’T BRING YOU UP TO BEHAVE LIKE THIS.”

So let’s talk Book!Molly, because there’s a lot there. She’s a Prewett, growing up in a more *typical* pure blood family as opposed to being a “blood traitor” Weasley. (Cedrella Black was disowned for marrying a Weasley, Lucretia Black married a Prewett no problem.) Molly also married Arthur really young, and really quickly. It’s even lightly implied they married too quickly -

“I just think [Bill and Fleur] have hurried into this engagement, that’s all!” “They’ve known each other a year,” said Ron (...) “Well, that’s not very long! I know why it’s happened, of course. It’s all this uncertainty with You-Know-Who coming back, people think they might be dead tomorrow, so they’re rushing all sorts of decisions they’d normally take time over. It was the same last time he was powerful, people eloping left, right, and center —” “Including you and Dad,” said Ginny slyly. “Yes, well, your father and I were made for each other, what was the point in waiting?” said Mrs. Weasley.

There’s some psychological truth to that. (Also, Molly and Arthur were 100% hooking up while at Hogwarts:)

“[The Fat Lady] was here in my time,” said Mrs. Weasley. “She gave me such a telling off one night when I got back to the dormitory at four in the morning —” “What were you doing out of your dormitory at four in the morning?” said Bill, surveying his mother with amazement. Mrs. Weasley grinned, her eyes twinkling. “Your father and I had been for a nighttime stroll,” she said.

And the timeline’s too fuzzy to know for sure… but I wouldn’t be at all surprised if Molly getting pregnant with Bill was one of the reasons she and Arthur got married so fast.

It’s hard to say, because you never get a great sense of their relationship, but I’m actually not sure how compatible the two of them are, or if they would have gotten married at all if it hadn't been for the war and all these external factors. There is an ongoing conflict between them: Arthur is a political radical who seems to enjoy upsetting the Malfoys - he’s not playing nice, he doesn't have a prestigious job, he’s not getting a promotion anytime soon, and he’s fine with this. His interest in muggles is fringe counterculture stuff, and his hobby is illegal. And Molly… is pretty establishment. She wants her sons to be Head Boys and Prefects, and then she wants them to get jobs at the Ministry:

“Mum went mad at [Fred and George after finding their prank candy.] Told them they weren’t allowed to make any more of it, and burned all the order forms. . . . She’s furious at them anyway. They didn’t get as many O.W.L.s as she expected.” “And then there was this big row,” Ginny said, “because Mum wants them to go into the Ministry of Magic like Dad, and they told her all they want to do is open a joke shop.”

Like we hear about this interaction secondhand, which softens the emotion, but I’m sorry? Molly burned their order forms? She wants them to do jobs they very clearly have no aptitude for, instead of being entrepreneurs? Arthur sides with the twins, and of course he does. They’re anarchists just like he is. But it *really* bothers Molly, and this conflict just keeps coming up.

[sidenote. You cannot tell that Arthur Weasley, once he was in his late 20s/early 30s, once he had grown into himself a bit. Tell me that this man didn’t once think “you know, I really should have married a Muggle. That would’ve been perfect.”’]

But back to Molly Weasley, nee Prewett. She wants a big family, and there is no way this doesn't have something to do with the fact that both her brothers were just brutally killed. She’s trying to distract herself, fill some void, find some meaning. The fact that it doesn’t work (because how could it, she’s got just buckets of unprocessed trauma) is maybe why she is so set on having a girl. Maybe a little baby girl is what she needs.

In the main timeline of the book, Molly 100% needs enrichment. She needs to start breeding alpacas or join a book club or get a job. (Job could be cool, especially since she has no kids at home and money is an issue.) Like come on, Molly is intense, Type A, and powerful. Possibly one of the best duelists in the entire series. She takes out Voldemort’s number two, and Bellatrix has already defeated Sirius - incredibly talented and powerful in his own right. I do think that the reason JKR made this choice (instead of letting Neville have a confrontation with Bellatrix, which would have been more narratively straightforward) is because (whether consciously or unconsciously) she doesn’t like the idea of one of her good-guy GUY characters hurting a woman. So Molly defeats Bellatrix with magic mom powers, which is the same reason Narcissia can lie to Voldemort’s face I guess.

What Molly definitely does NOT need to be doing is obsessing about her kids' significant others. Like take Fleur. (Who I think we as readers were meant to dislike more than we actually did?) Fleur is great. So when Molly has a problem with her… then starts trying to matchmake Bill with Tonks… until Tonks (another fan favorite) also starts annoying her… it makes Molly looks really unreasonable. Also, let Bill have his long hair and earring.

She gets weird about Hermione in Book 4, after she believes Rita Skeeter’s write-up that she's some sort of temptress playing Harry and Krum off each other. Instead of, idk, asking Harry (who she thinks of as a surrogate son) she sends Hermione a passive-agressive comically undersized chocolate egg. Harry and Ron get huge ones. That’s not cute, or funny.

Also, Percy and Penelope Clearwater. I know the real-world reason Percy hides his relationship in Book 2 is so he can be a red herring acting all suspicious… but in universe, I guess Percy just wants to date someone without his mom being weird about it? Like Penelope Clearwater is nice and normal and fine. Why is he hiding this relationship?

Then there’s Molly the disciplinarian, which we mostly see in the context of Fred and George (although there is also Ron being public-shamed by the Howler.) She is constantly giving the twins a hard time about their life choices, their jokes. Ron says “I remember Mum walloping Fred with her broomstick." Then yeah, she burns their order forms. She does feel bad about this later, and after the whole thing at the Quidditch World Cup hugs them and says, “What if You-Know-Who had got you, and the last thing I ever said to you was that you didn’t get enough O.W.L.s?” It’s meant to be a sweet moment, but this would annoy me just a little. It’s a little like saying, “I’m glad I don’t have to think of myself as being a bad mother.”

I also want to point out Molly's pretty clear favoritism. Fred and George are the problem children, Ginny is the baby (although we almost never see her and her mother interact, so it’s actually very hard to say what their relationship is like), and Percy is the golden child. We see how this sort of sets him apart from all his siblings, how he's described as pompous and full of himself, but also how he’s secretive and hides things from his family. It’s kind of precarious being the golden child, and when he finally does stop pleasing his mother he falls hard. (Although I will always be a big believer in Daddy Issues!Percy. That has to be why he commits that hard to Barty Crouch Sr that fast, and then ignores that many red flags.)

And of course Ron is the invisible child. Almost the first thing we hear him say is, “She always forgets I don’t like corned beef.” That one can slide. Molly’s got five kids at home, she made corn beef sandwiches, not everyone is going to be equally happy. But Ron’s clothes. Molly makes her own clothes, she's defined by her facility with household magic. She knits Ron sweaters... but at least two of them are maroon despite the fact that Ron hates maroon. His room is plastered top to bottom in bright orange Chudley Cannons merch. She couldn’t make him an orange sweater? There’s also the issue with the dress robes. Ron clearly doesn’t like them (“Mum, you’ve given me Ginny’s new dress.”) But he is the one who cuts off the lace trim later, and he doesn’t do an amazing job. I know that it's a joke, but like. That sounds like a job for Molly.

We do get Horcrux!Hermione telling Ron that he is the “Least loved, always, by the mother who craved a daughter,” so this idea of Molly picking favorites is *kind of* in the text. But Horcrux!Hermione is wrong about Harry/Hermione being a thing, so maybe we’re meant to read this as Ron’s baseless anxiety? It doesn’t feel like that though. What it actually feels like is an unresolved plot thread.

So here’s my take on Molly Weasley. This is someone who is pretty high-powered, who suffered a period of emotional upheaval, then got married and started having kids because she kind of thought that was what you do - and it wasn’t as fulfilling as she thought it would be. I think a lot of her comments come off as *meaner* than JKR intended, because let’s face it - JKR has a kind of mean sense of humor. And if I want to speculate further… I think there are quite a few parallels between Molly Weasley and JKR. I don't think she put them there consciously.

#jkr critical #anti jkr #molly weasley #molly weasley meta #hp #literary analysis

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