#it's the unlikely version but also the hilarious version

[manwiththemagic]

The writers of s11 were cowards. If IIIIIIIIIII was in charge I'd made Lucifer's weird obsession with Sam show up more. Like the writers have very obviously included it and yet when Lucifer is processing the same vessel as cas, and therefore pretending to be cas, he just fucks off and tortures Crowley with fucked up bdsm pet play.

Like the few times casifer and Sam interacted were GOLD. because Sam sees it as his best friend cas, and Lucifer (who keeps talking about Sam like they're toxic ex's) is pretending to be him!! Although not to well. Like his freaky smirk when sending Dean into the past and coming back to harass Sam? Dude lives off of sadistic pleasure.

The way he full on LAUGHS when Sam says he trusts him bc Sam thinks it's cas?? Like gold!?!? Don't know why the writers didn't do more with that.

Also why not do more with the 'lucifer sent Sam visions to get him down to hell'. Like Lucifer is Obsessed w/ sam because that body/vessel is "supposed to be" his. And yet after revealing himself he doesn't try and convince Sam anymore?

He's just given up? Like nah man I don't believe that. I feel like he woulda fucked with Sam more in cas' body. And like it woulda been a way better not-romance-romance plot then whatever the fuck Dean and Amara were..

Like that came outta no where... I mean I get it.. but ew?? We saw her grow up, and maybe id argue "well there were two versions of her!! One physical on earth, the other her actual form and memories as a celestial being!!" BUT NO. SHE CALLS CROWLEY UNCLE CROWLEY.

cause he like raised her for a day or wtv..

Idk s11 is better than s10. Like the episode from baby's prospective?? PEAK CINEMAAAA!! also not that I dislike s11, no I quite love it, I just wish the dean plots were more fleshed out, and that it was more "Dean and Sam vs the world!!" Then Dean vs Sam yk??

Like where's my dynamic duo??

That's part of why I didn't like s10. Like no I loved the IDEA of Mark of Cain dean, and demon dean was hilarious (although I HATE him) but it was just Dean vs Sam, Dean vs cas, Dean vs the world. And idk I liked the idea, cause this time it was sam doing everything to save Dean, but man I just didn't like the fighting..

Also s11 had a mention of TMNT, S10 did not so... points!!

S1 and 2 of spn were peak ofc, and s3 was good but not really memorable for me?? Idk I'll go back and rewatch once I finish the series (just finished s11)

S4 and 5 were also really good, we got Castiel who is peak, blood junkie Sam, which was one of my favorite plots!! And of course a lot more bobby. Rest in peace king!

And unlike some I loveeeed s6-7 like.. the soulless plot, and death? Dean dealing with soulless sam?? Chefs kiss I mean mwah. Then Sam tweaking because of hallucinations. NOT TO MENTION GODSTIEL?? loved him sm stg.

8-9-10 is where it kinda fell off. I mean idk the leviathans?? Weak. Hated them ngl. Idk if they were s7 but either way.. mid. I didn't like purgatory bc no way Sam would do that?? But I did like how it developed deans character..

I don't remember what happened in what season but I lovedddd kevin, hated metatron (but in the "it's because he's well done" kinda way), the tablets were aight, Mark of Cain was uh... something.. (I hate demon dean but he was peak..)

So like idk.. show is peak though, I'm just at that point in the hyperfixtion where it's like "BUT I COULD DO IT BETTER!!" ykwim?? NVM I'm sick with a fever, supernatural is all I have going for me man.

[lolth3]

its so important to me that everyone knows that this iconic gif

is not only from wildy popular and successful australian tv comedy Kath & Kim

But if, like me, you hadn't watched the show in years and only remembered it through the hazy fog of being a child in the 2000s, this moment of history is from the first episode

[arceespinkgun]

One thing I really love about the UK Marvel continuity is how it handled Decepticon leadership. All of the leaders were so unique and well-defined characters! There are so many civil wars among the Decepticons that I actually lost count. I think they each show different aspects of Decepticon culture, too. In this post I wanted to showcase the leaders and discuss why I really enjoyed the way they were portrayed!

Megatron: used to be the equivalent of an Olympic athlete. Started the War by preying on political unrest caused by preexisting tensions between the city-states, an aging Autobot council who wouldn't listen to their one radical voice (Emirate Xaaron), and a lack of resources. He started the War with a plan to equip giant engines to Cybertron to pilot it around the universe to conquer other planets lol Megatron is a dictatorial strongman at heart, and his major trait seems to be his indomitable will. No matter who tries to brainwash him or how embarrassed he ought to be by his defeats and stupid mistakes, he keeps going shamelessly.

Shockwave: used to be the ruler of Tarn, and constantly tries to take leadership from Megatron, probably missing the control he had over his city-state. Has a brains vs. brawn dynamic with Megatron, but tends to get extremely frazzled when things don't go his way and don't follow his twisted, self-serving idea of what logic is. However, that doesn't mean he doesn't emote.

Starscream: used to be a figurehead dictator of Vos. Generally tries to backstab whoever's in power, which is probably informed by the fact that he wasn't #1 in his own city-state back before the War. Also, props to Starscream for killing more people than Unicron (the majority get repaired, but still)! Something I find interesting is that Megatron preyed on the war between Vos and Tarn, but usually Starscream and Shockwave work well together in present-day, which suggests the whole war thing was entirely about power and not personal. They're both also ultimately cowards out for themselves.

Soundwave frames Wild Rider when, of course, Soundwave had been the real traitor the whole time

Soundwave: this continuity has such a good version of Soundwave... unlike Starscream, whose treacherous actions are big and loud, Soundwave's treachery is quiet. He serves under nearly every leader and never faces the consequences of blackmailing and betraying any of them, until eventually he is left as the ultimate leader in at least one future timeline. He is such a snake!

Straxus: initially was the leader of the Decepticons while Megatron was on Earth. Despite only being leader for a short time, he leaves a lasting impression with his absolute brutality in the way he melts POWs down to make ingots, beats his own soldiers, and is obsessed with taking over Megatron's body. He also has lasting impacts on the story overall because the identity of Megatron becomes questionable due to Straxus's attempts to subjugate his mind with his own.

Ratbat: originally kinda like Straxus's Laserbeak, Ratbat takes over and becomes one of the most intelligent leaders! He used to be an auditor and his entire philosophy surrounds being as energy-efficient as possible. He even gives Shockwave a negative performance review LMAO Interestingly, he's positioned almost as more of an enemy to the Witwicky family than to the Autobots at times. He also likes to use his own enemies as test subjects and slaves. Eventually, though, his string of successes leads to him being too arrogant for his own good.

Scorponok: wow, I don't even know where to begin. Introduced as the archenemy of Fortress Maximus, he becomes a Headmaster commander by teaming up with the evil Nebulan politician, Zarak. Scorponok begins as a complete mess, with hilariously idiotic plans like using bubbles against his enemies or humiliating the Autobots by having his soldiers defeat them in wrestling matches... and on Earth, he and his soldiers live in a dump. Literally, they live in a dump. He also has more truces than battles with Optimus Prime as he comes to know him, never having seen him until Earth. But Scorponok's ineffectual villainy and eagerness to team up with the Autobots actually leads up to something, as it becomes clear that he actually wants what's best for all transformers but needed to be inspired by Optimus Prime's compassion and support to become confident enough to risk losing the Decepticons' respect and aim for peace. Scorponok (and Optimus) show the strength that lies in choosing to give up conflict and try for peace. In some ways, Scorponok is more like Optimus Prime than Optimus is in this continuity!

Thunderwing: really fascinating. At first he kinda comes across like a generic distillation of what a Decepticon leader is, with all the traits you'd expect of one, and he even takes a test to become one... not the norm given that it's usually backstabbing and civil war that decides who comes out on top. He also thinks he fails the test because he gets distracted by revenge, but then he passes because that proves he's a true Decepticon!!! It's Thunderwing's relationship with the Matrix that is especially interesting. He's obsessed with it, but it's the Matrix's own desire to have new experiences that's corrupting his mind and eventually possesses him. Thunderwing is actually honorable and it's his goodness that allows him to temporarily fight back against it. By current TF standards, Thunderwing would actually be a Prime, since he opened the Matrix, but the Matrix isn't benevolent here. It's more like a little kid that wants to learn by acting out, and Thunderwing is a casualty of that.

Decepticon leaders don't look like this anymore!

Megadeath: the reason Thunderwing is like That™️, and the reason five specific prominent Autobots are the way they are. I mention him because he only appears in a single story in one of the annuals, yet his actions were so unspeakably horrible (the Autobots he traumatized certainly thought so) that he's one of the most sadistic Decepticon leaders ever.

Galvatron: such a multi-faceted and cool villain, that I already made a whole post about him! Notable for his cunning, his fears, and the fact that he was made from at the very least both Megatron and Straxus.

Bludgeon: introduced as part of the Mayhem Attack Squad, which is the Decepticon equivalent of the Wreckers. Specifically, he's introduced hunting down former Mayhems for fraternizing with Wreckers! Bludgeon hates the possibility of peace and loves war, to a religious degree. He thinks he believes in honor, but to be honest, he really doesn't. He's also incredibly fake in that he will pretend to be all for peace just long enough for the Autobots to let their guards down. I'm impressed by how much I love to hate this character given how short Bludgeon's time on-panel was.

There are a few other minor ones that appear as well, so there are even more! I'd like to say that while it probably shouldn't be given that this was like... the first continuity ever, as a fan who became introduced to TF during the Aligned continuity, the way the Marvel UK stories approach Decepticon leadership is so refreshing.

One reason is that Megatron is not portrayed as special just by nature of being Megatron. Yes, he started the War and founded the Decepticons, but he's not given more respect from his troops or his enemies automatically, and he gets his shit rocked constantly. Shockwave's intro was to immediately beat him up and take over, and Megatron embarrasses himself constantly. That's not to say that Megatron isn't worthy of being a Decepticon leader, no—but it means he's often shown clawing his way back up and constantly battling legitimate threats to his position. As a fan, it made me respect him a lot more.

Another thing I appreciate is the way the Decepticons are humanized. There are a lot of blatantly evil ones, but there also many of them who have a sense of honor and goodness, and it's clear that both many Decepticons and Autobots feel stuck and don't even remember why the War started at this point. And even the Decepticons who lack compassion or honor have very understandable struggles, such as facing trauma and trying to overcome it.

Along with the above point is the way the story of Scorponok is handled. I love that Scorponok is a Decepticon leader who always secretly held values that align with Autobot values, but then he ended up stuck in this bloodthirsty culture and endless conflict where he felt like he couldn't do anything, and I love how this is slowly foreshadowed throughout the comic. His friendship with Optimus is also excellent. I really enjoyed how they didn't meet until Earth and slowly became friends as they continually teamed up against greater threats. I appreciate that the Decepticon leader who's best friends with Optimus isn't like... Megatron, who started the War. I feel like a lot of newer continuities make the War center on the falling-out of two friends, which I think is a ridiculous way to handle the conflict.

Speaking of Megatron and Optimus, I appreciate how this continuity just doesn't have a lot of the dynamics that are typically present regarding these Decepticons. Megatron and Optimus are definitely each other's oldest enemy, but their conflict is de-centered in the narrative and they never had a falling-out. Instead, they always disliked each other from before the War. It's actually Shockwave who becomes the nemesis of both Optimus and Megatron for many issues! A lot of Optimus's deepest trauma was inflicted by Shockwave. Also, Megatron and Starscream still have a conflict, but that conflict is rarely present. Starscream causes problems for everyone and is mainly linked to Shockwave for a long time. And as I said before, it's Optimus and Scorponok who become friends.

I think a lot of the approaches this continuity took with the Decepticons should be used in the future!

[partycatty]

dilf!johnny cage > to heal

how it goes when reader dates older johnny following the loss of sonya

warnings: grief, age gap, mentions of sex but no smut written

notes: i want to gnaw on dilf johnny until he is nothing but bones. it is for that reason that this post is LONG. yappasaurus rex over here.

masterlist <3

•first of all mk11 was so bad at covering the grief of a man losing the mother of his child

•then again that also implicates that johnny is really, really good at hiding his emotions, especially around the people he's meant to be stoic around. i wouldn't necessarily cry in front of a thunder god or cryomancer either. and i'd try to keep it together for my kid.

•regardless, johnny falls into a deep, DEEP depression that eats away at him. he should have been there on that mission. he should've canceled that ninja mime shooting and spent one more day with his family before it was completely wrecked. and he'll tell himself this every time he looks at cassie's empty eyes. he stays sober, for her, but god does he wish he could just feel nothing sometimes.

•johnny stays smiles and jokes, but as soon as he closes the door to his sleeping quarters, all he can do is blankly stare ahead. damn him and his acting skills. he wants people to check up on him, but it's just so... hard to express his pain.

•some time passes and he considers himself recovered, but every time he sees his daughter excel in training or lips smile in the way sonya's did... god.

•imagine his surprise when his own daughter asks him to get back into the dating scene. cassie says something along the lines of "you're a sad old fart that needs a woman to get him off of the couch."

•cassie's right, unfortunately. johnny let his stubble grow in and hair grow increasingly wild. he didn't carry himself as well as he once did, which was especially worrying to those who saw him as the confident, sharp, charismatic character.

•johnny declines to his daughter, finding the conversation kind of off-putting. but, on a late tuesday, he decides "fuck it" and sets up a bumble profile while sitting on the classic leather dad recliner in the living room. the one thing he forgot to do? set an age range.

•so he's a little taken aback when a 29 year old you is the third person he swiped to. instinctively, he thought to swipe left on you, but curiosity got the better of him. he read your profile and realized you sounded incredibly mature and had the same interests as him. covering his mouth and holding his phone with the other, he swipes... right, feeling an immediate intense guilt.

•he doubted you'd match with him, but as soon as he swipes, a big "IT'S A MATCH!" covers his phone screen and he lets out an audible gasp, tightening his grip on his face. he then gets a twinge of embarrassment for himself. was he seriously flipping his shit over his first match on a mobile dating app? yes.

•johnny spends a good long while staring at the screen, wondering if you'd even message him. after all, men couldn't message first on the app. what if she thinks he's too old? what if it was an accidental swipe? what if...

•NEW MESSAGE! "hiii :)" johnny swallows, afraid to open the message. what would he say? what should he say? does bumble have read receipts? would you notice he opened your message and stared for several minutes?

•he settles on "hello, how are you?" it's been a while since he's had to genuinely flirt with interest, so he opens cordially. johnny was a charmer for sure, but this time he was playing for keeps, not just for fun. he also, unlike his younger version he met some time ago, wants to take his time.

•you two chat back and forth, and while you acknowledge to him that he is indeed a celebrity (and how hilariously stupid it was that he was on a public dating site), you express no real concern over it. you mention to him that you want to see him as a man and not a character. the deeper conversation of dealing with the spotlight could come another time, as johnny didn't want to scare you away.

•you two text for a lot longer than most matches on bumble. johnny's honestly terrified of meeting up in person. he wants to be so incredibly sure that it's you he wants to meet up with. he forgot to keep swiping, even. he was so fixated on getting to know you. he felt weird talking to multiple women on the app, since he was so used to married life.

•he can't bring himself to ask you on a real date, so you two settle on a friendly coffee chat. he shaves, gets a trim, and for the first time in a long time, stresses about wearing the right things. he even calls cassie and asks if he should wear shirt A or shirt B, but was very keen on redacting your age from the conversation. that was something he was afraid to disclose to her.

•what was this man so afraid of?? you are a SWEETHEART. you're so incredibly mature, have more "vintage" interests and asked so many questions, leaning in to listen. johnny didn't feel the need to perform, in fact, he found himself... with butterflies. he death-gripped his coffee to hide the fact that his fingers were trembling.

•one coffee chat turns into two, and then three, four, and eventually, he feels okay enough to plan a real date. his heart was swelling with excitement, a new warmth in his chest. you were so effortlessly patient and kind with him, never asking for anything of him besides his time.

•he plans a dinner date, squeezing you two into a lavish restaurant that he wouldn't have been able to get into if he wasn't a celebrity. he didn't want to overwhelm you with his money and fame, but god did he want to do this right. even though the topic of money was something you never thought to consider with him, he still wanted to show off at least a little bit. it's just in his character!

•there, he starts to come out of his shell a bit more. he starts flirting back, and you two hold hands across the table, intense eye contact as you converse freely.

•johnny takes a sip of his drink, looking down. but when he looks back up, he notices you admiring him with your sweet young eyes. and it's here that he realizes just how much you've revitalized him. he springs out of bed with a smile. you're the last thought in his mind before he falls asleep. when he is with cassie, he can't stop thinking about how much you two would get along.

•which, by the way, johnny is so incredibly sure to remind you that he has a daughter that's your age. you pause and think, trying to articulate your thoughts on the awkward circumstance.

•"i understand that it may be a little uncomfortable for her and the last thing i want is to drive a wedge between you and your daughter. you speak highly of her and i deeply admire that. i perfectly understand that she comes before me."

•johnny stops himself from tearing up. you're... just so kind. you're perfect.

•after the ninth date, he decides that he's ready to go back to your place. it's a quaint apartment, and it's there that you both make the conscious decision to have sex.

•it's slow and sweet, he's murmuring praises into your bare skin as he takes his time exploring a new body. older johnny takes his time with sex unlike his younger days. he needs to appreciate your beauty, complimenting every feature on your body. you're so divine.

•"such a pretty girl..." he whisper-groans above you, strong hands holding your hips in place with a passionate firmness.

•over the next couple months, he's still working toward officially calling you his girlfriend. a new partner in his life scares him, even if you make all of that tension disappear when you're around. it's just a lot to ask of a man to take that new step again.

•biting the bullet, he asks you at your doorstep holding a cheesily large bouquet, having to glance over it to get a proper look at you. you smile sweetly, nodding and immediately accepting in that gentle voice. you knew how much this meant to him to make things official.

•cassie eventually gets the chance to meet you, as her father brings you along to a holiday party with the family. it's... it's a little weird, she won't lie. i mean, it's just weird in general to see your dad with someone that isn't your mom. that's something that naturally needs time to adjust to. and your age isn't something she can avoid discussing.

•she doesn't hate you. she actually finds you quite enjoyable to be around! she's just a little uneasy that you're her age. but, after a long, long talk full of tears and reassuring words, cassie realizes she can learn to accept you being with her dad. i mean, she sees what you do to him.

•that sparkle in his puppy-dog brown eyes is back, and he just can't stop being engulfed by your presence. a hand is always on the small of your back, a grin always plastered on his face, and eyes are always locked onto you when you're doing the most mundane of tasks. he's chirpier, and people even joke that he seems as active as he was in his younger years. you got the old man's rusty gears turnin'!

•he loves you. he didn't realize he could do that again.

[polarspaz]

Rebooting/tweaking the Shattered AU!

So the Joker kidnap's Tim and tries to twist the young man into a reflection of himself. For half month Tim endures constant torture while being jacked up on Joker Toxin. It's unlike anything Tim has experienced, he's in agony and wants it to stop, but at the same time, he would rather die than let the Joker know anything.

And thus JJ is born. JJ can handle pain, in fact he finds it absolutely hilarious! He plays along with Joker, takes on his mannerisms and lethality, but in reality, JJ HATES the Joker. With every single, tiny, microscopic, fiber of his being.

So when the Joker finally presents JJ to a horrified Batfamily, he is completely unprepared for JJ’s frenzied lunge for him instead. Laughing manically, JJ manages to tear out one of Joker's eyes and stab him several times in the chest, before Dick and Jason can pull him off. Batman manages to stabilize Joker, saving his life, but JJ is not happy.

"I'm already broken Batsy!" JJ screams as he jerks against his brothers' hold on him against the ground. "Just let me KILL HIM! LET.ME.KILL.HIM!"

JJ/Tim know they are fucked up for life. There is no going back from this, so they feel they are expendable. Batman can never go against his code and JJ/Tim accept this, so to keep Bruce's hands clean, JJ will will dirty his hands instead.

So after this, every time Joker escapes Arkham, Tim has to be literally locked away. If they don't, JJ will escape and try to kill the Joker. Kon comes in with a solution and offers to take Tim with him to the Kent farm until the affair is over. With both the distances and Kon's TK, he's able to help Tim keep JJ under control. ((It also helps that Tim adores Kon and would never hurt him, thus JJ would never hurt Kon.))

Tim is in control most of the time, but JJ tends to come out when things get too intense, or life threatening. JJ is a big part of Tim's survival instinct, without him, Tim would just give up and die. So when Tim is faced with extreme pain, JJ will take over and end the situation as quickly as possible.

JJ likes Batman and the rest of the Batfamily but he also loves creeping them out. He’s a bit vindicated and brutally honest, but he will also do ANYTHING to save his family and friends, although it will be violent and horrifying.

((Tim takes on the new hero persona of Shrike. More experienced villans like, Two-Face and Penguin, handle Tim more cautiously now. They know how dangerous and unpredictable Joker can be, so pissing off a mini version of him is not good idea.))

((Two-face actually develops a fascination with Shrike, seeing how the other is also suffering from split personality disorder, but unlike him, Shrike seems to be in balance. Meanwhile Ra's Al Ghoul is planning for a way to twist Tim/JJ even, smooth the edges so to speak, take the insanity out, but keep the deadly edge in.))

[mwoolf-art]

LOVE IS WAR HEADCANONS

Kabru x Reader

Headcanons until this somehow turns into a full-blown fic because the premise is hilarious.

Honestly, if this man was in a romcom it would be the love mental warfare one.

That being said...

First, you fall in love.

Then you confess it.

Ask anyone and they will say this is a wonderful thing.

But they are so very wrong.

LOVE IS WAR, whoever gives their heart first will be conquered.

Or so you two think.

-You two happened to be in the same class in university, both of you from different programs.

-You had known Kabru, the charming and gifted adopted kid of a reclusive woman, everyone on campus fawned over him but not you, he would never be able to make you fall for him.

-However if he were to ask you out you'd probably entertain the idea.

-He had known of you, you were top of the class and a hard worker. Your position was earned and many people thought highly of you for that.

-Unlike them however he was not in love with you, but if you were to give him your entire heart, soul and mind to him he'd probably entertain the idea.

-Of course, you'd/he'd come around and confess your/his infinite and undying love and devotion to him/you...

-It was just a matter of time....

-And just like that, half a semester had gone by with no progress from either side.

-So it was time for you/him to take matter into your/his own hands.

-Honestly, I was conflicted on whether Kabru would be more like Shirogane, but really? He's like Kaguya in this case. (Congrats on the Shirogane role by the way, you are not broke like Miyuki though.)

-He may not be as wealthy as Kaguya but he definitely has the cunning and smarts to try to put you in a situation where you are bound to confess to him.

-You on the other hand can tell he's up to something and probably known him well enough at this point to know he's plotting something and you are too stubborn and prideful to fall for his schemes.

-But you also have a tendency to take advantage of a situation and try to make him be the one cornered and be forced to confess to you.

-It's a constant battle of wits between both of you that hardly anyone can tell it's going on, because honestly who would imagine something that ridiculous is going on?

-He tried to get you to go on a date by hiding coupons under your desk and have you ask him out.

-But if you did that it would mean accepting you want to spend time with him and if you want to spend time with him it would mean you like him and doing that it would be like confessing-

-Yeah, no you are not falling for that. So you decide to make the best evasive maneuver you could convey...

-You asked Rin if she wanted to go to a cafe with you so you can both get some studying done.

-Kabru lost that one.

-Then there was the time it started raining out of nowhere, you knew Kabru would have an umbrella at the ready for something like this so you pretended you didn't have one

-At the same time he said he didn't have one, he was bluffing and you knew it but he also knew you were lying.

-So you two spend a long time "arguing" (more like trying to prove) about who was lying and who was telling the truth.

-Just when he was about to corner you into admitting you did have an umbrella and just wanted to walk with him while sharing one...

-Laios came from behind the two of you, gave you his umbrella and ran away using his own jacket as a shield.

-You two were dumbfounded and in a way you both lost and won that time.

-The mental gymnastics you both come up with to evade admitting you love the other are amazing...

-After all confessing would mean opening your heart and be vulnerable and neither of you were about to do that.

-It is easier to just make the other kneel and say the thing or at least that's what you both think

-You don't want him to know how much effort you put into everything you do and how much failure you have to go through for things to be perfect.

-He doesn't want you to see the worst version of him and make you run away the second you take a glimpse of that.

Love is war.

And you won't lose this war.

You will conquer and make him admit his love for you./ He will conquer and make you admit your love for him.

It all depends on who is smarter.

-------------

IF I GET ENCOURAGED I WILL FOR REAL MAKE A FIC THESE ARE JUST THINGS I NEED TO GET OUT OF MY MIND NOW BACK TO WORK ON THAT PART 2.

[vidavalor]

Ok fine, I brought milk and chocolate chip cookies this time 🥛 🍪 and also some eggs from my lovely chickens! 🐓 🥚

I hope you accept this apology, and I’ll try my best to behave 😜

So, I wonder how you interpret 1.03 where, just before the flood, one of the unicorns makes a run for it and Crawley says ‘you still got one of them’? Some people seem to believe this means she didn’t understand the process of procreation (at the time). Do you have any thoughts on that?

Please don't behave. Why would you want to do that? Would make this all very boring lol. 😂 Thank you for the very fun ask. I love this question.💕

I think the scene you're talking about is more than a funny aside about whether or not Crowley had finished reading Demon's Guide to Reproduction of Beings on Earth yet... and that might not be the question the scene is really asking. I think it also has a ton to do with the Final Fifteen of 2.06, too, so *slices pie* let's get into the unicorns and the professional midwife/cobbler and what, imo, these two moments have to do with one another:

In S1, in the scene set just before the beginning of The Flood, we have two questions emerge from Crowley's dialogue, both of which are then picked up again in S2. One is what Crowley meant by "kids" when he said "you can't kill kids" after looking at a group containing both small goats and children. The second question is the one you're talking about, which is whether or not he understood at the time how human reproduction works. The question is born out of the fact that, on the surface, he might appear to not exactly be grasping the concept of Noah's Ark when he says that Shem's "still got one of them" after one of the pair of unicorns takes off and doesn't get on the boat. Both things show back up together again in S2 in the Job minisode and that sort of continuation of story, in a way, might suggest that there's going to be a third layer to this that emerges in S3 as well. I think, though, that we might have enough to look at some potential answers already.

While the "kids" bit is, essentially, answered and was always more of a language joke anyway-- Crowley wishes to kill no kids, be them goats or humans-- the fact that this question returned in S2 and was tied once again with a plot centered around sex and reproduction shows that the questions raised in The Flood scene in S1 are interrelated and pretty important overall. The entire Job plot ultimately comes down to who knows what about human reproduction. Saving the kids comes down to fooling Gabriel and fooling Gabriel can only be done because Gabriel, at least at the time, did not have the first clue how human reproduction normally works. He had only seen this one, initial, very atypical version of it that has basically never happened since and because he didn't spend time on Earth at that point in the story, he didn't know he had it all wrong. This whole story is built around what someone's understanding of reproduction of another species is and it isn't Crowley who doesn't know how it all works by 2500 B.C., it's Gabriel. But what does this have to do with The Flood and Crowley and the unicorns?

In the Job minisode, we are told that Gabriel was in The Garden at the start of it and witnessed Eve's birth from Adam's rib. We find this hilarious because we know that this isn't how sex works and this time, in this scene, Crowley is more than in on the joke with us. What makes the scene funny is actually Crowley's knowledge in it of how human sex and reproduction work. Unlike Gabriel, he wasn't there for Eve's super-weird birth and so he's visibly trying not to be like what the actual fuck? this is how Eve was made? at Aziraphale as Aziraphale's gestures lead Crowley to telling Sitis to pull out one of Job's ribs-- absolutely not a feature of any sex Crowley has ever had or seen. Aziraphale then is flirting with a Crowley who totally gets the joke when Sitis pulls the ox ribs "out" of Job. It's very evident between this scene and the prior night in the cellar that, circa 2500 B.C. at least, Crowley absolutely knew how human sex and reproduction worked.

The key bit here to understanding what Crowley was saying about the unicorns back during The Flood is actually in the reminder in the Job minisode about The Garden that the minisode gives us through making the plot equally about what Gabriel saw in The Garden-- Eve's weird conception and birth-- but also about what Gabriel didn't see-- Adam and Eve have more human-typical sex-- which is something that Crowley set into motion and then something that he and Aziraphale both witnessed.

By bringing up how Gabriel doesn't know what human sex and reproduction normally look like because of what he saw (and missed) in The Garden of Eden, the show is also reminding us that, after Gabriel left, Crowley was sent up into The Garden and tempted Eve into eating the apple. Eve then shared the apple with Adam. Adam and Eve figured out sex not long after that, during a period of time in which both Aziraphale and Crowley were also in The Garden and Eve's pregnancy was one of Aziraphale's motivations for giving them his flaming sword.

Mah point is that Crowley absolutely knew about sex and sexual reproduction during The Flood because Crowley and Aziraphale essentially watched the first humans have sex on Earth in The Garden of Eden.

The show also has about a half-dozen jokes about Anthony J. "Can I watchchch?" Crowley's voyeuristic tendencies and roots some of it to the fact that he's the Serpent of Eden and gets off on watching his temptation labors bear fruit. (It's been a long day. I have earned that joke😂). Ya know, such as:

This whole unicorn and sex thing is also part of the Job minisode by way of the ox ribs, further making it all kind of part of the same story. The inclusion of unicorns in ancient history in GO feels like a nod to the re'em, an animal mentioned a few times in The Bible (including in The Book of Job), which has been frequently translated as "unicorn" and is part of the origin for from where our idea of unicorns comes in the first place. The same word has been translated as meaning other animals-- among them? The wild ox.

Making things even more interesting is unicorn lore. The unicorn was said to be a wild, secretive creature who lived in the forest and who could only ever be captured and tamed by a virgin maiden. Aziraphale, in 2500 B.C., is shown to not eat or drink before the night in the cellar began so odds are also good on the food-and-alcohol = sex show that Aziraphale definitely qualified as a virgin maiden when he went to absolute town on those ox ribs. Anyway...

...what I'm saying here is that it feels extremely unlikely that, by the time of The Flood in 3,004 B.C., that Crowley didn't know how human sex and reproduction worked when he saw it play out in The Garden. Other than Eve's speedy stages of pregnancy meant to get the ball rolling on humanity, Adam and Eve's sex was typical of humans. So, Crowley knew about sex and sexual reproduction when he made the comment about the unicorns... but then how does that make sense, right?

In order to think that Crowley didn't know how reproduction works during The Flood scene we've seen, you would have to assume two things are true: 1) that unicorns reproduce via sexual reproduction and 2) that unicorns went extinct as a result of one of them making a run for it and not making it onto Noah's Ark, right?

The thing is... the show might be subtly trying to show that unicorns do still exist in GO. But before you say 'but, Vida, seriously?! We've never seen an unicorn after The Flood!', I'm going to argue that maybe we actually have one as a major supporting character and this S2 scene might be hinting in that direction:

The parallel to the "Oi, Shem!" scene is Nina-as-Crowley telling Aziraphale-as-Shem that that unicorn (The Bentley) is running of its own accord. Unicorns are magical beings. How magical beings present, as God pointed out in S1, is up to them. Human forms are just one option, right? I don't know exactly where this is going but this bit in S2 was a direct tie to The Flood's unicorn moment and it would explain a thing or two about Chitty Chitty Bang Bang if it were somehow tied to the unicorns. Can Crowley actually make them, the way Beez can make flies? Can Aziraphale? We really have no idea how the unicorn thing works in GO so we can't really use it as an example that Crowley didn't know about sex when it's more that we don't know about unicorns...

The unicorn that we saw during The Flood tracked with what we think of as the mythical being of an unicorn in our real world so we could make the assumption that some of the same aspects of them are/were true in GO. Unicorns are magical horse/donkey-like beings (which couldn't possibly be more Crowley and Aziraphale if it tried.) They are few and far between, are hard to spot and mostly keep to themselves. Human beings have no real actual proof that they ever existed in the first place and generally consider them mythical beings but Good Omens shows us that they at least did exist in GO ancient times-- and might still. In modern times, unicorns have become a LGBTQIA+ symbol and, for that reason and that reason alone, it seems unlikely that they actually went extinct in the world of *Good Omens*...

So, let's presume that Crowley said the existence of unicorns would continue even if Shem only had one of them on Noah's Ark because he knows that unicorns are not like other beings on Earth. Think about what else Crowley is then saying here with this line to Shem:

Noah's Ark, to us, is a story about continuing the existence of life for beings on Earth, right? It's about pairs, about mates, for the purpose of continuing species on earth via sexual reproduction. That's why we consider what Crowley's saying in this moment of this scene through the lens of it being entirely about sexual reproduction. When it comes to the unicorns, though, you could argue that Crowley is not actually talking about reproduction but about romance. We don't actually know how unicorns work-- but Crowley does.

What Crowley is actually telling us in this scene is that paired unicorns can survive the death of one of them because they're a part of each other. What Crowley is actually saying is that the pair of mated unicorns in the scene are two beings who share a single existence.

You couldn't permanently kill one of a pair of unicorns without killing both of them. So long as one of them still exists, they both do.

One unicorn could make a run for it for any reason and bolt away from his mate and die in the storm but Crowley knew the bolting unicorn was a part of the one that Shem got on the boat and so could be brought back.

In S2, we see something like this with other magical beings-- Ineffable Bureaucracy.

Oi, Shem, that purple-eyed unicorn's gonna make a run for it...

It's too late, too late...

Oh, well, you've still got one of them...

The Fly is Gabriel and Beez together; it's their shared existence. Without it, Gabriel would not have survived. The one of them still left-- Beez-- is the one who can put it together and bring Gabriel back into a full existence.

Ineffable Bureaucracy are unicorns who parallel our main two, though, and Oi, Shem...

...that bow-tied unicorn's gonna make a run for it...

Oh, well, you've still got one of them...

[howlsofbloodhounds]

[experiment] : {1/2}

(I will refer to the Undertale versions by their names—Doctor Gaster, Sans, Papyrus, Undyne—and the Othertale versions by their nicknames. Shade, Color, Ivory, Sage.

Part 2 linked in the numbers.)

So this animation short is set in the past of Undertale, before Gaster and eventually Sans fall into the Core/Void and are forgotten.

Little Undyne is here because she is getting her blind eye checked by Doctor Gaster. It appears she really hates these check ups.

When Gaster asks her if it hurts, she rather grumpily says that it doesn’t—of course, this is still a younger version of Undertale Undyne, so she is attempting to hide her pain. Perhaps to appear strong and tough.

Doctor Gaster notices this immediately and is both unimpressed and frustrated—he shows a tendency to press on and push up his glasses when he is frustrated. He informs the girl that he needs her to communicate her pain in order to help her properly, and asks again.

Undyne budges just a little this time—saying it doesn’t hurt “that much.” Doctor Gaster asks her if she can see anything in that eye yet, to which the kid shakes her head no—she has monocular vision, just like Sans one day will.

It appears that Doctor Gaster is trying to find a way to restore the girl’s sight in her blind eye. It’s unclear if something injured her eye or if she was born blind, because she has a bandage over the eye for the rest of the short.

(Look at how cute!)

Unlike the full braid Ivory will eventually gain, this baby version of Undyne only has little pigtails.

Here we see Sans with a babybones Papyrus.

This tells us a few things. One, that Color/Sans and Gaster/Shade used to be coworkers in the lab before everything happened.

Two, that it appears Sans was Papyrus’ only caretaker; as he has to bring the baby into work with him, in a dangerous lab, rather than leave him at home with a caretaker or a babysitter.

We can also see that baby Papyrus still has that orange scarf that Sage will eventually still have—even when kid Sage and Ivory meet up again in the Garbage dumps after an event only described as “the explosion,” Sage still has that scarf.

Assuming this was something Sans gave Papyrus, we can also assume that it’s possibly another sign of Sans’ existence in Othertale other than a mysterious sock.

Although how Sage got his scarf if Sans wasn’t there to give it to him is a mystery—did he find it somewhere and take because he was cold living alone on the streets, or did he always have it—he just doesn’t remember how, when, or why? If it’s the latter case—does Sage ever wonder if he had a family or a caretaker.

Does he think they abandoned him?

Back to the actual short, it’s revealed that this is the very first time that Sans, Undyne and Papyrus have ever met.

Cuties.

When Sans makes a pun about “keeping an eye on ya,” Undyne is briefly confused—before she understands the pun, and lets out a soft laugh.

It’s a little dark, but I find it funny how Sans doesn’t wear his casual jacket in the lab but he does wear his lab coat and pink flippers. Hilarious.

(or maybe sans is either very reassured in the safety of the lab. or perhaps he’s being a little too careless.)

Here Sans teaches Undyne about “soul power”—the power of his soul that “allows him to create powerful attacks and call upon dangerous creatures in battle.”

His eye glows after saying this, and Undyne is enraptured. Sans seems to like taking on this teaching role—and perhaps it’s to make Undyne feel better about her eye.

However, we also learn that this power comes at a price. “The more power your soul holds, the weaker your body becomes.” This could definitely explain why Color’s body is so fragile and unstable after absorbing the six souls, and having done it so suddenly, why it busted his skull open.

Undyne and Papyrus being cuties. They’re already behaving like siblings.

When Undyne asks if she will also get these powers, because of her eye, Sans reassures her that she won’t because, “Dr.Gaster won’t make the same mistake with you. He wants to fix your blind eye after all.”

It appears that the reason Sans has his glowing eye in this version of Undertale is because of Dr. Gaster. Sans says it was a mistake on Dr. Gaster’s part, so he doesn’t seem to hold any ill will towards Gaster about it (at least right now), but he also says that Dr. Gaster wants to fix Undyne’s blind eye.

Does that imply that Gaster didn’t want to fix Sans’ eye—if something was wrong with it before—or that Sans thinks he didn’t? If something wasn’t wrong with it before, then why did he give Sans this eye at all—and why did Sans agree?

Either way. I wouldn’t be suprised if Gaster feels some responsibility for Color’s predicament—and such a responsibility in keeping him both alive, and sane. Perhaps he feels he’s the reason Color’s body can’t handle too much of his power without slowly and painfully dying.

(Note that, when nervous or uncomfortable, Sans seems to have a habit of placing a hand on the back of his skull and looking away. Can’t imagine how many times Color tried to do this, only to be starkly and sharply reminded that his skull is fucking busted open.

There are no mirrors in the Void. How did he react the first time he saw his appearance in the mirror? Color Sans with body image issues real?)

The two are conveniently interrupted by Dr. Gaster, who has prepped another experiment, and who ask Undyne if she will be willing to perform this new experiment—to which Undyne happily consents to.

(Dr. Gaster seems to be showing a lot of respect for his patients emotions, boundaries, and time. So either Sans consented to whatever situation led to that eye comment, or there was some miscommunication—and Dr. Gaster has learned from his mistakes.)

There is something in Wing Dings here I cannot translate.

But Dr. Gaster says that nothing is working with Undyne’s eye, and Undyne wakes up from being put under to the sound of Gaster and Sans arguing about it.

Gaster says that he is “sick and tired of all his experiments turning out to be failures.” This could just be referring to Undyne, as it seems the two have been trying to work on fixing her eye for a while now, but it could also potentially involve whatever mistake he did to Sans.

Gaster says he needs space, that he can’t think here—“not with all of you around.” A mirror to what seems to have become of Shade and Color in the Void.

Sans is concerned, calls him “Doc.” He calls out for Gaster to wait, to let him come with him—but Gaster ignores him and leaves, Sans doesn’t follow.

(I am getting a feeling this has happened before. And Sans is worried about leaving Gaster alone.)

Undyne asks where Gaster went, to which Sans shrugs. She says he hopes he comes back soon, that the lab is spooky where he’s not here. So even when grumpy and not wanting to be there, Undyne still finds comfort in Gaster’s presence. A sharp contrast to their interactions in the Void.

Also, Sans sits on chairs weird. Point and laugh. What a queer.

Yay! It worked. (Unfortunately for Undyne, she will lose her sight again in only a few moments.)

[mdhwrites]

I’ve been watching Amphibia while studying. I should definitely do a rewatch during the summer, but it’s occurred to me that Amphibia’s strengths are criminally underrated.

Amphibia feels like a more focused show than TOH. It has its flaws ofc especially in Season 3, but Amphibia’s cast comes across as a lot more developed than TOH’s cast. I mean, Andrias got a dedicated flashback episode and Belos didn’t???

Amphibia’s execution of the found family trope is one of the best things I’ve seen in animation. In contrast, I always felt that King, Lilith, Eda, and the Hexside crew are plot devices to get Luz where she needs to go. Eda has some depth but generally speaking TOH never ���got into their heads,” unlike with the Plantars, Sasha, Marcy, Grime, and Andrias.

And I gotta praise Amphibia’s ending!!! I wish more kids cartoons embraced the idea of permanent, bittersweet change. The idea of letting things go but not forgetting them.

So while I agree Amphibia is more focused, I actually don't think that's what the bigger difference is between TOH and Amphibia that I think needs to be highlighted. No, instead, I'm interrogate something you said: Does Belos not get a dedicated backstory episode? For that matter... Does he potentially get MORE time spent on backstory than Andrias?

Andrias literally only gets The Core and the King. He actually gets VERY little screentime, mostly because the effects of his cruelty are more important than what he does himself. So for backstory, he gets 11 minutes. MAYBE you could stretch to like 12 or 13 if you want to include hints to Lief but that's all post her time with him. So 11 minutes because Andrias only gets one segment, not two.

What does Belos get?

Well... I think everyone just forgets about Elsewhere Elsewhen. That IS backstory. That is previous characterization. It's not a flashback but it is still interacting with a Belos earlier in the timeline, like a backstory exposition dump or a flashback does. And interacting with Philip is the main purpose of the A plot of the episode, even if it takes a bit to get to him and then he dips out before the end.

As the author of the journal though, he also counts for backstory whenever passages of the journal are told to us. It's unreliable but it is still previous characterization. So stuff like Eclipse Lake and the end of Looking Glass Ruins adds a little here and there.

Then of course... What the fuck do you call Hollow Mind if not a dedicated backstory episode to Belos? The majority of the run time is literally go through his brain, and his memories, to show his rise to power. His backstory. And while there is technically a B plot, it doesn't take up much time so probably at least a third of the episode is spent on this and these are 22 minute episodes. If just two thirds get spent on backstory, that's more than Andrias gets.

So why doesn't it feel like that? Why does it feel like we get a VERY complete version of Andrias' backstory, despite seeing cumulatively three days in a row of his life, while it feels like we were never told Belos'?

Efficiency. Amphibia is a VERY efficient work. It crams a LOT into its run times. It's part of why the episodes are so satisfying because they actually manage to tell complete stories with morals, sometimes their own A and B plots in an 11 minute segment and actually move the characters forward a full step within the span of that time. It does this while also being hilarious and action packed, much more than TOH or, honestly, a lot of cartoons. Not every episode segment counts for this but ESPECIALLY the important ones do and The Core and the King should be taught in classes for how to get across a character's motivations and backstory in a nuanced, breezy way while also being DENSE. AS. FUCK.

In eleven minutes, we get a clear idea of the utopia that Andrias used to live in, the cost of that utopia, the pressures upon him as a prince, how deep his relationships are with two other characters, Lief gets some genuinely good characterization that helps explain her choice, a logical progression of events that matches with the sillier side of Andrias we know of, an escalation and then a climax. We can VERY clearly see what Andrias lost, what he is trying to get back, and why he would want it back on multiple levels, both societal, familial and even personal, that will motivate into being a MONSTER for a thousand years. All while still being a lot of fun and having some really great jokes. It introduces so many elements but it never feels bogged down by any of this. Instead, it chose the PERFECT moment to get across everything it needed to and left very few questions that you as an audience couldn't figure out yourselves. This also all while being explicit about much of the motivation and what not instead of relying on background details.

Which TOH can't claim for Belos. In Elsewhere Elsewhen, we see that Philip hates witches, that his journal is unreliable and that he has ALWAYS been an asshole and a manipulator. That's befitting who he will be but doesn't actually tell us jack shit. It also includes I guess how he met the Collector but that's moving plot, not expanding on your villain. Because the journal is unreliable, it tells us very little to nothing about him except for some reason he donated his journal to the people he fucking despised. Then Hollow Mind shows how he came to power... But not who he is. Not his motivation, what he actually wants to accomplish besides murder, etc. like that. The paintings in the background tell you far more just by being far more suggestive of what he's been through.

TOH is fucking awful when it comes to density. Most episodes, not even just Belos, have the problem of only taking half steps. Each of Belos' parts are those half steps. Revealing only one or two elements when it easily could have shown more to be more satisfying. As an example: Amphibia has a GREAT episode between Ivy and her mom about rebellion, the consequences of fighting what your parent wants for you, why they might do the things they do, etc. like that. In 11 minutes, we get a genuinely complex relationship between Ivy and her mom who haven't had much talk about each other or their relationship up until now. Meanwhile, TOH decides to focus on Luz being expelled for the episode about Amity and Odalia, meaning Amity is in like... Three, maybe five minutes of that episode? A full minute of that being the intro to the episode where she's just showing off the abomaton?

Because it isn't actually focused on Amity, the relationship between Amity and Odalia isn't actually explored. Because they can't explore that, they also need to now make Odalia cartoonishly villainous so as to fit the fact that Luz also spends very little time with her due to making the conflict be about Hexside so we have to waste some time with a stock standard montage of Luz, Willow and Gus trying to get back in. And by the end, what is the resolution between Amity and Odalia? "Get in my way again and I will kick your fucking ass."

Much deep. Very brave.

There's TONS of stuff like this where Amphibia is genuinely the work trying to do more interesting, more meaningful and deeper things than TOH and managing to do it in literally half the time. If not even less. That breakneck pace is part of what makes Amphibia feel like a kids show but it's also what makes it just more enjoyable to watch.

Which actually makes TOH fit in better with our current era of streaming television. TOH is constantly baiting you for the payoffs it promises. It keeps swearing that its elements are deeper than they appear so make sure to tune in next week because this SURELY can't be all there is to, right?

Unfortunately, that is all there is to it. And once you realize that and look at the show with that sort of lens, it starts falling apart. It's part of why TOH should be thankful it was shortened. It lets people more easily claim that it just needed another season. Another fourteen episodes. That TOTALLY would have solved all the problems with episodes that happened even before the shortening.

That is extremely rarely how this works everyone. Sorry.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[seasonalsummers]

Anti Cherub/Fairy Oc! Her name's Miss Heartbreak and she's an extremely popular singer who's not only famous to Anti Fairies, but also other magical beings making it so that she's one of the few Anti Fairies that can freely go to Fairy World without Jorgen immediately getting summoned.

Her character is inspired by multiple things, but since Scott Pilgrim was in my radar, some of the inspirations for her are Envy Adams, Ramona Flowers and the Series version of Wallace wells, so i think that speaks for the type of person she is. Though she's actually pretty decent as a coworker and a friend, so if you wanna have a somewhat healthy or stable relationship, maybe dont romantically date her.

Miss Heartbreak doesnt care much about the rivalry between Fairies and Anti-Fairies, other than it can make for pretty good song ideas. she's dedicated to the grind of making music, being adored by fans and breaking their hears. some people think that NMusic fairy is her Fairy counterpartas they dont know she's an Anti-Cherub (they just think all those upside down hearts are part of her Brand), though she does find that idea hilarious cause she's met the actual Anti-Nmusic Fairy. Speaking of...

Astrophel! Miss Heartbreak's fairy counterpart, They've never interacted or met face to face though it's not like either are actively looking for their counterpart, in fact, Astrophel isnt aware of that MH is her counterpart, but she is a fan of her songs

Astrophel, unlike Miss Heartbreak, isn't "Famous", just another cherub working for Cupid, she is in charge and responsible for Celebrity crushes and idolization though as an infatuation cherub

[barren-heart]

What We do in the Shadows is going to break the fourth wall in a major way in S6. Here’s why.

I know I’ve been super annoying about this, but I’m literally convinced a real world episode is going to happen in season 6 of WWDITS.

Commonly referred to as “The French Mistake” Episode in reference to Supernatural’s The French Mistake which was itself a reference to Blazing Saddles which broke the fourth wall and (decades old spoiler alert) was discovered to be filmed on a film set.

The real-world episode is a trope in television where a character or characters discover for some reason that they are on a film set (either being transported by magic or maybe in a dream).

Sitcom Growing Pains (1985-1992) and sci-fi show Eerie, Indiana (1991-1992) are two of these early examples of where characters enter a tv set version of their lives, for different reasons.

Growing Pains, in sitcom fashion, was to teach a moral lesson.

Eerie, for its spooky episodes, was to showcase how supernatural and mysterious the town was.

And of course, Supernatural, known for its specific monster-of-the week style episodes, does so for its meta-commentary on the show.

Now why would WWDITS do one of these style episodes?

Well, it’s a comedy for one. Putting your characters in situations that are “out of the norm” helps make the conflicts more hilarious. It’s a fish-out-of-water situation.

The show is also meta as fuck. Maybe not in the same way as Supernatural did, but there are fourth wall breaking moments. Especially related to the documentary itself.

Unlike those other shows, WWDITS characters are meant to be on camera. This show is aware of its cameras at all times. The characters are constantly filmed and understand they are being filmed.

And my last reason, which I believe is the biggest reason, is for Guillermo’s character development.

Since they are constantly filmed, a lot of Nandor and Guillermo’s relationship has not been able to progress as much as it can. Nandor, like the other vampires, obviously doesn’t care about the cameras. Nudity and sex on camera doesn’t bother them. They arn’t holding much back. (Although you could argue Nandor might be holding back some feelings, as well).

Guillermo is definitely holding back. The most private character in front of the cameras. He is the most aware. And because he is aware, he never lets all of himself be revealed.

This is something that would help him if he wasn’t being filmed anymore. Taking the documentary element away and confronting the actors, producers, and potentially even Paul Simms himself, could change Guillermo at his core.

This would make himself more comfortable being his true self in front of the cameras, especially when it comes to his feelings about Nandor which he has consistently denied to the audience and other characters, even when it’s pretty obvious.

Now, could the other characters benefit from meeting the other actors and film crew? Yes. Nandor would certainly be a good character for this. Meeting Harvey could potentially break Nandor’s brain. Something I would love to see.

And Colin would be downright hilarious in this setting.

But, tbh, I think this episode would have Nandor and Guillermo confront their feelings, as we (the audience)would then see the motivations behind the characters. The notes in the script that we don’t get to see. Paul Simms referencing Nandermo ala Supernatural’s Fan Fiction.

It’s the perfect setting for a one-off comedy episode but also great for fan service…and the perfect set up for Nandermo to begin.

[buttherainbowhasabeard]

The Boys: Why the Gruesomest Show on TV Is Also One of the Greatest

Brash. Brazen. Bonkers. Brutal. Bloody. Bawdy. Bizarre. On the surface, 'The Boys' is a show I should absolutely loathe, yet I love it. Why? Because it’s like nothing else I’ve ever seen before, and that makes it exhilarating! 

In this day and age of remakes, reboots, sequels, and prequels, 'The Boys' is a revelation. It takes everything we’ve come to know and love about the superhero genre and turns it on its head. Actually, it smashes its head in and flies off, covered in blood, with a big grin on its face. 

This alone is a great antidote to the "superhero fatigue” that so many of us have been suffering from. With the DC Universe currently in a Chapter 1 reset, and the Marvel Cinematic Universe in the midst of a very busy Phase 5, ditching the genre (and all the films, TV shows, and spin-offs you have to watch to keep up with it) has been beyond tempting.

In showrunner Eric Kripke's cleverly subverted script for 'The Boys' (based on a comic book series by Garth Ennis and Darick Robertson), each superhero, or "supe,” as they are dubbed in the show, is a satirical spin on a classic DC or Marvel character, even down to their collective name, The Seven (based on the Justice League).

However, unlike the more moral idols it takes its inspiration from, 'The Boys' is an R-rated romp that explores the ramifications of giving ordinary humans superhuman powers. Behind all the muscled supersuits and PR-manufactured wholesomeness, our heroes have become outright antagonists, and the so-called vigilantes have become our (anti)heroes.

Soldier Boy is an angry and arrogant take on Captain America. Homelander is a narcissistic, sadistic, and volatile version of Superman. Queen Maeve is Wonder Woman, if she were reduced to a cynical sidekick. All-American girl Starlight is an amalgamation of Mary Marvel, Stargirl, and Dazzler. Kimiko possesses a feral quality akin to that of Wolverine. Tek Knight is a BDSM-obsessed Batman. Black Noir is a masked mercenary in the same vein as Deadpool (minus the sass). The Deep is a dumb, perverted parody of Aquaman, and A-Train is a reckless Flash or Quicksilver. They even have their own Nick Fury of sorts, in the form of Vought International SEO Stan Edgar.

In the era of corruption, celebrities, and social influence, real-life supes would definitely abuse their powers and gaslight the public into believing every bit of righteous bullshit that came out of their mouths. They only (and begrudgingly) do good deeds to get more follows and likes, and most don’t like each other either, viewing teammates and partners as competitors rather than comrades.

This dark, disturbing, and at times hilarious take on the genre is what makes the show stand out amongst the rest. It easily offends, distresses, traumatises, titilates, and grosses you out. But it’s not just done for headlines and shock value. Every single chaotic, cruel, and unpredictable action is there for a reason. It forms part of a character’s motivations, it propels the plot forward, or it sets up a new and exciting direction.

Casting is another ingenious ingredient in the supe soup that is 'The Boys'. Household names (Antony Starr, Karl Urban, Giancarlo Esposito, Jensen Ackles, Simon Pegg, and Jeffrey Dean Morgan, to name a few) are mixed in with relatively new names (Erin Moriarty, Karen Fukuhara, Tomer Capone, Dominique McElligott, Aya Cash, and Colby Minifie). However, all performances are stellar. There isn’t one specific actor who carries the whole show or steals every scene (although Starr can be the most mesmerising). As an ensemble, they all have a role to play, and they play it scarily and consistently well.

Every episode is an intense mix of gratuitous violence, gore, sex, nudity, language, and drug use. Characters engage in orgies, bodies are mutilated and torn apart, heads are blown clean off, religious views are ridiculed, and political agendas are exploited. There are supes who are sexist, supes who are homophobic, supes who are racist, supes who are ableist, and supes cloaked in woke ideology purely for the purpose of infiltration and manipulation.

That being said, and for a show that always feels one scene away from being banned, 'The Boys' has shown incredible restraint when it comes to its ending. Five seasons was what was planned, and five seasons is what it’ll be. Despite top ratings for each season, a loyal fanbase, rich source material, and the potential to introduce dozens more supes and storylines, 'The Boys' can clearly see the value of quitting while it's ahead, and I salute them for it.

I’m confident that the fifth and final season will be f**king diabolical, and I can’t wait!

[jakesuit0]

What Was Missing Review

Finn is revealed to regularly have alone time with the wad of Princess Bubblegum’s hair she gave him in “To Cut a Woman’s Hair”. It’s essentially a PG version of a guy still holding on to their ex’s underwear for personal use. The allegory is pushed forward with Finn checking to make sure he is alone. Don’t get me wrong, this isn’t exactly shocking behavior for a thirteen year old boy, but it’s the first big sign that Finn’s crush is getting unhealthy after “Too Young”. It’s time to move on! Unlike “Wizard Battle”, I like the incorporation of Finn’s feelings, despite the arc feeling like there’s nowhere to go after “Too Young”. It’s not the main conflict in the episode, and serves to build to a climax in the season finale.

The Door Lord steals Finn’s gum, Jake’s blanket, and BMO’s controller. It’s hilarious that he only speaks in loud mumbles. He’s supposed to be related to Key-per from “The Enchiridion!”. The Door Lord steals a toy from a candy person and Finn reassures him “I’ll get your kid back, toy!”. The episode wasn’t originally written this way. Adam Muto misspoke when he was pitching the episode and they thought it was funny to keep it like that. Door Lord steals something from Bubblegum and attempts to steal Marceline’s bass axe. With Maja being in possession of Hambo, it makes sense for her bass axe to be her most important item. Finn, Jake, Princess Bubblegum, Marceline, and BMO have to team up to solve the riddle of the door. It’s great getting to see this group of characters together for the first time. It’s the entire main cast minus Ice King, and they get so few opportunities to all be together before Stakes. Their group dynamic is so fun too. The episode is set in Red Rock Pass, which is a really pretty setting to choose for a (mostly) bottle episode. 

Marceline chastises Bubblegum for not executing the door lords, as they kept breaking out of jail. I’m not sure if PB is really above just killing them, considering all the fucked up stuff she’s done in the past. But, killing might be a bridge too far for her. I know she committed robot genocide, but I argue she didn’t see them as sentient beings. Jake decides to pretend to be the jerk in the band. Since Jake doesn’t have a grand emotional arc, this is a funny role to put him in. Marceline starts singing “Just Your Problem”:

-“I’m gonna drink the red from your pretty pink face”. This pretty much gives the game away about PB and Marcy not being platonic. She’s singing about kissing and biting PB. 

-PB calls it “distasteful”, causing Marceline to accuse her of just not liking her. This ties into PB not liking Marceline’s behavior when she got more and more consumed with her princess duties. Marceline became well aware of this by their first mission to the Glass Kingdom (“Oh c’mon, you love it.”). 

-“Sorry I don’t treat you like a goddess. Is that what you want me to do?” She’s calling out PB’s god complex. Marceline assumes Bonnie thinks she’s better than her, like how she sings “you’re self-obsessed and all the rest” in Distant Lands.

-“Sorry I don’t treat you like you’re perfect, like all your little loyal subjects do. Sorry I’m not made of sugar. Am I not sweet enough for you?”. Marceline thinks Bubblegum demands absolute loyalty from everyone as she does with her citizens. She thinks PB would prefer Marceline to be a dum dum juiced moron that never questions her. We don’t know if Marceline is aware of the dum dum juice, but I like to think that she’s partially referring to that. It also relates to Marcy viewing PB as a dictator as she sings in “Woke Up”. She thinks PB wants her to turn down her edginess and be sweeter, like when she wasn’t taking the situation in the Glass Kingdom seriously, something I’m sure wasn’t an isolated incident. 

-I’ll lump together “Is that why you always avoid me?” with the later line “I forgot what landed me on your blacklist.”  Some people question why Marceline wonders this considering her singing “Woke Up” is the obvious answer. I think she’s partially referring to PB’s actions before their breakup. Bubblegum grew more distant as her responsibilities grew, something that confused and hurt Marceline. PB talks about this in “Varmints”. She’s also referring to PB being cold to Marceline for centuries after their breakup. Even when they were around each other in “Power Animal” and “Video Makers”, we don’t see them talking. Bubblegum was very dismissive of Marcy in “Go With Me”. This is partially Marceline’s fault, as she can be really rude and mean to Bonnie, as seen in this episode. 

-“I shouldn’t have to justify what I do.” Marceline doubles down on acting the way she thinks people perceive her. If people think she’s a monster, it's less painful for her to embrace it. This is something she picked up on from thinking she scared her mother away.

-“I shouldn’t have to be the one who makes up with you so why do I want to…” Marceline thinks that since PB is the one who pushed her away, PB is the one who should take the initiative of making things right. There is some truth to this, but as we see in “Obsidian”, they are both more at fault than Marcy is willing to admit. The faces on the door glow brighter and Marceline gets closer to the truth. The truth is she wants to at least be friends with Princess Bubblegum again. That’s the real reason she joined the group here. Reconnecting to PB is something we’ll see her try to do in episodes like “Sky Witch”, “Princess Day”, and “Varmints”. 

The song itself slaps. “Just Your Problem” is super popular, so much so that tons of non-fans know the song. A big reason being that it’s probably the most relatable Adventure Time song ever. A lot of people have friends and lovers that drifted away from them or became downright cold to them due to their differences. Rebecca Sugar even based the song off of her experience with a roommate. Princess Bubblegum’s face during this is also pretty telling. She was definitely having flashbacks to the last time Marceline humiliated her with a song. PB’s face turns to shock when Marceline is on the verge of revealing she wants to make up with her. I don’t blame Bonnie for not realizing this. Marceline’s general nastiness towards her, and of course what she said about her while singing “Woke Up”, would give PB the opposite impression. 

Finn doesn’t fully grasp the tension between PB and Marcy, but is able to diffuse the awkwardness and get everyone (besides Jake) to have fun together. I also like how sweet Marceline is to BMO, gently calling him “baby”. I like PB’s quirky attempt at a science based song, which is more fitting for her than singing her heart out like Marceline and Finn. Her song fails and Marceline uses it to antagonize PB. She fixates on Bonnie’s failures as she feels insecure in her presence. The words “monster trash” are definitely echoing in her mind here. Marceline is still really nasty to PB. A lot of it feels like unwarranted bullying without the context of future episodes, but even with the context, it still feels that way to an extent. Spitting on PB is pretty inexcusable and Bubblegum is totally right to walk away after it. Their conflict boils down to Princess Bubblegum’s ego and Marceline’s insecurity clashing. I also like the detail of Shelby slithering back into Jake’s smashed viola. 

As a final effort, Finn sings “My Best Friends in the World” after realizing the key to the door is the truth:

-“Am I a joke…?” Finn worries that Marceline doesn’t respect Finn, and perhaps only hangs around him because she enjoys messing with him. This is an understandable fear with episodes like “Henchman”. It’s still fundamentally untrue, squashed by the end of “Henchman” and in “Heat Signature”. There is no denying, however, that she loves trolling Finn. She likes messing with everyone, Finn’s young mind just makes him an easier target.

-“...your knight…?” This could be taken to mean Finn wonders if PB only keeps him around, and entertains his advancements, just to use his service to the kingdom. It’s true that Bubblegum employs Finn a lot, and isn’t above manipulating him for her benefit (“The Other Tarts”, “Too Old”, “James”), but she still genuinely enjoys his company whether they are working or just hanging out. He might also just be referring to this positively, as her knight in shining armor.

-“Do you look down on me because I’m younger?” All of Finn’s closest companions are older than him, and it makes sense that this weighs on him. Even Jake, who is often close to Finn’s level and acts as a best friend, also often acts as his parental guardian. This line applies most of all to Bubblegum, given how recent “Too Young” is. The events of that episode are still raw for Finn, and PB’s behavior to him after her age was restored came across as condescending and dismissive. 

-“I just wanted us together and to play as a band. Last night was the most fun I’ve ever had.” Finn loves getting to finally hang out with everyone he loves together and feeling like part of a family.

-“Even liked it when the two of you would get mad at each other.” Finn prefers honesty between friends, and appreciates seeing their more vulnerable side as they are usually more closed off from their true emotions in front of him.

-“You are my best friends in the world. And that’s right, I’m talking about the two of you girls. And you Jake.” With his parents dead, the three of them are by far his closest companions. He’s even grown very close to Marceline in recent times. It’s kinda mean to exclude BMO, who’s right there, but BMO becomes more of a part of Finn’s family over time than he is here. 

-“I’ll forget that I lost a piece of your hair. I’ll remember the pasta that we shared over there”. Very sweet line about how the wad of hair doesn’t really matter, the time he spends with PB and getting to be her friend is what’s meaningful to him. I like how the pasta has a double meaning. He obviously just shared pasta with her, but he also had a pasta dinner with Bubblegum when she gave him the hair. 

Finn’s song is my favorite moment of the series so far, and one of the best scenes ever in the series. I thought “Just Your Problem” was Adventure Time’s best song up to now but it’s then immediately topped. I love everyone participating in the song, especially Marceline singing along with Finn for parts of it. Finn’s song causing even PB and Marcy to harmonize together is great symbolism for Finn helping to bring them back together. Even Jake finally breaks character, he’s too caught up in the moment! Rebecca Sugar drew on her feelings of being a young newcomer when she joined the Adventure Time staff to write this song. Worrying about how your friends see you and if they respect you is another very ubiquitous concern. 

The group realizes that the Door Lord showed them that the real treasure is friendship. It’s very cheesy but the contents of the episode does enough to justify it. It’s cool how well the episode ties two themes into this episode: friendship and honesty. The quick cut from the Door Lord happily seeing they got the message to him being bruised and tied up is hilarious. They get their items back, including the famous rock shirt. It’s not at all PB’s style, going to show how much its pure sentimentality means to Bubblegum. The reveal that PB kept the shirt comes as a shock to Marceline. She realizes that Bonnie doesn’t see her as just her problem. Marceline blushing and PB revealing she wears the shirt all the time as pajamas are heavy hints to their romantic pairing. Their interactions in this episode are very queer-coded, even though they aren’t hitting us over the head with it like they do in season 7 onwards. The episode itself gives enough to figure out the broad strokes of Marceline and Bubblegum having a past and a falling out without giving the details, and it’ll be a long time until they are willing to explore it more at all. It’s revealed that Marceline only joined to hang out with them. Beyond reinforcing the theme of friendship, Marceline and PB now know that the other is interested in reforming a connection again, even if Marceline will have to be the one that ends up instigating it. 

“What Was Missing” is a fan favorite for good reason. The two musical numbers are the biggest draw and they are incredible. Rebecca Sugar using her own personal experiences to write them makes them feel so raw and personal. It’s some of the most direct the series ever is about Marceline and especially Finn’s thoughts and feelings, with them explicitly singing them. It’s refreshing to get some clear cut insight as the show is usually much more guarded. I wouldn’t want the series to always be this direct, but it's nice to have moments like these every once in a while to help provide insight into their other appearances. The episode is essentially a precursor for Steven Universe. You could slot in Steven for Finn, Pearl for Bubblegum, and Amethyst for Marceline quite easily. I also really like PB in this one! Despite “What Was Missing” having not one, but two characters that are in love with Princess Bubblegum, she gets to shine. It’s definitely more Marceline-heavy, but I like PB standing up for herself, getting to see her side of the conflict, and the return of her quirks with her scientific song. PB and Marceline also have pretty great outfits here, and it’s definitely their most iconic looks besides their default outfits. 

Rebecca Sugar has since stated that she wrote PB and Marcy as exes in this episode. She felt their interaction in “Go With Me” read that way. The episode does a great job extrapolating from that brief interaction. According to Rebecca Sugar, she pitched this idea to Adam Muto, who she boarded the episode with, and he approved. They ran this by Pen who also liked it. Cartoon Network forbade the crew from being explicit with it. They still did a good job making it as clear as they could with the restrictions and the fandom picked up on it. Rebecca Sugar wanted to include LGBTQ representation and felt that exploring it through the lens of two exes with a past was the best path to getting it in. Despite it only being subtextual, it was a big deal for 2011. 

This episode stirred up quite the firestorm. It’s possibly not a coincidence that it would take almost two years for PB and Marcy to interact again. The Fredator associated Youtube channel Mathematical! posted recaps after the airing of Adventure Time episodes. After the airing of “What Was Missing”, their recap speculated on the possible romantic pairing between Princess Bubblegum and Marceline, interlaced with overtly romantic drawings of Marceline and Bubblegum from character designer and storyboard revisionist Natasha Allegri. As a result, Fredator fired Mathematical! producer Dan Rickmers, deleted the video, and cancelled the Youtube series. Times were different then, but that’s no excuse for such an overreaction. Fred Seibert offered the following explanation:

“Well, I completely screwed up. There’s been chatter on the internet recently about our latest Adventure Time “Mathematical!” video recap that we created, posted, and removed here at Federator. I figure it’s time to clear up the matter. In trying to get the show’s audience involved we got wrapped up by both fan conjecture and spicy fanart and went a little too far. Neither Cartoon Network nor the Adventure Time crew had anything to do with putting up or taking down our latest re-cap. The episode ”What was Missing” remains a terrific short and will be shown again and again just like any other Adventure Time episode. I let us goof in a staggering way and I’m deeply sorry it’s become such a distraction for so many people.” It’s a really weak reasoning as Mathematical! had always been a fan oriented show and that’s what the entire fandom was talking about. Still, I’d expect this from an executive. What was unexpected were Adam Muto’s comments: 

“If it was just a fan video there would be no problem at all. The problem was that it was made by a production company actively involved with the show. The video took something that was a possible subtext and declared it, in effect, text and made it seem like the production was actively seeking out input on plot development. That's all there is to it.” Considering Sugar said that Adam Muto agreed with that interpretation, it would have been for the best if he just stayed out of the situation. That’s what Pen Ward did ("It’s hard to comment on that, because there were so many extreme positions taken on it all over the Internet, and it happened so quickly. I don’t really want to comment on it because of that, because there were so many extreme sides taken. It was a big hullaballoo.")

Now that we know Bubbline was in fact the crew’s intention, and it’s since been explicitly canonized, the situation is just even dumber. Dan Rickmer is definitely owed an apology. But what’s really important is the series no longer having to keep their relationship a big secret.

Grade: A+

[icycoldninja]

Alucard from Hellsing got me thinking about a female reader who is similar to Alucard (Another red clad duel pistol wielding powerful being similar to a certain woohoo pizza man but is sadistic and is a vampire), she looks intimidating and scary and has a demonic form that rivals the Sparda men. Demon blood has become her new favorite thing to eat, and she considered trying the blood of the Sparda bloodline, but due to the respect she has for Sparda and his sons and grandson in general and she fell in love, she instead goes after the lesser demons and when she’s not being a bloodthirsty killing machine, she shows affection towards Dante, Vergil, Nero and V.

I love vampires, and I think Hellsing’s Alucard is the best depiction of vampires in fiction in my opinion.

Oh yeah, here we go

Sparda boys + V x Alucard-like!Reader headcannons

¤ Dante ¤

-Dante loves your style, you look just like him!

-When you go out in public, people sometimes mistake you for siblings, which is hilarious, or they come to the conclusion that you're a couple who likes to dress alike, which is cute and kinda true.

-He was sure you were going to bite him, being a vampire and all that, and surprisingly did not object. He actually wanted to get bitten, simply out of curiosity.

-You ended up not going through with your plan out of respect for Sparda and his bloodline, as well as your love for Dante. You simply couldn't hurt your precious idiot.

-You instead go after lesser demons to sate your desires, Dante usually tagging along. He helps shoot down demons so you can get to feed on them quicker, which is very sweet of him.

-Speaking of being sweet, you can be all lovey-dovey too, though only behind closed doors, when the battleground is far away.

■ Vergil ■

-Vergil saw your outfit and immediately thought of Dante. Your flashy fighting style is no help either; he's starting to see you as a female version of his idiot brother than anything else.

-Still, he loves you, even if you are a bloodsucking vampire that may or may not bite him in his sleep.

-He's rather tense around you, especially at night when he thinks you'll be most hungry. He's very worried you'll feed on him when he goes to sleep, so he tries not to sleep when you are near.

-You quickly assure him you won't feed upon him or any Spardas because you knew Sparda himself and have great respect for everyone in his bloodline. You will only consume lesser demons, never even baring your fangs at him.

-Vergil is now considerably more at ease around you, even going as far as to bring you freshly slain demons for your convienence.

-He also finds it very endearing that you're willing to be all vulnerable and affectionate to him--and only to him.

□ Nero □

-Nero thought your vampiric nature was cool as hell.

-Your clothes were pretty neat too, and unlike someone Nero knows, you don't look like a total slob in them.

-He thinks you're the hottest vampire to have ever existed, and occasionally calls you his "sexy goth girl" because you are.

-He wasn't too concerned about your feeding habits. If you needed his blood, he would gladly offer up his neck to you.

-You announced that you wouldn't need him for sustenance, however, and that you only fed off of lesser demons out of love for him and respect for his grandfather.

-Those special moments when you are kind and loving to him are moments Nero cherishes the most. He loves seeing this adoring side of you, and wishes he could see it more.

● V ●

-V, being a rather morbid soul, was intrigued by you, and the fact that you were a vampire.

-Since vampires live for a very long time, he reasoned you must have met, or at least seen William Blake at some point during his prime.

-If you have, do tell him everything you know, it makes him very happy.

-He thinks your clothing and fighting style are unique and beautiful, just like you.

-He wasn't the least bit worried that you would drink his blood, and was actually secretly hoping you would. He's always wondered what it would feel like.

-You love him too much to harm him, and would never drink his blood for sustenance, but perhaps you could sneak in a bite or two while passionately kissing him or something like that.

[fourswords]

okay so you guys know how the other day i was talking about ezlo and link in the minish cap (and how much i love them) and how ezlo is honestly a really hilarious companion for literally saying "Well...I don't need to tell you how to do your job." and pretty much leaving everything in the adventure up to link (who happens to be one of the Very Young Child links) aside from being a grumpy old nag (affectionate) and then later in the game commending him for not only having courage, but wisdom as well. so i started thinking about how that was kind of interesting and then started thinking about how he's the only wielder of the four sword who isn't split into four completely separate copies of himself and instead just splits himself into translucent, temporary copies that vanish the minute they hit anything—they're just there to do whatever task link needs to do (like push a rock) and then vanish. and the whole thing serves to create a very independent version of link which, while not unusual in the zelda series as a whole, IS extremely unusual when it comes to. y'know. the subset that is the four sword series. which is entirely based around cooperation!

and personally i am not someone who necessarily "likes" the minish cap manga all that much. like yes i think it's a cute little story and it's fun to read for sure but it doesn't actually add anything of value to the game's story as a whole (unlike, for example, the fsa manga) + (it doesn't even include the splitting mechanic?????) so it's absolutely not something i regard as anything to draw characterizations from. HOWEVER. i did remember this line that actually really fucking reinforces my point:

Ezlo: Link! Attack him now! Link: Vaati, it's not... ...your body that makes you a monster. It's that you... ...use other people to strengthen yourself. Me? I rely on my own power!

i'm including it because this entire theme does actually seem to be heavily mirrored throughout the entirety of the actual minish cap game. ezlo spends the whole time complaining and urging link to quit dawdling and go faster but also he basically goes "yeah i have no idea what to do here" multiple times throughout the game (hilarious for a companion) and link is, quite literally, dependent on himself and himself alone. even his splitting is just made up of direct copies of him that follow his every move! and that's something that goes against the whole point of four swords as a subseries(?) to the point where the fsa manga itself has link being all "ooooh i work better ALONE" and frames it as a BAD thing. which is genuinely the funniest thing ever. the hero of the minish is apparently so competent at his job as a hero that the rules of four swords as a whole (split apart! work together!) don't apply to him. he doesn't need anybody else. he's got this in the fucking bag. don't even worry about it

[cbrownjc]

Hi, Fun question I had while waiting for episode 6

Do you think Lestat, Daniel, Armand and Louis would like the twilight movies? Why and to which character would they relate the most?

Have a nice day!

Hi!

Well, first I should admit to you that I don't like Twilight. I've always disliked it since I read the first book before the first movie even came out. (And that is the only book in the series I've read BTW, though I have seen all 4 films -- only the first one in theaters though). So I actually don't know how objective I can be about this question . . . but I'll try. 🤔

And oh, you know what? I think Anne Rice herself commented on what Lestat and Louis thought about Twilight in a Facebook post back in the day, even though I don't have a copy of it. Which probably has a nicer reaction to it than I would give them about it. Or, at least what their book versions think about the series.

But I'm assuming you asking about the show versions of the characters and what they think, and with that? Well --! 😈

IMO, Lestat, and Louis both would find the whole movie series mostly hilarious IMO, just like they did Nosferatu. I can also see Lestat needling Louis a little bit wrt the whole "Bella has visions of Edward" thing if Lestat knows about Louis having visions of him during his first few years in Paris, and Louis being annoyed by that and insisting it was a totally different thing when it came to him -- given that, for one he was an actual vampire at the time unlike her and "vampire bond" and all of that -- and he is nothing like Bella Swann thank you! Anyway, Lestat saves most of his snark and laughter for The Volturi however because, as far as a coven that is supposed to be the head of the vampire world, how ineffective are they!?

Louis is also the only one out of the four who's even bothered to read all of the books in the series, even the most recent ones like Midnight Sun. He thinks they are less funny than the movies, but that's more because he didn't have Lestat in his ear making comments or laughing along with him as he read them. And hey, he can admit he does relate to the "not wanting to eat humans" thing of the Cullens though, sadly, the way that works in their world doesn't in the real one. 😔 Louis also knows that if Jasper Hale was real, he would purposefully antagonize the hell out of him on sight for that Confederate Army stuff (because if you think the issue of slavery wouldn't come up at some point --!)

Armand, being the true cinephile of the group would, IMO, find the films terrible just as films. And he thinks Bill Condon fell off as a director once he did that series, which is sad because Condon's Gods and Monsters is a film he greatly likes. However, he couldn't help but wonder if Stephenie Meyer was used by some ancient vampire -- via the Mind Gift -- to write this series of stories for the mortal world that gets so much of real vampire lore so very wrong on purpose (he read the first book and that was enough); and that maybe she was used by some ancient vampires to do so to hide something from the mortal world about something that was going on in the actual vampire world at the time. He looked into that idea very much at the time and, even though he didn't find anything, he still looks into it on occasion from time to time still, years later. But look, as far as the main story itself goes, Armand gets Edward not wanting to turn Bella. He just thinks Edward went about it all wrong. And he lowkey also gets Jacob obsessing over Bella too -- but he doesn't want to look at why he does too much.

Daniel was forced to watch all 4 movies with his younger daughter -- one of the few things as a deadbeat dad he did do with her when she would spend time with him after the divorce. (Same reason he's seen all the Harry Potter movies as well.) He thinks they're okay -- not the best thing he's ever seen, but not the worst. And he weirdly understands Bella's obsession with Edward for some reason -- he even feels a kind of sympathy toward her about it, though he of course logically knows she should just get over it because it would be the healthier thing to do.

If you are a fan of the Twilight series I hope you weren't too offended by this answer to the question. Because yeah, I can't pretend to like that series, and so my answer was going to have the characters snarking and critiquing it in some way, if not just mostly indifferent about it (in the case of Daniel).