#it's your FACE

[teaboot]

Once when I was a kid my dad told me to “stop being a you-know-what”. And we’d done the whole song and dance enough times that I knew he meant “bitch”, so I told him: That’s cheating. You know what you mean, and I know what you mean- you’re just stepping around it so you can pretend you’re on the high ground. So if you’re going to call me a bitch, at least have the balls to actually say it.

And it’s been about fifteen years since then but I’m just now figuring out that that’s the same feeling I get hearing shit like “grape” and “unalive”.

If your audience knows what you mean, you might as well actually say it. Otherwise you’re just fucking hiding

[cat-boots]

puppies go up the stairs! (disaster)

[3liza]

incredible to me that in the age of spending minimum $100 for groceries for one person every three weeks where i live, people are still online like "dairy is bad for you because it has a lot of calories". at this point im calculating calories per dollar at the grocery store and youre still stuck in "fat bad" mindset from 1980. you are an absurd person to me. laughable

[devourmesofttly]

“I cum harder when I think about you”

[marypsue]

Keep seeing that post where OP starts like 'Thinking about...grieving the undead' and then adds on about like. Real life situations where people have not died but have left your life and you would have reason to grieve them.

All respect, that's an important concept, but that is not what I am thinking about when I read 'grieving the undead'.

[phantom-shell]

I think it's super interesting how Jimmy's fear of Anya and the baby manifests in his mind as the Pony Express mascot.

Unlike every other character, Anya ISN'T in Jimmy's guilt/regret hallucinations near the end. He sees Daisuke walk towards the dark, he sees Swansea chase him through a cemetery, he sees Curly on fire in front of him but ANYA? Anya isn't given that kind of treatment. No, instead, we see a hallucination of the baby, a tiny horse in a womb that has no face attached to it (Anya's face specifically, all he sees is the womb), turning into a deformed monster that hunts him down the moment it's born.

Polle (the baby) is seen as a danger in Jimmy's head in the beginning of the game too, after he walks out of the cockpit. The more he walks, the louder the baby noises get and the more deformed Polle looks when he runs into it!

Jimmy doesn't give a damn about Anya, nor does he regret anything he did to her, but he is scared of that baby and what it means. The living proof of what he did to Anya, manifesting as a monster that hunts him down throughout the game.

[makenna-made-this]

Ponder my chorb

[crumb-crumblet-s-crumbington]

he needs him by his side

[kiwi]

everybodys gotta get back into the practice of using pseudonyms online... i remember the time of screen names where u never ever told anyone ur real name and that was just understood as basic internet safety. plus having a screen name is fun because sometimes it sticks so well that it becomes part of ur identity that u can use in whatever facet of ur life you choose. it rocks to pick your own name

[slushy-sash]

give paw?

[mischievous-thunder]

Bonus:

Stop it, you two!

[cute-girls-from-vns-anime-manga]

[thenevarranaccord]

What’s really jumping out at me on my second playthrough is that the writers of the first three games understood that your character was the main character. The Veilguard writers clearly thought that the main characters were their characters, the companions.

Every scene is about setting the companions up as cool or competent or sympathetic. Often, this is done at Rook’s expense. The companions get all the witty one-liners; Rook’s attempts at humor not only frequently fall flat, but are frequently called out for falling flat (even when they’re completely automatic and the player has no say in them).

The companions have all the knowledge and skills; Rook just brought them all together and gives them all pep talks so they can focus. I’m trying to edit out all of the comments where Rook is like “Um… what????” from my videos, and let me tell you, it takes WORK. There are A LOT of them. I can count on one hand the number of times when the Inquisitor or Hawke comes across as dumb, but it seems to be a built-in, unavoidable part of Rook’s character. I have not selected a single “purple” option in all of Act 1, and Rook is still coming across as the kid who tries to be the class clown to cover for the fact that he’s always confused. Rook’s role in most scenes is to say “Uhhh… what?” so that the companions look smart.

Rook is always the one offering sympathy and never the one getting it. No one actually comes to comfort you after Varric’s death. No one asks you how you’re feeling about having to lead the team now that Varric is gone. No one tries to reassure you or give you advice for dealing with the trickster god haunting your dreams. We’re told that Neve could keep Solas out of your head, but she never actually offers to do this for you. No one comforts a Shadow Dragon Rook when Minrathous is destroyed or a Grey Warden Rook when Weisshaupt is destroyed. Rook’s problems don’t matter. Only the problems of main characters matter.

Rook is a secondary character in their own story.

[biggest-gaudiest-patronuses]

i love animals where your first impression is "oh this is a PUPPY!" and then it opens its mouth and you realize you're looking at a living weapon that, if domesticated, would commit war crimes. repeatedly.

[cronchy-baguette]

finished severance in one night yesterday and i'm obsessed