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#its about us page is accurate
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hello! saw your post a few days ago about being wary of messianic informational sites that masquerade as proper jewish resources. have you heard of one called myjewishlearning [dot] com , and if so is it a proper resource or is it a messianic pretender? i was doing some research before i found your page and wondered if it's an accurate one.
it doesn't look particularly messianic from my surface-level research (and by that i mean i've made it about as deep as the About Us page lol), but wondered if you knew any better! thanks in advance, answer whenever, and have a good day!!
Rating: Jewish
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"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.
#jrwi fanart#jrwi show#jrwi suckening#jrwi suckening spoilers#jrwi the suckening#arthur bennett#HEY SO THE REALLY FUNNY THING THAT THE CHARACTER DID THAT SEEMED RLY SILLY N GOOFY IN THE MOMENT?#LIKE THE WHIPLASH BETWEEN SERIOUS N SILLY ALMOST PISSED YOU OFF? WHAT IF I FOUND A WAY TO MAKE YOU SAD ABOUT IT#this was meant to be a scribble that would be a bigger part of a bigger page.might leave it on that page.#but still. bc o that i nearly posted it onto my wacky side blog.BUT NAYY I SPENT TOO MUCH TIME N ENERGY N YOU GOTTA SEE IT#ARTHUR BENNETT DRIVES ME CRAZY. I FEEL LIKE ITS ODD FOR HIM TO BE SO TECHNOLOGICALLY OUT OF TOUCH#WHERE HAS HE BEEN. HAS HE BEEN IN WAR? IS THAT WHERE MAGNUS CAME FROM? WHERE WAS HE WHEN HE WAS WITH EDWARDS CREW?#ARTHURRR I HAVE QUESTIONS ARTTHUUURR!! HEY CAN I ALSO ASK; WHAT THE FUCK HAVE YOU BECOME#DO YOU THINK HE HAD ANY IDEA HE WOULD VEER CLOSER AND CLOSER TO THE MONSTER HE DESPISES. ALL BC HE DESERVES IT. OR WATEVER#HE FASCINATES ME SO MUCH. TO LOOK AT THE STONE COLD STOIC FOOL FROM THE START OF THE SHOW#AND TO FIND OUT THAT HE USED TO BE A BAD BOY.. A DELINQUENT... A LIL PRANKSTER.... MY GODDD THATS ADORABLE#I WOULD LOVE TO KNOW MORE.... BUT I DOUBT THE LAST EPISODE IS GONNA ANSWER THOSE QUESTIONS..i love arthur bennett so much....#AS FOR THE ART!! i mostly used the fire alpaca watercolor brush. tbh im not a brush guy. anti aliased default pen tends to be my main game#but LATELY IM SQQQUIRMIN OUT OF AN ARTBLOCK so expirimenting like this is helping#DONT LOOK TOO HARD AT IT!! im still proud tho. colors are fun :3 im also very proud of the backgrounds#I LOVE THE CARTOON THING where the background looks all fancy n painted but the characters are solid colors#what else can i ramble abt. OH YEAH. i looked up the bikes to make sure they were time accurate tehehehe. 1913 to 2012.#almost a century apart!! isnt that neat? ALSO FUUUCK CAN I JUST MAKE A QUICK CONFESSION. DOWN HERE IN MY TAGS.#only the strongest can read my tags anwyay. SO I REALIZED WHY I LOVE ARTHUR SO MUCH. TIME IS A FLAT CIRCLE#while arthur is a Stoic and Cool vampire w a knack for being playful/silly; who alsos been alive fora century thus witnessing HORRORs#THERE HAPPENS TO BE A ROBOT FROM A BAND W A TITANIUM ALLOY SPINAL COLLUMN#WHOS A Stoic and Cool ROBOT w a knack for being playful/silly; who alsos been alive fora century thus witnessing HORRORS#the fuckkkiiinnngggnn The Spine from steam powered giraffe. WHATEVER. i cant escape from my heart. i guess.#i think The Spine and Arthur could be friends. Arthur saw the band perform back when they were the Steam Man Band#EDIT: WOOPS I DIDNT REALIZE THIS WOULD END UP IN THE SPG TAG. HI GUYS DIDNT KNOW U WERE STILL ALIVE SORREE 4 THE CROSS CONTAMINATION
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ryssbelle · 2 months
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My cousins made their own troll Ocs and I drew them in my style.
They were very excited about it
#my art#not my art#both#trolls#dreamworks trolls#they had a lot of fun making these#i actually really love the color palette for princess i think my cpusin did a very good job on that#claw is something else#he is a unicorn troll#neon green was an interesting choice but hey claw is an interesting guy#is it obvious idk how to draw country trolls lmao#ever since i told them i also liked trolls we have had our own little club#im their person who they can talk to about it#they will also just sit and ask me to draw tiny diamond and guy diamond over and over and over and over and over again#they really like tiny diamond#but hey i love those little guys so i draw the trolls they demand of me#they also asked me to draw poppy and branch so they could color them#i still have to finish my viva coloring page for them#the younger of the two who made princess is really good at color picking and color matching#she colored poppy without a ref and its p accurate to her colors#the older one who made claw used the ref for every color but he got pretty close when he tried to guess#the older one also misunderstood me when i said id been practicing art since i was 5 and thought i was this good since i was 5#he was very depressed for about 15 minutes#it was really funny but dw i assured him that was not the case#but like for those 15 min he did not believe me#even his sister was like 'nono you didnt hear it right' but he was already in the emo zone#he was fine later tho and continued on making his troll#and also proud teacher moment but i had taught princesses creator some art techniques off handedly#not expecting her to remember any of it but then she did and apparent shes been using it ever since#im like omg i actually taught another human bsing something its insane
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Fanon characters in general tbh they make me want to roll in staplers and run into a pool of lemon juice 😭😭😭
so is a tale old as time 😔
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tunedtostatic · 2 years
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[Additional Image Description: Fanmix cover for "& I'm feeling right at home," a fanmix for Brian Jeeter from The Strange Case of Starship Iris. A collage of photos and blocks of color in various rectangular dimensions, all framed by red borders between them. The image across the top of the cover is an orangey closeup of the sun in space. The title and the subtitles are in blocks with a cream background and two different brown backgrounds, respectively, all in a serif font. There's a photo of a cutting board with a knife, spinach leaves, cherry tomatoes, a pepper, and an avocado, a photo of old books on a shelf, and a photo of a person's hand wearing a ring. End Additional Image Description.]
The Strange Case of Starship Iris fanmixes - 6/? The Crew of the Rumor - 3/5
BRIAN JEETER, TRANSLATOR OF THE STARSHIP RUMOR
Miri It Is Whil Sumer Ilast - The Sherwood Consort // Midnight Movie - Cave Flowers // Up Too Late - Best Foot Back // Waterbound - Dirk Powell // Bryd One Breere - Brian Kay // Nowhere to Go - The Acoustic Live Session - Hurricane Love // Here We Go - WILD // Blow Northerne Wynd - John Fleagle // Language of Love - Skyline Motel // Shipwreck Song - The Altogether // The Parting Glass - Henry Jamison (feat. Darlingside) cover // Can't See the Train - Joe Stevens // Don't Tell Me - Hudson Taylor // Let Me - Night Tales // Never Gonna Give You Up in Old English - The_miracle_aligner // Legends Never Die - Orville Peck with Shania Twain
(YouTube, Spotify, and translations links in the notes!)
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analyzing some images (for fun)
so i found this pair of promotion images for good omens season 1 on the good omens reference library server and it’s hooked me so so bad im having feelings about it. we’re analyzing them now. not really for meta purposes just fun to see the parallels and differences :)
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everything under the cut !
unique traits
aziraphale:
1) his plank background. its older, its crisp, it smells like wood from the screen. mmmm
2) the pencil shavings at the bottom. he does a lot of writing honestly, so i like this. also adds a messy and cozy vibe he always seems to have in that shop…. i like that blessed shop fr
3) his SUSHI. little soy sauce drops near it too—just the right amount of deliberate mess. our first formal introduction to aziraphale in the present day and beginning the Tomfoolery just happens to have sushi... i watch that scene and i go “yeah, that sums up aziraphale i suppose” very nicely. (they dont have sushi Up There) (im literally never gonna forget that)
4) the ray of light shining on the scene. tiny thing, but a bit of the heaven is peeking through..it also sort of blurs the whole image but i think thats just me.
5) and we’ve saved the best for last: the big whopper. the nice and accurate prophecies of agnes nutter, witch. I LOVE THAT BOOK!!!!!!! i cant remember if that ring stain was there but if it isnt in the show on the actual book i’d assume thats to add that ‘thy cocoa doth grow cold’ thing. ALSO. you know what’s being used as a bookmark in the pages?? a check for the ritz. he bookmarked their one chance for living . with a ritz check . MMMMMM. my GOD. that means so much to me even if i cant convey it in words. he KEEPS THE CHECKS 😭😭😭😭😭😭
crowley:
1) let me get my favorite out of the way. crowley’s glasses have fire in their reflection. we’ll talk about the glasses themselves later but the REFLECTION IN THEM. fucking FIRE, BOOKSHOP fire, PAIN, SRIVING THROUGH THE M-25, HELL, I DONT KNOWIM HAVING FEELINGS!!! i do believe this is a bookshop fire reference though, the flames feel too Familiar. the lengths people will go to to attack others 🤧
2) the leather seat background!!!!!!! probably meant to look similar to the bentley’s seats but i cant recall their texture, exactly. maybe just meant to convey modernness—unsure. still, its there <3
3) the tiny little crisp plant </3 its trying his damned best to stay perfect. it might a specific plant that means something, but i cant tell at thsi angle, so i’ll assume its a mini version of the ficus he keeps in the flat. its so SMALL and sitting in ANOTHER POT i CANT
4) the snake slithering!! black and red (in this image it looks orange lol) bellied scales!!!! slithering there, chilling, being crowley, showing hints. love it
5) QUEEN RECORD!!!!! TRYING TO OVERRIDE IT WITH TCHAIKOVSKY!!!!!! the tape over it does a reminisence to crowley’s handwriting, but in a clean ‘this made made to be a font’ way. not exactly just yet. ive become a fan of tchaikovsky recently. amazing darling wonderful crowley, trying to push the rock up the hill for eternity 😞
6) HIS LITTLE DEMON KEY THING. HOLDING A TINY LITTLE BENTLEY CAR KEY OHHH. thats how he doesnt lose the tiny key despite probably not needing one of those. and he CHOSE that intentionally probably. little wings and red circle….URGHHHHHHH
similarities
mmmmm now here’s the good shit. similarities! i’ll bullet point most of them but ohhhhh. ohhhh these. i’ll go from top to bottom as best i can….
1) one of their shoes, obviously. crowley has them iconic snakeskin shoes while aziraphale has his old loafers like the old loafer he is /pos
2) chateauneuf de pape wine bottle labels! (crowley’s is under his glasses, aziraphale’s is next to his shoe). oh my fucking god theyre MATCHING. the labels are old, battered, of course labeling the drink’s age, but mmmmm its these tiny details that get me going….
3) their respective drinks in their mugs—crowley’s a black mug coffee (or what looks to be coffee) and aziraphale’s angel mug tea (or what looks to be tea). i think about that mug sometimes. where did he get that from?? mystery for the ages….
4) their glasses, of course. crowley’s iconic sunglasses and aziraphale’s reading spectacles. i cant really tell the reflections in this pair, but if its supposed to be fucking fire, im done with this. im giving up forever
5) their own watches! aziraphale’s is visibily older while crowley’s is visibly modern, but they function just the same. also, crowley’s is set to 2:56:59 (presumably PM), which is around the time we see when crowley starts checking his watch at warlock’s birthday party. its almost time for disaster to strike!! 😃
6) and finally….their ties!! they have their own ties!!! or more accurately, neck accessories, but i digress. i mesn i assume its crowley’s neck tie, because the fabric looks… different. either way, crowley’s neck thingie is very whispy and aziraphale has his funky little bowtie i love so much,,,
okay thats it. there’s no canonical implications, any fantheories, none of the sort. just saw a pair of images and my mind went GOD DAMN!!!!!! theyre very important to me. i need to look at more promo material 😔
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pissditching · 1 year
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When i was in middle school i had autism and i got really into american history. I started wondering whether popular opinions about which presidents were good and bad was accurate, so i decided to read every piece of legislation and every executive order in us history to figure out objectively who was the best president. However there was the slight setback that each of these documents was hundreds of pages of dense legalese and there are thousands of them. I swung hard left in high school and realised that theres no such thing as a good president but i had already spent a year on that project and had to restart twice bc of calculating errors so i just kept doing it. Cut to today i have a spreadsheet with 1358 bills (not all of them. Its just not possible) and their impacts positives and negatives, and a list double that of executive orders. Its been three different presidents since i started.
dude holy fuck. i love autistic people
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cy-cyborg · 2 months
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How your disabled character's allies react to their disability can make or break the representation in your story: Writing Disability Quick Tips
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[ID: An image with “Writing Disability quick tips: How your character's allies react to their disability matters” written in chalk the colour of the disability pride flag, from left to right, red, yellow, white, blue and green. Beside the text are 2 poorly drawn people icons in green, one is standing with their hand up to the face of the other, who is in a wheelchair. /End ID]
Something I brought up in my big post about Toph Beifong was how the other characters reacted to Toph pointing out that things were not accessible to her and setting boundaries regarding her disability, which were ignored. I had more to say about it than I thought I did, as it turns out (when isn't that the case lol) but I feel like this is an important aspect of disability representation that is all too often over looked.
You can write the best, most accurate portrayal of a specific disability ever put to screen or page, but it won't mean much if all the other characters, specifically those we're supposed to like and empathise with, treat your character terribly for being disabled and having needs relating to said disability, especially if the story justifies their behaviour.
You see this most often with autistic characters and especially autistic-coded characters. The character in question will be given a bunch of autistic traits, most often traits relating to not understanding certain social dynamics or sarcasm, and when they get it wrong, the other characters we are supposed to like jump down their throat, tease them or outright abandon them. Autism isn't the only disability that gets treated this way, but it is one of the more common ones that get this treatment. It doesn't matter if you do everything else right when creating an autistic character if the other "good guys" constantly call them annoying, get angry at them or laugh at them for the very traits that make them autistic, or for advocating for their needs.
Likewise, if you have a leg amputee character who is otherwise done well, but is constantly being criticised by their allies for needing to rest their legs or taking too long to get their prosthetics on, it undermines a lot of the other work you've done. Same goes for having a wheelchair user who is accused of being a bore or a stick in the mud because they point out the places their friends want to go to on a group holiday have no wheelchair access, or a deaf character who is accused of being entitled for wanting their family to learn to sign, or anything else.
This isn't to say you can never have moments like these in your stories, but its important to remember that a) people with the same disability as your character will be in your audience. If you spend a whole season of your TV show shaming your autistic character for real traits that real autistic people have, they're not exactly going to feel welcome and may not want to hang around. b) it's going to very, very heavily impact people's perceptions of your "heros" who do this, especially in they eyes of your audience members who share the character's disability or who have had similar experiences. This isn't like calling someone a mean name or being a bit of a dick when you're sleepy, it's going to take a lot to regain audience appeal for the offending character, and depending on exactly what they do and how frequently they do it, they may not even be able to come back from it at all. And finally, c) there should be a point to it outside of just shaming this character and saying the other guy is an asshole. Like I said before, you're character is criticising real people's real disabilities and the traits or problems that come with them, things that they often have no control over, it shouldn't be used as a cheap, quick way to establish a quirky enemies to lovers dynamic or show that one guy is kind of an ass before his redemption arc. If you really must have your characters do this, be mindful of when and how you use it.
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headspace-hotel · 4 months
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Just spent a couple hours digging into this book. I'm not even sure what has worse environmental impacts, the paper the book is made of or the opinions printed within.
Is "post-colonial" literary theory a joke? It's distressing that a book printed in 2021 by a reputable academic press can be so painfully Eurocentric, and I mean PAINFULLY. The philosophical and literary frameworks drawn upon in most chapters are like what some British guy in 1802 would come up with. In most of the chapters, every framework, terminology, and example is inseparably fused to Latin, Greek, and/or Christian philosophers, myths and texts, even down to the specific turns of phrase. You would think only Europeans had history or ideas until the 20th century.
Don't get me wrong, non-european and even specifically anti-colonial sources are used, and I don't think all the writers are white people, but...that's what's so weird and off-putting about it, most of the book as a whole utterly fails to absorb anything from non-European and in particular anti-colonial points of view. The chapters will quote those points of view but not incorporate them or really give their ideas the time of day, just go right back to acting like Plato and Aristotle and Romantic poets are the gold standard for defining what it means to be human.
In brief, the book is trying to examine how literature can shed light on the climate crisis, which is funny because it completely fails to demonstrate that literature is good or helpful for the climate crisis. Like that is for sure one major issue with it, it shows that people *have* written stuff about climate change, but it sure doesn't convince you that this stuff is good.
Most of the works quoted are rather doomerist, and a lot of the narrative works specifically are apocalypse tales where most of Earth's population dies. The most coherent function the authors can propose that literature fulfills is to essentially help people understand how bad things are. One of the essays even argues that poetry and other creative work that simply appreciates nature is basically outdated, because:
“One could no longer imagine wandering lonely as a cloud, because clouds now jostle in our imaginations with an awareness of atmospheric concentrations of carbon dioxide and other atmospheric pollutants” (Mandy Bloomfield, pg. 72)
Skill issue, Mandy.
The menace of doomerism in fiction and poetry is addressed, by Byron Caminero-Santangelo, on page 127 when he references,
the literary non-fiction of a growing number of authors who explicitly assert, some might even say embrace, the equation between fatalistic apocalyptic narrative and enlightenment…they are authoritative in their rejection of any hope and in their representation of mitigatory action as the cliched moving of deckchairs on a sinking ship
He quotes an essay “Elegy for a country’s seasons” by Zadie Smith, who says: “The fatalists have the luxury of focusing on an eschatological apocalyptic narrative and on the nostalgia of elegy, as well as of escape from uncertainty and responsibility to act." Which is spot-on and accurate, but these observations aren't recognized as a menace to positive action, nor is the parallel to Christian thought that eagerly looks forward to Earth's destruction as a cathartic release from its pain made fully explicit and analyzed. Most of the creative works referenced and quoted in the book ARE this exact type of fatalistic, elegiac performance of mourning.
I basically quit reading after Chapter 11, "Animals," by Eileen Crist, which begins:
The humanization of the world began unfolding when agricultural humans separated themselves from wild nature, and started to tame landscapes, subjugate and domesticate animals and plants, treat wild animals as enemies of flocks and fields, engineer freshwater ecologies, and open their psyches to the meme of the ‘the human’ as world conquerer, ruler and owner.
This is what I'm talking about when I say it's dripping Eurocentrism; these ideas are NOT universal, and it's adding nothing to the world to write them because they fall perfectly in line with what the European colonizing culture already believes, complete with the lingering ghost of a reference to the Fall of Man and banishment from the Garden of Eden. It keeps going:
“Over time, the new human elaborated a view of the animal that ruptured from the totemic, shamanic and relational past.”
Okay so now she's introducing the idea of progression from shamanic nature-worshipping religions of our primitive past...hmm I'm sure this isn't going anywhere bad
“While humanity has largely rejected the colonizing project with respect to fellow humans, the occupation of non-human nature constitutes civilization’s last bastion of ‘normal’ colonialism. A new humanity is bound sooner or later to recognize and overthrow a colonialism of ‘nature,’ embracing a universal norm of interspecies justice.” (pg. 206) 
OKAY????
Not only denying that colonialism still exists, but also saying that humans' relationship with nature constitutes colonialism??
Embracing limitations means scaling down the human presence on demographic and economic fronts…(pg.207)
ope, there's the "we have to reduce the human population"
Embracing limitations further mandates pulling back from vast expanses of the natural world, thus letting the lavishness of wild (free) nature rule Earth again” (pg. 207) 
aaaaaaand there's the "we have to remove humans from wild nature so it can be freeeeeee"
don't get me wrong like I am a random white person with no particular expertise in anti-colonialist thought but I think this is an easy one. I'm pretty sure if your view of nature is that colonialism involving subjugating humans doesn't exist any more and actually humans existing in and altering nature is the real colonialism so we should remove humans from vast tracts of earth, your opinion is just bad.
Anyways y'all know I have an axe to grind against doomerism so it was probably obvious where this was going but good grief.
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fumifooms · 3 months
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The Nakamoto household - facts & theories masterpost
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Table of contents:
the hierarchy & general situation
The parents
The Maizuru situation
The siblings
The other retainers
Izutsumi
Toshiro
Conclusion
I also made tldr summary charts here. This post is about collecting facts about the setting and characters, but it’s gonna be a lot of analysis on what it means through the lens of Toshiro as well, his relationship and place in everything etc etc. They have entangled drama the scale of Daltian Clan. Things are so interwoven it’s hard to keep topics neatly in their own section, because of this pictures may be relevant at several point of this but I mostly won’t be putting them in twice, you might have to do some scrolling up while reading if you want the visual proof to accompany statements. Unlike with Chilchuck’s family there’s less ambiguousness and more intricate details and implications so it’s less theorizing & headcanoning and more stringing together all the crumbs canon gave us. I also dig into some cultural parallels, especially since characters from Wa are the most culturally coded in the series. Also disclaimer that I’ll be calling Shuro Toshiro through this whole thing bc that’s his actual name & Shuro isn’t even a nickname he likes, for accuracy’s sake. The servant girls have real names but are typically called by their code/given names so I’ll call them as such, except for Izutsumi who was named Asebi which I won’t be using.
The general situation
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To start off, what’s the situation in canon? All three kids of the head of the house, the three sons (Toshiro and his two younger brothers), are sent out on a vague mission to find something interesting for his father to pick the heir. Each son is thus on their own journey, out with their own group of retainers for an unsure length of time, during canon it’s been 2 years that Toshiro left the house for this mission, and they seemingly all drifted towards dungeons. It’s important to remember that this state of things is the exception and not the rule, and before this the sons lived at home and had different uses of their time, and the retainers had other jobs than care after them. See the next paragraph.
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The household offers ninja services, no exaggeration or misuse of the term, mostly spyint but also "covert maneuvers" which could include anything including assassination of people high up. That’s the job of their servants/retainers at least, the heads themselves are more like managers probably, possibly samurais themselves though especially since as we see with the heirs (besides the samurai armor) they also got trained in fighting as their skills showcase. I need to dig into the history of samurais more before I can draw the parallel confidently though. The Nakamoto household is noble/wealthy, distinguished as the Adventurer’s Bible puts it, but it works for and puts its service at use for "their local lord". It buys servants, but also has families who have served it for generations like with Hien. The comic shows that there aren’t only women servants, it’s just the ones we see all happen to be because Toshiro’s retainers are only a small team of all of Nakamoto’s servants.
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Above, in a page showcasing characters’ relationships with their party leader: 父親の部下を借りている状態なので、 距離がある。Doubtlessly there must be a translation of this already somewhere but I’m lazy and impatient so I turned to machine translation instead, this translates into: "Since he is borrowing his father's subordinates, there is a distance between him and them". Calling the servants retainers is what most of the fandom does and it’s accurate so I’ll be calling them this.
Hien and Toshiro were childhood friends which means the servants do have some degree of contact not even just together but with the heirs too, or maybe just specifically Hien, since both their parents were ninjas for the Nakamotos she ended up getting raised there and they let her play with him as an exception? They did end up drifting away as adults as their relationship got more professional, so it’s possible. The servants eat and sleep in shared spaces, separate from the masters, though Maizuru has her own bedroom, if the room configuration at the in is to be believed + it’d make sense since she’s governess/head servant. I’m hesitant wether to say it’s implied that this group of 4 retainers was always a bit of a team or it wasn’t and got formed for Toshiro specifically. We know that Benichidori had little contact with Toshiro before they were sent out together for example, but we do see all three girls with Izutsumi in Inutade’s extra when they were younger, and them eating in the same japanese styled room etc. The inn they stay at on The Island is western styled though they do have futons rather than beds (there’s only one bed in their shared room and Hien has it because of her rank).
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From Izutsumi’s Adventurer’s Bible profile: "Maizuru, who was also Shuro's governess, is the one thing Izutsumi fears. After Izutsumi was taken in by the Nakamoto family, Maizuru forced her through a harsh training regimen of speech, common sense, and fighting skills. Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn't touch her within a set time frame: "Ninja Art: Babysitter." "
Maizuru, called a governess, is the one training the girls, at least some of them, we know for a fact she was the one to train Izutsumi for example, and in general she’s the one in charge of the ninja girls we see. She was a ninja herself but retired from frontline missions, but has a central role managing the servants instead. Inutade for example is strong but not stealthy, and it’s said that it’s Maizuru’s job to choose how to train her and what role to give her in consequence. Her training includes manners but fighting as well, notably kunais and martial arts. Hien is shown to use bombs and Benichidori is implied to be good at disguises, Inutade uses a bold weapon like a club but it’s implied with "ogres and clubs just go together" and Maizuru not knowing where to put her to use that it’s uncommon for Nakamoto servants to use those. Their board game artworks also show their specialties neatly. When brought into the household, the servants are given new names and their whole lives become devotion to the house and their duties. The names might be intended to act as code names due to them being ninjas? It’s implied that they never use their non-code names anymore once they start serving the household. Maizuru’s training also contains language and "common sense"… Critical thinking? As well as implied etiquette. This isn’t surprising, as she was the one put in charge of raising not only Toshiro but his brothers as well.
Oh yes I want to mention that all the retainers’ "first deaths" are in the dungeon during canon, considering our main cast we’re used to death being permissible because dungeons make resurrections possible, but it’s relevant to remember that these people never died before. Never. These girls are professionals, ninjas with a sometimes very dangerous job. Messing up means death, permanently.
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From what we see and with who we see, the hierarchy is:
Father (head of house, his word goes)
Mother (has status which puts her wishes above others’ and give her some control over the house, it’s unsure how much though, but hierarchy wise she’s very much above the rest but below the father)
Maizuru (governess, in charge of (at least some) servants and raising Toshiro. Two dots)
Hien (leader of their squad, trained servant from a family devoted to the Nakamotos. Two dots)
Benichidori (trained bought servant. Two dots)
Inutade and Izutsumi (bought servants. Power wise from their rank it’s unsure just how much the difference between Inutade (who has one dot), Izutsumi (who has none) and Benichidori (who has two) is, since Hien is team leader between the four servants at least that’s measurable. Inutade gets some janitor duties, and Izutsumi has a curse put on her so she doesn’t run away I suppose. Power wise it’s unsure, but socially/role wise Inutade and especially Asebi are treated worse.)
I didn’t add the sons because I’m talking more generally about the power structure and it’d depend on each sibling, like Toshiro’s wants and directives during canon trump Maizuru’s, but Maizuru is also his nanny and manages the girls so she has a lot of importance and sway even on the final decisions.
The parents
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I am so pissed I forgot that we know Toshiro’s father’s name, Toshitsugu, from these panels showing the progression of the family tree. I am so pissed I’m adding this halfway into writing this whole thing, I am not gonna go back and replace every "the father" by his name atm.
The father is the part of this puzzle most important yet most shrouded in mystery, or rather a lack of details. What we do know paints a pretty full and vivid portrait: impulsive and cares mainly about his own entertainment. Maizuru calls him a fool, his sons are exasperated and go "This again?" when he summons them saying that they’re boring/dull, everyone knows he’s having an affair and he often has undignified demeanor, but what he says goes so yes Maizuru will take Izutsumi under her wing, yes the sons will be going out right away into the world to find you the 8th world wonder, yes whatever you want lord. He seems to have little care for how his action affects others, like crashing into Maizuru’s room at night and asking she take care of a catgirl, or sending out his sons suddenly with kicks to the butts. He does what he wants hen he wants and others have to comply.
Like we see with Izutsumi and Inutade, he tends to take a liking to slaves here and there and buy them on the spot, usually at entertainment places, like sumo wrestling matches for Inutade and a freakshow for Izutsumi. The Adventurer’s Bible states him acquiring Inutade as "By coincidence, Shuro's father came to see her first match; he liked her and bought her for the Nakamoto family." and Izutsumi as "She was on display as a "cat-girl" in a sideshow when Shuro's father took an interest in her and bought her." In Maizuru’s extra, he calls Izutsumi a "souvenir" he got for her, and he’s drunk so it could well be assumed that buying Izutsumi was a drunken whim, and that he mitht be alcoholic. You can’t really say that he picks them out because he sees potential in them to be a ninja or would be useful, since with Izutsumi she had no fighting training and Inutade doesn’t fit the skills they seek like stealth and she has trouble fitting in. You could assign noble goals to him like maybe wanting to help or relating to the misfits, but I think with what we see of him it’s more likely that he likes to pick up "oddities", like a catgirl at a freakshow or an ogre, especially since one of the only things we know of him is he wants his sons to bring back interesting trophies from their travels. Toshiro, about his father buying Inutade, says: "People in power desire ogre as servants, and ogres are chosen as opponents in tests of strengths or military exploits. My father bought her for similar reasons."
Also from this we can infer that he goes out to events often, like circus and sumo wrestling, again mostly for entertainment from what we see. I like to think it’s implied that he used to travell maybe still does, due to his own liking for it as a test and because he visits various places like the sideshow, plus his forearm scars in Toshiro’s extra… But him being a samurai in service of a lord could definitely explain that.
This all paints an interesting picture doesn’t it… The Nakamoto’s lifestyle is super encased in rules and social propriety, duty and hierarchy. Old noble man who’s been surrounded by propriety all his life and just wants some spark of interesting stuff happening amongst the humdrum of his lavish cushioned life at home, and is shitty to people around him in consequence and due to his privilege allowing him to. He’s despicable, but from his 3 appearances he becomes an interesting well-fleshed character, at least proportionally to the screentime he gets…
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We also know that the affair with Maizuru is well known at least inside the household, so there’s no genuine secrecy around the topic. Makes sense that the wife would hate her guts.
Ahh yes the mother. Little is known about the mother, except that from Maizuru’s profile "Shuro’s mother can’t stand the sight of her, to the point where there are areas on the property Maizuru is forbidden to enter. Maizuru, however, is impressed by his wife’s strength of character." From this I glean that she does have enough power/respect in the house that she can make rules like where Maizuru is allowed to go. Also the implication that otherwise Mazuru would have access to EVERYWHERE in the house despite being only a (high-ranking) servant is a bit interesting. Wether the mother’s "strength of character" is overt and hot-headed or understated and cool-headed is unsure, but I imagine the latter more. I could see Maizuru’s angle in many ways, from being able to tolerate "that fool" aka the father both just in general and with knowing that he’s cheating on her, to knowing how hard it is to be respected as a woman and admiring her putting up with it all and still being able to have sway in the household. This is I think the only mention of the mother anywhere. Doesn’t seem like she is an important figure to Toshiro at all: in fact we hear about her on Maizuru’s profile, and seeing all of this we can see the importance of her in Maizuru’s backstory and life, moreso than Toshiro’s. I imagine she’s a bit of a recluse, which is part of why Maizuru not being allowed to roam the full house is important, because them running into each other at the house is high.
It’s unsure how much contact the parents have with their kids. What we know is that they left the principal tasks of raising the kids, or at least Toshiro, to servants. Toshiro’s profile says that he’s more attached to Maizuru than his parents, and that’s the phrasing. From the comic where their father summons the sons, it does seem like they’re more or less used to interacting, with the sons’ "This again?". So it’s not that they’ve only interacted with them few times enough to count on fingers, but how meaningful were those interactions? From Toshiro’s profile we know he has a complex where he thinks he’ll never get recognition from his father or be able to measure up to him… But is that more born out of secondhand gossip and expectations, or from direct interactions with him that made him feel that way? Likely a mix of both, especially since the father does seem to be very dismissive, uncaring and insulting with his sons. Oh, but it’s definitely notable that in the Hag monster tidbit (below in Maizuru’s section) six years old Toshiro runs to his father scared shitless for help against the shikigami, and his father casually helps him without batting an eye. Toshitsugu knows how to deal with Maizuru’s shikigamis, and he does so efficiently and without any sense of worry or urgency. Although the event traumatized Toshiro and he was very scared, it doesn’t seem like his father offered any comfort, beyond just helping getting rid of it and letting him cower behind him without comment. Toshitsugu gives hungover vibes in that one imo haha. It’s shown he was already training as a ninja, perhaps this event only reinforced Toshiro’s complex, seeing his father, the samurai the achieved man who has expectations for him, so unfazed and uncaring like that.
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The Maizuru situation
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Let’s establish a timeline first. It’s left vague how much time she’s served the Nakamoto family for, or how she came to be in their service. The central point is that "She was put in charge of raising their children at a young age". If straight from his birth, Maizuru started taking care of Toshiro when she was 15 years old. If from toddler age, then 16. It’s uncertain if when she stopped getting front-line espionage missions, but we know it’s late rather than early despite having kid raising duties. But well, since she’s also in charge of the ninjas she’s definitely has a multitasking role even now.
The dad prob has around 5-10 years more than Maizuru, I’d say. We only see half of his face and only a good few years in the past, around ~3 years ago probably with the shuro quest and a good 7 years with Izutsumi as a kid, but visually those are the vibes I’m getting. From Toshiro’s birth, it’s possible that the father was 15 when the baby was born too? But conception would have been closer to 14 years old then, and yeah I don’t think they marry and have kids that young. Toshiro is 26 years old in canon and is unmarried, and the heir hasn’t been officially picked, so marriage and kids don’t seem to be in the family’s priorities. Even if Maizuru do say that the father would love if Toshiro brought back a wife.
Now the elephant in the room: she has an on-and-off affair with the father and it has been si for many many years, at LEAST 7 years since that’s when we see that comic of him going into her chambers about Izutsumi, and in the comic above, Hien in that panel has an ambiguous age. Regardless it’s definitely implied that it’s a long, long-standing thing. Hien’s phrasing above makes it sound as if it’s not purely physical, as if feelings are involved, "he’s head over heels for his confidante", and who knows if this relationship is part of why Maizuru was chosen to be the governess, or even hired at all.
It’s in the feud with his father that we learn about maizuru’s affair and how after learning it he started shutting her out emotionally. It’s left vague when Toshiro learned about it, Hien made it sound as if everybody always more or less knew but I don’t think Toshiro started shutting her out when he was still pretty young. Regardless, the two are implied to be linked, his dislike of his father/complex and how he stopped getting along well with Maizuru/being emotionally open with her. Is it that he now feels as though Maizuru is actually on his father’s side and not his own, that after all if she had to choose she’d pick him over Toshiro too? Or is it that, because his father’s known to be a self-centered frivolous jerk, that knowing she lets it happen, "can’t seem to shake it", he respects her less? He has an irresponsible reputation and she does give off the vibe of needing to clean up his messes, so that wouldn’t be unplausible either.
On the flipside from her perspective, since he learned she was his dad’s mistress he emotionally shut her out, which can partly explain why she’s SO fussy with him and happy at the slightest hint of happiness or compliance, like when he listens to her and eats, or maybe even being happy that he lets her help him dress and keep tidy (imo this is supported by how they interact in the page showing him interacting with all his party members). She wants to regain that closeness they once had and for her baby chick to be alright as he’s slipping through her fingers. Man so sad to think about him rejecting her when he’s the only thing in her life. She’s raised him for 26 years, no wonder she’s so attached to him, the only thing in her life she feels true unconditional attachment for. Maizuru says that she thinks Toshiro’ll be a better head of the house than the father, too. The respect and care is somewhat onesided, given freely from her side but repressed from his end. When she cares for Toshiro is when her demeanor immediately and drastically softens. She gets easily carried away when it comes to him, rambling enthusiastically or smiling widely or tearing up. Her tendency to ramble or tell anecdotes about Toshiro is shown making Hien and Benichidori go "Here she goes again…" twice through canon.
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With Izutsumi’s timeline we see Izutsumi was taken into the Nakamoto household at 10 yo, and since in the comic with Maizuru and the dad she’s shown as stinky and all I imagine she arrived there the same day, so Maizuru was in charge of her since she was first here. In fact if we assumed that it’s the same day as when he bought her at the circus show, then we could assume that buying her was a drunken whim like mentioned.
Since Izutsumi was taken in at 10 and she’s 17, this would mean that Maizuru is 34 years old here. She looks younger without makeup, but lower than that is mathematically impossible besides maybe 33 if Maizuru and Izutsumi’s birthdays line up just right.
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Time for the second elephant in the room!!
Maizuru’s magic
Maizuru is the only person in the Nakamoto household, anyone from Wa really, who we see using magic, I doubt she’d be the only one who can use magic in the household but as the governess it wouldn’t be unplausible I suppose. From what we see, the magic is estimated by Marcille to be an "appropriation of gnomic magic" with an eastern script. For my analysis of written magic (though with only a brief glance over Maizuru’s magic), see this post.
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If you scroll up and read the little section on Maizuru’s profile, Ninja art: babysitter: "One of the curses put on Izutsumi is Ninja Art: Babysitter, which manifests as a terrifying hag shikigami. Unless Maizuru touches the victim within a set time frame, this terrible curse makes a hag appear and chase them around with a carving knife. Maizuru originally created it in an attempt to keep Shuro from getting lost, but it ended up traumatizing him…"
From Izutsumi’s profile: "Maizuru, who was Shuro’s governess, is the one thing Izutsumi fears. […] Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn’t touch her within a set time frame: "Ninja Art: Babysitter." It was put on her when she was 12. Since Toshiro had it as a kid, presumably the curse can be lifted off rather easily, Marcille was confident on reverse engineering it as well. It’s unsaid what the time frame is, it’s kept vague everywhere and Izutsumi herself says "who knows" how long it is. Izutsumi ran away despite the very real risk of it killing her. Essentially, Maizuru can put people in a timebomb collar
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… MAIZURU WHAT THE HELL
As we might have expected, Maizuru being given the task of rasing a child at 15 did not go perfectly. This, a babysitting technique??! This comic happens when Toshiro was 6 and so Maizuru was 21. Interesting to note that Toshiro didn’t even know it was Maizuru’s doing before this conversation during canon, and he doesn’t know how to bring it up or deal with it how it affected him. Maizuru seems surprisingly uncaring of Toshiro’s feelings on the matter here, oblivious to his conflict her and fondly recalling it all.
This curse is a shikigami. From her profile: "A shikigami user, Maizuru has a variety of shikigami that have been sealed in paper as her servants. Her favorite seems to be Gyuki, a bull ogre." Now don’t ask me when Gyuki appears, I do not remember it. But before we go into the cultural/historical basis for this practice, let’s take a second to recognize the parallel that Maizuru has servants she keeps sealed unless useful in the moment, even despite having enough "attachment" to have a favorite. She’s the governess in charge of the other servants, and she has shikigamis, which she has used on the heir and the runt at the bottom of the hierarchy alike.
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Shikigami, in traditional japanese folklore, are conjured to exercise risky orders for their masters, such as spying, stealing and enemy tracking. Shikigami are said to be invisible most of the time, but they can be made visible by binding them into small, folded and artfully cut paper manikins.
Shikigamis are from onmyodo, onmyoji is a profession-legal title historically but it’s what you call a practitioner of onmyodo, and so I feel content in saying that Maizuru is an onmyoji, or based on it. Her outfit reminds me of a shinto priest. It’s interestingly closer to a shinto priest outfit than a miko/shrine maiden’s (in picture below, 2 instead of 5), and I feel like red being chosen for the inner sleeve is a very charged decision since the white & red color combo is the shinto clothes color combo. Especially white clothes with red inner sleeve. Shinto priests can be women nowadays but they’re rare, and onmyojis can be considered shinto priests though it’s a more complex than that. Image below as example, source. Now I don’t think Maizuru has the role or prestige of a priest at all- But the association with onmyodo and spirituality is definitely meant to be made I think. Onmyojis are usually clothed similarly to this.
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The babysitter ninja art seems to be based off of the hannya yokai. "They were once human women who were consumed by jealousy and transformed into demonesses", twisted by anger and resentment. Interesting considering her being a mistress to a man whose wife hates her. Hannyas are associated with wisdom because of its name, but there is nothing positive about them. At its highest level of "demonic corruption" if I can call it that, their body tend to become serpentine, fun link to make with her name being from the snakeberry plant.
Other cultural ties or symbolism on Maizuru’s character could be found in the motif of cranes due to her sleeves, in the tales of the crane wife, origami cranes (called orizuru, from deformation of 鶴 "tsuru" aka "crane". All names are written in katakanas in Dungeon Meshi, but thus if we had had the kanjis it’s possible her name would have been written with the kanji for crane), tennyos, and japanese crane symbolism in general. I thought cranes might have been associated with motherhood, but seemingly not in japanese culture at least, I was thinking of storks haha.
Ok speaking of her name. Maizuru is the name of an existing japanese city (舞鶴), meaning "dancing crane". From @room-surprise’s work in progress research paper on Dungeon Meshi characters’ names: "Maizuru is her ninja code name, and comes from “maizurusou”, which is maianthemum dilatatum, the snakeberry plant/two-leaved Solomon's seal/false lily of the valley. Lily of the Valley is a plant associated with motherhood and virtue… So Maizuru being a false Lily of the Valley implies that she is a false, replacement mother, and also hints at the way that Toshiro became cold towards her when he realized she was his father’s mistress, and not a pure, virtuous mother-like figure that he thought she was. Also, lilies are toxic to cats, which makes sense since Maizuru and Izutsumi have an extremely bad relationship." For more details I’ll leave it up to Room when the paper is ready to be released.
So some big themes of her character are: (false) motherhood, spirituality/magic, control, cranes, woman’s jealousy.
The siblings
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Alriight so besides Toshiro the eldest at 26 years old, there is Toshiyuki (Toshitsuge in one fantranslation) the middle son and Toshizane the youngest (Toshikage in one fantranslation). They were all said to be raised by Maizuru. "A strange level of distance" is interesting. Why strange? I feel like this implies they do interact regularly, and that they’re all rather civil wirh each other, but they still have little bond to speak of. That wouldn’t surprise me, especially since even inside the family etiquette and propriety and rules are enforced, the summoning by his father feels very formal and they all listen to him standing in silence despite having snappy inner thoughts. It’s unsure if they were largely raised together or apart, but since Maizuru was their (at least main) caretaker/governess it implies that they were imo. They were put in competition with each other for the title of heir to the house, though it’s unsure to what degree. It’s examplified by their family all having names that start with "Toshi" that the legacy is very important and thrust upon them, cogs in a machine almost. They all think the same thing when their father summons them and has a spiel, so they’re used to the same sort of treatment and they are indeed brothers for being on similar wavelengths haha.
Toshiyuki, as seen in the comic about his retainers, the poor soul sent into Darkest Dungeon, is brattish. Rude, selfish and rather lecherous, does not hesitate to be mean to his retainers and complain he wasn’t given women retainers. Visually he looks what, 14 years old top. I wonder if Maizuru stopped using her babysitter ninja art on the heirs after it traumatized Toshiro, and if so maybe that explains why Toshiyuki Knows No Fear In His Heart™️ and that’s why he can spout off stuff like that.
The retainers for the youngest brother, Toshizane, don’t seem to be as clad in ninja gear as the other two, seems like the priority is to take care of the very young young master there? Rather than truly go adventuring and dungeoneering, perhaps. Not that it’s ever said by anyone that their quest is to go into dungeons specifically, only to find something "interesting" to bring back, but both Toshiro and Toshiyuki are shown to have ended up drifting into dungeons. Toshizane looks young, I’d clock him 8 years old personally. He’s drawn looking rather innocent, especially the headshot doodle above and in the Toshitsuge complaining about his retainers comic. ALTHOUGH on the latter, interestingly as we see with Toshiro having a smug smirk in that same panel (or alternatively a smug indifferent/uncomfortable "i don’t care about this, even though you want it so much" look which at the very least is very exaggerated from how he emotes in reality), it’s Toshiyuki’s unreliable/exaggerated vision of his brothers and it doesn’t necessaeily reflect reality, though it’s still interesting to note that that’s the vision Toshiyuki has of his brothers/the impression Toshizane gives off. That can imply juicy dynamics for the brothers, for example if Toshiyuki feels as though he’s in competition with his brothers, feels superior to them, that instead of pushing the shitty family dynamic angst onto his father he puts the blame for it all onto Toshiro. Toshizane seems maybe too young to notice the tensions and seriousness around him, maybe more coddled… IS WHAT I WOULD SAY BUT in the comic where their father send them away he’s as well-behaved and serious as the others, so clearly he has a grasp on his role.
When talking about which retainers go with who, it’s said it was the father’s choice. I’d like to assume it wasn’t an airheaded/random choice. Maybe he knew that Toshiyuki would be weird about having women in his team of retainers? And wants to forge their character or protect them in the way they need. Though how Toshiro’s party only has women isn’t only pointed out and commented on by the comic with Toshitsuge but also in the main Dungeon Meshi story, both Marcille and Chilchuck going "his party is fully made up of women", one more loudly than the other haha. So it does feel like a somewhat pointed/purposeful decision, if not that the 4 girls were already a team like I mentioned.
The other retainers
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Already made an analysis of Hien and Benichidori’s relationship (+ moment compilation) here. Honestly my juices are exhausted so quick rundown:
Hien’s parents both serve the Nakamotos, so she grew up with the family and was even a childhood friend of Toshiro. She assumed he and her might end up in a Maizuru-Toshitsugu situation ‘just because that’s how things are’/‘it’d be a natural development’ if we’re to believe Hien, ahh what growing up in the Nakamoto with those role models will make you believe is normal hah, and was surprised when it ended up not in that way at all. They grew more distant with time, in good part because of the professional nature of their roles in relation to each other (truly a reversal of the Maizuru-Toshitsugu situation). She’s the leader of their lil squad, under Maizuru, she’s confident and she gets the perks, like getting the bedframe in the shared inn room. For all the details just read her page. She has two dots, showing her rank as a full fledged ninja.
Benichidori was bought, by "the Nakamotos" so we don’t know who made the final decision. She’s perceptive and submissive, her specialty is implied to be disguise. She never had much contact with Toshiro before she became part of his party. She has facial dysmorphia where she fears the judgement of others if she doesn’t wear makeup and highly values beauty, in her extra her anxiety really shows and she ends up angrily snapping at Hien. Benichidori ends up taking a big liking to Hien and from there on they’re implied to be inseparable. She has two dots, showing her rank as a full fledged ninja.
Inutade is said to worship Toshitsugu because he "saved her" from her horrible life conditions, buying her personally from the sumo matches, she’s extremely grateful to the family and is happy to do any work they give her and is highly satisfied with her current living conditions. She seems to find Toshiro intimidating, though. She was separated from her parents from before she can remember and raised as a sumo wrestler in inhumane betting matches, where her front tooth broke. It seems she has very littke ambitions and dreams besides obeying orders day to day, but after Izutsumi fled away she was happy for her and mused that she’d love to go out and find her one day. They’re so besties Izutsumi gave her a dream of her own I’m sobbing… </3 She has one dot, showing she still has to be attributed her role and earn her stripes.
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Their approval rating of their leader. The highest total score from all the parties.
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Izutsumi
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Sighh where to even begin. Her timeline was put in Maizuru’s section of this post but the rundown is "taken away from parents and turned into a beastkin" at 6 yo (the human half of her soul), "sent to a sideshow on the island of Wa" at 7 yo and bought by Toshitsugu at 10 yo when he took an interest in her when he visited the sideshow. Maizuru put the curse on Izutsumi at age 12, so from then on she always had to not stray much far from Maizuru or risk death, it’s unsure if Inutade’s extra is from before that time, before she was 12, so she could still attempt many many tries to run away. If that’s the case, then Maizuru’s curse was very much treated as a last resort, honestly beyond everything else I can see it being a pain that Maizuru would need to touch her every so often on Maizuru’s schedule as well. The alternative is that, not unlike Kabru who had no regrets dying in a dungeon rather than staying with Milsiril, she’d risk her life to get a taste of freedom. Besides, you know, being a slave and having a timebomb collar with Maizuru’s curse, her frustrations with her life with the Nakamotos is most concisely put in the comic just up above, Inutade’s extra.
She has no dot tattoo, meaning she’s at rock bottom of the hierarchy. It makes sense, since unlike Inutade she’s rebellious and needs threats to obey orders, and even then might try shifty business.
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This last part where Izutsumi tries sleeping with Toshiro is most interesting to me. So she’s sought out contact with Toshiro before, she considers him "the stuck-up guy" but she doesn’t exactly hate him. I wonder if this comic is set in the inn on The Island or back at the Nakamoto household, because if that’s the latter it implies that she could get access to his room if she’s sneaky.
Oh oh also, this is fanon but since Toshiro’s weapon is one used usually on horseback, and with the steadfast and upright character of horses I associate Toshiro with horses a bit, though this is wild fanon. What’s interesting is that the plant Asebi was named after is a plant infamous for being toxic to horses. Hehe hehehe he wears a ponytail… Hm now that I think of it hairdos have importance for samurais, should look into that.
Toshiro
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God. Ok. Everything was leading up to this guy. Need to split open his head like a geode and vibecheck his brain crystals. Let’s get some interesting details out of the way first.
His weapon is a tachi, not a katana. The wikipedia on tachis is more in depth if you want, but I consider the article I linked to be in deoth and digestible. Tachis are heavier and longer blades than katanas, and make for better horseback weapons than close combat. The way Toshiro uses one instead of a katakana shows that he’s extra strong… And does make sense, since most monsters won’t fight in as close quarters as human fighters. If katanas aren’t a thing in the world yet could make a difference, since tachis were invented first, and once the katana was invented and spread tachis became something more common in higher-ranking samurais. In the monster tidbit of the Hag, it’s shown that even at 6 years old Toshiro was training and learning ninja skills, his first instinct to the shikigami besides running being to fight.
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Toshiro knew that Izutsumi wanted to leave, for sure. He may have been sympathetic, if his cryptic look back at her in the ‘Toshiro interacting with his party members’ page means anything. As seen below though, him being sympathetic doesn’t necessarily mean that much. Also, Toshiro had to have known about the curse on Izutsumi, where if Maizuru doesn’t touch her once in a while she’d die. "Asebi must have ran away, leave her" can be seen as subtle support for her to gain her freedom, but it could just as easily be seen as him leaving her behind to die. Because the outcome options are 1) she gets killed by Maizuru's curse, 2) she finds a way to break the spell, 3) she finds a way back to them.
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He’s very conflict averse. Wether it be in relationships like with Laios or the status quo. Will not stand up for 99% things including himself. He obeys his father quietly despite his anger and dislike. This is the same guy who can't even get himself to speak up to correct the butchering of his name, the slippery slope that got him tangled in the Laios party seemingly without resistance. It’s very japanese etiquette from even nowadays, never saying a direct no to not be rude. ALSO THAT PANEL, has Toshiro beaten an ogre before?? Is that a brother of his?? Does seem in character for Toshiyuki the most, unless Toshiro was desperate to earn his father’s attention with feats. On the right I’d say the ones in the foreground are two of the brothers, maybe the third being the one to gesture to the ogre. It’s worth noting that inheritance laws during the Edo period often made the heir the son with "the most merit".
When with a goal that’s important to him he’s fine with even starving for it. Although what we see him be like that about in canon is Falin, aka self-admittedly in the post-canon proposal comic "the first person he has liked this much", which for him I feel is like admitting she’s one of the first things he has truly wanted for himself and fought for, soo… It’s more like an exceptional freaking out moment than something that would be recurring, most likely. How disheveled he got is a testament to how much he would forego propriety and rules for people of his status for the person he cares about most. Maizuru says the first personal request he’s (ever?) made was for them to help him rescue Falin.
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Which ahh yes, his crush on Falin. I do think idealization plays into it, he doesn’t know Falin that well for sure, but it’s more complex than that too. Falin is pretty and can have an ethereal energy to her, she’s caring and gentle kinda motherly which Toshiro would find soothing I imagine, BUT MOST OF ALL. She’s weird!! She’s just weird enough to allow and be charmed by!! Shuro was fully shaped by his upbringing and environment of nobility, social etiquette and whatnot. Yeah she’s weird and quirky, but still quiet and sweet-mannered enough that he’s like "Yes, she wouldn’t bring shame on my family name". And why would he be charmed by her weirdness? Because all he’s ever known is rules!! Conformity, fitting in!! Unlike the others he knows, she is weird without being overbearing as well. "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" She’s like his comfort character. MOREOVERRR I had totally forgotten about it, but Toshiro was shown watching a snail behind a bush and losing sight of everything else (like Maizuru calling him) as a kid in the Hag monster tidbit, the moment he fell in love with Falin it was when she looked enthralled at a caterpillar and he mentions how "most girls would have screamed or recoiled in disgust", and in the beach chibis page he’s crouching and collecting shells thinking about Falin… He likes bugs and crawly critters guys, he wishes he could be cottagecore too… It’s a genuine shared interest… . Someone pointed out that Toshiro & Falin’s relationship probaboy references this japanese folk tale, and I think that’s very interesting to note.
And Maizuru is like his mom but it’s a Thistle situation where they can’t just be a normal family and normal affectionate either- and when he learns about his father having a thing with her he feels weirded out. And like. Who knows how much he even got out of the mansion. He got homeschooled. He’s distant with his brothers. The family is in shambles
Shuro’s issue is that he was taught to be perfect and have the upmost respectable behavior, so if something annoys him he has to be righteous about it and that it’s the annoying thing’s fault or moral failing. Bro just let yourself be petty sometimes it’s healthier. With the feud with his father it’s explicitly stated that the pressure and expectations of the family name weigh on him a lot.
But then, that makes his beef with Laios so understandable doesn’t it. Not justified, but explained certainly.
Laios & Shuro and the whole mess coming to a head
I’ve made an analysis of the Laios-Shuro fight from Laios’ pov before, here. This is the Shuro pov analysis. Yes yes in The Fight, Shuro is dehydrated sleep-deprived and underate, he’s majorly off his rocker, BUT his frustration and the underlying issues are still things he felt on any day and it’s interesting to note.
Toshiro has been raised from his birth with the priority of propriety, nobility, etiquette, rules, conforming elegantly, appareances and reputation are everything. He’s modest, humble, quiet, stays in his lane and bottles all his feelings up. Wait who is this loud guy coming up to me being inconsiderate and loud af?? Does he not see me blinking in morse code that I’m not enjoying this and want him to leave?? Was he raised in a barn?? He’s overbearing and rude and way too friendly- He’s weird wtf! Not conforming to basic etiquette is illegal??! And people just… Let him do whateve he wants?? He lives well, no one stops him or kills him?? What the fuck, I’ve followed rules and etiquette thoroughly all my life, and it’s thankless work I get no recognition for, meanwhile he gets to be oblivious af and do whatever he wants without getting clapped?? Resentment, frustration, dislike, anger anger anger, jealousy.
Laios might even remind Toshuro of his dad in a way, because he SEEMS impulsive and like he does whatever he wants without a care to people around him, without thinking of how it might affect them. Doing things without thinking through the Implications. And interestingly this is a bit paralleled to to how Shuro is serious, strict, and big on the duties that come with having a leader role and the family dynamic it brings, like Laios’ own father, who Laios also dislikes… Dealing with his anger towards Laios, especially knowing that Laios doesn’t mean anything bad by it like Toshiro admits, is probably very healing to him. He stops repressing and thinks through his issues a bit, realizes what parts of his life he’s unhappy with and where all the negative feelings come from. I do think he bottles up his dislike for his father a bit, he has to at least for appearances. His beef with Laios is repackaged internalized anger for his father, but it’s ALSO repackaged frustration from his etiquette-bound lifestyle. He says it himself, when Laios is like "You never told Falin how you feel…? Alright, when I can I’ll tell her for you buddy!!", "that’s the part of you that I envy". Laios’ ability to just come out and say what he wants to, what he means. He wishes he could be free of all the rules more, that he had te courage to speak out, like with Inutade, or talking things out with Maizuru, or nit having to act like he’s not angry with his father. This narrative point of Toshiro envying Laios’ ability to say things freely and being frustrated by not being able to himself is ESPECIALLY examplified by their first interactions, the basis of their relationship: Laios enthusiastically befriending him, giving him a bad nickname and roping him into joining his party, with Toshiro never turning it all down despite wanting to, too hesitant to act possibly rude.
And now is time for the laishuro addendum… Because of personal experiences it’s a bit of a sensitive spot to me so while I see timelines in which I enjoy it I’m very picky… This is all further theorizing from me btw I’m not pushing my view here onto ppl as facts, but I think there’s more interesting bits and scenarios to bite into here. Laishuro has very cute and sweet potential. I personally don’t see the "Oh wait Laios is just girl Falin… 😳" angle because to me if anything that’d just make Shuro disillusioned with Falin lol, but like yes make Shuro learn that it’s ok to be weird with Laios 🥺 They DO have differences first of all, important ones, especially from Toshiro’s perspective. Laios is overwhelming, whereas Falin is soothing. Laios is loud and asks things of him where Falin is a calm, quiet presence. Laios pushes himself onto Toshiro, whereas Falin is content on just doing her own thing in her corner alone.
Hot take but the ultimate laishuro timeline is the one where he DOESN’T bring Laios back home, because he knows he’ll be seen as an oddity and clown by his father, and he doesn’t want Laios to be treated like the tapdancing monkey there to please and entertain his father the way he himself has always kind of been. Wouldn’t inflict that onto someone he loves. He can recognize when people are taken advantage of (mostly) like Inutade, and it doesn’t settle right with him. He might be especially sensitive to it in Inutade’s case because it’s about seeing his dad in a better light than he deserves, though. His father is his weak spot, THE weak spot.
It gets me so emotional thinking about it actually because seeing Laios played like a fiddle by his father, Laios so happy to find someone who’s enthusiastically listening to him ramble and engaging, would destroy Shuro emotionally I think. Like. On one hand being like "Oh of course my dad would find Laios fun, unlike me his boring son", super angry as coping mechanism for his intense sadness of not having positive parental attention, and then on the other he’d see Laios being treated as a clown and identify with it and that would remind him of how he gets treated similarly which he’s in denial about (more or less, but since he puts up with the family rules and follows along he hasn’t given up on getting recognition. He wants his father’s approval, and he couldn’t blame Laios for being happy with it despite how hurtful that attention truly is without Laios’ knowledge), which would be such an overwhelming conflicted mess of emotions and his worldview would shatter a bit because he has to repress it all even now, and he’d have a breakdown.
And similar deal but if he brought Falin home… Bc ok yes he idealizes her and doesn’t even know her all that well, but like I said imo what he sees in her is that "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" So meanwhile with Laios he’d have mixed feelings on him getting treated like a clown and identify with it, bringing Falin home and having her be demeaned would be like having his perfect comfort character dunked on and he gets reminded that the world can’t have anything good actually. With both Toudens it’d make his resentment towards his father even worse, he might snap. I’m not the biggest on gendered analysis tbh but Kui evidently does like to do it to some degree, with the genderbending changing their life considerably and different fantasy cultures having different gender roles and all, but Shuro idealizing the Touden sister as something perfect he cannot attain while being jealous and frustrated at Laios for being something he cannot attain is like. So compelling actually. With Maizuru’s hannya of female rage weaponized there could be a theme of pushing the blame and responsibilities of things onto women too, the responsibility to raise and to manage and to dish out the work and to clean after mens’ reckless decisions. Anyways just a tangent.
Shuro on a bad family angst day is everything I love in a blorbo… He can be a lil shitty as a treat to make his healing arc more fulfilling. Toshiro snapping after he sees how they treat Laios/Falin and he gives up the family headship to LEAVE. Maizuru arc where she has to choose between loyalty to the clan and loyalty to Toshiro, will she stay with the boy she raised or go home… To me Maizuru is much less sympathetic than Shuro, but she is pretty tragic and her selfless love for Shuro is her one redeeming quality. Babygirl take no shit no more, but also better yourself and turn your life around please and thank you… She is so evidently taken advantage of but like. What else does she have? So she just takes care of and loves the boy she raised like her own kid and goes about her daily life in servitude and doesn’t think too much about it all.
Shuro is awful a nickname but also, I think Shiro would be a good nickname for Toshiro, because it gets rid of that ‘Toshi’ first part of his name that all the male members of his family share. It severes the link to his father and the tied pressure from his family.
Laishuro brotp turning slow burn romance would be so lovely. I think college au for laishuro would be peak actually… Shuro so is the repressed "I am so normal" guy who has a furry liberation identity crisis arc… I also quite like the potential he’d have with Namari, as both work-oriented misfit foreigners cast out of their homes, and she’s also bolder so it’d be good for him, and he could bring her stability… That’s a topic for another day tho. Even he and falin are sweet tbh, they could have traveled around together even if just as friends… Bc yeah she does value him as a friend at least somewhat, she says she’ll visit him~! Mostly I want Izutsumi-Toshiro brotp fancontent.
Conclusion
The household is very hierarchy oriented, and honestly the system doesn’t seem to make anyone happy, or at least not healthily so. Sighh feudalism.
Obviously their situation are very different, but still Toshiro and Izutsumi react to the same conflict in opposite ways: when a hierarchy and lifestyle of rules and duty is thrust upon them, Toshiro obeys and believes that it’s how things simply are, always having it been drilled into him since being a baby and being privileged enough to live ok with things as they are, meanwhile Izutsumi rages and eventually breaks free and never wants to submit herself to rules or hierarchy ever again, even if that perceived hierarchy is a mutually beneficial professional party dynamic or having a role inside a well-meaning team, like Laios’ party. WHICH IS WHY THEY SHOULD HANG OUT AND HAVE AN ARC TOGETHER. LET HER INFLUENCE HIM TO GET WILDER AND THINK OF HIMSELF MORE. FUCK INHERITING THE HEADSHIP. THE SIBLINGS NARRATIVE.
As always if I find more stuff to add i’ll edit it in. Rn I’m thinking that I’ll look into ninja & samurai feudal history and try to find specific terms that might fit their roles and situations more. I should reread the first chapter with them to try and notice the hierarchy at play more, sigh, and Izutsumi’s end of the Toshiro-Izu dynamic as well.
Ah yes yes, I forgot to talk about it but we don’t know what Toshiro’s retainers have been doing with their time on The Island, especially while he was dungeon diving with Laios and co. Ah although in the anime’s ed in this shot we see them "stealthily" follow him around, so presumably when he’s not in dungeons they’re tailing his moves.
Afterword here, it has summary charts about the power structure & relationships and complementary pages and artworks, couldn’t put them in here because SIGH 30 pictures per post limit.
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recycledmoviecostumes · 3 months
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This Edwardian-style gown was created for the Ascot scene in the original 1956 Broadway production of the Lerner and Loewe musical My Fair Lady. The scene was filled with beautiful gowns, all in black and white, in keeping with the famous “Black Ascot” of 1910, when King Edward VII died shortly before the event, making it inappropriate to wear color. Thus, those who attended wore all black, aside from accents of white from pearls and flowers.
The gown was designed by Cecil Beaton and executed by Helene Pons based on his sketches. The cream crepe dress has black velvet stripes and an embroidered lace bib. The photo above most likely shows actress Melisande Congdon in the costume, as she performed in the play for three years.
When Truman Capote decided to throw his famous “Black and White Ball,” – he used the scene from My Fair Lady as its inspiration. Deborah Davis’ wonderful book The Party of the Century mentions that much of the gossip about town was about “who” everyone would wear. Amanda Carter Burden, daughter of Babe Paley, was able to sidestep this conversation and not commit to any one designer when she chose a gown from the film My Fair Lady. A drawing of Amanda in costume, sketched by Kenneth Paul Block, appeared on the front page of Women’s Wear Daily.
But was her gown from the film adaptation of My Fair Lady? Amanda was based in New York City, and it would have been far easier for her to obtain one of the costumes from the Broadway show.
In addition, no costume in the film accurately matches the one she wore to the ball. There is one that is similar and clearly based on the same design, but it appears to be a different piece. 
In 2015, the dress from the Broadway production went up for sale, where it sold for $1280. It contains a lace dickey that the auction house noted has been added post-production. The dickey is clearly visible on Amanda Carter in the Black and White Ball photo. While I cannot confirm for certain that she is wearing the dress from the stage production rather than the film production, I am confident that she is.
Costume Credit: Katie S.
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2soulscollide · 1 year
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The right FREE tools to write a book
hello hello, it's me!
today I was thinking of how much you loved my masterlist featuring some free tools for writers, and I thought I would do something like that again but, this time, featuring just one or two tools per step while getting the best of "the writer's workbook" (which is also free).
before going any further, for those who don't know, "the writer's workbook" is, as the name says, a workbook for writers, with over 90 pages. it has lots of sheets divided into categories, to help you build the skeleton of your novel. (know more about it here).
however, we can get the most out of it using other complementary tools to ease this process.
Brainstorming
Reedsy generator - it's one of my favorites, and it can be quite useful when you're stuck and want to get an idea. you're free to make changes to it so that it is as unique as possible.
Mindmap
Lucidspark - although it has a premium version, I find it so helpful when it comes to making a mindmap. I've used it multiple times before, including for college assignments, and it's one of the best I've found so far.
Mindmup - I'm sharing this one here as an alternative to lucidspark, since this one doesn't require to create an account, and you have access to unlimited maps. however, in my opinion, it is not as good or intuitive as lucidspark is.
Come up with names
Behind the name - it's a classic, but one of my favorites. you can search every name you could ever imagine, and get its meaning, history, variations, etc. it still has some tools you can use such as a name generator, anagrams, and much more.
Make a profile
Fake person generator - although it was not created for authors, you might find it useful since it gives lots of details and you can be interested in some fields.
Character generator - this one was made for writers, and is simple and easy to use.
Family tree
Family echo - it's so simple yet so helpful.
Maps
Inkarnate - it has a paid version, but you can use it for free and create a great map.
Politics
Filteries - this is sooo complete and accurate!
hope this was helpful! have a nice day <3
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stellar-skyy · 6 months
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COURT GOSSIP — Furina x reader.
i. SUMMARY: Fontaine has a lot to say about Furina's lover. (Now with a part two!) ii. CONTENT WARNINGS: Very very slight spoilers for the 4.2 archon quest, brief use of pet names (darling). iii. NOTES: Angst, reader doesn't actually make an appearance but they are talked about throughout, gn!reader, they/them pronouns used, 2.1k words. iv. A/N: Angst bc i lost the 50/50. This probably isn't as good as I wanted it to be, but I'm tired and I was sick of rewriting things.
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They called the relationship a lot of things. Scandalous, shocking, shameless. Shameless wasn’t the right word. Furina had plenty shame, but the taste of love had left her too excited to worry about repercussions. Careless, was more accurate.
If she had more care, she would be home by then, curled around her lover, laying with her ear pressed to their chest so she could hear their heartbeat. She wouldn’t be pacing back and forth and wearing grooves into Neuvillette’s office’s carpet.
“It is going to be alright, Lady Furina. Sit down.” Neuvillette said calmly. He was sitting still, hands folded in his lap, and to the ordinary eye he looked perfectly at ease. But Furina hadn’t spent five centuries with him without learning his mannerisms. The stiffness in his shoulders, the twitch of his eyebrow, the way his words sounded a touch too sharp; it was obvious he was just as concerned as she was.
“It’s not! Do you know what they’re saying?” Furina hissed. She threw the newspaper across his desk, letting it land in front of him with a smack. The photo of the two of them—her arms wrapped around their neck, while they kissed her cheek—took up almost the entire page, only broken up by the title.
Exclusive: Who is Lady Furina’s secret paramour?
“I must say, this is quite a poorly titled article.” Neuvillette frowned, looking closer. “The word ‘paramour’ is archaic by itself, but more than that it already implies a scandalous relationship. The word ‘secret’ is superfluous.”
“That’s not the point!” Furina practically wailed. “Look at what they’re saying!”
“Hmm… ‘Who is this mystery partner, and how did they catch the attention of the Archon herself? Is this unknown lover strategically targeting Lady Furina to attempt to obscure the justice of Fontaine?’ Ah, I see. They believe your partner to be seeking you out to gain influence of the court system.”
“How dare they! To think they would stoop to such a level to accuse my—”
“It is alright. I have already scheduled an official announcement to acknowledge the concerns and quell the rumours.”
“It’s not only that! The people are losing their respect.”
“…I am afraid I do not understand.”
“For me! They—” Furina halted. “I—I heard them today. They think of me as just some love-stricken girl. Archons above—” Neuvillette chose not to point out that she herself was an archon. “I couldn’t stand it...”
⋆ ✩ 。 ° ✩ ° 。 ✩ ⋆
It had been a pleasant morning; so pleasant that once Furina had detangled herself from her partner’s arms, she decided to take a walk.
As she strolled through the streets, the sounds of the city beginning its day and the singing of birds mingled together in a strangely beautiful symphony. They competed for the attention of whoever happened to be listening, with songbirds chirping and crooning from the tops of buildings, directly above the sounds of vendors and other salespersons trying to sell their products.
“Fresh lavender melons, straight from Inazuma!” A fruit-seller called, holding a basket filled with bright purple fruits.
Ah, Lavender Melons. They were a fairly new sight in Fontaine, only appearing after trade with Inazuma was reestablished. Perhaps she should purchase a bunch.
“Extra, extra!” a young newsboy yelled out, waving a newspaper above his head. “Read all about the latest Fontaine news, from the Fontaine Gazette! Hear about the case that divided the Chief Justice and Lady Furina!”
The newspapers were always embellished, but the Fontaine Gazette was a particularly egregious example. Not a single word in that paper was without exaggeration. Though, it was entertaining at times to look over the stories and laugh about the incredulity of it all.
She strolled over to listen to the boy’s calls, idly looking past the rows of newspapers and magazines. She withdrew one from the stand, a gaudy looking magazine with bright red headlines screaming in her face.  
The Spina di Rosula in shambles! it shrieked. Such a crude form of entertainment, the misery of others. It was good Fontaine had enough reputable newspapers to drown out the crows and calls of garbage like that.
“Extra, extra! Lady Furina has a secret lover? Read all about it here!”
In a second, the magazine in Furina’s hands slipped onto the ground, and she felt her breath catch in her chest.
She had to have misheard him; it must be a terrible mistake. She’d been too careful to hide them from the spotlight, keeping them away from the public’s claws. If they’d been discovered, the media would stop at nothing to tear them to shreds. Not to mention how she’d look if their relationship was found out—the Archon of Fontaine, falling head over heels for a mere mortal.
Furina had snatched the paper right out of the young boy’s hand. As he started protesting, she quickly threw a handful of Mora at him and bustled away to read the paper. Behind her, two ladies gasped and leaned over to whisper to each other.
“Is that Lady Furina?”
“I’m surprised she can show her face… I wouldn’t have the courage.”
Vultures, the lot of them! Had they no shame, gossiping about her from six feet away, like she couldn’t damn well hear them?
Their chatter faded to static and white noise in her ears, as the newspaper unfolded to reveal the story she’d been fearing. In it, the photo showed two lovers were caught in an embrace, one hidden in the other’s shoulder. The other was turned at just the right angle to show herself to the camera, grinning down at her partner with love in her eyes.
Furina stared in horror as her own face stared back at her.
⋆ ✩ 。 ° ✩ ° 。 ✩ ⋆
“Furina—Ahem, Lady Furina,” Neuvillette paused, blinking at his mistake. Oh dear. He must be on the verge of a breakdown, if he was already messing up her name. “We must begin the conference soon. Shall we leave?”
“I—I suppose that would be prudent,” Furina said shakily, straightening her back.
The trip to the Opera Epiclese was filled with silence. Furina stared at her hands in her lap, picking at the edges of her gloves, while Neuvillette gripped his cane tightly and periodically shot her concerned looks. The only words that were spoken were after they had arrived.
“Are you ready?” Neuvillette asked, hand curled around the curtain separating their backstage room to the front balcony.
“No,” Furina whispered hollowly, before smoothing her features into neutrality and stepping onto the stage.
“Hello, my dears.” Her lips moved of their own accord; voice disconnected from her mind. “I am here to address some rumours you may have heard. If you have been following the news, you would know that some pictures have been spreading of me and another individual. Since then, there has been a number of gossip floating around the court, very little of which is based on fact.”
“Tch, she’s already trying to avoid the blame.” A particularly loud audience member commented, loud enough for Furina to hear. She hesitated for a moment, before continuing.
“This person is as many have suspected,” Furina breathed out. “A romantic partner.”
“Ms Furina!” A young man—notebook and pen in hand; a reporter, likely—yelled out. Furina bit back the haughty That is Lady Furina to you on her tongue. Arrogance wouldn’t serve her well in this performance. “People have been saying that this ‘lover’ of yours is a threat to the integrity of the justice system. How do you respond to the allegations that they are using you to sway the court?”
“T-That isn’t true! They—”
“How can we trust the Palais Mermonia if the Archon is being influenced?” A voice in the front row whispered loudly to her friend.
“If she’s that weak to the charm of a random person, then what does that say about her judgement?” Another responded.
“I—” Furina stuttered out. “P-Please, calm yourselves! I can explain myself if you just wait—”
“Is this really what Fontaine is coming to?” That pesky reporter yelled out, only stirring the chaos further. The courtroom erupted into noise, all overlapping opinions drowning out any conscious thought of hers.
“Childish—”
“Unprofessional—”
“Not fit to lead—”
“—If she’s so distracted by love.”
If the first words were a punch in the gut, the last were certainly a strike straight to her skull. She flinched, her resolve cracking enough to let the throes of panic wash over her face. It was all too much: the lights, the noise, the audience.
But she was used to commotion. She had been acting for centuries.
In the drama, she had almost forgotten her place; the Court of Fontaine was her stage, and she was the leading actress. The citizens before her were the audience to her performance, and she was damned if she wasn’t to put on a show for them.
With a deep breath, she slipped right back into the façade, smoothing over the cracks in her mask with inhuman poise.
“They say the true tragedy of godhood, is one never gets the chance to live like a human.” Furina smiled coyly, playing up the eccentric goddess act that she had been cultivating for centuries. “So many experiences we are robbed of; growing up, falling in love.”
“You wanted to be human?” An audience member called out. Young woman, nervous expression. Perfect extra for Furina’s show.
She turned to stare her in the eyes, coy grin lighting up her features. “Tell me, dear. Have you ever had a lover of your own?”
 “M-me?!” She squeaked. “Oh… I-I haven’t really had a girlfriend. B-But I have been in a… relationship of sorts.” The audience member spluttered and blushed. “A… summer fling, I suppose.”
“Well, wouldn’t I be a fool not to chase a summer fling of my own?” Furina tilted back her head with a laugh, letting her voice boom across the Opera with the confidence that left the audience hanging on her every word. “Oh, my dearest citizens. Do you think so lowly of me to think I’d let a brief bit of romance keep me from my duties? That I would be blinded by something so silly as love?”
“You don’t love them?” Another nervous audience member asked.
Yes, Furina wanted to scream. I love them more than I have ever loved anything in this world.
“Ah, love. Such a novel concept.” She loved them, she did. Oh, how she hoped they would forgive them for this. “The only love I hold is for my people and my nation! I need no lover, when I already have the love of my beautiful Fontaine.”
“I believe we have strayed off-topic,” Neuvillette said, smoothly shifting their attention to him. “The Court of Fontaine retains that this individual carries no influence over Lady Furina, the Palais Mermonia or the Fontainian justice system. This… relationship is something inconsequential that has no effect over Lady Furina’s work, and is not of a concern to Fontaine’s citizens.” Damn right it wasn’t their concern. “To put it frankly, this person is of no significance at all.”
Only Neuvillette was close enough to hear the sharp gasp that escaped her.
“This conference is hereby adjourned.”
They were going to hate her.
How was she supposed to look them in the eyes, after telling an entire courtroom that they were of no importance to her? The love of her life, the one who brought light into the world and a smile of genuine joy upon her face with just their presence. She imagined them watching the court; hearing her words, feeling them strike against their skin like blades.
They were going to hate her, and she would let them.
She would let them hate her, if it meant the public would forget their name. The moment they disappeared from the light, then the rumours would disappear just the same.
And a part of her—a small, barely noticeable, inconsequential part of her, but a part of her nonetheless—breathed a sigh of relief at the knowledge that her balance hadn’t been overturned. It was selfish, she knew that, and the thought disgusted her as much as it brought her comfort. That part whispered that it was for the best, not just for them but for her as well. Her reputation was secure, they were quietly pushed away from the light, and the scandal would die down quickly.
Furina stumbled backstage, stomach spinning. She leaned heavily against the wall, eyes squeezed shut, dreading the moment she would have to go home and face her lover after what she had done.
“Oh, darling.” She murmured. “Please forgive me.”
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reblogs and comments are appreciated! ♡
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junowritings · 3 months
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Can I request headcanons for Haarlep, Dammon, Rolan, and Zevlor with gn crush who can't genuinely can't tell if someone is being platonic or romantic to them?
Anon dear nothing but kisses thank you for the amazing request and requesting my fav Tiefs~
I'd wanted to leave the scenarios between each vague when I began this; I swear this started off small but it's now like 2am and ten pages long but here we are!
Also I've only just finished Act 2 so I may not have been too accurate with Haarlep and the others' act 3 moments but I do hope you enjoy~
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Haarlep 
♡ You’ve certainly put yourself in it this time. Managing to earn the affections of an incubus like Haarlep? You’ve either done something very right, or so very very amusing.
♡ At the House of hope the lines between affection and lust have all but blurred for Haarlep long before you showed up snooping around in places you weren’t supposed to be. You aren’t the first one to be lured in and, if the place’s owner had its way, you most certainly wouldn’t be the last; but that doesn’t mean you can’t provide some worthwhile entertainment for the incubus you stumble across in Raphael’s quarters.
♡ The second you’d poked your head into the boudoir to snoop you’d caught Haarlep’s attention, if only for the fact that you most certainly shouldn’t have been poking around so brazenly. They’ve heard your name plenty of times; heard how you’ve toed the fine line of keeping Rapael on his toes at every turn without making an enemy of him - yet. You should know better than to test the limits like this - but you don’t, and that makes the thought of killing you so wasteful to Haarlep when there’s far more amusing ways to make use of you.
♡Maybe it was merely for curiosity’s sake that they allowed you to walk in and out of the place with your life and soul intact; the potential of getting to do something - or someone - fun too tempting to pass up on after wiling the days away with the same old faces. For you to come voluntarily traipsing round the corridors of Raphael’s very ‘home’? Knowing the consequences and either too brave or too foolish to heed them? Now that piques the incubus’ interest, enough that they’re willing to let you leave after they’ve had their fun. After all, they know you won’t be able to stay away for long.
♡ You keep coming back - of course you do. You’re fun to toy with - the most amusement that they’ve had in quite a while. Even with an unwanted guest squirming around in your head and time being a precious commodity when your corner of the world is on the line, you always have a penchant for coming back for more. And they are more than content to give you those reasons to keep coming back; you’ll never stray for long now that they’ve got their claws into you, of that they’re certain.
♡ Oftentimes your visits aren’t with the promise of fulfilling desires - at least not the carnal ones. Instead you make a habit of sneaking into Raphael’s boudoir just to keep them company, flashing them that mischievous grin as you stretch out onto that luxurious bed and eagerly pat the space beside you. Haarlep feigns the role of a lover well - they’ve had enough centuries to hone their craft after all. So even they know when the line between a mere amusement and something more affectionate begin to blur together when it comes to you. It's gradual, of course - those simple hours listening to you rattle away about the latest scandalous adventure as they gently card clawed fingers through your hair; watching those little twinges of content pleasure on your face as you lean into their touch almost instinctively. 
♡ Haarlep is intimate by nature, always wanting to keep a hand on you at all times no matter the form that they take. Even in the most mundane circumstances you’ll find claws rubbing soft circles into your sides, a head perched upon the crook of your shoulder and warm breaths against your ear just close enough to get you to squirm or playfully push them away. If they’re feeling particularly greedy they’ll hide you away from the world within their wings, pulling your attention to focus purely on them as their tail curls loosely around your leg.
♡ The first night that you make the mistake of drifting off right there in the incubus’ arms is the day that Haarlep puts a face to the emotion that rattles awake within their chest. When was the last time they had felt such affection? Adored for merely existing? The concept of love is inherently foreign for someone like Haarlep, who has long released any such ties the moment they were contracted to be Raphael’s personal mirror in bed. And yet the feeling is relished nonetheless. 
♡ Be it blind trust or mounting exhaustion that leads you to this they care not; they’re far more focused on engraving every little contour of your face to their mind, running a finger down the curve of your jaw with a pleased hum. Such a hopeless one they’ve managed to fall for - if only you knew just how much you drew them in.
♡ Haarlep knows full well that you must be a little clueless to keep willingly coming back to the incubus without thought of the potential consequences. One would mistake you for a fool, or someone who values their life so little - but you’re neither (most of the time), and it doesn’t take much for Haarlep to clock onto why that is. You’re hopeless at differentiating between platonic and romantic advances; poor thing. A better person would take pity on you, perhaps assuage your inner turmoil with a few simple words. But when the alternative is being able to get you squirm with just enough hints to keep you on your proverbial toes? Well, who could fault them for keeping you guessing? 
♡ Out of all of them, Haarlep is more than happy to keep you spinning with this ‘will they won’t they’ game that they have circling around your head all of the time. Why waste a good thing with something so frivolous when they already have you right where they want you? Away from prying eyes, tucked away in their arms as they make your head spin with honeyed words and teasing remarks of your little conundrum. There’s no need to spoil the party by putting a name to the blatant feelings that lay thick in the air, is there?
♡That’s what they believe at least while they have you. But alas there’s always the inevitable departure - time is ticking on the surface world, your world. And you can’t spend all of your days in the House of Hope for them to seek out whenever they wish, though the idea becomes more and more appealing with each passing day. They're always reluctant to see you leave, hoping to tempt you back with teases and promises, all the while their hands are on your hips and his tail is back to curling around your ankle as though intent on convincing you to stay. 
♡ They allow you to slip from their claws if you insist, but don’t think you won’t have eyes on you until the very second that you disappear through that portal, contemplating pulling you right back for one selfish reason or another. They have teased and pulled at your heartstrings about missing you before - a comment once said in jest to rile you up - but this time Haarlep’s the one who feels the familiar tug as they slink back to their familiar stage. There’s the ripple of shifting bones and infernal magic rippling through them as they don your form, standing before the mirror within Raphael’s quarters as they bring a hand up to affectionately caress the flesh of their - your - cheek. An imitation of the real thing, but it serves its purpose as they anticipate your return.
♡ Perhaps, they decide as they map out every inch of this reflection of you, they will wrap this little game up sooner than they thought. Better for the cat to snatch you up before a fox does, hm?
Dammon
♡ Nothing’s been easy since long before Dammon and the other Tieflings took up the journey to Baldur’s gate, hoping for a better life than the ones that they’re leaving behind. He’s had to leave a lot of things behind in pursuit of that better life - his forge and his tools, anything he couldn’t carry or risk going back for. Hells, he was limited to the clothes on his back and the essentials he’d been fortunate enough to take with him; but that was all he had left of his old life, and Dammon knows the others are the same. It’s not just material possessions either - any plans he once had about his future went up in smoke months ago, instead clinging to the hope of forging some kind of livelihood in the city when they finally arrived. Anything other than that? Any dreams of love? A partner? A family? A dream is all they’re set to remain as.
♡ Dammon’s thankful that there’s plenty of things to keep him busy. Sure the forge and tools at the grove don’t hold a candle to his setup back at his old place but it’s an excellent way to keep himself occupied whenever he finds himself getting restless and itching for the outlet of familiarity. While things remain a stalemate between the Tieflings and the druids, he passes the time helping where he can, repairing armor and weapons with what limited materials he has to make sure that no one’s going out there completely unarmed. It’s good work for now, and lets him stave off the pining, leaving the humored thoughts of kindling anything romantic with anyone for the lonely nights at his forge or tucked away in his books.
♡ That all changed once you came along of course.
♡ Your mere presence is a whirlwind of a tale in itself. Armor bashed and dented from something much larger than goblins, weapon looking as though it’s one good swing away from snapping in two. Hells, it looks like you took a tumble from a damned cliff and walked it off - a thought he admits to a few days after your first meeting. He decides it’s probably best not to ask when you laugh, patting his back with a shake of your head as you chuckle that he doesn’t know the half of it. Wherever you came from you’ve taken a hell of a beating, and yet you still look ready to take on the world as you amble over to his forge to browse his wares and introduce yourself to the tiefling.
♡ You make yourself known about the Grove, making fast friends with some and tolerable allies in others. Dammon’s firmly in the former category, and really enjoys having you around. Even if you don’t know much about smithing you humor him whenever he talks about his craft, listening with an eager ear whenever he gets that bright glint in his eye that signals he’s going to go on a tangent. Don’t mention it though - it will fluster him to the hells and back to know that you notice that kind of stuff. Not to mention you respect his space while he’s working. Dammon’s focus when his working is honed in on defining details and making each piece perfect in his own way, so it's easy to lose track of what’s going on around him when he’s bent over his forge with his newest labor of love. 
♡ Maybe that’s why you’re able to catch him by surprise so often, startled out of his own reverie spotting you leaning against the beam of his makeshift workspace. You comment how amazing it is to see him so immersed in his craft - it’s inspiring, really - and that small appraisal alone has his face turning a lovely shade of copper. His work’s been praised before - it’s the highlight of his days seeing people genuinely appreciate the things he creates with his own hands. But being the one receiving such praise rather than the items he makes does something to his poor heart.
♡Dammon recognizes that he’s beginning to fall for you. It’s not something that hits him all at once, more like a gradual wave of affections that wash over him with each little greeting or rushed wave as you dart around the camp and back out again on the next adventure. It makes him feel…lighter, warmer. He’s tried to remain hopeful about what the future holds, to keep morale going in his own way; but he’s just as uncertain about it all as the others are. But having you around? Seeing the lengths that you go to - both from the issues at the Grove to the attack on the inn and the conflict at Moonrise? That kind of life that he had to push on the backburner feels feasible now - and you’re beginning to become an integral part of it at every turn.
♡ Dammon’s love language is acts of service, so you can expect him to go out of his way to do things for you to make your life easier. It starts off small; giving you discounts on anything you buy from him and little freebies he can spare whenever things aren’t so dire. Dammon always believes that you deserve more however, so eventually you can find him going out of his way to fashion whatever materials he can spare into things for you. 
♡ He’s no jewel smith, but he knows his own craft well, so he’ll gift you things that he knows you’ll find useful - weapons . He’ll refuse any kind of payment you try to give him, assuring you that you deserve far more after all you’ve done as he gently presses your gold back into your palm with a warm smile, his touch lingering a little longer than necessary. 
♡And yet you still wonder why the party strong-arms you into being the designated buyer whenever you stop by his forge for repairs or supplies - your lack of awareness is going to give Gale more gray hairs at this rate.
♡ The only problem with Dammon’s acts of service, is that it’s very easy to mistake these gestures as him just being a good person - which he is! You’ve seen how easily he goes out of his way to help others in a pinch. You were there when he went through all of that effort to help Karlach curb her infernal engine enough to give her the chance for closeness that she’d been deprived of for years. (after all she’d almost cracked your ribs returning the hug you’d given her to test if Dammon’s upgrade had worked.) It’s easy for you to rationalize all of his gifts as something that’s just platonic - you couldn’t hope for more, right?
♡ Dammon wishes so badly that you would.
♡Is certainly the most upfront about his crush out of all of the tieflings once he realizes that you struggle to discern any romantic intentions. Though he does worry that he’s the one misreading the situation and that you may not actually reciprocate the feelings he has for you, in the end it doesn’t stop him. He needs to get his feelings out there before they burn over - especially with what could very well be the end of the world dangling over everybody’s heads by the time you all finally reach Baldur’s gate. If he doesn’t do it now, he worries you’ll never get the chance to figure it out for yourself. 
♡ He’ll call you away from your companions, asking for a moment of your time at the back of his shop. Tucked away in the far corner of his workplace, it reminds him of back at the Grove curled over his forge with you by his side watching him work with a quiet admiration. The memory gives him the confidence to reach for your hand, noting the way your eyes widen and your breath catches. You’ve fought gods and toppled cults, and yet you’re left speechless by his touch? As if the tiefling couldn’t fall for you any more. 
♡ If he had his way, Dammon would give you something far better than just spilling his feelings, something more profound than just words. But he knows better, that you’re on borrowed time and a small moment whisked away in the back of his forge is all he can give you right now - with promises for a proper date and confession when you come back alive.
♡ Expect Dammon to go overboard with the gift though, because of course he won’t just leave it at words. He keeps flipping between something classic like flowers and sweet treats (maybe even craft some metalwork flowers himself?); or perhaps you’d like something more practical like a weapon or armor with custom engraving (that he absolutely put his signature on in the hopes it will remind you of him when you’re on the road.) In the end he decides to go with a combination of both, carefully tucked away somewhere safe to give to you whatever your answer may be.
Rolan
♡ The idea of a crush was, at the beginning, a laughable notion to Rolan. Back at the Grove his priority was focused on two things and two things alone - one, getting to Baldur’s gate to begin the apprenticeship he’s dreamed of for months; and two, getting Cal and Lia there with him in one piece. Anything beyond that was unimportant, at least, that’s what he told himself at the time to make the idea of leaving the Grove without the rest of them more palatable. But then of course some newcomer just had to step in during one of the bi-daily spats about it and that whole idea went up in the air along with whatever patience he may have had.
♡ You’d convinced him to stay, convinced him not to pack up and leave in just one conversation and he’d bended to your interjection just like that. Rolan still doesn’t know why he conceded, watching with furrowed brows as Lia rounded on you excited to figure out how you did that and Cal sighing in relief that the whole argument was finally over with. It doesn’t matter - soon you’ll be right back out of those gates, just another soul passing through, and you’d be gone as though you never existed in the first place.
♡ If only it was that simple, but no, you just had to stick around instead of carrying on your way. Perhaps it would have saved his heart the trouble if you hadn’t.
♡ His feelings are misplaced, mistaken for frustration watching you traipse around fixing problems he hasn’t been able to. At first it’s jealousy - another ugly feeling he won’t admit. How do you make helping people look so easy? Breathing life into the cracks that have formed between the two groups and patching them up as simply as you breathe? 
♡ It doesn’t help that you stop by to see him every time, a habit that persists long after your time in the Grove. Rolan believes it’s out of pity and the wizard is ready to give you an earful about it. But the longer you stick around the more he has to come to terms with the fact that it’s nothing as malicious as that - you just enjoy coming to see him, for whatever reason. Rolan doesn’t know at what point your company becomes more than tolerable, even enjoyable - but the idea of it being anything more than that, with anyone much less you, is a far off notion.
♡ Of course he doesn’t expect to fall for someone, and he most certainly doesn’t expect it to be you. He’s a stubborn soul, who is just as reluctant to come to terms with his own feelings, much less the realization that these feelings aren’t the closely guarded secret he believed them to be. 
♡ All it takes Cal makes an offhand comment once about how Rolan’s ‘complaints’ about you these days sound more like praises - that if he didn’t know any better it sounds like he actually loves having you around. And just like that Rolan very nearly chokes on the drink he was unfortunate enough to be imbibing in at the time. 
♡ Him? Have feelings for YOU?! You, some wayward adventurer with a penchant for sticking your nose in where it doesn’t rightly belong out of some presumed sense of duty to this little wayward band of Tieflings? Who goes out of your way to seek out his company again and again no matter how harshly he comes off in return? Who humors his temper, grins at his sarcastic wit, and gives him that damned smile that sometimes makes the warmth in his chest feel like it’s shooting straight up to his throat threatening to spill-
♡ Oh.
♡ Oh no.
♡ The lightbulb pings simultaneously, and it's a good thing you’re not around to hear his siblings absolutely losing it over the knowledge that their brother is stuck pining over you. Not even a few weeks ago he was cussing you out over some perceived slight that was childish in hindsight, spurred on by his own feelings of helplessness. But now? You still made his blood boil, but gods if it didn’t feel like his blood burned for you now.
♡ Rolan’s way of flirting is by showing off to you. He believes that his greatest asset to impress you is his magic, and is fully prepared to use the arsenal of non-lethal spells at his disposal in an attempt to get you swooning. During the celebration at the Grove he remembers fondly the sound of your applause at his performance, your eyes alight with mirth as the sky right above your heads came alive with the results of his magic. The satisfaction of witnessing your face light up in the glow had been worth it; you’d rolled your eyes at his admittedly overdramatic bow but still grinned as your expression softened in embers of the campfire. It still has that warmth Rolan’s begun associating with you kindling in his chest, so he sets on impressing you every chance he gets, with the hope that just maybe it’ll be enough to kindle a warmth within you too.
♡ Rolan insists that he’s not outright confessing to you because surely you already know? Granted he hasn’t been the most…open, about his feelings, nor has he been very direct in his approach where others would have been bold…
♡ Oh who is he kidding - the thought of your rejection scared off any attempts to confess before this point. You’ve always been there - coming in every time there’s been mortal peril to save his life and the lives of his family again and again. It’s hard not to feel as though he’s got nothing to give every time you prove your resilience - would you even want him after you’ve seen him at his worst? He’d much rather live with the torment than know the answer to that question, even if it gnaws at him every night.
♡ Before you ask, yes there’s a betting pool on who’s going to confess first. What began as an inside joke spread like wildfire amongst the group the second Mol caught wind of the lucrative deal. Rolan doesn’t know what’s more mortifying - the fact that his affections are blatantly obvious enough to everyone around the pair of you, or that despite all of this you’re the only one who has no idea.
♡ Someone else is going to have to break the stalemate that’s going on here and convince him to confess. Not just for your sake or Rolan’s, but because your respective groups are getting fed up with the building tension with no-one saying anything. Gods you can’t both be this dense can you?
♡ Yes. Yes you can. And no one is having a good time right now.
♡ Fortunately for the both of you, the aftermath of Moonrise is when the dam finally breaks on all of the things that Rolan’s been holding back. Loose lips sink ships, and in Rolan’s case all of the drinks he’d imbibed earlier attempting to drown his sorrows at the last light inn have eased the filter that kept his feelings at bay. It’s made him far more prone to speaking his mind, not to mention that he’s still reeling from the rush of relief at seeing his siblings alive - yet another thing he has to thank you for - so much so that he’s seeking you out before he can think otherwise.
♡ He doesn’t have to go far; you and Rolan nearly butt heads as he goes to shoot up from his seat, and though you look worse for wear still bearing the bruises and battered gear of a battle well won he watches your expression light up. All it takes is seeing you’ve come back alive, that you’ve come straight to him before you’ve even thought to patch yourself up and his resolve crumbles. 
♡ Rolan’s out of his chair and in your arms before you can blink, one hand winding through your hair and the other pressed against your back to stop you from falling flat on your ass with how swift he moves as he holds you like you’ll slip right through his fingers. He swears he can hear your heart hammering against his chest, too focused to notice the twitch of his tail curled round your leg. By the time he catches himself, Rolan practically goes rigid and pulls back, enough to see your face. The tiefling takes in your wide eyes and slack jaw with a sudden jolt of clarity that fuck, you really weren’t aware of what you were to him this whole time; and now he’s gone and-
♡ He opens his mouth again - whether to take it back or blame it on the drink. But before he can there’s arms around him, and suddenly he’s back in his chair with your face pressed into the crook of his neck, and he swears he sees a flash of red on your face enough to rival his own skin. You hold him tight enough that he has to focus a little to breathe, but it’s a sacrifice he makes gladly as his ears pick up on your hurried murmurs of ‘having no idea’ and ‘can’t believe it’ as you practically corner him into his seat.
♡ The moment is broken by the swift screech of “Finally!” from somewhere in the inn, and suddenly the world’s spinning again. Rolan’s glare over your shoulder in a bid to suss out the offending party is half-hearted, lacking any real bite in lieu of having someone far more important to focus his attention on.
Zevlor
♡ Welcome to slow burn two: electric boogaloo, and in this essay I will-
♡ Zevlor has not lived an easy life, even before the fall of Elturel; you can tell he’s got more than his fair share of scars and war stories behind those deep yellow eyes, the testament of a man who fights daily to hold the pieces of his hope and faith close to his heart. He’s a weathered soul, who many have relied on and put their faith in even in spite of his own perceived shortcomings. The tieflings that he leads to safe pastures are no different; they’re all hoping to find a better life at Baldur’s gate, and all of them turn to Zevlor to lead them all there. 
♡ The relief is almost palpable when you arrive through those gates, dragging Aradin and his men in behind you. You’d made short work of the goblins fighting to tear their way inside, still plucking bits of arrow and guts from the battered shell of your armor as you’d wandered into the Grove alongside the rest of your party. 
♡ He has every reason to believe that you’ll simply go on your way, knowing that you’re more than capable enough to handle the threats out on the road to leave the Grove in your peripherals without a second thought. Yet you don’t; instead you’re right back into the fray, pushing between the spat between himself and Aradin without hesitation with a sharp reminder that there’s more here at stake than some squabbling about something that could have - but didn’t - happen.
♡ Zevlor isn’t proud to admit that he’d hoped you’d be useful in easing tensions in the grove between the Tieflings and the druids. You’re a neutral third party, so to speak, and though he’s sure that the druids are set on locking down the grove and kicking them out to the wilds he hopes that someone like you will be able to at least buy them all some time. When that inevitably didn’t work he’s surprised to learn you’ve set your sights on the next best thing - forget just the goblins at the gate, you’re gearing your party up to take on the source at the heart of that camp.
♡ He’d be lying if he said he didn’t admire you from the beginning, a feeling that only becomes more profound the longer you’re around. Zevlor watches you humor Mattis’ salesmanship, sees you taking the time to train the others to better defend themselves and diffusing any quarrels on the daily rounds that you insist on joining the Tiefling on. It has a visible impact on the camp’s morale, and Zevlor has to wonder if you were truly just a passing adventurer or something more divine sent to them in their hour of need when he catches you conversing with the other tieflings, bringing smiles to their faces after months of hardships.
♡Another firm member of the ‘won’t broach the blatant pining in the room’ club. Zevlor’s lived long enough to put a name to the emotions that he’s feeling, and has taken the time to process what exactly that means when it comes to his feelings for you specifically. What he feels for you runs deeper than respect, deeper than the mere admiration that he held for you at your first encounter beyond the gates. 
♡You consume his thoughts every second that you’re not close to his side. Worries himself into a panic each time you leave the safety of the grove wanting to follow but kept rooted with his own duties. You’re more than capable of defending yourself as you’ve demonstrated time and time again, but gods if he doesn’t lament not being there to protect you as ardently as you do to others. It would be selfish to want such a thing, but it doesn’t stop him from craving it in the least.
♡ Out of every single being on this list, there is none more reluctant to confess to you that he’s begun to fall for you than Zevlor. He knows this affection; wishes for nothing more than to allow himself this small act of greed keeping it close and savoring the warmth it provides. But unless you say something that is as far as he is willing to dare your relationship to progress. 
♡ What really stops Zevlor from confessing is himself. He firmly believes that he’s simply not worthy of you. He’s a man who has made too many mistakes, made too many choices that have led to lives lost and consequences on those around him. Surely you deserve someone unmarred by that kind of life? Who can give you love uninhibited by the guilt and ghosts of one's past that plague him on so many sleepless nights?
♡ But oh how easily you’ve got this man curled around your finger, and you don’t even know it. Now that you’ve so thoroughly poured your life into the cracks of his soul, after everything you’ve done, that selfish want kindles a fire in his heart. He’d drop to his knees and pledge you his life if it meant having you look at him with a sliver of the affection he holds for you.
♡ The closest that Zevlor’s ever gotten to confessing to you was during the after party in the Grove. It had been the first time in who knows how long that Zevlor could try to shelve his worries for the future, to allow his guard to relax for the single night of revelry that this celebration offered. A respite like this was far too welcome, and Zevlor was about as ready to fall asleep where he stood as he was to wile the hours away enjoying the revelry.
♡ And there you were, the one responsible for it all leaning up against his side, thoroughly exhausted from doing the rounds around the camp but beaming with pride. His eyes were on you the moment you pressed a hand to his shoulder, golden eyes glowing in the light of the campfire taking in your ruddy cheeks and tired grin as you sighed over how good it was to finally see him smile.
♡ Perhaps it was the longing of a sentimental old tiefling, or being half drunk on the atmosphere that seeped into every fiber of the party, but in response he’d brought a hand to cover your own. Zevlor had guided it away from his shoulder and you’d allowed him to with ease. You’d watched with curious eyes as he’d brought your hand up just enough to brush his lips across your knuckles, ghosting over bruises and scrapes with an unspoken reverence.
♡ You’d never had the chance to ask him what you’d really meant to him back then - Alfira had interjected to veer you back over to the party, eager to show you the beginnings of her next song dedicated to your feats. And by the time you’d spun around to look for him again Zevlor had all but slipped away, gone for the rest of the night.
♡ By the time you reach Baldur’s gate you’re still struggling to discern Zevlor’s feelings from that night. That’s it; no one else can wait for you to realize the obvious anymore.
♡ Someone else is going to have to step in to give you a nudge in the right direction, and not a gentle nudge either - if you’re truly struggling to see how hard Zevlor is crushing on you you’re going to need an intervention. Don’t be surprised if your traveling party is the one to bite the arrow and do it. You have no idea whether to be confused or offended when they drag you aside to break it to you and ease their suffering. Astarion is griping on about how this started off entertaining but now is downright painful to watch you two eyeballing each other and not doing anything about it. Wyll is trying to stem the migraine he gets in his attempt to really drive home that you’re not just imagining all of these romantic moments you’ve had with Zevlor. And Lae’zel is several minutes away from clocking the entire group round the heads with the hilt of her sword for wasting time.
♡ She shoulders past the other two with a biting comment about their lack of efficiency before turning her attention back onto you. Her tone is sharp but not unkind as she quips that you’re wasting breath on your own perceptions of the tiefling’s actions. What you should focus on is what you want and how to get it. Besides, even a fool would notice the way he starts at your beck and call - she’d like to believe that you’re as competent as she thinks to put the pieces together.
♡ Lae’zel’s words do the trick. They watch your brain shoot through every train of thought you’ve been battling with all at once, eyes comically large and hand clamped over your mouth in a poor attempt to mask your scream of realization as you do exactly what she says. And then the next moment you’re scrambling past your companions, a frantic command for them to meet you back at the camp before you all but trip over the pavement beneath you in your haste to seek out the former hellrider.
♡ Once you find him, Zevlor almost jumps out of his skin with how hard you barrel through the door and into his home. He’s half a mind to worry that there’s something seriously wrong, immediately rounding to close the distance between you and place his hands upon your shoulders to keep you from falling flat on your face. The questions of concern die on his tongue the moment your hand cups his face, guiding him to look at your face and thumb brushing over the ridges of his cheek in such a way his mouth runs dry.
♡ When you finally blurt out what you came here for, asking through hurried breaths if he loves you Zevlor all but freezes beneath your touch. His eyes are wide, wild with the fear that you’ve come to turn him down and fully prepared to assure you that he’ll never burden you with his feelings ever again. That is till you continue for him. All it will take is a little reassurance on your part that he has nothing to fear, that you care for him in turn, and you’ll have this poor man practically crumbling into your awaiting arms as though you’ve slipped the weight of the world from his shoulders. Give him time, hold him for a little longer, and Zevlor will gladly regale you with the feelings he’d intended to leave unsaid for the rest of his days - he’d do anything you’d ask, after all.
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pinkie-pop · 9 months
Text
"We've Seen The Devil—He Was Hiding In The Mirror."
Part I Part II Part III
Featuring: Gender-Neutral Reader, Twisted Wonderland Various x Reader, Self Aware AU, Yandere TWST
Synopsis: The second oath revealed, a new character appeared.
Word count: 3k.
Includes: Obsessive and possessive behavior, PTSD, nightmares
"You are no savior—nor purpose nor God. You are damnation—a phony and fraud."
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You flip to the first page and begin reading.
Entry 001: Names.
The Ramshackle Ghosts have informed me that they do not have names. Or, more accurately, that they have long since forgotten them. Grim says it is peculiar for someone to not have a name. I will have to trust his judgment on this. 
Entry 003: You.
Grim asked about you today. I, quite unfortunately, did not have much to tell him. Or rather, there was not much I was allowed to tell him. Whenever I try to speak your name out loud, my lips firmly close, like a flower blossom at night. 
When we are alone, you are all that he asks about. Not that I blame him for it, of course; I am just as curious as he. The ghosts are strange, though: they have never once asked about you. Perhaps they simply do not understand. 
Entry 005: 
Grim has revealed the truth of your existence to Heartslyabull. It was an accident, of course, but even so, I gave him a rather stern talking-to. They have directed all of their attention onto you. It’s true that I did not exactly like being on the receiving end of their “affections”, but at the very least I did not have to share you with anyone.
Entry 015: Fate.
I've been thinking more about names lately. Everyone seems to have one. I am no different. My name, Yuu, indicates that I am a stand-in for someone else. A blank slate for you to imprint upon. The others have similar names. Each one is an indication of our role. With just the names, you can figure us out. Are all names like this? Is each person's fate dictated by their name? 
What about yours? Your name is different. Your name is not a play on words, nor a foreshadowing of things yet to come. Your name says nothing. You are simply yourself. 
You are the only thing real in this world. You are the only thing who is not bound by the threads of fate. 
Entry 017: Love.
I had a very interesting conversation with the Heartslyabul students today. It was about you, obviously—for, what topic besides you could ever possibly be interesting? I had asked them about what they felt for you (rather accusatively, if we are being honest here. After all, how could they possibly feel anything, when they are nothing but code?) They responded that they felt love. Naturally, I had been expecting this answer, however, something about the way they said it made me pause. Perhaps it was the matter-of-factness of it all that caught me by surprise. They answered my query in the same tone of voice one would use to say that the sun will rise in the East and set in the West, or that the sky is always blue except for evenings and mornings. 
They said it as if it were the most obvious thing in the world. They said it as if they believed no other answer could possibly exist. I do not believe them to be worthy of your gaze, but even so, they have earned my respect. 
Entry 020: Real.
Some of those worthless NPCs doubt your existence. It is of little consequence, however, for your influence is all too real. Even those maggots cannot deny that much. You have changed this world without ever once stepping foot in it. 
Entry 027: Devil.
The characters you love are a complete mess because of you. They stretch themselves thin trying to win your affection. They pull all-nighters, throwing themselves into researching to bring you over to them. They destroy themselves when you’re away, and they ruin each other when you are here. 
They claim you are their savior—their purpose. Because of that, they put you on a pedestal. They worship you as if you are some god. But you are no god. You are its reverse.
You are a devil.
But don’t fret, my dear [Name], for I still love you all the same. When the others learn of your true nature they may abandon you, but I will always be there. 
You slam the book shut. 
“Hasn’t anyone told you that it’s rude to go through another person’s things?” Your surprise registers in your mind, but your body does not react. You do not flinch, though all of your senses are screaming at you to move. You recognize this person immediately, their silhouette is illuminated by the moon’s glow behind them. You had seen them before, but this is different. You are not just seeing the body, colorless and without soul—you are seeing the person. Now, you had seen their thoughts, their hopes, you had heard their voice. 
“Yuu…” Your voice trails off. You have nothing to say. What could you say? 
“[Name]...” They echo, voice eerily similar to yours. They smile at you—and what a smile it is! It is the kind of smile you only see in portraits. It is cheerful yet mysterious. Cunning yet serene. It is the kind of smile that betrays nothing of the smiler’s intentions. Pretty does not even begin to describe it. They are not just beautiful—they are beauty itself. 
Instinctively, you step back, unaccustomed to being on the receiving end of such an intense gaze. They close the distance easily. Before you can even blink, their nose is almost touching yours. You can feel their heartbeat on your chest as they reach behind you, hand slithering across your arm. Goosebumps rise on the skin where they touched you and linger even after they take the journal and step back. You think, for a second, that your response is out of attraction, only to realize faintly that you are afraid. It is the way they look at you, you think. Their gaze could be compared to that of a predator stalking its pray. 
The only difference being that no predator would dare make its intentions quite so clear.
They are still donning that smile of theirs. Only now it is wider, crueler. It vanishes as soon as it appears, leaving you to wonder if perhaps it was nothing more than your imagination all along. “Goodnight [Name],” they say, although it is far too late to properly be considered night, you suppose the distinction is not very important.
After all, they have already left.
———
Grim is standing over you. It is morning, you realize. The rendezvous from last night sits in the forefront of your head as Grim goes on about something or another. You are only able to catch the last part of what he is saying. ”Ya' got some wellness packages from the students—and letters. A lot of letters." 
Great. 
You step into your house slippers (when did you get those?) and head downstairs. Honestly, you were not expecting much. A few baskets with candy and first aid, get-well-soon cards and maybe, maybe a teddy bear—if they were really splurging. 
It’s like you were born yesterday. Of course it would turn out like this. Didn’t you see the offering room? And that was before they even had a reason to send you gifts. 
A mountain of gifts looms over you, casting a large and foreboding shadow across the dorm. Just looking at the giant amalgamation of well-wishes and apologies has you feeling overwhelmed. It takes you a few long seconds to gather the courage and determination needed to move it all indoors, luckily, you have Grim to help you with that (although, inexplicably, some of them had already made it inside even without the two of you). It is around the time you are dragging the fourth package indoors that you wish you had more people to help. 
Actually…
“Hey, Grim?”
“Yeah?”
“Where are the ghosts?” Grim pauses. Then, with a nonchalance completely unbefitting of the situation at hand, he replies:
“Dunno. They’ve been missing ever since Yuu shut down.”
“Excuse me?” Grim shrugs. “Three people go missing, right as a fourth turns black and white, and your response is to just…shrug it off?” Grim, at the very least, has the decency to look a little embarrassed at this. He tucks his ears flat against his head. Avoiding eye contact, his eyes dart around the room, likely looking for an excuse to change the subject. 
Grim picks up a letter from a pile. “Here! Why don’tcha read this one?” You take the letter from his hand, rather unimpressed with his attempt to fool you, but willing to look the other way for now. After all, suspicious as it is, the ghosts’ disappearance really has nothing to do with you.
“This one’s from Riddle,” you say, turning the envelope around in your hands. It’s white with a red rose seal. The address has been penned impeccably in red ink. The others in the pile are not nearly as fancy as this one, but they each follow the same formula. You suppose there must be a rule about letter-sending. 
You glance over at the other piles. Each has their own quirks that distinguish them from the rest.
Pristine white envelopes with red seals and red ink, courtesy of Heartslyabul.
Kraft paper envelopes tied together with string, “from Savanaclaw” penned plainly in black ink.
Grayish blue wrapped gifts with letters laid neatly on top, no doubt from Octavinelle.
Scarlet envelopes with what you suspect to be actual golden seals—an elephant and a scarab, surely from Scarabia.
Royal purple with silver encasings, long elegant calligraphy giving away its Pomefiore origins (although, one letter is drawn more sloppily than the others, you notice).
Most uniquely of all, a tablet that appears to function solely as a voice recorder, ready to be played at any moment, surely something one can only find in Ignihyde.
Gothic-style calligraphy and black envelopes with green seals, unquestioningly from Diasomnia.
You stare at the baskets of letters for a while, debating yourself on whether the energy of opening and reading each letter would be worth the effort. You decide that no, you’d rather not go through the ordeal, and instead, opt to stand up and stretch your legs, only to end up right back on the floor, reading through the letters you had just sworn to avoid. 
You really are hopeless, huh? 
———
“That’s the last one,” you say, tossing the letter aside and flopping down to lay flat on the floor. Getting through all of them had taken you hours, despite only having skimmed them.
“Jeez, they’re really persistent.” You nod, or you try to. It's actually rather difficult to make the nodding motion while lying down, but Grim seems to understand your sentiment, regardless. Your mind feels hazy; your vision is starting to blur. Perhaps you ended up straining yourself. Perhaps it wouldn’t hurt to rest your eyes, just for a moment.
You must have drifted off, because when you came to, you were on a couch, and not the floor. Just as well, you suppose, lying on hardwood for too long would hardly be comfortable. 
"Morning!" You feel a weight on your chest as your eyes shoot open. Yuu is laying on top of you, head resting on their hands and elbows digging into your ribs. Their face is entirely too close. You open your mouth to speak, but the words never leave your body. 
"Aw, I know you've got a lot to say to me, but it looks like we'll have to cut this conversation short. You seem to be waking up," they say, gracefully getting up and walking out of sight.
"Wait hold on—!" 
———
"—Wait, Yuu!" Your eyes shoot open as a feeling of Dejá Vu washes over your body.
"Hey, hey! Myah! Calm down!" A familiar weight settles on your chest as Grim stands over you, watching your expression worriedly. 
"I guess I must have dozed off. Sorry, Grim." 
"You okay? You were screamin' bloody murder." 
"Just a bad dream. I'm fine." Grim doesn't look entirely convinced, but doesn't seem interested in pressing the issue.
"You were screamin' about Yuu. Speaking of…where are they, anyways?"
“What do you mean?” You ask, a feeling of unease creeping its way into your stomach.
“They’re not in the bedroom anymore. So, where’dja put ‘em?”
“I…thought you moved them?” You bolt up the second that Grim shakes his head, frantically running around in search of something you know does not exist.
You are searching for the library.
It is then, as you are running, that something peculiar catches your attention.
It is a door. Now, that on its own is not at all a concern. There are doors everywhere, but this door…this door is different. This door is not supposed to be there. This is a door you have opened before. It is distinct from all the others—this door leads to the library. It was exactly the thing you had been searching for, and yet, now, standing in front of it, you hesitate. 
Your shoulders tense as you stare at the door. You look at it as if you are waiting for it to jump out and frighten you. But it does no such thing. It is, after all, nothing more than a simple door. This knowledge does nothing to lay your anxiety to rest. If anything, it only amplifies the growing pit in your stomach. 
You gather up as much courage as you can muster and twist the doorknob, even if only to lay your unease to rest. It is unfortunate, then, that your unease only grew upon entering. The door disappears behind you, and a feeling of dread crawls from you, emanating out in waves. 
This room isn’t supposed to exist—but you are very much here. 
“Come to read?” Yuu’s disembodied voice calls out to you. You silently scan the library for any signs of life. You find nothing. Perhaps there is nothing to find. “Looking for something?” You whip around, Yuu now standing behind you. They are smiling. It is that same cruel, bewitching smile from last night. Your throat feels dry. You are shaking. 
“You must have really missed me. We were only apart for a few minutes, you know?”
“What is this place?”
“I call it the Wraith. I don’t know exactly how it works, only that it has something to do with the subconscious. I came here when I shut down, and you come here whenever you lose touch with reality. It’s really fascinating stuff.” 
Lose touch with reality? As you ponder over Yuu’s words, images of your previous visits float through your mind.
And just like that, you are alone. It takes a moment for the realization to sink in on you: you are alone. And it is by your own doing, no less. What a terrifying lapse in judgment! What an egregious oversight!
Grim is standing over you. It is morning, you realize.
Your mind feels hazy; your vision is starting to blur. Perhaps you ended up straining yourself. Perhaps it wouldn’t hurt to rest your eyes, just for a moment.
You are searching for the library.
“But you know,” Yuu’s voice pulls you away from your thoughts. “a room like this doesn't just pop into existence. Someone has to make it.”
“And in order to make it, something has to be sacrificed.” They take two steps closer, and you take four steps back. It isn’t long before you are running out of space to hide. It isn’t long before your back is pressed to the wall, with their hands to either side of your head. 
“Want to know something funny?” They cock their head to the side as you stare at them, their grin only widening when you remain silent. “When I first shut down, everyone thought that something was wrong with me. But, really? I felt better than ever. It was like I was awake for the first time in my life. I was aware the whole time, I could hear everything. I saw the whole hunt, you know?” You are so still that you are not even breathing. When Yuu steps back, you suck in a breath and sink to the floor. They pay it little mind and continue on with their story. 
“Of course, I hated to see you so mistreated—but even so, I was a little glad. You finally saw them for who they really were, and I finally got to see you for who you really were. It was beyond frustrating, you know? Watching you get kicked around by filthy, vile creatures that could never be deserving of you.”
“Although, I suppose it was you who made them that way, wasn’t it? You’ve ruined them, you know?” The aura they’re emitting is nigh unbearable. Your body is screaming at you to run, but the fear has rendered you deaf. They smile. That same damned smile. Your breath hitches. Images replay in your mind as your head swirls
The mouth widens as storm clouds gather and swirl around you. Dancing around in a cruel ballet. Thunder cracks in the distance as acidic rain hits and sears through your skin. The flowers turn to gravestones, and the songbirds begin to scream in human voices. Thorny vines reach up and take hold of your limbs, cutting through your flesh and bones as if they were made of nothing more than paper. 
You are already halfway to being buried alive when you realize you’re being pulled in. Desperately, you try to claw your way out of the soil that threatens to swallow you into its suffocating embrace, but it's of no use. It isn’t long before you can no longer fight back. It isn’t long before you—
“You…what are you? You’re not…human.” 
“Does it matter what I am?”
“It does.”
“Then just call me yours.” They hold out a hand to you, urging you to take it. “I know that your presence ruins people, but I don’t mind.”
“Because I love you.”
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ot3 · 4 months
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Hi, I just finished the AA trilogy with my bf and we fell in love with it! I found your blog the other day, and it sometimes feels like you're the only one giving correct takes on these characters' writing and the minutiae of everyone's inner worlds (or the fumbling of, see Godot).
I just got here, but, something that's been bothering me about the fandom's approach to the sequel trilogy is like... the imperialist undertones are glossed over, or swept under the rug. Researching "The Dark Age of the Law" and beyond puts a sour taste in my mouth. And with Khura'in the country vs Kurain the village? It all feels racist at best (the concept of the Divination Seance gives me squick). If you have the time, I'd love to hear your thoughts about AA5 and AA6 in relation to the world of AA as a whole. Thanks again for all of your thoughtful and nuanced takes on this series!
so glad to hear you guys liked the games!! thank you for enjoying my posts, i always appreciate it.
the tl;dr of it is that i do think they are genuinely bad enough additions to the franchise that they have signed mainline ace attorney's death warrant. picking out the dark age of the law stuff and aa5 and the imperialism in aa6 you've pretty much honed right in on my two biggest critiques
however i do want to say that although they're being bundled and sold as a 'second trilogy' that's not quite accurate either experientially when playing the games or from a development perspective. aa4 had scenario design/creative direction by series creator shu takumi, with the art director being kazuya nuri (responsible for character design for rise from the ashes in the series previous to this); aa5+6 was spearheaded by takeshi yamazaki, who had been with the franchise since its first game, with the slightly less tenured takuro fuse on art direction/character design. yamazaki and fuse are not without skill, but i think they're both significantly less skilled than takumi and nuri respectively and. it really shows.
pair that with the fact that aa5 and 6 fundamentally do not follow up on any of ace attorney 4's established characters or plots more than superficially, i don't think it's particularly useful to critique 4-5-6 as if they're a single body of work in the same way the trilogy is. apollo justice isn't a perfect* ace attorney game but it's a good one.
anyway i think buying into the 'dark age of the law' stuff in ace attorney 5 necessitates cheapening all of the events preceding it. the implication that 1. the law wasn't that bad before but it Is Now and 2. a single case was the tipping point for whether or not the entire legal system would be bad just ruins the times when ace attorney has managed to acknowledge corrupt systems as a massive source of problem for the everyman in the past
i think this screenshot from the dark age of the law wiki page says a lot:
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For starters, that phoenix quote. He would not fucking say that. I don't think there has ever been a point during or leading up to phoenix's career where he thought the legal system had 'glory' he would then want to restore it to. you seem to get it so im not gonna harp on this too much on this but. jesus christ
then, then there's fact that even by stating the most basic details about the franchise's events undermines the whole premise. like okay notice that the corruption that happens during the trilogy/investigations spinoffs is coming from all of the actual agencies that represent law and order/the system: the prosecutors, the police, and the prosecutorial investigation committee. however in aa5 the thing they choose to paint as responsible for supposedly unprecedented levels of corruption in the legal system is defense attorneys resorting to more drastic means, and the general public; aka not the people who are responsible for upholding the legal system but the people who are victimized by it and in opposition to it.
i don't think this was an intentional choice as much as it's just sloppy, inconsiderate, and contrived writing.
aa6 is just flat out racist. 'imperalist undertones' is i would say the gentlest way you could phrase it. like. japanese characters going to a made up south asian country that needs to be taught how to govern itself to quash its internal rebellion is like. so high on the yikes meter.
making a bunch of fake 'ethnic sounding' nonsense names filled with apostrophes to make them into silly sounding english phrasing was a disastrously tone deaf thing for the localization to do. they're really unforgivable. the worst of it all is probably "Inga Karkhuul Haw'kohd Dis'nahm Bi'ahni Lawga Ormo Pohmpus Da'nit Ar'edi Iz Khura'in III" i'm unsure if the names are quite as offensive in the original japanese because i haven't looked too much into what they actually are and have a really limited knowledge of the language. but. this name in japanese is "インガ・カルクール・ククルーラ・ラルバン・ギジール・ホフダラン・マダラ・ヴィラ・ヤシマ・ジャクティエール・クライン3世" which is written in katakana. katakana is, in contrast to kanji and hiragana which are used for writing japanese, used to phoenetically transcribe foreign languages or to write loan words. so the foreign-ness of this character is being emphasized here in the original text as well.
the supposed cultural inferiority of the khurainese people is baked into the game at pretty much every level, down to the gags. khura'in has the 'plumed punisher' show, which is actively criticized by the characters in game for just being a cheap ripoff of the steel samurai. they don't even get to have their own tv.
i believe the reason the racism is pretty much glossed over a lot in the fandom is for several reasons. for starters, ace attorney fans overall tend to fall into three camps: 1. people like me who fucking hate these games, refuse to acknowledge them, and would retcon them out of existence if possible. 2. people who have found things they like about the game and have a Good Version of the characters and plots that they have constructed in their head and 3. people who view all of the hate on these games as completely overblown
the first camp Does talk about how the game is racist but we're all already in agreement about that so it's kind of preaching to the choir and a bit redundant to keep going on about. the second camp tends to acknowledge the stickier aspects of the game but focuses on making content around the elements they like rather than critique. the third camp is the type to throw the baby out with the bathwater re: critiquing a thing they like. it's all haterism to them. but either way i think its kind of fucked up how many people will be like 'aa6 isnt that bad you guys are just mean' without even acknowledging these complaints.
anyway the khura'in country vs kurain village thing is really weird to me it shows both a lack of imagination and a disregard for the series' own established lore. why would a girl from a village where almost everyone is a spirit medium need to go to a place where only, like, two people are mediums to train.
i will say though that the divination seance is kind of one of the only things i found about aa6 to be an interesting addition. for a franchise with ghost summoning and murder solving, the two have a kind of hilariously low amount of overlap so i found the idea of bringing ghost bullshit into court really fun. mechanically speaking, the divination seances also felt a LOT better to play than the mood matrix segments of aa5.
in general, i think the biggest weakness of the mainline franchise under takeshi yamazaki's stewardship is its misunderstanding of stakes. both aa5 and 6 prioritize more bombastic and impressive on paper material stakes. oh no! the ENTIRE JUSTICE SYSTEM BEING GOOD OR BAD depends on this one case! on no! we have to DEAL WITH REBEL INSURGENTS! complete horseshit when there is not competent and functional enough character writing to get us emotionally invested here. yamazaki seems to think bigger is better, and that just simply isnt true for something like ace attorney
i've pointed this out in the past when critiquing aa5 and 6 but if you look at the actual material stakes on the line in ace attorney, they're at their highest after rise from the ashes. ousting the corrupt chief of police is the most impressive and impactful thing phoenix does with his career (arguably until the jurist system, but definitely in the trilogy.) but that's not the big Finale case for his character arc. his finale case is defending his college girlfriend; a nun who lives in the mountains, whose conviction would have had zero implications on the larger fabric of ace attorney's legal system. because takumi's writing clearly shows that he understands what makes a plot impactful is the emotional stakes the characters have invested in the events.
before taking over the main franchise, takeshi yamazaki was responsible for the miles edgeworth investigations spinoffs. i do enjoy both of those games - aai2 in particular is really strong. yamazaki does a great job with edgeworth's character arc even if i have some specific gripes with the duologys writing. i think theyre solid additions to the franchise. but you can see traces of this sort of misalignment in narrative priorities here as well. for example, the last case in aai1 is notorious for still going on for, like, an entire hour or two past the time when the last remaining plot point we care about has been revealed. because yamazaki seemingly had no understanding that That was the thing the case should have been about, and that should have been the final mic drop of the game. it just keeps going! he didn't know the game was done and he added a bunch more bullshit busywork after it that no one likes!
so yeah. without going into anything even as specific as how individual plotlines or character arcs were mishandled in aa5/6 that's really my overview What Went Wrong of those games.
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