#its blue though

[puppyeared]

filipina miku!! my mom helped me with her outfit ^_^

[biblically-accurate-dca]

got your nose !!!!

[hinamie]

you're lovely in ways that i just can't explain

testing out new brushes w some lmhs itfs nape kisses :> jjk atla!au with @philosophiums

[bluerosefox]

Saying Sorry Will Never Be Enough

Feeling a bit angsty so I had this idea.

Danny is dating one of the Bats/Birds, and everything is going great, amazing even! They know each other secrets (from powers to everything etc), they have a wonderful place to live (even if its in Gotham), Danny is in college on the way to becoming a space engineer (and he does side jobs for unrestful ghosts), he's actually getting sleep again since leaving Amity Park, gets along with their friends and family (those who Danny or his partner still talk to, up to the writer), there is even talk about marriage and perhaps adoption/kids in the future between Danny and the Bat/Bird he's dating!

Everything is setting up for a good life in his future, something Danny didn't think could have after his accident. He was happy finally, and currently packing up his old apartment because he's moving in with his partner in a few days.

So he felt like his core was being pulled out of him when he opens his apartment door one day receiving a knock to find his parents, who had hadn't seen since they kicked him out of the house after coming clean about being Phantom (their words of anger and denial that their son was 'dead' and now a monster, still hurt)

Sure they didn't attack him or proclaim he's dead but still their last words and anger HURT.

Danny didn't give them a chance to open their mouths, both looking nervous and guilty, before he slams the door close and turns invisible, grabs his phone, and fly's out of his apartment to his partner's place in a panic attack.

His partner, isn't happy.

[hauntingsofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[yennao]

So y'all remember how fucked Danny Phantom was? That is a whole dead child, his parents shoot at him on the reg. It's Stellar, I'm a FAN.

[rhiangalaxy]

Best girl :3c

[gammija]

he would not say that, podcast/book edition:

[ryuubff]

shuake week 2024

day 3: masquerade

(No text ver. under the cut)

[littleplantfreak]

I can't go back to sleep until I write Umemiya pining after a girl who's busier than he is apparently so. I didn't really proofread sorry! :P

The first time he meets you, you literally fall into his arms. Not in the romantic way though, you're just running so fast that when you stumble, trying to skew your direction enough that you don't hurt him, he's fumbling to catch you. The box of books your trying to bring to the library donation box scatters and you're in the most awkward hold ever. "Sorry, really should've watched where I was going," you tell him, out of breath and sweaty. He tries to help you pick up the books but you wave his hand off, before saying a quick goodbye and heading off. He laughs about it later, remembering your hair completely disheveled from the fall and the way you went back to running to the library even though he's sure it's not going anywhere anytime soon.

He ends up asking more people about you, finding out more about you from them, than he's able to glean from his rare run-ins with you. You're as active in the community as he is, just in different ways. Walking a bunch of younger kids to school in the morning because they have to cross a busy street and the school hasn't been able to cover the crossing guard position just yet or helping run the fundraiser for a local shop's owner who's sick, your schedule is packed even when you don't plan for it to be.

Everyone can see him getting a stupidly goofy look on his face as he calls out a quick greeting seeing you on your way somewhere. The first time he sees you tired he's nervous immediately. It's totally normal, given how much you do, but the hunch in your shoulders and sluggish way you're eating the food at Pothos has his stomach turning. He's considering asking Hiragi for stomach medicine now. When you go to leave he's grabbing the fabric of your sleeve gently tugging, a little unsure if you'd be against him grabbing your hand. He's a gentle guy, but no one's seen him treat anyone that delicately before.

"I know you're busy, but could you make time for me?" He's asking, and you misunderstand his concern for you as him really needing help with something, shooting a text to the people you were supposed to meet. You agree and he leads you to the school rooftop, giving you a brief tour.

"What did you need help with again?" You ask, yawning into your hands.

"Ah..." He trails off because he didn't need help but he figures you must've thought that when he asked for your time. "Ya see this hammock over here? I'm trying to figure out if I need to get a new one! Could you try it out for me?" He figures trying to explain that he just wanted to spend time with you might go over your head, so making up an excuse is the best bet, not to mention he might be able to get you to rest.

You're not fazed in the slightest, having been asked weirder favors. "Yeah, it's not gonna fall over or anything, right?" It'd suck to lay down only to end up face first on concrete.

"No no! It's completely safe I promise!" And he's relieved when he finally sees you lie down. It's insanely comfortable too. You start melting into it, pretty sure at this point you're gonna be glued to it forever. "Comfy?" He smiles, knowing for a fact that it is.

"Mm," you mumbled a little out of it. If you don't get up soon you might just fall asleep.

"Think there's room for two? I heard checking that it can handle it's weight limit is important," He says nearly laughing at such an easily seen through excuse, knowing you're probably too tired to even register his logic. Patting the side, you scoot over a bit, waiting for him to lie down too. "O-oh no I was kidding-,"

"Umemiya," and the way you're saying his name, a little gruff from exhaustion has his hear pounding in his ears. You pat the side harder, punctuating your silent demand. It's a tight squeeze next to him, but not entirely uncomfortable, noting how big he actually is next to you. "Think you need a bigger one," you say practically in his neck due to your positions, setting his nerves on fire. Is it hot up here? He's sweating a little, feeling a flush climbing up his neck to his ears. You go quiet, and as he looks over you're fast asleep, starting to drool on his shoulder a bit, chest rising and falling softly.

He's the human equivalent of an exclamation point now, unable to actually move to get off unless he wants to wake you up, which is currently unthinkable. He's able to get his phone out though, and is texting Hiragi in incomprehensible strings of text all in caps, an excess of emojis flying into the chat. Thankfully, Hiragi's had years of experience translating what Ume's trying to say, and when he gets the gist he's thrilled. He hopes they stay up there all day, and his stomach eases reflexively at the though of his leader tied up and unable to cause any trouble. Umemiya gets a quick text back in acknowledgement saying Hiragi'll make sure no one comes up to the roof for the afternoon.

Eventually, after calming down his giddiness, he also end up passing out, getting the best, yet sweatiest sleep of his life. He also ends up with a nasty sunburn on his arm that fell into a patch of sunlight on the side of the hammock, but thinks it's very much worth it when you panic and start massaging aloe into it. Once you wake up, you realize his ply was to get you to rest all along and you're thankful for it asking if you could borrow his hammock again sometime. He's nearly tripping over himself trying to explain that you could come here every day and it wouldn't be a problem, in fact it'd be amazing if you did because he could show you how his garden is doing and introduce you to everyone and, and, and. He's got you giggling with the enthusiasm, before you shake your head saying once a week probably works better. "Maybe tuesdays?" you ask and he agrees, obviously please. "It's a date then." You say, grabbing your stuff before asking him to show you the way back to the front of the school.

He nearly has a heart attack at the word 'date' but for the rest of the week, he's so excited it's annoying, eventually a flustered Sakura yelling at Ume to "Shut up about your girlfriend" and he does. For about 1 minute.

[redmarqar]

loose canon

[nintendont2502]

john as a heir who inherits the narrative freely, doesnt even know that he has the narrative, and barely changes it unless hes being directed to by some outside force (breath as directionless, independent, detatched, free). john as a character whos never existed at the same time as an alternate version of him, a character who never has to face himself and remains largely unchanged by the end of the narrative even as it changes around him

ult dirk as a prince who destroys the narrative and destroys through the narrative, who is determined to reshape it in his own image and 'fix' it, who will make himself the villain if thats what it takes and do whatever he has to in order to help everyone, even if it means hurting them (heart as putting on and taking off masks when needed, inflexible, cold, building a coherent narrative of their own story). dirk as a character who constantly has to face himself via one of his many alternate selves, who can only gain control by uniting those alternate selves into one coherent whole

john is homestuck and ult dirk is homestuck post canon and one of the first things he does when he gains power is kill john (kill homestuck) through the narrative. destroying the (previously free, directionless, detatched) narrative and destroying that narrative through your own (inflexible, cold) narrative. theyre so yaoi

[stromblessed]

Mizu was wrong to let Akemi be taken because they both deserve better

First, a confession. When I saw this for the first time:

I was relieved. I knew that was what Mizu was going to say and I felt like it's what I would have said in that situation too.

When Akemi does this:

I cringed, because if we know anything about Mizu, it's that she (1) isn't quick to make friends (though to be fair, even though Akemi did try to kill Mizu, so did Taigen - multiple times! - and look how that turned out lol), and (2) doesn't take orders.

So when Akemi and Ringo and later Taigen get angry at Mizu, are they being unfair?

Sure, Mizu isn't obligated to treat Akemi - or Taigen or Ringo or anybody else - nicely, or to serve them, or to be honorable, or be a hero to them, or whatever. No human being is obligated to any other human being. We all have the choice to do whatever we want to anybody else. But the point of flawed characters in storytelling is the tension between those characters and their potential. Their growth into someone who can choose the higher, harder path, who chooses to be obligated to others, who chooses kindness and compassion.

Because Mizu's problem isn't revenge. Nobody is preaching at Mizu that revenge isn't the answer. Her circumstances do suck, her life has been incredibly unfair, she is marginalized, and as far as we and Mizu know for most of the season, she is a child born of violence and no one is saying that that violence doesn't deserve to be repaid in kind.

Mizu's problem is isolation. And the fact that she thinks she has no responsibility toward her fellow human beings, because her hatred of her own circumstances and her having no life outside of her quest devours everything else. This is a problem because it turns Mizu into the worst version of herself. A version that hurts the people who like Mizu, the people who care about her.

Practically, Mizu has just taken on an entire army almost by herself. She's hurt. She's exhausted. If she were to defend Akemi now, it'd be yet ANOTHER fight, this time against horsed and armored samurai.

But that's not the reason Mizu gives Ringo. Mizu's ability or willingness to fight isn't even on her mind. All she says is, "She's better off."

"She's better off" is Mizu deciding what's best for Akemi. Akemi's entire story is about her being a caged bird longing to fly free.

One after the other, every man and woman in Akemi's life makes her decisions for her. She has to grovel and smile prettily and lie through her teeth just for the chance to be heard. Mizu judges Akemi for being a rich princess who isn't being more grateful for what she has, all without understanding Akemi's situation, and without any curiosity for why Akemi feels the way she does. From Akemi's perspective, Mizu is just one more person (one more man!) in a long lineup who ignores Akemi's wishes and (casually!) makes a decision for her that impacts Akemi's life greatly.

In the end, even Seki concludes that Akemi should get to decide what's best for Akemi. What others think that Akemi SHOULD want does not matter compared to what Akemi wants for her own life. As Madame Kaji said - Madame Kaji, who despite calling out the weirdness of Akemi's situation as well as the childishness of her decision to run away - is the only person Akemi meets who doesn't try to make decisions for Akemi, but instead only challenges Akemi to work for and be worthy of what she wants - she needs to decide what she wants for her own fucking self, and then take it.

Mizu being born female does not make her automatically wiser for letting Akemi be taken, and it does not preclude her from having a hand in giving Akemi back to her jailers. A patriarchy that Mizu knows full well would stop Mizu from achieving her own goals if she didn't present as male.

Mizu is still understandable here. She just had to kill Kinuyo, a disabled girl sold by her father into prostitution, a girl in a situation so far beyond Akemi's worst imaginings that I can practically feel Mizu's world being rocked just by comparing them in her mind the way she most likely is. That still doesn't make it right for Mizu to let Akemi be carried off to be sold into marriage by her father against her wishes. Those "good options" Mizu thinks Akemi has don't exist, no more than they ever existed for Mizu. Akemi and Mizu both have to get creative, make the best of their circumstances, take dangerous risks, and break rules in order to have any control over their own lives.

Even on my first watch, when at first I thought that Mizu had made the right decision and that Akemi was being unreasonable, Akemi screaming Mizu's name while being dragged, LITERALLY DRAGGED, back to her father was haunting as hell.

Mizu had the power to help Akemi, and simply chose not to.

Mizu lets Akemi be taken, Akemi who has just begun to trust Mizu. Mizu calls Ringo weak and quickly - seemingly easily - turns her back on him. Mizu values her quest over Taigen's life, after Taigen has endured days of torture to protect her, and she not only risks his life in the process, but doesn't tell him that Akemi is engaged to someone else, or that she came looking for Taigen, or that she is in danger.

Mizu's sword breaks because it is too brittle. Too pure. Too singleminded. Mizu only melts down the meteorite metal when she mixes the metal with objects from parts of her life that have nothing to do with her quest. Objects from the people she cares about, and who care about her.

All I'm saying is - Mizu doesn't have to be a hero. But she is the better version of herself when she reaches out to help and connect with others. When she's just a decent, kinder human being. And I think that's what this story is telling us that we should want for Mizu.

[bluerosefox]

Dinner?

Feeling a bit Spirit Halloweenish.

Danny blinked, stared blankly, blinked again before slowly very slowly closed his front door.

A few seconds later Danny opened the door again and once again meet a certain tallish young man, around his age if maybe a few years older, in front of him...

Who was it?

Bruce Wayne....

Bruce freaking Wayne, someone according to what he heard from Sam telling him from what she heard from her parents had apparently just dropped out of med school and was 'in the wind' according to rich elite gossip talks, was at his front door.

........

Why?

Wait... Did he just ask Danny out on a date?

-x-x-

Bruce Wayne has just dropped out of med school and is beginning his training into becoming the person his city needs him to become. While looking into where he can he remembers how in his teen years the planet was almost destroyed but was saved by a ghost teen hero and looks into it. He digs deep to uncover what happened, uncovering impressive firewalls Amity Park has, etc and finds out about Danny Fenton/Phantom.

He decides to go visit the younger man, who is just about to start college himself, and ask a few questions.

He uhhh... Bruce just wasn't expecting to find Danny very cute (even though he was pretty certain Phantom had been his first male crush when he saw a photo of the teen years ago), and adorable with his owlish stare, and well the first words out of his mouth was

"Would you mind joining me for dinner?"

-x-x-

[reverentwormpriest]

[hylianane]

And when OPLA calls back to Zeff telling the crew to read stories to Zoro so he can hear their voices and recover faster, by having Sanji sit by his bedside on Thriller Bark and read him a book about the All Blue. What will you do then?