If youre the type of person to actually casually wish death and ill on people, youre probably not actually 'happy' with your life and probably should seek help
3 notes
·
View notes
the shot of nate being stopped in his tracks seeing ted and trent talk is making me mental because we as an audience know that nate leaked ted's mental health to trent. nate wanted to be an anonymous source so he probably didn't piece together that ted knows what he did because ted hasn't really confronted nate about it and not many people know the full story of what went down so it hasn't spread around (the team just now know about the sign being torn in half). nate couldn't make amends for his accidental slight in not shaking ted's hand because he couldn't face the deeper hurt he has caused to the man he looked up to, who was one of the first to see his potential
2K notes
·
View notes
Fuck whatever DC is doing with the al Ghul's characterizations and story lines, I've decided that from now on the al Ghul's are gonna be DC's version of the Addams Family instead.
Now I don't mean just give the various al Ghul's the exact personalities of the various Addams and call it a day. That's boring, that erases all the interesting parts of the al Ghuls, that's just using "find & replace" and not actually adding anything. I mean give them the vibes of the Addams Family.
Keep the al Ghul's as the al Ghul's with all their scheming and machinations and world domination attempts but give them all the unhinged energy, the casually insane view of the world, the deranged levels of love and devotion for family. Make them that group where objectively they are batshit insane but also you cannot argue with the fact that they are indisputably the most stable and functional family in the entire universe.
They're creepy, they're kooky, they're mysterious and spooky. Ra's many opulent homes and impenetrable fortresses are a museum and the al Ghul's really are a screa-um whenever people come to see-um (or when they lay waste upon their enemies in a surprise attack that has been planned for months and is just the first domino in a series that will ultimately lead to achieving a far greater goal).
They all love each other and want each other to be happy, they express this primarily with stabbing and murder attempts (its fine, death is a thing that happens to other people).
And forget the League of Assassins being a cult. Just make the whole vast globe spanning organization a collection of cousins/aunts/uncles/dear old friends ect. No one (not even the al Ghuls, if they cared to keep track of such things) is sure who is actually related to them and who just got absorbed into the ever expanding family tree based on their vibes being right.
(Is Sensei Ra's father you ask? Well he's certainly someone's father - probably.
Anyway have you heard about Cousin Cheshire? Despicable poisoner of a young woman, capable of the most horrific things imaginable - yes she is the sweetest dear. Like I was saying though, she just had a baby!
Everyone in the family is just so excited to throw a baby shower to celebrate! Ubu has really gone all out with the spike traps, he does so love getting to welcome a new addition to the family.
Talia of course has cultivated a brand new strain of the most toxic plants imaginable to make a brand new kind of necrotizing poison. You know, as a nice little romantic gift for Cousin Cheshire and that young man of hers. It really is so important to make sure you take time for you and your partner to go on dates and have a few pitched battles to the death on dark rooftops in the pounding rain when you have children.
Now there is some to-do about it all of course, you know how family get together can be. Everyone is arguing over who should get to give little Lian her first weapon and what it should be. Nyssa is pushing for grenades but Ra's is insisting on a sword - he's traditional like that you know - but Dusan has the vote so far on throwing knives. You know the kind that have the little divots along the edges of the blades them to make it easier to get the poison you dip them in to stick.)
I'm just saying that the al Ghuls should be a delightful cross between the Bond Villains they were originally conceived as and the lovingly unhinged Addams Family. It just feels correct in my heart.
(Again keep the interesting aspects of the characters and the nuances of who each of them are like their drive to save the world through destroying humanity and their strong environmentalist leanings and their constantly playing 5D chess and everything, but like, take away the racism and the cartoonishly evil for no reason bullshit and give them some fun feral energy to go along with it).
156 notes
·
View notes
dude imagine if people talked about other ttrpgs the way people talk about wanderhome like,
"i tried to play blades in the dark and it was a total slap in the face to anyone who likes peaceful games"
"anyone who reads pathfinder can tell the authors have never had sex in their life"
"dungeons & dragons completely fails to comment on the situation in ukraine"
248 notes
·
View notes
Alicent and Aegon are so Virgin Mary and Jesus coded, in a sick and twisted way that it barely makes sense, but at the same time just... does.
a mother and her child born damned from the start, yet she loved him to her core, accepting her fate, accepting she would lose him and then herself.
she carried him, birthed him, raised him, loved him, devoted her very being to him... she lost him, grieved him, lost her mind in his absence. the gods her only respite, yet, when she needed them most, when she needed them to protect her son, her baby, her reason for being, where were they?
224 notes
·
View notes
2, 17, 22 for Saltburn
2. a compelling argument for why your fave would never top or bottom
this means nothing to anybody who follows me for saltburn, but i just answered this question about my other blorbo and came to the exact same conclusion for the complete opposite reason. oliver quick would NEVER top because he is clawing to be the main character of every room that he enters. he wants to be desired so badly that he'll reinvent himself into whoever he thinks you want.
there's a sort of trope in obsession-related media where the obsessor ends up forcefully taking from their victim exactly what they want. and i think that oliver subverts this narrative by never taking anything from felix. he never asks for more than he's given. when he finally has the opportunity to kiss felix, he doesn't. he takes from venetia, and he takes from farleigh, and he takes from james and elspeth, but at the crux of his character, is his need to be taken by felix. this is, of course, a metaphor for bottoming LMAO
17. there should be more of this type of fic/art
ok so tbh i'm not a huge fic person because i'm so incredibly picky about the way that the media that i care about is interpreted, which is why i've never read a single saltburn fic and honestly i probably won't ever, just because i feel like there is very little room in this story to expand and no way to twist and rewrite it in a way that is true to the characters that i care so much about. but WITH THAT BEING SAID, i was honestly so totally astonished by @125hr's cattonquick art that it made me realize that maybe i do want to see more beautiful art of them kissing and we can all pretend like they had their moment<333
22. your favorite part of canon that everyone else ignores
this should honestly be it's own post, but since my last rewatch i've been thinking a ton about the final dance being a reflection of felix's initial tour through saltburn, which has been talked about! but what i haven't seen talked about is all of the other scenes that end up echoing each other. felix's life on the screen and oliver's role in it form a perfect mirror image, starting and ending with oliver staring at felix at parties and not being able to touch him. starting and ending with oliver watching felix have sex with someone that's not him. starting and ending with oliver fucking people who aren't felix in an attempt to get closer to him. on a second rewatch, when you know all of the signs, there's such a devastating sense of oliver returning back to square one, lost in a crowd full of felix's friends and nobody even knows his name. there is a time before felix and there is a time after felix and exactly at the center of this timeline, there is a man on his hands and knees in a bathtub getting the closest he will ever get to the thing that he wants.
28 notes
·
View notes