#just needed to put this idea to words

[hannibal-lectotype]

Something the Hannibal television show does phenomenally, that the books and movies don’t really do at all, is showcase how well he actually blends in.

In the Thomas Harris works, every scene that Doctor Lecter is in manages to make it very clear that he’s dangerous, and everyone else is basically Damocles without being aware of the blade. He’s unsettling even when he’s charming, and the audience is always aware that he is the lion in the room. We can see the swords dangling by the hair over every other character.

But in the show, Hannibal is just a guy, maybe pretentious and nerdy, but charming and kind for the most part. We are taken in with him, just like the other characters. Then, when he does lash out, moving like the predator he is, we’re left absolutely shook, almost ashamed that for a moment we forgot who he is. In the next scene, he’s as soft and charming as ever, and the deception begins again. We slowly fall under the spell again, because he’s just that good. We experience what the characters do, even though we’re granted the behind the scenes knowledge that he’s the villain of the story.

[stoopidstapler]

SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

[yeetusthemighty]

This stupid description is way too funny to me

[crybaby-bkg]

cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism

as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.

Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.

it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.

“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.

“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”

his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.

and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.

the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.

the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.

“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.

“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.

he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.

“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.

“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.

“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.

“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.

“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.

you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.

is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?

“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”

you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[b4kuch1n]

making of a feathered thing

[uncanny-tranny]

It's just... odd to me, I suppose, going from "what is in my pants is completely irrelevant to most anybody else's life" to the expectation that you must be completely open, essentially, about what is in your pants.

I think a lot of people understand the general idea of why it's bad decorum to demand people offer explanations for private information like this, but they don't analyze exactly why it's bad besides, "asking directly is just rude" and not "asking in any way still enforces the often violent nature of gender and sex, and putting people in the 'right box' is a part of that violence."

It's especially odd when seeing other trans people enforcing the idea that "what's in your pants?" is a genuine, good-faith basis for interacting with others.

[reachexceedinggrasp]

Danny 'I don't do weird' Pink frustrates me as a character, because I'm honestly not sure whether he was supposed to have an arc or not.

His primary role is as a foil for Clara's arc and, in aid of that, as a mirror to the Doctor. A solider with survivor's guilt and a man of action who can't stand by when people need help etc., in some ways he and the Doctor have a lot in common, but he's also a very grounded and circumspect personality versus the Doctor's being fantastical and adventurous. Danny isn't curious and doesn't want to pursue new things or experiences, instead he wants to be fully present with and grateful for what he already has. The Doctor is incorrigibly curious and always interested in new things.

Danny is someone who desires nothing more than an ordinary life, and looks for beauty and satisfaction in the normal things and people around him. He wants his world to be small and quiet, he values the mundane things others might take for granted. He's normal, patient, dependable, simple, honest, etc. His reaction to trauma hasn't been to disavow the things which lead him to that event, or to seek out stimulation to avoid thinking about it, it's to be thoughtful and cautious and somewhat rigid so he can always apply the mindset and skills he retained from before he was traumatised.

He's very firm and unbending in his worldview and in his self-image. He doesn't seem to ever reassess people once he's decided what he thinks of them. He's not unreasonable or unwilling to compromise, he is in fact maybe too reasonable, but he is implastic. He's extremely even-tempered except for around his identity as a soldier, which he's prickly about, but still pretty quick to let it go as long as he's not being deliberately antagonised.

So anyway Danny represents this other path, and this opposite response to the horror of war and making a catastrophic mistake, but he never learns, he never grows and he and Clara are never much on the same wavelength about anything. He's supposed to be stability, the things she 'should' want, the 'person she's supposed to like', the safe choice, the presentable life which Clara feels like she has to have. He's orderly and ordinary and that's what she wants from him. She has to control her image, her future, and her options.

And their simple relationship, once it exists, functions well as the contrast to her complicated and tumultuous relationship with the Doctor while the companion power dynamic is being dismantled and rebuilt so they can be emotional equals. But like, the set up is confusingly executed.

Listen- they have zero chemistry, they have nothing to talk about and have to resort to talking about work, every conversation goes instantly off the rails, they rub each other the wrong way, there is never any reason for them to keep reconciling and trying again to connect. Like. You are not hitting it off! and keep offending each other bc you're not compatible! Quit!!

Clara is forcing it, that makes complete sense with what she's going through, she's trying to take control of her life and her emotions, trying to prove to herself she's not pining for the Doctor and at the mercy of his whims for her life to be full and complete. She doesn't want to need him or to be dependant on him. She doesn't want to be the heartbroken sadsack whom he abandoned at Christmas or who will take whatever scraps he'll throw her. She wants to control his position in her life and control how she feels about him. Hence her assigning him a specific day and confining their adventures on her own terms. She's trying to keep the Doctor compartmentalised. Having an Appropriate Human Relationship means she's successfully put the Doctor in his box (lol) and neutralised the chaotic power of her feelings for him. I mean, obviously not, but that's what she tells herself.

But what is Danny doing? Why does he keep pursuing this when it's so clearly not a good match?

Again in Listen, and much more so The Caretaker, Danny illustrates that he does not know who Clara is, he's wildly wrong about her and what she's like, and he's very high handed about it as well. He's convinced that the Doctor is taking advantage of her, that the Doctor is domineering in their relationship, that she is not a person who wants to be put into challenging or dangerous positions, that the Doctor is pushing her to takes risks and become a leader where that's not her nature. None of this is true. Clara was always a decisive, assertive, strongly driven person who seeks out new experiences and naturally assumes a leadership role any time that's necessary; she relishes being challenged and facing the unknown. Her blow up with the Doctor wasn't about him 'pushing her too far', it was about him failing to support her when she needed him and condescending to her as a human rather than treating her with the intimacy and equity their bond and history together demands. It's personal and it's about their emotional relationship. It's not about making hard choices, it's about having to make hard choices without her partner being honest with and emotionally available to her.

Clara was always an adventurous person, willing to be spontaneous as long as it's on her terms, and excited by the prospect of authority and responsibility. The danger and challenge isn't an unfortunate side effect or a risk she has to take to see amazing sights, it's part of the appeal. She lied to Danny by omission when she said she went off in the box to 'see wonders', not just because the real reason is that she's in love with Doctor, but also because she doesn't just want to be a tourist. She wants to get involved and save people, she wants things to sometimes go pear shaped. She enjoys and craves that part of it too.

Danny is also wildly wrong about the Doctor, but this is understandable and would be fine except that he's never corrected? He never learns better? What's the point?

In Death in Heaven Danny goes out still wrong about the Doctor, still condemning him cruelly and unfairly while knowing nothing about him. He had a point with some of his original rant, there was actual insight there, but it's buried in assumptions and bitterness and then Danny keeps tripling down on the assumption. The one which doesn't understand that the very thing he's shitting on the Doctor for (being willing to lead and make hard choices that must be made in order to save people) is something the Doctor has in common with Clara. And always has. The Doctor didn't change her or push her into that, that's who she's always been.

What is the point of Danny calling him a blood-soaked general and mocking him, calling him an officer as a pejorative again, and again because the Doctor is trying to save the planet. Like, memory check, that's what Danny is mad about. The Doctor doing everything in his power to save literal billions of lives. Doing it for no reason, out of altruism. Doing it while always trying very hard not to fight or kill anyone. Doing it even at enormous spiritual cost to himself.

I don't understand how we're meant to find Danny sympathetic in that moment, because he comes off like a complete dickhead. And it's all the more frustrating because in the intervening episodes Danny has been eminently reasonable. As I've discussed before, we're exhaustively shown that Danny is 100% okay with what Clara claims is going on, that he doesn't want to get in the way of her friendship with the Doctor, that if it really were only the relationship she's pretending it is, there would be no conflict. He's the one who encourages her to make up with him after Kill the Moon! He tells her to go on travelling and it's fine!

Even when he discovers she's been lying to him and cavorting with the Doctor behind his back (again despite him telling her it was fine with him!), he's calm about it and repeats for the millionth time that all he wants from her is honesty. The truth. Which is the one thing she can't give him because Clara knows their entire relationship is built on the lie, they're only together because of the lie. The truth is, as Moffatt said, that Danny never stood a chance. There is a conflict between the two relationships and she's always going to choose the Doctor.

And that does come out, she gives the whole speech to Danny, not knowing it's him, finally being honest. And he seems unsurprised by it, which makes sense because on some level he definitely always knew ('do you love him?' 'no' 'really had enough of the lies'), but then nothing comes of that. Clara just soldiers on, going right back to pretending this relationship wasn't a façade doomed from the start, and Danny allows her to pretend. He goes off on the Doctor, but not in a way the Doctor actually deserves at all, and just sweeps her confession under the carpet. Letting her get away with it again. True to form, I guess! he always did. But shouldn't we make progress?

And it's like... I hate that he dies on that note. It feels like he dies in denial. I guess you could argue it contributes to his decision to not come back, but that feels like a disservice to the character. Saving the kid is important to Danny, it allows him to atone for his greatest mistake, but he didn't need to change or grow to accomplish that and it doesn't provide any closure to his actual role in the narrative, which was as Clara's foil. Clara is off the hook, free to go on lying to herself about their relationship. It's not addressed in Last Christmas, either, it's only barely hinted at.

[rapidhighway]

"oh my old art was so cringe it looks so bad" SHUT UP ALL youre doing with that self deprecating talk is telling artists who aren't as far into their art journey and whose art may look similarly that they suck. When if you had never drawn the way you're criticizing now, you wouldn't be where you are now. The art you consider shit is also part of the way

[boywifesammy]

im sure everyone’s seen the argument by non-wincest shippers that canon weirdcest moments can be explained off as particularly close brothers. i’ve seen wincesties respond by straight up denying it, but honestly, i see where they’re coming from. they do TECHNICALLY have a point, yet still, it fundamentally doesnt sit well with me.

if you isolate all of these little incidents they could be perceived as purely brotherly. its got me thinking about what exactly makes wincest so appealing, and why i as a wincest shipper immediately have an exasperated reaction to people insisting that sam&dean are purely platonic.

i also see this argument frequently bundled with the stance that “weirdcest isn’t a justification for shipping wincest” (which is a whole other can of worms altogether— the puritan culture of ship culture rn), but you gotta take a step back and just ask yourself… why am i so intent on seeing these characters as platonic?

the prevailing argument ive seen is that siblings CAN be terribly close without being incestuous. this is totally fair. i’m not saying that if you are particularly close with your siblings in a sam & dean type manner that you are incestuous. obviously relationships between family is vastly complex & changes with the culture you grew up in.

the only problem here is that people try to go so far to explain sam&dean’s relationship as to not paint it as romantic. if they weren’t related, it’d be insane to think they weren’t romantic. they are consistently and repeatedly put in situations and exchange dialogue that’s used to convey romantic tone in western media. my point here being— the writers know that they are doing. and they are doing it INTENTIONALLY.

yes, certain cultures find extensive physical touch and kisses between siblings platonically acceptable. yes, you can be very close to your siblings without wanting to fuck them. but that is such a reach given what you are being presented with. you are missing the fundamental thematic point of supernatural: family horror!!

by so steadfastly arguing that sam&dean cannot be read as romantic you are purposefully ignoring the the text. you are glossing over the repeating themes of generational trauma and incest that are touched on time and time again, with john’s father abandoning him, mary’s parents being hunters, the struggle she went through to get out of the life but how family trauma & the past permeates itself into your being. you are ignoring the benders, the ghost pregnant with her fathers child, and the time azazel KISSED MARY in HER FATHERS BODY.

supernatural pushes incestuous themes SO HARD. it purposefully plays with & explores the double-sided blade that is family. it touches on a REALLY TABOO subject without being overwhelming or heavy handed. of course its going to attract people who enjoy these themes. OF COURSE we’re going to look at the two homoerotic brother leads and see something between them! it’s intentionally placed in the script! its a valid reading of the text!

this is why i get frustrated when people say that wincest shippers are twisting canon for the sake of shipping, because we’re not. when people say this they are taking a piece of media that is intriguing in how it handles a socially unacknowledged part of the human experience and forcing their viewing of it on others. they are saying that you aren’t allowed to enjoy those themes because it is inherently wrong or shameful to EXPLORE THE TOPIC. i dunno. that sounds pretty authoritarian to me.

it’s totally fine to be grossed out by incest or avoid wincest because it makes you uncomfortable. what ISNT okay is to say its an exaggerated reaction to canon, because it really isnt. in fact, its a pretty normal & sane conclusion to come to after seeing those two. the fact that they aren’t explicitly incestuous might even enhance this idea. it touches on the unspoken secretive nature of family trauma and the complicated, messy reality of crossing boundaries with blood without being cliche or overdramatic.

im going to incite occam’s razor here: yes, they could just be brothers. yes, you can explain it all away as particularly close siblings. yes, you can argue that it isnt explicitly canon. but really, why would you do all that when the show incessantly implies that they’re more? and more importantly, why are you so quick to say that a topic cannot be explored because it’s complicated? is that really the sentiment that we as a society want to hold regarding media?

[muninnhuginn]

Thinking about "your weakness is how you always want to be the hero" and how the series returns to this at the end

Li Lianhua hated how he acted as Li Xiangyi and spent years trying to distance himself from it, but ultimately he still fell back into the similar patterns, for all his added experience

His main priority was always to "do the right thing" regardless of how that would impact on those around him. And it *did* impact those around him. From Qiao Wanmian and Shan Gudao as Li Xiangyi to Fang Duobing and Di Feisheng as Li Lianhua

Giving the Styx flower to the emperor so he could use it as leverage to guarantee Fang Duobing and his family's safety. Using the last of his power to save Yun Biqiu. Constantly putting others above himself whilst actively refusing to recognise that his self-sacrificial nature would hurt those he cared about most

And sure, he thinks he's going to die anyway. They're going to be hurt regardless and he can't do anything about that. His odds are low of the Styx flower even working. But ultimately, he refuses to even consider trying. Li Xiangyi has been dead a long time and Li Lianhua is just there to tide things over. What value is the life of a ghost

To the end, he lives and dies a hero. To the end, he refuses to live for himself.

[bluastro-yellow]

I thought Kim's portrait looking a little like the Rising Moon Hanafuda card was just a neat coincidence but I actually like the idea of Kim symbolising a moonrise instead of a sunrise. the Sun is the brightest star in the sky and when it's gone the Moon keeps reflecting its light. what if (if you play him as a huge communard) Harry dies just like Mazov and Kim becomes the "echo maker", the one who spreads his message

[kozuki-hiyori]

I love LuZo where Zoro is so endlessly devoted to Luffy and he acknowledges this fully himself (I mean that's basically canon) but what gets even better is when fanfic writers/fanartists/etc. will have this careful balance to it, where Zoro knows it's gone possibly a bit too far (again also pretty canon) and he doesn't want Luffy to find out about it

Those works where Zoro doesn't want Luffy to find out about Thriller Bark because he knows he wouldn't be happy about it... oh those drive me so insane

(And with Nika Luffy, now... oh, I don't know how to express the multiple directions this could be taken in and just to what extent every single one of those would ruin me)

[spaceratprodigy]

*gulp* deacon/iris "please just kiss me" intimacy ask........ NYE party- (i am shot)

@oldworldwidgets — [ intimacy prompts ]

It's in the stars, it's been written in the scars on our hearts

We're not broken, just bent, and we can learn to love again

pose reference

[corrodedcoughin]

Thinking about steddie future where they're both just average guys. No rockstars, no basketball players just two Normal men living a normal life because honestly? they deserve it. They deserve soft domesticity and happiness.

They both have jobs they like but don't love and they're happy with that. Eddie maybe becomes an electrician, working for someone else's company. His coworkers are chill, he gets to get out and work with his hands and that's more than he could have asked for. Steve is a physical therapist, or a manager in some business. He likes his team and the steady hours. He's not working for his dad which is a plus.

They buy a house together, that's not a mansion but it's not a trailer either. Steve does a lot of the dishes because Eddie hates it, hates the feeling of old food on the plates and cutlery. So Eddie will kiss Steve on the cheek and does the laundry because Steve fucking hates laundry. And sitting on the floor watching TV while he folds clothes is honestly sort of relaxing?? Love is doing the chores your partner hates.

Steve and Robin go out for brunch at least once a month, where they catch up and gossip for hours and hours and Steve comes home lighter with updates on Robin and Vickie. Eddie will have nightly phone calls with Wayne, where they talk and laugh and Eddie will eventually hand the phone over to Steve so he and Wayne can talk sports together. When he's in town Dustin will come over and stay in their spare room and they laugh and joke so much it's just like old times. They go over to Jeff's house for dinner on a semi regular basis, and it's nice having normal friends.

They adopt a very annoying cat who will climb all over them in bed and meow in their faces when they don't wake up to feed it breakfast in time. Steve will go for jogs on a Saturday morning, coming home to Eddie reading in bed. Some old western book Wayne recommended to him. There's a steaming cup of coffee waiting on their bedside tables that Eddie's prepared.

They take time off of work and go on a week long vacation because they can do that now. They do dorky touristy things and Eddie buys a mug to send to Wayne. Steve takes a lot of dorky photos of the two of them.

Idk they deserve to be normal and alive and happy with no upside down anymore <3

Oh I love this! I had actually been thinking about tradesman Eddie for a little bit I am so, so glad you’ve come up with this!

I can so completely see him learning a trade and just getting employed and put through his time by a small local employer! He has to go through his exams and that part of it worries him when he first gets the job but his team end up being really supportive and Steve stays up late with him, practicing circuits and wiring and quizzing him on currents and volts. Eddie returning the favour, letting Steve mark up his muscles and be a living anatomy dummy. Sure it gets a little sexy from time to time but more often than not it’s just them testing each other as Steve identifies bones and Eddie talks about parallel circuits.

The monthly brunches mentally and physically revive Steve after working extended hours with patients that he really does want the best for but a jobs a job and it can get pretty tiring. They joke that they rebalance each others chakras but they really do feel realigned after their meet ups. Eddie can see it to, sometimes he’ll come pick them up when it’s been a boozy brunch and delights in seeing them happy and light, clambering over each other to tell Eddie something about one of the waiters or an especially good dish they ordered. When he drops Robin home Steve sits in the front and looks at peace and Eddie feels the same way.

Their weekends are for them, sometimes that means staying home and cleaning the whole place between ordering food in and sometimes that means going on a day trip and taking Wayne around all the antique spots around the county and seeing what horrors they can uncover. Top spot currently sits with Wayne’s find of a doll whose limbs had been replaced with horse legs and had the head of a fish. Of course they bought it.

Every time they go on a holiday they make sure to send postcards to everyone, including themselves, seeing if they’ll get home before the postcard does. Steve keeps them in a photo album, each with a Polaroid of them next to it. Sometimes taken by a stranger, sometimes just a close up of their faces squashed together. It’s Eddie’s favourite thing to go through on their anniversary, or any day really, just loves being reminded that this is the life they get to have.

It’s mundane, dare say even normal, but they love it. Steve comes home every night, happy to put his scrubs in the washing machine next to Eddie’s uniform, happy to be where he feels loved.

[blamemma]

candid 😊

cw: somnophilia, non-con/dub-con :)

Max pads down the hallway, socked feet hitting the cool wood, heading towards Daniel's office.

"Daniel, do you maybe know which suitcase I packed my toothbrush charger in?" Max asks, entering Daniel's small office space. It's a dark room, Corey apparently told Daniel that would be good for when he was editing his photos. A few of Daniel's less important trophies adorn the walls, photo albums are stacked onto shelves that Max takes down regularly to fawn through, rolls of film and cameras that Max isn't allowed to touch are off to the side, resting on a chest of drawers.

Daniel leaps forward in his chair as Max enters, the desktop screen in front of him going black, before turning sheepishly around to look at Max, eyes wide.

"What were you doing?" Max laughs, walking closer to Daniel.

"Nothing- just catching up on emails." Daniel fumbles out, avoiding eye contact, choosing instead to pick up Max's hand from where he's stood in front of him, and playing with the ring on his finger.

"That is a lie," Max chides. "If you were watching porn you do not have to be ashamed." Max chooses to sometimes, the ring on his finger proof that Daniel would never get bored of him, but they both like to try new things, and Max likes to do the research. He lets himself get all worked up, doesn't touch himself, just waits, achingly hard, until Daniel comes home and falls to his knees in front of him. Takes care of him.

"No--" Daniel rebuts quickly. "Just e-mails. Photos. Ya' know. After holiday stuff."

"You were looking through the holiday photos?" Max asks. He immediately sits himself down in Daniel's lap, swinging them back around towards the computer. "We can look through them together. Then choose the best ones of course for your instagram." Daniel's hand comes around Max's waist, pulling him tight to Daniel's chest and Max can feel the beat of his heart, fast--erratic.

Max pushes the small button on the side of the computer and the screen lights up again--it's him. Asleep. In the hammock tied under a palm tree. Sun falling over his face, his hair a golden blonde in this lighting, his mouth slightly wide. Max shuffles in Daniel's lap, getting more comfortable. He surprisingly doesn't hate the photo, more surprised that Daniel would hide it from him. He pulls the mouse towards him, and clicks onto the next one.

It's him, again. On the queen sized bed. Asleep on his front. His knee bent upwards, a thin sheet draped across his lower half, leaving Max with only a tiny bit of decency. It must of been a late afternoon nap, as the room is lit up in warm amber hues. Max can feel himself going red all over, can feel Daniel barely breathing below him. Seeing himself so at peace, rested, he looks calm, serene. He's never seen himself like this.

He reaches forward for the mouse again, grasping it, but Daniel's hand rests on his, forceful.

"Don't," Daniel whines, resting his forehead onto Max's shoulder at the same time. Max doesn't listen, Daniel's begging only making him want to see more.

The next photo--Max takes a sharp inhale. Daniel grips him tighter to him, fingers pressing into Max's waist.

Max is in the same position as before, but this time, the white sheet has been removed. The photos in portrait, and at the bottom, the head of Daniel's dick is in view, cum pooling at the tip. Max's mouth waters. Daniel's other hand, the one not holding the camera, the one with the rose tattoo Max loves to bite down on when they have to be quiet, is cupping Max's ass, holding it. Max's back and hole is covered in cum--Daniel's cum-- white streaks intermixed with the freckles littering Max's back. It's quiet between them, the only sound filling the office being them both breathing heavily.

"Daniel--" Max whispers.

"I'm so sorry baby," Daniel timidly says, kissing Max's neck. "You're such a deep sleeper. You look so relaxed, calm, rested. It just does something to me. You looking so looked after. I can't help myself sometimes. Sorry. I'll stop. Sorry."

Max twists in Daniel's lap, turns away from the photo he can't stop looking at, blinks finally, holds Daniel's cheek in his hand, rubs his thumb in circles across it, through the days old stubble he loves to feel against him.

"You have done this before?" He asks. Daniel blinks slowly, looks down, and then back up, locking eyes with Max, smiling slightly.

"Got a whole album baby." Daniel says, his tone sounding a mix of jokey and nervous. Max can feel his shorts getting tighter, the idea that Daniel jerks off over him whilst he's sleeping, that he can't wait for Max to wake up, that there are tens of, hundreds maybe, photos of him covered in Daniel's cum that he's unaware of.

"Show me," Max demands, and it clicks for Daniel then. Max isn't disgusted by this. Max is just as turned on as he gets. "Although I do not think we can approve these for your Instagram." Max adds.

Daniel takes the mouse from under Max's hand, his other hand now moving away from his waist, travelling lower to cup him, and navigates to a folder multiple clicks away, types in the password one-handed, rubbing Max through the thin material of his shorts.