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#kind of sweet still
bloody-bee-tea · 11 months
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Beetober 2023 Day 26 - First page
Suguru knows that Shoko hates how they barged into her room, can see it in the tense lines of her body, but Satoru is splayed out on the couch and maybe the fact that he’s trapping her there has something to do with her foul mood as well.
“You are so annoying,” Shoko drawls out in just that moment, trying to push Satoru off her lap but of course it doesn’t work, because Satoru is impossible like that.
“And you love me for it,” he sing-songs to which she only rolls her eyes, but Suguru does notice that she doesn’t refute it and it makes him huff out a laugh.
Shoko can pretend all she wants but she does like them.
“And you’re no better than he is,” Shoko says, clearly having remembered that Suguru is in the room too and at least half as responsible for Satoru’s antics, because he keeps enabling them instead of stopping him.
Sue Suguru, but it’s so much fun letting Satoru do what he wants sometimes, especially when it makes Shoko’s fingers twitch like that or Yaga’s vein throb.
“Guilty as charged,” he easily gives back, immediately returning the thumbs up Satoru gives him and Shoko groans.
“You two are the worst,” she mutters, bonking Satoru on the head but no longer actively trying to get rid of Satoru. “We really need to set some ground rules if you continue to do this, though. Imagine if I had been naked.”
“As if anyone would want to see that, right, Suguru?” Satoru calls out and then yelps when Shoko pinches his cheek. “That was so mean.”
“That was deserved,” Shoko huffs out. “Geto, back me up here, you agree with the ground rules, right?” she then asks, turning her gaze to Suguru, who hums in thought.
“I mean, I guess we can knock next time,” he amends and then leans forward to high-five Satoru.
“You should have knocked this time!”
“Aw, Shoko, come on, don’t be like that. Besides, I already have a rule book I live by and I’m sorry to inform you but there’s no more space to add new rules.”
Now this is new information even to Suguru and he frowns at Satoru.
“You live by rules?” he wants to know because that is not something he can imagine, like, at all.
Satoru has always only ever done what he wants to and to think that he’s adhering to some rules—even ones he set for himself—is actually kind of disturbing.
“Yep,” Satoru gives back, obnoxiously popping the p, and Shoko and Suguru share a look over his head.
“Do enlighten us then, oh great Gojo Satoru,” Shoko says, tugging on one of Satoru’s strands of hair. “What’s on that first page of your rule book?”
“My rule book only has one page,” Satoru informs them and now that makes more sense.
“Let me guess, there’s only one rule in there, too,” Suguru sighs out and he can already guess what it’s going to be.
It’s most likely something along the lines of ‘Have as much fun as you can’ or ‘be as obnoxious as possible at all times’ and going by the pained look on Shoko’s face she’s thinking along the same lines.
“There sure is,” Satoru easily says, because of course there is and he grins lazily as them when Shoko and Suguru stare expectantly at him.
“And, are you going to tell us?” Suguru asks when Satoru doesn’t seem inclined to go on and Satoru’s grin sharpens.
“But of course, my dear Suguru. Especially since that rule is about you.”
Now that is a surprise but Suguru only rolls his eyes.
“What? You have to make it a rule to annoy me to death?” he asks but of course Satoru would do something as ridiculous as that.
“Nah, actually, that comes naturally to me. The rule is ‘Protect Suguru at all costs’. And I sure as hell don’t need any other rules, so back off, Shoko.”
Satoru seems entirely unaware of what his words have done to Suguru because he jokes around with Shoko as if nothing happened. Meanwhile Suguru feels as if a pit has opened in his stomach and it’s going to swallow him whole if he stays here a second longer.
“Real funny,” Suguru manages to get out, feeling as if he’s going to implode with anger and—even worse—the feeling of being inadequate yet again, and he’s out the door before Satoru or Shoko can react.
Suguru stomps over to his own room, increasingly annoyed that Satoru still sees him as weak, as someone who can’t hold his own when all Suguru wants to be is his equal. Suguru slams the door shut behind him, standing in the middle of the room, fuming and with no outlet for his anger when Satoru barges in just a few seconds later, clearly with no concern for Suguru’s privacy or wish to be alone.
“Suguru, what the hell, don’t leave me alone with Shoko, she’s so mean when you’re not there,” Satoru whines out, evidently not even realising that Suguru is going to explode into his face any second now.
“Shut the hell up and get out,” Suguru hisses at him, uselessly clenching his fists at his side.
“Suguru, what—”
But Suguru has had enough. It’s time he gives Satoru a piece of his mind.
“So you still see me as inferior? You still see me as so weak that you have to protect me? That’s real fucking great of you, Satoru, thanks for nothing.”
“This is what this is about?” Satoru asks and he seems honestly taken off guard by that. “It’s not like that.”
“Oh, yeah? Then how is it? Because ‘protect Suguru at all costs’ certainly doesn’t leave much room for interpretation!”
“It’s not for your sake but for mine,” Satoru tells him as if that makes any sort of sense and Suguru conveys his confusion with a sneer.
“Right,” he growls out because he doesn’t believe Satoru for a second but when he goes to bodily shove him out of his room, Satoru plants his feet just like Suguru taught him and doesn’t move an inch.
“It is, though,” Satoru insists and Suguru is so angry he can hardly see straight.
“How the fuck does that even make sense?” he yells right into Satoru’s face and it seems as if something finally snapped because Satoru yells right back at him.
“It’s because I’m going to go off the fucking rails if something happens to you!”
There’s a deafening silence in the room after that confession and Suguru blinks at Satoru.
“What?”
“You heard me,” Satoru mutters and pushes Suguru’s hands off his shoulders. “If something happens to you, if you get hurt, I’m going to lose it. You’re my one and only, my anchor in this shitty fucking world and if you’re gone, I can no longer be held responsible for whatever it is I’m going to do.”
Satoru says it evenly as if he isn’t rocking Suguru’s world with that and he remembers the hollow look in Satoru’s eyes as he carried Riku through that sea of people, remembers how he had asked Suguru if they should kill everyone and how easily he accepted Suguru’s no.
“But it’s not as if you can understand that,” Satoru adds, jolting Suguru out of his memories and suddenly Suguru is calm.
“Toji told me he killed you,” Suguru recalls.
“As if,” Satoru huffs out but Suguru shakes his head.
“He was there and you weren’t, so what choice did I have but to believe him? I thought you had died and it did something to me,” Suguru says and taps his chest.
At that moment it had felt as if he’d died too, as if something so vital had broken that there was no way he could go on. It only repaired itself when he saw Satoru again and Suguru suspects that even then it mended all wrong, because his thoughts since then can’t be normal.
“So here’s my fucking rule,” Suguru says and fists his hand in Satoru’s shirt. “You do not get hurt. If you go out on a mission and you don’t come back to me, I swear by everything that’s holy that I will kill every non-sorcerer who dared to bring curses into this world, do you understand me?”
He uses his hold to slightly shake Satoru, hoping to make him understand just how well he can relate to Satoru’s feelings and he knows he got his point across when Satoru brings his hands up to fist in Suguru’s shirt in return.
They stare at each other for a few seconds before they move simultaneously, meeting in the middle. The kiss is not sweet and soft but bruising and angry and filled with their desperate need to keep the other close, keep the other protected and unharmed and whole.
They don’t really move away when they part, resting their foreheads together and sharing breath in the scant space between them.
“No dying then, Suguru, promise me,” Satoru demands and even though it’s foolish and stupid and not something Suguru can ever promise, he’s a fool for Satoru so of course he nods.
“No dying,” he agrees and then cups Satoru’s face in his hand. “And you don’t get to die again, either.”
“Deal,” Satoru immediately gives back and all at once Suguru feels settled again.
It should probably scare him more, knowing the lengths they would both go to, to keep the other safe, knowing that they are going to unleash horror on earth if something should ever happen to the other, but to Suguru it just feels like a warm promise, blanketing him in the knowledge that he’s not alone in this.
That Satoru needs—and wants—Suguru just like Suguru need and wants Satoru.
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shorthaltsjester · 1 year
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watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.
like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.
#it’s just the. laura and travis’ characters always being supportive of one another when they’re facing hardship#taliesin and marisha consistently making characters who challenge one another and still protect each other relentlessly#all of them being so fond of ashley’s characters always and literally seeing them light up in c1 episodes when ash got to join in person#sam and liam always making characters who offer one another reprieves into kindness that they don’t always get in the campaign setting#liam making orym after falling in love with keyleth as vax#marisha making laudna after matt’s storytelling with delilah and choosing vex as her body double#ashley using ‘i would like to rage’ and matt having kord ask her where she finds her strength#laura and matt always weaving these deeply complicated and emotional interactions between a daughter and a father#the gasps and yells and clapping when matt makes cool sound effects or reveals a map or breaks/ends on a cliff hanger#them ending both campaign 1 and 2 with ‘what a great/nice story’ and travis saying ‘let’s do it again!’#and it’s like. yes yes i love the comics and i’m a fan of tlovm but . seeing this well produced thing that somehow mimics#the feeling i get sitting in my living room laughing with my roommates about my ranger’s giant rat failing to climb stairs#it’s very special it’s very sweet#critical role#sdcc 2023#taliesin jaffe#travis willingham#marisha ray#ashley johnson#liam o’brien#matthew mercer#laura bailey#sam riegel#cr cast#critical role cast#my posts
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trashmancer · 10 months
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Drawn for the Bloodweave Brainrot's Art/Fic Swap; in response to tuffgreg's incredibly beautiful fic "cutting through the cracks of the concrete". On the day of their wedding, Gale gives Astarion a Sunwalker's Gift.
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lovereadandwrite · 4 months
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“I shall protect you, & you alone… even if…you stand as the last person on this earth”
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jacqcrisis · 5 months
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I can't stop thinking about the rings on Hermes' fingers. I can't. Whats the story behind those? Did he start wearing them because Charon gave them to him as a job well done? The weirdest gift imaginable to your professional associate?
Did Hermes steal them to be a cheeky bastard and got them fitted and put them on for the jokes? Did he start wearing them apropos of nothing? Just happen to start accessorizing like his professional associate? Is it part of a shared uniform? Can we see the employee handbook?
Did Charon go out and get rings commissioned to look exactly like his for not one, but two of his partner in crimes' fingers, slide each lovingly onto Hermes' corresponding digits, and then gently hold his now bejeweled hands in his own to see how they match, knowing Hermes will now carry something of Charon with him when he leaves him for his dangerous work?
I'm just. Asking. Questions. But I swear to God, if we get Charon's portrait and he has a feather or an orange ribbon somewhere on his person, I will be inconsolable for days.
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egophiliac · 1 year
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What was your favorite of the flashbacks in Silver’s walk?
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the acorn bracelet is VERY good, but I really really love Malleus humming (hummalleus? hummus?) to Silver. especially now that the song has Context. >:) we are in a soup of angst and I'm here with a spoon in each hand and a silly straw that leads directly to my brain.
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s0fter-sin · 6 months
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soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart
sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers
and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure
the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish
soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down
he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill
we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan
he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost
he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them
he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted
he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much
#i cant believe i never posted the soap meta that got me twitter famous™️💅#as with damn near every piece of characterisation in this franchise soaps is only apparent in subtext and connecting tiny little dots#it is very easy to just pick up his surface personality and think thats all he is#but soaps not a sunshine character#hes not super friendly or bright#hes just willing to talk to people and hes paired up with ghost who never wants to start a conversation#every time i see soap presented as this bubbly airhead thats super sweet and just blows stuff up i lose a year off my life#and i dont blame people for getting this vibe from him but im begging you to look a lil deeper#this isnt getting into his anger or the fact that he is a soldier which automatically makes him a wee bit fucked up#like he is hyperviolent and takes joy in it#we all know ghosts snuff film joke but soaps the one who responds positively to it#he returns the joke and only calls him out on it when he says he wont watch it more than once and even then its teasing not grossed out#and if we take the ‘he tried to join the military at 16’ factoid from 09 as current canon then he very easily could have a rough home life#no one tries to repeatedly join the military early without having some kind of problems#soap knows his worth and his abilities you dont get to be as good and specialised as he is without being completely sure of yourself#we know ghost has an ego but soap constantly butts up against it with his own affirmations#‘you wanna be better than me johnny’ ‘maybe i already am/i will be’ ‘a little helps not so bad eh lt’#being a sniper makes me hate the ‘cant sit still’ hc hes literally an sas sniper he wouldnt be complaining after a few hours of overwatch#i like the adhd hc and maybe he fidgets in his day to day life but the second hes at work hes At Work#tldr soap could be just as complex a character as ghost if cod would stop treating their campaigns as an afterthought and actually commit#coming out of my cage and ive been doing just fine.txt#we’re a team. ghost team#talk meta to me#john soap mactavish#soap cod#cod mw2#soapghost#save post#call of duty modern warfare#cod meta
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haomnyangz · 2 years
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[1800s newspaper seller voice]: low quality gifs of some high quality boys smoochin’ come and get ur low quality gifs of some high quality boys
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gongedtornado · 5 months
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this is super rough but…. gummigoo’s mom interpretation
(more ramblings in tags)
finished interpretation here!!!
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coulsart · 1 year
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A really doodly rendition of a scene from @venomous-qwille GITM au, ch. 3! Legacy code :)
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calmparticles · 9 months
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abnomi · 10 days
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EVERY REASON (that i can think of) AS TO WHY TURBO/KING CANDY IS NEURODIVERGENT 💥💥
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i would like to make a disclaimer first and foremost about the obvious, being that Turbo/King Candy is heavily implied to have narcissistic personality disorder (NPD) and antisocial personality disorder (ASPD). Very often, characters with these disorders are portrayed as villains, and Turbo is no exception to this. There's nothing wrong with antagonistic characters having said disorders, per se, but when the only representation available for people with these conditions are found in characters you're not supposed to root for, it can be really disheartening. i won't be erasing these parts of him because i feel it would be in poor taste to gloss over those core elements of who he is, but plz keep in mind that having any kind of personality disorder doesn't make anyone inherently evil!!!🌞 your ACTIONS make you, not your brain
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Also if anyone has any suggestions or other ideas for his neurodiversity, i would love to hear them! please do share!! I LOVE PSYCHOANALYZING CHARACTERS AND HEARING OTHER PEOPLE PSYCHOANALYZE THEM !!!! YAY🎉 if u agree or disagree with any of my points I'd love to discuss them further :-]
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without further ado... click read more to find out…😈 be ready for a lot of reaches
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💥 ADHD 💥
STIMMING
Turbo's constantly moving around in some way; he's a very expressive character! even as King Candy, he can't seem to conceal his frequent giggling. it's a big habit of his; he seems to do it involuntarily to regulate himself, including when he's nervous or uncomfortable.
he seems to display other repetitive behaviors as well, like doing his iconic thumbs-up pose, sticking out his tongue, or hopping around gleefully. he is but a jovial court jester..
i personally like to think that his phrases, "Turbo-tastic!" and "Have some candy!" are vocal stims of his, although i equally really love the interpretation that these (and the aforementioned stims) are tics :-]
another headcanon; i think it would make a lot of sense for him to have an oral fixation of some sort (ignoring the whole sigmund freud part of the term ermm...); just lots of biting, chewing, needing to have something in his mouth. It would align with the whole idea that he smokes, too
HYPERACTIVITY
we can clearly see throughout the film that Turbo has a lot of energy, made abundantly clear by his mannerisms and general behavior. he's constantly moving, using exaggerated expressions and gestures to communicate + express himself. He's one of the most animated and bouncy characters in the movie, next to Vanellope! it's silly how a character not very grounded in reality is such a threat, but i suppose that's what makes him so threatening in the first place...
another factor in this is how he is very adrenaline-seeking, craving activities that give him a rush (sugar rush...😂😂). more on that in a bit!!
HYPERFIXATION
Turbo's fixation with winning is all-consuming for him; it's an obsession. he doesn't appear to care about much else, if anything besides it. this could be interpreted as a hyperfixation for him (or special interest if ur all about that autism lifestyle), as it overtakes all of his focus and impedes every process of his mind.
it's clear that racing is much more than a passion for him, and while that fact is due to how he was programmed, it's a major character trait of his regardless that could be correlated to neurodivergence.
HYPERFOCUS
There seems to be a big theme of "all or nothing" when it comes to Turbo. he will either be fully dedicated to something or brush it aside without a second thought. it can't be denied that he fully wraps himself up in what he wants, whether it's a conflict he can't let go of or a new pursuit he's hungrily chasing after. 
ultimately, his dedication varies depending on if it is relevant to him and his interests or not, but this aspect of him still shares patterns with neurodivergent thought processes.
INSTANT GRATIFICATION
Seeing as he has a tendency to cheat in his use of code to spawn in whatever his heart desires, it can be assumed that this could do with Turbo wanting instant gratification to fill that bitter, empty void inside of him. while this could simply be brushed aside as greed and his belief that he is obligated to have access to whatever he wants, this trait is consistent with his generally dopamine-seeking behavior and wanting to be instantly rewarded by his actions. His obsession with needing to feel good directly relates to his need for another buzz, constantly after the next rush. (a sugar rush if you will☺☺☺)
ADRENALINE-SEEKING
Closely related to the previous speculation, Turbo always seems to be chasing his next high. he loves the thrill of action and being surrounded by crowds of people below him. it's why his big thing is racing! people cheer him on, he can do whatever he wants, he can go really fast and look cool..
it's possible that a big aspect of why he does this is to distract himself from any kind of pain, because pain = vulnerability. bro does NOT know how to independently cope with his own problems.. HE MAD AS HELLLLL!!! 😂😂
STRUGGLE WITH SELF CARE
(i know this is reaching but bear with me... 🐻) going off of his appearance and tendency to make poor decisions, it can be gathered that this man lacks skill in the self care department. his yellowing teeth and sunken eyes not only serve to complement his design, but also give way to the idea that he neglects himself in favor for whatever weird scheme he's up to.
of course, Turbo does prioritize himself above everyone else, but he doesn't strike me as the type to care much about how others think he smells. him being a bother to anyone isn't a concern of his. he cares about whatever gets him the most praise and attention from as many people as possible, which is winning and racing. Who cares about how clean he is when he's up on a podium holding a shiny, golden trophy, anyway?
It's likely that he had to step his game up when he went under disguise as king candy, which is why he looks well-groomed in comparison to his more corpse-like appearance. Ugly hoe. it can also be assumed that he's had more time to focus on himself because everyone loves him without question... Well, except for Vanellope, but who cares about her, right?
also, i know he makes a condescending comment to Ralph about how bad his breath smells, but it's made abundantly clear that Turbo is a massive hypocrite. his comment doesn't erase the possibility that he has suffered from such "halitosis" as well.
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💥 ANXIETY 💥
GENERAL ANXIOUS BEHAVIOR
i know, i know, this could technically be chalked up to be "Turbo is nervously giggling and shit because he's scared of getting caught," but guys. g
even in the flashback scene, we can see how easily stressed he can become in an alarmingly short period of time. he is extremely insecure, therefore i am led to believe he is not only emotionally dysregulated, but also by extension, anxiety ridden.
yes, this is purely speculative, but who's to say that he wasn't like this before? being high-strung and intense are significant facets of his personality consistently portrayed throughout the film. as long as he is getting exactly what he wants, he is happy; the moment he loses even a blip of control, however, he immediately grows extremely tense.
if Turbo wasn't anxious about his disguise as King Candy before, he was anxious about how much attention he was receiving on a given day. if not that, then he'd be anxious over how he presents himself. He hates how he can't control how other people perceive him, which is why he is constantly trying to act like he's better than he is.
its why he justifies his behavior to himself, proudly making others refer to him as the "rightful ruler" of sugar rush and relishing in the attention of his countless underlings. Any secure and stable person would NOT ACT LIKE THIS!!!!😭😭😭
FIGHT OR FLIGHT
As we can see a handful of times on screen, Turbo's instinct to protect himself is very easily activated.
 his fear manifests in anger and aggression. we can see at multiple points how easy it is to upset him or fluster him; his anger is one side of the same coin, the opposite end being his fear and paranoia.
Going off of this point, have you noticed that Turbo is either satisfied or furious without much of an in-between? how the second something isn't under his manipulation, he lashes out and fights back? I'm led to believe that this is how he responds to fear (AAUAAYAUUUUGGHHH 🐡🐡🐡🐡🐡🐡🐡). This guy is so against the idea of being vulnerable, that even when afraid, he will utilize violence to regain his dominance over the situation at hand.
CONTROL + PARANOIA
Turbo's always trying to writhe or fight his way out of uncomfortable situations, unable to exist outside of his comfort zone for seconds at a time.
his defensive, paranoid, and controlling behavior are all reflections of how deeply insecure this man is. He feels such an intense need for everything to go exactly how he expects it to go that the moment he senses any kind of threat, he instantly jumps to defend himself and what he feels that he has "earned," regardless of whether there truly is a threat or not.
this could potentially be a coping mechanism for his anxiety and sense of stability; can't forget to mention how territorial he is!! he jumps to conclusions about what others' intentions are before they even get a chance to reply, as seen with his first encounter with Ralph in the movie. 
the racer is so internally discombobulated that he seeks any sense of stability on his environment, including on those around him. his sense of self is so warped that he copes with constant distraction; being under the spotlight, being actively racing, having to be showered with attention, having others make him feel good because he doesn't know how to do it for himself. he needs to feel like everything is under control, lest everything falls apart.
"...if there's ONE thing I can't abide, it's ANYTHING out of order!"
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💥 NPD 💥
INFLATED SENSE OF SELF IMPORTANCE
Turbo's most in-your-face trait above all else. It's made more than crystal clear in every scene he's in that his arrogance is a determining factor in how he interacts with others. This is exactly what drives him to desperately crave admiration, to chase after others he's envious of because he thinks he is obligated to take what they have.
he seems to genuinely think he is entitled to get whatever he wants, just because he is inherently "special" or "better" than everyone else. Why else would he have made himself a king, a step above princess?
EXCESSIVE NEED FOR ADMIRATION
Turbo's self worth is COMPLETELY dependent on the opinions of children and teenagers. I think i don't need to say any more than that, but i will. (Evil).
As cartoonishly massive as his ego is, i think that it's fair to assume that Turbo has a very unstable sense of self, distorting his perception of his own worth down with it. his near-constant flaunting and need to be the best is a dead giveaway to his deeply-ridden self-doubt. The foundation of his stability is built around how "good" he is (at racing and winning), how powerful he is, whether or not he is being prioritized above everyone else, whether or not he is the absolute best, etc. etc.
The racer outright manipulates others to shower him with admiration and undeserved appreciation. He is incapable of forming a true sense of internal value, instead heavily and codependently relying on others to form it for him. if he isn't the best, he may as well just be nothing.
INTENSE JEALOUSY
He reacts so severely to what he perceives as others taking away what is rightfully his that it only goes to solidify my previous points even further. the second someone else is getting more attention than him, Turbo will bend over backwards to rip back the praise he believes he so rightly deserves.
being extremely competitive, he will one-up against anyone he thinks of as a threat, dedicating himself to taking them down to the best of his ability, and making sure they STAY down to top it all off.
INABILITY TO HANDLE CRITICISM
if we really dissect the entire one-off joke with Turbo insisting that his stolen pink castle is actually "salmon," along with all of his other domineering behaviors, we can garner that he is very persistent in how he wants others to view him. i wholeheartedly believe that this would translate into him not only being defensive over his supposed "ownership" of Sugar Rush, but also over himself and his own insecurities.
He needs to feel good about himself or else he will die and quite literally try to kill everyone.
LACK OF EMPATHY
He appears to have a fondness for making jokes in very poor taste. Turbo has a big sense of humor, but it's always at the expense of others. Be it a pun about a "fungeon," or jumping to protect himself with a joke about "hitting a guy with glasses," he has a tendency to take serious situations very lightly. It's not that he's unaware of the weight of it; he simply doesn't take it Seriously.
its admittedly impressive how he was able to feign empathy so well for Ralph; it goes to show how he is very capable of understanding that what he's doing is wrong, but ultimately does nothing to change his behavior because it doesn't impact him personally. 
i would like to honor this part of him, because even in the possible alternate path of a redemption arc, his struggle with empathy can be explored in a variety of interesting ways :-] he can understand complicated emotions and situations on an analytical level, but he doesn't feel for them unless it has to do with him specifically. (this obviously doesn't make him inherently evil, his ACTIONS make him evil)
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💥 ASPD 💥
LACK OF REMORSE/GUILT
One of Turbo's core characteristics is just how far he is willing to go for his own self-interest with lack of regard for how it impacts everyone else. he has absolutely no concern for how anyone else feels besides himself, willing to go so far as to attempt to mutilate a 9-year-old to achieve his petty goals.
Turbo is shameless when it comes to how he goes about getting his way. While I'd like to believe he isn't fully incapable of feeling regret, he doesn't showcase feeling it in the movie itself. The most regret he'll feel is when he slips up and exposes himself. anything else is the fault of everyone else; he is untouchable in his eyes.
DECEITFUL TENDENCIES + LYING
Where do i even start with this one.
well, first of all, let's acknowledge the... erm, horse? in the room? 🐎😅(Please someone help me there is a horse in my room help helphel) being that Turbo went under disguise as King Candy for at least a decade. Even before this, there's a good chance that he's already had plenty of experience with lies and manipulation. i'd be willing to bet on this!!
one of his specialties is being proficient in manipulation, be it the code of games or the minds of people. theyre basically the same thing to him, anyway... I'm sure you all know the scene where he uses 16 manipulation tactics against Ralph and wins. this was Obviously not the first time he'd done this.
REPETITION OF HARMFUL BEHAVIORS
Time and time again, Turbo can't seem to help himself when it comes to poor decision-making. he never internalizes that his bad choices aren't JUST bad for others, but also for himself, continuing to escalate further and further into very dangerous behaviors until he literally dies.
Here's a list of bad decisions he has made! (at least, that we know of)
Pinning himself above his peers
Harassment + stalking
Carelessly charging through GCS with his car, endangering countless civilians
Attempting to take over a game that isn't his x2
Vehicular manslaughter
Implied mass murder + attempted murder, attempted mutilation
Mass endangerment
Breaking and entering, theft, usurpation, plagiarism
and more!!!!!!!
AND HE LEARNS FROM ABSOLUTELY NONE OF THIS!!! with some of the items listed here, he's attempted to do multiple times! Absolute buffoon.
RECKLESS DISREGARD FOR SAFETY OF SELF AND OTHERS
Considering how he was willing to charge into a game that wasn't his own with the awareness that it could permanently kill him, going as far as to recklessly crash into another car (albeit it's possible this was unintentional), it's easy to gather that he doesn't seem to consider anyone's safety at all in the spur of the moment.
IMPULSITIVITY
his impulsivity and disregard for safety both go hand-in-hand. When it gets to a certain point, Turbo's emotions will boil over and blow up in a cold rage, thus causing him to spiral and act on impulse, becoming a detrimental force to himself as well as everyone around him.
What's interesting is how much restraint he is capable of; he typically is very strategic in how he orchestrates his plans! but once he reaches his breaking point, he snaps and leaves all of his hard work behind in favor of something that calls for his immediate attention.
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💥 ETC. 💥
extra tidbits i didnt have enough energy to fully delve into :-]
BPD
Fear of abandonment
Blurry sense of identity
Feelings of emptiness
Self destructive tendencies
Emotional instability
Explosive anger
ODD (oppositional defiant disorder)
He seems so infatuated with his own autonomy that he gets to the point of being resistant and defiant
Resisting against the rules of the world that he directly caused as a result of his own actions, being that one shouldn't "go Turbo."
Enjoys upsetting/getting a rise out of others. this is more speculative as i am going off of the assumption that he thinks pissing people off is funny, based on his other behavioral patterns. (cruel sense of humor, wanting to feel above others via control & manipulation, enjoyment of inflicting pain onto others)
Forcefully defends himself and refuses any kind of criticism
Lashes out when he feels slighted
Excessive persistence despite all odds, whether it's beneficial to him or not
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ok bye!! thank you if you managed to read this far ^^ peace and love take care of yourself! all in all turbo is so neurodivergent ok please Okay <3 get this thing his meds
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starry-bi-sky · 3 months
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DPXDC Idea: Mother of Monsters Dan(yal)
Specifically Fem!Dan because I made this in mind with my Fem Danyal Au bUT. The best part about Dan is that I get to play dress up with her, and Fem Dark Dany is gonna go by Layal (pronounced lae-el) because it means "the nights" and it sounds similar to Danyal, and I think she'd choose that name to mock Dany. ANYWAYS
Mother of Monsters Danyal. She may be evil but she's an Al Ghul at her core (even with vlad's soul merged with hers - however, considering that Layal looks and sounds like Dany, she considers that soul to be the more dominant one.) and loves animals. And she might be heartless, but she adores the monsters of the infinite realms.
Mother of Monsters Layal who hates everyone but utterly dotes and adores on every manner of beast she comes across. Stealing the eggs and infant young beasts of the Infinite Realms to raise as her own because she wanted them. Her own island full of monsters, a monstrous menagerie of her own. She steals most often from poachers or exotic pet keepers and other menageries -- the full grown beasties can keep their young.
And with every monster she raises, she can shapeshift their features onto herself, allowing her to change her shape from humanish to any matter of monster or hybrid creature. She calls herself their mother, and them her children. Her precious little babies, capable of incredible mass destruction and mayhem.
From little griffins the size of kittens, to stymphalian vulture chicks, and leviathan young hatching from eggs the size of her pinkie, to creatures native of the ghost zone that didn't even have names in the living realm. There really wasn't a limit to what or who she would take in and she didn't limit herself to any form of mythology. If they were beasts and they were unwanted, she wanted them. And as such, amassed her own mini army of "children" willing to listen to her any command.
Earth doesn't know what hit it when she attacks them.
There are many monstrous forms she could take on, the first one I've thought of is a combination of various serpentine/reptilian features. The body of a naga -- her lower half long and serpentine, her upper still human -- with spiked fins connecting from the bottom of her arms to her sides, ever seen Sinbad where Eris goes "you might have seen my likeness on the temple walls" and her arms do that fin thingy? Same concept. Her hands are webbed and taloned, perfect for slicing through the skin of the living, and her teeth are needle-sharp and shark like. Her hair can either be spiny and feathery-like like the spines of a lionfish, or frilled like a frilled-neck lizard. It's perfect for dealing and doting on her reptilian and amphibian-inclined darlings.
I'm more of a fan of aus where Dan is a sibling of Danny's rather than their kid, so Layal's redemption(..?? probation?) proceeds with her legally becoming Danyal's "twin" sister, who had been lost to the foster system before the Fentons adopted Dany, and was only recently reunited with her. The two of them look so alike that the lie is easy to take root and spread.
Layal is very indignant to the fact that she's now ten years in the past and has to restart her menagerie all over again. Do you know how much blood and sweat went into raising those children? How dare you separate them from their mummy. Although she'll admit she does miss their juvenile years, so she won't mind (too much) needing to raising them again. Dany is helping her retrieve all of them though, dammit.
long story short: epic the musical's "Scylla" has a CHOKEHOLD on me and this is the result of it
Unlike her Dan counterpart, Layal's voice is dancing and sirenic. It's purposely alluring and motherly, in order to lure people into a false sense of security until she feeds them to her "children." Echidna doesn't have shit on her. She almost seems friendly and reasonable, until you get too close and realize it was all an act and she drops it to metaphorically swallow you whole. She's like an anglerfish that way. She and Dany both sound like Scylla from Epic.
#mother of monsters danny#dpxdc#danny fenton is not the ghost king#dp x dc#dpxdc crossover#dp x dc crossover#dpdc#dpxdc au#dpxdc prompt#fem danny fenton#fem danyal al ghul#danyal al ghul#dany helps laya find one(1) beastie and instantly falls in love. laya does not need to convince her to come help her rob other ghosts blind#of their exotic “pets” or animals or whatever the reason they have beasts that they shouldn't for. she'll volunteer willingly its a trait#that they share. laya knows that raising her babies will be difficult now that she has to g back to *school* but dammit se's not leaving#them in the hands of the people she found them in. those are HER children fuck you.#Layal is the one to reveal to Damian that his older sister is alive and it was on purpose. It was to send him on a wild goose chase looking#for Dany in order to be around to save her from becoming Layal.#'Tragic. Terribly tragic; your dear sister had her soul ripped from her body and merged with another. What was left of her...'#'well. i put out of its misery.' she's very cloying towards damian and this is on purpose because she thinks its funny to get under his ski#goes out of her way to only ever refer to him as 'little brother' but if she can't she'll call him sickeningly sweet nicknames.#this happens about oooo midway 'redemption'? Where Laya is actually rather fond of Dany and is starting to consider her as a sister#as well. and she likes Ali. Laya herself is still rather unsympathetic to the world around her. only acts on a kindness for 'her people'#her people includes Dany which is why she even actually told Damian that Dany was alive and gave him an incentive to look for her#because she saw DAny mourning another lost birthday for her little brother and decided to go 'aw fuck who gave me feelings' and decided to#make it everyones problem.#starry rambles
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glass-noodle · 3 months
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for dana. thank you for everything.
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lunarcrown · 2 years
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Hello yes your Etho is so pretty. Very pretty Etho.
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zorosdimples · 4 months
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꒰ OKKOTSU YUUTA X ITADORI YUUJI X READER ꒱
minors do not interact—i will block you! cw: threesome, anal, cunnilingus; reader has a vagina. note: brief okkoita fluff—but make it sexual (thank for rotting my mind @yutaleks❕)
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None of you are going to last long.
It’s impossible, you think to yourself, as you ride Yuuji’s flushed face. Rolling your hips with fuzzy, heavy-lidded contentment, you watch Yuuta prep the younger man with three lithe fingers that glisten with lube and desire.
Bone-deep devotion licks its way up your spine and curls around your ribcage, prying open your chest and settling in your heart. Witnessing your partners love one another—and you, by extension—fills you with a giddy delirium more precious than gold. Ambling honey fills your lungs and makes each breath cloying.
Pleased with his work, Yuuta positions himself and teases Yuuji’s stretched hole with his cockhead. He eases inside with careful, measured strokes, cool digits rubbing soothing circles onto Yuuji’s freckled hips. Muffled whimpers and moans sound beneath you, resonating in your core to send quaking tremors through your limbs.
Just as you lose balance and begin to tip forward, Yuuta catches you in an embrace; your lips surge to meet his in a sloppy kiss with too much tongue. You share a breathless chuckle—forehead to forehead—when your teeth click together.
When your mouths finally part, Yuuta presses Yuuji’s knees to his shoulders, folding him in half. Yuuta fucks hard and deep, jet mane falling over his face. Caught up in his own euphoria, the man beneath you parts from your pussy to babble demandingly: “M-more, hard—harder, faste—”
“Yuuji.”
The endearment (reserved for only the tenderest moments) is clipped and authoritative; it holds little of Yuuta’s usual warmth and softness. His eyes are harsh, a rogue, unforgiving wave amidst a calm sea. It’s a pointed warning: finish what you started. And it’s effective. Yuuji swallows a whine and flushes mottled rose down to his collarbone, a picture of unfettered need.
You reach a hand back to tug at Yuuji’s dusty strands, grinding down on his face. You gasp his name as he suckles on your folds and plays with your entrance before returning to your clit. A pleased hum rumbles Yuuta’s pale chest.
“Good boy,” he praises while pushing his hair back. “Keep it up and I’ll fill your cute ass.”
(Yuuji’s hole flutters at the thought.)
Yuuta has always been the most composed of you three: polite, intelligent, kind, pragmatic. But there’s a vulnerability that you and Yuuji coax out of him; you encourage him to live in the moment, to abandon decorum and to lose himself in pleasure. And if his creased brow and ragged breath is anything to go by, he’s clinging to composure by a thread.
The air is stifling—heady and ripe with the heat of three intertwined bodies, each seeking their own end. Yuuta thrusts and Yuuji licks and you ride until it feels like your thighs are going to give out. When Yuuji finally slips a few fingers into your heat and suckles gently on your clit, you fall apart at the seams, arousal coating his hot, greedy tongue.
After wriggling free from Yuuji’s bruising hold, you climb off of his face and grasp his neglected cock. It’s heavy in your hand and mauve at the tip; when you tug his foreskin down, you’re rewarded with a fat pearl of pre. You lean down and hold his gaze through wet eyelashes as you press a wet kiss to his tip. Then, you settle beside him, whispering filth in his ear (loud enough for Yuuta to hear and nearly orgasm to).
Only moments after you begin stroking his shaft, Yuuji crests with a throaty cry. In the aftermath, he seeks the warmth of your lips. Yuuta enjoys the scene—his two lovers with tears shimmering on their cheeks, messily swapping spit—before spilling his seed. He fucks Yuuji through his high until his spend drips into a frothy pool on the sheets.
You relax into Yuuji’s side and smear kisses against his neck before resting your eyes. Movement on the bed causes you to stir; two men hover over your prone form, fisting their still-throbbing cocks.
“You didn’t think we were done—did you?”
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