#kinda kills me more than seeing them making out?

[writingoddess1125]

Deadpool Headcanon

Dad!Deadpool and GN Reader

Fluffy Weirdness

Kinda just came to me so enjoy? 🤷🏼

Masterlist <<

Kofi <<

• Deadpool, finds out that he has a teenage kid, (Y/N) by total accident.

• A relative of a old fling of his telling him they had his kid before disappearing themselves.

• His reaction is a delightful mix of shock, denial, and inappropriate jokes.

"Wait, I'm someone's dad? Damn- They must be fucked up!"

• But underneath all the sarcasm and one-liners, the idea begins to settle into his brain.

• A tinge of fear eats at his brain and itches under his skin..

• When Wade first digs into (Y/N)’s background—using his "very legal" skills—it’s mostly to make sure they’re not a mini supervillain in training.

• But what he finds instead knocks the wind out of him: (Y/N) has been in and out of the foster system for years.

• That hits him harder than he'd like to admit- making him pace a bit back and forth in thought.

• At first, he doesn’t know how to handle it.

• His own past was screwed up, but seeing his kid going through the same kind of instability?

• It messes with him. Wade cracks a joke to numb the ache.

“Of course, my kid’s in the system… couldn’t have inherited my charm or good looks, huh?”

• Deadpool starts paying more attention, following (Y/N) closely.

• He watches them move from one foster home to another, each one more temporary than the last.

• Sometimes (Y/N) would get picked up by a social worker right after school, with nothing more than a worn-out backpack slung over their shoulder.

• Wade stays out of sight, gripping his weapons tighter than he should, resisting the urge to intervene... for now.

• Seeing (Y/N) trying to stay strong, dealing with bullies, shifting from home to home, makes something snap inside Wade.

• He realizes he’s angry, really angry. No kid, especially not ***his kid*** , should have to feel so lost and abandoned.

• He remembers what it was like to feel that way, and no amount of sex, drugs, or killing can take the edge off that pain.

• Wade starts leaving more than just quirky gifts. In (Y/N)’s locker, there’s a new hoodie with a note, “To make you feel less invisible. You’re worth more than these idiots know. ~ D.”

• Another time, a stuffed unicorn with a note, "Even the toughest need a cuddle buddy." One day, Wade overhears (Y/N) talking to a friend about how they’ll probably get moved again soon

"Yeah, these fosters are.. assholes to put it mildly" (Y/N) jest to one of the few friends they have. Not knowing the hoodie that had mysteriously appeared had a wire hidden in it.

• That night, a hefty envelope shows up in their locker, stuffed with cash and a note that says, “You ever need a place to crash? You’ve got options. Let me know when you’re ready. P.S. This is totally not a bribe. ~D”

"I'm probably gonna get moved again-"

• Deadpool even starts anonymously dropping hints to social workers that (Y/N) should stay in one stable placement, using his "subtle" methods to make sure they’re treated better. He also might’ve scared a foster parent or two into straightening up.

• It doesn't take long for (Y/N) to get to notice all the changes- The social workers treating them better, and now getting to stay with an actually nice family.

• He watches (Y/N) cope with it all, still from a distance hkwever, but now more protective than ever. He knows he can’t change the past, but he can sure as hell make sure (Y/N) doesn’t feel abandoned anymore.

Mini Shot

(Y/N) sat on the roof of the foster home, the cool breeze brushing against their face as they stared out into the dimly lit neighborhood wrapping their read hoodie tighter around themselves. As they sat something caught their eye—a shadowy figure across the way from them perfectly out of view, watching them from a distance. Their heart skipped a beat at first in fear, However after a moment a wash of a unknown familiarity seemed to hit.

Before they could stop themselves, (Y/N) called out softly, "Thank you."

The figure stepped into the light just enough for (Y/N) to catch a glimpse of their hand as they gave them a casual thumbs up.

Without a word, he turned and walked away, vanishing into the night as (Y/N) watched. A sense of pride in Wade's step as he headed off. He'd done it—he'd helped his kid in some way.

And that was enough..

For now

[wilcze-kudly]

Thoughts on…

https://www.tumblr.com/miss-sweetea-pie/731463633376313344/zutara-lens-vs-kataang-lens?source=share

Is it fair to even mention Zuko seeing as Katara never had feelings for him?

Honestly, I find it kinda funny that OP is sorta telling on themselves by seemingly primarily viewing Jet's storyline through a shipping lens, a stepping stone for Kataang or Zutara.

But sure, let's go with this narrative.

OP claims that Jetara could be seen a foreshadowing to Zutara, as they say that Zuko ans Jet have some similarities. And I suppose that can be true on a surface level. As OP says: Rugged teenage boys with traumatic back stories. But franky, other than being mildly edgy and also having been through some sort of trauma, there's not much there.

In fact, if you compare Aang and Jet, I think you'll find many deeper similarities than just "bad boy with questionable morals".

Aang and Jet have both experienced great loss at the hands of the Fire Nation. Aang losing his entire people and Jet losing his parents and village, presumably leaving them both alone in the world and with a lovely case of survivor's guilt to boot.

Jet and Aang are both kids who were forced by the war to take up positions of responsibility over their fellow victims. Aang, of course, being the Avatar and being fated to end the war. While Jet takes up a leadership positions, persumably gathering kids orphaned and hurt by the Fire Nation, leading them and keeping them safe, while also fighting back. Let's not forget that the reason Jet decided to flood that city was because the firebenders occupying it were planning to burn the forest Jet and the Freedom Fighters resided in, forcing them out and putting them in danger.

We also see a very sweet parallel of Jet encouraging Katara's confidence in her waterbending skills, which is something Aang does on numerous occasions, showing us exactly what affection Katara values in a potential partner and that both Jet and Aang not only believe in her skills, but also intuit her needs.

This is why Katara fell for Jet and why she fell for Aang. They're both protectors and heroes of the people, they're both victims of the Fire Nation who chose to stand up against it. They're revolutionaries, rebels, downright rabble-rousers. They both value communities, and do their best to uplift and defend their fellow victims, something Katara does as well. And they both connect with Katara over not only encouraging her in her own abilities, but also in their shared trauma, which leads me to my next point.

Aang works so well paralleling Jet, because both Jet and Aang were written and posited to parallel Katara. This aspect of Jetara is one OP completely neglected to mention, I suppose due to the fact that it doesn't hoist up Zutara as a ship.

Katara and Jet connect over their trauma very early in the episode, and I think this is where Katara's interest in Jet due to his role as a Freedom Fighter turns to a genuine connection over shared trauma.

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever. Katara: Sokka and I lost our mother to the Fire Nation. Jet: I'm so sorry, Katara..

Katara, Jet and Aang share many similarities, which is why I suppose these two boys were Katara's only explicitly confirmed love interests. Just like Aang and Jet, Katara is community oriented, a voice for victims and the marginalised, a fighter for the good of the people.

Seeing these parallels almost makes me wonder if the design team took this into account when making Jet's design colours mainly blue and orange, colours assvociated with Katara and Aang. Though Jet's colour palette is more muted and darker, perhaps signifying the erosion of his morals due to his trauma.

Jet goes astray when he begins to value the fight over the people he is fighting for, something Aang and Katara actively go against, prioritising human life and their moral integrity.

Atla explores the concept of victimhood and how it affects our morality in various ways, especially when it comes to victims of war. The particular focus of this theme is Katara, as we see the writers often connect her to victims who lost that morality, in order to showcase her character. Hama and Jet both serve as excellent foils to show what Katara could've been if she wasn't as kind and compassionate as she is. The crowning jewel of this storyline for her being, of course, the Southern Raiders, which bears callbacks to both Jet and Hama.

But as much as I want this post to be about Katara, OP has other plans, so let's go back to their arguments for Jetara foreshadowing Zutara.

OP makes an argument about how both Zuko and Jet break Katara's trust, testing her charcter, which is a good point, albeit they conveniently omit Hama from the circle of people who connected with Katara over shared trauma and then betrayed her trust.

Can't imagine why. Is it because Hama isn't hot, isnt it? Op doesn't fancy a nice morally compromised gilf, I suppose. 😒 we used to be a proper country.

OP also claims that the show portrays Katara as too trusting, and even claims that the shows message in Jet's case is, in their words: So from a k.ataang lens it leads more towards the lesson that katara need to stop letting these “bad boys” break her heart, “dumb girl your too trusting just give the sweet guy a chance”.

Which is quite the claim, since I actually really enjoy that Katara is never portrayed as being in the wrong, or 'dumb' for trusting Jet, Zuko and Hama. In fact, the three of them are made to look like assholes for taking advantage of her.

The thing about Katara's trust of Jet, Zuko and Hama isn't that it comes from a place of foolishness or naiveté. It comes from empathy and connection. She connects over shared pain ans trauma with these three and she wants to make a connection to alleviate their pain. It just so happens that Zuko is going through his disaster boyfailure era, while Jet and Hama are morally compromised by the horrific events that brutally formed their mentalities.

Anyways, to wrap this point up, can Hama be an honourary bad boy too I think she deserves that

Another argument of OP is that Jet's death could foreshadow Zuko almost dying in the finale and that is could teach, in their words: how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love.

Now, this is interesting, because Jet's death very clearly connected to Aang's actual death and then ressuraction via Deus ex Katara. However, unlike the theme of pure romance OP proposes in their post, the canon storyline uses these events to feed more into Katara's personal development and stoyline, that of her fear of loss and helplessness, on which I elaborate here:

That is not to say that this storyline doesn't affect Katara and Aangs romance, but I like that the main focus is Katara's meantality and trauma. Because the thing with Katara and Aang's storylines and development is that they intertwine and feed into each other but aren't overshadowed by their romance.

OP continues to speculate that the jetara storyline through a kataang lense is that "bad boys" will break Katara's heart and that she should just "give the nice guy a chance".

I find this a gross twisting of the nature of multiple characters, relationships and storylines.

First of all, reducing Jet to a "bad boy" is fucking demeaning and kinda disgusting. He's not an edgy boy who smokes in the school's bathroom and rides a loudass motorcycle. He's a traumatised child soldier, caring for other children and desperately trying to stop the advance of an army that already has like 3 genocides under its belt. His morals getting messed up in the process doesn't make him a bad boy, they make him a realisitic victim. A kid who tried his best but became misguided.

In the same, paragraph, OP also claims that, despite the message of the show being that everyone is capable of good and evil and that everyone deserves a chance, because people are complex, Jet is not afforded that dignity and understanding.

AND LET ME TELL YOU LET ME FUCKING TELL YOU

That was upsetting.

Because Jet's redemption was shown so wonderfully and symbolically, to the point where sometimes it makes me more emotional than Zuko's.

In B2 we see that Jet has left the forest (persumably bcs the firebenders did burn down the forest) and his entourage has shrunk to just Longshot our trans queen Smellerbee 🏳️‍⚧️. We are told that he is looking for a new life in Ba Sing Se. So far so good.

It seems that the Gaang intervening with his plans has definetly made him rethink his actions. And he's looking to start a new, kinder life. Even going so far as to remove himself from the fight against the Fire Nation, something he had previously been so passionate about, perhaps because he recognised that it brought out his uglier side. Hell yeah we love a king who can recognise his flaws and strives to better himself.

Jet: I've done some things in my past that I'm not proud of, but that's why I'm going to Ba Sing Se: for a new beginning. A second chance.

Despite not being on the frontlines anymore, he's still a hero for the people, straling food for the ferry passengers from the greedy captain. Noice. He immediately takes an interest in Zuko, assuming as many, that Zuko was a victim of the Fire Nation like him, due to Zuko's scar.

Jet: You know, as soon as I saw your scar, I knew exactly who you were. You're an outcast, like me. And us outcasts have to stick together. We have to watch each other's backs. Because no one else will.

I find this SO endearing because atla places such emphasis on the connections and solidarity between victims. And Jet is no exception to this, having taken so many children orphaned by the Fire Nation (or just orphaned as seemed to be the case with the Duke) and also connecting over being hurt by the Fire Nation with Katara, the same way he thinks he is connecting with Zuko. (Jetara and Jetko should parallel each other actually instead of Jetara and Zutara)

Now things turn south when Jet realises that Zuko and Iroh are firebenders, which while showcasing that Jet's need for redemption hasn't healed his trauma (not surprising) around the Fire Nation, I can't really blame him. Like, he's seen the worst of what firebenders can do, why on earth would he stand by and let them infiltrate the city that refugees flock to in order to escape the war. And yeah he sounds like a raving lunatic, but he is right. Zuko and Iroh are firebenders.

From then on, Jet is used as a pawn by Long Feng and the Dai Li, but he still does his best to help the Gaang, seemingly holding no grudge against them for ruining his plans of mass murder.

We see a nice lil trauma flashback of Jet's childhood trauma, giving us a tangible illustration of his motivations and pushing us to sympathise with him. We see him and Katara share a sweet moment as she literally alleviates the pain of the memories. This scene can not only be read as romantic but as another example of solidarity and support between victims in atla.

But it's in the bowels of Lake Laogai, as Aang and Jet face off against Long Feng, that we see the symbolic redemption for Jet really come to its crescendo.

Long Feng, compels Jet into fighting Aang, directly paralleling Aang and Jet's previous battle in the Jet episode. Aang is trying to solve the situation peacefully, even while Jet is trying to hurt him.

Aang: Jet, it's me, Aang! You don't have to do this! Long Feng: I'm afraid he no longer has a choice.

[...] Aang: Jet, I'm your friend! Look inside your heart! Long Feng: Do your duty, Jet! Aang: He can't make you do this! You're a Freedom Fighter!

And I can't not think how the brainwashing pushed Jet into an almost identical situation as his grief and anger did all those years ago. It's a decent comparison, I suppose. Both stem from a painful, stressful situation, influence his actions, pusging him to do things against his usual morals, turning him away from the caring, idealist Freedom fighter he is.

But this time, Jet breaks through the thing clouding his mind. He remembers himself. His trauma, his friendship and care for the freedom fighters and his connection to Katara. He sadly pays the ultimate price for this.

And while I dislike this plot point, because as a rule of thumb I dislike when a character gets a redemption arc and immediately dies or redeems themself by dying, but I can appreciate this scene for how it defined puts a lot of care into showing us the change in Jet, his perception by the gaang and his role in the story.

Katara tries to heal Jet, but is pessimistic(in the commentary of this episode, it's mentioned that there could be a few explanations as to why she didn't use the spirit water.) Here, Jet urges Katara and the Gaang to go find Appa, leaving him to essentially die.

And it's as the Gaang leave, we can compare the ends of the two Jet storylines. In Jet, the last time we look upon Jet's face, it is twisted by anger and rage. In Lake Laogai, he wears a sad, but reassuring smile, and somehow looks at peace.

When Katara first had to leave him in Jet, her expression is one of betrayal and disappointment. In Lake Laogai, she looks to be preparing to grieve, almost as if she were trying to hold back tears. She's conflicted and sad in both scenes, but for different reasons, showing how Jet has redeemed himself in her eyes.

Where in Jet, we leave Jet disgraced and in turmoil, in Lake Laogai we leave him dying, yes, but also a hero, kind and brave, and free. And I like to believe that the second is the real Jet.

Ok this just turned into me gushing over jet, but I think this was important to highlight the significance and uniqueness of Jet and Katara's relationship. Presenting it as "the proto-Zutara" is a disservice to this complex, heartwrenching storyline. And that was kinda gross of OP. Shame on them.

I also think OP is mistaken by labelling Aang as just the "nice guy" whom Katara should "give a chance to". Aang is indeed a nice, kind person and this is something that attracts Katara, because she's also a good person and she values such traits. But this is not the only reason Katara falls for Aang. Like with Jet, she connects with him over shared trauma. He enables her growth, respects her as a teacher, offers her comfort when needed, is her friend and supporter.

Katara is not "giving him a chance" their relation simply progresses very slowly and in a slightly unorthodox manner. We see that Katara has a growing crush on Aang, blushing over him and getting incredibly jealous when other girls try to get with him.

I also like that Aang and Jet are never pitted against each other and Aang is never jealous of Jet. In fact Aang seems almost just as infatuated with Jet as Katara lol (jetaang rights babey).

OP also claims that a lot of people misinterpret TSR as Katara being manipulated by Zuko and "needing Nice Guy Aang to save her". Which is something I've talked about a few times. I don't believe Zuko was consciously manipulating Katara. He was simply trying to build a relationship with her because she was very adamant on hating him. And because he didn't know her that well, he tried to help by projecting his own needs and anger over his mother's loss onto her. Which is very 16 year old boy of him.

And I don't believe Aang was even trying to "save" her. I think he was simply trying to help Katara think through her actions throughly before she did something rash that may haunt her forever.

Aang bringing up Jet also seemed more like a : "hey remember when we saw a guy betray his morals due to his grief pain and trauma despite being a kind and good person with an good goal?" Which I think is a kinda understandable thing since it happened like twice to them already. And remember that Aang has also experienced how destructive his anger can be and he knows Katara's morality and idealism well enough to know that what she is planning is way out of character.

OP tags this post with "I swear zutara gives the show so much more depth" and while I don't want to deride the ship as a whole, the themes and storylines OP gave don't really bring that much depth into the show. It simply repurposes the arcs and storylines that served to either explore Katara, or the concept of victimhood and morality into serving a romance.

Which is... fine, if that's what you consider deep I suppose. I just think it's obvious that OP had clear biases when coming up with their post. And like, biases are fine, we're writing meta about a kid's show not a fucking reseaech paper, I'd be a hypocrite if I called OP out on having preferences.

But it's obvious that OP did their darndest to present Kataang in the least favourable light and didn't even try to consider giving it a shred of anything but a cursory, critical glance.

If I were to talk about their "Jetara foreshadowing Zutara" idea with its "bittersweet lesson how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love" like they talk about Kataang, I could say (altering OP's text here):

"So from a Zutara lens it leads more towards the lesson that katara need to stop holding a grudge towards these boys who hurt and used her, “dumb girl you need to forgive them quickly cause what if they suddenly die and you realise you love them and regret it“ .

...which sounds like some manner of abuse apologism. I don't think OP had this in mind, but it just shows how easy it is to paint a benign message into something shitty if you're just salty enough.

I think that wraps this up. I can vaguely understand what OP meant, and it's a cute concept for Zutara shippers, I just don't know why Kataang slander had to get dragged in here. Since while OP seems fairly invested in Zuko, they visibly have a little issue giving thought to Katara, Aang and Jet's storylines.

Which is sad, especially in Jet's case, since he doesn't get nearly enough love from the fandom. So here's the little note from the atla cookbook that made me really emotional over Jet lol

HE COOKED FOR THE FREEDOM FIGHTERS AGH OUGH AGH

[raevnq]

I've been seeing people shame mxtx for writing sex scenes in her own books. They say things like "it's so unnecessary" or "she's fetishizing them" but I don't think so. In fact if you analyze her books you understand it actually helps develop/expand more on their relationships and the characters themselves.

I'll go down the line starting with svsss

This was her first book published. The first time luo binghe and Shen qingqiu get.... Intimate it's because Shen qingqiu wants to help binghe. We already know Shen qingqiu holds him in high regard though some doubt he actually is in love with binghe. To me the scene shows his devotion and love for binghe. Luo binghe when the scene first begins isn't himself. Shen yuan knows this as well. Throughout the whole story he had been in some sort of denial. Saying things like he himself is straight or luo binghe is destined for a harem. Leading up to the scene we read Shen yuan kinda realizing/acknowledging he has feelings for binghe. While it's not spelled out plain as day it is there.

Svsss has the most backlash when read. From people saying the main couple has no chemistry to the papapa scenes. This scene and another (🍾 if ya know ya know🫡) get the MOST criticism. Now I'm not gonna lie and say I got why she wrote these scenes right as I read them. I'm also not saying people aren't allowed to have opinions. I am just tired of mxtx being painted as a weird person for writing these scenes cause some people don't like to analyze things.....

Anyway sorry I got off track😅 the scene between binghe and Shen yuan develops Shen yuans relationships and character. It's the final interaction between them that makes it click to Shen yuan that binghe is a real person who struggles and not just the character in his favorite(most hated) novel. He sees binghe as a person and wants to help. People say the scene was very non-consensual but Shen yuan is the one to initiate. He starts kissing binghe to distract him and when it starts becoming more than kissing he's okay with it. When binghe snaps out of his trance-like state he's HORRIFIED by what he did. Luo binghe would never harm Shen yuan. He asks why Shen yuan didn't push him away or kill him(🙁) and they have a heartfelt scene where Shen yuan tells luo binghe he matters and is loved.

Svsss is a tragedy written as a comedy. Most scenes are overlooked because Shen yuan's way of coping is humor. We only see things from his pov and he also likes to overlook or push past things when they get serious. This scene gets the most criticism because even he can't joke his way through it. He can't be light hearted because it's like a flip is switched and he realizes this is real, these people are real, and I care for them. Not to say he didn't know there were times he was like "oh, this is my life now" but subconsciously he's not taking things seriously. This scene cements this for him. Which is why the scene is so heartbreaking. It's not just "oh we had sex and saved the world" it's him seeing things as not a game clearly. Even if he jokes about it later you can see the change in his mindset. He loves and cares for these people and now they don't just feel like NPCs to him. They are not just a means to an end. They are REAL and that scene helps it finally click for him.

I was gonna do all of them but I'm actually starting to get mad soooo the next two will be later 😅

[mooniiify]

when we were young | wriothesley x reader

synopsis: their first years at the fortress of meropede were hard, but wriothesley will always find a way to take care of his girl word count: 1.2k cw: fem!reader, kinda angsty? fluff mostly, use of y/n, not proofread sorry folks notes: came to me at like 1 am last night, i'm so down bad for this man and i don't even have him in game sigh; also this is kinda the ‘what if’ version of another story that’s currently in the works hehe

She was used to the monotonous lifestyle at this point. Three years had passed since their sentencing. She could still remember as she stood next to Wriothesley in the Court of Fontaine, listening to Iudex Neuvillete announce to their seventeen-year-old selves they would be going to prison for killing their adoptive 'parents'. 

They weren't her parents. She'd only been with them for four years and never had she seen them as anything less than monsters. She wasn't sorry for taking their lives. Neither was Wriothesley. They were okay with the sentencing. 

Three years of living in banishment at the Fortress of Meropede, hundreths of meters underground, with no access to the outside world, yet she has never been happier. She liked the motonous lifestyle. She liked her job at the Fortress, she liked helping people, but most of all, she liked seeing Wriothesley at the end of the day. 

She still sometimes longed for the freedom the outside world provided, of course. But as of right now, her eyes kept glancing at the small clock on her desk, watching as the hands of the clock move seemingly slower with every minute. 

The infirmary has been mostly quiet the whole evening. She'd been stuck with the later shift, meaning she would spend most of her night waiting in case someone came in with an injury or sickness. She wasn't the only nurse, but she was the youngest, so the others always gave her the worst shifts. She couldn't complain, not when her social status was much lower. 

Her legs were crossed, the one on top swinging lightly. She let her head fall back, letting out a sigh. Was there seriously no one getting injured today? Usually there would be a lot, especially about this time. Those Pankration Ring people--

Footsteps echoed from outside right into the infirmary. Y/n stood up at that, making her way to the stairs. Just as she was about to go up to investigate, three people appeared in front of her. 

Her eyes widened as she watched two inmates basically drag Wriothesley into the infirmary, his head hanging, his messy hair covering his eyes. 

''Oh my Archons.'' Y/n immediately moved to the side, allowing the two men to walk down the stairs as safely as they cold. ''Come on, bring him to the bed.'' 

Wriothesley groaned as the two men laid him down on one of the beds, Y/n quickly moving to his side to inspect the damage. Other than a bruise, his face looked okay, but he was clutching his side. She moved to touch around his ribcage, eliciting a wince out of him when she pressed against his lower ribs. 

She looked at the two men. ''What the hell happened?''

''I'm fine,'' Wriothesley groaned from under her, holding her wrist with one of his hands. 

Y/n ignored him, waiting for the men to speak. ''It's Pankration night,'' one of them finally said. 

That was all the information she needed. Y/n sighed, running a hand through her hair. ''Thank you for bringing him. I can take it from here. Go and enjoy the rest of your evening.'' 

The two men left without another word. Y/n lifted her hands over Wriothesley's body, chanelling her Hydro powers. Small streams of water appeared above Wriothesley, which she slowly lowered to his chest and the bruise on his face. She looked at his face, watching as his expression relaxed gradually the more the water healed him. 

As soon as she felt that his pain was gone, she willed for the water to disappear. Her hands fell back to her sides as she watched Wriothesley sit up, dangling his legs over the bed. Their eyes met. He gave her one of his charming smiles. ''Thank you, darling.'' 

''What were you thinking?'' Y/n crossed her arms, watching as his grin fell, realizing he was, in fact, in trouble. ''Why were you fighting again? You know how much I hate seeing you hurt.''

Wriothesley chuckled. ''You should've seen the other guy. I won!''

''This isn't funny, Wriothesley.''

''No, not funny at all, darling.''

Y/n sighed, running a hand through her hair. ''Where's your Vision? Why didn't you use it to protect yourself?''

''I can't go against a normal person with a Vision, Y/n. I can't look like a sissy. Besides, it's not fair,'' Wriothesley explained as he finally stood up. Y/n looked up in his eyes, not saying anything. Wriothesley moved his hands around her, pulling her body flush against his. ''I can handle myself without my Vision, Y/n.''

''I know you're strong, Wrio. I just . . . I hate seeing you like this.'' She raised her hands to his cheek, gently caressing them with her thumbs. His bruise was gone now, but the old scar under his eye remained. She traced it with her thumb, feeling as Wriothesley melted under her touch. ''I don't get it. Why do you insist on fighting?'' Wriothesley was quiet. Oddly quiet. Y/n furrowed her eyebrows. ''What is it?''

He licked his lips. ''I just . . . I thougth that maybe, if I could make extra coupons by fighting, then neither of us would have to take on as many shifts and . . . we'd have more time for each other.'' 

Y/n blinked once, twice. She felt his hands tighten around her. 

''You're the only good thing left in this world and you've been so busy here recently, I've been missing you.'' Y/n's hands dropped to his waist as one of his moved up to her face. His fingers were gentle as they ran through her hair. ''You're only here because of me. If anything, I should be making sure you're not working at all.''

Her chest felt like it was about to burst. She leaned on her tip-toes, pulling him down so their lips would meet. She felt his hand fully move to the back of her head, his fingers tangled in her hair. His lips were warm but slightly chapped, but they were his, and she wouldn't have it any other way. 

She pulled back soon enough, watching as Wriothesley's eyes fluttered open. ''What was that for?''

''Because I love you and I hate seeing you beat yourself up for things that aren't your fault.'' Y/n pressed her hands against his chest, looking up at him with a smile. ''You have to talk to me about things like that, Wrio. I'm sure we can figure things out together, if only we can discuss it.'' 

''But I want to take care of you.''

''I know you do,'' Y/n breathed out, her smile remaining. Her stomach felt like it was doing flips. How could she be so lucky to find someone so caring as Wriothesley? ''And I appreciate that. But we have to take care of each other, Wrio. There's a reason why there's two of us in this relationship.'' 

Wriothesley hummed, slowly nodding his head. ''Okay. If you . . . really don't want me to fight, then I'll stop. We can figure this out.''

''We will.'' Y/n pulled him back down, murmuring against his lips. ''Together.'' 

i may or may not have an idea for a part 2?

[tozettastone]

Hm, let me reword; are there characters from the series you love to write but have a comparatively different level of interest in how they're actually portrayed in the source material? I.e. the akatuski who were both introduced and killed early tend to be more of an echo of a character than something that reads as a person

Oh yeah, I see! Thank you for rephrasing this. Okay.

Well, characters like Kakuzu and Hidan (and actually a lot of the cast) are very flat¹ characters in canon. They are also very often flat characters in fanfiction, even when they are major characters — Kakuzu is the money guy, Hidan is the religion weirdo (often referred to as "the miser" and "the zealot," haha) and rarely is this expanded upon.

I write a bit about characters who are like this, and one of the things I like about it is the process of extrapolating a rounder character from the few characteristics of a one-dimensional villain, without just losing all of their villainy. They should still be bad guys. I like to write bad guys.

But, it's also hard for a character to be only a terrible horrible villain when you think a bit more about what they're like in their interpersonal relationships, what they care about, what their preferences are, and just... in regular situations. That's why my Kakuzu and Hidan tags on this blog (...and my kakuhida and hidakaku tags, too, which are interchangeable but somehow never consistent) are full of random comments about this kind of characterisation exercise.

I usually do this extrapolation by looking at characters' attitudes and behaviours in canon, inferring their motives, and then thinking about how those motives might be expanded on so they can be expressed in the broader setting! I have mixed success — sometimes people don't like my characterisation and, much more importantly, sometimes I look back on my characterisation and don't like it either (as one of my recent Deidara posts attests 💀).

In that vein, sometimes I do make villain characters like these seem a lot nicer than they are in canon, just by virtue of writing scenes where they, like, have to have a normal conversation...? But if you're trying to take a flat canon character and reverse engineer it into a rounder one, you have to kinda accept that they will be less, like, unalloyed one-note violence and evil, I guess. Like, at some point they are just going to have to eat lunch without having a little massacre first.

So... That's the comments I have about that process.

I think there are a lot of characters like this in Naruto because a lot of the broad cast can have pretty flat characters. I feel this way about everyone from Orochimaru to Tobirama to Hidan, hahaha. So I wouldn't necessarily single anyone out. I guess the least flat characters I write about would include characters like Sakura, who exhibit a more complex mix of personality traits, motives, desires, preferences, feelings, etc., in canon.

---

One footnote:

1. A quick comment on flatness vs roundness, for anyone who hasn't heard those terms used like this before. Characters, settings, "plot" events, and so on, are all elements of a story. A character is the element that delivers the impression of a "person" to the reader/viewer. They are usually successful to a greater or lesser degree.

One way of thinking about characters is that they can fall on a spectrum between "flat" and "round." When one calls a character "flat," it means that they don't have the depth of personality that makes them very good at being a "person." They are usually one-note and simple. "Round," characters, by contrast, are usually a bit deeper. They usually have complex motives and desires and give a more complete impression of personhood to the audience.

This doesn't mean flat characters are bad characters, it just means that they serve a purpose that doesn't require lingering over the complex mix of characteristics that depicting personhood might otherwise require.

[autisticandroids]

CASTIEL: Stop. What's the point if you don't mean it? You fear me - not love, not respect, just fear.

[youtube with closed captions]

a godstiel pity party. i'd like to thank an anon i got way back in february of 2021.

[longagoitwastuesday]

I have learnt things about Geto that I wish I could unlearn

[carcarrot]

well that was a shortlived good feeling about my job

[fragmentedblade]

Boothill's presentation being entirely on the twitter post makes me think he will be irrelevant in the story in the long(ish) run, and that the game itself won't dwell on him almost at all

[insanechayne]

~ ~ ~

[cherrymoonvol6]

.

[byanyan]

being friends with byan is so weird bc they say they want you to have the balls to be bluntly honest with them, but then the very moment you're honest about something they don't like, they're peacing out, all "lmao ok friendship ended byeeeee"

[ajdrawshq]

ended up buying start again to play after i 100% isat to the best of my ability and i Also got the artbook bc the bundle is on sale for less than just the games usual price so why not. and im glad i did bc i got to see concept art of siffrin getting fucking impaled 👍

[imwritesometimes]

I hate that I've been sitting here for hours and I have nothing to show for it. I hate that I've been writing this thing for weeks and I still am like what's the point of this?

[luke-shywalker]

let me know if you need anything

“Hey, Solo!”

Ben looked up. The sudden motion triggered a dull ache in his right eye—he winced.

“Uh—sorry.” Amalia came to a halt in front of him in the grass. The tall, bulky Togruta girl always looked like she was going to barrel right into you, but always managed to stop a few inches short. Back when they’d hated each other, Ben had thought this was some kind of intimidation tactic. But now that they were something like friends, he realized that she was just…well…awkward as heck.

Amalia peered at him and at his covered eye, then tapped her own cheek. “You look like one of the deep space pirates.”

“Wow,” said Ben, deadpan. “I’ve only heard that about five hundred times since I came back to Jedi school.”

“What’d they do to you, huh?”

Ben juggled the air with his hands, trying to figure out how much detail to go into. “Uh…they cut my eyeball open, and sewed a synthetic band into it to hold it together and make it stop falling apart. Basically.”

“Whoa. Sounds gnarly, dude.” Amalia paused. “…Can I see?”

Ben laughed. “Bro. Do you want to see?”

“I mean? Kinda? Will you like, die if it’s exposed to air?”

“Listen, I’ll show you, if you want to freaking see so bad.” He lifted the patch. He had to manually pry his eyelids apart—they were still swollen. He closed his left eye, just to see how well he could see her—everything was sort of a bright, slanted blur.

Amalia made a face. “Ew. It’s all red. Is that blood? Nasty. I see a coagulated mass of—something. There is straight-up slime in your eye, dude.”

Ben put the patch back on. “Yeah—I’ve been trying to, like—cry it out, but I can’t think of anything sad enough to make me cry. I dunno. I’ve had a hard time feeling emotion lately, in general.”

He said it, and then realized he hadn’t wanted to say it. He backtracked as quickly as he could.

“But now that you’re here, Mal, all I gotta do is look at your ugly mug,” he quipped.

Amalia rolled her eyes so hard she pretty much just rolled her whole head. “Hardee har har. Have you looked in a mirror? Geez, Solo, you can’t say shit like that to girls.”

“Oh—you’re a girl? Oh my Force, I didn’t realize. Sorry, miss.”

She wound up and punched him in the arm. Hard.

“Ow! Bruh. I’m already injured.”

“Well, you weren’t injured enough,” Amalia huffed. “Fixed it for you.”

“I’m telling Uncle Luke.”

“Yeah, go run and tell your Uncle Luke. Pissbaby.”

Ben tried to think of something clever to retort, but then his eye started hurting again, and he felt kind of sick. He hissed and lowered himself down into the grass, which seemed to initiate a truce.

Amalia leaned down. “You okay, bro?”

“Yeah—fine.”

“Are you still allowed to train and stuff?”

“I’m not supposed to do any ‘strenuous activity’ for four weeks.”

“Well, you were never getting any, anyway,” Amalia snickered. “Now you just have an excuse.”

Ben wrinkled his nose. “Ew. No, I mean…”

“Does lifting rocks with the Force count as strenuous activity? You’re not technically lifting them physically.”

“Eh. I always give myself headaches when I do that normally, anyway, so…maybe just littler rocks.”

“When are you gonna be able to see again?”

“Out of this eye?”

“Yeah, well, which eye do you think I’m kriffin’ talking about, dumbass—“

“I don’t know.”

“…Damn.” Amalia sat down next to him. “Sucks.”

“Yeah, I mean…I know it’s gonna be months. Maybe a year. And I don’t even know if it’ll ever be the same. Probably not.”

Amalia twitched her lips to one side. “Does it bother you?”

“Like, what, the pain? Or…”

“No, like…losing your vision. Like, coping with the loss.”

Ben shrugged. “…I dunno. Sure ain’t the biggest thing I’ve lost. It’s hard, I guess, knowing you’ll never be the same, but…I was already never gonna be the same, so…” He trailed off.

Amalia nodded at the horizon, picking a blade of grass apart with her fingers. “Yeah…I get how that is.”

They sat there in silence for a few moments. A low breeze came and rustled the grass.

“…Maybe I’ll gain some kind of extra Force sensitivity,” Ben said hopefully. “To compensate. Or something.”

“Yeah,” said Amalia. “Or…maybe you won’t, and you’ll just be half-blind.”

Ben threw her a tired glance. “Thanks, Mal. You’re a real pal.”

“What can I say? I try to offer a realistic outlook on life.”

“Hm.”

“But, for real though…let me know if you need anything. Okay, Solo?”

Ben raised an eyebrow. “Like what? Another punch in the arm?”

“Well, yeah, if you need that, I’m your girl. But, uh, seriously. Like if you need to talk, or…” She gestured vaguely at nothing.

“No offense, Mal? But you are not great at talking.”

“Hey. Never said I was. Just said that I would. Or if you wanna, like, just go throw rocks in the pond together, or something. Go look for weird bugs. Climb that cliffside Luke said not to climb. You know?”

Ben smirked. “Ha. Okay. Yeah. Gotcha. And then I’ll bang my head real hard, and knock out my other eye.”

“Exactly. You get me.” Amalia stood up and dusted the grass off her tunic. “Well…I’m on kitchen prep with Fannie and Meliko tonight, so…guess I gotta go. Do an extra meditation for me, will ya? Fannie drives me nuts.”

“Really? She’s so nice.”

“Yeah,” Amalia scoffed. “That’s what drives me nuts.”

Ben snorted. “Well, okay, Mal. See ya at dinner, then, I guess.”

“Will you see me though?”

“Dude, shut up!”

[medicinemane]

Anyway, hope you're all doing well

I just... I haven't slept and also I've got like... 2-4 days of tumblr to catch up on... mostly to make sure I don't lose anything I want to keep requeuing

In many ways I'm probably doing better than I have been in a long time... maybe ever, but... I've got zero focus, I can barely watch youtube videos, I certainly can't play games... I can't get myself to clean... I don't know man

It's like... it's like my mind's empty except for some thick clear goopy sludge... it's like being over at a strange house sat alone in a big room waiting for people to come back... not wanting to touch anything so you just sit there staring and feeling out of sorts, except it's just constant in my own house in my own room... just saw Bart flop down in front of my door and realized I'm so out of it I forgot I had cats

It's like I'm living every moment in the moment, but not in a peaceful way, in a I'm untethered from reality and trying to figure out plans or how to deal with getting everything sorted out is just kinda painful kinda way

Then my mood... well... I kinda have no mood. I'm fucking numb if I'm honest. I have flavor opinions like "I'm worthless and should kill myself", but I actually don't even feel depressed right now, I feel nothing

I don't see much point to my future even if everything goes great, and I would like to kill myself, but I have zero interest in even considering it right now even though I have everything I need around if I just stand up and take a single step

So... much as it probably sounds like I'm just pure in the trash right now, I'm actually in many ways probably doing better than I ever have before... I'm just also real messed up right now at the same time

I don't feel hopeful, I never feel hopeful, but I do feel like I can maybe guide shit into a good position, it's just once again I figure that even if I do everything I want to with being able to help other people out and stuff, I'll still just kinda end up alone in a crowd

You know... funny thing is I'm thinking "the fuck is even the point I wanted to make?", and I realize... my point was actually that I'm doing pretty good and not to worry... not sure how well I'm selling it, but it's true

I hesitate to assign anything to myself, my stance on me and anything I can't conclusively say tends to be no comment... but if I were looking at someone else describing what I'm feeling in my position, I might be inclined to say burnout... months of having to be on and clean and manage everything and... all that... well it's one explanation, who knows if it's correct

Anyway though, I'm good, don't worry, know I do appreciate you all and wish I had more brain power to say more to more people... it's just maybe kinda sad that this is my version of doing good... the fuck is wrong with me if I wake up everyday feeling like I've been beaten with clubs... and for me this is kinda peak... what's that say about my baseline?

Doesn't matter, only thing to do is keep moving forward

Guess insomnia paired with not really being able to think, like words just kinda pop out with no planning... guess it makes me ramble real bad, this was supposed to be like one or two paragraphs being positive

It's a Beautiful World