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darlingsblackbook · 22 days ago
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Zayne x Crush-Ridden Nurse!Reader | Part One
Professionalism is Dead. I Have a Crush. Zayne Edition
Love and Deepspace Masterlist
I | You do not make eye contact with Zayne in meetings because every time you do, you forget what day it is and say “yes, Doctor” to everything, including when he once asked, “Did you get enough sleep?”
II | Zayne once asked you to assist with a minor procedure and you dropped the sterile tools. You apologized so many times, he calmly said, “The patient’s heart rate is more stable than yours right now.”
III | You once panicked and said “Love you—uh I mean... glove you— I mean I’ll get your gloves!”
Zayne: slow blink
“Take your time. I’ll wait.”
IV | Every time he stands too close while you’re charting, you forget how to type. Once you wrote “Dr. Zayne is so—” and caught yourself before you wrote “hot.” You turned it into “so thorough.” You don’t think he bought it
V | You stutter when you talk to Zayne. He never mentions it, but one time he handed you a cup of water wordlessly after you choked on your own breath during rounds.
VI | You overheard some nurses gossiping about how attractive he is and blurted, “He’s probably too focused to notice.”
You didn’t realize Zayne was walking by.
He didn’t even blink. Just said, “I notice more than you think.”
VII | You tried to bring him coffee once but labeled it with “For Dr. Zayne :)” and then panicked because the smiley face was unprofessional. You crossed it out. Then rewrote it. Then crossed that out.
He still drank it. Didn’t say a word.
VIII | One time you were called into his office and rushed into the room out of breath. Zayne looked at you, tilted his head, and said, “You don’t need to sprint through the halls. I’m not going anywhere.”
Cue you passing away on the spot.
IX | You asked him once, very nervously, “Do you ever, like… smile?”
He replied without hesitation, “Only on days you don’t trip over the IV cart.”
(The next day you almost made it. He raised an eyebrow in silent amusement.)
X | Once he handed you a file and your fingers brushed. You squeaked. He stared at you for a full five seconds before saying, “That wasn’t an electric shock, Nurse. You can relax.”
XI | You joked to another nurse, “I’d die if ZaynE ever praised me.” The next day during debrief, Zayne said: “Good job. Efficient, as usual.”
You almost fainted.
He added, “Should I call a nurse?”
You whispered, “I am the nurse…”
XII | You once had to bandage a patient while Zayne was observing and your hands were shaking like a leaf.
Afterward, he pulled you aside and simply said, “Your hands are steady when it matters. Don’t doubt that.”
XIII | He never raises his voice. Never gossips. But the one time another doctor tried to flirt with you a little too casually, Zayne just appeared beside you and said, “She’s busy. Let’s not waste her time.”
XIV | You once caught him looking at you when he thought no one was watching. Just for a second. No expression. But his gaze lingered a little too long to be clinical. And when your eyes met? He said, “You should take your break before I assign you one.”
Part two >
All Rights Reserved © 2025 Darlingsblackbook
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joelmillers-wife · 3 months ago
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Take My Hand Masterlist
a/n: at the moment, this is the only work i have posted here. if i write anything outside of this story, i will add a more in depth masterlist <3
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18+ MDNI
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status: ongoing pairing: joel miller x fem!reader summary: arriving into Jackson in the late months of autumn, your life turns around as you adjust to the community you have been welcomed into. as you get to know the people in town, you find yourself entering the life of Joel Miller and the girl he takes care of. series warnings and tags: 18+ language, fluff, angst, eventual explicit smut, slow burn, slight “enemies” to friends to lovers, virgin!reader (not a huge aspect of the story at all, just a thing that happens) fem!reader, talks of grief as well as brief mentions of suicide and SA, hurt/comfort, lore-accurate violence and gore, jackson!Joel, age gap: Joel is in his 50s and reader is in her 30s, reader has no description besides hair and can be lifted, no y/n
chapter warnings: each chapter will have more detailed warnings in the description for the specific content that will be included there. please feel free to reach out to me about any i should add a/n: please be sure to read the warnings labelled. my works are 18+ as they will contain descriptions of violence as well as sexual acts. you are responsible for the media you consume so i please ask that you do not read if you are not of age <3 i also will warn that i try not to include any physical descriptions of reader besides that she is afab, has hair, and can be lifted by Joel. if that is not what you are looking for then that is completely okay! i would love to share works from other authors who's content i enjoy that may be more suited towards you i also would like to say this is my first time writing anything, let alone fanfic, so i hope i do it justice <3 ao3 | follow @writtenbynic and turn on notifications for chapters! dividers made by: @saradika-graphics , check them out!
🎵series playlist (all my chapters are titled by songs i love and connect to my story. some songs on here are for future chapters, some aren’t part of my story at all and i just feel they fit the vibe)
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chapter I: A Horse With No Name
chapter II: The View Between Villages
chapter III: Another Love
chapter IV: Little Lion Man
chapter V: Northern Attitude
chapter VI: Under Pressure
chapter VII: Renegade
chapter VIII: To Build A Home
chapter IX: X&Y
chapter X: Lightning Crashes
chapter XI: The Air That I Breathe
chapter XII: Willow
chapter XIII: coming soon
more chapters will be added along the way!
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yingdu-lover · 3 months ago
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angry post
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i have a personal problem with this kind of attitude. it's not a petty thing i am unreasonably angry about. there is a politics of translation and it affects one's understanding of art and popular culture/cultural geopolitics.
yes, tbhx has an unprecedented world wide release for a donghua/Chinese media and it's vital for its popularity, especially among transnational fandom spaces. Transcreated works are important for easier access. BUT, my gripe with the Japanese dub of a Chinese media WILL never be resolved. I am not talking about the quality, the issue lies in the very creation of the Japanese dub of a donghua itself. Let me give you an example.
Last year, we had an optional course called translation studies and one of the first things our professor asked was : who are the writers of A Doll's House and Waiting for Godot? He told those few of us who had read these texts closely to shut our mouth and let others take a guess. Most people answered : British writers. The texts are English texts. Because it's so famous among literature enthusiasts and when a piece of literature has a 'classic' tag attached to it, we tend to generalize and oversimplify it. So, a Norwegian playwright's original Norwegian play or an Irish playwright's play originally written in French- both get labelled as British literature. Get my point?
The anime industry is justifiably dominated by Japanese productions but when we forget to accommodate the nuances, the origin culture decays. It is, in many senses, a form of subtle cultural imperialism brought by ignorance.
People complain about Link Click's 'poor marketing' but I think Haolin was clever doing so. Even in the reviews by Indian anime bros™ I see them trying to pronounce 'donghua'. People RECOGNIZE that Link Click is a Chinese media, it's NOT an anime. You may laugh at those link click related youtube video titles saying stuff like : China is taking over anime, this Chinese anime is better than your favourite anime, PEAK Chinese anime, the best anime of 2021 is NOT Japanese?!, Link Click is taking over anime, China's hidden gem, China might have created the best anime of the year- CHINA IS IMPORTANT.
Whenever people talk about Chinese donghua- Link Click, Heaven Official's Blessing, Master of Diabolism etc are mentioned and people KNOW that it looks like anime but not really anime. It's... something... something else. This distinction is critical and essential.
Now, thanks to censorship (the Chinese version is not available on any official platform), many people think (not all people dig that deep while watching things, like come on) Spiritpact is a JAPANESE anime. Who the heck is Tanmouki or whatever. They are are Duanmu Xi and Yang Jinghua.
Reading up to this part if you think I am a Japanese anime hater then...*sighs*. Please read the whole thing again.
I like the Japanese dub of Link Click but there was a c*** in the comments who said "uwu it's not in japanese so I won't watch it" b**** doesn't even understand Japanese. B just wants an 'authentic Japanese anime experience.'
I feared that tbhx would face this issue.
And if you find those people who go : Ahhh, Japanese or Chinese- same thing, even their script look similar- fuck you, fuck you, you loser-fuckrr sinophobe i hope your phone battery dies your charger malfunctions your phone your laptop restarts with all data erased I hope you reek of wet socks and your taste sand all the time fuck you
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a2006love · 3 months ago
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i wrote this while drinking cola. pepsi cola. the lana sentiment. the grant holy water. the tear drops of angels, if you wish. ANYWAY, do enjoy. inspired by: @/ironrea, her post is serene!! ultraviolence (the album), & richard siken's piece "anyway" .
⸝⸝ s/o motivation or things to script because i don't know how to label anything.
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i. they'll catch you staring at them in a quiet moment, and instead of looking away, they just smile, slow and sure, like they already knew.
ii. they'll let you warm your hands against the back of their neck, laughing at the chill but not pulling away.
iii. they'll need to feel the weight of your presence to remember how to breathe.
iv. they'll be devoted to you, just like church is to god, just like the lamb is to the shepherd, just like faith is to the believer lost in doubt.
v. they'll see the way you close your eyes when the sun hits just right, like it’s a moment just for you, and they'll wonder if they're allowed to share it with you.
vi. they'll look at you when you think they're not watching—from across the room, in the glow of a traffic light, through the blurry reflection of a dirty mirror—like they're afraid to be caught loving you this much (they aren't).
vii. they'll whisper your name like it's the answer to a question they don't know how to ask.
viii. when you write your name on fogged windows, they'll try to read their future in it.
ix. when you're getting ready to go out, they'll wait at the door, keys in hand, watching you tie your shoes, smiling a little, because they love the way you double-knot them.
x. they'll stand behind you when you're looking in the mirror, watching your reflection instead of their own, like they only see themselves in the way you see them.
xi. when you look at them, just for a second, they'll think it's the first time anyone has ever seen them.
‎‎ ‎
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damneddamsy · 2 months ago
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falling | joel miller x fem!oc (part xi)
ZERO CROSSING—The moment everything inverts, and the axis breaks.
summary: Joel is too far from home, travelling and surviving once again, for a purpose.
a/n: buckle up, this is a looooong one. I wanted to share all the journey and the loss in a single chapter, initially, I wanted to break it into two, but it only made sense here to have it done with. Please take this with a grain of salt, and understand the world of TLOU is difficult and irredeemable. bad shit happens, you can't stop it. okay, let's do this!
word count: 19,000 + [ I had an ask from a sweet anon who wanted this included. hello! I hope you can estimate your reading time now, thanks for letting me know :) ]
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DAY 1: EN ROUTE TO CALIFORNIA, LOS ANGELES - APPROX. FOURTEEN HOURS SOUTH OF JACKSON, SOMEWHERE PAST SALT LAKE CITY.
Regrets and worries. Joel knew now—they weren’t the same. Not even close. Two different beasts, pulling in opposite directions. One stalked behind you, the other ahead. He had both nipping at his heels.
Regret caught up fast enough. It had already happened, and there was no undoing it. Hated that shit to the core. And worry? Well, he was so used to seeing its back before him now, just waiting for it fuck up. Together, they twisted in his gut. Frayed wires, snarled and buzzing, so tangled he couldn’t tell which was which anymore.
Not here, not now—lying on the splintered floorboards of some half-collapsed home, walls paper-thin against the hiss of falling snow outside, air cold enough it bit the inside of his nose when he breathed too deep.
The cabin was barely standing. Roof half gone, one wall caved in, and wind came through the boards like breath through teeth. It was shelter in the loosest sense—four walls and a place to keep his back to. That’d have to be enough.
The stew sat like lead in his stomach. Came out of a battered can, label long gone. Might’ve been beef. Might’ve been dog food. Probably expired a decade ago. He didn’t care. Shoved it down like punishment. Energy was energy. Didn’t matter how it tasted going in—only that it stayed down. Now, though, his gut churned like it disagreed. Violently.
With the rifle close at hand, Joel sat with his legs stretched out, boots frozen stiff with slush, snow melting slowly off his jacket shoulders. He hadn’t bothered stripping out of his gear. No point. Cold like this, alone out here, you didn’t sleep long anyway.
He’d been riding for fourteen hours. Maybe more. He’d stopped keeping track somewhere past hour ten. Through rough terrain, past the last of the patrol lines, past roads that weren’t really roads anymore, just veins through snow-covered land that didn’t feel real. The map crumpled in his jacket wasn’t worth shit now. Just paper soaked with sweat and hope.
And fuck this snow. It wasn’t just cold—it was fucking brutal. It soaked through seams, dulled the edges of his vision, and turned the horse into a slipping mess of nerves and bone. He couldn’t wait to hit the open heat again—past Vegas, past the mountains, back where the sky turned gold and didn’t bite.
Vegas. Jesus, he’d be riding past it soon. What a weird thought. He’d never liked that place. Clinking noise and vice and strobe lights that didn’t mean anything. Still, the thought of it almost felt like an assurance now—like anything would be better than this stretch of cold emptiness.
The sun had set and risen without his permission, and the horse was starting to limp. He’d have to rest it come morning. If there was a morning. This part of the country didn’t feel like it had days anymore—just gray stretches of silence between dusk and deeper dusk.
And still, sleep wouldn’t come.
He rolled something between his fingers—small, brass, worn, warm from the heat of his palm. A button. Not from anything he’d owned. Probably from a coat someone lost before the world went to hell. Maya had picked it up off the road during the summer, on their way back home from dinner at Tommy's. He remembered her squealing when she spotted it, stubby fingers plucking it out of the dirt like gold, and handing it to him later, bestowing him a treasure, her tiny gummy smile vast as anything.
He’d kept it ever since. Didn’t matter what it came from. The button was hers, then his. It hadn’t left his pocket since.
He squeezed it between his fingers, thumb brushing the grooves, meeting his lip just once, and tucked it away again.
He hadn’t said much when he left. Tommy met him in the barn before sunrise, lit only by a lantern swinging from a nail. The horses had been restless. Cold was coming in through the slats, and Joel had cinched the saddle like it was the only thing keeping him upright.
Tommy had offered to go—thrice. Said it didn’t sit right, Joel riding out alone. But Joel had shaken his head.
“You stay here. For my girls.”
He didn’t trust anyone else to watch over them. Not the way Tommy would. “Just make sure they eat and sleep. That they know I'm doin' fine. You hear me?”
Tommy didn’t argue after that. Just handed him the reins and clapped his shoulder once. It was enough, maybe more than enough.
He’d ridden out before the light touched the mountains, the sound of the gate swinging shut behind him like a period at the end of a sentence.
Just yesterday—just yesterday—he’d been home. His home. The big white house, on the edge of Jackson with the bramble bushes out back and Leela’s cursive handwriting on the walls in pencil, tiny indelible equations scrawled between coat hooks and door frames.
Maya had held onto his finger compliantly, in her too-thick coat, dragging her plastic basket across the frost-hardened ground, and crouched beside him in the garden beds as they picked out what her mama had wanted for dinner. Carrots, lumpy and sweet. A head of cauliflower. All collected in her basket, while Joel wondered out loud to her, that maybe Leela was making that spicy stew of hers, with sumac and saffron.
And that night—he’d had Leela’s breath in his ear, her hand latched around his. They’d curled up together under that white duvet, head resting close, her thumb drawing soft, slow circles into his palm until he drifted off.
Now here he was.
Cold. Dirty. Bone-tired. Alone. Chasing ghosts toward a city he hadn’t seen in decades.
He leaned back until his head tapped the wood behind him, and let out a breath. It fogged up in front of him and vanished.
“Screw it,” he muttered.
The backpack was by his side, half-buried in snow-dust. He pulled it closer, unzipped it with numb fingers. Inside, wrapped tight in old linen, was Leela’s notebook—the one with her proofs, her ideas, the kind of math that gave him a migraine. The one he was risking everything to deliver.
Tucked beneath it were two small tape recorders. But—there were two of them, same make, scratched from use. He’d grabbed both in a rush. One of them had her logs, her working thoughts on the Riemann Hypothesis. The other… who knew.
It didn’t matter. He needed her. Her voice. Even if it was just numbers and theorems he didn’t understand. Even if it was her being brilliant in a way that left him in the dust. Something to make the world feel less far.
Joel held one to his chest a moment. Closed his eyes. Thumb hovering over the play button for a moment before he pressed it.
The machine clicked. The static cleared. A brief hiss.
And then, for a second, all Joel could hear was the wind scratching at the seams of the broken-down cabin. Then came her voice—soft, unsure.
He smiled, exhaled, and let the recorder rest on his chest. Ready for sleep.
X
L.REED MAYA INFANCY DEVELOPMENT LOG – AUDIO FILE #9
(Click. The soft static of the recorder kicks in. There's a rustling sound, like someone adjusting a blanket or shifting in bed. Then, Leela's voice—gentle, low, a little breathless, like she’s just settled in beside someone small and wriggly. Maya.)
“You wanna say 'hi'? Hi?”
(Maya hums. Coos softly before saying—) “Hah.”
(Leela laughs.) “Close enough. Okay, so. It is August the seventeenth. Time is… very late.” (A soft snort.) “Um, two-twelve a.m. Bedroom. Maya, age eight months.”
(A soft, gurgling coo interrupts. Then a thump-thump—like a baby kicking her feet against the mattress. Leela exhales a smile into the mic.)
“Baby girl is vocalizing consistently. Her consonant-vowel chains are stronger. Lots of ‘ba-ba’, ‘ga-ga’, ‘ta-ta’, occasionally ‘da’. This morning, I caught her mimicking Joel yawning and singing. She’s watching his lips more, listening to intonation. Repeating the pitch, if not the structure.”
(More babbling now. Higher-pitched. Happier. Leela’s voice quiets slightly, as if leaning in.)
“But just now…” (a pause, soft disbelief flickering in her voice) “…she said ‘Mama.’”
(There’s a quiet moment. A little sniff from Leela, then a huff of a laugh.)
“I was holding her, rocking her. She had her hand on my lips, just as I taught her to express ‘I love you’. Looked me dead in the eye. And said it.”
(Maya giggles, wet and delighted, then says it again—muffled but distinct) “Mamamamama.”
“That. Right there. Did you hear that?” (Leela’s voice wavers, thickens with emotion she’s trying not to name.) “Omigosh, baby.”
(We can hear Maya closer now, her soft breaths, her curious coos.)
“You wanna say that for me, please? Can you say 'Mama' one more time?”
(Soft, adorable, Maya speaks.) “Mama.”
(Leela giggles.) “Yeah?”
(She's excited, seeing her mother smile.) “Maaaa!”
“Maya's first word. Not just a sound. Not just noise. She meant me.”
(Another pause, the rustling of blankets. Leela’s voice softens even more, almost like she’s speaking to herself now.)
“My baby is growing so fast, learning, laughing daily, and it's all Joel. He speaks to her so much, it's no wonder she wants to talk right back at him. But I don’t know what I expected. I mean, I’ve studied this a little from that old baby book Mom had lying around in storage. I know the milestones. The phoneme acquisition timeline. But hearing it…”
(She stops. A breath. Then, quieter—) “It made me feel real. Like I didn’t just survive her. Like maybe I was meant to be her mother after all.”
(Maya babbles in the background, then lets out a little sigh and flops back against the mattress. Leela chuckles softly, tired.)
“She does this cute thing with her hands when she’s trying to form new sounds. Presses her fingers to her mouth like she’s shaping the word. Like she’s building it.”
(A beat. Then Leela's voice dips into playfulness—dry, teasing, a rare glint of humor.)
“She’s smarter than me, I know it. It’s totally fine. I’ll just be the one who cuts up her fruit and explains Hilbert spaces until she’s old enough to tell me to stop.”
(The door creaks open. Joel’s voice enters the room, low and gravelly, but softened with affection.)
“You still up, darlin'? Jesus, go to bed already.” (His boots thud quietly against the floor as he steps in. A pause. Then the sound of a kiss—quiet, slow. A press of lips to Leela’s temple.) “Doin’ experiments with the poor kid again? Hi, baby girl.”
(Leela hums, leaning into him whilst Maya squeals in excitement at Joel's arrival.) “Infancy development log for future purposes. Joel, come sit. Listen, listen. Maya said her first word.”
(There’s a beat. Joel exhales like he’s trying to hide a smile. He shifts closer—more rustling, the mattress dipping slightly under his weight as he sits beside them. Maya lets out a soft coo.)
“Yeah?” (His voice is quieter now, touched with awe.) “What’d she say?”
(Leela pauses. Her voice is a little breathless when she finally answers.) “She said 'Mama.'”
(Joel is quiet. Then—he laughs under his breath, low, warm and a little stunned. A laugh that carries years in it.)
“Course she did. Trouble and a traitor.” (A kiss, this time to his baby’s head.) “Smartass, just like you.”
(Maya babbles off-screen—happy nonsense, punctuated with a triumphant little—) “Mama!”
(Leela half-laughs, disbelieving) “Hear that? Again and again. No prompting, Joel. Just—‘Mama.’ Like she knew.”
(Another tiny voice from the baby.) “Maaaaaama.”
(Joel sighs like a man personally betrayed.) “Wow. She’s on a roll.”
“You seem jealous.”
(Joel, in mock offence) “Psh. Jealous, schmealous.” (Then addresses Maya directly, lowly.) “You know how many nappies I’ve changed for you, trouble? How many times I’ve walked you around this house at two in the damn morning?”
(He leans closer, pitching his voice hopeful and coaxing.) “Say Da-da. Come on, baby girl. Just once. Da-da.”
(Maya hushes. Then lets out another cheerful—) “Mama.”
“She’s doin’ it on fuckin' purpose.”
“She’s a baby.”
“She’s my baby. Which means she’s bein’ a pain in my ass on purpose.”
(The static is filled with the sound of Joel scooping her up, lifting her overhead with ease—Maya giggles, squeals, kicks her feet.)
(Joel playfully threatens.) “That it? You say 'Mama' one more time and I swear to God, I’m throwin’ you in the trash.”
(Maya hiccups out another: “Mama!” then laughs like she knows exactly what she’s doing. Leela bursts out laughing behind the recorder.)
“Right, you're with the raccoons now. C’mere, you lil’ menace.” (He smothers a chuckle with a deep kiss against Maya's cheek.)
(Leela's teasing does not cease.) “Go ahead. She’ll climb back out.”
“She’s got your damn mouth. And your attitude.”
(Leela’s voice, still recording, drops into a whisper—proud and fragile.) “Cannot believe she picked me.”
(Joel snickers.) “Yeah, baby. But we’re all hers now.”
(Click.)
X
DAY 2: EN ROUTE TO CALIFORNIA, LOS ANGELES - APPROX. TWENTY-SIX HOURS SOUTH OF JACKSON.
You know how when you're completely alone, and there’s nothing left to look at but the walls, nothing to hear but the ticking of your own breath? When there’s no noise, no job, no person, no purpose to pull you away from the one thing that's been haunting the edges of your mind?
That’s where Joel was. No goddamn purpose except forward.
The road stretched ahead like a savage scar across the earth—silent, broken, endless. The only sound was the dull rhythm of hooves on packed dirt and the occasional creak of the saddle under Joel’s weight. His ribs throbbed with every breath.
No talking. No laughter. No baby cries. Just him, the horse, and the wind. It was in that kind of silence—complete, bone-deep—that the memory found him. The quiet made space for things he didn’t want.
It wasn’t even something big. Not some major milestone, holiday, or sweet, cinematic moment he could cling to like a lifeline.
Just a soft thing. A quiet day. It had been raining since morning, their first wave of summer storms.
It was not hard, not a downpour, just that steady mountain drizzle that turned everything gray and soft, that blurred the windows and hushed the world, made the house smaller and cozier. Inside this cushy room he'd made for his little girl, the air was scented of old cotton, wood, and whatever Maya had wiped on his shirt earlier.
Joel had stood in the nursery, one arm braced on the crib’s rail, the other setting down a freshly folded onesie on a small, lopsided pile. The window had been cracked, just an inch, enough to let in petrichor and the patter of water on the roof. The rhythm of it folded itself into the room like background music—so familiar he barely noticed it anymore, like a breath or heartbeats.
The laundry was warm from the dryer, and the little pink crib had become a makeshift laundry basket—tiny socks, soft bloomers, onesies with Leela's sweet embroideries of bears, owls, stars, and moons, all heaped together like a colourful cloud.
Maya, just a hair past eight months, sat squarely in the middle of the pile, the clean laundry heaped around her like a nest. She had one sock in each hand, neither matching, and looked at them like she was weighing philosophical truths. Her dark curls were sticking up in fuzzy snares. Her legs were crossed, her posture oddly regal—like she’d appointed herself queen of the sock mountain.
Joel glanced at her, then down at the onesie in his hand. It had a bear on the front, kind of wonky, with one eye stitched lower than the other.
He let out a soft huff through his nose. “I keep meanin’ to ask your mama to patch that bear’s eye. Looks like he’s been through some shit, right?”
Maya blinked at him, then looked back at her socks, utterly unbothered.
Joel folded the onesie and stacked it. “Yeah. Damn garden’s gonna be drowned if this rain keeps up,” he muttered, rubbing at the back of his neck. “See, I told Mama not to put that basil down near the low spot, but she won’t listen. You’ll see when you’re older—ain’t no one listening to the man with the shovel.”
Maya scrunched one of the socks in her hand, held it up, and gave him a look like, Is this even a sock or is it something greater?
Joel chuckled. “Yeah, I know. Socks. Don’t make no sense, huh?”
He reached over and gently tugged one of the matching pairs out of the pile. “This your big contribution?” he asked. “You fold this one? Looks like it got run over by a possum.”
Maya made a quiet noise—something between a hum and a grunt—and waved both socks in the air like streamers. Joel looked up again, and this time, he softened.
“I see you, baby girl,” he murmured. “Workin’ real hard.”
She blinked at him, pleased with herself, and stuck one sock on her foot over the other one she was already wearing.
“That’s it,” Joel hummed. “Yeah, two socks on one foot. Tyra Banks, you are. You’re gonna revolutionize the whole town.”
And suddenly she was a firecracker of excitement in her double-layered socks. She was up on her feet, squealing, “Da-da-da-da!”
Her little bare feet thudded softly on the crib mattress as she twirled, arms stretched out like wings. The flannel dress—a new one, made by her Mama, cut from one of Joel’s old shirts—fanned out around her like a pinwheel. The plaid knots at her shoulders bounced with every turn, and the fabric spun around her legs with a gentle swish, like the hush of wind through leaves.
Maya made a breathy sound with each spin—a little “hah!” like surprise was bubbling out of her chest. Her curls, puffed up from the static, lifted with each whirl, a halo of chaos above her head. She looked like joy personified: loose, unselfconscious, free.
Joel, sock still half-folded in his hands, couldn’t help but watch. Something about her face in that moment—the pure glee, the trust in the world—grew a warm ache. The kind you didn’t know how to carry, because it was too good. Too fleeting.
“Look at you,” he said, quiet. “You like that dress, huh? That’s Daddy’s old shirt, you know.”
Maya squealed but didn’t answer, too caught up in her spinning. Until her balance gave out. She toppled sideways into the cloth hill with a wild, delighted shriek, caught herself on her hands, and let out a giggle.
He opened his mouth to warn her to slow down—when the thunder cracked.
It came like the snap of a tree limb overhead—sharp, sudden, alive with force. The windows rattled in their frames.
The sound wiped the joy clean off her face. Her arms dropped. Her breath caught in her throat. She pivoted toward the window, her expression one of stunned betrayal—like the world had just raised its voice at her for the first time.
Then she moved.
Ran straight at Joel, flung herself against the crib rails, fingers latching onto his jeans like she could climb up into his skin. She didn’t cry, not yet. But her whole body was taut and trembling. Her face was still turned toward the glass, mouth parted, trying to understand the sky.
He saw the tiny tremble in her lower lip, the way two fingers picked at them nervously, the way her eyebrows drew tight, a wrinkle forming between them like a shadow.
Another thunder roll followed. This one longer, deeper. It crawled over the house like a prowling animal, ploughing into the roof.
Maya let out a whimper—not loud, but helpless. She looked up at him, big eyes wide, uneasy, and in a voice cracked with fear, she whispered, “Da-da, mhmm. Up, pease.”
Joel didn’t answer. He moved first.
In two strides, he was at the open window. He reached up and slammed it shut with the heel of his palm. The muffled silence afterward was almost a relief, just the soft percussion of rain on the roof.
“There we go. Nothin', it's gone now.”
Then he came back to her, crouched down, arms open before she even reached him. She crashed into his chest with a panicked little cry, climbing up him like he was a tree, tiny fingers clawing for purchase in his shirt, breaths shallow.
“I got you, honey,” he murmured to her as he stood, lifting her up against him. “You’re alright. I got you, baby girl.”
Another boom rolled over the mountains—long, low, rumbling—and she whimpered, her face pressed into his neck, her whole body trembling against his.
He gathered her up and lowered himself slowly to the rug. Sat cross-legged, grunting, settling herself in the crook of his chest. He curled himself around her like a shelter, drawing her in until she was tucked fully against his chest. Her bare toes nudged under his arm, one arm trapped between their chests, the other clutching his collar in a death grip.
“It’s just the sky talkin' to you,” he said, soft against the crown of her head. “Ain’t nothin’ but the sky being all big and loud for its favourite little girl.”
Another crack of thunder, and she jumped.
“Ahh, no, no, no da-da!”
“Okay, okay. Ssh.”
That’s when Joel gently brought his hands up to her ears—those big, calloused palms, rough from years of labour but soft now, careful as he cupped her tiny head. He didn’t press, didn’t smother—just curved them over her ears like a living shield. Just enough to hush the worst of the world.
“There,” he whispered, voice tucked low in his throat, like a secret just for her. “That better, baby?”
She only sagged into him, her whole weight melting down like her bones had gone soft. Her breath came fast, shallow little gasps against his neck, her cheeks hot and wet where her tears were soaking straight through his shirt.
Joel’s chest clenched.
“Shh, hey now,” he murmured, rocking her gently, like he’d done when she was still small enough to fit in one forearm. “Ain’t no storm gonna touch you. Not while you’re right here with me.”
He pushed a kiss to her temple—warm, lingering—then rested his cheek against her curls, letting himself sink into her warmth too. Her curls were soft against his stubbled jaw, but still quivering like a frightened baby bird. Every flinch of hers felt like a blow to his own ribs.
The next clap of thunder rolled in, less sharp now but still loud, echoing through the valley.
She flinched again—hard—and bowed into herself even tighter, like she was trying to disappear inside his chest. Her lip quivered, her little shoulders jumping beneath his hands.
Joel tucked her closer, wrapped himself around her, every muscle taut with the instinct to protect. To cover.
“It’s okay,” he soothed, peppering kisses wherever he could. “Almost over, sweetheart.”
His hands moved—slow, pacifying—one cradling the back of her head, the other rubbing small circles between her shoulder blades. He could feel her heart racing under his palm, tiny and frantic. Like a hummingbird. But with each pass of his hand, it began to slow, just a little.
Outside, the thunder rumbled again. Softer now. Farther away. Tired, fading.
Joel didn’t move his hands. Just kept holding her, kept being the still point in the storm, the rock she could anchor to.
“You hear that?” he said, reaching down to brush his thumb against her eyes and wipe the tears away. “Storm’s gettin’ tired. Runnin’ outta gas.”
And as the rain gentled on the roof, Maya’s breath began to slow. Her tiny fists, once knotted in his shirt, loosened, fingers going slack. Her lashes fluttered against his collarbone like moth wings. Not asleep—but safe. Settled.
After a minute, she shifted. Pulled back just enough to sit upright in his lap, still nestled between his knees. Her legs folded beneath her, toes peeking out under the hem of her dress. She didn’t say anything—just found one of the buttons on his shirt and started turning it slowly with her fingers, brow furrowed.
Then she looked up. Big, brown, still-wet eyes. A pout like a petal turned down, cheeks sticky with the last of her tears. Her curls were a damp halo, and her bottom lip wobbled, just a little.
Joel leaned in, forehead leaning gently against hers. Let their warmth meet in the middle.
“Hey. Doesn’t stand a goddamn chance against you and me, right?” he asked in a whisper.
Maya blinked up at him. Then touched her fingers to her lips—soft and sweet—and pressed them to his. That little 'I love you' trick again. She gave it off so freely sometimes, to Ellie all the time, to Maria, even Tommy, who bugged the hell out of her.
He gave a breath of a laugh, quiet and rough-edged. His eyes closed as he felt her tiny hand against his mouth.
“I love you too,” he murmured, catching her little hand between two cautious fingers, rubbing the bare lines there. His fingertips barely spanned her palm, this tiny little thing that trusted him to hold her through her first storm.
Let it thunder, he had thought then. Let it break the whole damn sky. It wouldn’t get to her. Not here. Not while he was breathing.
That memory bloomed behind Joel’s eyes like a flame in the cold.
He blinked, slow, pulled back to reality by the enduring rhythm of the horse’s hooves. Wind whipped around his straight collar. His ribs ached with every breath.
Forever was a grandiose fucking myth. That soft, rainy day might as well’ve been a dream. A world made of cotton and woodsmoke and spinning plaid dresses. Twenty hours behind him. Maybe a thousand miles. Maybe gone forever.
And if she was scared now? If the thunder came again and she reached for him, he wouldn’t be there.
All he had now was the ghost of her breath on his neck. The echo of her trust. The weight of his baby girl he could still feel in his arms, though she wasn’t there.
Joel hunched deeper into his coat, reins pulled taut, leather digging into his palm.
Because the storm hadn’t left him. It had just moved inside.
X
DAY 2: EN ROUTE TO CALIFORNIA, LOS ANGELES - APPROX. TWENTY-SEVEN HOURS SOUTH OF JACKSON, JUST PAST GRAND JUNCTION, COLORADO
The first thing that hit him was the same goddamn cold.
Not the kind he was used to, that stung his fingers or turned his breath white—but the kind that stole. That lung-squeezing, bone-hollowing cold that came with being slammed headfirst into a river in the middle of no-fucking-where.
It engulfed him whole.
Joel’s skull cracked against stone. He barely had time to curse before the water closed over him. It was an aggressive silence, all muffled roars and bubbles, blood rushing in his ears. His body spasmed on instinct, legs booting, hands clawing for something—anything.
His face broke the surface with a sharp gasp, just before a boot came down, hard, and shoved him under again.
He went back under with a strangled snarl, teeth bared in the dark, throat filling with river. He thrashed—unseeing, feral, like a dog tangled in barbed wire, hands scraping across riverbed rock. Something thick and ugly filled his chest—not just water, but rage. Blind, instinctual, living within his very marrow.
It wasn’t supposed to go like this.
He didn’t even know where the trap had sprung from—just that one second he was crossing that busted-out bridge, cold wind at his back, and the next he was flying sideways, skull and ribs screaming as they hit the bank. A flash of movement, then mud, then water.
Now his gear was scattered, his rifle somewhere downstream to the Gulf of California, and the weight on his back was not budging.
Had to give it to him, the guy was strong. Not smart. Sloppy, wild. But strong as fuck.
Joel twisted, spine screaming, hips torquing. A crack of pain lit up his ribs—he didn’t have time to wonder if they were broken. He got one knee up in the current and drove it backwards—boot connected with something soft. The man grunted. Joel surged, body arching, hands fumbling. His fingers closed around something slick. A stone, maybe. Maybe a piece of his own gear. He didn’t look. Just swung it upward.
There was a crack of bone. The weight lifted.
Joel broke the surface like a corpse pulled from the deep. He choked, spat, and coughed, the sound raw and ragged. His whole body was trembling, muscles stuttering from the cold.
He had half a breath in him before the guy was on him again.
“Sonuva—” he bit out through chattering teeth.
Big, ugly, one of those loner types. Eyes wide and bloodshot. Beard crusted with something black. Stinking of rot, blood, sweat and boots that’d walked through worse places than this.
Joel didn’t waste time—got a hand on the man’s face, fingers clawing for the eyes, gouging. The other hand dropped to his belt—the knife was still there. Thank God. He drew it, fast, but his wrist was shaking and his grip was off.
He wasn’t thinking. He was moving. This wasn’t the first time someone tried to kill him. And it wouldn’t be the last.
The blade found flesh—but not where it needed to. It glanced off the bastard’s side, shallow, not enough. The guy roared and drove a fist into Joel’s temple. Stars burst behind his eyes.
His boots skidded on slick river stones. He went down hard.
The weight came again. Pinning him. Crushing.
The man’s knee jammed into Joel’s chest, ribs shrieking under the press, full body leaning in. Joel felt something crack. Pain ripped through him like lightning. The knife slipped from his hand.
Shit—
“You're fuckin' dead, asshole.”
Alright. Bring it the fuck on.
The guy was growling in his ear, teeth gnashing, breath hot and putrid. Hands clawing at his throat. Joel struggled, arms scrabbling. His body was giving out. Water dragged on his clothes. His lungs were still half-full of the river. His legs were kicking, but they felt far away.
Too tired. Too fucking slow. Too fucking old.
A knee jammed into his chest. His own vision flickering. The sky above him was a fair smudge between barren tree branches.
Not like this.
He saw her face. Maya’s. Then Leela’s. Ellie’s. Faces he’d left behind to protect. Faces he wasn’t ready to forget. Just a little more time. One more chance. Go back home, forget this whole damn thing. Just live.
Not like this, not like this, not like—
BANG.
The body on top of him jolted. A spurt of red bloomed across his shoulder, steam rising from the impact.
BANG.
Closer this time. Blood misted across Joel’s face. The man slumped. Collapsed. Dead weight, sudden and slack.
Joel lay there for a second, breath snagged in his throat. The silence came back—but it wasn’t tranquil. It was sharp. Expectant.
He eventually gasped furiously, chest heaving, struggling to pull air through raw lungs. Hands numb, shaking. His ears rang. Blinked the blood out of his eyes.
Then slowly, painfully, he shoved the corpse off and rolled onto his side. Coughing. Wheezing. The river soaked into his bones like poison. His fingers dug into the pebbles just to remember what solid ground felt like.
A third gunshot wasn't coming.
He turned his head, half-expecting a hallucination, knife still in hand—every nerve sparking. His body was coiled, heart pounding in his throat, soaked through, freezing, half out of his mind—
And standing there, staring at him with wide, shit-scared eyes—
Ellie.
Still holding the pistol two-handed, her arms locked, face pale and furious and terrified. Her breath ghosted in the cold, breathing hard, like she’d run all the way here. Snow dusted her hair, melting into her collar. Hair messy, sleeves pushed up, a smear of blood on her cheek—he didn’t even know if it was hers.
She looked like a goddamn kid again, that shock in her.
Joel stared at her for a moment that felt like the world had paused—like time itself needed a second to understand what the hell just happened.
She took a step toward him, lowering the gun.
“Joel—” Her voice broke halfway through his name.
And then, behind her, out of the trees—Leela.
Moving quick but steady, wrapped in that old worn coat of hers, fur-lined, hair tied up into a big, tight bun, eyes locked onto Joel like she’d been hunting him through a warzone. Her hand was clenched around something that looked cobbled together from broken bottles, tubing, and copper wire, rigged with metal scraps and cloth. A bomb, crude and half-melted, glass fogged with something dark and hissing inside. Acid, maybe. Of her own damn making.
A fucking acid bomb.
He stared at them both, still on his knees in the water, stunned, soaked, heart clawing its way back into his throat.
For a split second, he thought he was dreaming. Thought maybe he’d finally cracked. That maybe he died in that river, and this was what his mind made up on the way out.
But unfortunately, no.
Ellie was still holding that pistol, shoulders tense. Leela was here, real as anything, her breath catching when she saw the blood on his face.
“Jesus Christ,” Joel rasped. He staggered upright to his feet, knees buckling, one hand pressed to his broken ribs. His voice was hoarse with cold and panic. “What the hell are you doin’ here?”
Ellie didn’t answer. She was staring at him like she couldn’t decide if she wanted to hug him or shoot him for leaving her like that.
Joel was still dripping, clothes ungainly, cuts stinging on his hands and face. His fingers flexed around the knife hilt, but he let it drop, slowly. His voice, when it came again, cracked with cold and fury and fear.
“Have you lost your goddamn minds?!”
He didn’t care how raw he sounded. Didn’t care that his legs were shaking. Because what the hell were they thinking?
Jackson was safe. He left them there for a reason.
Joel turned his gaze to Leela, eyes wild. Still couldn't believe this shit. No, he was definitely imagining this.
“You—you brought her out here?” he rasped to Ellie, the words stumbling out, shredded at the edges.
His voice cracked with wrath, but beneath it was something else. Something jagged and terrified. He wasn’t yelling at her—he was yelling because if he didn’t, he might fucking break.
But Leela didn’t move. Just stood there. Still as a statue, wet snow clinging to her sleeves, her mouth parted like she couldn’t speak. And her eyes—no.
She looked at him like she didn’t recognize what she’d found. Like she’d expected someone else. A stronger man. One who wasn’t half-drowned, bloody, and shaking from the cold. A man who didn’t have someone else’s blood running down his neck.
She’d come all this way, and this was what she got.
He wasn’t even sure he was breathing anymore. This was the whole reason he’d left. So she wouldn’t have to see this version of him. The one he tried to keep locked up in the dark.
The bleeding one. The broken one. The furious one. The one who failed and lost—over and over again.
Joel’s lungs seized. His ribs ached like something inside had torn loose. Not broken, just bitterly bruised. He didn’t know if it was the pain, the grief, or just too many nights without sleep.
“I told you to stay the fuck back,” he growled, staggering forward, fury spilling out of him just to cover the terror underneath. He took a step forward, wet boots dragging in the muck. “Do you even know what the hell I’m walkin’ into? You think this is a joke? You've just killed yourselves!”
He wasn’t shouting at her anymore. He was shouting at the world. At himself.
But Ellie’s voice cut through the fog like a blade. “He would’ve fucking killed you. How about a 'thank you'?”
“Coulda blown my goddamn head off,” he grunted.
“You scared the shit out of me, Joel! You just—” she rubbed her wrist against her nose, to quiet a sniffle, “When she came to my door with the kid, crying her head off, I thought you were... God, you're such a fucking asshole!”
Joel stopped.
Her hands were shaking. The gun still hung in her grip, barrel down, smoke curling from the muzzle. Her eyes were glassy, but she wasn’t crying. Ellie never cried, not where he could see it.
He wanted to argue. Tell her she shouldn’t have been here, that she was reckless, that she’d risked everything—
But he couldn’t. Because she was right.
So instead, he looked away. His jaw clenched. Hands flexed uselessly at his sides, fingers twitching with adrenaline that had nowhere to go. The cold came creeping back in.
He didn’t know what the fuck this was anymore. Didn’t understand how they’d followed him this far. Didn’t even understand why. All he knew was that the two people he’d tried to protect by walking away were now here—wet, cold, bleeding. Standing in the wreckage of his silence.
And for a second, it felt like the whole damn universe had flipped inside out.
Then he muttered, hoarse and quiet, almost to himself, “I ain’t sure what’s what anymore. Stupid kids.”
He barely had time to let the words settle before Leela moved. Past Ellie. Past the smoking pistol still loose in her hands. Past all the invisible lines she obeyed—the ones built of silence, of distance, of dignity too scarred to name.
She moved like he had finally broken open inside her. And all he wanted was to just bring her close, sink her into his chest, all her warmth and strength, be grateful she had come all this way, and she was still alive. His good arm opened to do just that.
Until she hit him. Hard.
Joel didn’t even register the motion. Just the crack—a sharp, ringing pop against his cheekbone, like someone had fired a shot next to his ear. His head snapped to the side, mouth open in dumbfounded silence. The cold air lit up against the raw skin like fire on ice.
He barely managed to turn his head, blinking, confused, lips parting to speak—the fuck—to find her eyes, to demand something, anything—
When the second slap landed. Harder.
Across the opposite cheek, this one sent him a half-step back. His balance rocked. His knees gave a warning lurch. His vision blurred at the edges.
Ellie, though, came through with a hollow, “Jesus.”
The ringing in his ears drowned out everything. Even the birds had gone still. The only sound was that awful, hollow rush of blood in his head. His jaw ached. His mouth tasted of copper.
He didn’t know whether to be infuriated or stupidly impressed.
Leela was small. Smaller than him by a long shot. But she had those arms—those long, welder’s arms. He’d seen her rip stubborn rusted bolts loose like paper tabs, carry piping half her weight over her shoulder, hold Maya in one arm and stir sauce on a pot without breaking for a full hour. All that strength—he felt it now, blistering across his jaw. Twice.
She stood before him, chest rising and falling too fast, few loose curls clinging wet to her cheeks, lips parted like maybe she was about to say more—but didn’t.
And Joel just stood there, wordless.
The cold didn’t exist anymore. The bruising in his ribs didn’t matter. His back could be broken for all he knew, and he still wouldn’t have felt it.
Because all that existed now was her.
Leela. Storm-eyed. Livid. Trembling. Hot, if he might brainlessly add. And something else—something behind all that rage. A breaking point.
He had never seen her like this. Not once. Not even in the worst moments. Not even when Maya was screaming from frequent colic at two in the morning and Leela hadn’t slept in days. Not when the generator blew and she spent a week hauling scrap in snow up to her knees to get the lights back on. Not even when he'd practically roared at her for taking up that supply run with Tommy all that time back.
She always held the line. Quiet, astute, controlled. Too benumbed, sometimes. Too in her head to react. Never like this.
Then—her hand was on him again.
But this time, not to strike, but he did flinch though. Her slaps hurt like a bitch.
Her fingers curled into his scruff—rough and fast, like a wrench clamping down on rusted metal—and she yanked his face back toward hers.
He tried to look away. Tried to drop his gaze, tried to vanish into the pain, the shame, the damn noise in his skull—oh, she didn’t let him.
Her grip was iron. Her eyes locked with his, and what he saw wasn’t just rage. It was worse than rage.
It was finality.
“Listen good, Joel. I left my one-year-old daughter behind to travel for two days through stinking shit, trying to find your dumbass. And when we get back to Jackson after this,” she said, her voice low and flat, steel cooled just before it cracked. “I’ll make sure you never touch a goddamn hair on Maya's head again.”
She let go, just like that.
Her fingers unhooked from his chin like she was cutting a rope, severing the last thing tethering them together.
And he—well, he didn’t fall, not exactly. But his spine bent, his head dipped, and his shoulders slumped like something inside had gone slack. Like the immaterial weight he carried every day had finally doubled, and he’d just let it.
She stepped back, stiff, her breath catching now, arms trembling—whether from rage or the cold or the crash after adrenaline, he couldn’t tell. The acid bomb still dangled from one hand like a fucked-up metaphor—glass, cloth, something sharp—as if she didn’t even realize she was still holding it.
Joel didn’t move. Couldn't force another word out.
He stood there in the destruction of it—soaked to the bone, shaking, cheeks stinging red, the blood of a stranger drying on his collar. His pack and rifle, drenched. His bearings were lost. Everything that had once made him sure of the next step.
And now—that one sentence—rattling around his skull like a bullet in a spent chamber, louder than the gunshots, louder than the river, louder than the slaps.
Leela meant what she said. And there was no fire, no flood, no click of a rifle or scream of infected that disturbed him more than those words.
He’d lost her for good. Not in some hypothetical, not in a nightmare. He lost her, in truth. In the cold light of consequence.
And he was losing Maya too. Not to death or sickness.
To himself. To the choices he made, trying to keep them safe.
He swallowed hard. It felt like glass going down. His eyes, dull and sunken, drifted sideways—to Ellie.
She hadn’t said a word through all of it. Just stood there, in the dying light, watching. Her eyes were too sharp, too old for her age. Her mouth set in a line like she was biting down on something jagged to keep it from spilling out.
She didn’t say I told you so. Really didn't have to.
Joel straightened up, rolling his shoulders. Slowly. Felt every snap and creak in his spine. His breath shuddered through cracked ribs. His jaw clenched once. Twice.
Then he did what Joel always did. He put it all in a box—every shattered piece—and shoved it deep, where the other shit festered, where it couldn’t get in the way. Where it couldn’t slow his hand if the trigger needed pulling. Where it wouldn’t matter.
Because they were still alive. And that meant the work wasn’t done.
So he cleared his throat. Almost a cough. And nodded once at Ellie. Then, he spoke in a voice low, steady, already shifting back into the man he had to be.
“We gotta get movin’.”
Ellie blinked at him. Leela didn’t turn.
The stinging wind picked up around. Joel looked toward the trees—branches swaying. The river was still coursing around him, still loud in his ears, but fading now.
He adjusted the straps of his pack on his shoulder and shook out the water from the rifle. Pocketed the revolver and a knife he couldn’t remember drawing.
He didn’t ask if they were ready or reach out. He just started walking ahead.
Because there were still threats out here. Still ground to cover. Still two people behind him who might not want him anymore—but they needed to make it back home.
And if that was the last thing Joel could give them, then by god, he’d give it. Even if it broke him for good.
X
Now, Leela knew everything.
It wasn’t about how much she knew—it was how deep it cut. And worse, how much she must hate him for it. There was no middle ground left. No soft place to land. Whatever warmth she’d once kept lit for him—whatever delicate belonging he’d built with her and Maya—it was probably gone. Extinguished.
They made camp off a deer trail, tucked under a collapsed ridge where the wind didn’t bite quite as hard. The sun was long gone, dragged under by the tree line, and the cold had come thieving in.
A fire snapped to life with Ellie’s careful work, dry bark and pine needles catching under flint sparks. It cast a low amber glow, flickering over ash-stained hands, over their little circle of silence. They were three bodies, orbiting the same silence. One fight too many.
Joel sat against a stone, one knee bent, the other leg stiff with bruises. He pressed the heel of his hand into his ribs—each breath was a blade. A cracked rib, maybe two. It'd heal in some time. His cheek throbbed where Leela’s palm had landed square beneath the eye. There was still the taste of blood in his mouth from the split inside his cheek, and he didn’t spit it out. He kept it there. Felt like something he owed.
But the rest—the real pain—had nothing to do with flesh.
His knuckles were broken open again. Skin peeled back, raw and crusted with blood. They hadn’t been torn like that in months. Not since Maya. Not since he swore to himself that those days—those versions of him—were done.
He found a patch of old snow, tucked in the roots of a fallen tree, and jammed his hand in it without thinking. The sting cleared his head for a second. Not long. But long enough. Better that than thinking about what he'd lost in the last twenty-four hours.
Across from him, just past the fire’s reach, Leela sat hunched against the bark of a maple, her knees to her chest, arms wrapped tight. Her silhouette was tense. A wire pulled too far. Her face was turned away, but he could still feel the gravity of her silence.
She hadn’t said a word since the fight. Since the slap. Since she told him he’d never touch Maya again.
Joel didn’t blame her.
He couldn’t look at her too long. It felt like staring at something holy that you’d already shattered with your own hands. Like the moment before a deer bolts—only this time, the deer had every reason to tear you apart instead.
Ellie passed around rations—some real food for once, not the dog-food shit Joel had been choking down since he left Jackson. Canned venison. A half-stale biscuit. Dried apples.
Leela barely took a bite. Just lifted the fork, stared at it, waited for the appetite that wasn't coming, and handed it back to Ellie with a quiet shake of her head.
“C'mon, Leela,” Ellie tried. “You can't just—”
“It's okay. You need more energy than I do,” she reasoned. “I'm really fine, honey. Thanks.”
Of course, she wouldn’t eat it. She wasn’t built for this kind of hunger. She could stomach a hundred theorems, burn through chalk and paper and sleepless nights like they were fuel, but this—this fire pit, this blood-caked survival shit—he never wanted her to have to endure it. He’d promised her safety. Comfort within their big, white house with walls thick enough to keep the world out.
But he’d dragged her right into it.
Joel watched her movements like they were coordinates. Markers of the damage. Not one bruise on her skin, but she looked like she’d been through hell. Not the kind he was inured to. The parent alone kind. The watching every shadow in case it takes your child kind. And he’d left her in it.
He cleared his throat. The words scraped coming up. “You two ate somethin’ on the way?”
Leela didn’t respond. Didn’t even twitch.
Ellie glanced between them. Her voice filled the space like a thread trying to stitch up a wound that wouldn’t close. “She foraged,” she said. “I had rations. We got by.”
Joel nodded, though it didn’t ease a damn thing. Getting by wasn’t the point. One day was enough. One day without Maya, not knowing where she was—what she needed. Whether she’d cried herself to sleep. Whether she’d asked for her dad.
His hand throbbed inside the patch of snow he’d buried it in, and he left it there. A self-inflicted punishment that didn’t go deep enough.
He glanced across the fire again.
Leela hadn’t moved. She looked fossilized—ancient and delicate, trapped in amber. Beautiful, brittle. Ready to break under the wrong kind of breath. He wanted to go to her. Kiss her palms. Her feet. Kneel, grovel even. Say anything.
I’m sorry. I did this for you. I didn’t know what else to do. I’m here now. I’m here. Take me back.
But he didn’t move. Didn’t trust his legs. Didn’t trust her to want him near. Didn’t trust himself not to ruin something worse.
“Who’s got Maya now? She okay?” he asked instead, softer this time. Barely a whisper.
Ellie shrugged. “Tommy has her.”
Yet, something in Leela shifted.
She turned her head toward him slowly, like a hinge rusted from disuse. Her eyes gleamed amber glass in the firelight—not soft, not tearful. Eyes that used to flinch from cruelty now dared it.
“Oh, you care so much all of a sudden?”
Joel shrank back. Not from the words—he could handle words. It was the disgust behind them, the truth he could hear in the marrow of her voice.
“Of course I fuckin’ do—”
He stopped himself. The old Joel—the one with fists and fury and pride—wanted to bark something back. But the man in front of her now? All of that had caved inward.
“It’s all I care about,” he said instead, quieter, shriveled on the way out. “She’s all I care about.”
Ellie glanced between them again, saw the scene for what it was, and without a word, she got to her feet with a grunt.
“I’m gonna go scout the area,” she sighed, a quiet, nonsense excuse. Her voice didn’t carry judgment—just tired understanding. And wise enough to leave broken things alone until they stopped bleeding.
Joel barely heard her leave. His eyes were on Leela. On the streak of dried dirt down her neck. The way her free hand curled into a fist at her side.
Leela’s glare didn’t soften. If anything, it sharpened. Her mouth twisted, barely restrained.
“If you did care,” she continued slowly, “you wouldn’t have left her, you lying coward.”
Joel stared into the fire. His ribs ached with every breath. His hand stung. But none of it compared to that.
Coward. That one fit. And still, all he could think was—you deserve it. Every word. Every second of this.
“You nearly cost my daughter her father,” she went on. “The one you promised you’d be. All for your self-righteous, noble bullshit that I never even knew about.”
Our daughter, he wanted to say, but it caught in his throat. It rose halfway up his throat before dying there, stuck in that place where pride and sorrow went to rot. Because maybe it wasn’t true anymore. Maybe that word—our—was already gone.
Joel stared into the fire. His ribs throbbed. His knuckles ached. But none of it hurt like her voice.
“I left to protect what is mine,” he muttered. “I left because—”
“Because what?” Leela cut in. “Because you didn’t think I could handle it? Because you thought sneaking off in the middle of the night was kinder than just letting me choose with you?”
Joel blinked, and it hit him in the gut: she wasn’t exclaiming because she didn’t need to anymore. Because maybe she was done needing anything from him at all. It was worse this way—each word a clean and precise incision, a scalpel gliding through flesh. Pain wearing the skin of rage.
Grief had taken root behind her eyes, and it had teeth.
“I don’t care that you didn’t tell me about LA sooner,” she said. “I don’t even care that you thought you were loving me by keeping it all to yourself—because you’re a dense, selfish, sad, angry bastard, Joel, and I knew that from day one. I chose you anyway.”
His mouth opened. Closed. Hollow. Stupid. Like a man reaching for an apology after the fire’s already burned down the house.
“I hate your goddamn nerve,” she spat. “I hate that you thought you were sparing me. I hate knowing that if you died out here, I wouldn't even know where to bury you.”
Her voice didn’t rise. It didn’t need to. That calm—that cutting calm—was worse than rage.
Joel tried to speak again, defend himself, make her understand. Nothing came. Just breaths. Just fire.
“I hate that you thought you were protecting me,” she said. “You always think that you know what’s best. That you can carry it all on your own. That if you just bleed enough, it counts as love.”
Joel leaned forward. His cracked rib barked in protest, but he barely registered the pain. “I wasn’t tryin’ to—”
“Yes, you were,” she snapped.
She turned her face back to the fire, as if looking at him hurt worse than the memories. “You don’t get to decide what I can survive, Joel.”
His hands shook now. Tremors he couldn’t hide anymore.
“I do,” he rasped. “I fuckin’ do. I’m the only one who does.”
Leela laughed. Not from amusement—but something bitter and jagged that barely passed for a laugh at all. “You think that makes it better?”
Joel looked down at his hands. At the crusted blood, the swollen joints. The man they belonged to.
“You haven't seen what I've seen. Fought, bled, and starved with this shit. Leela, there are slavers out here,” he said, eyes dropping to the fire. His voice was unraveling. “And if you get away from that, there are people who try to eat you. Hunters. Raiders. Rap—”
He stopped. The word stuck like a bone in his throat. A single syllable, too heavy to lift up. Don’t say it. Don’t fucking say it.
But they both heard it anyway.
Leela flinched like she’d been struck. In half a moment, her shoulders straightened, eyes steel again.
“You think I don’t know that?” she said, sharp as shrapnel. “I have been living with it in every breath I take.”
Joel wanted to disappear. Not walk away—vanish. Just cease. Be unmade.
“I left because I thought I could do something for you,” he said, voice low, cracking open at the seams. “Find someone. Anyone. Get them your proof. Make it count. That way, maybe everything wouldn’t just sit there in the dirt and rot, like you said. That is what you wanted.”
The fire popped. A spark shot upward, fizzled, and died in the cold air.
Leela stared at him. And in that look was every sleepless night. Every muffled sob she’d buried in Maya’s curls. Every second of silence and solitude he’d forced her to carry alone.
“You think I needed you to go fix it for me, Joel? What are you, my partner or some god?” she asked. Her voice was raw now. Stripped to the bone. “You don’t get to disappear and say it’s for our own good. No. You don’t get to wrap your guilt up in goddamn sacrifice and act like it’s some kind of gift.”
His lips parted, then closed again. His throat constricted like it was physically rejecting words.
Because what was he going to say? That he did it for them? That he didn’t tell her because it would’ve broken her heart that he kept from her this long?
That he thought maybe—just maybe—if he made it out to LA, if he delivered her precious legacy, if he gave the Fireflies her working theory, maybe then he wouldn’t have to carry the guilt anymore?
He was supposed to carry it. That was the deal. That was the role he’d carved out for himself after all the blood, after every goddamn life he'd taken and every one he'd failed to save.
But Leela didn’t see it that way.
All she saw was the door closing. The boots gone from the threshold. A child wailing at night with no arms strong enough to lift her.
And all Joel could whisper—quiet, hollow, useless—was: “I needed to do the right thing for you.”
She stood. Slow. Heavy. Like her joints were made of stone. The firelight curved around her, throwing shadows under her eyes, painting her tired skin gold and gray.
“I needed you to stay. To talk to me, to trust me.”
And that was the kill shot. It landed clean.
Presence over preemption. That was all it was to her, only he realized too late.
“I didn’t need some far-off maybe or prove yourself to someone who knows you,” she said. “I needed you. Here. I needed to step outside the house without worrying if she’d choke or fall or cry herself raw. I needed her dad to hold her so I didn’t have to do it all alone. I needed someone to watch her grow with me. Because that is what is real, Joel.”
Joel closed his eyes.
And he saw her—Maya—small and warm in his arms. Her tiny fist tangled in his shirt collar. Her big, bright, brown eyes blinking up at him. The way she said Dada like it meant safety.
He’d traded all of that for an empty road. A mission. A maybe.
And now here he was—blood dried on his collar, ribs cracked, knuckles split, and heart hollowed out like the carcass of some roadkill he hadn’t even seen in time.
He’d gone looking for hope. Thinking he could trade blood and sweat and scars for redemption. For Ellie. For Tess. For Sarah. That if he walked far enough, bled hard enough, proved his love with enough miles and silence and pain—he’d earn something back.
But Leela was right. He’d dressed his guilt in duty. And called it love.
And now all he had to show for it was this—The wind in the trees. The crackle of dying fire. A man lost.
He wanted to go to her. To hold her back, take her hand, press his forehead to hers, say the words he couldn’t ever seem to find.
But he didn’t move.
He just sat there, broken and burning, his only fallback left to survival. The fire crackled on, spitting cinders into the dark.
And Joel—protector, survivor, fool—just watched it, and hated the man he’d reverted to.
X
DAY 3-5: EN ROUTE TO CALIFORNIA, LOS ANGELES - APPROX. SIXTY HOURS SOUTH OF JACKSON
“We're seeing this through. So I'm not leaving, and neither is Ellie,” Leela had finalized for him outright.
“Look, I can't—”
“I don't need you to. I said I'm not leaving, Joel.”
Stubborn fucking mama.
And Joel didn’t fight them on it anymore.
He should’ve. He told himself that. Told himself it the morning since they saddled up and rode out together—that if he were the man he used to be, he’d have grabbed both of them by the arm, dragged them back into Jackson, forced them to stay where it was safe.
But Leela had made her choice. And the truth was, he didn’t have it in him to push her away again.
So now, they rode.
The world around them unspooled like a reel of forgotten film. Dry plains gave way to rocky scrub, sagebrush rustling under the winter wind. They passed old highways cracked wide with weeds, a rust-eaten railroad bridge swallowed half by floodwater, a small burned-out town swallowed whole by silence. The road south stretched endlessly ahead, its shoulders littered with bones of the old world—billboards sun-bleached to blankness, gas stations gutted, houses like open, parched mouths.
The cold had let up somewhere past Idaho. By the fourth day, they’d started peeling off their outer layers, stripping down to threadbare flannel and undershirts. The sun was sharp now, almost springlike in the way it bore down around noon. Nights were still bitter, but the frost no longer clung to their boots come morning.
Ellie named every strange cactus they passed, tried to make him laugh by pointing out skeletons shaped like they died mid-dance. One, half-buried in the sand, was hunched like it was tying its shoe; another leaned back, arms splayed, the skull twisted toward the sun.
He gave her a few hums in response, nothing more. His attention kept drifting behind her—to the woman riding pillion, quiet as a shadow.
Leela didn’t speak much. Not to him. Just to Ellie. She wasn’t angry anymore. That was the worst of it.
Anger had a shape, volume—one he could understand, parry, push back against. This silence was weightless and permanent. Like the ash after a burn.
At night, she curled in close to the fire, wrapped in her own coat. She didn’t sleep easily, just like old times. Joel noticed the way her body stayed curled too tightly, like she was bracing for something. And sometimes, when it was his turn to take watch, he’d hear her stir behind him, restless, breath catching in her throat.
She’d wake with a sharp noise, legs thrashing, hand flying to her side like she expected something there.
Joel would glance over, pretend he hadn’t noticed. But he always did.
One night, she jerked upright so fast her hood fell back. Her breath came fast, shallow, and she folded forward with her arms around her knees, head ducked low like she was trying to disappear inside herself.
“Darlin’, you alright?” he had tried to call to her once.
“I—I wasn’t sleeping, just...” she drawled off, voice dry with exhaustion.
He nodded. “Okay. I'm right here.”
Joel turned his gaze back to the dark horizon, giving her that thin veil of privacy she always clung to. But when he heard the rustle of her coat, the soft scrape of her boots in the dirt, he realized she hadn’t lain back down.
Instead, she stayed awake beside him. Didn’t say a word. Just sat there with her arms folded, eyes watching the fire.
This happened more than once. Sometimes she’d wake from those dreams and never return to sleep. Other times, she didn’t even bother lying down—just sat with whoever was on watch, a silent shadow, her eyes rimmed red and distant come morning.
Joel didn’t ask. He wouldn’t push her, not about that.
He knew the ghosts that came back louder in the quiet. Knew how the wilderness could turn remembering into something sharper, hungrier. How it could whisper the worst things back to you in your own voice. And even if she didn’t say it, he knew exactly what kept her awake. What she was afraid of.
Sometimes he wondered if she thought Maya would be safer if she’d stayed behind. If she questioned the math, the risk. If she blamed herself, the way people like them always did.
But even like this, she was still… same old Leela. Which meant she was still incredible.
She knew how to move through this land, the way a bird knows when to migrate. He caught her one afternoon scaling the knotted side of a tree that had grown wild across the ruins of a collapsed overpass. She gripped the bark like she was born to it, legs coiled beneath her, moving with deft efficiency. She tossed down a fistful of small, yellow apricots, slightly underripe, and a few wild pears with bruised skins that thudded onto Joel's waiting jacket. Later, he watched her dig up something near the riverbed—root veg, maybe burdock or wild carrot—and clean it carefully, rubbing the dirt off with her sleeves, pressing them to her nose, testing if they were sweet or poisonous.
Joel lowered himself beside her with a grunt, his knees stiff. He held open her pack as she added more roots, careful not to crush the fruit she’d wrapped in a handkerchief. Woodsmoke wafted through the air from the fire that Ellie had just started uphill.
“You always know what to look for,” he said, keeping his voice low. “The stuff that won’t kill us, I mean.”
Leela didn’t look up. “You get good at it when you’re tired of throwing up pine bark.”
He huffed a quiet laugh. “Pine bark?”
She picked up another root, brushed the dirt from its ridges. “Good for the heart.”
Joel nodded, chewing the inside of his cheek. “I'll take some of that when we get back home.”
She doesn't say anything more. His sentence hung in the air, almost shaping into a misreality.
He kept looking at her hands—fast, continued, precise. She wasn’t being cold. Just simple. Honest. It was a fact of the earth, same as everything else she pulled from it.
Evidently, she hated canned food. Always had. Joel remembered how she used to nudge the tins aside, which he'd brought her from patrol, grimacing at mushy peaches and synthetic meat stew like they were poison. So now, she gathered what she could. Built fires. Let the fruit and roots roast slowly over the open flame.
That night, he found three apricots—peeled, pitted, still warm from where they’d sat on a flat rock near his sleeping bag.
Didn’t let him go hungry.
And in the morning, when he stirred against the half-deflated camping mat, shivering from the cold ground, ribs smarting, there it was—her jacket draped across his shoulders, fur tickling his nose. That puffy green one she always wore, the one patched at the elbows. Smelled faintly of smoke and lavender soap. She must’ve covered him sometime before dawn, when the fire died low and the frost crept back in. His fingers curled over it without thinking, bringing it to his nose. He didn’t want to let it go.
Didn’t let him freeze either.
“Take care of your own damn self out here,” he muttered to her that afternoon, when Ellie had wandered off to check a sound in the brush. “I’ll be fine.”
Leela didn’t answer. Maybe she’d heard it too many times before.
Soon enough, they were moving through the shell of a city—some old Vegas township gutted by time and flame. Dust coated everything like it had fallen just yesterday and never stopped. Storefronts with sun-bleached awnings sagged in silence, windows cracked or blasted clean through, their displays long since picked over—or left to rot. An old jewellery store stood crooked between a payday loans kiosk and a shuttered vape lounge, its signage hanging by one rusted chain.
Joel didn’t like it. Too many angles. Too much open space.
Ellie pushed open the busted glass door.
“Gimme a sec,” she called over her shoulder. “Might be something useful in here.”
Joel stayed out on the sidewalk, scanning the street, back set against the tilt of the wind. Leela had wandered across the way, squinting up at a streetlamp that had snapped clean in half and was tangled in telephone wires like a dead limb. Her coat tugged in the breeze, hair pulled back tight today.
Joel kept half an eye on her, the other on Ellie.
From the inside, Ellie’s voice floated out through the cracked window. “Ooh, now this is romantic. Joel, check it.”
Joel let out a harshened sigh. “Don’t, kiddo.”
“C’mon,” she said, grinning, holding up an old velvet ring box missing its jewel. “Little shiny thing like this? She’d probably cry.”
“She doesn’t want all that,” he muttered, eyes tracking the rooftops. “Doesn’t want anything from me. The way she's goin' about this, I might have to move out again when we get back.”
Ellie snorted, still rummaging. “Sure, that’s what she says. But I dunno, man—if I survived the apocalypse and the kind of shit you two been through? I’d want some credit. Maybe a bouquet of barbed wire. Something symbolic.”
Joel gave her a flat look through the broken window. “You done yet?”
Ellie wiggled the ring box again, then tossed it onto a dusty counter. “You’re no fun. What happened to carving rings from bone for her?” She held up the sign of the horns. “Disgusting, but metal as hell.”
Joel huffed through his nose, but the corner of his mouth twitched.
Leela turned back then, catching his eye from across the street. She didn’t wave. Just nodded—barely—and returned her attention to the crumpled lamppost, fingers brushing the wiring like she was piecing something together.
And then came the gunfire.
No warning. Just the sudden crack-crack-crack of it, echoing off old brick, and Joel flinched sideways as the sharp hiss of a bullet splintered stone inches from his ear.
“Down, down, move!” he roared, rifle up in a second.
Ellie hit the floor, crawling fast toward the back exit, already firing through the jagged window glass. “Joel!”
Joel ducked behind a rusted truck frame, adrenaline flattening his breath. The street flared with gunfire, loud and close. Somewhere to his left, Leela had disappeared from the sidewalk. Goddamnit, where was she? Where was she?
“Ellie,” he growled, crouching low as he swung around the corner of the car, “head down, c'mon!”
“Yeah, I got it!” she shot back, sharp with focus. “You see Leela anywhere?”
“I dunno,” he muttered. His heart punched harder. Maybe she found cover nearby. Dammit, that stupid ring joke didn’t feel so funny now.
Ellie ducked and returned fire without hesitation, pushing herself into the side of a rusted-out car. Joel followed suit, rifle up, stock tight against his shoulder.
“Fuckin' ambush,” he grunted. “You see that? Two o’clock—rooftop. Gotta be fast, kiddo.”
Ellie scoffed. “I know, I ain't blind, old man.”
They’d walked right into it. Fucking scavenger crew—hunter types, the kind that circled ruined cities like vultures. Not Fireflies. Not FEDRA. Just the kind who didn’t blink at killing for shoes or rations.
Shots tore through the air like thunder cracks. Joel’s head snapped to the sound—figures ducking behind a flipped bus, another peeling off to circle left. Four, five, six—too many.
His gut tightened.
“Ellie, no. Stay down!”
“I got it, Joel!”
She broke cover, darting low. But she didn’t get far.
One of them—tall, fast—slipped out from the wreckage like a fucking shadow, got behind her, arm around her throat, dragging her back behind a wall.
Joel stopped breathing.
Everything else—gunfire, shouts, the pounding of his own heart—fell away. The world narrowed to that one point: Ellie being taken.
He saw red. And he pushed forward.
Not tactical. Not planned. Just rage and instinct.
He exploded from cover with a snarl caught in his throat, moving like he had a purpose and a goddamn clock ticking down. His revolver barked—once, twice. The first man went down with a bullet in his chest. The second—gutshot—dropped screaming. Joel didn’t blink.
He was already on the third.
The one with his arm wrapped around Ellie’s throat.
Joel hit him from behind, slamming him into the wall with bone-cracking force. The man grunted, tried to turn, but Joel hooked his elbow and wrenched—shoulder dislocated with a wet pop—and drove a knee into his spine, once, twice, until he dropped Ellie with a choked gasp.
She hit the ground, coughing.
Joel didn’t stop.
He fell on the bastard like a dog on a carcass, knife already in his hand. It wasn’t quick. He didn’t want quick.
First strike—base of the neck, just above the collarbone, angled down to sever the artery. Second strike—lower, ribcage, a twisting motion that made the man buck and scream.
Blood sprayed warm across Joel’s chest, his hands, soaking into his shirt. His knuckles were already skinned raw from impact. He drove his boot into the man’s hip when he tried to crawl. Then the knife again, this time straight into the chest.
Between the ribs. In and out. Faultless. Practiced.
Joel didn’t stop, grunting, letting the man bleed, until the man went still.
And even then, for a moment, he just crouched there—knife dripping, chest heaving, the silence crushing.
Then he heard it. Not Ellie. Not gunfire.
A gasp.
Joel’s head whipped up.
Leela.
Ten feet away, half-shadowed by the remains of a splintered awning. Her boots frozen mid-step in a puddle slick with oil and blood. She wasn’t crouched, wasn’t armed, wasn’t anything but exposed. Frozen. Not moving. Not blinking. Her hands had lifted halfway—toward her mouth, toward her wide eyes, he couldn’t tell.
Not just the scene. Not the blood. Not the body crumpled beneath him, throat torn wide, chest leaking into the cracked pavement.
Him.
Joel. The man who traced the outline of her ribs under cotton sheets. The man who kissed her slowly as breakfast sizzled on the stove, called her ‘darlin’’ until she broke out a grin, danced slow with her in the living room to the record player, Maya on his hip, all honey and drawl. The man she let in, trusted, after all she’d been through.
But he wasn’t that man now.
Only this was left. This feral thing she’d never seen before.
Blood up til his elbows. Wild-eyed. Panting like a fucking animal. Knife still tight in his broken fists. He didn’t know how long he’d been on top of the guy. Didn’t remember the last stab. Couldn’t even tell where the screaming had stopped and his breathing had started.
And she saw it. All of it.
Her expression—it gutted him more than the fighting ever could.
She didn’t look angry.
No, she looked like she’d just walked through a door into another life, and one she hadn’t agreed to. There was fear there—not loud, not flailing—but silent. Contained. Like someone who’d learned a long time ago that panic didn’t save you.
“Leela—” His voice was gravel, torn and rasped and nothing soft.
She flinched when he stood. Not away—just a jerk of her shoulders, like she’d been struck once and braced for the second.
And that—was the fucking worst of it.
Because Joel had seen her scared before. Seen her tense up in the dark, eyes scanning for shadows that didn’t exist. Seen her sit up from a nightmare with her hands clenched into fists, her breath short and strangled.
But she’d never looked like that at him.
He didn't get to go to her. Get to explain. He wanted to wipe the blood off his hands, off his chest, off the whole goddamn world. But it was too late. Because right then—
“C'mon, we have to go!” Ellie’s voice splintered through the space between them. She was already pulling on Leela’s wrist. “Now, now, go, go, go!”
Joel heard the shot before it echoed. Close.
He saw Leela’s fingers twitch—like she might reach for him, or maybe just steady herself. For one splinter of a second, he felt everything—her horror, her disbelief, the silent question in her eyes: Is this the man I love? The one Maya sweetly calls da-da?
And then that old, festering and terrible being in him took the reins. The hunter. The killer. The man who always fucking survives.
“MOVE!” he barked, voice cracked open by fury and urgency. A dire command.
Leela jolted. Her head ducked. Her feet moved.
And they ran.
They didn’t stop running until the city was a smear behind them—just smoke and ruin on the horizon, softened by distance and dust.
They found cover in a half-collapsed service station half-sunk into the dirt, the roof bowed like a snapped spine, windows blown out, desert wind whistling through the hollow bones of what used to be civilization.
Joel sat slumped against a concrete pillar, elbows braced on his knees, hands stained and stiff. Dried blood mapped across his knuckles, under his fingernails, along the creases of his palms like some fucked-up tattoo he hadn’t earned but couldn’t wash off. His shirt clung to him, crusted dark across the chest.
He hadn’t changed. Couldn’t. Didn’t deserve the comfort of clean clothes just yet. No river around to wash off in any way, and even if there had been, it wouldn’t scrub out what was under his skin.
He hadn’t looked at her. Not once.
She sat maybe too far away. Back to a wall. Her pack in her lap, unzipped. She wasn’t cleaning a weapon like methodical Ellie—not Leela. She didn’t carry guns. Joel would never let her.
Instead, she was threading a needle.
Or trying to.
He watched her from the corner of his eye, head bowed like he wasn’t. Her hands—usually so steady, precise—were quivering. The needle slipped from her fingers twice. She picked it up again, quietly, without swearing or sighing, and tried again. Her knees were drawn up. The strap she was stitching had only a small tear, maybe half an inch—but she worked it like it held her together.
He’d seen her sew before. Months back, she once fixed the lining in his jacket in less than three minutes with the same damned needle. She’d repaired most of Joel’s clothes back home, stitched her own strappy little tops, embroidered tiny designs into Maya's clothes, humming while she did it, threading them with ease, her fingers confident and graceful.
Every stitch is a solution, she'd say to him when he watched her, and the design is just the equation. A measure, a numeral. Now she looked like she didn’t even remember how to hold the damn thing.
Because every so often her eyes slid to him.
No, not to him. At him.
The difference. His hands. His shirt. His boots, still stained from when that last bastard had coughed blood all over the ground and it had splashed up onto Joel’s shins.
And she’d seen it all.
The way he’d moved. Not just fast. Not just angry. But precise. Like he knew the exact spots to hit to ruin a man. Like it wasn’t new. Like he’d done it before. Because he had. More times than he could count.
And she knew that now.
She’d seen what was under the soft Texan drawl, the morning coffee, the warm, calloused hands that tucked Maya’s curls behind her ears when she ate. She’d seen what that tenderness was built over.
Violence. Unapologetic, unflinching, survivalist violence.
And Joel couldn’t scrub it off. Couldn’t fold it up and stash it away before she got too close. He almost wished she had screamed and told him he was a monster. Asked how the hell he could do what he did. At least then he’d know where to place her in all of this.
Joel swallowed, jaw tight. A vein throbbed at his temple. His heart had slowed, but it still kicked, irregular, like a motor trying to start after a crash.
What the hell was he supposed to say? Sorry you saw me gut a man alive? Sorry I turned into the thing you’ve spent a year convincing yourself I wasn’t?
He’d been brutal before. She just hadn’t seen it.
Only now she’d seen what he truly was. The old world didn’t raise kind men—it bred survivors. And Joel had survived every way a man could. Through pain. Through blood. Through choices that never stopped echoing even now.
The only thing he managed to say, finally, low and gruff and barely louder than the wind scraping across the station floor, “We’re still a full day out. We’ll keep movin’ at first light, so get some rest.”
X
And look, Joel was trying to rest. Trying and failing, but still.
His head was a goddamn mess. Static. Replay. A loop he couldn’t break. Blood. Breath. The sound that bastard made when the knife went in—wet and sudden, a choke of surprise right before the silence.
Joel exhaled hard through his nose. Closed his eyes. Let his head fall back against the cracked concrete wall, cool against the sweat on his neck.
And then he heard it. Soft at first. Half-whispers. Barely there.
“I’m Leela.” A pause. A breath. A shift of cloth behind the shattered doorway of what used to be a bathroom. “Leela... no. Leela. I want to tell you—no. I have solved—my parents and I have solved—no.” A frustrated exhale. Then, quieter, “I am Leela… dammit. C’mon.”
Joel opened one eye. Turned his head.
The light in the bathroom was dim—barely a glow from some scavenged flashlight she’d propped up near the mirror. He couldn’t see her, but the words carried, echoing off tile and porcelain. She must’ve thought she was whispering. Must’ve thought no one could hear.
Across the room, Ellie was propped up on her elbow, her face lit faintly by that same flicker. She was grinning, eyes alight with mischief.
“Been goin’ on for ten minutes,” she snickered, voice hushed, like sharing a secret. “It’s adorable. I think she's nervous to meet these Firefly folks.”
Joel didn’t smile. Just raised an eyebrow. Looked back up at the ceiling.
Adorable. Maybe. Or maybe it was a bad sign. A red flag waving itself stupid in the middle of the dark.
Practicing your own goddamn name. Stumbling over words like they were bricks in your mouth. That wasn’t adorable. That was pressure. That was fear, chewing at the edges. That was a person so wound up she didn’t trust herself to say hello without screwing it up.
His jaw tightened.
There was a part of him—a stupid, reckless part—that wanted to get up. Walk over there, nice and quiet. Knock on the doorframe just once. Let her know she wasn’t alone. That she didn’t have to rehearse anything. That if she needed to talk, he’d sit there and listen, no matter how long it took.
But the other part—the bigger, meaner part—kept him pinned down.
Because he still hadn’t earned the right. Not after what she saw. And the last thing she needed was him looming over her, making it worse.
He rubbed the bridge of his nose. Exhaled slowly. He was a complete fucking idiot.
“You’re an idiot, Joel.”
For a moment, he thought he had been the one to say it out loud.
He blinked and turned his head again. Ellie. Still watching him. Smirking now, like she’d been waiting for him to figure it out.
He grunted. “Not in the mood, kid.”
“You’re never in the mood,” she shot back, flopping onto her bedroll. She rolled her eyes, but there was no real bite behind it—just the kind of tired, familiar sass that came from too many nights like this. “Doesn’t stop you from being a total dickhead.”
He gave her a look. One of those long, dead-eyed stares that usually shut her up. The kind that said, Don’t push me.
Not tonight.
She just grinned, hands behind her head. “You really think she came all this way—through all those cities, with people trying to kill us every ten miles—just to tell you to fuck off?”
He didn’t answer. Not right away.
“She cares about your hardass, just as much as I do,” Ellie muttered.
So, maybe Ellie saw all the things Joel didn’t let himself see. Or maybe she was just better at hope.
Because he had thought it.
More than once, he’d pictured it—that she’d reach the Fireflies, hand off whatever math magic was burning a hole through her skull, nod her thanks, and go. Cut the thread. Return to Jackson. Return to their—her daughter. Back to her life before he bulldozed into it like he always did with anything good. Maybe she’d have the decency to leave a note at the door when kicking him out.
Joel, please just leave us alone. I don't want a psychopath raising my daughter.
Maybe he deserved that.
He sat there a moment longer, thumb working absently along a notch in the stock of his rifle, tracing the smooth edge over and over. The kid was right. She had come all this way. Across states, through wasteland, through gunfire and ash, and sickness and silence. She’d fought beside them. Saved his life once. Slept with one eye open, traded warmth for distance, wore her grief like it was stitched into her coat. All of that. And not just for some cause.
She left Maya behind.
The thought hit like a hammer to the sternum.
Maya. His baby girl. His sweetheart, who barely fit in his arms anymore, yet so small she could tuck her frightened face under his chin when it thundered. He’d seen it. Seen the way Leela held her now, so different from all those months back—no fear, just pure maternal instinct. Even when she was dead on her feet, her touch was protective. Fierce.
You don’t leave that kind of love behind unless you got no goddamn choice. Unless whatever’s out there—the person, the reason—is worth the risk of not coming back.
He ran a hand down his face. Felt the rough scrape of beard under his fingers. Closed his eyes for a second. “Jesus,” he muttered. “Goddamn.”
Because no matter how many times he tried to tell himself she’d come for the Fireflies, for the math, for the cause—every time he looked at that bathroom door and heard her voice cracking around his name—he knew better.
She’d come for him.
A tangle of shame and wonder and raw, stupid hope in his chest made him feel like a little boy again. A dumb, dangerous feeling.
But his eyes slid back to the thin light under the bathroom door. The edge of her pack catching a sliver of glow. The sound of her voice still faint, repeating those words, again and again, as if she was willing herself into belief.
I am Leela.
Joel sat up.
His joints popped in protest, old aches coming to life as he rose slowly to his feet. The room tilted for a second—blood loss and no real sleep—but he steadied himself with a hand on the wall.
“Wipe that smile off your face, you little shit,” he hissed to Ellie.
“Whatta marshmallow,” Ellie mumbled, just watching him go, her smirk softening.
The door wasn’t fully closed. He nudged it open with two fingers.
The bathroom was dim and damp, smelling faintly of rust, infection and old mildew. A cracked mirror stretched above the sink, fractured down one side like a spiderweb frozen mid-snap.
Leela, hunched over the filthy porcelain basin, arms braced, hair falling around her face and body like a curtain. Her bare shoulders, under that black tanktop, rose and fell with shallow, controlled breaths. She hadn’t heard him yet. Or maybe she had and didn’t move, too far gone in whatever loop she was caught in.
Joel stepped in.
Quiet, like muscle memory. Like coming up behind her at the kitchen counter, when she was at the chopping board or scribbling on paper. In that quiet way he used to do, just to let her know he was there, he wanted her near, that he didn’t need her to talk.
He slid his hands around her waist.
Her body tensed.
Not a flinch exactly—but enough. A subtle stiffening beneath his palms that made his chest cave in a little. His heart fractured in that single instinctive reaction.
He didn’t pull away. Because as it had been established, he was selfish fucker. He stayed and didn’t say anything.
Just rested his forehead against the back of her head, where her hair smelled faintly of soap and smoke and salt. His eyes shut. He couldn’t bear the mirror. Couldn’t look up and see the condition of them—this makeshift version of a life that should’ve been warm, and home, and full of sweet nothings.
He’d had a picture in his head.
Them, side-by-side at a clean sink, still damp from the shower. Brushing their teeth together while Maya babbled from their bed outside, waiting to be put to sleep. Arguing about whether to fry the rice or save the eggs for pancakes. Leela nudging him with her elbow because he always hogged the mirror.
That was the image. The one he clung to.
Not this. Not her hands shaking just barely, gripping the sides of a stained sink as she tried to convince herself she still belonged to something greater than this broken world.
He didn’t speak at first. Just breathed her in—like maybe that alone could calm the blood in his veins. His hands were splayed over her powerful middle now, warm through the thin fabric of her shirt. She was too still. Not pulling away. Not leaning in.
So he moved slowly.
Pushed her all her thick, long hair gently over one shoulder, careful not to tug. It slipped between his fingers like threadbare silk. Then he bent forward, kissed the shell of her ear. Just once. Just enough.
“There’s a part of me that—I never wanted you to see that, darlin',” he whispered, the words nearly breaking in his throat.
She didn’t move.
Joel’s forehead pressed to the side of her head again. He closed his eyes. “That… thing. That man with the knife. That’s what’s left when I run outta reasons. When I think I gotta protect somethin’ I already lost.”
Silence buzzed in the air.
He wanted to tell her exactly that he’d do it all again to keep Ellie safe. That sometimes you didn’t get the choice to be gentle. That the world didn’t work in softness and she should wake the fuck up. But all of it sounded like a goddamn excuse, and worse—it sounded like the truth.
His voice faltered off. “If you hate me… I get it. I ain’t askin’ you to forget what I did. I just—”
God, what was he thinking? He wouldn't want her apologies anyway.
His chin lifted a little. “But I’m still me, Leela. Still Maya’s. Still yours, if there’s any part of you that wants that.”
There was no dramatic pause. No breath held in hope. He said it like a man naming his failures in the dark. Mum. Certain. Not because he thought it would change anything—but because it was true. And because she deserved to hear it out loud.
Maybe she was remembering what it meant to let something dangerous that close. Maybe this was the moment she realized she couldn’t love him. Maybe this was the moment he proved he didn’t deserve it.
He didn’t blame her.
Then he felt her shift. Just barely.
Her hand came up and back, platting into his hair. Her fingers scraped lightly at his scalp, a slow, grounding motion—not tender, not affectionate, not forgiving. Just there. Present. Real.
She didn’t say it’s okay. She’d never needed to wrap things in softness. Sadly, she knew what it meant to be ruined.
To be taken apart and put back together with pieces missing. She’d lived in the wreckage of her own skin, patched herself up with logic and reason, with equations and notebooks, trying to make sense of something that defied sense.
And still—he loved her. Not in spite of it. Not around it. Just through it. All the way through. So what if he’d split a man open like kindling? What if she’d been split first—by someone who’d never deserved to touch her in the first place?
She was here. She’d come. With her voice cracking in the dark and her hands braced on a sink like it was the only thing keeping her upright. She was still herself. Still trying.
Joel let out a breath against her neck.
And then, quiet—low and splintering—she said, “I’ve been dead before, Joel. This is not what kills me.”
The words lodged in his chest like a nail. No dramatics. No trembling voice. The truth. Her fingers kept moving, dragging slow circles in his hair.
And when she turned her head—just scarcely—he saw her in the mirror. Saw the red-rimmed eyes, the taut mouth, the exhaustion etched so deep into her face it looked like it might never fade.
She met his gaze in the cracked glass. A long moment passed.
There was a change, not in her body, not in the set of her jaw or the tremble of her breath, but in the way she looked at him. Like seeing a wound that hadn’t stopped bleeding and finally understanding why the bandages never worked. A clarity there he was familiar with.
Joel just watched her eyes, the way they softened and steeled in the same breath. The way grief and love could live in the same goddamn face.
He saw her swallow. Her throat worked once, twice, like the words weren’t forming—they were fighting their way up.
And then, without turning fully, she said, “It’s horrible. How grateful I am that you can become... that.”
He blinked. His heart gave a slow, brutal thud against his ribs.
“Because it means no one will ever touch her. Not Maya. Not while you’re breathing.”
And just like that, he had to bite the inside of his cheek. Hard. To keep from falling into whatever that was curling up inside him. All that shame and pride and an ache so old it had turned quiet.
Her head stayed dipped, his mouth just a breath away from her skin.
The silence between them wasn’t hollow anymore. It had mass. Weight. Like a room full of smoke that they’d both learned to breathe in.
Joel didn’t move, didn’t dare. His hand remained at her waist, palm flat, fingers barely curled. He could feel the heaves of her breathing—still tight, still not stable. But alive. Still with him.
He should’ve said something. He knew it. Should’ve said I’m sorry, even if it wasn’t enough. Should’ve said you can hate me, I’ll still kill for you. Should’ve said you can take Maya away, and I’ll still be at your back the rest of my life.
But every sentence that came to mind sounded like another wound. Another wrong turn.
So he stayed quiet. And waited. Let her have this moment to leave—if that’s what she needed. But then—
She turned. Just a little. Enough that her shoulder brushed against his chest. Enough that he saw her face not in the mirror, but right there—real and close. Red-rimmed eyes. Lips chapped from the cold, pale, parted just a bit.
There was no invitation. No demand. Just presence. And that—God help him—was what crushed him.
Joel raised his hand, slowly. Let his knuckles ghost across her jaw like he was scared to touch her too hard, like she might shatter.
She didn’t lean in. She didn’t lean away. She just stood there. Breathing still.
That was all the backing he needed.
The kiss he prompted was not soft. Not romantic like the hundred before. It was dry, cracked and laced with grief. His mouth moved over hers like he was memorizing the shape of her pain, and hers opened to him with something like surrender—not of will, anything but.
They didn’t move or deepen. Didn’t gasp or moan or pull or want or seek anything more.
They just connected. Two broken things, sealed at the seam for a single breath of repose in the storm.
Joel’s hand stayed on her cheek, rough thumb grazing the edge of her temple. His other hand, the one still resting at her waist, gripped just a little tighter, like he couldn’t bear the thought of letting go now. Not after everything. Not after seeing the worst of each other and still not walking away.
He didn’t know if this meant anything, if it was the beginning of the end. Or just a flicker of what used to be.
But when they pulled apart—slow, wistful, just inches—her eyes opened again.
Clear. Tired. Still full of all the rage and grief and brilliance that made her who she was.
“You’re still in there, Joel,” she whispered. Not accusing. Not forgiving. Just observing. Like she was taking stock of a fire that wouldn’t quite die, even after the smoke had choked the sky.
Joel held her gaze for a moment, and then dropped it—couldn’t take the weight of it. He exhaled, slow and heavy, eyes closing. His voice came low and coarse, barely brushing the air between them.
“Don’t know if that’s a good thing.”
He leaned in, pressed a kiss just below her ear. A whisper of a thing. A thank you. An imprecise I’m sorry. A Jesus, what the hell are we now?
Outside, the wind pushed against the walls of the small bathroom like it wanted in. The fire crackled somewhere in the next room, Ellie’s shadow moving quietly near the doorway, always vigilant, giving them space.
Inside, Leela didn’t speak. But her fingers—still trembling—moved to cover his on her abdomen. Held them there. No tighter. No looser.
Just there.
Joel let the moment breathe, let the silence settle. His throat worked once before he spoke again, voice barely a rasp.
“When we get to California, whatever happens… I just…” He paused, brow furrowing. “You don’t gotta decide anything yet. I just need to know I’ll still get to see my little girl.”
A flicker passed through Leela’s eyes. She didn’t flinch or draw back, but she didn’t soften either.
She looked at him like she was trying to hold him in focus through a haze of old pain and newer fractures. Behind her gaze, where he lived, there it was—subtle, distant.
Her fingers didn’t move from his. But her voice, when it came, was quiet. Neutral. Like she was choosing every word as if it could tilt the precarious balance in this world.
“Let’s see what happens first.”
That was all. Not yes. Not no. Not never. But not enough either.
Joel’s jaw worked. He almost nodded—but didn’t. Almost pulled away—but couldn’t.
Instead, he kept his hand where it was, over her belly, where Maya used to sleep once, safe and tiny. Where Leela had once felt the flutter of her little feet and hands through her skin, long before she had her pretty name.
“You don’t gotta do it for me,” he said at last. “But she’s mine too. I need both of you.”
Leela didn’t argue. Her silence said she knew. Said she’d always known. But knowing didn’t always mean trusting.
Still, she kept his hand where it was.
X
DAY 7: CALIFORNIA INSTITUTE OF TECHNOLOGY, PASADENA, CALIFORNIA, LOS ANGELES - APPROX. EIGHT-FOUR HOURS SOUTH OF JACKSON
The sun stretched long over the broken streets of Pasadena in the Golden State, just as much, casting amber behind a veil of smog. The quiet clip of hooves on cracked asphalt echoed like a heartbeat in a place long hollowed out. Joel rode just a pace ahead, his rifle slung low, boots scuffed from days on the road. Ellie was beside him, reins loose in her hands, a sliver of calm in her eyes. Behind her, Leela fidgeted with her hair again—first the braid, then a ponytail, then nothing, then the braid again.
She’d done it twice in the last hour.
Not out of vanity. Joel knew that. It was nerves. Restlessness. That same rhythm she used to have with a pencil—tap, scribble, flip a page, start again. Always thinking. Always fighting something unseen.
She hadn’t said much since sunrise. None of them had. The weight of what might be waiting ahead pulled the air taut between them.
“Do you think we could stay for some time when we get there?” Leela asked, not looking at either of them.
“Sure thing. I wanna see the beach, too,” Ellie replied without pause, smiling and all loyal, already craning her neck for the first sign of the Caltech buildings.
Joel said nothing. But his hands tightened just a little on the reins.
Stay. Stay for what?
See, if there were scientists there—real ones, still working on things like cures and vaccines—then it wasn’t just Leela they were walking into that place for.
It was Ellie. It was the blood in her veins. That cursed miracle pulsing just beneath her skin.
His mind was running ahead of him, tearing through what-if after what-if. What if they were here? What if they had the equipment, the knowledge? What if they looked at Ellie like she was the key again? What if they asked—no, expected—the same sacrifice?
And Joel—he knew himself too well by now. Knew the panic that twisted up in his gut and tried to claw its way out. He didn’t let it show. Not in his face or voice. But it made him nudge his horse forward just slightly, pace picking up, eyes scanning rooftops and blown-out cars and anything that might look like trouble or, God forbid, hope.
They crested a slight hill, and Caltech unfurled below.
Golden light skimmed the cracked concrete and broken signage like it was trying to remember what wonder looked like. Ivy crawled up the old physics building, curling over shattered windows, draping across the once-grand entrance like a shroud. Palm trees stood like sentinels over long-dry fountains.
Joel pulled his horse to a stop beside Ellie’s, her body swaying forward slightly with momentum before sitting back straight.
For a moment, no one spoke.
They were here.
This was it.
“This is where they're supposed to be,” Joel murmured, more to himself than to either of them.
Or what was left of it.
Buildings, sure. A few were still standing proud. Brick and steel and glass, scabbed over with vines and scorch marks and time. But no movement. No guards. No posted signs or perimeter watch. No sound beyond the dry creak of trees and the hum of wind through broken fencing.
Joel felt it like a gut punch before anyone said a word.
The front of the building looked like it had been blown out from the inside—glass scattered across the steps like a trail of brittle petals, black scorch marks clawing up the stone walls. Half the Caltech signage still hung above the arched entryway, its metal frame twisted, under layers of ash and grime.
Joel dismounted first. His boots crunched over the broken glass, rifle already in hand. Ellie hopped off behind him, lighter on her feet, but just as alert. Leela stayed on the horse a beat longer, her eyes locked on the faded lettering above the entry. ‘California Institute of Technology for Advanced Research.’
She whispered it aloud like it was something sacred. “Wow. We're here.”
Joel motioned for her to stay close. Light slanted in through fractured skylights above, catching on overturned desks and moldy file boxes. Drawers like mouths wide open. A bunk with a Firefly logo stamped on the wall above it—old, faded, forgotten. Emergency cots folded and stacked like they'd been waiting for orders that never came. A faded banner still hung across the far end of the lobby, reading proudly:
‘INNOVATION FOR THE NEXT CENTURY.’
Oh, what a big fucking joke.
You try to innovate, you end up like this. You pick up a gun, you get to live. The world they lived in now.
Now, what they hadn’t expected was the smell.
The moment they stepped inside the physics building, it hit them—thick, wet, and metallic. Like mold and meat. Old rot. The kind that stuck to your tongue. He knew what it was already. Joel raised a hand, signalled Ellie behind him. Leela paused just inside the threshold, her face blanching.
“Get back outside,” Joel said to her. “Don’t need you in here.”
But Leela didn’t move.
She stared down the hall like she could still pretend it was just dust and old desks and the smell of something dead not walking.
Until the first one came.
It staggered out from a lab at the far end, skin sloughing off in ribbons, yellowing mouth open in a wet click-click-click. Ellie didn’t hesitate—she dropped to one knee and put a bullet through its eye. But the goddamn Clicker wasn’t alone. From the shadows, they came dragging, stumbling, clicking—two, three, five of them—some already burst open with fungal bloom, their faces split by time and Cordyceps.
“Shit,” Joel muttered, rifle already up. “Leela—go, get out of here!”
She bolted off. He didn’t watch where.
The gunfire echoed in the narrow halls. Joel moved with brutal efficiency—tight shots, clean execution. Ellie flanked him, nimble and fast, clearing corners. They moved like they'd done this a hundred times. Well, because they had.
But Leela was new to it. She waited outside, pacing, clutching the straps of her bag so tightly her knuckles nearly bled. Her eyes flicked to the windows, to the flashes of movement inside.
She hadn’t come for this. To watch them both die at the end.
When the last echo faded, Joel emerged from the stairwell, blood on his sleeve and a tight grimace on his face. “All clear.”
Leela didn’t answer. She pushed past him, boots scraping on tile as she made her way deeper into the building. Joel wanted to hold her hand back, tuck him into his side.
“Maybe they were Fireflies?” Ellie muttered, nudging one corpse with the toe of her boot.
Joel didn’t respond. He didn’t want to think about it, even if he knew the signs.
This wasn’t an outpost.
It was an exodus.
He pushed the doors open into the next wing—a long hallway flanked by glass-walled rooms, some still scrawled with chemical equations and 3D renderings of gene splicing. Dust hung thick in the air, swirling in lazy spirals, disturbed only by their presence. The deeper they moved in, the clearer it became: this had been a research hub. State of the art. Once.
Now it was just dust and silence.
Ellie was the first to call out. “Helloooo? It's Dr Leela here with your math magic miracle! Come out, come out, wherever you are!”
Her voice echoed down the empty walkway. And no answer.
“Shy buncha nerds,” she harrumphed.
“Ellie,” Joel sighed.
Leela drifted toward one of the labs as they moved up to the second floor, climbing over debris, her hand brushing against the edge of a metal table. There were still beakers here, clipboards thick with faded paper, broken monitors, glass casings. Her fingers hovered over them like she didn’t know whether to read or weep.
Joel had gotten used to failing so much, this didn't hurt anymore.. He’d brought her all this way. Let her believe.
Now, he stood in the doorway of the ruined lab like a man caught between two times—one where hope had still been breathing, and the one he was in now, where it lay stiff and cold on the floor.
Joel’s eyes were drawn, inevitably, to the skeleton, slumped against a bank of monitors, mold climbing up one arm like ivy.
It wasn’t the first dead body he’d seen. Not even the hundredth. But this one was different. There was something almost edifying in the way the figure was wilted—propped against the monitors like they’d died mid-thought, clinging to some last hope that didn’t pan out. What had they been hoping to see? A breakthrough? A miracle? A sign someone else had made it?
The bones were dressed in a lab coat, name badge still clipped to the collar. YAMADA. What was left of the face was caved in, probably from the gun still lying on the floor beside them. A personal choice, Joel figured. Easier than turning, for sure.
But it was the recorder nearby that made his stomach knot.
He watched Leela reach for it like she was reaching for her own fate. Slow, careful, fingers trembling despite all her control. She glanced back at him—asking for what? Permission? Support? For him to tell her this wasn’t what it looked like?
He gave her the nod because it was all he had.
And because he couldn’t lie to her anymore. Whatever that device held, bad or worse, he had her always. What were another hundred miles? Perhaps another boat, a storm in the ocean, another open city, another ten years on the road? He'd do it with her if she wanted to.
Leela pressed play.
As the recorder whirred to life and that ragged, weary voice filled the silence, Joel’s heart dropped to somewhere cold inside him. Every word was another nail in the coffin.
“This is Dr. Kichiro Yamada. March twenty-third, the time is four-twenty-four in the evening. If you’re hearing this, then you’re too late. Or maybe you’re lucky. Jury’s out.”
Joel stared at the monitors. The screens were dead, cracked, and flecked with grime. Whatever brilliance had once flickered there had gone out long ago. There were notes on the desk, too, curling with rainwater. He couldn’t read half of them, and didn’t understand the other half. But he recognized the desperation in the handwriting. Bold strokes turned frantic. Numbers blurring. Whole pages scratched out. A slow unraveling.
“We gave it everything. Years. Two whole decades. All of us. There were twenty-four of us here once. Distinguished faculty of professors, scholars and dedicated students—from aeronautics, biochemistry, theoretical physics to fucking art history—working toward a common purpose. Persevering in the face of extinction. Then we dwindled. Nine of us, then four. Then Dr. Connelly, now it's... just me. See, the world didn’t wait for us. Supplies dried up. People got scared. We had raiders come in once or twice, and butcher some of our best. Most of them left. Some went east, to survivor settlements. I stayed until the end. I made it this far.
Joel looked over at Ellie. She was still. Watching Leela. Watching him.
“To whoever finds this... you’re standing in the last Firefly outpost in California. Maybe the whole goddamn continent. Shit, I don't know anymore. We had data. We had hope. And then we had death. I’ve just managed to upload everything we had and researched to the central terminal. If you’ve got the brains to use it, maybe it won’t be for nothing. Help yourselves. Save yourselves.”
A long silence. He thought of how long they must’ve laboured in here, chasing answers. How much belief it took to type that much down.
“This place was supposed to save the world. We were supposed to make a difference. What a fucking waste.”
Click.
Joel let out a long-suffering sigh. Ellie hovered near the door, her jaw set, eyes wide, trying to take it all in, trying not to crumble.
Leela stood motionless, eyes fixed on the blank recorder. Her shoulders started to tremble, slow at first, then all at once—tight, pulled inward, trying to keep from flying apart.
She didn’t cry.
She just knelt down beside the desk, knees hitting the floor in a slow, mechanical motion, folding over her own legs like her body had given up on standing. Her hair—braided, unbraided, ponytailed, undone—hung limp down her back, as if it too had finally settled into stillness. No tears, no words. Just the quiet shape of someone who’d hoped too hard for too long.
Joel stood there, unsure if he’d made her kneel or if the world had.
He swallowed hard.
He’d brought Leela here. Not just her—her hope, her faith, her genius, all bundled into that same quiet determination she wore like armor. She had believed in this place. Believed in the people who’d once lived here. She’d believed him, maybe worst of all.
And now? Now it was just another tomb. Another place the world had forgotten how to care about.
Joel clenched his jaw. “Wasn't supposed to end like this,” he said softly. But the words felt hollow the moment they left his mouth.
And yet, somehow it always did.
The world didn’t care about minds like hers. It didn’t give a damn about brilliance or sacrifice or the people who tried to fix what was broken. It just… moved on. Swallowed the light whole. Buried the good with the bad and let it rot in the dark.
Behind him, Ellie spoke, her voice quieter than usual. “Hey, we should check out that terminal.”
Joel nodded once, not looking back. “Yeah.”
He moved slowly, boots scuffing against the floor. That terminal—an old monitor, half-sunken into the desk, still humming faintly—blinked as they approached. He expected nothing. Expected it to flicker out, dead and useless, like everything else.
But somehow, when he moved the mouse, it lit up.
“C'mere, baby,” he called out, trying to will what he had left into her. “Let's see what this is.”
Leela had already started typing. Her hands trembled, but she typed anyway—quick, practiced keystrokes, as if her muscles still remembered how to do this even when her heart didn’t.
Lines of data filled the screen. Pages and pages of it. He didn't know what the fuck it was. Research logs. Complex equations. Genetic markers, timestamps, decay models. Scans of buildings and servers. Plant growth charts. Vectors and resistance patterns, and computational models he didn’t understand, but recognized by the sheer significance of them.
She stared at the formulas like they were the names of the dead.
Joel knelt beside her, slow, as if any sudden movement might shatter her.
He didn’t reach for her. Not yet. Didn’t deserve to. Just stayed near, let his voice reach across the inches between them.
“You did what they couldn’t,” he said, hoarse. “You're a goddamn saviour, Leela. You did it all.”
Her eyes didn’t move from the screen. “They were supposed to be here.”
Joel glanced toward the body by the monitor, the fingers still curled like they’d meant to hit save and didn’t make it. “They left it behind for you,” he said. “They wanted it found. You found it.”
Leela turned to him, finally. Her eyes were dry—but there was nothing behind them. No fire. No fight. Just a dull, hollow ache where everything else had been scorched out.
“It’s not enough, Joel.”
“No,” he whispered. “It ain’t. But it’s all we got.”
And he couldn’t stay away any longer.
He reached out. Gently. Palms callused, hands unhurried.
This time, she let him pull her into his arms. She didn’t fall apart. Didn’t cry, or shudder, or whisper anything dramatic. She just leaned—slow, silent—against him, her face resting into his shoulder like the grief was too dense to lift her head anymore.
It wasn’t forgiveness she gave him. It wasn’t peace. It wasn’t even warmth. And for the first time in days, Joel didn’t feel guilt, or fear, or even that thick, choking regret.
Just the excruciating, quiet ache of being alive.
He turned his head, pressing his cheek to the top of her hair. She smelled like the road. Like leather and firewood. Like survival. Like the kind of person you meet once in a lifetime and never again.
He almost didn’t hear the footsteps—soft and measured.
Ellie, framed by the last of the sun bleeding in through the broken glass. She crossed the room slowly, past ruined dreams, past rusted lab equipment and flickering terminals, past the slumped skeleton and the shattered hope. She didn’t speak. Just knelt beside them, her shoulder bumping gently against Leela’s other side.
Joel looked at her just in time to see her hand reach out—hesitant, hovering for a second—then settle across Leela’s back.
Not in comfort or even empathy.
Recognition. Kinship. Guilt.
Leela was everything Ellie wasn’t—older, brilliant, composed—but in this moment? They were the same. Two people who gave their hearts to something that’s gone.
Ellie's fingers splayed across the jacket, tentative at first, then firmer. She didn’t look at either of them. Her face stayed turned, eyes down, jaw clenched. Simply being there.
Joel could see it in her—the way she held her breath, the way her lips were pressed into a thin, white line. That familiar cyclone behind her eyes. The echo of so many other losses.
He didn’t say a word.
Because in that lab, surrounded by failure and rot, the three of them formed something that had no name. Not victory, hope or even survival. Just austere, tangible proof that they were still here.
He looked at the recorder lying in Leela's palms like a gravestone, and as she hit rewind, that last line rang in his ears like a verdict:
“...What a fucking waste.”
Joel closed his eyes. He didn’t know if the voice was talking about the science, the building, the people, or the whole damn world.
But whatever it meant—however it was intended—it felt right now. And maybe all the brilliance in Leela’s head, all the years she’d clawed her way through loss and theory and impossibility—maybe even that had nowhere left to go.
He knew this one all too well. The one that told him some endings weren’t explosive or tragic or heroic.
No last stand. No meaning. Just a hush. A breath. A door that closed without ceremony.
Some endings just... stopped.
The storm comes, you crawl into shelter. Find something—someone—to hold onto. And when it's over, you are left to breathe in the quiet afterward.
Waiting for the next storm. The next door.
X
taglist 🫶: @darknight3904 , @guiltyasdave , @letsgobarbs , @helskemes , @jodiswiftle , @tinawantstobeadoll , @bergamote-catsandbooks , @cheekychaos28 , @randofantfic , @justagalwhowrites , @emerald-evans , @amyispxnk , @corazondebeskar-reads , @wildemaven , @tuquoquebrute , @elli3williams , @bluemusickid , @bumblepony , @legoemma , @chantelle-mh , @heartlessvirgo , @possiblyafangirl , @pedropascalsbbg , @oolongreads -> @kaseynsfws , @prose-before-hoes , @kateg88 , @laliceee , @escaping-reality8 , @mystickittytaco , @penvisions , @elliaze , @eviispunk , @lola-lola-lola , @peepawispunk , @sarahhxx03 , @julielightwood , @o-sacra-virgo-laudes-tibi , @arten1234 , @jhiddles03 , @everinlove , @nobodycanknoww , @ashleyfilm , @rainbowcosmicchaos , @i-howl-like-a-wolf-at-the-moon , @orcasoul , @nunya7394 , @noisynightmarepoetry , @picketniffler , @ameagrice , @mojaveghst , @dinomecanico , @guelyury , @staytrueblue , @queenb-42069 , @suzysface , @btskzfav , @ali-in-w0nderland , @ashhlsstuff , @devotedlypaleluminary , @sagexsenorita , @serenadingtigers , @yourgirlcin , @henrywintersgun , @jadagirl15 , @misshoneypaper , @lunnaisjustvibing , @enchantingchildkitten , @senhoritamayblog , @isla-finke-blog , @millercontracting , @tinawantstobeadoll , @funerals-with-cake , @txlady37 , @inasunlitroom , @clya4 , @callmebyyournick-name , @axshadows , @littlemissoblivious } - thank you!! awwwww we're like a little family <3
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edennill-archived · 7 months ago
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edit: vague warning for... slightly weird/positive explorations of mortality? I feel like a non-zero number of my fics should come with this label.
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reasons elros became mortal:
i. Ever since he was a child, there was sometimes, at the very deepest reaches of the night, a longing that threatened to swallow him whole.
ii. Elrond handles the charred edges of philosophical texts by candlelight, and Elros looks over his shoulder and is struck with a flash by the way he is looking for something that doesn't seem to exist in the world. His brother doesn't like to hear him speak of it, but they whisper about it in the night, days they are both at camp and share a bed against the harsh northern cold, and there is a togetherness in those moments that mere wondering cannot break.
iii. His people need him, don't they — those bright-spirted, brightly-burning, strong-willed remnants of three tribes, four, maybe more, whom war has formed into one. He doesn't know when they became his, but they are, and he will not forsake them.
iv. All the Vanyarin commanders would stop saying that at fourty-two he is still a child. Hopefully.
v. He could not stand it if he had discovered everything there was to see in the world and found the last path into mystery closed.
vi. There was a young soldier, a boy almost, with such very wide open eyes as he watched him die on his command and he'd like to say sorry one day.
vii. He has not yet been asked if Maglor and Maedhros mistreated him by a mortal stranger instead of a greeting.
viii. Conversely, no mortal has yet offered him whispered help in disposing of Gil-galad.
ix. That little girl of four or so in a dress of pale Telerin sailcloth who pressed what must have been the last wildflower in all of Beleriand into his hand.
x. Her great-grandmother who fed him broth and said he reminded her of her sons when they were younger.
xi. He'd be able to tell lightbulb jokes about elves.
reasons elros almost didn't become mortal:
i. Elrond.
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barbiegirldream · 8 months ago
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Thinking about how the Egoist Bible labeled Sae a high school senior, but Sae said he never looked at his report cards, implying he hadn't done school since he was in Japan when he was 13.
Kaiser was 19 and said he Never went to school, meaning, however, he learned how to read, it had nothing to do with formal education.
Lorenzo pulled right off the streets in the same boat set right onto the soccer field. Making a joke that his Best subject was gambling very obviously deflecting the topic of school.
Thinking about the Gen XI players being so certain soccer is their only path forward, I think whatever soul-binding child labor contracts they entered prevented them from getting diplomas. That would indeed close off most paths forward except Soccer.
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1moreff-creator · 6 months ago
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Theory: Mai Akasaki’s Sixteen Killers
The theory that everyone in DRDT’s killing game is responsible for the death of Mai Akasaki. 
If you’ve been around the DRDT theorizing sphere, you might have caught sight of a very particular thought floating around; that one way or another, everyone in the killing game is responsible for Mai’s death. It comes up every now and then, so I figured I'd throw in my own take on the matter. Let’s pull a Poirot, and solve this Murder on not-quite-an Orient Express!
CW: Murder, suicide, poison, mentions of religion
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The Prologue: Mai is Dead? Who is Mai?!
Alright but maybe I should explain who the hell I'm talking about for the uninformed :v
Mai Akasaki is a more or less secret character, who’s only had nine seconds of screen time in the main series (Teruko’s dream in 1-6), but is most likely Unnamed Classmate from the Bonus Episodes. A full introduction and several important theories I believe about her can be found in my Mai post. Although some parts of that post are outdated, it gives what I consider to be a good overview of everything we know about her. 
But in case you don’t feel like reading 15k words of rambling about this cryptid of a character, here’s quick summary:
-Probably part of Hope’s Peak East Class 27, classmate to most if not all the cast. After all, she’s Unnamed Classmate from the BEs. 
-Really nice girl everyone adored like a god.
-Xander and her fucked around (presumably staging some kind of rebellion against Hope’s Peak).
-She found out (per Veronika’s Mai quote, “A for who didn’t foresee the consequences”). 
-Presumed dead. 
To elaborate on that last point, given it’s part of this post’s thesis, I’ll quickly show the evidence. 
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Most explicit. Mai’s numeral XI (and if you don’t know what a numeral means in the context of LGI, or what a "Mai quote" is, I urge you to read my secrets masterpost. This isn't an entry level theory lol :v) shows up alongside “God is dead,” alongside with an arrow pointing at Mai’s portrait when the word “God” shows up on screen. Not only that, this is the only grey numeral in the entire MV.
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Then, just one line afterwards, the Kubler-Ross model of the five stages of grief shows up, a model often associated with death.
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Even more evidence: the flowers in her tattoo are probably Mai flowers, a discovery by the-fox-in-the-socks. These flowers are associated with the legend of a girl named Mai who, among other things, died. Read their post for full clarification. 
So… yeah. Mai’s dead. But, can we really claim the cast is to blame?
The Basis: Someone’s Fault
There is currently one person in the cast who is heavily suspected to be in some way responsible for Mai’s death, two more who I brought up in my Mai post as likely candidates as well, and even more which have looser connections to her death. 
Teruko - Via Second Anniversary Art.
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This gif shows Mai’s gloves disappearing from the top of a frame otherwise containing only Teruko, and in the middle flashes a code that (by rearranging the “rows” of the columns in numerical order) translates to “It’s all your fault.” So, Teruko at least is probably implicated, presumably through her luck if nothing else.
Xander? - Via Sixth Bullet
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The LGI MV tells us there are six bullets to find, with the hint that we can’t actually find all of them. Indeed, only five bullets can be found. However, that could lead someone to speculate that the sixth bullet is loaded in the gun. Said weapon is labeled “(not a) prop gun”, connecting it to Xander, and aimed, while not directly at the Mai portrait, still too close for comfort. The idea here is that Xander might be considered responsible for her death because it was his idea to rebel against Hope’s Peak, and that may be what got her killed. If that makes no sense to you, again, please read the Mai post, I've already written too much about this girl to repeat myself too much T_T
Whit? - Via Tetraphobia
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When Whit’s numeral XV appears on screen, we also get the instruction “subtract 4, due to tetraphobia.” XV - 4 = XI, which is Mai’s numeral, again “God is dead.” This could connect Whit to her death, with the idea being that he’s Whit so if there’s a way to look suspicious he’ll take it. That is to say, I actually don’t know how Whit could be connected to Mai’s death :p The only way to salvage Whit’s innocence in regards to Mai is to assume the tetraphobia thing is meant to connect him to footnote 11 instead of numeral XI, but footnote 11 is the Diana one, and while there’s ways to make that work, theorizing about Diana is genuinely harder than theorizing on Mai. So, for the purposes of the post, we’re gonna ignore that connection to Diana, and say that this could connect Whit to Mai. 
Ace??? - Via Highlighted Text
This is the most recent allegation to come up, and it’s based on an observation regarding Eden’s dialogue in 2-16.
Eden [2-16]: I never said that I forgave him. It's just that... The Ace I met for the first time wasn't a murderer.
The bolded text is peculiar. While it could just be for emphasis, it’s also possible it’s bolded to bring attention to it because it’s an assumption which is wrong. As in, Ace was a killer since the start of the killing game. If that’s not about Taylor (which it very well could be considering Ace’s dialogue, let's not ignore that), it could be about Mai. 
Veronika??? - Via Mai Quote
Veronika's Mai quote: A girl who didn't foresee the consequences.
Hers is the one that references consequences, after all!
Yep, that's the full connection.
David???? - Via Mai Quote Order
His Mai quote is the only one after Veronika’s in the Mai order given by the source code of Mai’s page, an order which has not been entirely forgotten. This could maybe make him suspicious if you squint harder than anyone’s ever squinted before. Does this one even make sense to anyone who is not me? Who knows.
Min????? - Via Footnote 6
Footnote 6, “[Prayer]”, flashes on screen at the same time Min’s numeral X is there.
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Since Mai is a “God” in the MV, the prayer goes to the God, the scene is referencing Min’s murder kinda through the trial… Yeah this is uber weak. It’s kinda similar to saying Eden’s suspicious because her Mai quote makes no sense; just because it’s weird doesn’t mean it can be cleanly connected to the Agenda.
Yeah that’s kinda it. But, if only a few characters are being even tangentially connected to Mai’s death, how is it possible that everyone is catching an allegation? Well…
The Thread: Rule 14 & “Murder on Orient Express”
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“Rule 14: All murderers must be held accountable for their crimes."
The strange wording in this rule has been a topic of speculation for a while. You could take it to mean that blackeneds who lose trials get executed, but then it wouldn’t be “all murderers,” it would just be “the murderers who get found.” Thus, the theory that there could have been multiple murderers in the cast even before the killing game properly started was born.
This is especially notable given a recent reveal: MonoTV's purpose.
MonoTV (DefaultTV) [2-16]: But there is no reason for me to punish Ace a second time. That would fail to serve my purpose. Ace: What? Charles: Your purpose? DefaultTV: Naturally. To run this killing game until the death of every participant.
There is no rule that states anything along the lines of "everyone has to be dead by the end," not directly. That is, of course, unless Rule 14 applies to everyone. If all murderers must be held accountable for their crimes, and everyone in the cast is (by some loose definition of the word) a murderer, then it follows that MonoTV would be designed to "punish" (read: kill) each and every one of them.
And this isn’t the only allusion to the possibility. The next topic to cover would be “A Murder on Orient Express.” Uh, spoilers for the book, but it’s a murder mystery where the big twist is that every suspect, every passenger in the train, had a part in the death of the victim. 
How is this connected to DRDT? Well, for starters, it’s one of the books referenced in LGI, with three appearances; one is just a reference to the David reveal, but the other two are more notable, one being attached to Teruko’s numeral XIII and the other directly preceding the “democratic-ly” shot, which directly references the killing game. A connection to the protagonist, the “main antagonist” and the killing game itself could be noteworthy…
If this wasn’t LGI. Teruko’s numeral is also attached to text from “The Ones Who Walk Away From Omelas,” the David scene has references to “Dogra Magra” and “No Longer Human,” and if it’s just about number of appearances, Hamlet has a whopping eight showings. If showing up in LGI was all these stories needed to be considered plot relevant, we’d need to figure out a connection to, like, a million other books, a scientific paper and several Wikipedia articles.
No, the more relevant references to Murder on Orient Express actually come from the main series itself. For starters, Teruko references Agatha Christie in 1-1. 
Teruko [1-1]: Strychnine... I think that many mystery novels mention that sort of poison. A****a C******e uses it as the murder weapon in one of her books.
However, Agatha Christie has written more than one book. In fact, the book Teruko references is "The Mysterious Affair at Styles," which I researched but couldn't find any way to connect it to DRDT (unless the concept of double jeopardy somehow becomes important). No, we need something else to refer us to Murder on Orient Express.
Which gets us to the biggest connection between DRDT and the book itself. And because dev hates me, specifically, it’s of course, in Thrown to the Wolves. 
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Like, really, why is this execution in particular the most theory relevant execution in the history of fangans? I take psychic damage every time I revisit 1-12 please save this poor Min fan-
The final question Min receives is “Who wrote the murder mystery novel Murder in the Calais Coach?”. And “Murder in the Calais Coach” is the US’ localization of “Murder on Orient Express.” Notably, this is the only time in the main series (as far as I remember) that a proper noun referring to a real thing isn’t censored with asterisks; TEDtalks, Agatha Christie, and Amazon have all been censored this way. 
Xander [to David, Prologue-2]: You're just as incredible in real life as you are in your T*****k videos!
MonoTV [2-14]: But ever since I ordered 100 tons of concrete blocks from Am***n, I have been blacklisted from all online order companies.
This gives us an explicit connection, at least. Sure, it’s not guaranteed to be important just because it showed up in Thrown to the Wolves (I doubt the Riemann Hypothesis or that one enzyme system are important to DRDT), but combined with the other Agatha Christie reference and the lack of asterisks, it really seems like this could truly be significant.
So we've drawn the link between the book and DRDT. Combining it with what we talked about earlier about Rule 14 and MonoTV's purpose, it really seems like there's a solid argument to say that the whole cast might be responsible for the death of one particular person. And if that's the case, because of what we talked about even earlier, it's very possible that refers to Mai's death specifically.
Further evidence is MonoTV's Mai quote, "It's all your fault." The fact that the mascot of the killing game is saying that on Mai's page already suggests a connection between Mai's death and the origins of the killing game, so combined with the fact the purpose of this game is killing all its participants, it can potentially be taken as further evidence for the "Mai on the Orient Express" theory.
Now, to be clear, even with all of this, the evidence is... extremely loose. Understandably so; Mai and the killing game's origins are series wide mysteries which likely won't even get close to being solved until much later, so any theory which connects them is going to lack any amount of truly significant evidence. However, I feel there's enough there to at least consider it for the time being, and to keep the possibility in mind going forward. That's kinda the thesis of the post basically, "keep this in mind in case it comes up again" :v
As an add on though:
Alternative Theory: Unique Victims
Also known as: Holy shit is that a motherfucking Milgram reference?!!??!?
The idea here is that instead of everyone being responsible for Mai's death in some abstract manner, they all each killed at least one person before the killing game, but they each have different victims. "Killed" by a very loose metric, mind you, where being partially responsible for someone's suicide counts as murder in the eyes of the killing game organizers for some reason. This would be consistent with the previously mentioned Rule 14 interpretation, though the connection to Murder on Orient Express is notably weaker, as you need to generalize "everyone is responsible for the death of one particular person" to "everyone is responsible for someone's death." The advantage it has over the other theory is that we have a better idea of what each person's murder could be:
-Levi killed four people, that one's easy.
-Arturo blames himself for Felicity's death, at least.
-Min poisoned her competition. Potentially non-lethally, but potentially lethally as well.
-Teruko still probably holds some responsibility in Mai's death, or at least believes she does.
-Ace has been implied to blame himself for Taylor's death.
-Charles and Whit have Elliot and Elizabeth respectively. We don't know the full context of those two's deaths, so Charles and Whit could be responsible technically somehow.
-Veronika's done something worse than her motive secret implied, which could be murder. There's no evidence for it, but you know, it's possible.
-We know less than zero about Diana, to the point it's not impossible to make a theory that David caused her death.
-Xander has survivor's guilt... It's really not the same thing but y'know. You can kinda twist it into self-blame for death.
-Maybe Eden tried to kill Xander when she gouged out his eye? (Again sorry if you don't know what I'm talking about, should've read my secrets masterpost :p). If the cast calls Nico a murderer for attempted murder, then this could work. Technically.
-Hu attempted suicide. This is the biggest stretch in history, but there's some way to call Hu her own murderer with the same idea as before, that attempted murder still makes you a murderer. You know, ignoring that attempting suicide is completely different from murder. I'm trying, okay?
-Maybe Arei ruining her sisters' lives can be considered murder? Absolutely not, but again, I'm trying.
-If J, Rose and/or Nico killed someone before the killing game, it's never been implied. So, yeah. We're cooked on that front.
There's admittedly more set up for it than I'd realized before writing all that, but it's still not particularly perfect. I'll point to Arei as a particularly big problem for this theory, because there's almost no way for us to easily learn that she's killed someone now that she's dead, assuming her secret isn't somehow considered murder. Not to mention that Rose would probably have her murder as her secret if she remembers doing it. That, alongside with the Mai theory's closer connection to Murder on Orient Express, is why this post is mostly focused on said Mai theory; I find that to be the stronger possibility.
But of course, that's just my opinion. These theories are highly speculative and very likely to be wrong, but I wanted to get them out there somewhere. Hope you enjoyed them, and thanks for reading! If you made it this far, then you deserve a copy of Murder on Orient Express to read... or something like that. See ya'!
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grugruel · 1 year ago
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Masterlist
All my fics are labeled oldest to newest to keep track of how my writing improves!
On requests and asks: I might not write every request im sent, but I appreciate getting them all the same!
I'll write most things if I find the suggestion interesting (supplying me with prompts/ideas/wishes is really helpful).
Consent and appropriate reader age are crucial in my fics, I wont write something that's lacking in either.
And please, if you have any critique feel free to tell me. I really want to improve my writing!🎀
I also really appreciate you guys interacting with- and commenting on my posts!☺️
Personal favs = ⭐️
Angst = 🎭
Fluff = 🎀
Smut = ❗️
Arthur Morgan (RDR2)
Saint, or Sinner. ❗️🎀 XII
Big Iron | bounty hunter!Arthur Morgan x outlaw!f!reader❗️XIV
You've Kissed Me For Less ❗️XXII
Benedict Bridgerton (Bridgerton)
The Artist and the flower ❗️🎀 XX
Bucky Barnes (MCU)
An Affair to Remember | collegue!bucky❓️I
Bad News | dbf!bucky
- Part 1 | Baring Throats❗️🎭⭐️ VII
- Part 2 | Cold Thoughts❗️🎭 VIII
Let the Light in | priest!bucky❗️🎭🎀⭐️IIX
Little bit | roommate!bucky❗️🎭 XI
Movement | mob!bucky ❗️ XIII
Save A Horse | cowboy!bucky❗️🎀 X
The Girl Who Cried Cowboy | dbf!cowboy!bucky❗️🎭⭐️ XV
Your Daddy Know 'bout This? | dbf!cowboy!bucky❗️🎭 XXI
Wicked Game | cop!bucky❗️IX
Cooper Howard/The Ghoul (Fallout)
His little killer ❗️XVII
Say it again ❗️🎀 🎭 ⭐️ XVIII
Quiet on Set | pre-war!Cooper Howard ❗️ XIX
Joel Miller (Last of us show and game)
Stop Me if It Hurts | dbf!Joel Miller x f!reader ❗️🎀 XXVIII
Father Paul Hill (Midnight Mass)
Lust for Vampyr ❗️ III
Rick Sanchez (Rick and Morty)
In progress
Silco (Arcane)
The Game❓️ II
Sleeping With the Enemy | ❗️🎭⭐️ XXVII
Blue Eyes | young!silco x f!reader❗️🎀 XXIII
Jayce (Arcane)
Can you do that for me? | ruined!jayce x f!reader ❗️🎀 🎭 XXII
Taking Care of Her | ruined!jayce x wife!f!reader ❗️🎀 XXV
Viktor (Arcane)
Keeping Him Company | ❗️🎭 XXIV
William Afton (FNAF)
Fun at Fazbear's❗️ IV
Horrific findings, sweet nothings❗️🎭⭐️ V
Princess❗️ VI
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maj8kko · 4 months ago
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Horyanska Rotunda
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Sadly we couldn’t get inside and see the XI century frescos, but the church looks amazing outside, too ⛪️
A little something about this dress:
She is an older Jane Marple piece, white label so I’m almost sure she’s a 90s girl. I got it in a rather fine condition, or so I thought, until it underwent a washing and revealed fold lines (from incorrect storing) all over the skirt. Honestly, it made me extremely sad, but I would never give up on it. So, I got equipped with Rit dye and a color fixative and got to work! She looks much better now but it needs a little bit more work, including tailoring 🧵🪡
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vitaminseetarot · 1 year ago
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PAC: What Hobby Should You Begin Next? 🎨🛶📯
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Sup y'all, it's time for a new pick a card reading (this one's especially for you night owls out there as I'm posting this at midnight lol). Ideally, I'd like to post one PAC every week after this but eh, lettuce see about that. 🥬👀
This pick a card was inspired by the remaining energies of late Taurus season. The grass is bright, the air is warm, the flowers are blooming, and it's brought out the artist in me. While I've been finishing a leisure painting, I stopped to draw out some cards to help out anyone who's in the mood to do something fun in their spare time but could use some direction or guidance.
Pick any one of the four Prism Oracle cards below, or its corresponding crystal/emoji, to see what hobby you could explore next, or if there is a hobby you enjoy that is calling for your attention:
Pile 1 - Consciousness + Moonstone 🌙 Pile 2 - Happiness + Carnelian 😊 Pile 3 - Creativity + Amethyst 🎉 Pile 4 - Determination + Citrine 🧭
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Pile 1 - Consciousness + Moonstone 🌙
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77 Beginnings, Sound+Resonance+Frequency, The Musician, Capricorn Rising - Aspire; Page of Swords, Page of Wands, 9 of Cups, Knight of Swords, XI Justice
Wow, pile 1, I think you have the most obvious answer of all four piles. You're very drawn to pursuing something musical. It could be in a variety of ways. You might try singing, writing a song, playing an instrument, learning to dance, or perform in musical theater (the purple curtain in the Justice card definitely brings theater to mind). You could enjoy collecting vinyl records, or producing music through special programs and apps. You may desire to publish your music online, or dream of going big on stage and signing major contracts with labels. Two Pages tells me you're most likely into more than one thing, as plenty of musical artists can multitask.
Your pile was the only one to get two Prism cards at first as Anxiety initially wanted to pop out. It's also clear that with two Pages and the Beginnings card, you're very new at this hobby. There's an over awareness of this fact, that on some level you may not know where to even start. There's some doubt I sense that you feel you can't be at the level you wish to stand on. Capricorn energy wants to reach for the very top of the ladder in accomplishment; it is a steady energy although not intent on settling. I get that there are many people here who greatly look up to an artist and wish to have their same talents. Try to look past the smoke and mirrors of all the top 40's singers and know that music is way more accessible than it's made to look.
Try embracing the newness of this pursuit, pile 1. It's okay to be a little lost, or feel that there's a long way to go. The only way to go pro is to start small and grow. There are a lot of free resources online for learning music (try out musictheory.net for free lessons) and free vocal technique lessons on Youtube. Some people are very lucky to have the chance to start learning at a young age, but if we were to set a rule stating that only those who did so could play, that would leave a lot of creative geniuses and successful musicians out of the frame. If you're learning to play the keyboard, practice one song or even one note at a time (doesn't have to be Chopsticks, lol). Consistency is key.
When the inspiration and joy to explore music finally strikes you, take the time to really dive in and make something small. If you're trying to write a song, start with a jingle. If it's music theory you want to go over, start with just 1 lesson and see how it feels. If you're learning to dance, begin with warm ups and slow music before working on the more intense songs. Are you looking for writing inspiration? Keep plenty of notes on hand and learn how to identify music so you can easily write a melody down (there are empty music notebooks for this). If this is something you would like to do in the long term, then continue to practice with that perspective by not overdoing it to compensate for "lost time". You are exactly where you need to be on your creative journey.
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Pile 2 - Happiness + Carnelian 😊
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66 The Selves, You Belong Here, The Wise One, Cancer Moon - Intuit; X Wheel of Fortune, Sagittarius ♐, VI The Lovers, 9 of Pentacles, XVI The Tower
What's going on, pile 2? With the Selves card above Sagittarius, I'm getting that a lot of you may be interested in pursuing theater or comedy, whether that's stand up or it's simply channeled through the projects you create. Your next hobby may involve incorporating a lot of humor into what you do. This pile is the most multifaceted of the four, with many differing hobbies, so I'm going to list a variety of different talents, but what binds them all together is the need to express one's own (very) strong opinions for the world to see.
You may want to be a photographer who documents unusual things, or write something that makes a powerful statement. There's a need here to let go of any of the anxieties that come with expressing your authentic self, because while those feelings are natural, listening to them too much will dampen your creative drive. This is the group that wants to make very surreal graffiti art or provocative dance routines. With the Tower card, here, I feel there's a need for the shock and awe to get your inspiration buzzing. On the gentler side, I can see some of you getting into something nature based like flower printing and permaculture but the caveat is that it's a reflection of your genuine self and beliefs in some way. With Wheel of Fortune, some of you may feel an urge to learn about tarot or pendulum reading, as these things are typically categorized as "unusual".
You may also get into traveling to stay involved in your hobby, or it requires roving about in some way. To break down creative blocks, it might help to actually move yourself to a different location. It doesn't necessarily involve moving to a whole new place, it could just refer to another part of your home or you may benefit from walking or dancing to decompress. I feel that moving your body will stimulate your creative ideas to flow through. A small number of you may have considered trying out extreme sports like free climbing or parkour. I don't really need to mention that these can be incredibly dangerous, so some of you may like something similar like skateboarding or gymnastics as well. It doesn't have to be intense, just active.
With the Lovers, there also exists a social aspect to your hobby. You may be drawn to share you hobby with a friend or with partners. It will greatly help you to be in an environment that supports your avant-garde tastes and not settle for less. It's not always easy to put shocking art with profound messages out there for the world to make sense of it, though some make it seem that way. It's easy to pretend that negative feedback doesn't get to you, but only accept constructive criticism as that will feed you more than shocked reactions. You cannot afford to have others in your life discourage you, as your skill sets require a lot of space for growth. Nourish relationships that want to celebrate your talents with you. Find a community that loves what you love, and wants to see you happy with what you do. Embrace the wild side of your artistic abilities.
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Pile 3 - Creativity + Amethyst 🎉
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54 Security, the Messenger, The Aspirant, Aries Sun - Assert; 2 of Pentacles, Knight of Wands, 0 The Fool, Aquarius ♒, Virgo ♍
Hello, pile 3. With the 2 of Pentacles, many of you may want to explore a hobby that is both online and offline, or the internet and social media are major components. If you like making artwork, you could be into digital art or simply want to upload images of your offline work for others to see. With Virgo, some of you may have a lot to say, by starting a blog or online journal documenting your life or interests, or you could try out freelance editing. If you were a youtuber, you could be really good at creating epically long videos about niche topics, or short videos explaining how to do a certain task (like tiktoks that showcase a person's routines and what cleaning products they recommend).
I see that this is the pile of innovation, as the Creativity card shows a lightbulb. You could have various ideas pop up in your head, only to feel unsure of how to approach them. Your attention span could split into a variety of different mediums for getting the idea out. Aquarius wants to take its genius energy and spread it around the world. For a lot of you, social media will support your ideas by broadcasting them. Your hobby may directly involve interfacing with others; your creative spark is not for hiding away. Web design, for example, is a hobby but it involves creating something that others will directly interact with. Your work is meant for a wide audience, should you choose to put yourself out there.
This may not always be easy for you, since there could be a pull towards more stable and predictable activities. There's a nervousness here, kind of like imposter syndrome. You may get a really cool idea for a mobile game app before you or someone else goes "but that's an unrealistic goal to spend so much time and effort on", followed by, "how could I ever make something like that?" The thing is, you can be the most talented, skilled, and experienced person when it comes to a subject, yet still have these same worries. Imposter syndrome doesn't magically go away with a college degree, a new job, or 10,000 subscribers. It's completely normal, but make sure to not let your doubts tempt you into doing something more boring and unfulfilling. This is the pile most likely to try a totally new hobby that is unrelated to your other skills, it doesn't have to be realistic.
But also understand that it can take time for something to get really good. Your first fiction draft is gonna turn out clunky, or your app could be filled with bugs, but it's part of the process. There's no perfect time; when you get the urge to try, just try it! Reach out to a local community or chat group so you can get a realistic sense of how long it takes for projects and skills develop. Slam poetry may be a great outlet, so if you'd like to do that, attend an open mic and see how others do it. You are allowed to be imperfect with your hobby--if you wish to evolve your craft, remember the passion and curiosity that brought you to it.
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Pile 4 - Determination + Citrine 🧭
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57 Spiritual Guide, What Goes Around Comes Around, The Astronomer, Taurus Rising - Enjoy; 9 of Pentacles, Cancer ♋, Queen of Swords, Knight of Wands, Knight of Swords
How's it going, pile 4? So this is the most active and possibly athletic pile we have here. Staying in the house is not gonna work because something is itching you to get out underneath the stars. Could some of you be majoring or planning in major in STEM? I'm getting a lot of natural science here. With the Astronomer card, you could want to use your telescope to go stargazing or visit planetariums. Are you still feeling the buzz from all the aurora storm and eclipse hype? It would not surprise me if these events awoke an interest for you and now you're looking up when the next meteor shower will show up or when Saturn will be most visible in the sky.
Your next hobby needs or is the outdoors on some level. But Cancer energy is that of a homebody. The most laidback people in this group may enjoy relaxing hobbies like birdwatching or gardening. These hobbies could be spiritually fulfilling for you. I'm seeing someone wearing an apron outside, so could some of you be interested in grilling or being the host to a fun party in the backyard. Do people even have book club meetings in gardens? A lot of enjoying nature is simply finding a good spot and soaking in the scenery with no other goal in mind. Just being near trees and beach sides might be enough.
But I see a lot of you mainly wish to have an adventure and go far out in nature when the weather's just right. You could be thinking about hiking or backpacking out on trails. It all depends on your comfort level as we all have different tolerance levels. I don't know if geocaching and pokemon go are still popular, but they can be unique ways to engage with the outdoors. You could try guided nature tours presented by nature conservationists like the National Audubon, where you can identify and take photos of animals as you wander through the woods and plains. You may like a hobby that is seasonally specific, like swimming in warm waters or skiing down a snowy mountain.
Your hobby may have you think deeply about how humans connect with nature, exploring the ecosystem and how our actions influence our environment. Climate change can be a very serious and, for some, directly impactful topic to mull over. Remind yourself that as long as you're respectful (leave no trace), mother nature enjoys your company as much as you do for her. A small few of you may have the urge to travel to weird locations. Two knights in your reading suggest boldness. If you decide to visit an abandoned or haunted place, Queen of Swords says to please be careful and follow rules if it says no trespassing, and remember that abandoned places can be dangerous from faulty wiring and unstable flooring. Overall, I feel this pile just can't do with an indoor hobby. You have the motivation and courage to explore the vast beautiful world out there. It awaits you.
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This reading has not been evaluated by the FDA to diagnose, prevent, treat, or cure any disease or infection. Please ask your physician before going online.
2024, @VitaminseeTarot ™
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poorrichardjr · 5 months ago
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The talk of war
When the election was rolling around I heard a lot of republicans complain about how they believed Kamala would lead them into world war 3. It was kind of a stupid complaint, though they did have some grounds for it. As I heard one extremely stupid republican say on the day of the vote, "Kamala has all the worst warmongers in the republican party supporting her." He was right about that, but wrong about so much else he said that day trying to intimidate his friend into voting for Trump.
Now, I greatly appreciate that so many people were worried about war that they would choose the option they believed wouldn't lead them to war. The problem is, the other guy has never been the dove they believed him to be. More than once he nearly took us to war while he was in office the first time, but the military stepped in numerous times to keep him from being a complete and utter moron most of the time.
Of course, now that Trump is getting closer and closer to stealing the reigns of power again, he is doing exactly what he did last time - threaten war with half a dozen different nations. This time he seems to want to go after our allies. Maybe because Putin and his advisers are telling him the best way to stay and maintain power in this country is to start a war.
This isn't just some talking point or vague belief. Bush Jr used his popularity that came from 9/11 to start another war that he threatened while he was running for office - an attack on Iraq. He lied us into that war, but with a war comes expanded powers to the presidency. We instituted the Patriot Act, we tightened all sorts of security around the nation, and we looked askance at anyone who had the temerity to protest the actions of our brave and valiant president.
Trump wants to be feared and "respected" like Putin, Xi, and Un. He wants people to stand at attention when he walks into a room. He wants people fawning over him at every second. The problem is our presidency doesn't offer much of that. Even though those who are your allies will give you some of that, the rest of the population will call you out, call you names, or simply tell the truth that the person in charge is an ego-maniac or an idiot.
Too many people are disregarding this talk of war, annexation, and invasion. I don't really expect Trump to attack Canada or Greenland. Such an act is futile. However, there are republican members in Congress who are all in agreement about us retaking the Panama Canal or invading Mexico on the grounds that we would be taking out the "cartels". Members of the House have floated a plan for Trump to retake possession of the Panama Canal and more than a few of them have openly suggested military invasion on Mexico.
It really is only a matter of time before Trump declares war on someone. His first targets are going to be the immigrants and all the protesters who will push against it. All of those people will be jailed if he gets his way, and there will be more than a few willing police departments around the country. After that he will need something bigger to maintain control and get him the "love and adoration he craves." I expect sooner or later they are going to slap the label of terrorist on American protesters, as if they don't already do that, and use it as a pretext to restrict freedoms.
I am not really sure whether Trump is stupid enough to start a war with Panama or Mexico, though I am not going to put it past him. The man is a dunce and has no knowledge or understanding of our history in this part of the world. The thing is, he is going to start a war. Whether the start of it is on his own people or some outside enemy, he is going to do it. For a man who craves power and wants to keep it, there is almost no better way in our country than to maintain it than to blame someone else for our aggressive actions and then say we "can't switch horses midstream."
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tavolgisvist · 5 months ago
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'…Paul McCartney was such a fan of Dominic Behan’s ‘Liverpool Lou’ that he recorded it with the Scaffold'
(Liverpool - Wondrous Place by Paul Du Noyer, 2002; Part (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XIV), (XV), (XVI), (XVII), (XVIII), (XIX), (XX), (XXI), (XXII)
Q: “Liverpool Lou” was another massive hit for The Scaffold. That is linked with the recording of the McGear album. A: It was. The BBC telly wanted The Scaffold to do a sketch with the actress, Rita Tushingham and Derek Guyler. They said “Can you sing the song for us? I couldn’t come up with a song. I was working with our kid and Wings in Strawberry and said “Have you got any ideas for a Scaffold song? I’m doing this telly.” He said “Oh, you wanna do Liverpool Lou.” I said “No, it is too folky, too Spinners.” He said “No, just listen to it.” It was very old and had been around for centuries in Liverpool. I had forgotten how it went and certainly didn’t know the words. I said to BBC telly people “Could you get me a song called Liverpool Lou?” They sent me two versions. One was by Dominic Beehan and the other was by Delaney and Bonnie. Scaffold tried to trad arrange ‘Liverpool Lou’ but Dominic Beehan had got to it before us and copyrighted it. He got all the writing credits and all of the money for Liverpool Lou. The other version by Delaney and Bonnie was absolute magic. Our kid heard those two opposites and said “You want to go in the middle there.” He did it, he made that song. That is just Wings with in the middle of ‘Liverpool Lou’, a 10CC gizmo. That’s the weird sound in the middle. Q:The Godley and Creme invention. A: That’s right. It’s hard to play but I think our kid played it. Norm Yardley does the gob iron on Liverpool Lou, I was with him the other night. Nice track.
(Mike McCartney / McGear – The Strange Brew, 2016)
Scaffold’s latest single ‘Liverpool Lou’ released on May 3rd on the Warner Bros. Label. Record No. K 16400. It’s an old song, credited to Brendan Behan’s brother, Dominic. Paul produced and arranged it. In the middle there’s a gizmo solo, it’s a new instrument invented by Lol Creme and Kevin of 10CC, who partly own ‘Strawberry Studios’. There are only two gizmos in the world.
(From Wings Fun Club newsletter N°1, 1974)
Oh Liverpool Lou, lovely Liverpool Lou Why don't you behave just like other girls do? Oh why must my poor heart keep following you Stay home and love me, my Liverpool Lou When love is pleasing, and love is teasing And love is a pleasure, when first it is new love And as it grows it older, and love it grows colder And that fades away, love, like the morning dew <…> When I go out walking, I hear people talking School children playing, I know what they're saying They're saying you'll grieve me, that you'll deceive me Some morning you'll leave me all packed up and gone <…> Sounds from the river Keep telling me ever That I should forget you Like I never met you Please tell me their songs of Was never more wrong, love Please say I've been gone, love To my Liverpool Lou
Another song where Paul used a Gizmo - I’m Carrying
McCartney originally recorded the song accompanied by just his acoustic guitar during the London Town sessions aboard the stern of the yacht Fair Carol in the Virgin Islands on 5 May 1977. In December 1977, he overdubbed orchestral strings and he also overdubbed his own playing of an electric guitar using a Gizmo. The Gizmo is a device invented by 10cc members Kevin Godley and Lol Creme, which allows a guitar to be played by vibrating the strings rather than plucking them. (x)
By dawn's first light I'll come back to your room again With my carnation hidden by the packages I'm carrying, something I'm carrying something for you Ah, long time no see baby, sure has been a while And if my reappearance lacks a sense of style I'm carrying, something I'm carrying something for you I'm carrying I'm carrying, can't help it I'm carrying I'm carrying something for you
People say, ‘What does this song mean?’ and I say, ‘Well, it’s up to you.’ It can mean a million things. What am I carrying here? I kind of make it clear that it’s packages. So I’m like Dapper Dan, with my carnation hidden by the packages. I’m bringing presents for you, I’m carrying something for you, but also, when a woman is having a baby, she’s carrying. There are a couple of other meanings that rule themselves out. One is carrying a gun. Another is carrying drugs. One meaning that might have a little traction is the idea of one person ‘carrying’ a band, with the others riding on the coattails. I’m not even sure about that. I’m just playing with the word ‘carrying’. It’s a very ambiguous little song, but that was the sort of freedom of Wings, to do something a little bit ambiguous. It’s been suggested that this song sounds Lennon-esque. I’d admit to it if it were, but to me it sounds more McCartney-esque: just the little voice. I couldn’t imagine John doing quite such a little voice. But you know, if it’s seen as Lennon-esque, that’s no great problem. We did learn how to write songs together, after all.
(Paul McCartney, The Lyrics, 2021)
The Tuesday and Wednesday sessions [February 18-19, 1975, New Orleans when John didn'tt come] were spent fleshing out ‘Spirits of Ancient Egypt.’ Paul added Moog and Gizmo guitar, Linda recorded synthesized string swells, Joe added gong at the start of the track, and Alan O’Duffy recorded the sound of a telephone busy signal, to be used at the end of the song. Finally, the whole band, plus O’Duffy, gathered around a microphone to overdub the song’s rich vocal harmonies.
(The McCartney Legacy: Volume 2: 1974-1980 by Allan Kozinn and Adrian Sinclair, 2024)
We knew George Melly from Liverpool. George was a very posh Liverpudlian, and he used to be the vocalist with a band called the Merseysippi Jazz Band. He was a very nice man, flamboyant, slightly eccentric. He had a big collection of paintings by René Magritte, the Belgian surrealist. In the seventies I was very into surrealism too, and Magritte in particular. It goes some way to explain the wacky nature of some of these songs. I always thought I didn’t do quite enough with the title. ‘Spirits of Ancient Egypt’ could have been intriguing and mystical, yet I somehow went the opposite way. ‘You’re my baby / And I love you / You can take a pound of love / And cook it in the stew.’ There are very lyrical moments ‘Spirits of ancient Egypt / Shadows of ancient Rome’ . . . ‘Echoes of sunken Spain’ – all great epic legends, but then set against those moments you’ve got just a love song. It’s the ordinary pitched against the extraordinary.
(Paul McCartney, The Lyrics: 1956 to the Present, 2021)
<…> I'm your baby do you love me? I can drive a cadillac* across the Irish sea – but when I've finished doing that I know where I'll want to be Cos I'm your baby, and you love me. Spirits of ancient Egypt Shadows of ancient Rome Spirits of ancient Egypt hung on the telly hung on the telly hung on the telephone…. <…> Spirits of Ancient Egypt Echoes of sunken Spain Spirits of ancient Egypt Hung on the phone – a –hung on the Phone a-hung on the phone …again… **
*Cadillac - first association - Elvis' gold-plated Cadillac ("We’d once heard that Elvis Presley had sent his gold-plated Cadillac on tour, and we thought that was just brilliant. So we thought, ‘We’ll make a record, and that’ll be our gold-plated Cadillac.’" - in The Lyrics)
Also it's funny: I'm your baby <…>I can drive Cadillac - Baby you can drive my car
**a telephone busy signal = Call Me Back Again (was written in the spring of 1974 in Los Angeles after reconnecting with John, recorded 3 and 6 February 1975 in New Orleans: February 6 John phoned Sea Saint Studio and told Paul that he had moved back to the Dakota on February 3)
And the fact that Yoko Ono selected 'Liverpool Lou' on Desert Island Discs in 2007 as the song John had sung to Sean as a lullaby: 'Her third pick was the Irish poet Dominic Behan’s ‘Liverpool Lou’ which was a lullaby. Introduced to the song by Lennon, Ono reminiscence, “I don’t know why but one day John, in England, sang ‘Liverpool Lou’ and said ‘Isn’t that beautiful?’… And when Sean was born, he would just sing this song until Sean went to sleep almost every night.”'
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angelicgraveyard · 3 months ago
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HIII !!
ur blog looks rlly cool && i was wondering if i could have
— 1x4 OR 1eggs
as a full ID pack , pls && thank you :3c
( also could i be the 🌟 anon ?? )
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☆ ﹒ 1x1x1x1 ID PACK  !
🧪 – requested by : anon ( 🌟 )
🧪 – posted by : jaxx
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✟  ﹒ names  𝄈
1x . 1x4 . 1x1x1x1 . aamon . adder . anwir . balor . bellinor . blazer . bolverkr . brantley . cain . cary . casimir . cifarelli . cole . corbin . csintalan . exe . damien . daray . darth . delaney . diablo . diabolos . dolion . dolus . donovan . draco . donahue . dugal . doyle . drefan . heolstor . ivan . keres . kerwin . kieran . krampus . malvolio . maverick . metis . morfran . morgoth . moros . mort . one . onyx . ormr . ozul . phoenix . rogue . tamesis . thanatos . torquil . treacher . tynan . ubel . wilder . x . zagan .
✟  ﹒ pronouns  𝄈
01 / 01 . 10110 / 101 . byte / bytes . chaos / chaos . code / codes . command / commands . mal / malware . mal / malfunction . data / data . cyb / cyber . digi / digital . e / exe . gli / glitch . in / install . li / link . vi / virus . web / site . wire / wires . h3 / h1m . h! / h!m . h# / h#m . shx / hxr . hx / hxm . ix / ix . 1x / 1x . hack / hacker . script / scripts . it / its . rib / cage . rib / ribs . death / deaths . negativity / negativities . despair / despair . slash / slash . demise / demises . decay / decay . slay / slayer . rot / rotten . para / paranoia . corr / corrupt . xi / xir . 🥚 . 🦴 . ⚔️ . 🧪 . 👑 . 👾 . 🥀 .
✟  ﹒ titles  𝄈
his creation of hatred . the being of despair . the one who waits for the day . the slaughterer . prn who hates prns creator . prn who attacks . prn who hacks . the hacker . the failed work of art . prn who embodies negativity . the one who is devoid of positivity . no . 1 shedletsky hater ( /j ) . prn who is filled with rage . prn who doesn ' t forgive . prn who holds grudges . the inescapable one . prn who fires prns sword .
✟  ﹒ labels  𝄈
n / a
✟  ﹒ genders  𝄈
agender . gxndxrfluid . mxsculine . hatembodiment . inner ragic . fleshripped . detagender . timarix . weaponthing . monsteric . cyberthing . <?>gender . th?ng . necrogender . gender decay . malware gender . virus gender .
✟  ﹒ system names  𝄈
the creations of hatred . the ones created by hatred . the fighters . the failed creations . the broken artworks . the holders of negativity . roblox ' s favourite hackers . reminders of the past . those who cast mass infliction .
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stuck-in-a-forest · 2 months ago
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★ intro post ★
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welcome to my blog :]
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this is Drgm xe is my blog mascot
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xis pronouns are xe/xim/he/him/it/its
"Drgm is fabulous. Drgm is king" - @the-toaster-rat
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some basic info
main names: Caspian, Cas, Caspi, CJ
other names: shenanigan, wren, sparrow, aster
pronouns: anything but she/her/he/him, including neos and it/its!!
pronouns page
birthday: February 2nd
random: I’m a child of Hecate, I play softball, do rock climbing, and some dance, and also theatre, right now in the Percy Jackson musical.
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gender + orientation
gender: agender, nonbinary, unlabeled
orientation: aromantic, aegoromantic, asexual, aegosexual, aplatonic spectrum, afamilial spectrum
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alterhumanity
I'm an alterhuman!! specifically, my labels are nonmorph, kinfluid, otherlink, and otherfix
(all are linked to websites explaining)
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fandoms + music
fandoms: arcane, hilda, carmen sandiego, epic the musical, riordanverse, osmanverse, Hamilton
music: cavetown, epic the musical, hamilton, the lightning thief musical
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le brain chemicals
im prolly autistic
i might have ocd but prolly not
also depresion and anxiety ig idk
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tagging system:
#my zigzag child - interacting with @zithergiltscorner
#my super cool ex wife - interacting with @ladyloss-blog
#the best herb - interacting with @sage-way
#my niephling <3 - interacting with @c0nstantlyscreaming
#me in a forest talking to forrest- interacting with @the-toaster-rat
#art in a forest - art tag
#shen writes - writing tag
#manifestation story - tag for the story im writing
#shens doggos - posting about my doggos
#shens doggos: buttercup - tag specifically for my black lab, buttercup
#shens doggos: ellie - tag specifically for my chocolate lab, ellie
#shens doggos: buttercup and ellie - tag for both of them
#today was a _ night - tag for my nightly reviews of my day/night
#shens names - posting about name stuff
#new name unlocked - tag for when I acquire a new name
#ze sensory cat hat - tag for posting about this one hat i really like
#shen rates stuff - tag for rating things, idk if this is gonna be a thing tho
#shens goodnight posts - tag for goodnight posts
#shen youre already writing a book stop writing more - tag for the other story im writing
#bug does theatre - tag for theatre related things
#bug collects rocks - tag for posting about my very new rock collection
#bug the creature - tag for alterhuman posting
#sparrows summer bucket list - tag for summer stuff
#one okay thing about today jar - tag for listing about this thing I have where every day I put a piece of paper with one good thing about the day in a jar
#that’s so tumblrcore of me - tag for shit posts and all that weird stuff that is only ok on tumblr
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sideblogs:
@the-constellation-academy - side blog for one of the stories im writing
@unnamed-storyplanning-blog - side blog for the other story im writing
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tumblr family tree
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dividers by @hyuneskkami
userboxes by me, I’ll make you a userbox if you want :]
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flagqueer · 4 months ago
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navigation:
biggest text id: "navigation:" coloured to be rainbow. [end]
aisthes—ids. × cis—ids. × comp—ids. × deme—ids. × dissoci—ids. × forced—ids. × joke—ids. × id4id. × iter—ids. × lamor—ids. × mirror—ids. × mud/mus. × mus—ids. × muto—ids. × null-ids. × pan—ids. × paras. × perma—ids. × project—ids. × schrödinger—ids. × spin—ids. × spite—ids. × stances. × trans—ids. × tris—ids. × vero—ids. × wtf—ids. × xeno—ids. × xis—ids.
regular text id 1 (along with some additional summarisations on meanings): aisthes-ids (aesthetic ids). cis-ids. comp-ids (compelled ids). deme-ids (demonised ids). dissoci-ids. forced-ids. joke-ids. id4id (aka: id-loving-id). iter-ids. lamor-ids. mirror-ids. mud/mus (medically unrecognised ids). mus-ids. muto-ids. null-ids. paraphilias. perma-ids. schrödinger's-ids. spin-ids (special interest ids). spite-ids. stances. trans-ids. tris-ids. vero-ids. wtf-ids. xeno-ids. xis-ids. [end]
—abled. × —age. × —amia. × —body. × —death. × —experience. × —fashion. × —gender. × —harmed. × —harmful. × —hated. × —hateful. × —hobby. × —job. × —location. × —opinion. × —orientation. × —persona. × —race. × —relationship × —species.
regular text id 2 (meanings can be found below the cut) (these suffixes can be assumed as started with any of regular text 1's ids): -abled/ability. -age. -amia. -body. -death. -experience. -fashion. -gender. -harmed. -harmful. -hated. -hateful. -hobby. -job. -location. -opinion. -orientation. -persona(lity). -race. -relationship. -species. [end]
blog archive available here. you can always help out by feeding the blog into the archive to keep it up to date!
regular text id 3: blog archive available here (https://archive.md/JLBbW). you can always help out by feeding the blog into the archive to keep it up to date!
additional:
tagging is fine. send an ask if i incorrectly tagged something. non—rb tag is : not a flag . i block non—rq blogs who post trans—ids, paras, et cetera so i don't mistakenly rb them.
biggest text id: "additional:" coloured to be rainbow. [end]
this is an archive blog. therefore no specific stance, opinion, dni, or alike is on this account. it's just a rq blog. there are also no identities attached to this blog.
regular text id 1: tagging is fine. send an ask if i incorrectly tagged something. non-reblog tag is ":not a flag." i block non-radqueer blogs who post trans-ids, paras, et cetera so i don't mistakenly reblog them. [end]
regular text id 2: this is an archive blog. therefore no specific stance, opinion, dni, or alike is on this account. it's just a radqueer blog. there are also no identities attached to this blog. [end]
guide 2 navi:
top = umbrella terms, unspecific terms, et cetera. bottom = specific labels, microlabels, et cetera.
biggest text id: "guide 2 navi:" coloured to be rainbow. [end]
regular text id: top (identities) include umbrella terms, unspecific terms, et cetera. bottom (identities) include specific labels, microlabels, et cetera.
—abled includes: disabilities, disorders, sicknesses, symptoms.
—age includes: adult, minor, other.
—amia includes: anything to do with blood, dna, etc. that may or may not fit strictly into —race.
—body includes: any change in physical characteristics.
—death includes: anything from —harmed that leads to death.
—experience includes: addiction, childhood, et cetera.
—fashion includes: aesthetics, appearances, styles.
—gender includes: chromosones, gender, sex, sexual characteristics.
—harmed includes: anything that doesn't fit —trauma, but includes being harmed in some way.
—harmful includes: anything that involves bringing harm to another being.
—hated & hateful includes: hate crimes, hate speech.
—hobby includes: it's just hobbies.
—job includes: it's just occupations.
—location includes: labels that may or may not fit in —race.
—opinion includes: beliefs, ideas, politics.
—orientation includes: anything that isn't a para, but includes attraction.
—persona includes: characters, personalities.
—race includes: ethnicity, lingual, melanin, other (non—human) skin colours.
—relationship includes: dating, dynamics, friendship, romantic, sexual, et cetera.
—species includes: fictional, human, non—human, et cetera that may or may not fit in —body.
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