#less processed

[qiinamii]

we'll do fine.

[ingredientsonline]

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[mikakuna]

i see this jason todd who actually looks his very young age (instead of the 30yr old man that comics like to portray)

and feel my heart breaking just imagining bruce beating him up, almost killing him, mind-breaking him, and just overall being a total piece of shit father towards him.

a huge chunk of the reason why people don't view bruce's actions towards jason as abusive or wrong is because jason doesn't look his age. he's drawn to be this 35yr old father of three who looks even older than dick (and way too on par with bruce) that people see their fights as one between batman and any of his regular rogues. when they fight, it just looks like batman is fighting a man his age and not an actual young person. it doesn't look like batman is fighting his son who's barely even drinking age (and who def wasn't drinking age in utrh). their fights are portrayed in a way that eliminates the very real power struggle between them.

this applies to jason's entire character as well. a lot of people don't sympathize with how he died or his actions as robin or his fights with the other bats because he doesn't look his age. he always looks older and scarier than everyone else. tim has many sympathizers from the titans tower incident because jason just looked like a grown man fighting a 12yr old (even tho i disagree, tim was built and like 17 lmfao).

anyways, i just wish comics would actually draw jason to look his age, which literally ranges from 19 to early twenties. he's young- so young, and it's so annoying to see him drawn and written as someone older than even bruce.

[drbtinglecannon]

Everyone enjoy this pic of our new cat, Chester. The thousand-yard stare and extremely mushed face really make it an instant classic

[mashollings]

CHELL

[commsroom]

Okay! Obviously, I love Wolf 359. The available scripts for Wolf 359 are recording scripts, meaning they're inaccurate in a ton of places when it comes to finalized or improvised dialogue, and don't function well as transcripts (especially since the scripts for the live show and some of the mini episodes were never made available.) That said, I think everyone should read the scripts; the sheer amount of physical description that you can feel in the show, even if you can't see it... I guarantee it will enhance your listening experience. Most visual show to ever be an audio drama. So, in pursuit of both of these goals at once, I went over every word in the scripts, and wrote up new scripts for the unavailable ones. Some of the sound effects described - especially in early episodes - might not line up exactly, because I didn't want to mess with the non-dialogue portion of the show, but I hope this strikes a good balance and can be a useful resource.

[yoomschoocs]

Some team RWBY warm-up doodles that I ended up using as experimental coloring practices!

The process of this was a messss but hey you gotta learn somehow :)

[skyberia]

joker & the animal parade (or: my main p5r party)

[tradingjack]

There's no turning back.

... Is there anyone who'll be able to survive what lies ahead?

[seagull-scribbles]

They’re out of time (cancelled)

<prev [5/7] next>

[fox-guardian]

[ID: A digital drawing in a vintage cartoon style of Jon and Martin as a vampire and a werewolf respectively. Jon is a short, Arab man with dark curly hair partly pulled back and a mustache, and he is dressed in Victorian fashion with a green vest and black cape with an orange underside, black trousers and shoes, and a frilly white shirt with poofy sleeves. He has fangs, pointy ears, and is also wearing half-moon glasses. Martin is a taller, fat white man with red hair and body hair and fur, and he is wearing red flannel completely unbuttoned and no shirt underneath, cuffed and ripped blue jeans, and red converse. He has fluffy wolf ears and a tail, fangs and claws, and a dog nose, and he is wearing round glasses. The colors are offset from the line-art in multiple directions and the background is off-white. They are chatting, with Jon gesturing confidently and Martin smiling awkwardly with his hands hear his chest. end ID]

~~~~

HAPPY HALLOWEEN have a spooky vintage jmart <3

[haunted-xander]

I think Ryne would have a kinda skewed sense of what's normal. Like, she may technically know what's "normal" for most people, but what's normal for her is way different. She's raised by two men who are both Weird, only one of which can even pretend to be normal (and like hell Thancred bothered with that while on the run with Ryne lol)

Ryne thinks that talking circles round pixies is common knowledge from her many stays in Il Mheg. It is not. She also thinks knowing how to and being able to stomach skinning and gutting animals for food is normal. It's certainly more common, but unless you're a hunter it absolutely does not come as easily. Being able to walk and run around quietly is something she technically knows is unusual, but since her company has mainly consisted of a professional spy and a man who barely leaves home she tends to forget that most people can't do that.

I can't come up with anymore atm but. Ryne should get to be just a little weird(er) I think

[ingredientsonline]

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[comradekatara]

sokka hates the fire nation but nonetheless subscribes to their logic through internalizing his own dehumanization, albeit in the name of sacrificing what is necessary to resist imperialism. on the other hand, aang refuses to sacrifice his humanity, which is intrinsically tied to the culture that was deemed deserving of extermination, and by recognizing the fullness of his personhood and his intrinsic right to exist, he defeats the tenets of imperialism on an ideological battleground. that is why it is so crucial that aang’s influence over sokka, as an air nomad, and as someone who did not grow up under the looming shadow of colonialism and genocide, is what helps him regain the childhood he had forsworn in the name of war—his laughter, his joy, and his humanity.

[tangledinink]

I’ve been having your aus in my brain for a while. I absolutely love them 🥰

Question for Swanatello, have you ever had a strong desire to go back home to the lair or do you even remember much about the lair being your home, even with the bracelet and board? Like, have you ever in the middle of the day just randomly think “I want to go home” while thinking about the lair?

Of course he does. He doesn't remember details very often... but the one downside of the bracelet is that now he is almost constantly aware that something is wrong. Even when he doesn't understand what's going on-- he almost always knows that something is wrong with him and with the world around him. He wishes for things he can't remember. He aches over the absence of things that he can't recall. He misses people that he doesn't know. He can't remember home, but he knows he's not there.

Swanatello hates to be alone now. Overall, it's for the best, it helps, but every evening he's introduced to the idea that something is horribly wrong, and then he's promised that someone is going to be there soon to help. And every evening, he has to wait to see if that promise will be fulfilled and if his family will come and help him.

[snapscube]

*sets this down and staples it directly to your desk without elaboration*