#leverage redemption fic

[kookicat]

The Greater Good

He steps off the bus and into a fitful, spiteful rain that rolls down the back of his collar and soaks into his shirt with icy water. The bus stop is on the opposite side of town to where he needs to be, so he slings his duffle bag over his shoulder and starts walking, tugging his beanie low to keep the rain off as best he can. His bones know the route, and he's not expecting trouble for once, so he lets himself relax, drops the constant vigilance that was beaten into him by every bit of training he'd had since stepping on the bus out of the same town. It makes him feel naked, exposed, even though he knows there's no-one else about. The scratch and scrape of his boots on the path are the only sound apart from the rain dripping off the occasional tree. 

The thick stone walls and cast iron gate come into sight and his steady pace falters, because he's not ready for what's waiting for him on the other side. Seeing it will make it real, and there's a finality about that he can't avoid. His feet feel stuck to the rain dappled pavement, legs heavy like there's lead flying at him, and he heaves in a breath before he starts walking again, ignoring the shake that's slowly spreading through him. There's water on his face and he blames the rain, though that doesn't explain the way his eyes are burning. He blinks, gets in another choked breath, swiping his hand under his nose before he surveys the neat rows of shining white stones. The sight is like a fist to the gut, drives the air out of him and he has to close his eyes, lean against the wall for minutes-seconds-hours before he can fill his lungs properly again. His duffle drops to the floor with a thump and he leaves it there, because there's enough weighing him down already. 

The one he wants is at the end of the row, fresh flowers standing proud in the vase by the headstone. Oxeye daisies. Her favourite, he thinks, and bites his lip, hard on the little wounded sound that wants to escape. Oh, god, Mom. I'm sorry. I'm so sorry. 

He blinks again, feeling the salty slip down his cheek and surrenders to it, dropping to his knees, one hand splayed on the headstone, the other dug into the thick grass like if he lets go he might just be swept away. Once the tears start, he can't get them to stop, feels like they're scouring him clean. There's a surrender in them and it feels like the first one in forever, after years spent building walls up, thick and strong and so solid nothing touched him. All the things he held at bay hit him and he yields to them, the scent of dry dusty air and cordite and blood cooking under the baking sun drifting through his mind like a vengeful spirit. 

I think you'd be ashamed of me now, Mom, he thinks and glances down at his hands, expecting them to be coated in thick and clotted red. They say we're keeping people safe, but some of the things we do�� He shakes his head, draws a shaking hand over his face. Some of the things we do are wrong. 

It's the first time he's admitted it to himself, and a wave of disgusted relief passes through him. Maybe I'm not beyond redemption, he thinks, if I can still recognise that. 

The letters are cut into the stone in crisp, even lines and he traces them, traces the name that had always just been Mom to him. Remembers hugs scented with baking and perfume, a careful hand brushing out his hair, and tending his hurts. Remembers too, the look on her face when he stepped on the bus, bound for a job he felt called to do, because she'd seen the damage it did once and knew exactly how it would chew him up and spit him out. 

"Well I'm not out yet," he says, aloud, but quietly, because there's a hush about the place he's loath to disturb. "I'm sorry I wasn't here. I tried. God knows I tried, but they… well, there was a mission and…" he trails off, digs awkwardly in his damp jean pocket and pulls out the silver locket he'd picked up at a little market, on a dusty street, in a town whose name he can't recall. 

The ground is soft and he scrapes a shallow hole, dropping the necklace in. "I thought you'd like it - I was gonna-" his voice breaks and he stops, bowing his head and surrendering to the fresh wave of tears. His healing ribs ache, and he presses his hand against them, because that pain he knows how to deal with. "I'm sorry," he murmurs and closes his eyes, focusing on the push-pull of his breaths until his body settles. "I love you." 

"El, it's time to go," a voice says from the gate and he looks over, swallowing hard because someone cared enough to follow him. 

"Paul. You shouldn't have come," he grates out, and forces himself to his feet, wincing as the blood flows into his legs after so long kneeling. The other man crosses the space between them, deliberately bumping Eliot as he stops. 

"Please," Paul says. "You think being a medic is just sticking on the bits you idiots get blown off?" He fishes in his pocket and pulls out a dollar, placing it carefully on the stone. "Mrs. Spencer, you raised a smart boy, but he can be dumb at times." 

"Give me a minute?" Eliot asks, and Paul nods, already heading back to the gate. 

The words he wants to say won't come-they're churning inside of him like the storm that's passing by overhead. "Thank you. For everything. For seeing a baby no-one wanted an-," his voice breaks and he lets the words trail off, because he can't get a thing out past the lump in his throat. "Just thank you," he gets out at last, lifting his fingers to his lips and touching them to the stone in a silent kiss. 

It could be his imagination, but for a moment, the wind feels warm against his cheek as he turns away and walks to the gate, only turning as he reaches it. 

We wanted you, and I'll never be ashamed of you, son, he hears, but maybe it's just the wind and wishful thinking. 

The gate clunks closed behind him, and he can't help but take one last look back before he picks up his duffle and starts walking, knowing the greater good is always calling his name. 

[leverage-ot3]

okay I absolutely get and adore harry being oblivious about ot3 developments, but consider:

after breanna makes it explicitly clear she’s queer in the card game job, harry starts Researching™

he’s trying to be good, be better. he likes this girl and wants to be there to support her and be her friend, someone she can trust. it doesn’t help that she’s around the same age as his daughter, who barely wants to associate with him anymore

he learns breanna is queer and dives into researching. watching TED talks in his spare time. reading ebooks on his phone in between playing roles in a con (bringing a physical book is less convenient and he doesn’t want to wave around the fact that he’s researching like he’s trying to be performative about it). he reads about legislation and book bans and wonders about how they could work their magic through a con to fix those things. he reads about asexuality and recognizes the flag colors from the sticker on breanna’s laptop, which he files away for later

he learns a lot! he has been peripherally aware of queer stuff- it’s kind of hard not to be in the 2020s, but now he is much more informed on a lot of issues. he has memorized at least 50 different labels and terms and has an index of resources in his head (and on his phone) if anyone might need them. he wants to understand the people he loves and cares about, whether it’s breanna or one of his daughter’s friends, or anyone in his life that is queer and he doesn’t know it yet. he wants to be ready and prepared to support them!

he learns about sapphicness and bisexuality and intersex rights and the gender spectrum. he learns about karyotypes and stonewall and other queer history. he learns about kink (blushing, but still reads because it’s important!) and relationship diversity… which leads him to discover the term polyamory

he tries not to actively apply the terms he has learned on the people in his life because he knows it’s wrong to assume things about other people. BUT. harry spends a few days reflecting on parker, hardison and eliot’s interactions and wonders. he thinks about the long hugs and lack of personal space and near telepathic communication not just between parker and hardison, but parker and eliot AND hardison and eliot. how parker knows how to make eliot take care of himself, how he knows when she forgets to eat because she’s so hyperfixated on planning a con. how parker jumps on his back for fun and no matter what, he always catches her. hardison’s absence is felt when he’s gone, deeply by the both of them.

it could just be a deep friendship, he knows. they have been working and living together for over a decade, of course they would be close!!! maybe they could even be queerplatonic! (another new word he learned!)

but. still. he quietly observes, watches closely, and thinks.

[cachow-it]

Leverage crossovers have the potential to be the ultimate fixit for any fandom.

[werewolfsmile]

The Eliot Spencer Details Masterpost

I have been recording details about our beloved Eliot Spencer on my latest watch through. And now, it's finally time to reveal the details!! If I have gotten any details INCORRECT, I beg of you to correct me, at which time, this post will be updated and credit given. (Note: S1 was aired out of chronological order. I am going by chronological episode numbers - aka the correct order - and providing the episode titles as well to minimise confusion.) !! This post contains details from Leverage: Redemption! Read the episode references carefully if you are wanting to avoid certain spoilers !!

Shirtless Moments

S1 E7 The Two-Horse Job: The flashback scene when Aimee asks Eliot what his excuse was for not coming back to her, we see him being dragged/tortured, shirtless. "Tell us what you did with the monkey!"

S2 E2 The Tap-Out Job: Eliot is shirtless for the fight match.

S4 E9 The Cross My Heart Job: Ehh he's not completely shirtless here but whatever. At about 16 mins in, Eliot and Parker are getting changed together, Eliot strips to a singlet then throws his shirt at me the camera. (I didn't include other scenes of Eliot in a singlet here because in this scene he's actively undressing, whereas in others he's not.)

Necklaces

The earliest sighting of his guitar pick necklace is S1 E2 The Homecoming Job. It continues to pop up frequently in episodes, though noticeably less in S1. I thought about recording every occurrence of it here but ... lmao it's in legit waaayyyy too many episodes for me to bother.

S2 E10 The Runway Job: Honourable mention of the necklaces Eliot wears with his fashion week outfit. The longer one is kinda dogtag-esque, the shorter one is ... I think it's a fleur de lis? He also wears a range of chain necklaces later in this episode.

S4 E18 The Last Dam Job: Bird pendant (possibly kingfisher) visible at 34 mins 39 seconds. Full credits to @wolves-in-the-world for this one including the time stamp! You can check out their reblog of this post with more details here!

Dammit Hardison

S1 E13 The Second David Job: The FIRST INSTANCE of dammit Hardison in the entire show! Said upon discovering each other in the gallery, around 4 mins 15 seconds.

S2 E1 The Beantown Bailout Job: Said around 22 mins 30 seconds, immediately following, "What are the odds that Eliot's crotch will actually explode?" Iconic.

S2 E6 The Top Hat Job: When setting up for the magic show and discovering the rabbit missing, roughly 19 mins 45 seconds.

S3 E3 The Inside Job: Running from security, around 31 mins 30 seconds.

S3 E4 The Scheherazade Job: Trying to enter McRory's at the same time, around 1 min 30 seconds.

S3 E5 The Double Blind Job: This is an honourable mention because this time NATE is the one to say dammit Hardison! 9 mins 15 seconds.

S3 E6 The Studio Job: Upon discovering the master tape isn't in the case, roughly 32 mins.

S3 E7 The Gone Fishin' Job: Eliot and Hardison running in the woods for their lives, arguing as always. This one is a bonus 'dammit' because Hardison says it straight back to Eliot after Eliot yells it at him! Around 21 mins.

S3 E12 The King George Job: Discussing Hardison's forgery work, followed by Eliot regretting touching anything. Around 23 mins 55 seconds.

S3 E13 The Morning After Job: Pretending to be cops and accidentally ending up with a prisoner to take back to jail, around 16 mins 20 seconds.

S3 E14 The Ho Ho Ho Job: Honourable mention of Chaos mocking Eliot by saying dammit Hardison. Roughly 21 mins 15 seconds.

(phew, S3 was rough on Hardison! given what Eliot was going through with the whole Moreau thing.... ooh that's delicious angst)

S4 E5 The Hot Potato Job: Honourable mention for Sophie saying it this time! While playing the role that was meant for Eliot, around 24 mins.

S4 E6 The Carnival Job: Mixing chemicals for a distraction, roughly 25 mins 30 seconds.

S4 E17 The Radio Job: Hardison running away from being thrown off a high floor, around 5 mins.

S4 E18 The Last Dam Job: Sneaking around at the Bellington Dam, roughly 13 mins 35 seconds.

S5 E1 The (Very) Big Bird Job: 'Accidentally' putting a brew pub menu in front of Eliot, around 10 mins 20 seconds.

S5 E15 The Long Goodbye Job: Emotional scene that we do not speak about, around 12 mins 40 seconds.

RS1 E1 The Too Many Rembrandts Job: After knocking Harry out and asking Hardison to help carry Harry, and Hardison refuses. 11 mins 40 seconds.

RS1 E2 The Panamanian Monkey Job: Upon discovering that security is headed to the vault where Parker is, and the only way down there is through the vents. Around 34 mins 10 seconds.

RS2 E1 The Debutante Job: We get 3! In this whole episode! Probably to make up for Hardison being gone for most of Redemption. Anyway! First one when Eliot and Hardison are in Ralphie Roy's place and Hardison has no idea who Ralphie is, around 23 mins 15 seconds. Second is when they're breaking into the elevator and Hardison won't help fight or move the unconscious guards, roughly 37 mins 40 seconds. And third, after the job when Parker says that Hardison was the one who took out all the guards. Around 45 mins 10 seconds.

RS2 E3 The Tournament Job: Right at the start after Eliot says gaming isn't a sport and Parker texts Hardison, so Hardison starts blowing up Eliot's phone. Lmao. Around 4 mins 20 seconds.

RS2 E4 The Date Night Job: After realising Breanna stole his truck, Eliot says dammit, then aims it at a grinning Hardison, since Breanna is already running away. Around 46 mins 50 seconds.

Dammit Parker

S1 E4 The Snow Job: Parker jumps out of a second floor window, Eliot catches her. 15 mins. (Parker gets a dammit from Eliot before Hardison does!!)

S3 E8 The Boost Job: Parker driving erratically, Eliot thrown around in back seat. (Technically there's a pause between dammit and Parker but I'm still including it) 35 min 35 seconds.

S5 E12 The White Rabbit Job: Searching the mark's house, Parker wants to steal a shirt. Again, this isn't technically a proper dammit Parker, as Eliot instead says, "Put it back! Dammit." But I'm still including it because it was aimed at her. 21 mins 20 seconds.

RS1 E9 The Bucket Job: Parker is pretending to be a hacker heavily modelled off Hardison. Not a proper dammit Parker as, again, Eliot only mutters "dammit" under his breath, but still counts to me. Just after 18 mins.

RS1 E10 The Unwellness Job: At end of episode, after Parker admits that she didn't even learn Eliot's name till after the team broke up the first time. 44 mins 30 seconds.

RS1 E13 The Hurricane Job: After washing up on shore and entering the Beacon Inn, Parker and Eliot are bickering about Maria. He doesn't strictly say dammit Parker but there's absolutely no doubt who he's directing the dammits towards. 3 mins 30 seconds.

RS2 E6 The Fractured Job: When farewelling Billy and Parker says next time she'll finish telling him about the robot bodies. Again, it's just dammit not dammit Parker but it's close enough. 41 mins.

RS2 E8 The Turkish Prisoner Job: Another standalone dammit that is most definitely aimed at Parker! When breaking Romero out, Parker says she's a firefighter (with far too much glee), around 14 mins 30 seconds.

RS2 E10 The Work Study Job: A full dammit Parker this time! When Parker reveals that it's super easy to steal from a university and produces a whole bunch of stuff, roughly 22 mins 40 seconds.

Very Distinctive Moments

S1 E2 The Homecoming Job: Eliot ID's the weapon from the gunshots, around 8 mins. Later, he ID's a guy off his knife fighting style, around 18 mins 50 seconds.

S2 E6 The Top Hat Job: ID's a CIA guy from his stance, roughly 7 mins 45 seconds.

S3 E11 The Rashomon Job: ID's the smell of peppermint on Hardison's breath, around 21 mins.

S3 E12 The King George Job: ID's former British paratroopers by their haircuts, 30 mins 10 seconds.

S4 E1 The Long Way Down Job: ID's a former spetsnaz guy by his footprint, 13 mins 45 seconds.

S4 E5 The Hot Potato Job: Honourable mention of Eliot ID'ing ex-military personnel by their stances, he just doesn't say very distinctive. 18 mins 50 seconds.

S4 E11 The Experimental Job: Honourable mention of Eliot ID'ing a helicopter by the whumpa-whumpa (there's 7 of them did you know). Around 7 mins.

S5 E3 The First Contact Job: ID's military satellite transmission by the static, 7 mins 20 seconds.

S5 E9 The Rundown Job: ID's a Navy Seal who enlisted between '90-'95 by his watch, around 16 mins.

RS1 E2 The Panamanian Monkey Job: ID's a drone (Breanna's) from the sound. 11 mins 50 seconds.

RS1 E3 The Rollin' On The River Job: ID's Russian mob by the tattoos, 36 mins 30 seconds.

RS1 E7 The Double-Edged Sword Job: Honourable mention for Maria ID'ing the way Eliot disarmed her gun, 7 mins 50 seconds.

RS2 E4 The Date Night Job: Eliot ID's a guy as not having a distinctive anything - which is what is so distinctive. 20 mins 40 seconds.

RS2 E13 The Crowning Achievement Job: ID's MI6 off their search pattern, 6 mins 50 seconds.

Known Family

S1 E6 The Miracle Job: When discussing Bibletopia, Eliot says his nephew would like it. This is the ONLY mention of a nephew in the entire show, Redemption included; nor is there any direct mention of a sibling beyond this (which leads me to believe that this nephew is actually the son of a close friend/cousin/military buddy, rather than a direct family relation, but that's just my headcanon).

S2 E3 The Order 23 Job: When talking to the abused boy, Randy, Eliot says he has an uncle named Randy.

S5 E11 The Low Low Price Job: Eliot's dad owned a hardware store and he wanted Eliot to take over one day. But Eliot wanted to get out of that small town, so he joined the service. Fought with his dad the night before he left and hasn't been back since. He goes back at the end of this episode and knocks - but his dad never answers the door 😭

RS1 E9 The Bucket Job: While interrogating/torturing Eliot with Red Haze, Bligh says that Eliot's dad's friend from Vietnam has invited Eliot to join them for Christmas. At the end of the episode, Eliot goes to join them for dinner, only to get a message from 'J' that his dad was a no show. This 'J' is widely accepted as Eliot's unknown sibling but that is incorrect! 'J' is Eliot's dad's buddy from Vietnam!

RS2 E6 The Fractured Job: The ultimate Eliot family backstory episode!! (if you haven't seen it yet and don't want spoilers, skip this one!) Eliot was adopted by a black couple, Billy and an unnamed woman, after being abandoned/surrendered at a hospital as a baby. His father was a war hero who got none of the glory and sustained a wound, ruining his civilian career path, so Billy never wanted Eliot to follow in his footsteps. Eliot loved the stories of his dad in the military so joined up to be like him. His mother died while Eliot was on an op and he couldn't get leave to come back for the funeral, deepening the rift between him and Billy. Ultimately, they reconcile, (Eliot says his dad was always a hero to him, Billy say's he's proud of Eliot, they hug), and I cry every time 😭❤️ [Edit: Eliot being a baby at the time of being found at the hospital and consequently brought home by his adopted mother is unconfirmed and my presumption. We have no clear info on his age at adoption. Thanks to @nival-kenival for picking that up!]

Phrases: Ain't

S1 E4 The Snow Job: Said to Nate, right before Nate tells him to go skip some rope.

S1 E9 The Stork Job: Says it twice while conning Irina.

S1 E10 The Juror #6 Job: Upon being told to go help Parker instead of watching a sports game, Eliot takes his beer back.

S2 E2 The Tap-Out Job: Discussing the fights the mark runs, says they ain't the UFC.

S2 E3 The Order 23 Job: Said right before threatening to throw Randy's abusive father over the railing of a stairwell.

S2 E4 The Fairy Godparents Job: Upon spotting a hitman sent to kill McSweeten and Taggart.

S2 E8 The Ice Man Job: After hearing Hardison call himself the Ice Man, says he won't bail him out when things go wrong.

S2 E9 The Lost Heir Job: While trying to get Parker to the court room and end up cut off by the police.

S2 E11 The Bottle Job: When Hardison wants help to clean up Nate's apartment and Eliot refuses.

S2 E14 The Three Strikes Job: When Nate says to meet outside the ballpark but Eliot refuses because now he's sucked into the sport.

S3 E3 The Inside Job: Twice while arguing with Hardison about how to rescue Parker, once when Parker offers him a lift down the stairwell with her on her harness rig and he refuses. This is the most he says ain't in a single episode!

S3 E7 The Gone Fishin' Job: Once when the militia try to make him kneel, later when the militia kid catches him and Hardison near the train tracks.

S3 E11 The Rashomon Job: When Sophie changes her story to mock Eliot's accent and mannerisms.

S3 E15 The Big Bang Job: When confronting Moreau with Hardison.

S4 E1 The Long Way Down Job: Upon arriving at the base camp and complaining to Nate.

S4 E7 The Grave Danger Job: When looking for a buried Hardison and hearing the sprinklers.

S4 E10 The Queen's Gambit Job: At the end, swearing revenge on Sterling.

S4 E12 The Office Job: Arguing with Hardison about Eliot's sandwich while searching the warehouse.

S4 E13 The Girls' Night Out Job: When trying to convince Nate to socialise at the very start.

S4 E14 The Boys' Night Out Job: Exactly the same as the previous episode, so this one barely counts.

S4 E17 The Radio Job: In the patent office, when trying to figure out who lured Nate into this situation. The same scene is used later as a flashback.

S4 E18 The Last Dam Job: Warning Nate of the consequences of taking a life with your own hands.

S5 E2 The Blue Line Job: When ambushed by Marko when leaving the ice rink.

S5 E9 The Rundown Job: Once when going to wring information on the hit out of Riley, once when Hardison steps on the trigger plate of the claymore.

S5 E13 The Corkscrew Job: First time talking to Betty about how Leonard's a jerk.

RS1 E1 The Too Many Rembrandts Job: Twice when ambushed by RIZ thugs in the warehouse.

RS1 E2 The Panamanian Monkey Job: Once when discussing Ryan Corbett at the start, once when refusing to let Hardison have a turn with the diamond-tipped drill.

RS1 E3 The Rollin' On The River Job: When warning Breanna to be certain of her calculations for how to get him and Parker out of the casino's vault.

RS1 E8 The Mastermind Job: Once when discussing hiring people to overthrow a government, once when discussing how they're going to do like 6 things at once, including saving Harry.

RS1 E9 The Bucket Job: Said twice while talking with Blanche, after Blanche helped rescue Eliot from RIZ.

RS1 E14 The Great Train Job: While digging through the tainted soil with Harry.

RS2 E1 The Debutante Job: When trying to get to Volkov's plane with Parker and seeing that two guards are in the way.

RS2 E5 The Walk In The Woods Job: Talking to Paul after rescuing Harry, who was pretending to be Eliot.

Fun fact: for every ain't that Eliot says, Hardison says at least two more. And that's too many for me to bother recording!

Phrases: Y'all

Never. Not even once.

Hardison, on the other hand, says y'all all the damn time - every season, multiple times, sometimes even multiple times in the same episode.

Honourable mention for Chaos saying y'all as an incorrect mockery of Eliot's accent in S3 E14 The Ho Ho Ho Job.

... Okay, okay! So Eliot says it a few times in Redemption! But only in ONE episode!

RS1 E1 The Too Many Rembrandts Job: Said 4 times when playing a character and convincing people to clear out of the auction house.

That's it.

Aliases

These are all the names that Eliot's gone by or used on cons that I could find, not just full blown aliases.

S1 E1 The Nigerian Job: Detective Lieutenant Carden (the scene with this alias was cut from a lot of versions of this episode)

S1 E4 The Snow Job: Vince Fetkey, Hans Von Schwesterkrank

S1 E7 The Two-Horse Job: Brad Mackie

S1 E9 The Stork Job: Dale

S1 E12 The First David Job: Professor Sinclair

S1 E13 The Second David Job: Professor/Dr Adam Sinclair

S2 E2 The Tap-Out Job: Kid Jones (on the fight match poster)

S2 E4 The Fairy Godparents Job: Coach Brewer

S2 E5 The Three Days Of The Hunter Job: Earl

S2 E9 The Lost Heir Job: Officer Hilts

S2 E10 The Runway Job: Julian

S2 E14 The Three Strikes Job: Roy Chappell

S3 E1 The Jailhouse Job: Dr Abernathy

S3 E2 The Reunion Job: Lloyd Hickey

S3 E4 The Scheherazade Job: Guy Hamilton

S3 E5 The Double Blind Job: Phil

S3 E6 The Studio Job: Kenneth Crane

S3 E7 The Gone Fishin' Job: Agent Quint

S3 E8 The Boost Job: Skeeter

S3 E9 The Three-Card Monte Job: Detective Moffat

S3 E10 The Underground Job: Eric

S3 E11 The Rashomon Job: Dr Wes Abernathy

S3 E16 The San Lorenzo Job: Ray Laroque

S4 E2 The Ten Li'l Grifters Job: Charlie Siringo

S4 E4 The Van Gogh Job: Lieutenant (only granting him this one because CK played him in the flashback)

S4 E5 The Hot Potato Job: Tom Boonen

S4 E12 The Office Job: Mr Dennis

S4 E14 The Boys' Night Out Job: Luigi

S4 E15 The Lonely Hearts Job: Jackson Cooper

S4 E16 The Gold Job: Tobias Bowden

S4 E17 The Radio Job: Cowboy (*cough* John McClane *cough*)

S5 E2 The Blue Line Job: Jacques "Jack" Labert

S5 E3 The First Contact Job: Willie Riker

S5 E5 The Gimme A K Street Job: Steven Turner

S5 E6 The DB Cooper Job: DB Cooper/Young Steve Reynolds (again, technically not an alias but whatever it's here anyway)

S5 E7 The Real Fake Car Job: Barry McElroy

S5 E11 The Low Low Price Job: Archer

S5 E14 The Toy Job: Carl

Honourable mentions of Eliot being called: "Rambo" by Hardison in S1 E2 The Homecoming Job [thanks @independent-fics for this!]; "Emeril" by Parker in S1 E3 The Wedding Job [thanks @aardvaark for this one!]; "Sparky" by Parker in S1 E10 The Juror #6 Job and by Tara in S2 E15 The Maltese Falcon Job; and "Skippy" by Hardison in S3 E7 The Gone Fishin' Job.

RS1 E1 The Too Many Rembrandts Job: Will Gallagher

RS1 E6 The Card Game Job: Glenn the Savage

RS1 E7 The Double-Edged Sword: Emmett Milbarge

RS1 E8 The Mastermind Job: Frank Farmer

RS1 E10 The Unwellness Job: Hank

RS1 E12 The Golf Job: Reed Wilkins

RS1 E13 The Hurricane Job: Calvin

RS1 E15 The Muddy Waters Job: Armus Vagra

RS2 E7 The Big Rig Job: Kris

RS2 E8 The Turkish Prisoner Job: Nick O'Brien

RS2 E10 The Work Study Job: New Blood, Caterpillar

Honourable mention of Eliot being called "Skipper" by Hardison in RS1 E16 The Harry Wilson Job.

Known Associates

This is in direct reference to hitters/people from the criminal world that Eliot knew or was aware of prior to the Leverage Team. Quinn is not included in this list due to that distinction (sorry Quinn).

S1 E3 The Wedding Job: The Butcher of Kiev

S2 E7 The Two Live Crew Job: Mikel Dayan

S3 E11 The Rashomon Job: Gutman

S3 E15 The Big Bang Job: Chapman, Damien Moreau

S3 E16 The San Lorenzo Job: Damien Moreau

S4 E4 The Van Gogh Job: Frank, Randall

S4 E6 The Carnival Job: Roper

S5 E4 The French Connection: Rampone

S5 E9 The Rundown Job: Riley

Trivia

S2 E6 The Top Hat Job: Eliot claims he only sleeps 90 minutes a day, and that he cured his claustrophobia as a kid by locking himself in the woodshed behind his house for a couple nights.

S3 E6 The Studio Job: Eliot is nervous to perform in front of an audience, to the point that Parker startles him and she's surprised that she did. Interesting to note that he seems to have no issue playing sport in front of crowds.

S3 E7 The Gone Fishin' Job: Eliot says he hates beets.

S4 E5 The Hot Potato Job: Eliot chews gum. He does this throughout a LOT of episodes across the seasons but I've only noted down this one episode for it.... thanks, past me 🙄 [Edit: thanks @nival-kenival for more info! Another confirmed episode is S1 E2 The Homecoming Job, and S3 E13 The Morning After Job!]

S4 E9 The Cross My Heart Job: Eliot says he fought a guy with a Nerf sword in Damascus, 2002.

S5 E11 The Low Low Price Job: Eliot drives an F-150 to his dad's house in Oklahoma. This is a THIRD vehicle that apparently belongs to Eliot, in addition to the Chevrolet Silverado and Dodge Challenger we see in other episodes. The F-150 is not seen again.

S5 E12 The White Rabbit Job: Eliot has 'special sedatives' aka a little psychotropic he picked up outside of Bogota.

Eliot mostly walks at the back of the group, presumably to be the rear guard and make sure no one falls behind. See ... just about every damn episode for evidence.

RS1 E3 The Rollin' On The River Job: Parker says that Eliot has cut his way out of an ice cave, escaped a gorilla enclosure, and catered a wedding for the mob.

Eliot is seen wearing glasses throughout various episodes. A flashback in S1 E1 The Nigerian Job shows him wearing presumably his own glasses. All other instances of him wearing glasses (that I can think of) are when he takes someone's glasses for a con. It is unconfirmed if Eliot actually needs glasses to correct his eyesight or not, but is a fandom headcanon. In S3 E1 The Jailhouse Job there is an interaction where Nate ribs Eliot for taking so long in a fight, and Eliot says it's because of new glasses. An argument could be made that this means Eliot does require glasses. [Thanks @independent-fics for picking this up - for pretty much all the details pertaining to Eliot's glasses!]

And there you have it! All the details that I've spent the last 3 months collecting!! Now it's time for me to take a good, long break because my brain is fried! 😂

Once again, let me know if you find any errors so I can update the post. Data from Redemption S2 is where I've most likely missed things, since I don't have it on DVD and it's sooo much harder to scrub through streaming footage to find things. When will they release RS2 on DVD I need itttt.

If you've made it this far, thanks for reading! I hope this post can be a helpful reference for you!

[somanypetals]

just a theatre kid and her guard dog

[qwanderer]

Hardison, snuggling with Eliot: you're my snuggly little le-matya

Eliot: what. What language is that?

Hardison: it's Vulcan

Eliot: agh. It's bad enough you got me to learn Klingon. I am not learning another fake space language for you.

Hardison: mmhmm sure

[reinanova]

Consider:

Harry walks in on Parker kissing Eliot to comfort him (or vice versa) and he backs out of the room in a panic because this poor precious child is unaware of polyamory and the leverage OT3. So, in support of the Bro Code, he goes to Breanna and asks her to send a message to Hardison so he can talk to him.

Now Breanna, the wonderful little sis she is, asks Harry what’s so important that he feels the need to contact Hardison immediately. So Harry confesses that he just saw Parker cheating on Hardison with Eliot and that he needs to tell Hardison about it.

You cannot tell me that Breanna, our gay ace gen Z icon, is not aware of her brother being in a polyamorous relationship. And okay yes, maybe she “accidentally” found evidence of their relationship when she “accidentally” hacked into their phones but that’s hardly her fault. That was just the proof for her suspicions.

Back to Harry. Breanna is just holding back laughter at Harry’s obliviousness and of course she’s here for the drama (and listening to Hardison rant about the interruption) so she sets up a video call with Hardison, secretly sharing the video screen to the room Eliot and Parker are in.

So Hardison shows up on the call, visibly busy with lots of chaos and going ons behind him and is all, “Breanna, what’s wrong?”

And then Harry is all, “Hardison, I gotta tell you something” and tells him what he saw and is very apologetic that he’s informing Hardison that his girlfriend is cheating on him.

Hardison stares into the camera like he’s on The Office, visibly annoyed before going “Really man? Really??? You interrupt me while i’m dealing with [lists like five things he’s got going on right now] for this?”

And then turns to Breanna and says, “You let him call me for this?”

And she gives no fucks about it and just shrugs and is all “I thought it would be funny.”

Now Harry is growing more and more confused and he’s like, “Umm excuse me, are we just ignoring the whole girlfriend cheating on you thing?”

At this point, Parker drops in from the ceiling or something behind Harry and is like, “It’s not cheating when they’re both my boyfriend.”

And Eliot also pops up and says, “I should hope I’m able to kiss my girlfriend when our boyfriend isn’t around to kiss us.”

After Harry recovers from his mini heart attack after getting startled twice by Parker and Eliot, he’s like, “Cool, cool. Wait, what??”

But Eliot and Parker have already wandered off and Hardison is distracted with his stuff and Breanna shrugs at Harry before picking up her laptop and leaving to go catch up with Hardison while she has him on the call. So Harry is left standing there in confused but supportive spirit.

[security-chief-odo]

The Fake Dating Job - Chapter 4

Elliot Spencer x Reader

Previous chapters: 1 2 3

Note: Thanks for your patience. My life has been crazy as of late. In exchange for bearing with me, I offer you, probably my favorite chapter so far of any of my fics.

Word count: ~3.7k

Description: You and Eliot pine for each other throughout the reception. Will your ex get in the way of your happiness?

• • •

After the ceremony, you and the rest of the bridal party are asked to hang back for photos. As the rest of the guests file into the reception hall for the cocktail hour, Eliot makes a brief detour to give you a peck on the cheek. “See you inside sweetheart.” he says softly before rejoining the rest of the guests.

Your mind occasionally wandered to Eliot throughout the photo process, whereas his mind never left you from the moment that he left the bridal suite this morning. You looked gorgeous in the dress your sister had picked out for you. Maybe he could blame the dress for why he spent more time focused on you than on the actual wedding.

Though that is the beauty of this whole plan, there would be nobody to explain it to as he was supposed to want to stare at you. There would be no moment where Hardison calls him out for staring at you for a little too long. There would be no explaining, rather lying, to Parker about how protective he gets over you on a mission. There would be no knowing look across the room from Nate or well meaning advice from Sophie. There would be nothing but his own thoughts and delusions that you would ever want him to be more than just your fake boyfriend.

When the bridal party finally makes their entrance into the reception hall, his eyes are searching for you. Despite how happy you are for your sister, a feeling of relief nearly consumes you once you find yourself by Eliot’s side once again. Though, as you make your way to the table, your relief falters slightly at the realization of who you’ll be seated near. Your ex is seated at the same table as you, only two seats away.

Eliot’s warm embrace calms you though. This is what he was here for ultimately, to be a barrier between you and your ex. To make the night go better for you. And in a small way, he was already doing just that.

After the couple shares their first dance, dinner is served. You desperately try to avoid giving your ex any attention, and Eliot makes that easy. He eats slowly, taking time between bites to shower you with little bits of affection. His hand rests on your thigh through much of the meal and you hope that the flush that crosses your cheeks isn’t too obvious in the dim lighting. You could get used to these casual touches, if only they weren’t for show.

“How’d you like the food?” you ask, hoping that a bit of small talk can keep your wishful thoughts at bay.

“It was alright.”

That response alone was very telling so you quietly finish the sentence he was too polite to complete. “But you could’ve done better?” You raise your eyebrow at him as he half nods.

“I’m just sayin’ I know what these wedding caterers charge and they should take a bit more pride in their work.”

You can’t help, but chuckle at this as the DJ announces the father daughter dance. You turn your chair towards the dance floor to watch your father and sister share this moment and Elliot does the same beside you. He wraps his arm around you and pulls you closer to him. You can’t help but lean into the touch. You probably don’t need to do as much as you are to sell the act, but damn it, if this is your only opportunity to be this close with Eliot, maybe relishing in it a little isn’t a bad thing.

After the dance, cake is served and this time Eliot has no complaints. The cake is as close to perfect as any cake could be. As you finish, you remind yourself to ask your sister where she got the cake from so you could maybe stop by the bakery on your own before you leave town.

As the dance floor opens up, you take this opportunity to go talk to your parents. You haven’t had enough time with them this weekend and you really have missed them. Ever the gentleman, Eliot insists on tagging along to properly meet them. He is far too good at this fake boyfriend thing.

You greet your parents with a warm hug. “I’ve missed you guys!” you say trying to be heard over the music. “It’s been too long.”

“And whose fault is that?” your dad asks.

Your mom nudges him and gives a disapproving glare at his bluntness. “You should visit more. Maybe then it wouldn’t have taken so long for you to introduce us to this handsome fella.”

“I’ve been telling her the same thing.” Eliot steps in with the charm offensive in full force. “I’m Eliot.” He shakes each of your parent’s hands. “I’ve heard so much about you.”

“All bad things I suppose?” your mom asks teasingly.

“Hardly. She’s told me so many fun stories about your family. Though maybe a few of those stories could be classified as embarrassing.”

It’s nice to see your parents get along with Eliot, though it shouldn’t matter to you. You will have a fake breakup in a few weeks and this will be nothing but a memory for both of you. A damn good one too.

You’re broken out of that train of thought when you hear your mom reply, “Oh, is that so?”

“She’s got plenty of embarrassing stories of her own.” your dad adds in. Eliot lets out a hearty laugh at the prospect.

“Oh? Any worth telling?” You bury your face in your hands in fear of the mortifying words that may come next from either of your parents.

“How about you buy me a drink and I’ll tell you anything you wanna know about our dear Y/N?” Your mom suggests.

“Gladly” Eliot guides your mom to the bar and out of your earshot as you sit with your father.

You sit in silence at first, just enjoying the shared time. Minutes pass before your father speaks again, without even looking directly at you, “He’s good for you, you know.”

You figure the best way to avoid being caught in a lie is to just stay as close to the truth as possible, so you tell your dad your real thoughts on Eliot. “I know, he’s a really nice guy. He’s funny and caring. I really love him.”

“That’s not what I mean.” He turns to fully face you. “I just haven’t seen you this happy in some time.”

“Oh.” you say, stunned. This statement catches you off guard but luckily your father continues, so you don’t have to fill the silence.

“You seemed so sad before, especially with James. You used to force those tight lipped smiles that you thought we didn’t notice. This new guy has brought back your infectious smile. The one you don’t even seem to notice, you just do it.” He pauses slightly, “I missed that smile.”

This conversation comes to an end as your mom and Eliot return laughing loudly. Once he approaches the table, he stops in front of you. “Care for a dance?” He offers you his hand.

You gladly accept and follow him out onto this dance floor.You dance through several upbeat songs, joking and laughing at each other’s goofy dance moves throughout. For a moment, you forget how painful going back to normal life may be because having this much fun with Eliot reminds you how important your friendship is. The heartbreak could never break this bond. The bitterness of pining could never overpower the sweetness of these moments you share.

He spins you around and holds you close to him, your back to his chest. As you sway together to the music Eliot whispers in your ear, “You know, your mom told me some interesting things about you.”

“Oh god. What did she say?” You brace yourself for whatever ungodly stories from your youth your mom may have dug up for this occasion.

“Nothing too bad. I actually thought it was cute.” You turn in his arms to face him and raise your eyebrow as if to ask him to elaborate. “First she told me about the time you cut your own hair.”

You let out a chuckle, mostly in relief at how benign of a story that was. “I can still remember the terrible bangs I had in my school pictures that year. It felt like it took forever for those to grow out.”

“So is that why you convinced your sister to do the same just two years later?” He looks at you accusatorily and you know that your mom had to have given him more ammunition if he’s already digging in on the teasing.

You raise your hands defensively, “I just handed her the scissors and told her I thought she’d look cute with bangs. What she did after that is not my business.”

You wrap your arms around Eliot as you continue to dance as you bicker. “Oh I’m sure it was all her own idea.” His smile only widens as he continues, “She also showed me this picture of you as a kid where you were laying face first into your plate of mashed potatoes. It was cute. You’re still pretty cute when you get all sleepy like that.”

This catches you off guard because it’s just one more moment that’s a step past friendly without any reason for it. Nobody could really overhear your conversation over the music. He said that just for your benefit, or maybe just to sell the act. Maybe in a different life Eliot could have been an actor, he certainly played the part of lovestruck boyfriend pretty convincingly.

Trying not to focus much more on his words, lest their implications consume you, you add, “Did she tell you how I used to fall asleep at my bedtime so religiously I would sleep sitting up at family gatherings or in the cart at the grocery store?” He shook his head in response. “Yeah I wish I was still that committed to my sleep schedule.”

“Well ain’t that the truth sweetheart.” There’s a softness about him that is so rare and nearly indescribable. It’s a nearly magnetic force and you find it impossible to look away from him. It feels like if you even glance away for a second, the levity will be gone and the weight of the world will once again return to rest on his shoulders.

Soon you have to shift your focus as the DJ announces the bouquet toss. The men clear off the dance floor as all of the unmarried women gather. Sure, it doesn’t really mean anything if you catch the bouquet, but you find yourself reaching for it nonetheless. Maybe it was fate or maybe just luck or maybe it was set up by your sister considering her earlier remarks, but regardless the bouquet is in your hand and you’re staring down at it in shock.

Your sister hugs you and you know it’s going to break her heart when you and Eliot “split up.” Though by now, you’re too deep into it and so you have to act excited about this turn of events. A small part of you is excited though, the part that has clung onto every romantic moment this weekend as if it’s more than a fantasy. Perhaps that part isn’t so small.

On the side of the dancefloor the excitement over your purely hypothetical future builds in Eliot too. Fuck it. He won’t have many more chances to do this. He makes his way across the floor to you and happily pulls you to him, first in a tight hug, then into a lingering kiss. One that he has to hope you can’t just feel the sincerity of his desire dripping from.

You could get used to being kissed like this. Though, as your family is currently about half of the room, you pull away from Eliot, you can’t convince yourself to go very far away. Your foreheads rest against each other and the tension is palpable. Damn. He really is committed to convincing your family. He would have you convinced if you hadn’t been the one to set up this whole ruse.

Around you the dance floor fills again as the DJ turns on a slow song. You and Eliot hold each other close as you dance. Eliot softly sings along in your ear. His soothing voice slowly erases every worry you’ve had about this night. You feel safe and at home in his arms, and even if it won’t last, you can’t help sinking further against him. Truly if your heart must be broken, there’s nobody you would trust more to break it kindly.

You and Eliot are lost to the world around you as you both relish in what little time you have left to hold each other. That momentary bliss comes to an abrupt halt as the song fades out and you notice a presence looming just behind you. Just then you hear James’ voice behind you as his hand touches your back, sending a chill down your spine at your own unease. Speaking to Eliot he asks, “May I have her for this next one?”

Something seems off to him, but you reassure Eliot that it’s fine with a polite nod. There’s a sinking feeling in his chest, of course this was never real so he should have been prepared for rejection, but it still stings seeing you in someone else’s arms. Maybe that’s why you invited him, not to avoid your asshole ex, but to make James jealous.

Eliot goes to the bar to drown in something other than his own self pity and insecurities, and is met with your mother inviting him to sit next to her. Despite his own feelings, he won’t ruin things with your family so he orders a drink and sits at the open stool she has offered him.

“You’re good for her, you know?”

“I try to be.”

“I mean it. She’s happier with you than she has been in a long time. She still thinks she doesn’t deserve you though.” your mom looks at him with a sad sort of smile.

“What?” he asks incredulously.

“She’s always been a worrier. You can see it in the way she holds you,” she pauses in thought before correcting herself, “in the way you hold each other. You’re both so scared the other will leave. You don’t think you deserve her either, do you?”

It’s a relief in a way to be able to be truly honest for once this weekend. “No ma’am. I can’t say I do. I’m happy to have her until she realizes that though, and that’s enough for now.” He waves to the bartender and orders a second drink.

“You’re both idiots, I swear.” Your mother lets out a long sigh. “Do you treat my daughter with kindness?”

Suddenly, under your mom’s gaze Eliot feels like he’s sitting in the principal’s office facing detention. He feels small. “Of course.”

“And you love her?”

“Yes.”

“So are you saying Y/N doesn’t deserve your kindness and love?”

“No ma’am.”

“Then pull your head out of your ass and stop acting like she’s going to leave you. That girl loves you, anyone could see that, so why are you sitting here with me at the bar, drowning your sorrows?”

He hangs his head in defeat, he couldn’t argue the point of your affections, not without ruining your plan, so he settles on the easier argument. “She already has a dance partner.” He gestures to the dance floor.

Your mom finally glances over to you and rolls her eyes. “God I’ve always hated that son of a bitch.”

Eliot can’t help the deep belly laugh that escapes him. Your mom cursing in anger is funny when it’s not directed at him. It’s then when you turn to where he can see your face, your features lined with sadness. His protective instincts finally kick in and he heads your way. He tries to hang back to get the full scope of the situation.

As Eliot was at the bar, your ex had been saying truly awful things. As Eliot reapproached, he continued. “He’s gonna leave you, you know?”

Eliot couldn’t make out any of what was being said, but he knew from the tension in your body that you weren’t happy. He’s kicking himself now for letting his own insecurities put you in the exact kind of situation he was here to help you avoid.

Not wanting to cause a scene, you plaster a fake smile on your face and through gritted teeth say “I fail to see how that’s any of your fucking business James.”

“I’m just looking out for you, babe.”

“Don’t call me that” you cut him off.

He continues, not acknowledging what you said. “I may have moved on, but I still care about you. You don’t deserve to be hurt when he finds a prettier girl and runs away with her.”

“Fuck off, James.” Eliot isn’t going to stay with you, but that doesn’t mean you need to tolerate James’ bullshit. You pull yourself out of his hold but he follows behind you.

Eliot quickly approaches as he sees this and is in earshot finally for the last insult James throws out. “You know, I don’t know why you bothered catching that bouquet. Nobody is ever going to love you, much less marry you.”

In an instant, James is grabbed from behind, turned, and pinned against the nearby wall. You barely hear the commotion behind you as you exit the reception hall and finally let a tear run down your face.

Inside all eyes are on Eliot and your family has gathered as he begins yelling at James, “What’s your fucking problem, man?”

All too cocky, James smirks, “Here to ask if you can have my current girlfriend when we break up? You clearly love my leftovers.”

That earns him a broken nose. Eliot’s fist makes sharp contact with his face and the blood from his nose quickly stains his white shirt. “You need to shut the fuck up and leave Y/N the fuck alone, or you’ll find out just how quickly I can break another bone.”

Ever the idiot James opens his mouth to reply, but, before he can, your sister yells at him, “Better yet, get the fuck out of my wedding.”

With the bride’s blessing, Eliot and your father drag James out to his car and, seeing he’s been beat, or perhaps fearing being beaten again, he leaves without another word.

He sees you sitting on a bench outside the reception hall and breaks into a jog, wanting to comfort you. He holds you to his chest as you gently sob. As much as you didn’t like that James was saying it, you couldn’t shake the feeling that he was right, but you let that insecurity burrow further inside your heart as you realize something far worse. You probably just ruined your sister’s wedding.

You sit up abruptly and wipe the tears from your face, “I need to go apologize to my sister.” You run inside, leaving Eliot to slowly follow, though he washes your ex’s blood off of his hand before re-entering the reception hall.

Your eyes scan the room and finally land on your sister. The anxiety makes the words practically spill out of your mouth, “I’m so sorry. I didn’t mean to cause a scene at your wedding. I know I can’t make it better, but I’m sorry for ruining your night.”

Both of you are crying now. “You didn’t ruin anything. I shouldn’t have let him come, even if he was dating one of the other bridesmaids. If anything you fixed the wedding by getting rid of that piece of shit.”

“Well I’m pretty sure the getting rid of him part was more Eliot than it was me.” you chuckle. He walks up behind you, as if summoned by the mention of his name.

He looks toward your sister and her now husband as he wraps his hand around yours. “I am so sorry for,” he pauses and gestures vaguely towards the spot he had pinned James, “well, all of that really.”

Your sister laughs, “No need. We’ll just call it dinner and a show, and it was quite the show.” she leans in towards you both and in a far more serious tone adds “I heard from some of the others what he was saying before. You did the right thing, you could’ve gone a bit further to teach him a lesson if you ask me.”

He looks to you, now remembering that your ex had plenty of time in his absence to say far worse than what Eliot heard. “Wish I would’ve.” he lets out a nervous laugh, still unsure where he stands with everyone else. “I’m just glad he’s gone though and can’t cause any more trouble.”

Your sister replies, “Agreed. Though maybe try not to hit anyone at the next wedding?”

“I think I can manage that.” He smiles, glad to see that everyone is still in good spirits.

The groom, also seeming to relax, throws in, “You’d better because if those flowers are anything to go by, it’ll be your own.”

Eliot wraps his arms around you, and with more sincerity than you were prepared for says, “Hopefully.”

Trying so hard not to get lost in your imaginary future with Eliot, you change the topic. “Your wedding was really beautiful by the way. Congratulations.” You hug your sister. As you pull away, you lean back against Eliot and say. “I think it’s time for us to go back to the hotel though. I think we’ve created enough of a story tonight.”

“Of course,” she agrees. “Have a good night. Thank you both for coming.” Then as you walk away, your sister calls after you, loud enough for about half the room to hear, “Don’t do anything I wouldn’t do, lovebirds.”

This leads to a few hoots and hollers from the other guests, just trying to tease and embarrass you further. You flip your sister off as Eliot guides you out of the room.

• • •

Next chapter

Let me know what you think!

Taglist: @mini-kunoichi @javicstories @imwithyoutiltheendofthelinebucky @being-worthy @xkell-bellx @imaginecrushes @sleeplessskeleton on @fablesrose @unholyhuntress @wonderlandfandomkingdom @fictional-hooman

[deconstructthesoup]

Procrastination and writer’s block (ish) is kicking my ass, but I do have a few very good ideas for some Dead Boy Detectives stuff that I could theoretically have fun with if pressed, so…

Option 1: The Hadestown AU, which means I get to flex my Greek Mythology obsession, write Palaski as wives who are trying to live their domestic dreams but are also both slightly volatile goddesses, go FERAL with angsty and messy Crowcat, and do a little case study of what Edwin and Charles would be like if they got to grow up

Option 2: The Leverage crossover, which would not only mark my first time writing the Leverage crew, but would also mean delving into St. Hillarion’s, exploring Charles and Edwin’s pasts, and Crystal and Niko having to deal with a) being back at school, and b) navigating the UK private school system

Option 3: An in-canon story where a woman buys the lot beneath the agency’s office and turns it into a queer bookstore-slash record store, which piques both Edwin and Charles’s interest; it’d include a lot of ocs, a lot of soft moments, a lot of Jenny and the Alive Girls content, some shenanigans involving a trio of teenage paranormal investigators, and a little outside perspective of the agency, since it’ll mostly be told from the shopkeeper’s perspective (also, a lot of music and book recs)

[independent-fics]

I feel like so many fics talk about Jewish Hardison which was never mentioned in the og leverage (in the miracle job Hardison just explained he was non denominational) but I’m intrigued to see it mentioned in redemption! Once again in the realm of a muti denominational household with Nana (so he could still consider himself non denominational in a way?) but it does interest me that Hardison may not just have one faith due to that upbringing. I like the thought that you don’t have to consider just one point of view for beliefs and Hardison absorbing that and then putting it into practice as he’s grown.

[leveragetober]

hello and welcome to the very first leveragetober!!

here is the prompt list for leveragetober 2023!! under the cut will be a more in detail/id for the guidelines and prompt lists and feel free to either dm or send an ask if you have any questions!!

Guidelines

Tag your posts #leveragetober23 and #leveragetober or just tag the blog so we can all see your creations!!

The prompts are here as a guideline, if you have an idea based on a prompt, that's totally fine, have fun with it!

You don't have to worry about following every single prompt either, if you're too busy or don't have any ideas, that's okay too, this is meant to be fun not an added stressor

ID Prompt List.

Food 17. Power

Rain 18. Redemption

Family 19. Job Gone Wrong

Crossover 20. Kids

Birthday 21. Trapped

Caught 22. Chess

Lies 23. Monster/Ghost Hunters

Museum 24. Blood

Past 25. Role Swap

Alternate Universe 26. Fantasy/Magical

Kiss 27. Reunion

Pride 28. Vents

Confession 29. Nightmare

Future 30. Halloween

Poison 31. Free Space

Game Nights

thanks for all the support and we can't wait to see what everyone creates!! <3

[suddenrundown]

i would like to take a look at bre’s computer for reasons

[leverage-ot3]

I need this for science

[glassfullofsass]

"she's part of the family!" is maybe THE funniest possible outcome of Parker vs Astrid. Does Parker add Astrid to the Leverage International Annual Newsletter? Does Parker list Astrid as one of the "LEOs to utilize when necessary"? Does Astrid start getting tips and artifacts dropped off in random, but very useful places? Astrid picks up the phone one day expecting a call from a colleague and it's Parker on the other end congratulating her on a promotion?

[werewolfsmile]

Okay Leverage fandom, help me out here. Is there a general consensus on Breanna's age in Redemption??

Cause I have my own theories, like how I think she's younger than Aleyse Shannon (her actress). And sure nothing explicit is stated in canon but there are some details that make me wonder if Breanna is meant to be the same age as Aleyse?

Thoughts? Opinions?? Please share them!!

Here's my supporting evidence for why I think Breanna is younger than Aleyse:

She is canonically treated as young, inexperienced, and needing guidance. (Sure, she's great at what she does, but Hardison still has binders of info for her to go through, plus he drags her away on some coding camp or something. Breanna is still learning and growing into her role in the team.)

At the end of The Panamanian Monkey Job, Harry brings over 5 glasses of liquor even though there's 6 of them in the scene. Breanna grabs the last glass, leaving Eliot empty-handed. Eliot then takes the glass off Breanna, with a scolding expression, like she shouldn't be drinking it because she's too young. Breanna looks chastened and doesn't even protest.

The way Breanna's treated in regards to college and studying and exploring her full potential etc makes it feel like she's meant to be college-age, so closer to 19, 20.

Hardison was canonically 21 in S1 of Leverage. Breanna feels younger than him to me in comparison.

Now to play devil's advocate against myself, here's evidence for why she could be closer to Aleyse's age:

At the end of The Rollin' On The River Job, Breanna says her first memory is of 9/11. In 2001, Aleyse was 5 years old. This is a very reasonable age for a first memory, therefore Breanna could easily have been about the same age. (I have memories from younger than 5, so I'd argue that Breanna could be younger with this as her first memory, but not by much.)

I can't find a clear timeline for Redemption online, so let's just say that Redemption is set in the year of its release, 2021. That would make Aleyse 25 (which to me feels too old for Breanna based on how they treat her).

I can't think of any exact episodes right now, but I feel like there are episodes of Redemption where we see Breanna drinking alcohol.

My main theory is that Breanna is 20 at the start of Redemption S1 and she's 21 by S2. This doesn't mesh with her first memory being 9/11, since she'd be a baby in 2001, but it's my headcanon.

So! To wrap up this longer-than-it-needs-to-be post, let's all vote on it!

[wizardofahz]

Saw a Criminal Minds gifset and suddenly started thinking about canon vs. fanon JJ.

TL; DR: Fanon JJ is the facade canon JJ puts on to hide trauma.

(This discusses JJ's sister, so content warning for suicide)

The obvious starting point for understanding JJ's characterization is her sister's suicide. That's a traumatic event for anyone, and even more so for an eleven year old child. So it's quite understandable that JJ decides she will do whatever she can to avoid experiencing hurt like that again.

In episode 3.17, JJ tells Will about their relationship, "I didn't want to tell anyone because the minute I do it becomes real, and when it becomes real, people get hurt, and I've always run from getting hurt. Always."

But JJ didn't only lose her sister.

In episode 14.12, JJ's mom admits, "I got so caught up in all my troubles that I forgot there was another little girl under my roof who had just lost her sister. You needed me, and I wasn't there."

At eleven years old, JJ was a traumatized child without a support system. So she learned to rely on herself. Other people were just avenues for hurt, and she decided that wasn't worth it.

All of which leads to this confession from JJ in the season 14 finale: "There are only four people I trust in this world."

My three non-negotiables are Will, Hotch, and Emily. The fourth is between Reid and Garcia, but I lean towards the former given Garcia's penchant for invading people's privacy.

Even if anyone disagrees with that list, there's not a lot of room for choice. At any given time, the BAU usually has seven members, and given the amount of turnover they've had, JJ hasn't learned to trust most of them.

Do they know that? They probably know her facade masks trauma, but I doubt they know the extent of it. There's a reason that episode starts with the team playing poker, and JJ showing Reid he doesn't know her as well as he thinks he does.

So let's talk about that facade. In contrast to Reid, who wears his trauma on his sleeve, JJ buries hers as deeply as she can. She takes care of the people around her, and while it's not disingenuous, it's part of a prettily painted reinforced fortress wall that says, "hey, look at me, such a put-together person that doesn't have problems of my own, so I can help with yours."

And it does the job because it has fandom fooled too.