#like even in something as intense as this you have to do this????? insane

[enviedear]

LOVING ALONE IS WHAT YOU MAKE IT

₊ ⊹ JASON TODD

🧸ྀི REQUEST | jason having (what he thinks is) an unrequited crush

CW | lovesick!jason with issues accepting love, just-a-buncha fluff. 1.6k words. 🎧ྀི

your eyes flicker to your window for the hundredth time in ten minutes. there's an attempt at forcing your gaze back to your book, but your concentration on it has long since shattered. it's impossible to concentrate on anything other than him, perched on your fire escape right outside your window—JASON TODD.

he thinks he’s so subtle, as if you'll never notice when he parks himself on your fire escape like some sort of gargoyle. you smile slightly at the thought, heart pounding a little faster than it should. a condition that makes itself apparent far too much when your mind drifts to him.

he's silently taken on a sort of sworn protector role, separate from his nightly redhood rendezvous. you count yourself lucky to have his presence around your domicile so often. you truly never got over the culture shock that was gotham, but jason helps. even if he decides to go to great lengths to try and hide it.

outside, in the frigid and everpresent putrid gotham air, jason todd sits in complete rumination. he has goosebumps marring his arms beneath his leather jacket, but he pays them no mind. no, he's far too busy listing all the reasons he should just leave, why sitting outside under the guise of guard is utterly stupid, but still, he sits.

he runs a gloved hand through his hair, tugging slightly. he feels pathetic. how can he meet death, the criminally insane, survive things that would kill most—and somehow, he's shocked still with nerves at the very idea of knocking on your window.

in his head he has it all pictured, if it went perfectly. you'd come to the window, a confused look on your face until you spot him. he'd pull some stupid line, something he heard dick use once, and it'd make you laugh. he loves hearing that, more than anything. then he'd crawl in—spend the rest of his night with you, doing anything. and in his head, that's perfect.

but the underbelly of that dream keeps him rooted to your fire escape. to him, there's no way you could ever share his sentiments. you refer to him as a friend and no matter how much he wishes for something else, he can't change reality. can't force himself to make something more out of what you give him.

between the blood on his hands and the rage he can never seem to fully rid himself of, he's come to the aimless conclusion that you deserve someone better. someone more delicate, someone who doesn’t live with one foot in the grave. but every time you laugh or shoot him an easy smile, it gets easier to admit that he’s too far gone.

you deign the separation foolish, but still, you give yourself one more attempt at reading before you put your book to the side. really—you just wish he’d just say something. you’ve thought about saying something yourself, more times than you care to admit, but the timing never feels right. besides, there’s a part of you that wonders if jason even realizes you’ve been waiting out for him.

every time you joke or tease, you can see some struggle behind his eyes. as if he wants to let go and laugh with you, but something—himself—holds him back. your very own sisyphus—his very own boulder to carry up a labyrinthine mountain.

maybe it’s his past and the walls he’s built around himself, but you’re over him expecting you to be afraid of him. you wonder how much more evident you need to be. if anything, you wish he could see himself the way you do—intense, yes, but also loyal and good, even if he doesn’t believe it.

he proves it every night when he stands watch outside your shitty apartment.

with a sigh, you stand up from the couch, moving toward the window. he’s always so close, and yet there’s a distance he keeps in place—you’ve had enough of that.

you slide the window open, leaning out just enough to catch him mid-step as he’s about to leave—flee moreso. “going somewhere?”

he turns on his heels, red helmet in his hands, "figured you'd be asleep."

you hum, eyes narrowing, "already? it's six pm on a saturday."

“just didn’t want to bother you.” he admits, voice low, almost timid. he doesn’t meet your eyes, and it’s frustrating how hard he tries to hide, even from you.

“you’re not bothering me, jason.” you say softly, leaning on the window frame. “you never do.”

jason looks at you then, something uncertain flickering in his gaze. his lips dart out to quell his chapped lips—you hold his stare, hoping he can see what you’re trying to tell him, wordlessly.

that you want him here, that you’ve been wanting him all along.

“i can stop by for a few.” he finally says, adding a shrug to the end of his sentence.

you smile, opening the window fully as invitation. jason crawls in, a rather innocuous task but given his stature, always surprises you.

“i have pizza and brownies. saturday special.” you tell him, a persuasion. you want him to eat.

“sounds good.” he’s in the middle of slipping out of his redhood garb, clad in a skintight athletic tee and his cargos—mask sitting on your coffee table. “i’m gonna change in the bathroom, i’ll be right back.”

before his fingers can grab his duffle you start, “why don’t you shower here? i know you don’t have any of your usual stuff but—”

he cuts you off, “i couldn’t. i’m already eating your food…and using your fire escape as a landing spot.”

“jason, seriously. shower here. i’ll heat up the food and put on some tv. it’s a saturday.” you’re not one to beg, but this is treading the line.

his shoulders sag, but there’s a small smile on his face, “thanks, sweetheart. you’re too nice to me.”

his tone is sarcastic, self-deprecating, and that annoys you slightly. you want him to know that he’s welcome here, wanted. needed.

“i like it when you’re here, you know.” you feel like sparking a match, timid flames sparkling. “i miss you when you’re gone and everything.”

he quirks a brow, "what are you tryin' tell me?"

you feel silly at his question, the air around you seemingly buzzing. jason peers down at you with a raised brow, as if he's genuinely confused by the sentiment. as if he's baffled by the notion he could be someone to miss.

your breath hitches as you debate your next move. you're walking a thin line between saying too much and not enough. you could play it safe, keep your cards close to your chest—or you could be honest. near painfully so.

when you find your voice, it comes out soft, "i'm trying to say that i like it better when you come inside instead of sitting on my fire escape. i don't want to be a landing spot for you, i want... more."

he clears his throat, shifting on his feet, "you don't want that." he seems to take a step back, not physically, but mentally. his face goes still, chest breathing even, mind anywhere but the present.

you groan, annoyance evident, "i do though. you have to see that in some way by now." you step towards him, "sometimes i think you feel the same way."

jason’s gaze flickers toward the floor, and for a moment you wonder if you’ve crossed the line, if he’ll pull away entirely. but then he looks up, eyes darker, severely sincere. “you have no idea what you’re asking for.” he cautions, but his voice is lower, almost a whisper.

you smile softly, finally letting your hand touch his arm, feeling the solid warmth beneath. “maybe i do. maybe i’ve been waiting for you to realize it.”

“don’t say that unless you mean it,” he murmurs, his voice rough.

“i mean it.” you reply, sincere in your admission. “i’m not afraid of you, jason. i’m afraid of what happens if you keep shutting me out.”

he grumbles at that, a half-willed attempt to argue against your point. you stay quiet, urging him to continue where you left off. you watch his face contort through a realm of emotions—confusion, fear, and then, thinly masked and wistful poignancy.

“i’m not shutting you out. if anything, i’m protecting you.” he finally decides, arms crossing over his chest, eyes scanning the wall behind you. nervous.

you shake your head, fingers reaching for his twisted expression, finding home on his pink-tinted cheeks. “i don’t need you protecting me from you. i need you to want me as bad as i want you.”

your words are bold, maybe overconfident, but you mean them to the fullest extent. you’re so beyond exhausted of attempting to disregard or conceal your feelings. even if jason’s not, you think he deserves to know.

jason todd looks you over. his eyes raking you up and down like you’re some high valued product—and he’s unsure wether to take the bid or let it pass by. in the time you’ve known him, even in the thralls of his vigilante persona, he’s studied things. eyes pointedly and silently assessing his situation, no matter how far removed he is from his upbringing—his “father” lingers in his antics.

finally, he chuckles, low and more timid than usual, “you don’t know how badly i want you, sweetheart. but…” he stops himself, and you’re grateful because you would have done it yourself if he had continued on with some rebuttal. “fuck. you’re all i want.”

it comes out like a beg, pleading that rarely works it’s way onto his features. you smile, and pull him closer. his arms uncross, opting to gingerly hold your shoulders. still timid, unsure.

“you should know how much you mean to me. you do such a good job of showing me…keeping watch and never letting me eat alone. it’s sweet, you’re sweet. i want you to know it.” you keep his gaze when you speak, hopefully drilling each sentiment permanently into his consciousness.

he leans into your touch, eyes fluttering shut, “i believe you. swear. i just… this is new. i never thought…” he falters off, equal parts unsure and dumbstruck. “i like you a lot. i didn’t know you felt the same, sweetheart.”

you grin, inching your face closer to his, “well i do. deal with it.” your tone is teasing, playful. pulling him back into the safety of reassurance—what you want him to anticipate from you.

it seems to put jason back in his element, “oh? you have demands? usually that’s my thing.”

you laugh, “could always be our thing. the demanding couple—sounds inspired, don’t you think?”

“something like that…” his smile is soft, “but for now, i think i’m fine with just being yours.” he says it so earnestly, no thought to it. just the truth, and it feels damn good. it envelops you just the same as his arms, wraps you up in utter victory. love hard fought—and it feels so sweet.

[kisakis-boyfriend]

Dazai, Chuuya, & Kunikida x werewolf reader

Author's Note: Requested by the same anon who asked for this with Fyodor, Nikolai, & Sigma. I just had to break up the posts thanks to tumblr's tag limits 🙄 + bonus Kunikida because I can ✨

Pairings: Dazai, Chuuya, & Kunikida x male reader (separately)

Warnings: Male werewolf!reader, dom/top!reader, sub/bottom!characters, implied dom Chuuya as well, mentions of breeding, knotting, rough sex (Chuuya), heat cycle

Dazai

The Shameless Slut

“Ooh please fill me up, my love! I'll gladly take all of your dick uwu”

Yeah, Dazai can get a little too excited about your werewolf form sometimes…

He can be such a pillow princess too. He just likes to lay there and show off his beautiful body while you're carving your place in his insides

Scarily possessive when you pop your knot into him

As soon as Dazai feels that sudden stretch, he's locking his legs around you and pressing it further in

His fingers tangle in your coarse fur, and a groan slips out–

“Yes! Tell me I'm yours, belladonna!” he'll rasp, staring you down with enough intensity to make your heart skip a beat

If you're comfortable with it, Dazai will brag about his insanely hot werewolf boyfriend

Rip ADA members who have to hear about you every single day… and rip PM members who also hear about Dazai's horny bf every time they meet 😅

Chuuya

The Greedy Slut

That's not your massive dick, it's Chuuya's. And you'd do well to remember that

Your werewolf form does something to Chuuya's brain. The man already enjoys rough sex, but this large, canine form stirs something up in his belly

Demands to be bred. There better be no cum spillage, it has to be in his hole(s)

Definitely uses his special ability to make you hit deeper and pound harder — so much so that it's caused Chuuya to pass out before

After that first time, Chuuya asked if you kept going. And when you said of course not, he looked rather disappointed 😟

From then on, you agreed to breed him whether he was still conscious or not (within reason, though)

Calls you 'good puppy' and similar affectionate terms

You two have had conversations about buying a collar and leash — and, if you choose to incorporate that into your sex life, you won't regret it. Chuuya will make very good use of them 😏

Kunikida

The Slut in Denial

Also a total denial slut

He would never admit to this even on his deathbed; but Kunikida loves edging

If you lick the underside of his cock with your rough canine tongue, growling at your beloved to hold it all in? The only thing Kunikida will have in his vision are stars swirling around

I don't think he would admit to loving your primal sex sessions either. Not unless he was already deep in sub space

On all fours, your larger form hunched over his body while your balls slap against Kunikida's ass, your fur tickling his back — this is when he'd slur out how much he loves taking your cock 💛

Also one to keep track of the moon's cycle. It's important to know when his partner will transform or go into heat

Dating a werewolf was never a part of his ideals, but he doesn't regret a thing

Becoming your mate has improved Kuni's life in all sorts of ways — whether we're talking about the amount of love he receives, or the benefits of nasty werewolf sex 😌

[seredelgi]

What names do they like being called in bed?/ AOTx fem!reader

featuring: Eren Jaeger, Armin Arlert, Jean Kirstein, Connie Springer, Reiner Braun, Erwin Smith, Levi Ackerman

tw: smut, kissing, groping, sex, explicit language, role-play, dom/sub undertones, mature content, praise kink, daddy kink, sir kink, profanity, blasphemy?, not sure honestly, 18+

You can call Eren whatever, but what he thrives for is for you to scream his name. The louder you do, the better. As a matter of fact, that’s pretty much his mission, to make you reach new pitches as he slams into you. He also loves it when it comes out distorted by how much you like whatever he does to you. Pet names are fine, but there’s nothing like the feeling of being absolutely sure no one else is in your mind as you come undone underneath him. And as a plus, it makes sure the whole of the building knows who you belong to.

Armin loves it when you use pet names in bed. There’s something about your voice when you whine quietly into his ear as he pounds into you that just leaves him shaking with need. His absolute favorite has to be the one that gets closer to sounding incomprehensible, and it does so because when you mutter it under your breath you’re so worn out that there’s not much voice left in you to quietly let it out “ keep goin’ baby, love it- so much”

It had started as a joke, honestly. You called Jean that once as he greeted you with a bouquet of roses. He looked so handsome under the doorframe of your apartment that you simply had to tease him. You caught a glimpse of his eyes shimmering lightly at the use of the nickname mere instants before he pulled you in so greedily that you just knew date night was a goner. He had pounded into you with a different kind of verve that evening. “ Say it again darling c’mon, who am I?” his breaths ragged and uneven as you roll your hips frantically against him “ Oh yes, daddy, just like that”

Connie’s not one for pet names of any kind in bed. However, he’s fond of the way you lose all reason when he fucks you, unable to think straight as you feel him hitting your sweet spot with every single shove of his inside of you. You try to refrain from moaning too loud, but unholy praises just roll off your tongue as if they were meant just for him. And it’s when you start to call upon God and the Lord himself that he becomes the cheekiest. “ That good, baby?” he asks proudly. You’re only able to nod back at him.

He might like to tie you up and have you under his control, but what Reiner mostly aches for from you is only ever been one thing. He likes for you to remind him of how much you love him any time you can, and during sex is just his favorite moment. He thrusts into you slowly at first, to make you feel every inch of him tearing you apart. There’s an edge of necessity tainting his tone when he asks you how you’re feeling, however, and it almost breaks you as you answer him breathlessly “so good love, need more”

Erwin loves military role-play. Loves the reverence of your tone as you answer his questions, the way you have to hold back your bratty nature, even the way you squirm from impatience as you refrain from touching him before things can finally escalate. He can see in your eyes that you’re just spasming to kiss him and grind yourself onto him, but you act good because you know he likes it. Nodding and asserting at all he says with a secret longing for him hidden in your insolent tone “Yes, commander”

You had said it casually one day as he asked you to pass him the remote. Levi had glared at you with one of those intense stares that just about give away how insanely dirty his thoughts quickly become when you act that submissively. “ You don’t wanna fool around with that” he had threatened. You flashed him a wicked grin, then feigned innocence “ Fool around with what, sir?”. His eyes had darkened hungrily on you, he had licked his lips avidly before tasting yours. There was no helping the kind of obscenities he’d have you do and say after that.

Do they get jealous?

How do they take you?

How do they take compliments, then?

What's their love language?

What gets them going?

And what pet names do they use the most?

So what about the way they kiss you?

[myers-meadow]

Fear and wonder: Jonathan Crane x reader pt. 2

Part one here

Summary: After your bad day, your boss up and quits. What a relief! Later during the week, you go to a concert and meet someone. Jonathan doesn't like that much, though.

This is a slice of life insight into life as Jonathan Crane's best friend - who he has a terrible, obsessive secret crush on.

Warnings: for this chapter, some jealousy starts setting in, some very 'protective' best friend shenanigans. Fem reader.

Divider by @saradika-graphics. Reblogs, comments and feedback are very appreciated! I'm so insane over the Jonathan x best friend reader - the intimacy of knowing each other so well, of his obsession just growing and growing, him controlling every aspect of your life, but how could you notice? He works from the shadows, he is a master manipulator. Ugh god I just love him ok

The Monday after that bad day, your boss didn't show up to work. It was weird, but it was too much of a relief for you to ask questions. Besides, you didn't know her well - and why would you? There were whispers in the break room, but you let it all pass you by, just glad to have her off your back. The intern who messed up apologised to you - they'd heard about the treatment you received on behalf of them the week before. All seemed well.

Later that week, a lot more relaxed, your friend Morgan invited you out to see her girlfriend's band play in a pub on Wednesday. She texted you the address and you went there straight after work, picking up some fries for Morgan and yourself on the way there. The band was great fun, and beside you in the crowd Morgan beamed with pride. After, you got to talking with the bass player, who bought you a drink or two, and put his number in your phone.

During work the next day, you couldn't help but think of what a great night you had, and you texted Morgan a 'thank you for inviting me, it was a great time!', before texting Georg the bass player that it was a great show and other formalities. His reply was immediate. If you would like to go out for a beer sometime? It had you smiling all day.

The only night he was available was on Friday, and he'd visit family in another state for the whole month after, so begrudingly, you called Jonathan that evening. After some small talk, you finally dared to get to the point.

"Something's come up for tomorrow, do you mind we meet another night? I'm free all weekend." It was implied the weekend would be at least partially spent with him already, as that too grew into your routine. The Friday night would often turn into a sleepover, as you'd have a glass of wine or two, or make yourself a mojito, and it was just easier to stay over, or let him sleep over. Some nights, when you missed your bed and looked forward through a relaxed morning sleeping in by yourself, it felt like maybe it had grown into too much of a routine. At least, that when you kept your drinks to non-alcoholic ones, and got up to leave at 1 am, that Jonathan's twinge of disappointment was just a hint too intense. It was too subtle to even consciously register, but here you were, treading lightly when cancelling your weekly Friday meet-up, as though you didn't meet up two times a week every week ever since meeting him.

The slight pause at the other end confirmed your suspicions. "Of course we can reschedule," he said, emotionlessly. "What's come up? Is it work?"

"No," you shook your head even though he wouldn't be able to see it. "Something social." Even through the phone, you imagined him frowning. "What would you like to do on Saturday? I saw adverts for a new horror movie in theatres, we could see that, if you're in the mood for a film," you suggested, hopeful that a subject change would work to distract him. 

"Who are you meeting?"

You hesitated before answering. Something about his tone, as impassionate as it was, felt off. "Someone new I met," you decided to go with the truth. Knowing him, he'd read you like an open book on Saturday anyway. 

"I see. Well, I'll see you Saturday then. I'll think on what I feel like, talk to you later. Goodbye." And he hung up without another word.

Even as you enjoyed your cocktail with Georg, you couldn't help but feel a bit restless. This indeed was you and Jonathan's night. But you weren't together. You've never had this kind of friendship before, this intense. It was hard to put your finger on what exactly it was, and you racked your brain on what it could be - thinking of the many times there were hints of possessiveness, of how he preferred you to see him as often as you could - instead of other friends. It made you space out a bit, but as soon as you zoned back in, you were taken with Georg's kind eyes. His gentle features, the softness of his features and his body, the strenght in his arms were all so different from Jonathan, Georg lacked the sharp edges and was all the more endearing for it. After two drinks, you reluctantly called it quits, citing having to get up early in the morning, although that wasn't necessarily true.

Georg wanted to drop you off safely, or perhaps he hoped to get invited in for a nightcap, but as you reached your door, he politely only kissed you. You looked at him for another moment, fumbling with your keys. He chuckled as he watched you, shuffling his feet. Was he as nervous as you were? God, it's been ages since you'd been with someone. Perhaps you should. Even if only because you wouldn't see him for at least another month. Live a little, you told yourself. Do what feels right. Every thought about consequence, about the morning after, all dissapeared as you wrapped your arms around his neck for a much deeper kiss. His hands groped you all over as you finally managed to get the key into the lock properly, and he was eager to get you to bed.

Jonathan didn't feel like the movies. Instead, he choose a quaint tea house. You'd been there before, just once. It was a little higher end than you'd prefer, but their tea selection was incredible and really high quality. Everything else, including the jam for the scones, was made themselves, as well. The café had no background music, so when you sat down at a table with him, the chatter of the people around you punctuated the slight discomfort you felt. A tension that was punctiated by how you still buzzed from last night. And fron this morning at the breakfast table - God was he good with his tongue.

"So," Jonathan started, leaning forward over the tiny table in between the two of you, "how was your date?"

"Date?" you echoed, stalling to buy more time.

He nodded, reaching out for the menu and flipping through casually, as though he wasn't eyeing you like a hawk, observing every microexpression. "You always dance around the subject of dating when you're with me. I wonder why."

You considered him for a moment, rubbing your lip. Of course he noticed. The downside of having a psychiatrist for a friend. How could you navigate this best? Coming off accusatory was a bad idea, as was being apologetic because that would admit some kind of guilt you didn't have. You mean, you felt a bit guilty, but only because it felt like one measly date soured Jonathan's mood to the point of ruining your day together. Honesty and vulnerability have so far proven to be the only cure for one of his moods. "I haven't noticed, I don't tend to date that much," you admitted. "Perhaps I'm private about that part of my life, even with you." The way he glanced up at you, just briefly, taken aback at your careful phrasing, you knew you had him. "My mom was very controlling while I was in uni - as you well know, so perhaps I still feel the need to 'hide' it, or pretend its something it's not."

His hand found yours, giving it a brief squeeze before returning to the menu. "You know you don't have to do that with me. Mask, I mean."

Was his use of the work 'mask' here a personal one, or professional? You gave him a smile. "Baby steps," you breathed, relieved. "Which tea are you getting? The 'orange bliss' sounds really good. It's a green tea though." You scrunched up your nose a little, not fond of how bitter green tea could sometimes get.

"The 'autumn spice' would be more your taste," he directed your gaze to a black tea further down the list. "Anise, orange as well, cinnamon, fennel, cloves..."

You pressed your finger to his suggestion. That did indeed sound wonderful. "Which will you have?"

He hummed, eyes scrutunising every option. "I choose this place for their variety, but now that I have to make a decision..."

"I can choose for you. And we can share, too, if you want."

With a look to you, eyes dancing over your face, he shut the menu suddenly. "Alright, you choose."

When the waitress arrived at your table, you ordered your autumn spice, and a peppermint-rose white tea for him. 

"No treats? No cakes?" Jonathan asked you teasingly, referencing the last time you two were here and you wanted to try everything they had.

"I'm sweet enough for two," you joked, glad it seemed he was back to his usual self. You wouldn't call him cheerful, but at least he wasn't being passive-agressive anymore. The two of you chatted idly, about your weeks and your it was still so strange your manager just disappeared like that.

"Well, not that I'm complaining," you said, wryly. The server came back and set the teas out for each of you. You thanked her and she was on her way. They let you have bigger pots of water, with smaller cups, and your own saucer of tea leaves. "God, that smells good."

Jonathan followed suit, pouring steaming water over the leaves after putting them in the sieve of his cup. He poured yours too, like the gentleman he was.

"I'm curious to taste what you choose for me," he murmured, inhaling the steam, watching the subtle colours of his white tea swirl in the glass. His glasses fogged up a little.

"You still didn't tell me how your date was," he said, gaze sharp behind his glasses. You swallowed. "You said it was someone new and special."

Some part of you sensed it, yet were too afraid to confront the thoughts surrounding such discovery: what if Jonathan's protectiveness hid... love? A crush? What would that mean for your friendship? Not to think of how much Jonathan didn't seem like the person to be relaxed about the topic of dating in the first place. He seemed to know obsession, and only that - if his work was anything to go by.

"I really like him, we had drinks at that place Vee likes to go to."

"Who is he? Anyone I know? A friend of a friend?"

You shook your head. "No, we met at a concert last week. His name is Georg, with the beautiful rolling r," you gestured as you spoke, unable to stop a smile from forming. "He plays bass guitar in Morgan's girlfriend's band. They're quite good, too. A heavier version of indie rock, with some post-punk influences."

He clicked his tongue, before leaning forward to take a first, careful sip of tea. "Do you think you can trust him?"

"You sound like my mother."

He looked at you, blinked and let the accusation slide. "I worry about you, considering your past love life. The last one ghosted you after you slept with him, it was painful." He raised an eyebrow at you. Ouch. "Will you see him again?"

"I hope so. He's in a rather different field work-wise, but I understand not having personal and professional intersect, and we had such interesting conversations about that. How's your tea?"

He decided to go along with you and let the subject rest for now, his expression softened a little. Even thought it's only been months, once you started paying attention, it was rather easy to read him. Perhaps it was around you that he felt comfortable, and didnt try to hide so much of himself anymore, you thought aimlessly. The idea of that tugged at your heartstrings as he combed a hand through his hair. He tried a good sip of tea. 

"Hot," he grimaced, but then smiled gently. "It's wonderful. The freshness and sweetness combine really well with the white tea. Here, give it a try."

The tension dissapated and you were more than glad for it. Eager, you took the tea glass from his hands, not failing to notice the way Jonathan looked at you as you tried his tea. It was warm on your tongue, indeed, the flavours were delightfully light and airy.

"It almost tastes like a floral tea. Is that lavender?"

He smiled, almost proudly. "Very perceptive."

"Here, try mine," and you let him have the first sip. He nodded after he tried it, pushing it back to you.

"Very strong flavour. It's good, you'll like it."

And you did. It was exactly the tea you'd been craving; sweet yet spicy, warming you all the way down as you drank. The smile was audible in your voice as you said: "You know me so well."

[stopfunkinwmyheart]

I hate when I get on a true crime kick bc 99% of the videos have no sort of closure or anything to really take away. it's just like ye this the worst shit that u could imagine, actually itz worser. the end.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[starpros-sunshine]

Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope

PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?

I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me

But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.

Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).

Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.

I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line

from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)

kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.

And then dropping this?

I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.

Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?

The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4

And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:

"Lying" implies further intent and an effort. Neither of which exist in this case.

He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.

3. https://en.wikipedia.org/wiki/Joke

And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.

But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.

Do you know what the content of those chapters is? I do. Very well actually :)

(Eichi literally explains why he didn't get it)

So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p

PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game

as well as absolute banger dialogue such as

Among others <33

And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long

And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.

And that concludes my essay :)

[little-mouse-adventures]

A Timeline of Events in the Artemis Fowl Series

If anyone's interested, I did do an actual analysis for where I pulled some of these dates from. But because I cannot type succinctly to save my life, it's 5,000 words long, so that's below the cut. I also put the timeline there again, but in three separate images, so hopefully they load well enough to be fully legible if the above isn't.

A thousand thanks to @sadbitchapologist and @zahnie for their help and advice with this, despite neither of them having any more than the barest interest in the series and therefore having no clue what I was on about. Thanks also to @orangerosebush for fielding completely out-of-the-blue questions about the French school system, so I didn't have to attempt to navigate web search results to figure out what mandatory gym classes were like for the sole purpose of plotting Luc's birthday on here.

An Analysis of the Timelines in the Artemis Fowl Series

A Brief Introduction

The Artemis Fowl series is made up of eight books covering a range of years and events. I wanted to see how accurate the timelines present in the books were, as well as try and plot out some other details implied in the novels but not explicitly stated, to have a better understanding of the overall world-building. To that end, I went through the series and made the above timeline. I colour-coded it based on the relevance of the specific items to certain categories, namely Humans, Fairies, Villains, and the Series itself. This does mean that some things could have fit into multiple categories. For instance, you will see some items involving Opal categorized as Fairy-Specific (such as her college years, as those are fairly neutral to the main plot or her villainy), Villain-Specific (such as her setting up her emergency fund, as that is mostly related to her schemes as opposed to relevant to her existence as a fairy, or part of the main plot of the series), and Plot-Specific (such as her opening the Berserker Gate, the primary plot point for the final book).

Before we really delve into things though, we should establish the baseline assumptions I was working with. Firstly, I am only using the original series. I have not used anything written in The Fowl Twins trilogy, given that those books seem to ret-con a considerable amount of the original information, and that is far too many headaches to give myself. Any supplemental series information, such as the short stories found in The Artemis Fowl Files, or anything from interviews is also not included. The premise here is: using just the original books, what is the event timeline of the world? The second thing we need to establish is that I am using the North American releases of the novels. I did make notes on where each bit of information comes from, but there isn’t really a citation style for this kind of thing, so I’m not sure how relevant that is. The third assumption is that the first book takes place the year it was originally published. According to my copy, the original publication was 2001, with the first American paperback edition coming out in 2002, and the first mass market paperback being released in 2003. This means our starting point is in 2001.

For sake of clarity, this analysis will start with setting the dates of the books and continue on from there.

The Basics of The Books

With that out of the way, let’s talk about the first book, Artemis Fowl (AF). It is actually not until the very end of the book that we get a solid answer for when it takes place. It’s only in the last few pages of the novel that Angeline Fowl leaves her attic room after all the plot points are tied up and announces that it is Christmas Day. This might be cause for concern – Angeline had not previously been established as a particularly reliable narrator – but given that we are asked to believe that Holly’s ‘feel better’ mood booster worked, and that neither Butler nor Artemis balk at or question the pronouncement that is Christmas Day, we’ll accept that it’s true and move on. This means that, with Butler’s earlier announcement that he was stuck doing four months of stakeout, we can say with a fair amount of certainty that Artemis obtained and translated the Fairy Book in September 2001, and managed to capture a fairy in December of the same year.

Moving on to Artemis Fowl: The Arctic Incident (TAI), we are given a decent chunk of information, albeit spread out a bit. The first is the announcement that the ransom drop for Artemis Fowl I is to be held on the fourteenth. The fourteenth of what, you might ask? Well, we are told that Artemis is currently thirteen years old. Clearly, things are past September 1, 2002 (we know Artemis’s birthday is September 1 based on information in both the fifth and seventh books). We are also told that Luc Carrere has been trading with the goblins for six months, starting in July. That puts us in either December or January, but we can narrow it down further since Artemis gives us another helpful clue. He mentions they are not expecting to see the dawn while attempting to rescue his father in the Arctic. There are only a few latitudes on Earth where polar night (of any type) occurs, and at Murmansk, polar twilight occurs between December 10 – January 2. Combining all of this, we learn that TAI takes place December 14, 2002, give or take a few days to either side.

This can be corroborated by information in Book 3, Artemis Fowl: The Eternity Code (TEC). After Holly heals Artemis Senior, we are told that it takes over two months for him to wake up. Since we are specifically told two months, as opposed to two and a half or three, we can conclude that the events of TEC take place in March 2003. Mulch gives us some information that confirms this. He was living in LA “less than four months ago,” and since he was conscripted to help with the events of TAI in December, a March plotline fits the bill. We are given further confirmation as well: Spiro mentions that Artemis will be fourteen in six months. A specific date for Artemis & Co.’s attack on Spiro’s Needle can be pulled from the throw-away line that Pex and Chips are “burying” Mulch on the full moon. A quick web search tells us that the full moon in March of 2003 takes place on March 14, and the rest of the events in the novel take place roughly two days to either side of that.

In Artemis Fowl: The Opal Deception (TOD), the fourth book in the series, we are given several very clear indications of when the events take place. Firstly, Artemis is contemplating that at fourteen years and three months old, he is the youngest person to successfully obtain The Fairy Thief. Based on previously noted details that his birthday is in September, the events of TOD must take place in December of 2003. Additionally, we are told that things are the middle of winter and Opal has been in a coma for eleven months and counting as of the end of TAI, another December plot.

Artemis Fowl: The Lost Colony (TLC) requires the most math and interpretation so far to figure out when it takes place. We know Artemis is still fourteen, so the main events clearly happen sometime between January 2004 and September 2004. Beyond that, we are using a fair amount of context clues. Artemis and Butler have evidently been traveling for four months looking for demons, so we are dealing with events in at least May. But that still leaves us several summertime months to work with, so to establish a timeline here, we will need to look forward a bit. In the sixth book, Artemis Fowl: The Time Paradox (TTP), it’s noted that Artemis is not yet fifteen, and has, on multiple occasions, spent the full moon in the study. Ergo, he’s spent at least a few months back from Hybras. If he has been back for two months and not yet turned fifteen, he would have had to have returned by July at the latest, and since he returns almost three years later than he leaves, we are looking at him returning in either May or June. This would have him disappearing to Hybras – and by extension, dealing with the earlier events in the book – in June, July, or August. After his conversation with Minerva, he notes to Butler that they “are planning a June wedding,” which wouldn’t make sense to say if they were currently in the month of June. From all of this, we can extrapolate that the first three-quarters of TLC take place in late July or early August 2004, with the triumphant return of our intrepid heroes occurring in June 2007.

As previously stated, TTP mentions that Artemis is still not fifteen, but is nearly there. He has also been home again for at least two months. This would put the events of the sixth book in August 2007. At least, the events set in the current time period. TTP does bring back time travel, and with it some problems. We are told that Artemis and Holly jump back nearly eight years to Artemis being ten and trying to fund searches for his missing father. This would put the events of the past in early 2000. However, other details presented regarding Artemis Senior’s disappearance, which we will discuss later, make that impossible. Artemis also admits, in TEC, that he was eleven when his father disappeared, not ten. If we take a bit of creative license with our interpretations and base the time-jump to the past on other presented information as opposed to the dates given in TTP, we can say that Holly and Artemis instead return to early 2001. This lines up with further details, such as the sinking of the Fowl Star (as calculated a few paragraphs down in this analysis) occurring in December of 2000, and the textual confirmation in TTP that it’s barely two months past that sinking when Artemis brokers the deal(s) regarding the silky sifaka lemur. Since, at the end of the day, the time jump impacts very little in the grand scheme of things, and the year 2001 actually fits in better with other textual evidence and events, that’s what I’m going with for this timeline.

The seventh book, Artemis Fowl: The Atlantis Complex (TAC) gives us a very helpful base point! It takes place on Artemis’s fifteenth birthday, September 1. From our previous results on setting dates for book events, that would be September 1, 2007. The sections in which Butler and Juliet are fighting mesmerized wrestling fans and meeting up with Mulch are noted in the novel as happening “the day before,” which would fall on August 31, 2007.

Artemis Fowl: The Last Guardian (TLG), the eighth and final book in the series, creates some problems. If we assume that Artemis starts receiving treatment for his Atlantis Complex immediately after diagnosis in TAC¸ that would put him receiving treatment in September 2007. We are told he is certified as cured after six months. Yet we are also told that the rest of the events of the book take place in the week or so leading up to the Christmas holidays. Everything so far has said that the Artemis Fowl series follows the current calendar, in which case there is no way that six months can fit between September 1, 2007 and December 25, 2007. However, the only reference to Christmas is in two lines noting that the Fowl parents were planning on holidaying with their children on a foreign beach. If we simply say that six months have passed, and they are instead planning on spending the Irish school system’s spring holidays in the French Riviera, everything else lines up much better. So that’s what I’ve done. This would also put the resurrection of Artemis, after the events of the book and a further six months have passed, at roughly September of 2008. There is a pleasing symmetry to Artemis being born and then re-born in September, though if you want to get really technical and say the events of TLG take place during the 2008 March full moon as Opal claims (as noted in another web search as March 28), a six-month wait time for the clone to grow would put the resurrection in October. Still, there is something to be said for having a boy’s ghost haunting a clone of himself close to All Hallows. Since it’s the last plot point of the series, you can choose which you’d like; it doesn’t have to lead to anything else after it.

Let’s Talk Timelines: The Beginning of the Line to The End of The 19th Century

Now that we have our baseline book time periods established, we can get into the math used to determine some of the events in the timeline above. Several events are easy; we are given specific dates for them. Turnball Root meets Leonor in 1938, Juliet wins the Miss Sugar Beet Fair beauty contest in 1999. Other things are based on some basic math, such as Artemis claiming his parents got married fourteen years prior to AF¸ putting that event in 1987.

The majority of the items on the above timeline, however, do take some mathematics, extrapolation, and interpretation to plot out. To try and keep everything organized, we’ll start at the far left of the timeline, and work our way forwards, looking at events oldest-to-newest to explain why they are where they are on the graph. I won’t be getting too in-depth on everything in the graph, since I’m not sure how relevant the notes on the very minor side characters such as Carla Frazetti are, but I’ll at least try to touch on some of the more relevant points.

To start with, the Battle of Taillte was noted in the 2000’s as being ten thousand years ago, putting that at 8000 BCE. Similarly, the last dome breach at Atlantis was apparently eight thousand years ago in the 2000’s, so that would be 6000 BCE. Troll sideshows were legal in the early middle ages, which implies they were not legal after that. A quick web search says the early middle ages ended around 1000. The first crusades were in 1096-1099, and as those crusades are the start point of the Butler-Fowl working relationship, a point for noting that comes next on the graph.

From there, we get into more modern – relatively speaking – events. Briar Cudgeon and Julius Root are noted as attending the LEP Academy together and being raised in the same tunnel, as well as having about 600 years of history together. If one assumes “being raised in the same tunnel” is similar to the human equivalent of “growing up in the same neighbourhood,” we can assume the two were born roughly 600 years ago, in the 1400’s. Vinyaya is portrayed as being of a similar age to Root, so her birth can also be put in the same general era. We are also told that Fowl Manor was originally a castle built in the fifteenth century, that in the early 2000’s the theories of timeline corruption were first introduced over five centuries ago, and that cloning has been banned for over five hundred years, so those three events are also tossed into the 1400’s.

Julius Root is noted as doing his LEP basic training 500 years ago in Ireland, so that would have to be in the 1500’s. He would have attended the Academy before then, putting that in the mid-to-late 1400’s. As previously stated, he was in the Academy with Cudgeon. Opal also met Cudgeon in college, and competed with Foaly for science prizes there, so they were all in school at the same time.

Mulch now enters the picture. We aren’t ever given a specific age range for him, but we are told about his career. He has, apparently, spent three centuries in and out of prison after a couple centuries of success as a thief. This would make him at least five hundred years old. There is a brief mention that he tried the athletic route at college before becoming a thief, so he would have to be an adult at that point, putting his age at roughly 550 years during the events of the series.

We then enter a period filled in from one-off lines throughout the series, presumably added to give some depth to the world. Things about the wine cellar at Fowl Manor being a seventeenth century addition, Captain Eusebius Fowl and his crew dying in the eighteenth century, and Mulch first faking his own death over two hundred years ago.

Time Marches On: The 20th Century

There is nothing of much relevance to linger on between the 1550’s and the 20th century, so we’ll jump ahead to the 1900’s, when we have Holly Short’s birthday. She is in her eighties during TLC, and her father died “over twenty years ago” when she was “barely sixty” as of TAI. Based on that, she would have been in her early eighties in 2002, putting her birthday sometime in the 1920’s. What a doll.

A few more birthdays now appear, and we’ll ignore, for the most part, some of the irrelevant ones. I don’t think we are at all concerned with Gaspard Paradizo’s birthday, or Mikhael Vassikin. We are, however, rather more interested in Jon Spiro, Domovoi Butler, and Artemis Fowl I.

Jon Spiro enters the series in TEC, as a middle-aged American. A quick search on the Internet says that middle age is generally noted as being between the ages of 40 to 60. We are told that Spiro has worked in three main industries over the past two and a half decades. Additionally, we are told that law enforcement has been “trying to put [him] away for thirty years.” If we assume he entered the working world at twenty, spent five years developing his professional self, and then started going down a path of questionable legality to get the police after him, that would put him at fifty-five in 2003, and born in the late 1940’s.

It was a bit easier to determine Domovoi Butler’s age, and we can get more specific with his actual birthday. We are told that he is forty at the start of TEC, and he is still forty during TOD. From that, we can assume his birthday is not between March – December, which means it has to be between January – March. Now, we can just leave things there, but contextually, Butler says in late March 2003 that “a lot of people know [him] as a forty-year old man.” Since I doubt he’s the kind of person who introduces himself by announcing that his birthday was last week, we can assume that his birthday is not in March. Since about half the books in the series take place in December, and there is never any mention of Butler’s birthday coming up soon, we can likely assume it isn’t in January. We can therefore conclude Butler was born in February, 40 years before 2003, which puts his birth year in 1963.

We then have Artemis Fowl I. This one took the most extrapolation to determine. We know he has run an ethical empire for a few years as of 2007, which coincides with his return to his family after being kidnapped by the Mafia. He apparently ran a successful criminal empire for two decades before that, though, so in 2007 he has been working for at least 25 years. Based on the interactions he had with his own son, I’ve assumed he was also taught to take over the family business from a young age. If he started working at his age of majority at 18 (as possible in the 1980’s in Ireland, based on a web search), we can assume he was born in roughly the mid 60’s.

Billy Kong, born Jonah Lee, is one to touch on. He plays a large role in TLC, during which we are given possibly the most backstory of any villain in the series. He was evidently born in the early 1970’s, and was eight years old in the early 1980’s. Mathematically, that can only lend itself to so many birth years, so it’s easy enough to put his birthdate somewhere in 1973, and his brother’s death date in 1981.

While we’re here, let’s talk about the 1980’s. A lot of things happen in the 80’s, so we’ll be here for a few paragraphs. Butler would have graduated Madam Ko’s Academy in the early ‘80s, Artemis I would have started working in his family’s business and stolen some warrior mummies (of note, the theft is only noted as being in Artemis Sr.’s “gangster days,” but if you are a young, rich criminal, you’d likely commit a wild theft in your early years as opposed to your thirties, which is why this is put in here). Additionally, in the mid 1980’s, Holly graduates the LEP Academy and her mother dies, as noted in TTP when she is contemplating missing three years of her friends lives.

Butler would have started his five-year stint in Russia with an espionage unit in the mid-to-late 80’s, and become a big brother in 1985. Juliet is noted at being four years older than Artemis in AF in 2001, and he is twelve then, making her sixteen at the time. We can extrapolate the month from TEC, wherein she is apparently eighteen when she is called regarding her brother’s apparent death. At the time, we are told what gifts she received for her birthday, implying it was fairly recent. Additionally, Artemis was only thirteen at that time, which would make Juliet five years older than Artemis. If, however, we trust that acolytes at Madam Ko’s start their training on their tenth birthday and get one chance to graduate per year, it would make sense for that one chance to be on their birthday, or within a day or two to allow for as much training time as possible. Since Juliet was in the midst of this one graduation evaluation when she gets the phone call and joins the crew for the March heist at Spiro’s Needle, she’d have to be born in March. (We can also corroborate this with some details from AF: if AF  takes place in mid-September, that would be just after Artemis’s birthday, which puts the 4-year age difference back into play.)

Spelltropy begins for the People in 1987, if it appeared 20 years ago from 2007. Artemis I and Angeline Fowl would get married in 1987. They would have their first child, Artemis Fowl II, in 1989, as calculated by Artemis being twelve during the initial siege of the Manor in December 2001. Artemis II’s grandfather was noted as having been dead for over ten years at that point, and it was mentioned in TEC that Angeline married her husband before he really took over the family business, so those events would likely happen when Artemis was but a baby in 1990.

The ‘90s are a period where a lot of things are happening, but few are particularly important. Spelltropy has a cure found, Minerva Paradizo is born, Juliet begins her bodyguard training and her brother refuses to let her shave her hair. These, and other events in the 90’s, are mostly calculated by math along the lines of “Event A happened X number of years ago,” but since the 90’s was mostly a time of worldbuilding events rather than plot events, we’ll just skim over the specific details.

‘You Are Here’: The 21st Century, and Where The Storytelling Begins

Welcome to the 2000’s! The kick-off point of not only the 2000’s, but also the entire series, is the sinking of the Fowl Star. We aren’t given a specific date for this, but we are given enough information to extrapolate the date. Specifically, in September 2001, in AF, we are told Fowl Sr. has been missing for almost a year. In TAI, in December, we are told he has been missing for almost two years. That does have the potential to have the ship go down in either December or January, so we need to use a bit more details from TAI to make a final determination. Mikhael Vassikin and Kamar were told to dump Fowl’s body in the Kola if he didn’t wake up in “another year,” so they’ve been looking after him for one at that point. Fowl Sr. wakes up two weeks before the deadline, and as noted earlier, the ransom drop for him takes place December 14, after he has been awake for perhaps a week. From that, we can tell that the deadline for “another year” was mid to late December, putting the initial sinking of the Fowl Star in late 2000.

The analysis gets a bit confusing at this point, because 2001 is when future Artemis and Holly join the party via time travel, as well as having their regular selves in the timestream. Essentially, we’ve established the timeline for the events of TTP above, so we know the whole lemur fiasco takes place in March 2001. Artemis wakes up at the end of that book thinking about fairies, which ties in rather neatly to him then dragging Butler across three continents for six false alarms (with an assumed approximate 3 weeks between each jaunt) before striking metaphorical gold in Ho Chi Minh City in September. During their time-traveling, Holly also gets a chance to talk to Root, who wonders why she isn’t in Hamburg, which was noted in AF as Holly’s first major failure as a Recon officer and was nearly preceding the events of AF. The time-traveling would also mean that Opal would have had to harvest her DNA for future diabolical plans before March 2001, when her younger self travels to the future. Since it takes up to two years to grow a clone to adulthood, and her clone has to be ready in September 2003, we are a few months off in the time requirements, but really, for a practice that’s been outlawed for 500 years, I can offer a bit of leeway.

We are now well and truly in the thick of the main events of the series. Most of this will be tied into the initial assessments we made way at the beginning of this essay, where we established when each book occurs. Because of this, we aren’t going to spend time on anything plot-related. However, a brief note on Turnball Root and Artemis’s Atlantis Complex is likely in order. Artemis was, as previously stated, dealing with his return from Hybras and the after-effects of stealing magic during July and August of 2007. His Atlantis Complex, and Turnball Root’s plan to escape the Deeps prison, are in full swing in September of that year. We have a brief note in TAC during the evacuation of Atlantis, that Turnball had, a month before, spied on Artemis and noted his Atlantis Complex developing. Therefore, Artemis’s Complex likely came into play in late July or early August 2007. This is close enough to Artemis’s magic theft to make sense for the deterioration of his mental health, and enough time for Butler to have started to notice something was wrong, as he did. We can therefore assume that Atlantis Complex, at least in the case of magic-stealing humans who have a propensity for time travel and getting involved in supremely complicated and improbable plots, develops relatively quickly.

This leaves just one major discussion point from the last few books: the age of Artemis’s twin brothers, Beckett and Myles. The twins are first introduced at the very end of TLC. They are written as being two during the events of TTP, three during the events of TAC, and four during the events of TLG. Regardless of the time-traveling shenanigans of their elder brother, it is impossible for the twins to age two years in the eight months between Artemis’s return from Hybras in June 2007 and the finale of the series in March of 2008, so we need to look at what makes sense.

Myles has already potty-trained himself, and done so at fourteen months, so they must be at least that old. Their other behaviours would make sense for them to be two in TTP. Diapers are still a part of their lives, and their language and vocabulary fit what a two-year-old would have, at least in Beckett’s case. Since Artemis was surprised by their existence, it doesn’t seem likely that  Angeline would have known she was pregnant, or at least not have told Artemis yet, when he went to Limbo. Ergo, they can’t be any older than two, since (one would hope) Artemis would have noticed his mother’s pregnancy if the twins were any older.

Additionally, in TLG, we know Artemis gave his brother a birthday present, so he had to have been around during the twin’s birthday at least once. With this fact, the twins cannot be born between March – June, which just leaves the question of when are the twins born?

 The most logical answer is February 2005. If Angeline was early on in her pregnancy, say six weeks (which is when most women start noticing symptoms), when Artemis disappeared in July 2004, she wouldn’t necessarily have told him yet. Then, if we assume that since most twin births occur around the 35-week mark, that would math out to having the twins be born in February of 2005. Fast forward, and they would turn one in February 2006, and two in February 2007, which puts them at the correct age for the events of TTP. [One could argue, of course, that a twin pregnancy in an older woman (unfortunately, there is nothing in the series to indicate Angeline’s age) and in a woman already dealing with significant stress could result in a very premature birth, thereby voiding any of this math and leaving the whole question of the twin’s birthday unanswered. However, since I’d rather not subject the Fowl parents to the strife and misery of having one son missing and presumed dead, and their younger children in the NICU with a low survival rate, I’m working with the assumption that the pregnancy was a healthy and normal one.]

The brief comment from Juliet in TAC about the twins being three can be passed off by them being a little over two-and-a-half and Juliet not being around as she is touring in Mexico. By the time TLG takes place, in March of 2008, the twins would have had their third birthday, allowing for Artemis to give Myles his chair as a birthday present, Beckett to be old enough to no longer need diapers, and the behaviours to act more like children than infants. While this doesn’t quite allow for the repeated textual confirmations in TLG that the twins are four, we’ll go with what mathematically makes sense.

That brings us to the end of the timeline! Not everything is touched on in the timeline, and not everything in the books is plotted (we are never given enough context to know Foaly’s or Opal’s birthdates, for instance). But the main events of the Artemis Fowl series are all analyzed, mathematically or logically or textually corroborated, and plotted out, for use or ignoring as personal preference dictates.

[alluralater]

i’ve been killing it in the gym + fucking a hot girl + working harder than usual lately but i’m BACK after a hiatus of five days. can’t wait to fill up your dashes with random hot silly things ;)

[dogearedheart]

8i've been thinking about the last asks i got today. and i think it's better for me to take a step back from this account. i know the anon didn't mean anything by it, but i still feel like i am being a negative presence on here and weirding people out with who i am is nothing i want. so, i am not deleting or anything. i am just gonna be less present with sharing personal things or leaving tags. I'll probably be more active on my second account where i don't have that many followers :)

[qqqqqqqqqqq0]

i've been having some trouble falling asleep lately

[moinsbienquekaworu]

How have I been in fandom for - going on 8 years (?) and not gotten into fanvids before?? All the association I could have been making.... All the memories.... All the composition and clever editing....

[eats-the-stars]

I feel like there are roughly two kinds of "painfully weird kid" that you can be during your K-12 school years. the first is your "I am trying so hard to be normal but I just cannot seem to hit the mark. there's just something wrong with me and I don't know how to fix it" and the second is the category I was in, which is your "everyone around me is so incredibly weird but they obviously can't help it so I will just have to accept this."

[strwbrymlkshake]

LOVE ME THE MOST THE MOST YOU POSSIBLY CAN!!!!!! LOVE ME THE MOST I NEED TO BE THE ONLY THING IN YOUR MIND

[thesophiades]

[blueskittlesart]

cold fruit in a hot kitchen (so i had this great watermelon last weekend)