#like i'm fine with character *discussion* about things like this

[batmanisagatewaydrug]

Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.

hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.

I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.

"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.

like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.

and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."

and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.

(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)

this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?

my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.

I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.

if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:

[rimouskis]

sigh someone on twitter extolled the virtues of furiosa and said it was better than fury road. I just saw furiosa. they are wrong.

[icewindandboringhorror]

Recent game related things .. hrmm...

[sylvies-kablooie]

not to be a hater but i did just finish watching the assembled episode of loki and all of my anger over s2 came back intensely ggggrrrGrrgrgrggGRRRRRRRR *bites ur ankles like a shih tzu*

[sage-nebula]

Gonna be honest: I am halfway through my second playthrough of P5R and I don't get the Akechi love in the fandom. No hate to anyone who loves him ofc, we all have different tastes, but

[stop-breaking-my-heart-telltale]

I did a TWDG character tier list because it’s been a while

Back in July 2019, I posted a tier list ranking TWDG characters from all four seasons with explanations for why I placed each character where I did. It’s now 2023, and I’ve mostly stepped away from TWDG and the fandom. I pop in occasionally to answer asks or give updates about the Clementine comics. Sometimes I get the itch to do an analysis post. Or something like this.

Distancing myself and then revisiting the series has changed a lot of my opinions of these characters and my ranking is quite different, so I thought it’d be interesting to discuss.

Just a note about how I’m ranking this: This ranking is solely based on my feelings about the characters. Last time I ranked some characters higher than I wanted to because I acknowledged their good writing and popularity. I’m not doing that this time. Well-written/popular or not, if I don’t like them, they’re ranking low. If I like them, then that’s the only reason I need to rank them high. That’s probably going to cause disagreements and that’s fine. Agree to disagree, y’know?

Each character is limited to a 3-4 sentence explanation. I can’t write a heavy analysis for every character, otherwise we’ll be here forever.

Also, I didn’t include characters from the Michonne mini-series since they weren’t included in my original and the mini-series is separate from the main series. All you really need to know is Michonne and Pete would’ve made A-tier.  

Starting from F-tier and working our way up to S-tier:

F-tier

Troy Surprise, Troy’s my least favorite character in the entire series. He’s an asshole and I find nothing compelling about him other than his death scene. He’s insignificant, I hate him, and he can suck an egg.

Vernon Vernon has some sympathetic qualities to his character but as far as characters in S1 go, I can’t say he’s all that great. Sure, he patched Omid up but that doesn’t mean he gets to fuck us over in the end. Screw him, y’know?

The Stranger I feel like I like the idea around The Stranger more than the Stranger himself. I get it, he’s supposed to be just some dude and it’s a neat reveal that he’s the guy we stole food from, but I liked him better when he was just a voice over a walkie. He’s just kinda here to guilt you over your choices no matter what you did and use it as an excuse for kidnapping Clementine, but I need a little bit more from my antagonists.

Joan Joan has one of the coolest villain moments in TWDG when she asks you who you want to save, then orders who you picked to be executed, and honestly? I respect that. It just sucks that Joan as a character is boring as sin. I can’t forgive boring antagonists, she sucks.

Larry Not going to lie—Larry is the biggest asshole and I kinda live for it. I still absolutely hate him, but I can respect him as a character for being such a piece of shit. He has some depth to him when you bother to try out different choices, and his death is so ingrained in my brain, but he’s in F-tier for a reason. I hate him, but he’s a damn good antagonist within the group.

Abel I think Abel is a great antagonist and he’s well-written, but I also think he’s garbage and I hate him. They really captured how crusty, creepy, and cruel he can be while also giving him a moment of vulnerability when he realizes he’s dying.

D-tier

Kenny Yes, I’m ranking Kenny this low. He’s one of my least favorite characters in all of TWDG, but at least he’s an interesting character study despite just being such a piece of shit. I’m sorry, I know he’s a fan favorite and he’s a broken man with a sad backstory, I understand that he’s a complex and well-written character. But I can’t stand him; he’s manipulative, violent, possessive, you can’t disagree with him without him throwing a tantrum, and I just don’t like him.

Andy, Danny, Brenda I’m clumping these three together because I might as well, my opinion of them individually doesn’t differ much. These guys are cannibals who lead people to their farm to butcher, eat, and trade the meat with bandits. They fed Mark’s leg meat to the group like…. It’s so fucked. They’re great antagonists, the best in S1 for sure, but fuck these guys.

Walter I’m kinda meh on Walter. He’s where he is on this tier list not because I hate him or anything, he’s mostly just here to guilt Nick and then be executed by Carver, and eh.

Arvo I don’t like Arvo. I don’t think that’s an unpopular opinion. I feel bad about everything he went through and Kenny was absolutely in the wrong for abusing him the way he did, but I can’t say Arvo himself is compelling. I think that’s a common theme with me—boring is usually worse than bad, and Arvo isn’t all that interesting. Then he shoots Clementine and we never hear from him again sooo…. Cool.

Omar Oh no, poor Omar ranking so low. But again, for me boring is worse than bad, and Omar is boring. I’m sorry, I know that’s wild coming from me given my past with TFS but it’s true. Omar is a character who exists, he cooks, he gets shot, he survives, and that’s about it.

Mark The only cool thing about Mark is how he died. But as an actual character? Meh.

Sarita Sarita is barely her own character. She exists to serve Kenny’s character development, and I hate that for her. She’s nice, and unfortunately that’s it.

Willy Willy is okay. He definitely has the most depth in this tier, save Kenny. But he’s still a minor character who I can’t justify putting any higher when I don’t love him.

Mari Oh, poor Mari. She’s sweet, but her death is more impactful than her actual character.

C-tier

Carver Carver’s a pretty good antagonist. I like him well enough. He’s a piece of shit, he’s intimidating, and he’s dangerous. Not the best, not the worst antagonist.

Carlos Carlos is hilarious, which I don’t think was the intention behind his character but if not, then they shouldn’t have made him so funny. I’m not saying funny as in “haha,” I’m saying it in a “you are an incompetent man, why are you doing this” way.

Duck I feel kinda bad for putting Duck so low, but he has the same problems as Sarita and Mari, though he does have a bit more personality going for him. His character serves Kenny’s character development, and his death is more impactful than he actually is.

Bonnie Bonnie’s fine. I liked her more in 400 Days. In S2, she’s just kinda meh.

Rebecca I like Rebecca well enough. Her going from being a complete asshole to wanting to be friends with Clementine between episodes kind of gives me whiplash but I can’t help but sympathize with her. She’s a pregnant woman in the zombie apocalypse who lost her husband because Carver’s a piece of shit and then she dies shortly after giving birth... it’s sad.  

Shel and Becca I like Shel and Becca a lot more than I did before. Their situation in 400 Days is rough, and I feel a lot for Shel wanting to give Becca a good life despite the state of the world. Becca’s also just a kid who tries to act tough and like she has a thick skin but c’mon, she’s still just a kid. 

Mike Mike was super chill until he betrayed us at the end. I would’ve ranked him higher but frankly, I’m still a bit bitter about him wanting to run off with Bonnie and Arvo, completely fine with taking all the food and resources so that Clementine and baby AJ starve. We were bros, Mike, then you had to go a do that. 

Brody Once again: Her death is more memorable than her character. But, in this case, I will say Brody stands out given the fact that she’s lying to everyone about the twins and dealing with the guilt gnawing at her in ep1. I find her interesting within the context of “who is telling the truth? what really happened?” because unfortunately, both she and Marlon end up dead so we’ll never know the full story from either perspective. 

Mitch Oh, my boy, there was a time where you ranked waaaay higher, but I can’t do it. Mitch is a good character and serves his purpose, and his death is still pretty bullshit. I still like him, just not nearly as much as I used to. 

Eleanor I’m still pissy about Eleanor snitching on us to Joan which results in either Ava or Tripp being executed, and then having the balls to yell at us about it. But prior to that, Eleanor’s a character with great medical knowledge and skills who wanted to help people. She just ends up being a victim to ANF’s less than stellar writing. 

Kate I still have a lot of issues with Kate, like I still hate the romance between her and Javi and how bitter she becomes after being rejected, but I don’t hate her. She’s a flawed character but I understand her perspective on things when it comes to David and Richmond. She’s also resourceful and charming at times, I like her well enough. 

Violet Yeeeeeah, remember how I said this is 100% my biased opinion on all of these characters? Violet is a mid C-tier character for me, she’s just okay. I don’t hate Violet, I don’t love her. She has some really endearing moments just as she has infuriating ones. I talked a bunch about her in my revisiting TFS post, if you want a full explanation on my feelings about her, then you can read that. 

Chuck I like Chuck, he’s chill. I appreciate the reality check he gave Lee about Clementine and their plan, and I’m sad that he died. Not much else to say. 

Vince I really like Vince. I talked a lot more about his character in my 400 Days post, so to summarize, he’s another interesting protagonist in that dlc and I liked his story a lot. 

Molly Might be an unpopular opinion to put Molly this low, but even though I like her, I can’t justify putting her higher. Molly’s story is heartbreaking though, and incredibly traumatic when you sit with it... like, she traded sex for medicine so her sister wouldn’t be thrown out, and given that we don’t meet her sister and dipshit doctor said he couldn’t keep helping her out... yeah. Molly brings a lot of charm and humor while she’s around but she’s also just so sad, y’know?

Jesus Jesus is cool. I don’t really have much else to say about him other than that. 

Christa I feel like a lot of these C-tier characters can be summed up with, “I like them, they’re cool... yeah.” because that’s how I feel about Christa. She shines more as a character when paired with Omid, and like with Rebecca, I really feel for her as a pregnant woman in the apocalypse who then lost both Omid and their baby and had to remain strong to care for Clementine... even though her resentment and bitterness are clearly present. 

Conrad My boy Conrad... I still really like him, though my love has definitely toned down. I enjoy his story and still stand by keeping him alive to the end, even though he makes it difficult sometimes. He’s hurting and that makes him stupid, and if you keep him alive long enough, he genuinely apologizes then tries to be better and I respect that. 

Ben Ben didn’t quite make it to B-tier, but know that he was close. Ben is such a screw up and he does so much damage, but I can’t bring myself to hate him. Most of us don’t wanna admit that if the apocalypse actually happened, we wouldn’t be a Lee or a Clementine, we’d be a Ben. 

B-tier

Aasim Aasim is definitely one of my favorite side characters in TFS and I’m always going to be bitter that he wasn’t used to his full potential. He’s the perfect middle ground between Louis and Violet, I love that he keeps a journal to record everything that happens, and that he’s the only one willing to push back at Marlon. Aasim’s great. 

Ruby I adore Ruby, she’s great. She’s small and fiery yet she’s the group nurse and takes pride in patching people up. Again, one of my favorite side characters in TFS. 

Alvin I have a lot of feelings about Alvin. Most are sad. This man loves his wife and their baby. I love the exchange between him and Clementine where she tells him he’s nice, she can tell, and Alvin’s just like, “I ain’t nice!” and Clementine goes, “...Yes, you are.” with a smile, it’s great. He didn’t deserve his fate, I’m still hurt by it. 

Nick Speaking of not deserving their fate: Nick. I like Nick a lot and will never be over his off screen death and how no one really cared. 

Eddie and Wyatt Lumping these two together since I couldn’t decide who I liked more. The two are amazing, their story in 400 Days is so damn enjoyable, and the chemistry between them is off the charts. Both interesting characters with great personalities. 

Katjaa I’ll never not be sad about Katjaa. Woman deserved the world and yet that’s what she got. She’s so interesting given her career as a vet which made her the group doctor, the fact that she married Kenny, and how she straight up tells you that she has her limits and she would’ve left Lilly behind if it was her choice. 

Doug Doug’s pretty great, but there just wasn’t enough time devoted to him in S1, especially if you don’t save him in ep1. When you do save him, though, he’s one of the more enjoyable characters to be around and I appreciate the efforts he makes to help the group despite his talents lying else where. 

Luke Luke is great for two episodes, then his character slowly went down the shitter. He had the makings to be great, to be an A-tier character, no questions asked... but honestly, putting him in B due to my personal feelings is being generous. When you’re only great for 2/5 episodes, then maybe you’re not an overall great character, hmm? But I’m biased and I like him. 

Minerva Okay look, I love Minerva as a tragic antagonist. I take back every mean thing I’ve ever said about her. 

Tripp Man, I love Tripp. He’s my bro, y’know?  

Gabe Gabe is a brat and I love him. I understand the criticism, but I also understand a lot of that criticism is rooted in “any child character who isn’t exactly like Clementine is deemed annoying.” He's one of the better parts of ANF in my opinion. 

Tenn I’ve done a lot of thinking about Tenn since I wrote my retrospective on TFS and like... Tenn is a great character. He’s interesting to have within the story of TFS, and I know, it’s so easy to just hate him because he keeps making the same mistakes. It’s when you look at the full picture that you understand why he keeps doing it and it’s just... sad. He always dies in my playthroughs, it’s heartbreaking. 

Sarah Sarah should get a shirt that says “I was wasted potential in S2 and all I got was this lousy shirt.” Because yeah, the set up for Sarah is executed so damn well, then the game fumbled, and then she was killed off. My girl deserved better than that. 

Carley I adore Carley. That’s my girl, I love her. Just.... I love her. Not much else to say. 

Ava Ava is so fucking cool, why is it that ANF killed her off in the most comical way possible when she survives execution? How could you do that to one of the most badass characters in TWDG? She fucking knocked TRIPP on his ass. I love her so much. 

Marlon Marlon is the perfect antagonist for ep1 of TFS. I have an entire character analysis about him, and again, I covered his character again in my retrospective of the game. 

Lilly Yeah, yeah, laugh it up-- I love Lilly, she’s an asshole and she’s great in both S1 and TFS. She’s a woman under so much damn pressure in S1 due to looking after her abusive father as he’s all the family she has left, she’s leading the group which Kenny continually gives her hell for, and she just wants to survive. Then she comes back in TFS as a great antagonist and we see just how far she’s fallen due to everything that’s happened to her. I talked more in-depth about her in my TFS retrospective post so if you want more details, you can go there. 

David Okay listen, this is my tier list and I say David is on the verge of being A tier for being such an interesting bitch. David is such a bitch, a real bastard, I could punch him in his damn nose, but damn it, he’s fascinating and I won’t apologize for being invested in the Garcia brother dynamic. I hate him but also I think he’s great. 

A-tier

Pete I feel like Pete being this high is just purely my bias showing. He has no business being this high and above so many other characters, but I don’t care. I love this man. He’s only in two episodes [assuming you ran to him instead of Nick] and he’s still one of my favorite characters in S2. 

Russell Russell is my favorite protagonist in 400 Days and I will be forever salty that he wasn’t more important in S2. 

James I could talk and talk about James until I’m blue in the face. I adore James, he’s such a compelling and often misunderstood character. 

Omid I mean, c’mon.... who here doesn’t think Omid is an A-tier character? He’s just so charismatic and charming, it’s hard to dislike him even a little. All these years later, and I’m still hurt that he died the way he did. 

Jane Yeah that’s right, Jane ranks this high. Jane is a fucking great character and I’m tired of pretending she’s not. I want to give you an in-depth analysis that elaborates on that, but unfortunately, I’ve limited myself on this post. That’s what asks are for, I suppose. 

Javier Javier Garcia is the best thing about ANF. Listen, ANF is the worst installment in the series, I feel like I can confidently say that, but Javi makes it all worth it. That, and his dynamics with Gabe and David, and Clementine, too. I love this man. 

AJ I debated on if I should put AJ here or S-tier, but ultimately, S-tier is for my absolutely favorites. While I love AJ and his development over TFS, he just barely misses the mark. But I think his spot here is well-deserved, love that little goofball. 

S-tier

Rosie Rosie is best girl. That’s it. She’s best girl. 

Lee It’s been how many years and I’m still not over Lee. He deserved the world. I love him so much. 

Clementine What’s there to even say about Clementine throughout all four seasons? She’s S-tier. She’s incredibly well written throughout the series, her growth is amazing, and her ending in TFS is definitely deserved. I love her so much. 

Louis Coming as a shock to literally no one, Louis is my favorite character in all of TWDG and he deserves the top spot in the top tier. What can I possibly say? I have written countless posts about how much I love him. He’s my favorite and I fucking love him. 

And for a fun comparison, my 2019 tier list:

[musical-chick-13]

Like, I DO think people get too wound up over fictional constructs--that, very pointedly, are not real and whose actions are made up and do not actually affect any real people--doing horrible things in-story, but I also think it's fair for someone to say, "This action sits poorly with me even in a fictional setting, in such an intense way that I cannot move past that or find sympathy for it," and "People are saying this bad behavior isn't actually bad, in a way that is meant to be taken seriously and at face-value, and that makes me severely uncomfortable."

Granted, this all gets muddled very easily because that's not what people mean most of the time, they just want to over-moralize fiction and say, "If you like this pRoBLeMaTiC thing for any reason, you are a menace to society" for Superiority Points. (They also like to invent problems that don't actually exist to "prove" that they have the moral high ground in not liking something remember when people tried to say catra/adora was incest because they grew up together because I sure do.) But I feel like there is a split between people who use "[character] apologism" in the sense of "I will be okay with this character doing whatever fucked-up thing they want in the story because I like them" vs "If you find this character compelling or want them to succeed, you would one-to-one condone their actions irl" vs "I have seen people genuinely say, with no joking or irony, that this character never actually caused any type of harm to the other characters within the story, and I don't like that."

[badscienceman]

forever annoyed by the inability to have constructive conversations involving media criticism anymore. I feel bonkers because it's like everything immediately dissolves into reactionary, all-or-nothing arguments that leave me baffled and usually uncomfortable

[vulturvolanss]

mutuals be honest. how much respect for me have you lost now that i like genshin.

[gojorgeous]

"creature of myth."

pairing: vampire!gojo x fem!human!reader summary: when you receive an offer of marriage from a mysterious wealthy lord, it’s too good a deal for your family to turn down. but nothing could be so perfect... right? content: MDNI (18+  ONLY), dark content, nsfw, gets dubcon/noncon in some spots, yandere behavior from gojo, implied death/k*lling of a character (not reader or gojo), arranged marriage, victorian au, plot that ends with porn lmao, spooky dooky vibes, blood, blood sucking/eating, praise, biting, unprotected sex, creampie, virgin!reader, discussion of virginity, cherry popping, pain, pet names (princess/love), reader is highkey clueless about sex, discussion of masturbation, ideas of masturbation as “sinful”, very minor religious themes, fated “mates”, gojo is highkey insane, coercion and manipulation, like SO much neck kissing, ooc gojo??? (had to alter his character to match a victorian vampire lord LMAO). a/n: PLEASE READ THE CONTENT WARNINGS. THERE IS DARK CONTENT AHEAD. is this a gojo fic or a twilight fic?? Going back to my roots fr fr. straight down to the “SAY IT, SAY IT”. this fic is also way too long my apologies bbs. i hope you like a hefty side of plot with your porn. parts of this fic feel way too cheesy to me but sometimes i eat that up, yk?? this fic was inspired by this amazing work by @rice5x ! and, finally, thank you all for the support on my most recent fics. i'm just getting back into being active on this blog and it's been amazing reading each and every comment/reblog/ask. they genuinely fill me with so much joy. keep them coming hehe. anyway, i hope you enjoy and remember, ALL AGELESS BLOGS WILL BE BLOCKED. credits: dividers by @cafekitsune. banner art by @ndsoda on twitter. wc: 11.6k (sowwy)

You remember perfectly the way your mother’s jaw dropped when Satoru Gojo proposed to you. You’d never seen the man, and you still hadn’t. He’d asked to marry you via messenger, a simple letter delivered by hand with a list of all the things he’d be willing to pay for your hand. Offers of money, land, protection, connection- anything so long as he got you. You’d thought it was a joke. Your father nearly took a shovel to the head of the poor messenger, thinking the letter was some kind of cruel prank, some sort of targeted disrespect. You’d only started to believe when you really looked- saw the Gojo crest embroidered on the man’s suit, the fine leather of his boots. If it was a prank, somebody had spent a great deal of money and effort to pull it off. 

You’d asked for proof nonetheless, and you’d gotten it. Documents signed and sealed with a well-known waxen crest, gifts that could only have been purchased by a wealthy lord. The one thing you never got was the lord himself. He refused to see you, to come down from his mysterious castle on the hill. It didn’t surprise you. He rarely deemed town worthy of his presence. He had a reputation as a recluse, as a man who only ever liked to see and never be seen. What little glimpses people got of him were usually through the dark window of his carriage. Still, his appearance preceded him. White hair, light eyes… “haunting” said those who had the luck to see him. Those who went to work for the lord tended to return… changed— if they returned at all. 

You accepted, of course. How could you not? You were a peasant family with no status or wealth to your name. The promises Lord Gojo had made would make your parents into aristocrats all on their own. But that left you wondering… why did he want you? You offered him no benefit. If anything, you sullied his bloodline. The question scratched at the back of your mind. It came to you while you ate breakfast, while you washed your clothes, while you weeded in the garden. Some part of you told you that you needed the answer before you ever stepped foot in that castle. You needed that answer, but you’d never get it. 

Your wedding wasn’t even a wedding- just a piece of paper that had already been signed and witnessed, once again delivered by a familiar messenger. You signed at your dining room table and… that was that. You were married. 

Later that night the carriages arrive. Men flood your home, all dressed in blue velvet, the Gojo crest embroidered on their chests. They seem puzzled when you tell them you’ve packed all your belongings into a measly three bags. 

You say a quick goodbye to your parents, drawing them into stiff embraces. You love them, and they love you, but you can’t bear to see their faces as they send you away to a man who couldn’t even show his face for your wedding. 

The carriage ride is somehow longer than you’d thought it would be- apparently, the castle’s size makes it seem deceptively close. The trip is rocky and twisty and altogether unpleasant as you steadily make your way toward the castle gates. By the time you reach them you think you’ve probably dozed in and out of consciousness at least half a dozen times. 

The castle is even more intimidating up close. Spires that swirl into the clouds, sculptures that stare, doors that look more suited to being locked than opened. It’s… terrifying. 

When you finally roll to a stop, you move for the door. When you swing it open you get your fair share of strange looks from your attendants and remember that you should have waited for the footman. Your face heats as you climb out anyway, unwilling to subject yourself to the further humiliation of waiting for assistance. 

Your feet hit gravel and all you can do is stare- up, up, up, to where the castle’s peaks disappear into the fog. When your eye flashes to a window on the east side of the manor you think you see a swaying curtain. You tuck your arms around yourself and shiver, but it’s not from the cold. 

You nearly stumble over your feet on your first step inside. The entrance hall is larger than your former house, with ceilings that stretch so high you can hardly make out the figures on the frescoes that adorn it. Silver and blue drape everywhere, the Gojo family colors. You swallow when you see a chair that is most definitely worth more than your family’s annual income. 

The floors are marble and when your worn heels clack against it, you only feel reminded that you don’t belong here. That question pricks in your mind again as you pass portraits of every Gojo heir to have lived in the last three hundred years. Why me? Why me? Why me? 

Your footman deposits you in your room, a place more lavish than you’ve ever seen. You have a four poster bed with a canopy of blue velvet, a window that overlooks a sprawling estate, and more square footage than you’ve ever dreamed of. 

“Pull this if you need any sort of assistance, ma’am.” 

You turn to see your footman referencing a silver cord at your bedside. You assume it’s one of those contraptions that rings a bell in the servants’ quarters. You try to hide your amazement- you’ve never seen one in real life before. 

You clear your throat and give your most ladylike nod. “Thank you, um-” you pause, your brow furrowing. “I’m sorry, I don’t think I asked your name.” 

Your footman appears stunned to silence, like he’d never expected you to care about his existence, much less his name. He recovers quickly, though, and forces a small smile. “Thomas, ma’am.”

You smile and it’s genuine. “Thank you, Thomas.”He bows and makes a beeline for the door, but you have one more question. “Oh, um, Thomas-” He freezes, turning slowly on his heel to face you. 

“Yes, my lady?” 

You cringe at the title. The sound of it creeps across your skin, foreign and… wrong. Why me? Why me? Why me?

You clear your throat again. “Do you know, um, well-” You shift, trying to word your question properly. “Do you know when I might see the Lord?” 

There is a pause, a moment of tension and silence, and then an answer. “No, my lady.”

Thomas does not stick around for more questioning. The door clicks shut behind him and then you're left with only the sound of retreating footsteps. 

You’re stunned to say the least, mouth still halfway open, more questions on the tip of your tongue. Should you seek him out? Was that proper? Would he come to you? Would he meet you for dinner, perhaps? Surely he would come to your room tonight to… consummate. Would that be the first time you lay eyes on him? When he’s over you? 

You sigh. There’s nothing much to be done about it now. You find your way to the bed and sit down hesitantly. It feels like a crime to rumple such primped and polished cotton. You do it anyway- it’s going to happen sometime, right? You fall back against the mattress and don’t fail to notice how utterly comfortable it is. The silvery patterns on your canopy swirl and bend together. You’re tired. You didn’t sleep much last night, anxious for the morning… and it’s only mid-afternoon now. You had time for a nap, right? Your eyes are closing before you can convince yourself it’s a bad idea and then you’re swept away into a world of warm darkness. 

You wake with a start. Your first thought is that it’s dark now. Your room is pitch black except for the stream of moonlight passing through your stupidly large window. Your mouth feels dry and your skin is cold, like you’ve just woken from a nightmare. If you have, you don’t remember it. Perhaps that’s a blessing. 

You sit up, combing a finger through your hair and laughing pitifully when you realize that you left your shoes on as you slept. You hope Thomas didn’t walk in to find you in yet another unladylike position. A glance at the foot of the bed reveals he might have. Your bags have arrived- all three of them. You eye them with a combination of longing and contempt. They don't match this place. They’re worn and used- everything here is shiny and new. Still, they’re all you have, and all you have left of your life before. All you have left of home. 

You stretch your arms above your head, nearly groaning at the burn in your muscles. The carriage ride did your body no favors and you suspect you’ll be sore for many days to come. 

You rise, no longer content to lie in bed. You’ve had your rest and, from the state of darkness outside, you suspect your new husband might be joining you soon. The thought twists a certain tightness into your gut, but you push it aside. If that was the price you paid for all he gave your family… then you’d pay it gladly. 

You start with candles, finding a box of matches at your bedside. You light every candelabra you can find. The room, the castle, seems so perpetually… black- like it soaks up every ray of light it touches. Even when you’ve finished it doesn’t feel like enough. You make a note to ask Thomas for more in the morning. 

You find a meal, carefully prepared and preserved, on a table near your dresser. Judging by the fact that it’s still warm, you conclude that it can’t be much past mid-evening. You originally intend to pick at the food as you unpack, but one bite has your mouth watering. It is the most delicious thing to ever touch your lips, complete with dessert waiting on the side. You clean your plate before moving onto your bags. 

You lay your clothes out on the bed. A few dresses, riding pants, undergarments, an assortment of ribbons and bows. At one time these items had been the finest things you owned- now you owned a castle. 

You find an armoire that looks like a master sculptor carved its edges and grab a dress, intending to hang it. Instead, your dress hits the floor when you part the doors to find the hangers already full. Your lips part. Luxury dresses of silk and satin line the rack, fading into some that appear more casual outfits of cotton and linen. You stretch a hand out, curious and utterly… amazed. To think your new husband had gone to all the effort… Your hand brushes purple silk and- 

“Do you like them?” 

You screech, jumping to face the voice at your back. It takes a moment for your eyes to find him, leaning casually against one post of your bed. Your breath is stolen for a second time. Snow white hair, piercingly blue eyes, pale soft skin… you know who he is even without looking at his dress, at the air of authority he claims. He’s your husband… and he is the most devastatingly beautiful thing you’ve ever seen. 

He laughs, then, and it’s a warmer sound than you’d thought it would be- rich and full. A sound that seeps into your bones and settles in your soul. 

“Sorry. Didn’t mean to scare you,” he says, but the twinkle in his eyes makes you think that perhaps that’s a lie. 

Your heart pounds and your eyes flash to the door. It’s shut. You didn’t hear it open, nor did you hear it close behind him. You also didn’t hear footsteps, didn’t hear breaths, didn’t hear him. 

He follows your gaze and laughs again, though it sounds a bit… strained? 

“I have a habit of being unintentionally lightfooted. I apologize.” 

Your heart is still pounding but you find it in yourself to have some decorum. You snap your jaw shut and bow your head slightly in respect. “You must be Lord Gojo. Forgive me for my insolence.” 

There’s a beat, and then footsteps– ones you actually hear this time. You clench your jaw when he stops before you and then nearly gasp when he takes your hand and brings it to his lips. 

“Satoru, please,” he winks and you think you might stop breathing. “I am your husband after all.” 

You force yourself to nod, to swallow, to act normal. But how can you in the presence of a man that looks like… that? There’s something too unreal about him, too perfect. It’s almost… unsettling. 

“Of course… Satoru.” 

He straightens and shows you a close-lipped smile that digs a dimple into his left cheek. You have to look away to avoid stumbling over your own feet. 

“So, do you like them?” Your brows furrow- “The dresses,” he clarifies. 

“O-oh.” Your features relax into an easy smile. You turn back to your armoire, running a hand along another gown. You don’t think you’ve ever touched something so… finely made. “I like them very much. I don’t know how to thank you.” 

There’s a little chuckle as you turn to face him again and you have to steel yourself before you meet his eyes. He’s mesmerizing, too mesmerizing. You think you could probably lose yourself in those eyes forever… 

“No need to thank me. If they don’t fit, we’ll call for the seamstress in the morning.” 

You nod softly, still lost to the situation. There’s a beat of silence in which your husband does nothing but… look at you. His eyes roam freely and the hair on your arms stands under his gaze. He traces the lines of your nose and jaw and lingers on your pulse. Can he see just how fast your heart is pounding?

“Did you… get dinner?” It’s a stupid question, you know, but you don’t think you can bear another second of that look he’s giving you. “I fell asleep and found a plate. I hope I didn’t prevent a proper meal…” You trail off. Perhaps you shouldn’t have pointed out your own shortcoming? 

He gives you another smile and you swear he inches just a little closer. “You did no such thing. I’m… perfectly satisfied.” 

You nod, glad that he doesn’t seem upset at the very least. Your lips press together, unsure of what to do or say. You’ve never had a husband before. Wasn’t he supposed to just sort of… put you on the bed and… do it?

Your eyes flit to said bed and your husband must see because he hurries to continue. 

“Well, I’ll see you in the morning then, hm?” His eyes flit to your armoire and back again. “Wear the blue dress with the lace to breakfast, yeah? Been dying to see it on you.” He chuckles like he’s just told some sort of amusing joke.

Your brows furrow. That was… not the topic you’d been expecting. “You’re not…” You feel your cheeks heat and tighten your jaw. “Not staying the night?” 

His lashes lower a fraction and those eyes pierce you again. You don’t think you could move even if you wanted to, even with him prowling closer, each step eating up the space between you. He doesn’t stop until you’re nose to nose and you can feel his breath fanning over your cheeks. It’s cold somehow, chilling, and you shiver. He smirks. 

“Not tonight.” 

His head dips and for a moment you think he’s going to kiss you, but then he’s bypassing your mouth altogether and- his lips connect to your pulse. His mouth is cool, just like his breath, and you shiver uncontrollably under his touch. 

His touch is just a fleeting moment, just a wrinkle in time, and then he’s gone. His footsteps are quiet brushes on the hardwood and the creak of the door even seems tamed in his presence. 

“Goodnight,” is all he says, and then he’s gone. 

You climb into your bed an hour later wondering what in the world just happened. 

~  

You do wear the blue dress to breakfast and you can only gape in the mirror when you realize that it fits perfectly. It has you second-guessing yourself. Had you sent your measurements in advance and forgotten about it? No, you’d only sent a handful of pieces of information to the Lord prior to your marriage and you remembered all of them very clearly. Everything had gone through a messenger, everything had been clear and direct– you would have remembered sending your measurements– you didn’t. So had he just… guessed? 

That seemed impossible with how everything fit you like a glove, but it was the only explanation you had. The only one that made sense. 

When you join Satoru for breakfast it’s in a sitting room as lavishly decorated as the rest of the castle, but perhaps organized to be a bit more… liveable. He has no plate in front of him, only a tin cup that hides the contents of whatever he’s drinking. You assume coffee or juice. Perhaps he’s just not a breakfast person. 

“It fits!” he says. His hands clasp together in front of him and he smiles again, dimples and all. 

You nod and fight the heat that bubbles beneath your cheeks as you take your seat. “Yes, perfectly.”

A plate is set before you and a glance up reveals it’s Thomas serving your breakfast. You smile, hoping for some acknowledgement from him, for a small piece of comfort. Instead, you get his averted gaze and quick retreat. Your brows furrow, but before you can say anything, Satoru is back to speaking. 

“I hope Thomas treated you well yesterday?” 

You glance up, but Satoru’s eyes aren’t on you, they’re on your footman. His smile is bright, but it’s anything but friendly. You fight a shiver. 

You glance at Thomas. He’s perfectly still, perfectly straight, but you think you see a muscle clench in his jaw. You clear your throat. “Y-Yes. Thomas was very helpful.” When Satoru keeps staring the boy down you add, “-and very respectful.” 

That seems to satisfy. Satoru breaks his stare and some of the tension in the air instantly eases. He shoots you another dimpled smile, this one with a little more warmth. “Perfect.” 

There’s a beat and then he’s standing, draining whatever he has in his cup and then straightening his jacket. “Well, I have some work to do. I’ll see you for dinner?” He’s grinning again, like it’s so normal for a man to abandon his bride on their wedding night and then again the morning after. All you can do is nod. He chuckles. “See you then, princess.” And then he’s gone.

~

If this is to be your life you don't know how you will survive it. You spend the day milling about. Through the gardens, through the castle, through the stables. Thomas is never far behind, but any attempt at conversation is nipped in the bud by hit shortness. It’s like he fears coming too close. He’s never closer than a couple paces except when he has to bring you something, only to retreat again as soon as possible. The other servants barely pay you any mind apart from giving you a respectful greeting and then immediately averting their eyes. There is no work to be done, no guests to be had, no parties to plan… and no Satoru. You don’t see your husband once on tour around the grounds. You ask Thomas where his office is only for him to vaguely point out a window in the east tower. You don’t see so much as a ripple in the curtains. 

Dinner comes around at the pace of a snail. When it’s finally time to get dressed a lady’s maid whose name you don’t even catch arrives to help you lace your dress. As soon as your corset is deemed tight enough she’s back out the door with a curtsy. Thomas leads you to the dining room and your eyes roam the whole way. Even after having spent the whole day exploring, there are halls and corridors that you’ve yet to step foot in. 

The dining room is just as gorgeous as the rest of the place– filled with singular items that could feed entire families for years. Somehow, you think you’ve already grown accustomed to such things, since the only thing you truly care to look at is your husband. Satoru’s already seated, but he stands when you enter, looping around the table to pull a chair out for you. 

You give him your most genuine smile, accepting a kiss to your knuckles in greeting before you settle. “How was your day?” you ask as he takes his seat again. 

He chuckles. “Perfectly fine. And how was yours, princess?” Your nose crinkles. That’s the second time he’s called you that. Something about it feels wrong. You’re still getting used to being a lady. Princess feels even worse. 

“It was… good.”

You watch a perfect white brow arch in the candlelight. “Oh? Just good?” You don’t miss the way his eyes flicker to the corner– to Thomas. 

You hurry to elaborate. “Well, I just– I can’t help but feel as if there’s not much… use for me.” Servants flood in, some carrying wine, others carrying trays that hold more food than the both of you could ever possibly consume. 

That brow arches impossibly higher. “Use?” His lips crack into that smile again, but it’s tight this time. Too tight. “You have no use. You only enjoy yourself. Surely Thomas has told you that.” 

A plate of steaming food plops in front of you. Even its heavenly smell can’t quell the sudden dread in your gut. “Of course! Of course he did.” Your stomach twists and you decide that perhaps now is not the time to press the subject. “I’ll just… I’ll try riding tomorrow.” You hate riding, but it’s the first thing that comes to mind. 

Satoru’s smile thaws into something less menacing. “I’m sure you’ll enjoy that.” 

You nod eagerly. “I’m sure I will.” 

You grab your fork, eager for a new subject. From what you can tell, dinner is roast chicken and vegetables, though it’s the luxury version as everything seems to be. The spices are intoxicating and the green beans are even arranged in a pretty little pattern that makes them look too good to eat. You do anyway. The first bite nearly makes you moan, but you chew slowly, delicately, trying not to let your upbringing show.

It’s not until several bites later that you realize you’re the only one eating. A quick glance reveals your husband has no platter, no chicken or green beans. He’s only… watching you. You clear your throat, dabbing at your lips with a napkin. 

“You’re not… eating?”

That permanent smile grows a little wider and you can’t help but feel as if there’s something… menacing about it. “Ate before I came.” 

Your brows furrow. “Oh. Were you on the road?” 

You think you see something wild flash in his eyes. “No.” 

The rest of dinner passes slowly, almost painfully. Satoru doesn’t eat a bite, doesn’t even look enticed. You wonder how that’s possible when it smells like a spice bomb went off in the dining room. 

By the time you’ve cleared your plate you’ve discussed everything from the number of horses in the stables to kinds of crops grown on the estate. It’s comforting to know a little more about your new home, but it’s not enough. 

“Is there a library?” you ask. You’re on dessert now. It’s the best chocolate cake you’ve ever had and it takes everything in you to hold back a moan each time it touches your tongue. 

“Of course.” Your husband’s eyes flicker to Thomas again and you’re honestly starting to fear for the poor footman’s life. Everytime you ask a question it’s like Satoru is angry it hasn’t already been answered. “It’s yours to use as you please.” 

You smile lightly. “Perfect. Thank you.” 

He softens a bit at that. “Is there anything specific you wanted to read about?” 

You shrug. “The estate, I suppose. I should know my home’s history, no?”

His eyes get that wild look again, that sparkle that you know speaks to nothing good. “Oh, absolutely. I have some personal favorites to recommend. I’ll leave them aside for you?” 

You swallow and give him a shallow nod. “That would be perfect. Thank you.” 

He chuckles. “My pleasure.” 

When dessert is finally over, you stand slowly. Satoru’s not far behind you, saying he’ll walk you to your room. Your heart leaps at his words. Will he stay with you tonight? 

He offers you his arm in the hall and your mouth runs dry when you feel the corded muscle beneath his jacket. By the time you reach your room, you’re thinking of tugging him in behind you. His denial to stay with you last night was not only confusing, but… off putting. Nearly offensive. Did he not like how you looked? Did he think something was wrong with you? 

You muster all the courage you possess and force your lips apart. “Will you stay with me tonight?” 

His eyes spark again and you hold your breath. He presses closer. This is it, you think. His lips hover over yours, eyes glimmering in the candlelight. And then he dips his head, his mouth pressing to your pulse. 

“Not tonight,” he whispers– and then he’s gone. 

~

You wake suddenly. It’s the middle of the night, you gather. The light streaming through the window is weak enough to only be that of the moon. 

Your heart is pounding and your skin is slick with sweat despite the chill in your bones. A nightmare, you think. It must have been a nightmare. 

As you settle back into your sheets you swear you see a ripple in the darkness. You close your eyes. If your nightmare is real, you’d rather not see it coming.

~

The library is huge. It’s sprawling and smells of paper and leather and everytime Thomas lights a candle you flinch at the idea that one misplaced spark could end thousands of years of knowledge. 

The books Satoru left you are… perfect. Just what you were looking for. They’re all comprehensive volumes of the history of the estate, many of which reference each other. You’re stunned to see that several are written by very well-known authors of both the past and the present. You knew the Gojo family’s influence reached far, but not that far. You peruse the titles. The Gojos: A History, A History of the Gojo Crest, History of the Gojo Castle, Revisiting the Gojo Family: A Comprehensive History. Altogether you have well over a few thousand pages of information– but there’s one book that doesn’t fit with the rest. It’s relatively unassuming. A black cover with some sort of gold rune etched onto its front. When you flip to the title page it reads “Creatures of Myth and Where To Find Them”. Your brows furrow. You slide it to the side– must have gotten mixed in with the others, you think.

~

You ask Thomas to bring the books to your room. He does. Very respectfully. He sets them on your bedside table and then retreats like a kicked puppy with only a polite goodbye. You sigh. His behavior has only gotten stranger in the past few days. You think the servants’ coldness must have something to do with Satoru, but you can’t figure out why. Had he ordered them to stay away? Why would he? 

You decide it’s a question for another day and dive into your books. You spend hours, days, reading every chapter, page, and word. The pure amount of information is dizzying. Apparently this specific estate had been in the hands of the Gojo family since the eighth century (with several razings and consequential rebuilds). You also learn that Satoru was not only the most wealthy lord on the continent, but the most wealthy man. Even wealthier than the king apparently, though that fact was kept fairly under wraps to protect the crown’s ego. The estimates of your husband’s net worth made your head spin.

Satoru joins you for breakfast and dinner every day. You never see him eat a morsel. It’s… unsettling to say the least. It’s always just that tin cup, filled with something you could never quite see. You develop a pattern of waking in the night, too, with the overwhelming sense that something is watching you. Sometimes you could swear you feel the bed shift as you jerk awake. Each time you simply close your eyes and try your best to slow your heart, convinced your mind is playing tricks on you. 

Your days feel a little more productive with a book in your hands, but you’ve read them all three times over by the time a fortnight has passed. You find yourself packing them up to return to Thomas when a certain black cover catches your attention. You grab it from the pile and settle back into your seat. You’ve nothing better to do, right? 

You flip back the cover, revealing a familiar title. “Creatures of Myth and Where to Find Them”. You don’t recognize the author’s name. A quick scroll through the table of contents reveals nothing particularly interesting, but you pick a random chapter on ghouls and decide to start there. 

It’s fascinating. Nothing about the style is boring and the words fly by. Your silly little myth book is a page turner. By the time you notice the light has started dying you’ve read about ghosts, fairies, werewolves, and goblins– all of which have been a delightful little read. A glance at the clock reveals you have a half hour before dinner. One more chapter, you think. Your eyes skim the title. “Vampires [Vampyr]”. 

You skim the first paragraphs until your eyes settle on a line that catches your eye. 

“Contrary to popular belief, vampires are not always crazed blood-hungry monsters. Many live among humans quite comfortably and are able to avoid detection with a little well-placed effort.” 

You purse your lips. What a… terrifying thought. You skim a little further. 

“A vampire’s key characteristic is, of course, their desire and need to drink human blood as sustenance. However, a vampire can be spotted sooner if one is able to recognize their subtler traits. Vampires often have skin lacking any sort of flush. The lack of blood in their veins results in a sickly pallor, even after the most rigorous exercise. Their skin is also noticeably cold to the touch. At best, a vampire’s body will reach room temperature. Vampires can also be noted for their preternatural beauty. They will stand out as the most attractive person in any crowd. Finally, a vampire will have fangs. If one wishes to identify a vampire, one only needs a good look at their teeth”.

A chill settles over your skin. You flip ahead a few pages. 

“Vampires are unable to consume typical human food. Should they attempt to, their bodies will immediately reject any and all foreign substances.” 

Your stomach drops. You don’t want to think about why. You skip the rest of the paragraph. 

“Vampires possess several supernatural abilities that set them apart as a human’s predator rather than their equal. Vampires are known to move unnaturally fast and are notably light footed. If a vampire does not wish to be heard, they will not be. A vampire’s strength is inhuman, well over ten times that of the average man. They also have a penchant for darkness, an ability to hide away in the shadows that cannot be explained. Oftentimes they will seem to appear from thin air.”

You skip ahead again.

“Vampires have been known to take mates. Mates usually come in the form of another vampire, but in some cases a human has been chosen. Vampires are fiercely protective of their mates, bordering on obsession. Any person deemed a threat to their bond or their mate’s safety is usually disposed of quickly. Oftentimes, vampires make these decisions with haste, with little regard for whether or not the threat was real. A vampire will do everything in their power to please their mate, but have been known to forcibly restrain their mates in situations of unrequited feelings. Above all else, vampires wish to possess their mates. Two bonded vampires will sometimes spiral into gloriously destructive fits in their endless desire to protect and possess one another. A vampire bonded to a human will show an increasingly protective nature, often isolating their mate from others.”

Your heart pounds. A bead of sweat rolls down your back. You flip the pages, desperate– desperate for a piece of information that will save you from the thoughts spilling in your mind, from the thoughts you will do anything not to believe. You reach the “Where to Find Them” subsection and nearly gasp with relief. Surely, vampires do not pose as wealthy lords of Europe? 

“Vampires can be found everywhere. They do not exist in only one country or continent, but all over the world. Odds are that you have faced at least one vampire in your life, unknowingly or not. Some vampires choose to live solitary lives, surviving in the wilderness where human society will not attempt to tame their wild nature. Others choose to live among humans, some even existing in positions of very high authority.” 

No, no, no. This can’t be happening to you. It can’t be real. You’re dreaming, you’re having one of those nightmares again. You’re going to wake up any second. 

“One tale recounts a razing of the Gojo estate in the 12th century.” 

You’re panting, hyperventilating. This isn’t happening. 

“Soldiers of the enemy force recounted a singular man, the son and heir of the then Lord Gojo, taking out a minimum of 800 men. He was described as having his family’s characteristic white hair as well as blue eyes. Eyewitness accounts depict the Gojo heir as covered in blood and killing savagely and with inhuman strength.” 

No, no, no. 

“(See next page for only existing portrait)”

Your fingers tremble but you can’t stop them. There’s no way. It’s not possible. 

You flip the page and Satoru stares back at you. 

Knock! Knock! Knock!

You nearly scream. Your door rattles angrily, but you’re not sure you can answer it, not with the knowledge flooding your mind. The knocking continues. You run your hand over your face and smooth down your hair. You feel frazzled, dirty, despite not having moved from your chair all day. Another knock prompts you to set your book aside and stand. You do your best to compose yourself, to put on a straight face. You fail instantly when you pull back the door not to reveal your faithful attendant, not Thomas, but Satoru. 

You bite back a shriek and instead force a smile. You’re suddenly very aware of the blood pounding in you veins and of the fact that he most likely knows. 

“Hello,” he says, but his voice is lower than usually, more intense. 

You force a breath into your lungs. “Hello,” you answer, but it sounds more like a squeak than a greeting. 

Something flashes in his eyes, something familiar, something that is no longer interesting but rather terrifying. “Are you alright? You seem a little… flushed.” The concern on his face feels anything but genuine. 

“I’m fine,” you answer, but even you can tell that reply too quickly, too eagerly. You rush to cover it up. “Is it time for dinner? Where’s Thomas?” 

His lip twitches and you see a muscle in his jaw flex. “Thomas has… left us.” 

No. This wasn’t happening to you. There was no way this was happening to you. 

“He… what?” There’s an unmistakable wobble in your voice that only causes Satoru’s face to fall further. 

“It’s no matter. He’s gone. Now it’s just you and me, hm?” He chuckles and the sound rattles your bones. “In fact, I was thinking I’d cut down on the number of servants we have entirely…” 

You mind races with the memory of knowledge you wish you didn’t have. “Vampires are fiercely protective of their mates, bordering on obsession. Any person deemed a threat to their bond or their mate’s safety is usually disposed of quickly.”

You nearly stumble, but lean against the doorframe just in time. Your husband had disposed of a man, all because he brought you meals and books?

“What have you been up to today, princess?” The question breaks your trance just in time for you to see your husband’s eyes flicker behind you. 

You wet your lips. “Just some reading.” You plead that he doesn’t ask anything further. He does. 

“About the estate?” he asks. 

You nod and try to swallow the lump in your throat. “Yes.”

His smile returns and this time it’s not forced. “You got my books, then?” 

You try smiling back, but you’re fairly sure it looks more like a grimace. “Yes.”

“Anything interesting?” he presses.

This isn’t happening. This can’t be happening. Does he know? Does he know that you know? “Yes, of course. Lots.” 

He pauses and you see the debate and then the decision in his eyes. You think it’s the first time you’ve felt true terror when he meets your gaze again. “I think we should skip dinner tonight. It seems we have so much to discuss.”

You don’t even have the wherewithal to scream when he steps into you, forcing you back until he’s shutting your door behind him. He doesn’t stop there, though. He keeps pressing, keeps pushing until your knees hit the bed and you’re falling to the mattress. He crawls right after you.

“Who knew my little wife was such a reader? All those books in such a short time… You must be simply spilling with information.” 

You retreat across the mattress, squeaking when your back hits the headboard and his arms cage your waist. You’re trapped.

His hands find your hips and you’re all too aware of how cool his touch is. Even more so when he pulls you right into his lap.

“Satoru-” your voice is pitiful, breathless, and you’re ashamed to say it’s not just from the fear in your gut. He’s never been this close before, never touched you, held you like this. “Thomas-” 

“Don’t speak his name.” His face pulls into the first scowl you’ve ever seen and the sight is enough to root you to the spot. Never have you seen anything more frightening. A creature so beautiful, so perfectly angelic, filled with an insurmountable rage. It’s wrong. “He’s gone. He’ll never bother you again.” He’s closer now, his breath skating over your skin. It’s cool and now you know the reason why. 

You shake and tremble and you know– Thomas is dead. Your husband killed him– killed him for getting too close when all he did was stay at a distance. Satoru killed him. Killed him. 

He buries himself in your neck, his voice a near whine. “Thought I could put up with it, just so you’d have someone to take care of you…” He groans. “I was so wrong, princess. Couldn’t stand it. Couldn’t stand the way you smelled more like him than me…” 

You feel him melt against you then, relief washing over his body in a wave. “But he’s gone. And now it’s just you and me, hm? Just you and me…” He hums, like remembering that fact is all he’s ever needed.

He’s kissing your pulse again, now, and your heart is racing faster than ever. Your fingers curl into his shoulders. You should push him away, away, away. He’s a killer, of thousands no doubt. You’ve never felt at home here, never felt like you belonged. This is why. You’re not even the same species. He’s something else, something your hands were never meant to touch. 

Your mind screams at you to do go, to shove and kick at him and leave this place behind. Go, go, go your gut says… but you don’t. You can’t. It’s too… good. The feeling of his cool lips against your skin, of what you’re sure is his tongue prodding at your pulse… it’s intoxicating. He is intoxicating. How could anyone blame you for wanting more of someone, something, so divine? 

“Have you figured it out yet, love?” Your breath hitches and he chuckles, licking a long stripe up your neck, before he settles back at your pulse. Always your pulse. “I can feel those little gears turning. Tell me, what have they discovered?” 

He knows you know. But he’s going to make you say it. You swallow and feel his grip on you tighten. “You’re…” Your breaths come faster. You can’t. Not aloud. Aloud makes it too… real. 

“Yessss?” he prods. He’s licking at you again, all the way across your throat to find your other pulse-point. 

“You’re not…” Something sharps nicks at your skin and you bite your lip to hold back a whimper. 

“Go on, princess.” You think he’s just smelling you now, just burying his face as close to you as possible and taking you in. 

You close your eyes tightly, holding back tears. “Not human,” you breathe. A piece of you breaks with the admission.

He huffs a little laugh against your skin and pulls back to look you in the eye. “That’s good,” he purrs. “But I think you can be a little more specific, no?” His lips press to your chin, then the corner of your mouth, then down to your jaw… “Tell me.” 

Your lips wobble, muscles clenching tighter with each passing moment. You don’t want to say it, don’t want to speak it into existence, but you also don’t dare to disobey him. 

“You’re a…” You shake and tremble. He draws a line up your neck with the tip of his nose.

“Mhm?” 

You open your eyes, thinking this might be the last time you see. “Vampire.” 

He chuckles and you feel his teeth press to the skin of your neck. “That’s right, princess. So smart.” 

He smiles and you suddenly realize you’ve never seen his teeth before. Everytime he smiles at you it’s close-lipped and dimpled. But this… this is the smile of a predator– all white and pointy and fitted with a set of menacingly long fangs. You sob at the sight. 

“Shhhhh,” he coos. He has your chin in his hand, forcing you to truly look at him, to see him for what he is. “I won’t hurt you, love.” You want to believe him so badly it burns, but his laugh washes away any fire and turns it to ice. “Not unless you want me to.” He wiggles a brow like it’s just a little joke, like he’s not an actual fucking vampire that had his fangs over your neck just moments ago. 

“Satoru,” you beg. You’re not sure what you’re begging for. Release maybe? But, no, that’s not right. You don’t want him to let you go, not when you finally have him close after all this time. “Why did you pick me?” 

The question slips out. You hadn’t even been thinking about it, hadn’t even noticed it scratching at the walls of your mind, but it made its way out nonetheless.

His brow creases, but not in confusion. Moreso in… thoughtfulness. “Do you think about that a lot, princess?” 

You nod and you suddenly want him closer, want him to touch you everywhere, hold you like his life depends on it. You want him, no matter how horrible it might be. 

He nods and hums, kissing the tip of your nose lightly. “Well…” he says. His thumb swipes over your lips when he leans in to whisper in your ear. “At first I wanted you for this.” His head dips to your neck again and you feel the familiar brush of his lips against your throat. “You smell…” he chuckles. “Like heaven. Which is a place I’ll never get to on my own, so I had to bring my own little slice home, no?” He laughs again, a little louder this time, genuinely amused. “Went into town one day and caught your scent on the street. At first I thought I must be walking past the bakery, but, lo and behold, there was no baker in sight.” He’s still kissing at your pulse, worshiping it. “Went crazy, princess. Didn’t think I was going to be able to contain myself when I found you. Thought it might be quite the scene.” He huffs a laugh and you shiver, somehow both terrified and intoxicated. “But then I saw you–” he groans and something clenches deep at your center. “And I knew I needed more than just your blood. Needed you.” He’s rocking into you now, and your breath catches when you feel something firm against your backside. “Went to you in that little room you slept in every night. Watched you. Couldn’t stay away. Knew I had to have you.” You feel him smile against your skin. “After a week I couldn’t take it anymore. Sent you that letter, married you. Made you mine.” He groans again. “Then I met you and you were so pretty, princess. Already knew it, but hearin’ you talk to me, look at me.” Teeth graze your pulse. “Needed you more than ever. Almost took you right on the fucking floor in here while you were lookin’ at those dresses.” You whine when his hips roll into you again. “Oh, but I knew I couldn’t. You’re so fragile, love. Had to wait, had to make you feel safe, yeah? Spent all this time forcing myself to stay away, ‘fraid of what I might too if I was in your presence too long. Had to control myself. Had to make you realize you could trust me.” He panting, like he’s so pent up he can hardly sit still. “Do you trust me, princess?” 

Your brows scrunch. Say no, say no, say no a part of you screams. Run, run, run. You can’t. “Yes,” you breathe. 

You feel him smile again, feel the pleasure of submission. “Good girl.” 

You’re on your back. It happens so fast your eyes don’t even have time to gasp. You don’t see Satoru, but you feel him. Everywhere. His hands are roaming your body softly, sliding under buttons and laces and popping them off. Your dress loosens with every passing moment until Satoru reappears above you, diving straight for your neck again. “So good, princess. Let’s get you out of this dress, yeah?” 

You nod wordlessly, entranced. He finds your mouth as he rids you of your clothes. His tongue presses in and you flail against him, unsure of what to do, of how to handle the intrusion. The kiss is heavy, too heavy, but Satoru can’t seem to stop. He devours you as he gives up on laces and buttons and simply shreds your dress down the back. You tremble when the cold air hits your skin, when his cool fingers dust your collarbone. 

“I always forget how many damn layers they make you ladies wear,” he chuckles. His hands run beneath your shift, up across your bare thigh. You gasp at the touch. No one has even been so close to you before. You feel the threads of your corset snapping away, feel your breaths growing deeper. You tremble when he pulls your sleeve down past your shoulder and runs his mouth along the newly exposed skin. 

“Satoru,” you gasp, and your hand pulls at his flowing white shirt. 

He chuckles, pulling back just enough to see your face. “You wanna see me too?” You nod, lips parted and eyes glassy, and he laughs again. He lips dust over the corner of your mouth. “Alright.” 

His hands shift from you to himself, working at the laces on his chest. His movements are speedy, practiced, like he’s been lacing and unlacing shirts for hundreds of years. Your throat tightens when you realize that he has. 

You gasp when he reveals himself, when his shirt slides away to reveal an expanse of pale skin and carved muscle. You’ve never seen a man like this and seeing one this close up for the first time is nearly blinding. He’s art, you think- nothing less. 

“Touch me, princess,” he says. You can’t. You shouldn’t. He’s too beautiful, too perfect to be beneath your insignificant hands. “Need a little help?” he asks, and there’s a lilt in his voice that makes you sure he’s grinning. 

His hands find yours and bring them to his chest, running your palms over his collarbones, his pecs, down, down, down across his abs that you can feel each and every one… You whimper, watching your own fingers grope his skin. He pulls you lower, lower, lower, and you gasp when your fingertips brush the waistband of his pants. But then he’s laughing again and he’s throwing your arms over his shoulders and pulling you closer, kissing your neck like it pained him to be parted from your pulse for so long. 

“Not so fast,” he says, like he wasn’t the one nearly stuffing your hands down his pants. His hands are on your corset again. You can feel it dangling onto you by a thread, literally. All he needs is a couple more pulls and you’ll be bare. By the look he gives you, you can tell he’s 

thinking the same thing. “You touch me, now I touch you, yeah?” There’s a tug and a tear and then so much… cold. You’ve never realized how cold this castle is, not until you’re exposed to its elements fully. You’re naked. 

Satoru sits back on his knees and just watches. His gaze is searing, burning, despite the iciness of his being. It’s too much. Your hands move to cover yourself, to maintain some modicum of your dignity- 

“No.” Strong hands find your wrists and pry them apart. “Let me see you,” he says. His tongue darts out to lick his lips. 

Your jaw clenches and your frame shakes, but you do as he asks, letting your hands fall limply at your sides. There’s silence for many more moments and it seems to go on so long that you can only squeeze your eyes shut under his gaze. Surely he will turn you away now, get up and leave, tell you this was a mistake, tell you that you’re– 

“Beautiful,” he breathes. Your eyes snap open to find him already staring at you. “Beautiful,” he says again, and then he’s on you, lips at your pulse, hands on your skin. His touch is cool and you squeak at the chill that runs up your spine. You’re not sure it’s entirely from his temperature. 

His mouth seeks yours and he devours you. You feel as if he’s sucking your soul out through your lips. “Tell me you’ve never done this before,” he begs. “Tell me I’m the first to touch you.” 

You whine against his mouth, both aching for more and overwhelmed by what he’s already giving you. “Y-You’re the first,” you whisper. 

His groan is deep, primal. It rattles through your chest and you whimper when his hands dig into your waist hard enough to bruise. “Yes,” he breathes, and you shiver again. “Lie back, princess.” Your eyes widen, with anticipation or fear you’re not sure. Probably both. He chuckles. “Don’t worry. I’ll be gentle.” 

You pray he means that. “Just relax, love. Here, hold my hand.” His fingers find yours, twining them together. When you swallow, his eyes follow the bob of your throat. He leans back again and your body twitches when his free hand skims the skin of your thighs. His tongue darts out to wet his lips as he finds your knees and you gasp when he parts your legs, revealing you so completely to his gaze. The way he stares, like he’s committing you to memory, it’s nearly enough to make you snap your thighs shut, but a squeeze from his hand reminds you to relax, to trust. 

His palm skates up your thigh and settles near your hip, his fingertips inching closer to where you can feel an embarrassing throb. 

“Tell me, love. Have you ever touched yourself here?” His fingers dust low on your tummy- just low enough for you to catch his meaning, but not low enough to give you any relief. Your face heats and your teeth dig into the flesh of your cheek. You have, you have touched yourself there, but it’s the last thing you want to admit to your new husband. It’s shameful, it’s dirty, it’s- “Don’t think I’ll judge you, princess. Just wanna know.” 

You gulp down a breath. You should come clean. “Y-yes,” you stutter, and the sound of your voice so weak and helpless only makes you flush further. 

He chuckles and squeezes your hand again. “On the outside or the inside?” 

Your eyes widen. I-inside? You’d never considered that… “J-just the outside,” you answer. 

Your eyes grow even wider when his head rolls back and he moans straight up to the ceiling like your answer is heaven-sent. When he looks back to you his fangs are on full display. “Well, I think you and I are in for a little treat today, hm?” 

Your brow furrows and your lips part to ask him what he means– his fingers travel those last few inches down your tummy and find your clit. You squeak and jolt so violently that he presses a hand to your hip, holding you to the mattress. “Somebody’s sensitive,” he chuckles. He holds you still for a moment and then lets your hips go free. “Try to stay still. I promise it’ll feel good.”

You nod hopelessly, but this time you’re prepared for when he touches you again. Your muscles clench at the first touch, at the foreign sensation of a touch down there that wasn’t your own. But then it’s more. It’s languid, slow circles around a spot that you’ve never been able to pinpoint so well on your own. It’s heat building in your tummy that seeps through every vein and into every pore. It’s relaxation that you’ve never known, that has you melting into the mattress despite the chill of the touch. 

There’s a little huff of a laugh and then his voice. “Good girl. Feels nice, yeah?” You nod hesitantly and squeeze desperately at his hand, searching for an anchor. His head cocks to the side and you watch the smile slide across his lips. “It’s about to feel even nicer.” 

By the time you realize what he’s doing it’s far too late to stop him. His mouth closes around your cunt and you yelp, trying to wiggle away from the overwhelming sensation- but he’s got his freehand on your hip again and his grip is bruising, punishing, as he holds you in place. He licks a stripe through your folds and you find yourself jolting again, uselessly so against the pressure of his palm on your hip. “Stop that, princess.” Your heart drops at the admonishment until you feel his guiding touch. “Rock into me like this.” His hand rocks your hips into his mouth and the pressure of his tongue against your clit is so delicious that you whimper. “Good girl,” he says and your heart rises right back up. “Keep doing that, now.” You don’t dare defy him. You rock like he showed you, a little jerkily at first, and then you find a rhythm that has you seeing stars. “That’s it, love,” he says, and the sound is muffled against your cunt. “Here, put your hand in my hair.” He finds your wrist and guides you forward until your fingers are tangling in those snowy locks. They’re even softer than you’d imagined. “Good girl,” he whispers and suddenly he’s taking one last long lick and lifting his head to meet your eyes. “‘M gonna put my fingers in you now, princess.” Your chin wobbles. “It might hurt a little bit, but stay still, okay?” You can’t do anything but nod. 

His eyes return to your cunt and you can feel him prodding at your entrance, circling the hole as you clench in anticipation. “Relaaaaaax, love,” he says and you nod. A deep breath in through your nose and out through your mouth– 

You feel the exact moment he pushes into you and a whine of pain rips from your throat. Your walls clamp down like a vice, angry at the intrusion– but it’s already too late. There’s a beat of silence, of anticipation, and then he’s– laughing? 

Your brows furrow when you hear it, your head lifting to a sight that locks your limbs in shock. Satoru’s hand is lifted in front of his face, his pointer finger coated in– blood, you realize. Your blood. And he’s a fucking vampire. 

“Oh princess,” he coos, and the manic look in his eyes makes you tremble. “You really are perfect.” 

Things seem to slow as you watch him take his blood covered finger into his mouth. You’re sure you’ve never seen an expression more blissful, more lost to sensation. His eyes roll back and his body shivers, like he’s ascending to some higher plane. Maybe he is. 

When he pulls his finger from his mouth it’s completely licked clean. You hold your breath. He’s going to go for your neck now, right? He’s had a taste and now he’ll want more of it, all of it?

“Fuck,” is all he says. His mouth is back on your cunt so fast you don’t even see him move. 

Your mouth falls wide. It hurts, the way he is so desperately licking at you. You feel his finger again, pressing in, in, in, only to pull back and suddenly be joined by another. The stretch tears at you. You thrash and jolt, but Satoru doesn’t bother telling you to stop this time. His arm wraps over your hips, holding you in place. He seems immune to how hard your legs squeeze at his head or your hands pull at his hair. He’s lost. You can feel him licking, lapping, and prodding at you like you’re a fucking gold mine. He’s lost to desperation, to the need for more, more, more. Every so often he lifts his chin and you see his mouth smudged with a mixture of your wetness and your blood. He laps at his lips like an animal, dragging his thumb across his chin and sliding it into his mouth to make sure he gets every last drop. 

You’re not quite sure when the ravenous pain turns to a ravenous pleasure, when it turns from terrifying to downright delicious. You don’t notice your moans filling the air until Satoru joins you, groaning and whining into your cunt and telling you to keep going, to keep making those sounds. The hand you have buried in his hair doesn’t fight to push him away any longer, only to pull him into those now practiced rocks of your hips. His fingers thrust deep, curling into a spot that makes you feel so good and his mouth has found your clit again. He sucks your nerves lightly between his lips, tongue swirling in little circles. Your thighs start to shake. 

“Yes. Yes. Give it to me.” 

“S-Satoru–” you breathe. Warmth and tightness pool in your tummy, and you recognize it as your approaching orgasm, though you know this one will be far different than any you’ve ever managed to give yourself. Your body shakes and your breaths tremble and then– you fall over the edge, rocking your hips senselessly, losing all form of rhythm. Warmth tingles in your spine and seeps all the way down to your toes. You think you cry out, cry for your husband, cry for more, cry for less, but if you do you don’t hear it. All you hear is the pounding of your pulse, of pleasure throbbing in your veins until the world slowly seeps back in through the corners of your vision. 

Satoru is grinning. A speck of your blood clings to his chin and his fangs peek out from behind his lips. The sight makes your blood run a little colder. If any part of you doubted what he was before… well, there was no doubt any longer. 

There’s a shift between your legs, his hips slotting between them, and you’re suddenly snapped back to reality. From the look in his eyes, you’re not done. 

Frantic hands find his pants and he undoes each button with a quickness that is almost inhuman. You wonder if he could go even faster, if he’s holding back so as not to scare you. If he is, it isn’t working very well. Fear surges in your veins right alongside anticipation. 

“S-Satoru–”

“It’s alright, love.” His hand finds yours without his eyes ever looking up. His grip is just a little too firm, a little too cold. “Just stay still.” 

You whimper, but you don’t think he’s paying attention to that, and soon enough, neither are you. His pants slide down just past his hips, just enough. You gasp. 

You’ve never seen a man in the nude, never even dared to think about what it might look like, though it seemed you no longer had to guess. His hand wrapped around his shaft, giving one long and slow stroke that made his breath hiss through his fangs. The tip was flushed, angry, and leaking something that looked clear and sticky. You couldn’t help but notice it was a lot thicker than a finger, or even two. If his fingers had hurt…

He moves with that alarming quickness again, leaning down to hover over you, chests nearly pressed together. “Gonna take you now, princess. Gonna make you mine.” His eyes bore into yours, blue and shimmering with something wild. His hand presses into the mattress beside your head. “Stay still, now.”

It’s all the warning he gives you. You feel like you’re splitting– straight up the middle. You wail, hands flying out to claw at his back. It hurts. It hurts. 

“Satoru, p-please! It’s–” 

Lips catch yours– hungry, feral. The kiss is not gentle, not soothing. It shuts you up, it keeps you quiet, it keeps you still as you feel him sinking further, deeper into you. It’s too much, you try to say, but the poke of sharp teeth against your lips keeps you silent. Your hips jolt and wiggle trying desperately to escape the stretch but it’s no use. By the time he’s fully inside you, tears are streaking down your cheeks, fat and heavy. His lips break away and his eyes reappear. You shake when you see that none of the wildness has been tamed, that you’ve only just begun.

“Good girl,” he coos, and a cool finger traces a line across your jaw. “Took me so well.” You hold back a sob when his hips shift a little, testing, prodding. He must see the pinch of your eyes, the twist of your mouth, because he’s quick to comfort. “Just hold my hand, princess.” His hips rock in earnest this time and you whimper, squeezing down on his hand with all your might. You’re panting as he chuckles. “Breathe, love. Breathe. Soon you’ll be begging for more,” he laughs. It’s not long before he’s rocking into you sincerely, setting a pace that stretches you to the brink of breaking. At first it’s all you can do to grasp onto him, to bite your lips through the whimpers and hold his hand. And then it’s… more. It’s heat and warmth despite the coolness of his body on yours. It’s sensation and… pleasure. He laughs when the first moan slides past your lips, burying his face in your neck once again. You hear him at your ear, panting his hot breath across your skin. 

“Feel good, princess?” You nod, letting your hips rock against his as he showed you before. It feels good– it feels right. He chuckles, but there’s nothing light about the sound. “Wanna feel even better?” Something sharp pokes at the skin of your neck, hard enough to make you squeak, to make you freeze at what you know he wants. 

He pulls himself back, pressing his forehead to yours, searching your eyes with his. Something like a cruel smile dances on his mouth. “Just a taste, love. I promise it won’ hurt.” His tongue darts out and licks across your lips, his thrusts rocking just a bit faster. “You’ll feel s’ good an’ I’ll only take a little.” He laughs again and it sends a chill through your bones. “Promise.” He sounds breathless, like he’s struggling to restrain himself. The increase of his pace makes you whine and you squeeze his hand again. He buries himself back in your neck, panting. “Come on, love. Say yes. Say yes f’ me.” Your eyes glaze over. Your body justles with each new thrust. He’s desperate now, seeking a release that you don’t think is any kind you’re familiar with. “Yes, yes, yes,” he chants in your ear. You’re not sure when his words twist in your mind, when they settle on your tongue and push past your lips, but you know it feels so right when they do. 

“Yes,” you whisper. 

His fangs clamp around your pulse. You scream when the sting rips through you, violent and savage– but it only lasts a moment. Pain fades to… ecstasy. You feel his throat bobbing with each swallow, feel your blood seeping from your skin and onto his tongue. You’d thought it would feel slicing, draining, like the life was being sucked from you. It doesn’t. It feels wonderful. Heat spreads under your skin, emanating from your neck and down to your toes. It feels like breathing for the first time, like sugar being pumped into your veins. It feels like heaven. Your hand tangles in his hair, holding him close. You don’t want it to stop, not ever. You could die like this, have him suck every last drop of blood from your veins and thank him for it with your dying breath. 

He’s moaning now, hands curling into your hips while he fucks into you relentlessly. The pace is grueling and brutal. You know it should hurt but only feels perfect. Anything less would not be enough. Anything else would leave you wanting. You feel it building, feel that familiar twinge at your core. The ecstasy flooding through your veins has it coming faster, has you teetering on the edge in moments. 

“Satoru…” You hadn’t noticed how dizzy you felt until you tried to speak. You wonder why… “‘M gonna…” 

He fucks you harder, something menacing and deep rumbling in his chest. The sound makes you shiver, makes you whine, makes you come. 

Your body shakes and a cry rips from your throat, cunt clenching like a vice around him. Your eyes roll back, hands scraping trails down his back. Your thighs quake with the intensity, with the overwhelming senses of pleasure that erupt throughout your body. Every nerve is firing, every hair rising. It’s an unstoppable current, one that sweeps you away, helpless to its pull. 

His thrusts grow sloppy and untimed. His grip on your hips tightens, holding you in place while he makes you his. His teeth break from your neck and when you look up through blurry eyes you see his head thrown back, your blood streaming down his chin in thick little globs. You feel it when he cums, feel the thick ropes of it seeping into your womb, feel the way he keeps fucking you, pushing it deeper and deeper inside. He’s moaning, chanting your name like a prayer at the heavens. 

When the moment ends he slumps over you, eyes half lidded and tired. There’s a familiar grin on his lips, one that inspires both comfort and uneasiness in your gut. You can’t help but stare at him, at the blood that stains his chin and cheeks, that reddens his lips so beautifully. You want to reach out and touch him, touch his blood-soaked skin and see what it feels like, what it tastes like. What you taste like. 

His eyes slide to the side, finding your pulse again. You groan. Yes, you think. Please, yes. More. You don’t think you’ll ever get enough of that. Of his teeth in your flesh, of the euphoria flooding your veins. More, more, more, your mind chants. 

He chuckles lightly and shakes his head. “No, princess.” He raises a finger to trace the curve of your neck. “I took more than I should have…” His expression doesn’t tense with worry. His cheeks pull into a smile, those little dimples shining through. “But what can I say? You just taste so good.” Like he needs to emphasize his point, his tongue darts out to trace his lips, lapping up some of the remaining blood on his chin. “You taste like mine.”

You whine. More, more, more. It’s all you can think about. You lift an arm weakly. You want to pull him to your neck, to make him drink, to make him fill you with the heaven you had just moments ago. 

He catches your wrist and brings it to his lips, inhaling deeply. His lips split into another grin and you see his eyes spark again with the wildness you crave. 

“Not yet, princess.” he coos. “But soon.” His smile grows even wider, until those fangs are on full display, until you’re trembling again. “Forever,” he whispers.

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[thepersonperson]

Why the hell is JJK 270 called Dream's End?

JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.

There's two lines of thought I have:

1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.

2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.

I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.

(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)

[Small Update: Follow-up Discussion on why everyone feels OOC.]

Preface

"Without love it cannot be seen."

This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'

JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.

And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.

What's wrong with JJK 268–270?

There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.

Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.

What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.

The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?

It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.

Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.

This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.

I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?

But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)

That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.

Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.

And that got me thinking... Why is Yuji still missing his fingers?

It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.

4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.

The same mistake is made within the same set of panels and very big page. That's weird.

ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)

What does this mean?

I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.

Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?

Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?

Dreams and Delusions in JJK

We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:

"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."

In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.

There's also this other bit I'll quote directly.

"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:

“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"

That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.

It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.

Unreality Runs in the Family

When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:

What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.

As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.

Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.

What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)

(It's also very hard to tell if they are dead or still in the process of dying during this.)

This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.

And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.

My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)

What does this mean for JJK 268–270?

The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.

A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.

It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)

There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).

When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.

When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.

What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.

Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)

I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.

And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.

Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.

Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.

But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.

The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.

And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.

Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.

And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.

"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)

This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.

And so I compared the raws.

It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.

What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.

Reexamining JJK 269

CW: Brief discussion of suicide.

Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.

Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.

He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.

The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.

And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)

Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?

If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.

In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.

It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.

This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.

It's a perfect ending for Megumi that's too good to be true.

It must be a dream...

There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.

In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.

Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.

I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.

"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"

Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)

"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."

In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.

What about Sukuna?

When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.

I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.

In Conclusion...

I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.

"...it all comes down to a sorcerer's lies."

Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?

"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."

If the last 3 chapters are delusions...Megumi will be playing the part of a clown.

Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.

Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).

Gege also said this about the final chapter:

"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"

I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.

[juney-blues]

June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.

The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.

The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.

In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)

For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)

All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.

If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.

And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."

You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.

But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)

you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.

It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.

If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....

Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"

*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.

[vanessagillings]

I’m posting the ever-so-rare photo of myself alongside one of my characters based on my childhood because today is World Autism Acceptance Day, and I wanted to show my little corner of the internet who this particular autistic person is:  

I was officially diagnosed in February, at age 38 (I’m now 39). A lot of people thought I couldn’t be autistic.  Some people who know me in real life still don’t.  And until around 10 years ago, I didn’t think I could be either, because I was nothing like the stereotype media portrays. I was told that autistics lacked empathy (untrue), and never played make-believe (also often untrue) and only enjoyed STEM.  I was — and am — an empathetic artist -- and make believe?  I can spend days sketching finely bedecked bears brewing tea or carefully choosing the right words to weave tapestries of fiction — though perhaps my hyper focus was a bit of a red flag.  Even so, how could autism describe me?  I was a good student.  I got straight A's. I didn’t act out in class.  I can make eye contact…if I must.  And lots of girls hate having their hair brushed with an unholy passion, right?  Clearly I swim in sarcasm like a fish, so autism couldn't be why I was so anxious all the time, could it?

If someone had told me when I was younger what autism ACTUALLY is — instead of the nonsense I’d seen on screens — I would have seen myself in it.  I didn’t hear that autistics have sensory issues until I was in my mid-twenties, which is when I first began to really research autism symptoms, and I had almost all of them:  sensitivity to light, smells, fabrics, temperatures, textures, and certain touches, all of which make me feel anxious, I fidget (stim), I never know what the hell to do with my hands or where to look, I talk too little or too much, I have special interests, I have entire animated movies memorized shot-by-shot and can remember the first time and place I saw every movie I've ever seen but I often forget what I'm trying to say mid-sentence, I echo movies and tv shows (my husband and I have a whole repertoire of shared echolalias, making up about 20% of our conversations), I was in speech therapy as a kid, I have issues with dysnomia and verbal fluency, I toe-walk, I can't multitask to save my life, I like things just-so, I’m deeply introverted but not shy, I need to recover from all social interaction — even social interaction I enjoy — and I find stupid, every day things like grocery shopping, driving and making appointments overwhelming and intensely stressful, sometimes to the point where I struggle to speak.  It turns out, I am definitely autistic. My results weren't borderline. Not even close. And while these aren’t all of my challenges, and not everyone with these symptoms is autistic, it’s definitely something to look into if you present with all of these things at once. 

So why did it take me so long to get diagnosed? The same bias that exists in media threads through the medical community as well, and because I'm a woman who can discuss the weather while smiling on cue, few people thought I was worth looking into. Even after I was fairly certain I was autistic, receiving an official diagnosis in the US is unnecessarily difficult and expensive, and in my case, completely uncovered by my insurance.  It cost me over $4000, and I could only afford it because my husband makes more money than I do as a freelance illustrator — a job I fell into largely because it didn’t require in-person work; like many autists, I have been chronically underemployed and underpaid, in part due to physical illness in my twenties, which is a topic for another day.  But it shouldn’t be like this.  It shouldn’t be so hard for adults to receive diagnoses and it shouldn’t be so hard for people to see themselves in this condition to begin with due to misinformation and stereotypes. Like many issues in America, these barriers are even higher for marginalized groups with multiple intersectionalities. 

It’s commonly said that if you’ve met one autistic person, you’ve met one autistic person.  This is why it’s called a spectrum, not because there’s a linear progression of severity (someone who appears to have low support needs like myself might need more than it seems, and vice versa), but because every autistic person has their own strengths and weaknesses, challenges and experiences, opinions and needs.  No two people on the spectrum present in the same way.  And that’s a good thing!  No way of being autistic is inherently any better than any other, and even if someone on the spectrum struggles with things I don’t — or can do things I can’t — doesn’t make them more or less deserving of respect and human dignity.

But speaking solely for myself, the more I learn about autism, the happier I am to be autistic.  I struggle to find words and exert fine motor control, but my deep passion and fixation has made me good at art and storytelling anyway.  I find more joy watching dogs and studying leaf shapes on my walks than most people do in an entire day.  More often than not, the barriers I’ve faced weren’t due to my autism directly, but due to society being overly rigid about what it considers a valid way of existing.  My hope in writing this today is that maybe one person will realize that autism isn’t what they thought — and that being different is not the same as being less than. My hope with my fiction is to give autistic children mirrors with which to see themselves, and everyone else windows through which to see us as we actually are.

If you’re interested in learning more about autism or think you might be autistic, too, I recommend the Autism Self Advocacy Network  autisticadvocacy.org and the following books:

What I Mean When I Say I’m Autistic by Annie Kotowicz

We're Not Broken by Eric Garcia

Knowing Why edited by Elizabeth Bartmess

Unmasking Autism by Devon Price, PhD

Loud Hands edited by Julia Bascom

Neurotribes by Steve Silberman

(trigger warning: the last two contain quite a lot of upsetting material involving institutionalized child abuse, but I think it’s important for people to know how often autistic children were — and are — abused simply for being neurodivergent).

Thanks for reading 💛

[astrophileous]

Every Single Day

Pairing: Spencer Reid x Female Reader

Synopsis: When his daughter demands him to tell the story of how the two of you met, Spencer can't help but oblige.

Warning(s): dad spencer🥰, established relationship (eventually), parent-child relationships, alcohol consumption, brief interaction with a douchebag, made-up astronomy facts, made-up places, idk if there's any cursing but I'll throw it in here to be safe, implications of sex and nsfw themes (minors be advised), pregnancy, mentions of illness, mentions and/or implications of character death, topics of loss and grief, angst and fluff because I love the best of both worlds👍 (pls lmk if I missed anything)

Word Count: 7700-ish

Author's Note: hi 👋 I'm back again with another dad!spencer fic bc apparently I'm a sucker for him. I got a lil carried away with this one lol but anyways, I'm also writing this for the meet cute challenge hosted by the amazing and talented @imagining-in-the-margins so pls go head to her profile and show some love cause she's a peach ❤️ don't forget to leave a LIKE+COMMENT+REBLOG

Criminal Minds Masterlist

The air smelled of freshly brewed coffee. Against the wind, shades of crimson and orange swayed on the trees. Fallen leaves crunched underneath his feet to the cadence of his leisured steps.

Two deep breaths, in and out. Spencer Reid greeted autumn with the deep longing of an old friend.

Next to him walked a source of light bigger than the sun, jumping and bouncing excitedly on the sidewalk. Her tiny fingers emitted warmth inside of his hand. There was a skip to her step that reminded him of the innocence he had long lost. The innocence she now possessed.

Spencer loved this little girl beyond everything he had ever known.

"Puddle, Dee."

The tiny bundle of joy jumped to escape the small pool of water, grinning up at her father, who then began ruffling her hair until she evaded his onslaught with a shriek.

"Daddy?"

"Yes, Pumpkin?"

"You never told me how you met Mommy."

Spencer glanced down at the 6-year-old, dressed gorgeously in her favorite floral dress, complete with a sweater that had entailed a hearty discussion about humans' perception of cold. It was only after he bribed her with the promise of a chocolate cupcake from Wakey Bakey did Spencer finally convince her to wear the woolen piece of clothing.

His daughter stared at him with a radiant smile peeking out behind a curtain of hair. A smile which Spencer always argued had belonged to you, even though the rest of Diana Aurora Reid was the splitting image of her beloved father.

"Surely I've told you before, Dee."

"Nuh-uh."

"Of course I have."

"No, Daddy. You haven't."

"Pumpkin, you know I don't forget stuff ever," Spencer said, looking at the little girl who was swaying along to the rhythm of her footsteps. "I used to tell you that story all the time. Back when you were still a baby."

Just as predicted, Diana let out a dramatic gasp as if Spencer had uttered the most offensive thing known to mankind; like claiming the earth was actually flat, for example. Spencer couldn't contain his grin upon seeing her reaction.

"But Daddy, that was so long ago!"

"Do you not remember, Dee?"

Diana shook her head.

"Fine. But Mommy must've told you the story already, right?"

"She has, but--"

"But?"

"But I wanna hear it from you."

Little Diana knew that her father could never resist her puppy dog eyes, especially garnished with that adorable pout on top. Once upon a time, you declared it sickeningly cute and annoying whenever Spencer would pull the same trick on you. When Dee started doing the same to him, you had simply laughed and kissed his cheek, letting him get a sweet taste of his own medicine.

Spencer smiled at the young girl next to him, squeezing her nose and relishing in the gleeful squeal that echoed from her chest.

"What do you wanna hear, Pumpkin?"

Diana held her chin, seemingly deep in contemplation before deciding, "Everything, Dad! I wanna hear it from the start."

"The start, huh?" Spencer hummed thoughtfully, his mind already reeling back to the first moment he ever laid eyes on you.

The story began on yet another ordinary Friday night.

Luck was on the BAU's side when the team managed to wrap the case they had been working all week just before Friday afternoon. By the time the sun was setting, their jet was already high up in the sky, en route from the state of Delaware to Quantico, Virginia. Spencer was looking forward to going home at a reasonable hour for once--maybe catching up on the four reading materials he had promptly pushed aside after his team was called to Delaware to work on the latest case--but that plan dissipated when Derek Morgan suddenly appeared by his side.

"Drinks. Tonight. Everyone's coming, and I'm not taking no for an answer," Derek said before dragging a reluctant Spencer away with him, ignoring the protests that the younger man kept grumbling under his breath all the way to the team's favorite bar.

Spencer just hadn't known it yet, but later down the road, he would spend the rest of eternity thanking Derek Morgan for dragging him along that night.

The Friday night crowd at Shaw's was borderline brutal, but fortunately for the team, a booth in the corner became vacant the moment they stepped into the threshold.

Two hours later, Spencer's fellow teammates weren't even close to calling it a night. The last chorus of "I Wanna Dance with Somebody" by Whitney Houston had just finished blasting from the speakers when Derek sauntered back to the booth, twirling a flushed Penelope Garcia in front of him. Spencer slipped out of the booth to allow them in--preferring to stay on the most outer seat instead of crammed between his tipsy friends' bodies--before sitting down once more.

"Hey, Genius," Penelope called, waving her empty beer glass in front of Spencer's face. "Be a darling and get me a refill, will you?"

"Garcia--" Spencer quickly snatched the glass from her hand before she could send it smashing against someone's head, "--are you sure you want a refill?"

Penelope scrunched her nose. "Why do you ask?"

"Because I think you're plenty drunk already."

"I'm not that drunk," Penelope denied, giggling when an unexpected hiccup interrupted her slurred words. "Derek, tell the beautiful Doctor I'm not that drunk."

"She's not that drunk, Reid." Derek grinned. "While you're at it..."

Spencer could only sigh when Derek slid his own empty glass across the table.

It was past 10 o'clock at night, and the crowd of people in the establishment seemed to have doubled in the couple of hours that the team had been there. Spencer had to squeeze himself through the ocean of patrons flooding the bar, barely able to move his limbs without other people's arms or elbows bumping against his ribcage.

Spencer was waiting for the bartender to complete his order when he happened to glance towards his right, catching sight of the concealed panic that triggered every profiler bone in his body.

Any other person would have taken one look at your face and presumed that everything was alright, but Spencer knew better. He recognized the frantic movement of your eyes, the tight press of your lips, and the impatient knocking of your fingertips on the counter. He only caught the tail end of your voice before discreetly listening to what the man you were talking to had to say.

"--so, unfortunately, I can't."

"I told you, Baby. My Veyron runs at over 260 miles per hour. We can go to Red Clover Hill and get you back home safely by twelve. It's simple math," the guy slurred smugly.

"Actually, that's not true."

The drunken man turned around at Spencer's interruption.

"Excuse me?"

"The Red Clover Hill State Park is approximately 229 miles away from here. Though theoretically, you could drive your Veyron at its maximum velocity, which is around 268 miles per hour, it's very unlikely you'll be able to maintain that speed for the entirety of the ride, considering the terrain you would have to go through between here and there. The fastest you can probably get to the park is in 60 minutes, give or take, and that's being generous. You would have to drive back to D.C. as soon as you arrive at the park if you wish to be back by twelve. It's just realistically impossible."

The man in front of him couldn't be less impressed by Spencer's lengthy rant.

"And who the hell are you?" the drunken guy said, pinning Spencer with a stare that was clearly supposed to be intimidating.

Spencer didn't even flinch. "No one. Just a guy who happens to know a lot about... simple math."

Your loud cough tore Spencer's attention away from the drunk man and towards you, who looked ready to burst from the laughter you were holding underneath. Even under the terrible lighting of the bar, Spencer could still pinpoint the hint of unspoken amusement glimmering inside your eyes.

"Sorry, Bill," you said to the man. "I really do need to be back home by twelve tonight. Maybe some other time?"

Bill didn't need to be told twice. He received the message loud and clear.

Spencer watched the other man scurry away, tail between his legs, before your charming smile enraptured him once more.

"Thank you for that. I was beginning to think he might never leave."

"Happy to help." Spencer smiled thinly, scratching the back of his neck even though the spot wasn't itchy. "What did, uh, why did he want to take you to Red Clover Hill, of all places?"

"Oh. That was... partially my fault." You grinned innocently. "I didn't know he was gonna be an insufferable drunk when he came over, and I was in the middle of watching this."

You pulled out a silver tablet from your lap. Spencer took a peek at the screen, seeing what looked like a live feed of the night sky--over North Carolina, judging by the visible constellations on the vast scene--stamped with the day's date at the bottom of the footage.

"You're watching the Roux-Nell?" Spencer deduced after gathering the facts: the live feed of North Carolina sky, the mention of Red Clover Hill State Park that harbored one of the highest grounds in North Carolina, including a collection of some of the most sophisticated telescopes in the country; you must have been planning to view that night's sighting of the Roux-Nell comet, its first time since the last one in 1927, and only its third one in history.

"Yes! How did you... don't tell me. You're an avid astronomy fan, too?"

Spencer's responding smile only made you beam even brighter.

"Anyway, that guy earlier, Bill, he approached me and asked what I was watching. So, I started talking about the Roux-Nell and about how I wish I was at Red Clover Hill right now since everyone keeps saying it's one of the best spots to view tonight's sighting. I thought he was genuinely interested until he started talking about his Veyron this, his Veyron that. I didn't even realize until a whole five minutes later that he was talking about his car!"

When you finally finished explaining, your eyes locked with Spencer's hazel ones before you seemed to cower shyly.

"Sorry. I can get a little excited when I'm talking sometimes."

"No! Don't be, it was--" Spencer stopped himself before he could complete his sentence.

What was he about to say?

Insightful? Entertaining?

Endearing?

Eventually, Spencer opted to settle for something safe and simple. "I get that way too, sometimes. A lot of the times, actually. So you don't have to apologize."

The fire flickered back inside your gaze following Spencer's admission. It burned brilliantly beneath the kindness you radiated, forged by the sharp intelligence he could see shining out of your eyes.

"So--" Spencer cleared his throat, attempting to shift the conversation in order to distract his racing mind, "--why did you tell him you needed to be back home by twelve?"

"Oh, that? I told him I'm donating blood tomorrow morning, so I need to at least get seven hours of sleep for the night."

"That's a clever lie."

You tilted your head slightly at his statement. "What makes you think it's a lie?"

"Because you're here. Nobody drinks alcohol before they're supposed to donate blood."

Your eyes flashed with surprise. "Not bad, Mister. You're very perceptive."

Spencer shrugged, trying not to appear too flustered by your casual compliment. "It's what I do."

You raised an inquisitive eyebrow at his reply.

"I'm a profiler."

"Profiler?"

"With the FBI."

"FBI, huh?" You hummed, something akin to intrigue swirling in your eyes. "So, you study criminals? Trying to decipher their way of thinking, why they do what they do. Dissect their past history for any related trauma, maybe even pinpoint a psychological stressor that could trigger a criminal behavior, that kind of stuff?"

Upon hearing your response, it was Spencer's turn to be intrigued. "Exactly that kind of stuff. How did you...?"

Grinning sheepishly, you pulled a professional badge out of your pocket, holding it up in front of Spencer so he could see the emblem covering its surface.

"Edgewater Psychology Center," Spencer read the words aloud, understanding dawning on him as he found your eyes once more. "You're a psychologist."

"Guilty as charged."

Spencer couldn't fight off his amused smile. "That explains it, then."

"You know," you began, leaning further against the bar counter to shorten the distance between you and Spencer, "I've never met a profiler in person before. Most of my colleagues, they have consulted on a federal case at least once in the past few years, but the bureau hasn't yet contacted me so far."

"Really?" Spencer took a step forward, closing the distance by a mere inch. "Sounds like a big loss for us. We're idiots."

You bit down on your bottom lip to suppress a smile, your gaze flicking between Spencer's own lips and eyes. For the shortest of minutes, nothing else existed in Spencer's world but you; your smile, your scent, and your kind eyes. You were a magnet carved out of his wildest dreams, and Spencer, well, he might as well have been made out of the purest of irons.

But before Spencer could get lost deeper in your relentless gaze, a shout of his name slashed through the air from across the bar. Back at the booth, Derek was waving his hand frantically in the air, stopping only when Spencer signaled him to sit back down and that he was returning in a minute.

"I have to go." He smiled tentatively, apologetically.

"Oh?"

Spencer tried not to revel too much over the small dip of disappointment at the edge of your voice.

"My friends. They, uh--"

"Oh, no, it's alright. You don't have to explain," you told him gently. "See you around, Mr. Profiler. Hope you have a great night."

With that said, you went back to watching the live feed on your tablet while Spencer, begrudgingly, trudged across the room with two refilled beer glasses in his hands, back to where his friends--minus Rossi and Hotch who were conversing among themselves at one of the standing tables--were waiting.

"Finally," Derek groaned once Spencer slammed the glasses down on the table.

"Who was that?" Emily asked as he slipped into the booth.

"Huh?" Spencer followed Emily's gaze, finding you perched up at the very end of it. "No one."

"No one?" Emily's eyebrows rose. "She didn't seem like no one from where I was sitting."

Spencer took an insanely large sip of his leftover beer.

"Holy shit, you like her, " Derek muttered. "He likes her. Pretty boy's got a crush."

"No, I don't."

"Yeah? Tell that to those red cheeks of yours." JJ chuckled.

Instinctively, Spencer touched his own cheeks as if he could physically feel the change of colors on his skin.

"I'm just tipsy," he tried to reason.

A collective scoff reverberated through the entire booth.

"What's her name, Spence?" JJ asked.

When a full minute ticked by without so much as a grunt of acknowledgment from Spencer, Penelope reached out and slapped the man right across his shoulder.

"Ow!"

"You didn't ask for her name?!" Penelope exclaimed.

"It didn't come up!"

"That's the stupidest thing I've ever heard you say, Reid," Emily noted before sipping her margarita.

"Nope. I'm not having this. Not tonight. Look at me, Sunshine." Penelope grabbed Spencer's face in her hands, forcing him to stare directly into her glasses-rimmed eyes. "I'm not letting you spend the rest of the night like this. You will get your cute little tushy out there and talk to that girl. You will get her name and also her number, maybe even ask the nice pretty lady out while you're at it. Now, have I made myself clear?"

Spencer barely managed to swallow his nerves before he offered Penelope two tiny nods.

"Good. I don't wanna see your face back here if you're not at least pocketing her phone number. Now shoo."

Penelope sent Spencer flying across the bar with a dramatic stumble. By the time he reached your side, Spencer was nothing less than a stuttering mess and a thundering heart.

"Hi," Spencer breathed out once he found your welcoming eyes.

"Um, hi?"

"I'm Spencer."

"Okay... Spencer?"

"Reid. Spencer Reid." He cleared his throat. "Sorry, it's just... I realized while I was sitting over there--well, my friends actually made me realize--that I, uh, never got your name. Which, you know, of course I never got it because I didn't ask. So, I was coming here, wondering if maybe you'd like to give it... to me?"

You blinked once. Twice.

By the third blink, Spencer wished the earth would open up and devour him whole.

"You want my name?"

Spencer nodded.

"What are you planning to do with it?"

"Call you?" At your bemused expression, Spencer quickly elaborated, "Not call like call. I meant referring. Yep. That's it. Although, maybe if you want to, I would love to call you as well. Sometime. And perhaps, you know, ask you out... on a date?"

Spencer swallowed the lump of nervousness in his throat. In front of him, you were pretty, even with the conspicuous scrutiny in your eyes as they assessed Spencer as if he was some sort of an enigma. Embarrassment burned hotter through his veins with every second that passed by. He was merely two exhales of breath away from dashing out of the door when you finally spoke up.

"Okay."

"Okay?"

Smiling, you produced an old receipt seemingly out of thin air and asked the bartender to lend you a pen, scribbling something down as soon as you had it between your fingers. When the tiny piece of paper emigrated to Spencer's hand, the Cheshire cat in him jumped out once he noticed the ten digit numbers written neatly underneath a name he could only assume as yours.

"Will that be enough, Spencer Reid?"

"For now," Spencer replied before grabbing his wallet and shoving the paper containing your name inside. "I'll call you."

"You better."

After Spencer's departure, you returned your attention back to the tablet in front of you. Barely five minutes later, though, your serene watching session was once again interrupted. Only this time, it was by the ringing of your phone.

"Hello?"

"Hi, this is Spencer."*

Surprised, you swiveled your head left and right, stopping once you spotted Spencer standing on the other side of the room. His eyes were trained towards you, and behind him, a booth of four people seemed to have directed their attention at you as well.

"Spencer?"

"I know this is very untoward," he began, "but would you like to go out with me?"

"Boy, you certainly don't waste any time at all, do you?"

"I believe it's called being efficient," he countered, making you laugh. "So, what do you say?"

"Sure," you answered, enjoying the way Spencer beam at you from across the room. "I would love to, Spencer."

A breeze blew gently against Spencer's face, caressing the tendrils of curly hair that had fallen over his forehead. Diana's little fingers started to grip his tighter as the wind strengthened.

"Did you take Mommy on that date, Daddy?"

"Of course," Spencer replied, reminiscing the exact day when he had picked you up in your apartment, sweat glistening on his palm as he clutched the bouquet of flowers in his right hand. "We went to see a Mark Rothko exhibition at the National Gallery of Art, and before I took her home, we stopped by Wakey Bakey to buy some lemon tarts."

Diana gasped. "Wakey Bakey?!"

The little girl's reaction compelled a chuckle from Spencer's chest. "Yes, Pumpkin. Wakey Bakey."

"What happened after that, Daddy?"

"What do you think happened after that, Dee?"

"Um--" Diana pursed her lips, deeply lost in thought, "--did you become girlfriend and boyfriend?"

"Yes, we did."

"And you got married?!"

Spencer laughed at Diana's apparent excitement over the prospect of her parents getting married. "We did, yeah, eventually. After I proposed to her."

"Oh! Oh! The proposal!" Diana exclaimed, jumping up and down in the middle of the sidewalk without a care in the world. Spencer had to tug her back towards him before she could harm herself or the other pedestrians. "Tell me! Tell me! Tell me about the proposal, Daddy!"

"You wanna hear the story about how I proposed to your mother?"

"Yes, please!"

Chuckling to himself, Spencer mumbled a quick fine before his gears had started turning towards a specific memory in his mind. Spencer was sure, even without his eidetic ability, there was no way he could have ever forgotten about the day in question.

The day you agreed to have him as your forever.

Spencer had fallen in love with you during the first date, right around the time of yet another one of his animated ramblings, where instead of shaming him to shut the hell up, you had simply stared at him in awe and said, "You're pretty when you talk."

The young agent was sure he couldn't get rid of the blush adorning his cheeks for at least an entire week.

By the time the fifth date rolled around, Spencer was absolutely certain that you were the one he wanted to spend the rest of his life with. It wasn't a surprise, then, that a few weeks before your first anniversary came up, Spencer had pocketed a diamond ring with a promise of forever on the tip of his tongue.

Combing the courage to take this historical leap was easy. Difficult was trying to conjure up the perfect proposal plan that he would deem worthy enough for someone like you. There were no rooms for mistakes. Spencer wanted everything to be perfect because he believed you deserved nothing less.

Which was why, in moments of desperation, Spencer ended up turning to his fellow teammates in the FBI for help.

"I don't know if I'm the right person to ask about this, Spence. Will only ever proposed to me after finding out about Henry, and we only got married after I thought he was gonna die on the field," JJ explained. "It was never the most ideal of situations, but I would never change a thing even if I could."

Unsatisfied with JJ's answer, Spencer proceeded to find the BAU's tech genius in her bat cave.

"Go big or go home, my friend," Penelope said following a 10-minute hysteria she erupted into upon learning about Spencer's intent to propose. "Splash out on the bottle. Don't hold back on the grandeur. Spend all of your savings if you have to."

"Garcia--"

"Fine, maybe not all of your savings. You should leave some for the wedding."

Spencer spent weeks mulling over Penelope's advice.

Working as an FBI agent didn't pay as well as most people thought it would, and Spencer's tendency to collect first edition books wasn't exactly an affordable hobby. It meant that as much as Spencer wanted a proposal filled with the greatest grandeur--just as Penelope had suggested--he didn't have a fat enough balance in his bank account to make his ideal proposal concept a reality.

And Spencer probably would have spent the limited fund in his savings down to its very last cent, had it not been for Derek catching him browsing through the internet for the cost of a hot air balloon ride.

"I just want to give her the perfect proposal," Spencer admitted after he finished revealing everything.

"Kid, it doesn't matter," Derek said. "Don't you see? She doesn't care about hot air balloons or any kind of grandeur. She only cares about you. There's no such thing as a perfect proposal. You're just using it as an excuse to put off asking her 'cause you're scared of what she's gonna say. But you don't need to. You two are so devastatingly in love, it's disgusting."

In the end, grandeur wasn't even present in the room when Spencer decided to pop the question.

On that particular night, Spencer arrived in his apartment just a few minutes before midnight. His aching muscles were calling for sleep as he toed his shoes off, but his footsteps soon ceased when he caught sight of his dimly lit living room.

You were fast asleep on the couch, face illuminated by the television light. Spencer's movements were careful as he knelt in front of you, studying the soft and hard edges of your features like historians would an ancient scripture. He couldn't help it when his fingers reached out on their own accord, brushing the softest of touches against the high point of your cheekbone. Inside its cage, Spencer's heart started to stir.

You were so beautiful.

Even after one year of being together, Spencer was often still taken back by how lovely you were. He adored every detail of your being, most fervently the scars that littered your skin in a constellation of stars. All of the places in your body where your scrutiny had wandered in a fleet of insecurity were the same places that Spencer wanted to worship for the rest of his life. In his eyes, you were eternally magnificent, and this thought clouded Spencer's mind as he went to shake your shoulder gently.

"Spencer?" Your groggy voice sounded meek in the comfort of Spencer's apartment, the same one he had been sharing with you since you moved in three months prior. Your lips tilted with the tiniest hint of a smile at the sight of him, and Spencer thought he would melt when your fingers instinctively reached for his face. "You're back."

"I'm back," he confirmed, leaving a trail of kisses on your palm. "Why aren't you in bed, my love?"

"I was waiting for you," you admitted. "I have something to say."

"Really? Me too."

"Hm?" Curiosity flared in the center of your eyes. "You first."

Smiling, Spencer leaned down to steal a quick kiss before saying, "Marry me."

Your breath hitched.

After a few seconds of silence, your nervous laughter filled his ears. "Right. That's a nice one, Spencer. Very funny."

"I'm not joking, sweetheart."

Spencer reached into the inside pocket of his satchel, pulling out the velvet box that had weighed down his bag by several grams for the past few weeks. Any remnant of sleep you still had in your eyes was instantly washed away the moment he opened the box to reveal a pretty ring sitting inside.

"I've had this for a while now," Spencer admitted. "I kept putting off asking you because I believed I wanted everything to be perfect, until Derek knocked some sense into my head and made me realize that I was just afraid of taking the leap. He's right, as always, but don't tell him I said that."

Spencer paused at your teary laugh, relishing in the melodic sound that made his heart nearly burst in two. "My love, I don't need the perfect proposal when you're the promise of a perfect life. Any life with you is the one I want to live for the rest of my time, and I want to start living that life from this point onward. What do you say, sweetheart? Will you marry me?"

Spencer never thought the word yes could sound so incredibly spectacular.

The celebration had started right away, commemorated by the shedding of clothes from each other's bodies, finalized by panting breaths and entangled limbs beneath rumpled sheets. You lay on the bed with your palm on Spencer's chest, his own hand tracing invisible patterns on the vast canvass of your skin.

Spencer watched as you stared at the ring circling your finger. "Do you like it? We can exchange it for a new one if--"

"Spencer Reid, don't you dare."

"Apologies, ma'am." He grinned, continuing the random patterns he was drawing on your skin before he spoke again, "By the way, you said you also have something to tell me."

You looked up at him with a blinding smile before scooting out of Spencer's arm and reaching for the nightstand. When Spencer saw what you had rummaged out of the bedside drawer, Spencer thought his heart had forgotten how to beat.

"Is that--"

"Surprise," you murmured giddily, handing over the object in your hand into Spencer's awaiting palm. "I found out yesterday, but I wanted to tell you in person."

Spencer sat up on the bed, staring with disbelief at the small item in his hand. He only realized he had started to cry when a drop of tears fell down, blurring the two tiny pink lines in his vision.

"This is... you're..."

"I'm pregnant, Spencer," you professed.

Just an hour earlier, Spencer thought the word yes was the best thing he could ever hear falling from your mouth. But as he held you in his arms, his lips catching yours once more in a heated kiss, Spencer realized that you had many more surprising admissions waiting to be said out loud.

And Spencer couldn't wait to spend the rest of his life listening to every single one of them.

"Daddy, are you saying I was already in Mommy's belly when you proposed to her?"

"Yes, you were, Pumpkin," Spencer said, smiling at the blatant curiosity in Little Dee's eyes. "You were a surprise we didn't see coming."

Diana's responding smile was a picture of satisfaction. The father-daughter pair continued to walk down the street until Dee's voice tore through the silence once again, "Daddy?"

"Hm?"

"I thought you said a man and a woman can only make babies after they're married."

Spencer's footsteps halted on the pavement.

The silence must have stretched for only a partial of a minute, but the expectant stare Dee was nailing against his face, along with the internal panic that had short-circuited Spencer's brain made it seem as if the world had skidded into a standstill. Frantic eyes darted everywhere for a chance at rectification, and Spencer couldn't stop the words from tumbling off his lips when he saw the worn-down sign of a florist up ahead.

"Dee, would you like to buy some flowers for Mommy?"

The little girl squealed an excited yes before skipping the few steps left towards the flower shop. Spencer let out a relieved breath at having narrowly escaped such a harrowing crisis.

Once Spencer stepped into the shop, a multitude of fragrances immediately enveloped his surroundings. Diana was lingering back and forth around the vibrant displays when Spencer approached, her tiny eyebrows frowning in the most adorable way as she assessed the rows of flowers in front of her.

"Have you decided yet, Pumpkin?"

"Can we get some of Mommy's favorites, Dad?" Diana requested, pointing her tiny finger at the display of flowers she knew to be your favorites. "And then we can add some of these daisies, too!"

Spencer couldn't fight the smile blossoming on his face as he asked the florist to assemble a bouquet made out of daisies--Dee's favorite type of flowers, the same one printed all over the dress she was wearing--along with your favorite flowers in the center. Diana stared in awe at the deft work administered by the florist, her mouth forming an "O" once the bouquet was wrapped and ready to go.

"Do you think Mommy will like them, Daddy?"

"I know she will, Pumpkin," Spencer answered earnestly, his memory replaying that first time he had come home bringing the same arrangement of flowers in his hand.

Spencer came home to the apartment in utter disarray, and yet, it still was the best view that he had ever witnessed in his entire life.

Ever since his office was transformed into a nursery, the books he previously kept in there had to be relocated to the living area. Most of them had gone by now--some donated, and some others sold at second-hand bookstores--but piles of them still littered in various corners of the room.

Apart from his mountainous collection of books, small trinkets also covered every available surface of the place. From the empty nursing bottles in the kitchen sink to the breast pump on the counter, and the tiny socks on the coffee table to the pacifier jammed between the sofa cushions; every single one of them contributed to the mess that his apartment had become. Yet as he paused to inspect every inch of the place, Spencer couldn't find any other emotion besides warmth flooding his chest.

Muffled footsteps padded towards the living room before you appeared from the hallway with a freshly bathed Diana in your arms. As soon as your eyes locked with his, the crease between your eyebrows automatically vanished.

"You're home."

"I'm home." Spencer grinned before welcoming you into his embrace.

He stole a quick kiss from your lips before bending down to smother a 7-month-old Diana who yelped in glee when Spencer began attacking her with kisses all over her face.

"She's been fussy since yesterday," you told him. "I think she missed you."

"Did you, baby? Did you miss Daddy?" Spencer cooed. "I can take her for a few while you rest. You look tired. Are you feeling okay?"

"Gee, Spence. What a way to a girl's heart."

"You know what I meant, sweetheart."

"It's fine, Spencer. I just got a headache, but it's all better now that you're here."

Spencer smiled as he kissed your free knuckles. "If it's any consolation, you're still the most heavenly creature that I've ever laid eyes upon."

A sneaky laughter rumbled past your chest. "Fine. I'll let you go just this once," you said before letting Spencer take a yawning Diana into his arms.

As Spencer carried Dee towards the couch, you noticed a bouquet of flowers lying next to the kitchen sink in the corner of your eye. You glanced at the young genius with a discreet smile before aptly transferring the flowers into a vase.

"These are pretty," you commented, joining your family in the living room. You put the vase in the middle of the coffee table amidst the books and various baby clutters before dropping yourself against Spencer's side.

"They're your favorites."

"I know. As usual." You smiled affectionately. "And daisies. You've never bought me daisies before."

Spencer's eyes gleamed. "I bought the daisies for Dee."

"Oh?"

"I think daisies are gonna be her favorite."

"You do, huh?"

"One hundred percent."

Spencer's eyes looked up from Diana to you then, whose own gaze had been kept intently on your husband and daughter. Darkness embellished the area underneath your eyes, and Spencer couldn't help but count the lines of fatigue that seemed to have multiplied on the contours of your face. Even then, Spencer thought you had never looked more stunning than you did at that moment; as his wife, the mother of his child, and the woman who owned the sole reign of his heart.

Confusion wandered into your eyes when you noticed Spencer's stubborn stare. A surprised squawk escaped your lips as Spencer unexpectedly captured them in a rather long kiss. When he pulled back, Spencer looked the very image of a man who was drunk on love.

"I love you. You know that, right?" Spencer confessed as he squeezed your hand twice in his palm.

"Spencer, what's going on with you?"

"Nothing. I just--" he paused for a chuckle, seemingly trying to find the right words to say before he could continue, "--I owe my life to you, sweetheart. For all of the times you have pulled me out of the darkness, to the light you've brought into my life. You and Dee are the reason I keep on breathing. Without the two of you, I'm nothing."

"Spencer," you breathed out. "Where did all of this come from?"

"I don't know." He shook his head. "I just wanted you to know how grateful I am to have you in my life and that you've brought Dee into ours. Everything worth fighting for about me is because of you."

The telltale signs of tears began to cast a shadow over your eyes. You pressed your hand to Spencer's cheek, feeling the rugged sensation of his newly shaved stubble stroking your skin. Spencer melted into the warmth of your touch.

"You're giving me far too much credit here, Spencer," you whispered. "Everything you are has always been your own doing rather than mine. All I ever did was cheer you on from the sideline. You would still have become the person that you are today even if I weren't in your life."

Spencer physically shuddered at your last statement. "Don't say that. I can't even begin to imagine a life without you in it."

"Well, even if such day does come, when I won't be a part of your life anymore, I know you're gonna be just fine. Because you'll have Dee with you--" you stroked Diana's head lovingly, "--and I know that the two of you will give each other enough love and strength that you won't even notice I'm not around anymore."

The frown on Spencer's face deepened.

"You're not allowed to leave me. Ever," Spencer decided childishly.

"Fine. I won't. But you have to remember--" you brought your palm towards Spencer's chest, feeling each rhythmic thrum of his heart which seemed to flutter ever so slightly underneath your fingers, "--I'll be right here if you need me. Always."

Spencer's own hand landed on top of your hand, entwining your fingers together without ever tearing his fierce gaze away from yours.

"Always."

The sun was shining down in flimsy rays when Spencer and Dee finally walked past the familiar gate. Glimmers of gold sneaked past the reddish leaves on branches before falling upon the ground.

Next to him, Diana was humming a melody that Spencer recognized from one of your specially curated playlists. Her little hands struggled to carry the gigantic bouquet that she couldn't wait to present to you. It didn't matter that the bouquet itself was nearly as tall as she was, Diana still refused to let Spencer assist her.

"I wanna give Mommy the flowers myself," she had told Spencer in a manner that reminded him too much of your own stubbornness.

After a couple more minutes of walking, Spencer's reverie was soon broken by the excited squeal coming from the little girl beside him.

"Mommy! Mommy!"

Diana dashed into a sprint before words of warning could fall from Spencer's lips. He watched intensely as Diana's little feet moved upon the ocean of fallen leaves on the ground. Her tight grip around the bouquet never wavered even when she ran up the grassed hill, all the way towards the destination in her mind.

All the way towards the headstone with your name written on it.

When Spencer finally got there, Diana was kneeling next to your grave with panting breaths, but the smile stretched on her lips was the biggest one that Spencer had ever seen.

"Hi, Mommy. I'm back with Daddy," Diana announced. "Daddy, go say hi to Mommy."

"Hello, my love." Spencer smiled before taking a seat next to his daughter.

"We brought flowers, Mommy! They're your favorites. I added daisies to make them prettier." Diana beamed before putting the bouquet against your headstone. "You're not gonna believe what happened in class yesterday!"

As Diana animatedly began to recount the funny incident in her classroom--somehow involving a boy named Patrick and a cup of slushie--Spencer watched over her with a permanent smile on his lips. The little girl loved to talk--a trait she obviously acquired from both of her parents--and Spencer knew just how much you used to adore listening to Dee's rambling at any time of day.

It must have been at least ten minutes later when Diana's story eventually whirled to an end. Her attention instantly shifted to the family who was paying their own respect just two headstones over, a small squeak of puppy tumbled from Dee's lips before she dashed towards the boy with a golden retriever pup beside his legs.

Spencer shook his head affectionately at his daughter's antics.

"I know we were just here a couple of weeks ago, but Dee wanted to tell you about the slushie incident herself," he said. "And, well, I can never deny the chance to visit you, love."

A loud laughter boomed a few feet away. Spencer watched as Diana ran around jubilantly with the little boy and his dog. The boy's father waved at Spencer from the distance, which he replied with an acknowledging nod.

"She's getting so big, sweetheart. Sometimes, I just wanna stop time and keep her as my little girl forever. I wish you were around to see how much she's grown." Spencer smiled ruefully. "I can't believe that it's been more than a year since you were gone."

Spencer thought back to the last few moments you spent on this earth. How just a few months prior, the doctor had advised you to stop the treatment and take a rest at home instead.

The chemo isn't working, was what the doctor was really saying. You should be spending as much time as you can with your family.

So, that was exactly what you ended up doing.

Spencer had quit his job at the FBI shortly after you were diagnosed, opting to take a full-time job of teaching where the hours were more humane and reasonable. The day you were discharged from the hospital, Spencer made a vow to himself to make every day as memorable as he could, and he was keeping true to it. Those last few months were filled with countless road trips, an unforgettable weekend at Disneyland, and visits to various museums across the states. Spencer made sure that each day was charged with love and laughter, a perfect day culminated by an equally perfect night, with you falling asleep in the safety of his arms.

Until one morning, when Spencer woke up to your cold and lifeless body lying by his side.

"Do you remember what you told me once? About how Dee and I would never notice you were gone because we would have each other?" Spencer recalled. "You were wrong about that, sweetheart. Your absence is the first thing I notice every time I start my day. The moment I open my eyes, I notice that you aren't lying next to me on the bed like you're supposed to be. I notice the cold imprints on the sheets where your warmth used to linger. I notice you in every corner of our home, but most importantly, I notice you in Dee."

Spencer glanced at his little girl, playing and running around a pile of fallen leaves with her newfound friend and his pet dog. His heart floundered at the scene.

"Everyone keeps saying that she's an exact copy of me, but I see glimpses of you in her more and more every single day," Spencer admitted. "She's the only anchor I have left now, my love. Without her, I'm lost. I try constantly, with whatever strength still resides in me, to give her everything she would ever need. Shower her with every ounce of love I have left in my heart."

A lone tear cascaded down Spencer's cheek. He quickly erased it away with a wry chuckle.

"What I would do to have a minute with you again, my love. I hope you know I'd give my heart and soul to have those extra sixty seconds just to stare at your beautiful face. To hold you in my arms one last time. I try my best to fill the void that you left for Dee's sake. Some days are difficult, and I keep thinking about how much better it would be--how much better off she would be--if it were you here with her instead of me. I'd trade places with you if I could. I fear that all of me would never be enough for her, because she needs you. We both do."

Spencer inhaled a breath, forcing the imminent wave of tears from breaking the dam he had masterfully crafted since the moment you were gone. He promised a long time ago never to allow the grief to consume him.

He still had his daughter to think about.

"I'm beginning to think people are wrong when they say time makes everything better. The pain never lessens. It just becomes bearable with time. Dee makes it bearable," Spencer confessed. "I can only hope I'm doing the same for her."

"Daddy! Daddy!"

Spencer hurriedly wiped away any sign of tears from his face before he caught Diana in his arms. Her innocent laughter was a balm to the gaping wound in his chest, and Spencer allowed himself to bask in the bliss that his little girl brought to his life.

"What is it, Pumpkin?"

"Look what Brian's mom gave me!"

Spencer looked at her tiny hand to see a plastic daisy ring gracing one of her fingers. He looked up towards the family in the distance, mouthing a thank you to the mother who waved him off with a smile.

"It's very pretty, Dee."

"Like me?"

The young dad chuckled. "Yes, very much like you."

"Like Mommy, too?"

Spencer's smile softened. "Very much like Mommy, too. Yes."

The exhilarated smile Diana rewarded him could probably light up the entire state of Virginia at night.

Five minutes later, Spencer found himself bidding you a goodbye, with Diana promising to visit again very soon to give you an update over the slushie incident that supposedly got Patrick in a lot of trouble at school. The air was getting even chillier as the two walked the path they had taken after arriving at the cemetery. Spencer tugged Diana closer to his side once he saw the familiar gate lurking a few feet ahead, keeping her safe while simultaneously seeking her warmth.

"Daddy?" Dee's voice arose shyly once the pair had reached the main street.

"Yes, Pumpkin?"

"I miss Mommy," she admitted quietly.

Spencer's fingers instinctively tightened for a split second around his daughter's hand. "I know you do, Pumpkin. You just need to remember, even if she's not physically with us anymore, that she's always watching over you and keeping you safe."

Diana nodded her head understandingly. "Do you miss her, too, Daddy?"

"Every day, Dee." Spencer smiled, glancing back towards the gate of the cemetery behind him. "Every single day."

[hellsslibrary]

your twisted wonderland first time stories are so good! is it fine if i request you write about vil, rook, jade, leona, and cater next? i love top male reader stories but its hard to find ones about twisted wonderland :<

-🍤

»—> Vil's, Rook's, Jade's, Leona's and Cater's first time + Azul from another request.

#a.n. : my writer's block and problems in life are finally over and I'm writing again. An amazing sight, but still.

#cw/tw: top!male!reader, bottom!male!character, first time obviously, praise kink, fingering, teasing, and quite a vanilla sex in general, sex toy(Cater), riding(Leona), very little nipple play(Leona), dirty talk(Rook), Rook is a brat just a little.

This is definitely a planned action, simply from the fact that Vil more than knows about sex (I think Eric explained this to him as a child as needed). Therefore, it is at least planned on the part of your yes/no, preferences and the like.

I don’t know why, but it seems to me that it’s important for Vil that your first sex with him be vanilla and romantic. That is, so that this sex is not so much a show of your lust, but of intimacy, your trust in each other.

If you are not a virgin, by the way, you will think that you are a virgin. This guy will guide you as if he knows everything, where, what and why (although he didn’t go beyond jerking off, because he didn’t see the need for it).

But he will still give you control, almost completely, simply because... It’s more convenient for a virgin than to do it all himself.

“Mmm... Yeah, it feels good,” Vil mutters as your fingers poke into that sweet spot and his fingers curl into the sheets. “Please continue... A little slower, yes, like that.”

A quiet moan of pleasure escapes his lips as your fingers slow down ever so slightly, pressing with each slow but rhythmic thrust into him. He sighs shakily, his arms wrapping around your neck as he presses a chaste kiss to your lips.

"Vil? This..." You whisper, watching as he spreads his legs beneath you invitingly, a smirk blooming on his lips that turns into a smile of pleasure in a matter of seconds. "Too tempting for a virgin."

"In your opinion, I'm always tempting, no? Or do you think I don't notice your glances at my ass?" Vil asks, chuckling and making you laugh too and kiss his lips, in a deeper way, and push your fingers even deeper.

It is clear that the sensations will be strange. But he’s still pleased, and the main thing is that it’s you. And Vil is not one of those who goes back on his word, after all. And if he allowed you to fuck him, then you will do it (if you want, ofc).

Vil simply found some kind of peace in this first act. Slow thrusts, your hands touching his body, which has become like a continuous erogenous zone, your quiet voice whispering praises and compliments to him... It's wonderful.

“Ah, [M-Mc]... It’s so good, don’t stop, I beg you, my love,” Vil whispers, closing his eyes in pleasure, feeling the relaxed, slow tremors inside him; a whine escapes his lips as you lift his hips off the pillow, going deeper.

“So good... You take cock too well, handsome. Although it’s you, what else could I expect,” Your whisper is heard in his ear, and he melts at the sound of your hoarse laugh.

His nails dig into your back, creating crescent-shaped marks. His hips rock in time with your thrusts, meeting them. Moans and whines escaped his slightly reddened lips from the kiss, mixed with the sound of your name... Just perfect.

I'm honestly not sure if this was planned or not. Just from the fact that I can easily imagine something innocent with him developing into something obviously intimate and... I'll leave it up to you.

And you DO NOT need to discuss the main important things before getting into bed. He knows everything about you, which seems strange, especially if you have never even thought about it, but this is Rook... But he will tell you his boundaries and what he loves, yes.

He is absolutely calm before the penetration begins, absolutely. You even begin to think that he lied, that this was his first time. He's too... Stretched for a virgin. (Although let's be honest, I just think he was playing with himself. And I think he's one of the few people who did it with his hole, lol)

He doesn't moan at all before the penetration begins, like AT ALL. Rook just watches your fingers penetrate him with a satisfied smile and red cheeks and tells you all sorts of praise and some phrases that make you swear you want to simultaneously blush and hit him at the same time.

“Mmm... Your fingers are so good, Mon cher, it’s almost unbearably good. If you’re so good with your hands, then I can’t even imagine what it will be like when your dick is inside,” Rook whispers with a half grin, half smile on his face, his palms lie on your chest, drawing some invisible patterns there with his fingers.

A sigh escapes your lips and you lightly slap him on the back of his thigh, causing Rook to twitch slightly but only chuckle at your displeasure showing; his back arches when you make deliberate, harsh contact with his prostate.

“Rook, I ask you, keep quiet... Everything has its time. Have you heard of such a phrase?” You ask a rhetorical question, and a joyful glint appears in his eyes when he realizes that he has angered you just a little.

He's also calm when you finally insert your dick, it's like he's done this all before, seriously. Although moans are already beginning to escape his lips, he still does not stop these dirty conversations, they even intensify.

Although they soon turn into only convulsive declarations of love and praise when he approaches orgasm or this happens after the first orgasm.

"Ahh... You're so deep, it's incredible! Don't stop, please," Rook ululates as his face slams into the pillow again, squeezing it in his grip, causing it to tear pitifully.

“I didn’t plan on stopping, blondie, don’t worry,” He trembles when he hears and feels your whisper right next to his ear.

Your tender kiss behind his ear absolutely does not fit with the rough and rather sharp thrusts, creating a wonderful difference between roughness and tenderness... And damn, he can feel how his dick is getting hard again.

... No, I don't think it was planned, no. But this was not something wild too. It’s just that at some point you smoothly flowed into intimacy when there was the most suitable time and moment for this.

Although you have probably discussed similar topics with him many times before. I just think he's terribly curious when it comes to his partner, plus he probably doesn't have much of an idea of ​​how sex works between someone who has legs.

An absolute mess. He gradually, but quickly enough breaks down under any of your actions, touch, word, even glance. He simply surrenders to these sensations headlong.

"Jade, are you okay? You haven't said a word since my fingers were inside..." A question leaves your lips as you watch Jade try his best to hold back any sounds that escape his lips, and he just nods, "Baby... Give me a verbal answer."

"Y-yes! This—... Th-this is so good, mmhmm... Plea-please don't, agh, st-stop!" Jade groans, barely able to utter the words, causing a chuckle to escape your lips, causing the moray eel’s already red cheeks to turn an even darker shade.

His body trembles, his hands grab at anything just to maintain a little sense of reality. His cheeks are completely red, his teeth are nipping at his bottom lip, his eyes are closed as tears stream down his face... What a charm, right?

You'll probably need to keep his mouth closed somehow when you finally enter him. He will no longer be able to control his moans, and he will moan so damn loudly.

He doesn't even feel discomfort, he just wants all of you. He wants you to go ahead and just fuck him like he deserves.

“Hush, precious, hush. You'll wake everyone up, these aren't soundproof walls after all,” You whisper as Jade's head is thrown back on your shoulder in pleasure, and your fingers are in his mouth, playing with his tongue to muffle him just a little.

Your other hand lowers and lifts his body on your dick, making him twitch and whimper every time. His thoughts are jumbled, if he can think at all right now. Now there is only you, him and your dick, which lies perfectly in him.

No, this is not planned. I think it was completely unplanned. For some reason, I imagine him sending you a repost of some video where there is something sexual and like, “Maybe we can do it too?))”

And if you agree, he is the happiest in the world. He expected that you would not agree and then he would have reduced everything to a joke, but since you agree...

He also probably once tried to finger himself, but he didn’t really succeed, because his fingers didn’t reach what he needed, so he maybe used toys, or didn’t touch his hole for the time being.

"Mmm, are you sure this thing is comfortable, pumpkin? Is everything wonderful?" You ask to make sure he's absolutely fine as he lies on the bed, fascinated by the toy below.

"Y-yes... It feels good, really," Cater whispers, moaning as the toy touches his prostate. It's just a prostate vibrator with a circle of rubber that attaches to the base of the penis... But he swears it's never felt as good as it does now.

An absolute mess when you penetrate him. He's quiet though, I guess. You feel so much better than anything in his life has ever felt. And... A real cock is probably more pleasant to have than rubber, glass or other materials.

And yes, he won't let you go. He will cling to you with all his might, but he will still hold on to you.

“Cater... Calm down, calm down. I’m not going anywhere,” You whisper as his nails run down your back for the hundredth time in these moment, leaving red marks there that will clearly make your tomorrow less rosy.

“So-sorry,” He sobs, wrapping his legs around your waist, practically hanging on you as you continue to thrust in and out of him at a slow pace, “You're just... So h-hot and wet inside... And twitching, too! Weird..."

I think this is more about presenting you with a fact rather than a planned action. He can just lie on your lap in the garden and then say something like “I want to have sex tonight” and start snoring a few seconds later, and you react however you want.

For the first time he is surprisingly active, I think. Really active. Of course, he doesn’t know how to do anything in practice, but if you want him to suck you off or something, he will do it. (And will still do it damn well)

Quiet asf. Just a few growls, maybe very quiet moans, but it’s hard to get him to other sounds. In general, I think that he is not particularly sensitive himself.

“Mmm, come on, herbivore... I'm not glass, damn it,” Leona mutters as you slip your fingers into him a little too slowly for his liking and he sighs contentedly when you speed up a little.

"Sorry, sorry. I just don't want to rush anywhere, okay?" You speak, specifically aiming for his prostate and he just makes some kind of guttural sound reminiscent of agreement.

He will ride you. Yes, you can fight me, I’m ready, but he will do it. Leona wants to control the pace of your first time, so he will do that.

Although, of course, when he gets tired, he’ll just lie on top of your chest and you’ll have to fuck him like that because it’s convenient for him, lmao.

"Ha... Leona, you look incredible when you're on top of me, you know?" You ask, looking at him riding your dick at a slow, but quite sharp pace, while his hands lie on your chest, sometimes squeezing it convulsively in his palms.

“Yeah, I always look incredible actually... But I'm glad you recognized my greatness in a position that no one else saw,” Leona whispers with a smirk, flicking your nipple lightly, chuckling as you twitch inside him, but then it’s his turn to moan as you lift your hips, meeting his bounce halfway.

Yes, considering him, this is planned. He was very nervous, thinking that something would go wrong, so he discussed it with you in advance and of course asked when, after the start of the relationship, you would feel comfortable taking this step.

He is absolutely nervous before starting, even if he has read a lot of educational literature on this topic. He thinks something will go wrong or you won't like something.

He... Something between quiet and loud, yes. The most common moans, whines and sighs. Although, if you overstimulate him or just bring him into some kind of faint state of ecstasy, he will sound like the girls from hentai, I swear.

"Azul... Relax, okay? You're pretty tight even for a virgin," You whisper, squeezing his thigh reassuringly, letting him know that you're here and you're not going anywhere.

He nods, wiping his eyes from the accumulated tears, although it didn't really help, because they almost immediately appeared again. Azul sighs deeply, taking one of his pillows and covering his face halfway as he continues to stare at you.

“Okay, sorry... It's just unusual, I didn't think people walking on two legs felt this way,” Azul mumbles, muffled by the pillow but surprisingly able to keep his voice unwavering, throwing his head back when you touch his G-spot.

The absolute prince of pillows, at least the first few times. It's not that he wouldn't want to do something. He's just embarrassed and has no idea what to do.

Definitely a very kisser. Firstly, to muffle his moans, which make him ashamed. And secondly, it seems to me that he has a sensitive mouth and tongue... And his throat too, if you have a long tongue.

Azul meets your lips with his own again as he lies on his back, his legs twitching on your shoulders from the thrusts inside him. His tongue slides awkwardly against you as you run the wet muscle over his teeth for the hundredth time that evening and then pull away.

“You're so cute, Azul... I had no idea you'd be so clingy,” He blushes when he hears you whisper against his ear and squeezes his eyes shut when you lick the shell of his ear.

“It’s not true, love... Don’t tease me,” Azul mutters, covering his face with his hands, although he immediately leans forward when you kiss him again.

[lactoseintolerentswag]

Rise Characterizations

Last month I did an in-depth re-watch of rottmnt s1 to take some notes on writing the characters of rise from their perspective and such. Figured I'd share what I found, but I'm also posting this bc my docs have a nasty habit of blipping out of existence.

We'll start with Raph bc he's the oldest of course, but I'll post the others sep. bc this is gonna get long!!

Raph Character Notes

Language Habits:

Catchphrases: "like a boss", "smash"

Verbalizes his attacks such as "smash", "knuckle sandwich", "power smash jitsu", "tonfa power jitsu", "mystic punch jitsu"

Uses older song titles for surprised exclamations or in place of cursing, most notably "jumping jack flash!"

Uses aave/bae, For example: 'em instead of them, 'ey instead of they, 'cause instead of because, forgoes the g in ing words (going becomes goin')

Uses less and less grammar the more he's stressed, and his voice will come to a higher pitch

Will speak in a softer tone to his little brothers if he's concerned about hurting their feelings. Aka babying them

Mixes up both metaphors and idioms. Would be one to say how the turn tables unironically

Does say "hero" a lot, lost count, especially in phrases like "hero town"

Refers to his brothers as "boys" or "fellas"

Refers to Splinter as "pop(s)" most often

Refers to strangers he's directly talking to as "bubs" or "hoss"

Personality:

Protective of his family

Plays up the hero act/has a strong sense of duty and justice

Impatient, rushes in without a plan (pre-movie), doesn't finish books until the end, falls asleep during "boring movies"

Oblivious, doesn't read into things beyond surface level. Struggles with empathy when something is beyond his understanding, but is still very emotional

Center of responsibility for his brothers, but also has a reckless sense of fun. As long as it's him doing the stupid unsafe thing it's fine

Carries the weight, in a literal sense he piggy backs his brothers, but will also use his body as a shield from danger. Unfortunately this also means he takes his brothers a little less seriously (Mikey the most common victim), and will try and either protect them from everything or as an oldest sibling everything has go "his way"

Doesn't do well in solitude. Needs to be looking after people to feel functional, and needs to be around people to feel safe

Clumsy, "takes horrible pictures", isn't very good at hiding, he's a big guy so it probably took a lot of time to find balance

A sweet guy who still won't shy from making fun of his family. Leo tends to be the brunt of his teasing since he is the most annoying, but he will also poke Donnie on his dramatics

Likes cute things!!! Has a teddy bear collection and loves animals. It's so cool how this isn't played off as a joke and he's still just as masculine for liking pink and cutesy stuff

Likes fighting!!! Gets a lot of energy out defeating bad guys (where he directs his anger towards), the one who is shown to train the most, and also weight lifts in his spare time

Doesn't do well under pressure, here the anger comes out the most. He gets stressed when it's all on him, especially since he tends to mess up the most in these moments

Miscellaneous:

Second to unlock mystic powers

Nicknames/codenames: "raph-a-doodle" by leo, "red rover" by april, "red king" by donnie

Teddy bear names: Doctor Huggenstein, Captain Snuggles, Cheech

Stinks: fear stink, amazement stink, sneaking up on people stink, victory stink

Seems to be less afraid of rabbits and more afraid of puppets

Went on his first solo mission at 13

Cannot lift a bus, at age 15

Thought about discussing fighting style, but I'm not as familiar with that concept and I've seen a couple posts dissecting such topic. So we'll end here for now. Hope this was helpful!!! I'll post the rest of the boys later and link here

Leo is up!!

Donnie is up!!

Mikey is up!!

Splinter is up!!

April is up!!

Cassandra is up!!

Baron Draxum is up!!