#like whats the reason for writing these canon novels

[finns-poe]

You know mentioning the jealousy my gut tells me they were going for the romance angle in this movie but Disney made them cut it out. Which is why Oscar was so vocal abt it, why he was jealous the the entire time, why they probably introduced Zorri so jealous5 goes both ways and Poe was only flirting to get a rise out of Finn, and why the entirety of Resistance Reborn esp when they said Rose and Rey were just friends with Finn nothing more, and the hands scene and the alternative hug and….need i go on?

FACTS!📠 Still mad that they threw in Zorri for the sole reason to shut down finnpoe smh. Anyway Resistance Reborn is MY third sequel movie yep yep.

[musical-chick-13]

.

[crusaderce]

this. this is actully dumb. i dismissed so much bullshit from this manga cause 'yeah i guess' BUT THAT??? THAT???? NAH FUCK THAT. ONS is no longer canon in ANY part whatsoever after them battling ky for the first time, everything else i'm rewriting for crowley cause that is stupid.

[applesandbannas747]

Wait, I'm confused... do you like the Fence novels or no? Because your first review sounded positive and happy with the fun humor, and then every other thing I've seen from you about them is most pointing out the (very prominent, very not-good) flaws with them.

fair question! I had a Journey with the Fence novels and it was hellish. First, please keep in mind that I am unhealthily fixated on Fence and that does impact things all along the way.

When Striking Distance was announced, I was as excited as anyone, though wary because Pacat was handing it off to someone else to write. Still, I was hopeful--and more hopeful after reading In Other Lands because, despite the disturbing sexism that squicked me tf out, I really enjoyed that book! And so I was very eager to get my hands on Striking Distance. So I went on an absolute quest to get an ARC...and I did! It took a lot of dead ends and desperate tries, but remember that I'm insane. So I got my hands on an advanced copy by emailing the editor assigned to the book (who has since left the position). And as is custom with ARCs, he asked me to send my review when it went live.

Reading Striking Distance was such an experience dude. I wanted to love it as much as I loved the comics--remember that at this point, we only had up to issue 12 and the characterization therein. I love the OG 12 issues, and they'll always hold more sway in my understanding of the characters, but when reading SD, it was very clear that I'd read the entire comic completely fucking wrong. Remember my unhealthy obsession? Yeah. Trying to come to terms with Fence being something so opposite of everything I really loved about it and the fact that my reading of it was so wrong was really hard--like mental breakdowns level of hard. I wish I was joking. But I tried to force myself to love the reality of Fence anyway, despite kind of hating the novel, which I absolutely would not admit to myself because disliking any part of Fence felt like SUCH a betrayal to it, and I really really really didn't want to hate the characters I'd spent so much time bringing to life in my mind, because selfishly I didn't want to have to divorce my idea of the characters from canon, I just wanted to be able to love the canon characters and add onto them a little the way I'd been able to with the comics up until that point. So especially right after reading Striking Distance, I was insistent on liking it, and even as I slowly started to acknowledge that there were parts of it that made me want to scratch off my skin they made me so uncomfortable (see: the steak scene), I was really hell-bent on understating my dislike/criticism of it.

So when I went to write my review for Striking Distance to send to the really nice editor who sent me the ARC, I didn't want to betray Fence, I hadn't really processed my issues with it (and was--and honestly still am to an extent--worried that I was just being an entitled baby because my stupid fanfictions/interpretations were so fucking wrong), I didn't want to upset or hurt the feelings of the man who did me this HUGE favor, and because I wanted a chance to get an early copy of a possible sequel (because hating the novels didn't lesson my Need for early access to them. i know I'm unwell about fence jdhfa), I pulled out all the nicest thoughts I had about Striking Distance, exaggerated them and stretched them and sugar-coated everything else to provide a review that was nice and non-hostile.

Obviously, the longer I sat with Striking Distance and processed some things about it and about me, the more I started picking apart all the aspects that I hated and found I was able to produce reasons for each piece I disliked and was also able to pinpoint in the OG comics where I got all the pieces of the stories and characters I loved. So I did have to divorce my idea of Fence from canon if I wanted to keep loving Fence. And when I decided to keep loving Fence for all the reasons I used to instead of feel sick looking at/thinking about the franchise and characters, I was sort of free of the things holding me back from speaking about the things I didn't like, and so I started to analyze and essay and post about the novels and my untangled, truthful thoughts about them.

So I don't like the novels--there are maybe 3-4 things total that passed the vibe-check for me in both novels. I never liked the novels, and I lied about liking Striking Distance...but I was lying to myself about that one as much as anyone. And I haven't changed that review because, at the time, that was where my feelings were about it. So up it stays.

Here’s my fun little list of some of the places I've explained my dislike of the novels if you're curious, but yeah these are the real thoughts, the SD review was a carefully crafted lie <3

My full review of Disarmed

Autism representation in Seiji

Seiji in general

Eugene

Eugesse as a concept in Disarmed

Eugesse interactions in Disarmed

Nick's bisexuality

Coach Williams and sexual harassment

[qazastra]

i TRUSTED my friend who rec’d me tgcf (the actual novel) and now idk if i should have. help maybe its just the translation. but aside from the prose there have been some scenes where i just want to jump out of my skin and find mxtx and just like. kill her

[essektheylyss]

Okay, this book draft is not going as smoothly as fic does, natch, but I have finally gotten to a point where I'm able to identify which dominoes I've set up need to fall to make the ending come together, and that is such a goddamn relief.

[kyliafanfiction]

I mean, Any Two Guys is a legit thing, but we don’t talk enough about how Any Two Girls is also a thing for some people.

[awearywritersworld]

she mumbled that i was peculiar

sukuna x reader summary: impressively, sukuna is still trying to find ways to deny his feelings for you. nevertheless, he keeps you safe from harm when a late night trip to the store doesn't go as planned. will seeing his violent nature for yourself change the way you feel about him? he seems to think so. w/c: 4.2k (oops) tags/warnings: angst to fluff. attempted kidnapping. canon typical violence. depictions of blood. reader throws up. reader is in shock for a bit. cursing. aged up!yuuji. not canon compliant. fem!reader. no use of y/n. *please mind the warnings for this chapter* a/n: i'm sorry this took so long! im ngl, i struggled quite a bit to write this chapter. i'm still unsure about the pacing, but here it is anyway. thank you for reading and i hope you enjoy! series masterlist // masterlist

it's not often that you go out for the evening, but tonight is one such occasion. you leave around seven, excited to meet nobara and maki for dinner.

when yuuji falls asleep a few hours later, sukuna doesn't take over right away. he spends a while in his domain, engaging in what some people might call sulking.

before long, however, he begins to feel restless and he tells himself it's because he's grown accustomed to his finite hours of freedom. of course, it has nothing to do with your absence.

so he assumes control of his vessel's body and pulls a short novel from your bookshelf. settling on the couch, his fingertips brush over the cover: the stranger by albert camus

it's the first time he's ever been alone in your apartment, a fact he's well aware of, and his eyes wander to the front door. it'd be all too easy to pull it open, to make his way downstairs and out onto the street.

how long would it last before yuuji regained control? are you nearby? would you get caught up in the havoc he'd doubtlessly wreak?

the thought makes him grimace. returning his focus to the book in his hands, time seems to pass by faster as he makes his way through the pages.

even so, he deems the narrative a bit boring. in his (what's the opposite of humble?) opinion, dead mothers and nagging girlfriends don't make for the most captivating story, so his mind begins to wander once he happens upon the quote:

"so why marry me, then?" she said. i explained to her that it didn't really matter and that if she wanted to, we could get married. besides, she was the one who was doing the asking and all i was saying was yes. then she pointed out that marriage was a serious thing. i said, "no." she stopped talking for a minute and looked at me without saying anything. then she spoke. she just wanted to know if i would have accepted the same proposal from another woman, with whom I was involved in the same way. i said, "sure." then she said she wondered if she loved me, and there was no way i could know about that. after another moment's silence, she mumbled that i was peculiar, that that was probably why she loved me but that one day i might disgust her for the same reason.

sukuna thinks about you— the woman who forced her way into his solitude.

although, what if it hadn't been you? what if the brat had been involved with another woman? would he have eventually taken an interest in her too?

are you really that special, or is he just going crazy inside the cage that is itadori yuuji? the latter is much more likely, right?

he supposes he prefers the idea of madness over... feelings for some human.

all of a sudden, your apartment door seems much more inviting. would it be so bad if he were to step through it? what did he really have to lose?

yeah, that's right. he'll get up any second now and act on every horrible impulse he's been repressing. any second now... any second...

he can't quite figure out why he's unable to bring his limbs to move, weighed down by some force that's beyond him.

it's at that moment the door clicks open and for a split second, he thinks it must be his sign to go, but then you come waltzing in.

"'kuna!" you greet in an excited manner, disrupting the peaceful quiet.

kicking off your shoes haphazardly, you make your way over to him and promptly drop yourself into his lap. it elicits a bout of unwelcome clarity for the king of curses.

no, he wouldn't have taken an interest in just anyone, that much becomes obvious. it wasn't through a medium as flawed as chance that he came to... tolerate you. you're much too annoying for that to be the case.

"hello???" you wave your hand in front of his face. "i'm home."

"i can see that."

"welcome home, darling," you say in a deep voice, a poor imitation of him. "i missed you so much— that's what you're supposed to say."

yeah, definitely too annoying.

"but i didn't miss you." one of his hands comes to rest on your thigh, a betrayal of his preceding assertion.

"you're sitting alone reading—" you pause to inspect the book lying open beside him. "existential fiction about a nihilistic frenchman. of course you missed me."

he changes the topic rather swiftly. "you're drunk."

"i'm tipsy, at best." you roll your eyes. "can't i just be happy to see you?"

"you'd be the first."

"i don't mind making history."

you place a kiss on his lips, casual and affectionate in way that makes sukuna's body stiffen, and stand up.

"i need to get ready for bed, then we're gonna watch tv together because i missed you— gosh, see how easy that was?"

you run off to the bathroom and his body doesn't fully relax until he hears the shower turn on.

the thought of missing someone is a strange notion to him, because it implies eagerness and desire. for as long as he cares to remember, those emotions have been reserved for proclivities much more sinister.

so he hadn't missed you. he just would have preferred it if you stayed home. that's all.

when you return to the living room around fifteen minutes later, you're wearing one of yuuji's shirts, and as far as sukuna can tell, very little otherwise.

making yourself comfortable on the floor between his legs, you pass a hair tie behind you. "can you braid my hair?"

he's watched you get ready for bed enough times that he's fairly certain he can manage it. taking the tie from you, he still asks "why can't you do it?"

"because i'm sleepy," you frown, reaching for the tv remote.

gathering your hair in his hands and carefully dividing it into sections, he sighs. "you require so much looking after."

"you're not going to die if you can't have cookies tonight." sukuna states dryly, glancing at the clock that reads eleven o'clock.

"please don't trivialize my struggle," you begin, pulling on your jacket. "i want miso butter cookies— my grandma's secret recipe."

most of what you need can be found in the kitchen, but a trip to the store is in order for a few final ingredients.

"my mistake," he huffs, rising to his feet. "how insensitive of me."

"oh, it's alright. just don't let it happen again."

"sure. i'll keep that in mind, princess." sliding the apartment door's chain lock off the track, he does little to hide the vexation in his tone.

just as he reaches for the handle, you stop him and wrap a scarf around his neck, forcing a hoodie into his hands. "put this on. you'll be cold."

he looks at you as if you're crazy. "i don't have to worry about things as insignificant as the weather."

"well, put it on anyway," you insist.

he decides that acquiescing will be easier than arguing for the next five minutes and slips the hoodie over head. when you both step out into the chilly air of night, there are still a decent number of people traveling the streets.

stopping at a crosswalk the next block over, you begin to prattle on about what you need to pick up and the different steps in your recipe. naturally, you completely miss it when the pedestrian sign turns green.

"come on," sukuna commands, his hand wrapping around your wrist and tugging you along with him. "i don't have all night."

you scoff. "to be fair, i didn't say you had to come with me."

"yeah well it's late. you shouldn't be out alone." there's a hint of exasperation in his voice, like he truly had no choice in the matter.

despite that, once you reach the other side of the street, his fingers slide down your palm and thread through yours.

you glance over at him and find he's looking off to the side, so you bite your lip to suppress your pleased smile. is he avoiding your gaze intentionally? you decide that bashfulness suits him better than you would have expected.

offering him a light squeeze of the hand, you hope it conveys your appreciation of his small display of affection.

"so, are you going to help me make the cookies?"

his lips press into a thin line. "as thrilling as that seems, i don't particularly have a penchant for baking."

"you think you'd humor me a little! you know, since i'm your only friend and all."

"if anyone else asked me such a ridiculous question, they wouldn't live to see tomorrow." you ponder whether he's joking and quickly decide that he isn't. "this is me humoring you."

"you're so mean to me."

"hardly."

"fine," you pout. "then you can't have any!"

"now, hold on." the threat does make him hesitate. you've come to learn that if there's one thing he loves as much as reading, it's food. "let's not be hasty."

you're approaching the store, the sliding doors just a few strides away.

"it's only fair! besides, you're not going to die if you can't have cookies," you throw his earlier words in his face.

he exhales deeply. "have i ever told you how irritating you are?"

"woah! now you're definitely not getting any, mister!"

"alright, alright," he groans as you step inside. "i'll help you bake your stupid cookies."

"perfect!" you exclaim as if you knew he'd give in eventually (you did). "then you can start by finding the miso paste while i get everything else!"

you scamper off before he can tell you not to order him around like some common servant. he's never even been grocery shopping, how the hell is he supposed to find anything in here?

wandering the aisles, he stews over how domestic this is. for god's sake— the king of curses, shopping for ingredients and making baked goods. what have you reduced him to?

just as he considers giving up, he spots the item he's looking for and grabs it so aggressively that it knocks a few packets of instant miso soup to the floor. wrinkling his nose in distaste for the entire experience, he sets off looking for you, though his efforts are to no avail.

he wonders where the hell you could have gone off to when a flickering light catches his eye, filling him with a strange sort of unease.

it's emanating from a narrow hallway tucked away in the back corner of the store. at the very edge of the hall, a phone with a familiar case is lying on the floor, the screen shattered.

his blood runs cold, a sensation that is fully unknown to him, and the miso paste slips from his fingers. he appears in the hallway the very next second and the sight that greets him ignites a furious hostility in the center of his being— heavy and consuming.

you're struggling against one man as he drags you out of the backdoor and into an alley. another man is holding the door open, urging his partner to hurry up.

the hand over your mouth keeps you from yelling, but you're unsure you would have been able to make a sound regardless.

one second you're cast into darkness, and the next, the light seems blinding. the flashing is unceasing and it makes your head hurt.

two limbs are wrapped around your torso, keeping you firmly in place, and your arms are trapped at your sides. you might be kicking your legs, but they may just be dragging along too. you really can't be sure.

there's a thrum of a heartbeat at your back. it's pace is unforgiving, the intensity mirroring that of your own. you've a vague concern that your heart may very well beat right out of your chest.

then there's an abrupt shift in the air and a sickening crack echoes through out the night. crumpling onto the concrete, you think it must have started raining before you realize that the droplets on your face are warm.

you wipe at your cheek and your fingers stain crimson, the color matching that of an increasingly large puddle seeping across the pavement beside you.

there's a heap lying a few feet away and you recognize that it's wearing clothes. it's a sight you struggle to make sense of.

needing to focus on something else, your eyes find sukuna and the expression he's wearing is fierce and unreserved. "tell me what you wanted with her."

you've never heard him speak in such a way. his tone is low, his cadence nothing short of threatening.

"s-s'kuna?" your own voice sounds foreign to you and it goes unheard by him.

he has your attacker pressed against the brick wall of the alley, both hands wrapped around his throat. he's too livid to realize the pressure on his windpipe is preventing him from answering.

sukuna throws him to the other side of the alleyway out of frustration, the man rolling onto his back and wheezing to appease his lungs.

"tell me!" sukuna commands again, louder this time. less collected.

the man scrambles away from his looming figure. "th-they sent us, told us they needed her for an important matter."

"who?"

"they'll kill me if i tell you—"

sukuna crouches down, laughing dryly. "and what do you suppose i'm going to do?"

his eyes are almost unrecognizable to you. they're frenzied— a few shades deeper than the scarlet you've grown so fond of.

"you'll k-kill me either way, so at least i'll die with honor—"

"tch. useless." sukuna waves his hand, and you can hardly comprehend what happens right in front of you.

neat red lines appear across the man's body, then it ruptures into nothing at all. the only evidence that he was ever there in the first place is his blood.

the stench of which is perhaps the worst part— intense, coppery, and hot. it makes your eyes water, and before you know it, you're hunched over and emptying the contents of your stomach onto the ground.

sukuna is at your side in an instant, pulling your hair away from your face, but while one of your hands is braced against the concrete, the other endeavors to push him away.

his body doesn't budge at the contact, but he takes a step back anyway in an attempt to respect your wishes.

your mind is a mess filled with racing thoughts— what the fuck? this cannot be happening. what the hell even happened in this first place? that man was there and then he wasn't.

inhaling sharply, you wipe at your mouth and shift to pull your knees to your chest.

"what..." you trail off, surveying the unutterable, incomprehensible scene before you. "what did you do?"

he doesn't respond, though his features noticeably soften. somewhere in the back of your mind, you know very well what he did, but you can't help repeating. "what did you do?"

"we need to leave." it's not that sukuna couldn't handle whoever might show up, but seeing as this is your reaction, he has no desire to. "if you let me touch you, i can take us home."

you take a moment to think about it, then nod wordlessly. as soon as his hand falls on your shoulder, you're met with that same sensation you felt the night gojo teleported you and yuuji home after one too many drinks.

though this time, the sick feeling in your stomach isn't caused by liquor. you don't stand up, you don't so much as move a muscle when you feel the surface beneath you shift from concrete to carpet.

sukuna breathes out your name, his uncertainty evidenced by the way he's shoved his hands into his pockets. meeting his eye, you reiterate the same inquiry once more. "what did you do?"

it's almost as if you want him to tell you that he didn't do anything. that the whole experience was some disturbing nightmare.

"those men would have hurt you."

"that doesn't mean they deserved to die." you choke on the final word.

"yes— it does."

with that, silence hangs in the air like a suffocating miasma.

looking to your hands, you're reminded of the blood you've been spattered with. "i need to wash up."

you still don't move from your spot, too fixated on your flesh and the dreadful hue that it's been painted with. sukuna notices now that you're trembling.

he approaches you hesitantly before extending his hand. "let me help you."

you decline his offer, shying away from him. "i think you've done enough already."

god, the look in your eye is utterly despondent. he struggles to swallow the lump that forms in his throat.

his arm falls limply to his side and he looks across the room, your copy of the stranger earning his attention.

he's overcome with chagrin when he realizes that his concern brought about by camus' quote the other night was wholly misguided. he'd been focused on his own feelings, whether they were genuine or simply wrought by his isolation.

how foolish was he to ever question what you truly mean to him? with the anguish that's settled in his chest at the sight of your current state, the fact he ever doubted it makes him feel like a hopeless idiot.

had he any sense at all, the part that resonated with him would have been—

she mumbled that i was peculiar, that that was probably why she loved me but that one day i might disgust her for the same reason.

disgust. is that what you're feeling now? he's certain it is.

it was just last week that he relayed the story of his past. you're the only person alive to know the truth of how his wickedness came to be, and you met him with unconditional sympathy and understanding.

you pulled him close and embraced him, but now that you've seen him for what he truly is...? you can barely stand to touch him and it's like a knife to his heart.

you're so fucking warm— like the sun against his skin after weeks of endless rain.

and if you're the sun, surely he is the moon— cold and barren on his own, but brilliant when in the presence of your light.

to be without that? to be without you? it's a prospect too terrible for him to bear. it makes his stomach twist miserably.

you're startled (as is he) when his form falls to the floor, his knees meeting the carpet with a dull thud. he calls out your name again, but this time, his voice cracks as he speaks. "please."

he doesn't have a clue what he's even asking for. a chance to explain? forgiveness? a way to turn back time?

you don't say anything, but you do shift your gaze to him. he knows that he needs to fix this, so he wracks his mind for the right words.

"i didn't enjoy killing those men." he's somewhat surprised to find he's telling the truth.

"you didn't?" your voice is so small and timid that he can hardly decipher your words.

"no. my only concern was to keep you safe— to make sure they never put their hands on you ever again. all i felt was rage and... and... guilt. i should have never left you alone and it's my fault—"

"stop," you interrupt him.

there are tears welling in your eyes, making it difficult for sukuna to breathe. he's positive you're going to tell him that his intentions were of little consequence and that you never want to see him ever again.

instead, you push yourself forward and collapse against his body, your own wracked with violent sobs. the reality of the situation is only just now hitting you. it'd been much easier to focus on what sukuna had done, rather than what almost happened to you.

"i was so scared, 'kuna."

and still, despite the way you're clinging to his shirt and burying your face in chest, he's under the impression that it's him you were afraid of.

"i'm sorry," he tells you earnestly. "i never meant to frighten you."

"n-not of you. those men." you're struggling to speak in between desperate gasps. "why did they do that? what did they want with me?"

"i don't know." though, he is going to find out.

sukuna is not a man well versed in comfort, so he's not entirely sure why he begins rocking you back and forth, but he does it anyway.

when you finally start to breathe a little easier, he mumbles into your hair, "come on. let's get you cleaned up."

he doesn't give you a chance to respond before he scoops you up in his arms and carries you to the bathroom. setting you down on the counter gently, he searches the linen closet for a cloth.

it's quiet, save for your intermittent sniffling, as he runs it under warm water and wrings it out. his free hand moves to rest against the side of your neck and he dabs at the blood on your face, rinsing the washcloth every now and then.

he tries his best not to show it, but sukuna is agonizing over what might be going through your mind.

do you still feel safe with him? have your feelings changed? do you still love him, even when you've been so harshly reminded what he's capable of?

when you speak for the first time your words are hoarse, barely above a whisper. "thank you for saving me, sukuna."

he thinks about telling you not to thank him, not when it shouldn't have happened in the first place. he left your side, an error in judgement he'll never forgive himself for.

he considers your mortality— your weakness— in relation to his feelings for you. he's always seen this exceptionally human quality as despicable.

but now? all it does is terrify him.

"in the past, i was only concerned with my own whims and desires." his hand moves to cradle your face, his thumb running over your cheekbone. "though after tonight... you have to know..."

it's clear that he's struggling. his eyebrows draw together and his mouth twitches as he ponders his next words.

"i care about you, angel." his voice is hushed when he adds, "very much."

your eyes widen briefly and you murmur his name, but your mind is still reeling from the events of the past twenty minutes and you can't think of anything more to say. you're emotionally exhausted in a way you would have never thought possible.

it's plain to him too, so he knows his next question is selfish, but he can't go on without knowing. "does what you saw tonight change things between us?"

the silence preceding your answer seems to stretch on forever.

"i thought it would," you confess eventually. it was as if you'd put up a wall in your mind separating sukuna the king of curses from sukuna the man you spend your evenings with.

and it's difficult to reconcile the fact that the hands you saw used to murder two men are the same hands that are caressing your face so delicately.

at some point, however, you realized that the only time you felt fear tonight was when you were without him. his arrival and ensuing actions inspired shock and apprehension, though in some twisted way, you knew it meant you were safe. "but it doesn't."

the next question tumbles from your lips thoughtlessly. "does that make me a bad person?"

he chuckles and some of the tension in the room dissipates. "i think i'm the last one on earth that can pass moral judgement on you."

he tucks your hair behind your ear and scans your face, relief coursing through his body when he sees you smile. in this moment, there isn't anything else in the world he would have asked for.

"i guess you're right."

and now, the hand over your mouth is your own, an attempt to stifle your tired giggles. the light of the bathroom is warm and steady. sukuna's hands rest atop your hips, his touch firm but comforting. while you can't feel your own heartbeat, you're positive it must be beating in time with his.

when you crawl into bed that night sukuna pulls you close, your back pressed to his bare chest. you're thankful for the softness of his demeanor, because you need it tonight more than ever.

he doesn't recede to his domain until yuuji wakes up the following morning. he's determined to keep an eye on you as you sleep, to watch the slow rise and fall of your chest with newfound gratitude.

he knows he needs to speak with the brat about what happened. someone is after you and while he hates to admit it, he knows he can't ensure your safety alone.

and he will keep you safe, no matter the cost.

taglist: @96jnie @ay0nha @sad-darksoul @bbysatoruuu @luciiferian @risuola @lirasmoon @disaster-rose @archivist-ghoul606 @creative1writings @sloppyzengarden @omismicrowave @cecesharktales @tanyeonn @hiqhkey @ruixrei @yellowsubiesdance @thefallofruins @anything-and-everything-here69 @emzalot @elusivemoon @annoyingstrawberryballoon @miabiar @hyeon-yi @iluv-ace @thepup356 @browneyedgirl22 @lantsovheiress // users in bold could not be tagged. if i forgot to tag anyone, my apologies!! just give me a heads up.

[olderthannetfic]

A lot of female protag books I've seen in recent years aren't really fandom worthy? At least not fanfic worthy, not sure about the rest of fandom. I notice it's often a very explosive boom of popularity, and there is a lot of buzz but almost no fanfics for the books, movie or show at all. They're power fantasies? But they don't serve anything else that really captivates people to stick around and write.

--

Harry Potter blinded everyone to the fact that books very rarely get big fic fandoms. Yeah, there are a few exceptions, but it's just not something I would expect with 99% of books that are fandom-bait.

The reason is simple and has nothing to do with the books' content: One printing of a novel might be like 20k. A bestseller sold 5k in a week. An unpopular tv show "no one" liked had a million viewers per episode.

There's a real survivorship bias in talking about what generates a fic fandom. We can work backwards and say what generally doesn't generate one, but having all of the traits of the big fandoms' canons tells you nothing about whether this other thing will get a fic fandom.

Here are the top few book fandom sections on FFN:

Harry Potter (847K)

Twilight (222K)

Percy Jackson and the Olympians (80.5K)

Lord of the Rings (58.3K)

Hunger Games (46.4K)

Warriors (27.1K)

Mortal Instruments (17.5K)

Maximum Ride (17K)

Hobbit (13.1K)

Phantom of the Opera (12.8K)

Chronicles of Narnia (12.8K)

Gossip Girl (10.4K)

A song of Ice and Fire (10.1K)

Outsiders (9.9K)

Vampire Academy (8.7K)

Divergent Trilogy (8.4K)

Song of the Lioness (8.0K)

Inheritance Cycle (6.3K)

Look at how those numbers plummet and look at how many of these things have major, popular adaptations with a bajillion viewers.

People are always like "But Twilight...", but the existence of a few freak outliers doesn't mean other books are going to generate that kind of fic or twimoms or people turning Forks into a theme park.

So these recent books' content might contribute to them not taking off in this particular way, but lack of fic doesn't really need an explanation.

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

[tea-cat-arts]

Ranking mxtx couples by whether or not I think they'd be good parents

(I'm 90% sure I'm forgetting someone)

Yep, next question (S)-

Wangxian: tried and tested good dads. I wish them luck with the whole “trying to get wwx pregnant” thing 

They have some shit to work through, but after that I think they'd be fine (A)-

Ling Wen/ Bai Jin: if we're just going off the original publication, I would put them in a much lower tier, but since the revised edition added that thing about them raising orphans together and said orphans turning out alright before unfortunate circumstances, I'm putting them up here. I think they'll be alright once they work through the miscommunication

Xiao Xingchen/ Song Lan: They obviously have a lot of trauma they're working through, but I'd like to think they and A-Qing will be a loving family in the long run 

One of them would be a good parent, the other wouldn't be a bad parent (B)-

Jiang Yanli/ Jin Zixuan: there's no canon reason for me putting them this low. Jin Zixuan just gives off a mediocre parent vibe to me (and we all know Jiang Yanli is the best)

Yushipei: Yushi Huang has good mom energy, and Pei Ming has been shown to be a not terrible mentor. I'd want the misogyny fully beaten out of him with a mace before I'd think he should have kids of his own though 

Lang Qianqiu/ Little Guy: at the very least, they're making sure Guzi is fed, clothed, washed, vaccinated, and has access to education. Neither of them know what they're doing, but I think Little Guy is good at faking it. I wish them luck in their upcoming custody battle  

You know what, surprise me/ I'll hear you out (C)-

Bingqiu: My first instinct is “no, do not bring kids into this,” but then I remembered tharnShen Qingqiu has a surprisingly decent track record? Like, Ning Yingying and Ming Fan both turned out a lot more health than they did in the original novel, and though I wouldn't call him in a good place, Binghe is doing a lot better than Bingge. The wild card for me here is Luo Binghe because I have no idea how he'd be with kids

Quanyin: Yin Yu had a decent track record until he was pushed into snapping. I think rn, he needs a couple centuries of being a babygirl before he's ready to parent again. No idea how Quan Yizhen would do though 

Born to “dual income, no kids, rich uncles/aunts” (D)-

Fengqing: Feng Xin is canonically a bad dad. I know he's working on it, but it is what it is. Mu Qing has been shown to be decent with kids, but I think he’d have a melt down if he had to deal with the mess constantly. 

Hualian: I mean, Xie Lian has raised three kids at this point and one of them became a god, another became state preceptor and then sorta complicit in a genocide, and one became god AND committed genocide + he babysat a ghost king for months and didn't even realize that's what he was because it was a miracle if he remembered to feed him… so, a mixed bag. Hua Cheng may be schrodinger’s child hater, but I'm intrigued by the idea of him raising kids just because I want to know how his own childhood would influence his parenting abilities. They should probably just stick to babysitting for now though 

Mingling: Liu Mingyan is too busy writing gay porn to be dealing with kids, and I just can't imagine Sha Hualing as a mom

Please don't bring a kid into this mess (F)-

Beefleaf: Do I need to explain this one?

Mobeishang: Shang Qinghua should not be put in any position where he has to teach someone about consent (Binghe’s early attempts at flirting being a prime example of why that's a bad idea). I also think Mobei Jun is still working on the whole “why hitting people is not cool” thing. 

QiJiu: I think the original timeline is a prime example of how they're just not in a place to be raising kids 

Jun Wu/ Mei Nianqing: Xie Lian would like a refund on his adopted father figures. They had one kid and he only made it to age 20 because he was cursed to not die

[physalian]

In Defense of Fanfiction (Or the perfect starting point for your original novel)

Fanfic gets a bad rap pretty much everywhere except Tumblr. It’s misunderstood and misrepresented by its average works, seen as juvenile and cringey, or a banal point of contention between a famous person or piece of media and its fans.

Outside of fanfic that writes about real people, especially smut fics of real people, I support the art wholeheartedly. Fictional characters are one thing, but personally, caricaturing a celebrity’s life for public consumption and writing or drawing them in compromising content without their consent is a little weird. You do you. Don’t like, don’t read, as they say.

Fanfic is the perfect starting point for a few reasons:

It places you in a creative box and forces you to work within those constraints

It does all the worldbuilding and character concepts for you

It lets you write way outside your comfort zone

When published and receiving feedback, it boosts your self-confidence

It's incredibly flexible

It’s practice. All practice is good practice

—

Behold your creative box

When I was little I had no idea the majority of fanfic was shipping fics. I always pictured and looked for canon-divergent alternate universes. Like, what if X happened in this episode instead of Y? What if this character never died?

Fanfic demands you work within someone else’s canon, whether it’s an OC in the canonical world, or the canonical characters in an AU. These are like little bowling bumpers saving you from the gutter, but also keeping you on a straight-ish path toward the pins.

The indecisiveness of too many choices can be too intimidating when you’re first starting out. You want to be a writer but you have no idea where to begin, what genre to pick, what characters you want to chronicle, what themes you want to explore.

Even if it sits on your computer never to see the light of day, you still got those creative juices flowing.

Pre-packaged worldbuilding

Sometimes all we want is to get to the good stuff. Maybe I want to write a story about elemental magicians but Last Airbender already exists and I just want to play in a pre-existing sandbox. So I write some OCs into that world and have a free-for-all.

I don’t have to come up with my own lore, world history, magic system rules and mechanics, politics, geography—any of it. I get to just focus on the characters.

Even if you’re writing an AU, like say a coffee shop AU, you don’t have to think about brand new characters, you can just think “What would M do?” and go from there. The trade-off is your readers will expect canonical characters to behave in-character, but I think it’s worth it.

Stretch beyond your comfort zone!

Do you hate writing action scenes? Go practice with a shonen anime fic. Need work on dialogue? Write some high-fantasy fic, or a courtroom drama. Practice a fistfight by watching fistfights and writing what you see, and do it over and over again until what you read makes you feel like you're watching what’s on screen.

But beyond that—practice genres that you aren’t super familiar with. If you’re new to fantasy, write fantasy fic. Or a mystery novel/show, thriller, comedy, satire, adventure, what have you. The nature of fanfic still gives you those “guardrails” and you can get some brutally honest feedback on how you’re doing.

And, of course, the realm of M-rated romance and smut fics. I haven’t because I think I would die of embarrassment if I tried and I never intend to include sex scenes in my works anyway, but if you do want to, use the internet as your test audience. Post it on a throwaway account if you’re nervous.

Build that self-confidence!

The fandoms I used to write for are super dead, so it’s insane how I still get email notifications that so-and-so liked my fic to this day. Comments are as elusive as ever, but random strangers on the internet telling me they liked my work is a magical reassurance that my writing isn’t actually awful.

Random strangers on the internet are, as we all know, beholden to no moral obligation to be kind to your little avatar face, or be kind to be polite. So a rando taking the time to like my work or even leave a positive comment can feel more honest than one of my friends telling me what they think I want to hear.

I tend to avoid the more present aspects of fandom like online communities, forums, social media, what have you, so I get a delayed and diluted aspect of any given fandom through completed works. Which means, in general, I get to avoid the worst and most toxic aspects of fandom and get to sift through positive feedback and critique.

Even if your fanfic isn’t written with stellar prose, it’s fanfic. We don’t expect Pulitzer-prize winning content. And if your work isn’t up to snuff, people are more likely to just ignore it than put you on blast (at least in my experience, I never got a bad comment or a “flame” in the old FFN days).

Fanfic doesn’t care about the rules of published literature

On the one hand, try not to practice bad habits, but with this point I mean that your layout, punctuation, formatting, paragraph styles, chapter length–all of it is beholden to no rules. I get as annoyed as the next reader with giant blocks of paragraphs, or the double-spacing between pages of single-sentence paragraphs, but if the story’s good enough I might ignore it.

There’s more than just straight narrative fics, though. People write “chat” fics, or long streams of text and group chat conversations. The scene breaks can come super rapidly–I’ve seen fics with a single sentence in between line breaks to show the passage of time. And without the polish of a traditionally published novel, I’ve never seen a purer distillation of author voice in any medium more than fanfic.

All practice is good practice

Even if it’s crack fiction, or a one-off one-shot, or something meant to be lighthearted and straightforward and free from complex worldbuilding and intricate plots. It really helps break writer’s block when you can shift gears and headspaces entirely and you can get relatively instant feedback to keep you motivated.

Beyond that, the “guardrails” help you stay consistent as far as character growth and personality if you struggle with designing rich characters.

The most recent fanfic I wrote was just a couple years ago, for a dead fandom I didn’t think would get any traffic whatsoever. It wasn’t my original works, but the feedback on that fic gave me the kick in the butt I needed to get back into writing more seriously.

—

In short, I support fanfic. I may not be proud of my earliest fics' prose now, but I am proud that they walked so I can now run.

[blocksgame]

Tips on character voices when writing fic

This is written in mind for people writing fic in MCYT/QSMP/DSMP/Life series/etc kind of fandoms. But if anyone finds it useful for anything else, well then, hell yeah.

Character voice is big in all, uh, fiction, and mimicking it in any fanwork is big. But I think it’s especially big in these fandoms where the voices are so distinct – it’s usually how a Real Person Somewhere (the streamer) talks, versus something very scripted that you’d see in a TV show or novel. And it can be a big difference in your character sounding generic versus really feeling true to the original.

Listen to a bunch of your subject talking. If you want to write a character well, watch vods from their point of view, or episodes where they show up a bunch. Take note of what they say and how.

2. If you don’t know how to start doing that: try literally writing down what they say. Transcribe an actual exchange in fic-format. You probably won’t want to publish a literal exchange from canon, but it will give you a sense of how to physically write what they say.

3. If you do this (or just pay attention to how they talk), you will get a lot of: Stumbling, pauses, repeating words, filler words, weird sentence constructions, fragments, etc. I love em! Here’s something that comes through in improv much more than in novels or movies: Most people, even very charismatic people, are not very eloquent when they speak. Writing out conversations or sentences will give you a sense of the unique and delightful way in which your subject is not eloquent. vvvvv way more under cut vvvvv

(People use a LOT of filler/etc when they speak. It’s reasonable to cut back on this if it’s interfering with a nice-looking or readable result. I believe this is the eternal struggle of people who write transcripts – you want the transcript to be accurate, but there are also a lot of things you can obviously simplify and not lose the meaning. So you’ll end up falling somewhere on this spectrum either way. But I do think a lot of mediocre/generic fic dialogue is very stylized – it doesn’t sound like your guy because your guy literally wouldn’t say that. They would say it worse and more confusingly.)

(I’m serious, if you’ve never sat down with a short non-completely-scripted clip or real conversation or whatever and just written out exactly what was said, do it. It will make you better at writing.)

4. Wonda-cat made a really incredible list [link] of characterizing speech patterns for the Dream SMP members. But you can also do your own reconnaissance and come up with your own patterns, common phrases, etc.

5. You do not have to get EVERYTHING right. You’re not going to, like, get so deep into the speaker’s brain that you can produce “exactly what they would have said if they were somehow in your fic.” That is impossible. You’re just trying to evoke a character, and if you get a few turns of phrase to ring true, you’re doing great.

6. A lot of these people are popular because they are hilarious. Include jokes. Yes, even if your thing is angsty or serious. A lot of the most serious lore I can think of from, e.g., the Dream SMP or 3rd Life or the QSMP - the really story-defining, life-and-death moments - were absolutely hysterical. If you’re writing characters who are usually funny, then add some humor. It can heighten angst via contrast and a sense of realism. Ask yourself what a funny streamer would make jokes about if they were possessing a character in this situation.

7. Some people have the mystical ability to “hear” character voices in their head, and read things in their voice. If you can, do this with all of your dialogue during the editing process. This won’t always get you there, but sometimes it can catch things that sound wrong by invoking "that's really hard to imagine them saying". If you don’t have this power, try recruiting a friend who does.

8. So there’s dialogue and then there’s narration that’s still from a character’s point of view. I’ve mostly given you tips about dialogue, but a lot of this is also true for narration. IMO, narration is less about phrasing things the way the subject would, and more about recreating the way they think. I don’t have concrete rules on how to do this, but here is my wisdom:

You can get eloquent again - narration is more of an abstract and artistic process than dialogue.

Spend time with your subject’s source material.

Pay attention to what they notice and care about. How do you think they think?

Don’t be afraid to get weird with it.

That last one also applies to all art ever.

9. MCYT tends to give you a great boon you don’t see in other media: what the speaker says to their chat/audience when nobody else is listening. This can be incredibly characterizing even if you’re writing a story where people don’t have chats. It’s your person talking about their thought processes and feelings! Mine that shit.

10. Some questions that might help guide both characterizing narration and dialogue (that you’d get from dialogue):

How open are they about their feelings?

How often do they lie? What do they lie about?

What kind of metaphors do they use, if any?

How quickly does their mood change?

How can you tell when they’re in different moods?

What kind of things do they pay attention to?

How formal is their speech?

11. Finally, this is a little odd, but I find it’s much, much easier to write a character that sounds good if I, the author, like them and am rooting for them at least a little bit. If a character needs to be there who you don’t love, try to love them. Or at least get a sense of what other people love about them. It just makes everything else easier. I swear to god.

Happy writing out there!

[fan-fan-tastic]

MEME FULFILLED PROPHECY

Despite being a mass of potholes and quite repetitive, PIDW is very popular, popular enough to have a community of fans. This means not only having fanart, fics and even merchandise, but also an entire culture, with fandom lore and yes, even memes.

One of those was “When Mobei-Jun gets married” it was used to indicate something that would never happen, like “when hell will freeze over” or “when pigs will fly”. It was so popular that there were even some variants, like “it happen at Mobei-Jun’s wedding” or “when Airplane marries Mobei-Jun off”

Shen Yuan really liked this meme because it was supported by canon: there had been several scenes where after a fight, Luo Binghe would look over the spoils and let his right hand man pick a boon. Despite the ever-present trembling maidens, Mobei-Jun would always pick a weapon, or in an instance an ancient relic that had once belonged to his clan. So yeah, Shen Yuan used it pretty often, once he even let it slip out IRL, but luckily no one got the reference.

He even used it once in a thread that went viral: it was a pointless debate over OP’s incorrect interpretation of an arc. Shen Yuan was clearly right, he even had quoted several chapters to prove his point and so the other user had resorted to personal insults. OP had typed something like “You are ridiculous! When will you admit that you are actually a fan of the novel and not an hater?!” To which Shen Yuan had responded with “When Mobei-Jun gets married”

Now, this should have ended the discussion in Shen Yuan’s favor: the meme usually got lots of likes regardlessly of the context, and so he would have won the debate.

But OP for reason had decided to tag Airplane Shooting Towards the Sky himself.  “Great Master Airplane, would you marry Mobei-Jun if it means getting Peerless Cucumber admitting that he likes your story?”

To everyone’s surprise the author (sleep deprived an high on caffeine and energy drinks) actually did answer “Damn, I would marry Mobei-Jun for free”.

True to his writing style Airplane dropped the bomb to never addressed it again. That comment had started another meme, although less popular than the other about Mobei-Jun having been married the whole time to the author himself and the ship AirplaneXMobei became the most popular for the character. There few fans that had written crackfics had been insufferable about it, even resurrecting the ‘I shipped X before it was cool’ format just to flex.

After transmigrating into the scum villain and masterfully avoiding the original good’s fate, Shen Yuan one day receives an invitation to a wedding, accompanied by a mission by the System that just says ‘True to your word: User must respect the vow he once made’. Shen Yuan immediately understands what this is about: he would rather jump into the Endless Abyss than do that.

[lialox]

Writing fics with Kim Dokja's POV

I feel the need to YELL INTO THE VOID with this.

I'm writing a fic where my goal is to get it to feel as 'canon' as possible and to do that I'm studying the way KDJ perceives the world.

And his overall tone is just so tired.

All the time.

He uses a lot of words like 'I knew as well', 'it wasn't strange for _____', 'obviously.....'.

Reading the novel the second time around and imagining the narrator as some guy who's been sitting in a subway for a while makes so. much. sense.

He's also pretty self deprecating, but in a way where its not obvious. Like he'll compare himself to his companions and be like 'this person is so amazing, but instead, I'm _______'. and its phrased in such a way where the reader is like !! Wow yes this person is so cool! But when reading it again, I'm like... wow you hate yourself, huh??

I opened up the novel and in almost every chapter he says at least ONE bad thing about himself. Try it. It's like playing where's waldo.

" I lived so far to make my lies a reality." - 359

"However.... to think, they willingly spent an item on me that they could’ve used on themselves. For some reason, I felt guilty about it." -433 (At this point its like past scenario 90 and he STILL feels bad about his companions using an item on him like whAT you have known each other for literal YEARS)

ALSO!! The fourth wall doesn't just offset shock.

IT OFFSETS HAPPINESS TOO.

⸢Kim Dok-Ja watched all these happen with a quiet smile.⸥

[‘The 4th Wall’ is gradually getting thicker.]

⸢As if, he was looking at a spectacle happening in the distance.⸥

(Chapter 433 ^^)

TURN OFF YOUR SKILL KIM DOKJA AAAAAAAAA

HOW AM I SUPPOSED TO WRITE SOMEONE WHO TRIES TO FEEL NOTHING.

I THRIVE OFF EMOTIONAL WRITING BUT I HAVE TO PLAY BY THIS GUY'S RULES

WHY U SO BLAND KDJ WHY

WHYYYYY

*banging head on laptop*

[wosemi-sama]

and the crowd went mild ���🔥🔥🔥🔥🔥 also no chara dividers im lazy rn

these r so short id add more but im rushing rn sorry lmfao 😭😭😭

intended lowercase!

misc. obm hcs

LUCIFER

wakes up at the ass crack of dawn every single morning.

wears those old man pjs. with the long hat and fuzzy slippers and gown. you know the one.

most bitter coffee you've ever had in your life how he can drink it is astonishing.

his bed, his mattress, his pillows are all as hard as rock how does this man SLEEP.

sleeps like hes the corpse at the funeral hes that one image

MAMMON

will pull you into a headlock and call it a hug.

LEVIATHAN

guy who had mountain dew and cheeto dust in his veins instead of blood. guy who marinates in his room for two months straight. guy who- (i am immediately shot dead).

did a collab with the anti-lucifer league to create a 100k words dialuci fic to piss off lucifer (dont worry about him he got paid in anime and tsl merch).

TRULY believes he is the #1 tsl fan. and also #1 ruri fan.

wimp who VOLUNTARILY makes you cosplays if you are a cosplayer or even if you aren't. it will happen.

vtuber fan. he was like "hey i wanna be a streamer but i dont wanna show my face but i also want to be an anime boy! wait-" and now hes a vtuber.

has accidentally referred to all of his brothers as "chat" at least once. hes never recovering from that btw.

SATAN

cannot stop annotating books he reads for the life of him.

all of his books are just filled to the brim with sticky notes because all he does is annotate.

once he has a crush he will start imagining him and them in the same scenarios as the characters in romance novels he read. (loser alert!!)

sneaking a new cat into hol like once a week (he never succeeds btw).

ASMODEUS

oh boy his room REEKS of perfume and body spray.

"i sprayed my new perfume in every nook and cranny! smells so floral and elegant, don't you think?" (it smells like a bath and body works threw up.)

surprisingly plays the trumpet and BOY is he loud. bro is absolutely blasting those notes.

worst driver ever btw.

BEELZEBUB

freckles all over!! like a lot. *im not beating the insane allegations*

ate like 27 family size dorito bags, 30 dollars worth of taco bell, and four sprites in one sitting and he still hasnt recovered.

sleeps. like a lot. not as much as belphie but enough to be considered an eepy guy.

BELPHEGOR

will randomly grab every blanket and pillow he can get his hands on and make a nest in the common room if he's up to it. and then have everyone make a dog pile in it just so they can hang out and be silly.

will NOT clean it up afterwards. lucifer will tell him to and his only response will be "im tired..."

freckles like beel too i think theyre silly.

9829364 cow plushies. (theyre all from lucifer)

SOLOMON

will randomly gaslight people for no reason

"hey did you do the homework"

homework? what homework? there was homework? my, what even is homework? never heard of that.

"hey, i heard of this animal from the human world called a giraffe! can i see a picture?"

what? what's a giraffe? oh, those!! yeah, they're just myths. they're not real. purely fiction!!

yk that one post about tumblr funnyman solomon. he is a tumblr funnyman to me. he confidently posts his exploded spaghetti and gets 10k notes i think.

SIMEON

has a book club with satan and solomon. :)

probably writes oneshots of the brothers on tumblr idfk man (sorry to the simeon fans i write like nothing on this guy bro).

LUKE

bodily six ("but didnt the devs say hes ten?" shut up. /j)

along with that, also shorter than in canon. (since hes. yk. a first grader. that BOY is not five foot hes one sauce packet long dude.)

favorite store in the human world is walmart. i like to think his human world outfit is all exclusively from walmart bc thats funny i think.

DIAVOLO

hands of STEEL. he tries to grab your wrist and he nearly crushes it by accident.

ice cream!! he loves it :) his favorite is strawberry btw.

also this boy is NOT a himbo hes a smart man.

needs like a hug and some sleep and also a friend this boy works too much!!

BARBATOS

short. like really short. especially according to devildom standards since most demons are super tall.

"but isn't he six feet?" not in my heart.

somehow always making tea for some reason?? if he's not making tea then he's making pastries.

my boy does not SLEEP. hasn't slept since the sun has been birthed and doesn't plan on ever doing it.