#like why are people mean all the time i simply do not

[sttoru]

⠀ 𝝑𝑒 ⠀⠀ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒: your boyfriend comes to pick you after a long day at uni. sensing your jealousy about the attention he’s getting from your classmates, he makes it up to you in his own way.

tags. olderbf!gojo x female reader. fluff, tiny bit of angst, suggestive [make out sesh]. age gap — reader above 20, gojo early 30’s. jealousy. reader gets called ‘princess, baby, beautiful.’ not proof read !

satoru’s arrival, as per usual, serves as pure entertainment for many students. it’s not often that they get to see such a tall and handsome man around campus after all.

you patiently stand there, waiting for that said man to come and get you. the increase in giggles and whispers around you can only mean one thing: he’s nearby.

your boyfriend’s car comes to a stop in the distance. satoru steps out of the driver’s seat a second later, one of his hands running through his fluffy, snowy hair.

‘. . damn, he’s fucking hot,’ ‘yep. heard he’s in a relationship though. sucks,’ ‘girl— do i look like i care? need him so baaaaddd.’

it’s infuriating to hear those words while you - his girlfriend - are standing close to them. you decide not to give those girls any attention nor do you try to speak up. it’s not worth the effort.

satoru closes the car door behind him, his hands in the pockets of his slacks while he strolls up to where you’re standing. it’s as if he’s walking down a runway - graceful, confident, every step executed with perfect balance.

he can hear the murmurs from the students around, but he simply does not care. his steady gaze has been fixed on you the moment he spotted your figure from across campus.

“cute,” satoru mutters under his breath with a small smile, blue eyes taking in the sight of you standing there against a wall. the way you’re fiddling with the strap of your bag while pretending not to have noticed him is quite endearing.

you look down at the ground until a pair of black oxfords come into view, stopping right in front of yours. you slowly tilt your head back until you’re face to face with the man himself.

“hey, beautiful,” satoru greets, his voice smooth and slightly deep, a faint smirk playing on his lips. his knuckles brush against your cheek whilst he admires your every feature, acting as if he hasn’t seen you in days.

you nod in response, whispering a small ‘hi’ before your eyes dart around campus again. your bottom lip pushes forward just a tiny bit to form a small pout.

. . and there it is; satoru knows that look in your eyes like the back of his hand. he’s seen that same pout before, along with the hint of jealousy lurking behind your gaze that you try so hard to hide.

he understands why you’re feeling that way.

the other girls on campus, the way they ogle him and whisper, it would make any woman insecure. but to him, there was no need for that. satoru is yours, and he’s made that known to every single soul around you a million times before.

perhaps they need to be reminded once more.

satoru wraps an arm around your waist and pulls you close, his touch gentle and possessive. he can see how you’re trying to act normal, though he knows you way better than that.

the pad of his thumb rubs small circles into your hip as your lover leans in and speaks in a low yet intimate voice that only you get to hear, “oh? look at you, acting all tough with your little pout.”

“tell me. what’s up, princess?” satoru whispers, his breath warm against your ticklish skin. he lowers his head to your face and plants a small kiss on your nose, gaining a mix of delighted yet irritated whispers of the people around you.

“usually you jump right into my arms after seeing me— y’know, like a lil’ bunny,” the white-haired man starts sulking as well, pressing your body flush against his. “where’s my cute ‘n clingy babyyyy?”

satoru’s over-exaggerated whine makes your nose scrunch up, though you can’t deny the truth. he knows you better than you know yourself. he can see right through your attempt to disguise your jealousy, yet you’re still too stubborn to admit anything.

“whatever. come on,” you roll your eyes before grabbing his arm and tugging him forward. you want nothing more than to escape your surroundings. you’re getting tired of the continuous and unwanted attention satoru is getting.

it’s irksome. you know satoru doesn’t give them the attention they so desire - he never will - yet you still feel this pang in your chest whenever you see those girls shamelessly ogling your boyfriend.

satoru, being naturally observant, notices your sudden eagerness to leave campus. he can tell that your jealousy is growing worse because of the other students that keep on eyeing him. while he is used to the attention, he hates seeing it affect you.

the whispers and giggles from the other women are like white noise, insignificant background fodder that barely warranted his notice. you’re all he sees and listens to— no matter what.

your presence, your voice, your body, your soul. . . you’re the only one he cares about. he just wishes you’d realise that.

satoru wordlessly allows himself to be dragged off. his gaze is fixated on the back of your head, a mixture of amusement and worry glinting in those blue eyes of his. he can’t help but feel guilty. even if he didn’t really do anything wrong.

he wants to make it up to you, somehow.

once you reach the car, satoru gently shoos your hand away from the door handle the moment he catches you try to get in yourself. he reaches around you and pulls it open with a soft ‘click’.

satoru then surprises you by kissing your forehead— his free hand coming up to cup the back of your head. his fingers bury themselves in your hair. a subtle smirk tugs at his glossy lips as he senses the envious glares from the other, irrelevant onlookers.

that’s exactly what he’s trying to accomplish. to make it known to the world that he’s your man. he’ll gladly do it over and over again, until all of them finally take the hint.

“ladies first,” satoru gestures, his voice gentle and loving. he pulls back and smiles at you with his dimples showing. you’re slightly taken aback by the smooth gesture before thanking him in a small murmur.

“thank you.”

it’s silent for a good couple seconds after satoru gets into the driver’s seat. he settles his keys into the ignition switch, though doesn’t turn them. instead, he faces you with a small sigh.

your lover already recognises what’s up. you probably won’t talk to him until the jealousy subsides. but that isn’t how he wants to fix this situation— he wants you to communicate with him.

“hey,” satoru tries to get you to look at him. your body is slightly turned away, your eyes looking out of the car window. it’s painfully obvious that you’re upset with him, even when it isn’t specifically his fault.

“don’t hide from me, c’mon,” he chuckles and tries to make you feel better by bringing your hand up to his lips. satoru leaves small kisses on your palm, eyes peering over the rims of his sunglasses to gauge your reaction.

you still don’t turn to face him. you’re too caught up in your own feelings— too stubborn to talk about the jealousy and insecurities that are bugging you. you know it’s unfair to your partner, but you currently can’t fix your own emotions.

sensing your insistent reluctance to face him, satoru places his hand gently under your chin. his fingers curl around your jaw and gently guide your gaze to meet his. the sight of your downcast expression - plagued with insecurity - tugs on his heartstrings.

“oh, my sweet little baby,” the white-haired man sighs once more.

without another word, the gap between you quickly closes as satoru leans in, his lips meeting yours in a firm but soft kiss. a soft gasp escapes your lips at the suddenness of his kiss, but the tension in your shoulders slowly starts to dissappear as you melt into his embrace.

the touch of his calloused fingers on your jaw is a wordless command you cannot resist. the kiss is a silent form of reassurance, a way for him to remind you of his feelings for you.

his want and need for you.

satoru can nearly taste the jealousy etched into your initial resistance, which he seeks to silence with his touch. thus, he deepens the kiss with renewed vigor. his free hand cups the back of your head and gently tilts it upwards to gain a better angle.

“mh. sweet,” satoru’s tongue swipes over your bottom lip. he eagerly swallows the faint taste of candy that you had eaten earlier. his tongue delves into your mouth the moment your lips make way, memorising every part of it.

he doesn’t let go of you until you’re both breathless. the sorcerer pulls back, though keeps the distance between your lips at a minimum. his cheeks are painted a soft pink, eyes half lidded and lips even glossier with your saliva now coating them.

“haah— fuck,” satoru catches his breath while his free hand rubs up and down your waist. he resists the urge to pull you into his lap and ravage you right then and there. he’ll leave that for when you’re home.

his gaze is on your parted lips once more. he simply cannot hold himself back from leaning in. his body moves closer to yours, caging you in between him and the passenger seat.

“i’m all yours,” satoru murmurs against your soft lips. he cups your face as he places a quick peck on your mouth. “only yours,” another chaste kiss causes your smile to find its way back onto your face. “don’t you forget,” and a third kiss finally makes you giggle.

your lover hums in satisfaction. he nuzzles his nose against yours, grinning widely as he successfully managed to coax the jealousy away— to gain his beautiful, happy girlfriend back. “there she is,” satoru coos and squeezes your cheeks together.

you huff at the feeling of your lips forced into a deformed ‘o’ shape, yet the bright smile tugging at your lips doesn’t disappear. “sorry for acting so childish,” you apologise for your own behavior. if it wasn’t for satoru taking the initiative to make it up to you, you would have given him the silent treatment.

the white-haired man shakes his head. he ruffles your hair affectionately while his lips settle on your cheek. he tenderly nibbles on the plush flesh, “no need to apologise. ‘t was cute,” he replies in a muffled voice.

satoru pulls back and his thumb brushes over the subtle mark that his teeth left on your skin. “besides,” he pinches your cheek before cocking his head to the right. your eyes follow the direction he’s looking at— which is your car window.

“i think everyone finally realised that y’re the one ‘n only girl for me.”

your heart drops as you only then remember that satoru’s car windows aren’t tinted. that means that everyone on campus probably has seen the little make out session you had with your boyfriend just now.

your eyes quickly dart around the crowded area. the way your fellow students are glancing at you - some with envy and others with embarrassment - tells you more than enough. . .

you clear your throat and try to hide your face with the sleeves of your top. you don’t know how you’re going back to university after today without facing the humiliating consequences of your (satoru’s) actions.

your shameless boyfriend sits there and grins from ear to ear, proud of his accomplishment and oblivious to your embarrassed state until you speak up again;

“. . satoru, please drive away as fast as you can.”

[genericpuff]

Hi! So this is coming from a place of genuine concern, LR Persephone isn't going to have DID right? I know you probably can't reveal much but DID is already a very stigmatized disorder so I'm always worried when I see the Signs, I hope you understand lol

I understand fully your concerns, and I hope I can reassure you in my own intentions regarding Kore / Persephone that the goal is not to demonize or stigmatize DID in any way. I actually do regularly interact with a family member who's currently seeking an official diagnosis for it, and have my own firsthand experiences with my own mental health and symptoms of childhood trauma that are intersectional with that of DID. Of course, that doesn't mean that I'm immune to stigmatizing, but rest assured that I am aware of the stigmas surrounding DID and the misconceptions that a lot of people have about it, no thanks to how it's been portrayed in mainstream media.

If I can add some additional and necessary context as to why I chose to write Kore like this, much of how I'm writing her is based on how she was initially presented to us in S1 of LO, particularly through the personification of her wrath:

I really liked this concept and was subsequently disappointed when it seemed to get left behind (though considering how LO turned out, maybe that was for the better lmao) I've always enjoyed these "inner conflict" character dynamics, but I also understand from years of writing characters like this that much of these types of tropes are often intersectional with common misconceptions and stigmas surrounding personality disorders and mental illness.

Within the context of Rekindled, Kore does not specifically have DID but her experiences are clearly intersectional with it. Ultimately my goal is to empathize, not demonize. As much as "Persephone" may be currently presenting herself as a sort of snarky "alter ego" of Kore, she is not evil, no more "evil" than Kore herself, because they're ultimately of the same mind and body, flaws and all. Persephone is often speaking truths that Kore is simply not willing to admit or able to face, the worst of which we've yet to uncover, but will be necessary to overcome. There will certainly be times when Kore's actions - spurred on by the voice of Persephone in her ear - may be ugly or wrong, but I hope in the end that I'll achieve my goal in expressing that everyone - even immortal gods - can always have another chance to heal, to forgive themselves for their past, and to do right by themselves for the sake of a brighter future. This will apply to other gods in the story as well, many of whom also share Kore's struggles and experiences.

And, assuming I do my part and deliver on my promises, there will be closure for Kore/Persephone, the readers who relate to their struggles and experiences, and many of the other characters who were hung out to dry in the original comic. That's definitely one of my biggest goals with this retelling, at least! (•̀ᴗ•́)و It's definitely one of my riskier moves as the nature of the subject is very sensitive, but I'm giving it my all in the hopes that it pays off in a more nuanced and in-depth character arc for Kore/Persephone than what we got in LO that can hopefully be embraced as a message of acceptance and self-love. And y'all can hold me to that (๑•̀ㅂ•́)و✧

[alexxncl]

‼️NIGHTBRINGER LESSON 49 SPOILERS‼️

masterlist | all lessons | season 3 | lesson 48.1 | lesson 48.2 | lesson 49.2

now...

it's CANON that he knows he can't cook

so why the fuck 😭

luke :(((( baby :((((((((

i'm glad simeon is finally opening up though. luke being able to event talk to simeon about (before simeon himself, mind you) this proves that he's more than mature enough to have conversations like this. i love seeing how much he's grown since the beginning of the game

didn't take a screenshot of this bc i can only post 10 pictures per post, BUT i'm glad the fact that raphael showed up out of nowhere wasn't glossed over bc why is he here ??? respectfully

this is why simeon don't talk to nobody 😭 y'all can't take SHIT seriously

but in all honesty i'd just shut down and stop talking bc i get overwhelmed easily

but oh luke...

i hope he takes this as a "hm maybe the celestial realm isn't as good as it seems, maybe things aren't just black and white" instead of immediately jumping to "no simeon's too kind to be a demon bc all demons are mean and they suck", but i feel like the devs are gonna go with the latter simply bc they love giving luke development and then ripping it away seconds later

(for context, the other response was something along the lines of "he really cried his eyes out, huh?")

regardless of how much luke has grown and matured, he's still a kid. like, a kid kid. they cry when they're upset, when they're angry, when they're throwing a tantrum, and when theyre confused and/or overwhelmed. i feel like the latter might be the case with luke, which is why i chose the "i'm sure he'll be ok" option

more on this here

they're making it sound like simeon is queer/trans and honestly...i'm here for it. but that's partially bc i fall under both umbrellas. i love projecting 🫶🏽

i do wish it were this easy to come out and have your family/friends accept you bc it was a doozy for me 🫠

ANYWAYS

angst. give me more. PLEASE

i'm just so so glad that he's actually opening up. in the past, it felt like every time we get a crumb of vulnerability, he'd shut back down and act like everything was okay. idk if it's because he's more comfortable in his identity and place in the world, or his place in mc and the brothers' life, but he's more prone to actually talking about what's bothering him. it makes me happy

...this makes me a little less happy

ik simeon his his qualms with the celestial realm, but all in all, he probably still sees the place as his home and the people there as his family

what if this whole arc ends with the celestial realm opening its gates to (certain) demons? what if the boys get to visit their old home for the first time in literal millenia? and what if they get to show satan around?

idk y'all i'm trying to be hopeful, but hope can only get you so far when it comes to this game 😭

development at its finest

not focusing on a way to "fix" simeon, but to help deal with the situation at hand despite and because of simeon's condition

...ig the angst could only last for so long. back to the nerdy shit

[stxrslut]

I think the reason why so many people hate dark content is because they don’t understand it.

Incest for example has been a big topic on this side of tumblr as kinktober approaches and a few writers, including myself have mentioned it.

why is writing incest bad? It’s not, up front. the moment it becomes bad is when you romanticise it. the same goes for other dark topics, for example necrophilia or blatant rape.

acknowledging that these things exist is not a bad thing, and neither is acknowledging that there are certain people out there who do it. it is a horrible truth that nobody wants to exist, but it does.

using the infamous rafe cameron as an example, why would you want to read an incest piece about him?

rafe is a complicated character, and a very bad person. a lot of writers don’t like to take that into account. I’m sure we’ve all seen many works where rafe is portrayed as a sweetheart, a perfect husband who cares and would never do anything to harm you.

this portrayal of rafe has become the norm for many people on this platform. and so upon seeing dark content, they are trying to imagine it with this completely different character. the version of rafe that is romanticised.

when we write this content we don’t write it with that rafe in mind. we don’t want to be with this version of rafe that we’re writing, this is a bad character and we absolutely recognise it when writing him.

of course, as mentioned there are people who are imagining it with romanticised rafe, and also assume that was the rafe it was intended to be written with.

if that was the case then writing this content most definitely would be bad.

but why would we write dark content with a reader insert if we didn’t want this to happen to us? what is the point? that’s a valid question.

primarily, self insert or ‘x reader’ is just the format that we write in. even though we may be imagining our name and or face it’s not necessarily us. reader is just a character, let’s use puppy!reader for an example, she has her own characteristics specific to the reader or character. I don’t think I am puppy reader, but I love to use her character to write a reader.

self insert and second person writing is also a very good way to explore the thoughts, feelings and actions in a character in very great detail, which a lot of writers very much enjoy doing.

this is also another misconception that people make. because in some of the situations the reader goes along with / wants these things to happen, which is very easy to mistake for writer wanting it too.

so now we know that self insert does not mean desire. but even if we don’t desire this, why do we write it?

there are many reasons. one is character analysis. there are plenty of bad characters out there, and they would do that. we are simply acknowledging that.

we like to explore complexities and nuances of characters. this character would want to do that and so how would that play out? who would it be with and what would the feelings and emotions be? it’s interesting to explore darker parts of different characters.

another reason is trauma, to people without it that sounds ridiculous. but people with trauma in these kinds of situations may find comfort or control in reading about it in a safe environment.

I have a lot of childhood trauma, and there are certain pieces of writing centred around that kind of thing can really help me to think about it and help me to control the way I think about it.

now there are some aspects of dark content that we may say we “want”, but that is generally misunderstood.

let’s use a sentence I have said many a time, “I want rafe to fuck me with a gun”. no, I absolutely do not.

I am into humiliation and power play, I also enjoy a little bit of fear and pain in some circumstances. in a safe environment, for example, a fictional one, a gun would be a perfect way to do these things.

obviously in real life I wouldn’t let anyone come near me with a gun. it’s all about interpretation and understanding of safe environments.

when I’m reading a fic where gun play may be involved I read about the humiliation and power play and all sorts and think oh fuck that is sexy. because it is, in this very safe place where a gun is not going to harm me or anyone.

the same goes for lots of other forms of dark content. we might not necessarily want the exact action, but more the sensation or feeling that comes with the action.

but why would we write it when people are going to be triggered by it?

simply put, that is not our problem. I haven’t ever come across a piece of dark content that wasn’t correctly labelled and warned.

I’m not responsible for anyone else’s media consumption, if they choose to ignore my warnings it is entirely their fault.

also, free will exists, if someone decides they don’t like what they’re reading they can simply close the piece, stop reading.

in a nutshell, if someone who writes dark content is 1. not romanticising it and 2. labelling it correctly, you don’t have a reason to target them.

learning to distinguish between dark content and predatory content is so important so we’re not attacking the wrong people.

please stop targeting writers who write dark content when there are people out there who genuinely are horrible who we do need to be targeting. focus your attention on the real issues.

[messylustt]

 ݁   𓂃 ៸៸៸ deer in headlights — rafe cameron + reader ( obx ) : when trying to help your sad friend at a party leads to an unexpected kiss from rafe.

contents : slight dick!rafe. nsfw intentions (not full on sex tho). slight dubcon (not heavy or roughly forced) tittie licking/sucking. tittie grab. kissing.

your eyes scanned the party mess. it had only been an hour or so. but more than likely people came drunk way before. most go from party to party, trying to find one that won’t get busted. we’ll see how long this one lasts.

girls yelping, some giggling, most a boy crazy mess. guys hollering, others giggling themselves, nearly twirling their hair at the bent over girls “enjoying” their drinks. you couldn’t help but smile. even though you never found yourself in the centre of it all, you were far from hating the experience.

but that’s when you spotted your friend, scarlet, bolt upstairs, pushing her sleeve down to her fingertips to wipe the mix of tears and mascara from her face. you stood up, tilting past the edge of the couch to reach her.

“scarlet!” you call, trying to quicken your steps. what had happened? she either ignores you or simply can’t hear over the drowning base of the music.

you follow her upstairs. “scarlet?” you call again. and this time she shifts her gaze, her head turning towards you.

“hey..” you smile softly reaching her side. “what’s wrong? why the tears?”

scarlets bottom lip quivers, even if she trying to force it down, while her brows remain furrowed and bent with hurt. she looks as though she wishes to say something, but then she gulps. her expression pales as she rushes into the bathroom, but not before she shuts the door stopping you from entering.

scarlet was always a little complicated. easily embarrassed despite her confidence.

there’s a moment where all you can hear is puking as you try to turn the handle finding that the door is locked. “no. don’t come in.” she says, breathless after a moment.

“scarlet—“ you say in protest, wanting to help. “no! please.” she replies, cutting you off.

you sigh, knowing she hates anyone seeing her puke. “i just wanna help.” you try.

“no I—“ you can hear her hiccuped breathing. “i don’t want him to know…” her tone is almost pitiful.

“who?” you ask standing by the door.

“kelce…”

“kelce?” your brows furrow before thinning out. “is he the boy you kept telling me about?”

she sniffles. “maybe..”

“scarlet…” you say softly “what happened?”

“it was a joke. all of it. ‘sleep with the slut’.” she scoffs. “just because i like boys…a lot of them doesn’t mean i’m some…look liking dick shouldn’t be some god awful issue.”

your brows furrow again, but this time in anger. you hadn’t known kelce that well. only through living on this island, like most. but you had thought he was merely a guy looking to stay ‘cool’ or ‘popular’, not an outright dick.

not like his friend, rafe. rafe cameron. now, if anyone was to easily be called a ‘dick’ it would be him.

“are you sure i can’t come in?” you ask. “please just…” she replies, to which you ease her. “it’s okay. just relax…let me go get you some water.”

you rush back downstairs, squeezing past the out of tuned drunks, and high teens. you head to the kitchen. but as you do, you catch a conversation going on in the hallway.

“i fucked her over man…” the voice, you can identify as kelce’s. “i…why did i do that?”

“hey, calm down. don’t get worked up alright?” the other voice…rafe’s.

“nah man..” kelce sounds stressed, almost on the verge of tears.

“listen to me man. it was a stupid joke. she shouldn’t have taken it to heart, yeah?” rafe’s tone is dismissing towards scarlet, which honestly doesn’t leave you very surprised.

“fuck..” kelce mutters “but now she doesn’t…want me…want anything to do with me most likely.”

“then move on.” rafe replies, speaking as though that concept is a breeze.

“move on…” kelce mutters, repeating slowly.

“yeah, move on. you’re at a party for christs sake. have fun. plenty of girls around.” rafe replies, hitting kelce’s shoulder by the sounds of it.

you peek slightly round the corner to watch them.

kelce sighs rubbing his head roughly.

“go get ‘em man. go on” rafe pats kelce’s back as he slightly pushes him towards the heat of the party. you quickly return behind the doorway as he passes.

you wait a moment before looking back to where they were talking to find rafe staring straight back at you. you pause, blinking. rafe’s head tilts, his expression not one of surprise, as if he had spotted you the moment your head poked out.

“you always eavesdrop?” rafe takes a swig from his beer. you step out, darting your gaze slightly.

“i was just getting some water…for my friend.” you reply as he begins to head over to you.

“yeah?” he hums nodding, as he stops a few step distances from you. “does that water trip include spying?”

“i didn’t catch much.” you reply.

“yeah, how much did you catch, deer?” he asks, his gaze darting over your face and down your body as if he’s trying to place you.

your brows furrow. “didn’t know you were one for…names like that.”

rafe scoffs “i meant ‘deer’ as in a deer caught in headlights, not the other ‘dear’.” he says tapping his beer bottle on your nose, gesturing to your round eyes.

your nose scrunches in response as you lean back, rubbing it. “i’m not ‘caught in headlights.’”

“no?” he replies. “or maybe you’re just starstruck.”

“by you?” you ask raising your brows. “i’m sorry, but you don’t have that ‘wonder’ to you, rafe.”

“a lot of girls think different.” he replies. “you’d look at me with ‘wonder’ if you’ve been seeing stars all night.”

you pause, staring at him, before his words register. “ew, rafe.”

“ouch.” he replies, completely unbothered, taking a swig.

“the majority of people who you make see ‘stars’ are those who have a ‘your-shaped-fist’ indent in their face.” you say edging back into the kitchen, preferring that this conversation ends sooner than later.

rafe scoffs, his face dropping, as he steps after you. “you’re not clever.”

“you seemed affected though.”

“re-size your brain, it ain’t that big”

you raise your hands in innocence, as you turn towards the sink, grabbing a clean empty glass. rafe leans up again the kitchen island, his legs planted in a slight spread.

you glance back at him, wondering why he’s still here.

he watches you.

“look, i’m sorry for eavesdropping. i only cared because…” you pause instinct telling you not to talk about your friend with the likes of rafe. but he clearly already knows.

“oh you got a reason? you’re not just simply…nosy?” rafe gives a fake-surprised look, as you stare blankly at him.

“you’re talking as if you know me.”

“i do know you.” he replies simply.

“no, um…you don’t.” you look confused.

“yeah…i do.”

“maybe we’ve had like…one proper conversation…” you say.

“nah, more than that.” why rafe is saying such simple sentences is a bother to you.

“alright, well…just because we’ve talked a couple times doesn’t mean you ‘know’ me.” you say filling the glass up with water looking back to the sink.

“you think I pay no attention to the people on this island?”

“yeah, sure, briefly. i do the same.” you reply shrugging. “you’re acting as though you know my favourite colour or something.”

“orange.”

you look to rafe, staring at him. “what?”

he crosses his arms, placing his beer to the side. “no, obviously i don’t know your favourite colour. i’m talking about behavioural observations, not stalker material, doll.”

“i thought you weren’t one for names like that.”

“i’m not.” he replies so simply again.

you look back to him seeing that he’s not going to explain any further. “okay…” you mutter moving past him with the glass of water.

“that for kelce’s fuck buddy?” rafe asks staying against the island.

you pause “I’m sorry?”

“what’s her name again?” rafe hums. “sophie?”

“scarlet.” you say with a frown. “and she was never kelce’s fuck buddy. she liked him.”

“yeah, most do like who they fuck.” rafe turns to you.

you narrow your gaze. “your buddy kelce may have thought of it like that, but she never did.”

“hearts break.” rafe states stepping closer “big deal.”

“yeah, it is a big deal. she’s hurt. and fair enough, cause if I got treated like that I’d react the same.”

“would you?” rafe asks. “have you?”

“gotten treated like that? luckily no. but it’s because she puts herself out there way more than me. she’s confident. actually gives it a go.”

“what a star.” rafe mocks.

“you’re all talk, rafe.” you say “because if a girl hurt you like that, I’d think you’d be worse.”

“really?” he looks down at you. “and what happened to not knowing each other that well?”

“you’re a loud bully. i’d have to be deaf not to easily hear about the things you’ve done.”

“you make it sound so dramatic.” rafe scoffs.

“you are rather dramatic.”

“look, doll,” rafe begins leaning down to level with you. “you can nurse sophie back all you want, comfort her, but you’re really not helping.”

“how so? do you have a better idea to help?” you ask raising your brows.

“yeah.” rafe says darting his gaze “enjoy the party. let them deal with it.”

“deal with it? you told kelce to go scout the girls here.” you say.

“yeah, and you actually think he listened to that? kelce is a bleeding heart. sensitive like a fucking kids movie.” rafe states. “no, he’s gone to talk to her. she’s crying in the bathroom right? i guarantee he’s there too.”

“and what makes you think she’d want to see him?”

rafe shrugs. “not our problem.”

“she’s my friend. of course it’s—“

but rafe cuts in, grabbing your shoulders. “not. our. problem.” he states slowly. “you think you rushing in there is going to help? they need to talk. kelce needs to talk.” rafe chuckles. “though if I were him, I wouldn’t bother, find someone new.”

“well thank god she didn’t sleep with you.” you mutter.

“jealous?”

“oh yes.” you nod sarcastically. “wouldn’t want her stealing you away.”

rafe’s lips quirk up. “yeah?”

“you look way too happy that i said that.” you eye him.

rafe grabs his beer off the kitchen island, bringing it between you both. “drink.”

you look at the bottle then back to his face. you shake your head. but rafe just nods, bringing the bottle to your lips. you lift your hand to protest but your glass of water spills a fraction making your hands pause, and giving him enough time to tilt the beer into your mouth.

you’re instinct is to swallow, before you step back, wiping your lips. “ew, rafe.”

“do you find everything disgusting or just when it involves me?” rafe asks taking a sip of his own from the beer bottle.

you meet his gaze staying silent, as he frowns.

“i’m not some troll.” he scoffs.

“could’ve fooled m—“

but rafe cuts in. “don’t finish that.”

you press your lips together, almost smiling, despite yourself.

“don’t smile either.” this time rafe looks disgusted. “you look demented…” he then pauses. “…or pretty, hard to say.”

you scoff “great save.”

“i try.” his lips quirk up again. he looks around a moment before his smile fades, finding a certain spot behind you.

you look behind you also seeing a girl who’s gaze is hardened on you both. you shift your gaze back to rafe but he’s far closer then before. you instinctively lean back.

“don’t be annoying now.” rafe says.

“i’m just moving back.” you reply, not seeing the problem.

“hm.” rafe hums, rolling his eyes. though that action doesn’t seem to be for you, but for the girl staring.

“katie, right?” you say in reference to the girl.

“ew.” rafe replies.

“ew?”

“i thought you were well aquatinted with that word?” he steps closer to you, glaring at the girl. “what a pest.” he mutters.

you look back to katie, who’s gaze hasn’t shaken. “you with her or something?”

“don’t ever say that again.” rafe says harshly. “little bitch doesn’t know when to quit.”

“it must be that ‘wonder’ you possess.” you say shrugging.

rafe looks to you, deadpanned. “funny.”

“i’m just saying. which is why i’m confused that you’re bothered.”

“when I kiss someone, i want to like it.” rafe states blandly. “i didn’t like it, so that’s why she’s not over here and instead over there.”

you stare at him. “okay. then have you talked with her about that?”

“uh huh.” rafe says. “in one ear and out the other.”

rafe then focuses fully on you, an idea almost displayed in his eyes. you look back at him confused, your eyes darting a little nervously at the intensity of his sudden attention.

“are you a good kisser?”

rafe’s question makes you pause, even more confused, your eyes widening a fraction. “what?”

“c’mere.” he murmurs, his finger curling into one of your jean loops at your hips.

“wow, wow—“ you rush out placing your hands on his chest as he tugs you closer.

“look convincing.” he hums tilting your chin up. his lips reach yours, stepping against you.

your eyes flutter shut at the closeness. his mouth moves against yours, finding your bottom lip as his tongue drags. the suddenness of it all makes your head spin.

rafe begins to smile against your mouth, either at katie’s reaction, or potentially yours. his tongue doesn’t let up as it slides between your lips, reaching your own. his hand grabs your glass placing it aside before he reaches for your hair sliding his fingers between the strands.

your lips feel wet now, swollen, as you clench at his shirt to breath. he lets up leaning back a fraction. you’re blinking, licking your own lips in shock. you knew they were now red.

“what…what was that?” you whisper. you pause then glance back to katie who’s gaze is like thunder but she finally looks away, heading outside to the busy pool. “oh...” you say. “to make her jealous? really?”

“no, to make her leave.” rafe replies, his tone almost distant, as his gaze is stuck on your mouth. he then leans down and kisses you again, stopping your tongue from dragging along your lip repeatedly. he was far too eager this time around.

and this time you step back.

rafe nearly follows your lips.

“rafe…she’s gone, you can stop now.” you mutter fixing your hair.

rafe then murmurs. “didn’t I say if i don’t like it leave?”

“which is rather rude when you’re actually kissing a girl.” you reply, a little flustered, as you reach for the glass.

rafe slides it away. “you kissed back.”

“i was surprised.” you say.

“glad you have that instinct then.” rafe muses. to which you turn away aiming to leave the kitchen.

but rafe steps after you. “what, going back to sophie?”

“scarlet.” you say. “and yes. I’ve left her for too long.”

rafe blocks your exist. “you don’t like me, i get that. but if you want to help your friend, let them talk. and in the mean time, enjoy yourself.”

“so you’re suggesting I go outside then? maybe to the pool.” you say, as he shakes his head.

“no idiot. here. with me.”

“now that’s the kind of name i thought you’d prefer saying.” you reply. “and…no…thank you.” you say trying to move past him.

“you’re a good kisser.”

“how sweet. move please” you say.

“my god, you really hate me, huh?” he chuckles

“i dont know you enough enough to hate you.” you say “but i do dislike you…so….close.”

“at least I’m not at the far end of the spectrum.” rafe hums, getting closer and fiddling with the end of your shirt.

“you’re close.” you say trying to move his hand away.

“but not there.”

“rafe, what do you want?” you sigh, looking up at him.

“i wanna see if you look more like a ‘deer’ when my hand is actually doing something.” he murmurs for your ears only.

“I’m sorry?” i stare at him, surprised as if he hadn’t just randomly kissed you before.

“relax.” rafe murmurs, pressing against you. “ease up, baby.”

all you manage to do is stare as your body registers the feel of his.

“yeah…” he hums, tugging at your hair slightly. “like that.”

“rafe…” you say, still confused by his actions.

“come on,” he chuckles lowly. “it’s a party. don’t tell me you don’t enjoy it?”

“i do, it’s just—“

but he cuts you off, his breath hitting your cheek. “then left your shirt up, lemme see…”

your stomach fills with butterflies, your eyes darting over his face.

“listen, I’m bored.” rafe says his lips now pressed to your ear, his hand squeezing your waist. “and…i liked the kiss. so I’m thinking I’ll like the rest of you.”

“you’re—you’re just overly horny.” you say.

“and who’s fault is that?”

“hey, you were the one who kissed me.” you say.

he smiled as his hand sunk under your shirt to your stomach.

“rafe—“

“shh.” he hushed, looking down at your shirt and his hand underneath. he lifted the material. you move to grab the shirt, embarrassed at the exposure.

“please, doll, just a quick look.” he says. “none of this has to mean a thing, i promise.” his hand grips your shirt.

and strangely, as he tugs you to a darker corner of the kitchen, his hands lifting your shirt to reveal your bra, and the hum that follows, makes you wonder if he really means that promise.

because as soon as his finger traces the cup before slipping inside, and brushing right over your nipple, the look in his eyes changes.

you can’t pinpoint what it changes to, but his following action, with the grip in your hair is clearly a new promise.

if he doesn’t like it he leaves.

but what happens when he does like it?

he grins nearly cooing at your concentrated face. “don’t think too hard.” he hums as he rubs your nipple and breast making your breathing hitch. “keep that head small for me, doll. you’re a very pretty deer when caught in headlights.”

“you just like me dumb.” you say, understanding his words.

his grin merely grows, as he pushes your bra cup aside completely holding and grabbing your breast. “well, when you’re smart you’d push me away.”

you nod, as he nods too, chuckling. he then forces you to arch against him, as he leans down, keeping eye contact.

he swirls his finger around your nipple. “should I turn this red too?”

the moment his tongue reaches your nipple, tingles run up your spine. and as he begins to suck, the tease in his voice leaves him as he murmurs a simple “fuck.”

your stomach churns, as he nods, almost answering himself with a name he claims to dislike. “yeah…baby, don’t move”

© messylustt.tumblr please don’t steal, copy or translate my work onto other platforms.

[scoobydoodean]

Honestly I think that a lot of the reason why people view dean as abusive towards jack is because they genuinely think of him as a baby/toddler and not someone with the cognitive abilities of an older teenager/young adult who just happens to not really know much about the world. Obviously there's more to it because people ignore that cas wanted to put jack in the cage and sam wanted to use his power, but I stumbled across a post the other day about how they (the writers and the characters) should've given jack a capri-sun instead of a beer because he's a "literal toddler"... which is just completely incorrect and considering he has the body and brain development of someone who's older, there's no reason to not give him a beer. (also is anyone really a dad unless they give their 3 yr old a beer /j)

Context

It's funny because the whole point of the beer scene is to establish that Jack is not a child and that treating him like one would be ridiculous.

[DEAN grabs and opens a bottle of beer. JACK imitates him.] DEAN Wait, wait, wait, wait. How old do you think you are? JACK 3 days, 17 hours, and 42 minutes.

(From 13.02)

When Jack proves that he has such an advanced understanding of communication and time and such an unusual awareness of exactly how much time has passed, Dean immediately realizes that treating him as if he's a baby makes absolutely no sense because he clearly isn't one. Treating him like a child would be infantilizing, and we see Jack rebel against the notion that he's a baby a few times.

There's some push I think to separate Jack's intellectual abilities from his emotional coping abilities, but even these I think are more or less on track with other young adolescents around the age he presents himself to be when controlling for traumatic experiences. Jack's initial emotional regulation abilities don't read like those of a toddler, but of a young adult who's confused and upset and has been through a lot. Without powers in the mix that he doesn't know how to control, his emotional regulation abilities seem fairly standard for boys his age (at least to me). I don't think for example, that the anger he experiences and the reasons he experiences that anger can be equated with toddler-like tantrums, and any other person whose been around a toddler and sees what kind of things make them furious knows what I mean.

Granted, there are things Jack is naive about that are probably connected to him being "born yesterday". We see this early on when Asmodeus tries to manipulate Jack into opening a hell gate. At the same time, this interaction also highlights Jack's innate sense of right and wrong as a counterbalance. I personally find it frustrating when people try to take away Jack's understanding of right and wrong (rooted in his love for others) and cast him as a baby to the extent that he isn't even capable of understanding the golden rule, when Jack shows over and over how seriously he takes the personhood of other people and the weight of their lives. This is what allows him to see through Asmodeus's trickery in a very confusing situation, simply realizing, "you're hurting my friends". Jack using his care for others as a foundation to navigate Asmoedus's trickery also serves as excellent contrast to soulless Jack in 14.19. Soulless Jack was not able to grasp that Dumah was manipulating him because he was missing this crucial piece of himself—his love for other people including strangers. Because he was lacking that part of himself at that time, he was unable to grasp that filling someone's body with worms for not wanting to be turned into an angel is horrible and cruel and couldn't be a good thing. His naivety played a role in what happened, but it was the crucial missing soul that actually allowed this situation to transpire. I think a lot of people just straight up think normal Jack also would have been manipulated into killing people for Dumah in this circumstance and I really just don't think that's true at all.

[velvetvexations]

Even putting aside what a ridiculous comparison that is, I need it understood that the primary way transradfems engage with "material reality" is through movies from the previous century.

It's hypervisibility vs. invisibility. Trans women were openly mocked and trans men were ignored or just subsumed into a range of experiences for cis women. That's changing now that trans men are getting more spotlight than they had before, although it's still tilted in those directions.

But there was genuinely nothing transphobic about Chihiro's story and to say there was you have to prove his model was trans women and transitioning children when there is an extremely well-established category of AMAB people who present as girls in Japanese culture that is infinitely more talked about in pop culture over there. You have to insist upon the fact that he was ever connected to people who sincerely identify as girls in the first place. If this was America, it'd make more sense, but it is actually just genuinely racist to be told all that and still be like "well, but it makes me think of trans women."

This is why transradfems hate me, too. A trans woman disagreeing with them breaks their rules.

Especially the person who cannot stop fucking bypassing my block to screenshot my blog and then justifying it by claiming I do it, even though I fucking deleted those posts after she complained and have not mentioned her a single time since unless she did first.

Here's the thing: I DON'T THINK NOT WANTING TO ASSOCIATE WITH AGAB LANGUAGE IS UNREASONABLE AT ALL! But it's fucking projecting as fuck to say that people who don't like TMA/TME language must simply want to cling to AGAB. I mean, holy fuck, right? That's not what's being argued dumbass - but she can't think of any other way to divide trans people based on AGAB without referencing it in some way, so her ideal replacement is TMA/TME, that's the two kinds of trans people that exist, you're not AMAB or AFAB you're TMA or TME, this is so fucking masks off it's wild that other transradfems aren't mortified by her saying the quiet part out loud. This should just completely obliterate every trace of protest when someone points out TME is in practice exclusively used to refer to AFAB trans people and no one else ever, unless what she's actually saying is that AFAB trans people are so close to cis women that they might as well just by default be called the same thing and have no other way of identifying themselves when you talk about categories of trans people and their experiences.

But it's so intensely psychologically revealing. I don't think she's ever been misgendered a single time in her life. I don't think she's ever had even the slightest actual barrier to hop in her quest to live as a woman, because this oversensitivity where someone acknowledging transphobes see us as our assigned sex counts as them misgendering you? That's just not the behavior of someone who actually deals with these things in the real world. Or even online. Again, I get pedojacketed and threatened with actual cancelation from my actual career because I engage with actual TERFs. These people never do anything but moan about tee-em-ees misgendering them by discussing how the enemy perceives us. And she in particular is the most desperate to shut that out, because that is the only reminder there could ever possibly be a hypothetical obstacle to her claiming her girl card. I have zero doubt she lives in the queerest city on the planet and if she didn't have internet she would literally be unable to even conceive of transphobia as a concept. And she fucking hates me for not just being a trans woman who agrees with the transandrobros, but also personally identifies with my AGAB. The implication that it's possible for a trans woman to be okay with the term "male" shatters her self-esteem. That is the extent of "misgendering" she has ever faced and ever will face. Me identifying the way I do terrifies her, I have to be objectively wrong about claiming identification with my AGAB because she copes with insecurity by imagining a world where TERFs are right but instead of biology everyone's soul is either Male and Female and you can only be one or the other. Gender can't just be people figuring out who they are and the ways they want to express themselves and live their lives, that's not real enough for her, she has to be Trve Fymyle the way TERFs go on about, except instead of centering around wombs it's this weird vaguely spiritual concept that she forces everyone else to fit into because if they don't it implies her framework isn't the tangible reality she so desperately needs to feel valid.

And that's why she "needs" TMA/TME, because she reasonably wants to talk about the experiences of people who share her category but doesn't want to identify as anything that references what those experiences fucking are (e.g. having been assigned male at birth). And again, that's FINE. I GET THAT. THAT'S UNDERSTANDABLE. I CAN SEE HOW THAT MAKES YOU UNCOMFORTABLE. But that doesn't mean TMA/TME doesn't also have issues and I'm sorry if she's having a hard time coming up with something else because it's difficult to navigate the inherent paradox of wanting to associate with something that unfortunately makes her feel bad to associate with it, but she needs to pick something else, and not say "weh the TMEs are making us change our language" as though (a) transradfems aren't telling trans men what language they can use for themselves and (b) it's impossible to come up with terms that don't explicitly make claims about the experiences of others and 100% defines them by suffering less.

And isn't it strange how other transradfems are insisting they have to call themselves CAMAB and CAFAB, but THEY aren't clinging to AGAB language? Weird, right? I mean there is a group of people insistently arguing that it is simply paramount that we use AGAB language, but they're perisex trans women stealing it from intersex people so I guess it's fine?

But I don't CARE. I don't like her and I don't want to look at her stupid blog and I sure as fuck don't want to report on it. I just wish she'd stop talking about me. I literally just want her to stop block evading me and telling people my identity revolves around wanting to suck up to TERFs*. I do not talk about her except when she talks about me. AND I'M STILL NOT EVEN NAMING HER.

When she complained about me screenshotting her posts, I deleted them. They got zero notes. Her screenshots of me have hundreds and she keeps taking them because she's fucking obsessed because she can't feel like a girl if someone else identifies a little differently than she does. I don't even screenshot other people if they have me blocked but I see other people debating their takes, I make a post that references no one with unspecified prompting. And I've never done even done that with her, not only because she keeps baselessly accusing me of harassment, but because she infuriates me on a level where I just sincerely do not like seeing her fucking content in any way for any reason.

God I fucking hate radfems.

*which she happily admits to knowing is a lie but is like "yeah well I say she's mean so I'm going to keep deliberately fabricating falsehoods about her"

Thank you. <3

I have enlightened another soul!

If you asked these people, ten times out of ten they would say detransition and rape are the worst things that can possibly happen to someone and murder is no comparison, but they'll see trans men talking about their sexual abuse to be like "wow so lucky you guys just have to LARP The Handmaid's Tale, but we get KILLED."

And it's like. Okay. But fuck off, though? It's fine to personally see murder as worse and to grieve more over that, ig, it's like, whatever, but to openly state that it's a PRIVILEGE to be raped and detransitioned makes my brain melt. It's like they are physically incapable of not putting down other trans people. It is the one single area of activism they engage in. That is the war they are waging. They don't give a fuck about trans rights because they live in privileged areas with supportive families. Their battle is with the TME trans people on social media.

lolllll

"I hate how misogynistic Velvet is, she's everyone's cumrag"

^actual thing actually said and believed by the TMA/TME tankies

Before anyone accuses this anon of saying transradfems are engaging in male behavior or whatever, I'll note as I always have that they're just as sexually predatory and entitled to the bodies of others as TERFs are. That is the actual comparison being made. The worst trans women are identical to the worst cis women. Diversity win.

[ambeer6]

Longer than expected yapping about case 2 of DRDT. (dated ep 14 of ch 2)

Some thoughts about the chapter 2 case. Warnings for all the obvious.

First of all, I think Teruko is right about how the pulley system was set up. Rope over the rafters on the ceiling, then through the seesaw and then around the carousel. Then tying the rope to the correct length before letting go, so there's no worry about stopping the carousel with your bare hands. This simply makes sense.

Something that confuses me, is the amount of people arguing against this idea? Not many people on tumblr thankfully, but I don't really see why this setup would be unbelievable.

Advantages of the pulley:

Using a pulley reduces weight. Arei would be far easier to lift using this method. Even a kid could lift her this way by simply leaning into the carousel.

Using the pulley means you don't have to pick up Arei and hook her into the noose. You can simply leave her unconscious on the ground and hook the noose around her instead, then push the carousel.

Even if you're okay with her dying of strangulation, it's easy to tie the rope to the right length and just let her drop to break her neck. It grants Arei a quick death. (and you'll be done quicker)

Even if the killer is strong enough to just lift Arei into the noose, using a pulley is much easier and means you'll spend less time holding her. I know not everyone would care, but I certainly wouldn't enjoy holding onto an unconscious girl and trying to lift her into a noose, let alone an awake girl trying to struggle. (if you believe she woke up)

Downsides of the pulley:

A lot more work to clean up afterwards. Especially since we know most of it wasn't actually cleaned up, all they did was hang Arei into a different place afterwards. (I wonder if they were in a hurry, or if they assumed that somehow people wouldn't realize Arei couldn't have broken her neck from the short rope on the swingset)

a lot more work to set up to begin with. You'll have to either get up very early, or set it up the night beforehand if you wanted to be completely prepared for the murder. Clearly this wasn't just a spur of the moment thing.

That's pretty much all I can think of, honestly. When talking about the advantages or downsides of the pulley at least.

Other stuff that's maybe a bit silly to bring up:

Those fish are a bit big to have fitted through the holes in the jerrycan handles.

How do we think those jerrycans were attached to Arei? Like, I know the handles are broken (also giggle at the size of the holes and the size of the fish), but my question is more like... did they use rope? It sounds logical to use rope, but they don't mention any rope burn on Arei's body.

Maybe the 'glove is for ropeburn' truthers meant the ropeburn on Arei herself? Did the killer place the glove on Arei's neck before hanging the rope with the jerrycans off her? If they got rid of the jerrycans afterwards, maybe they also took Arei's glove. (disclaimer: I don't think they used the glove this way, but I'm open to arguments in favour of it's usage)

Rose mentioned she memorized the trash. Do you think there's a chance the needle and thread will be brought up by her? I feel like if those are going to be important, then Rose will be the person to mention seeing them in the trash.

Clothes baul.

Something else I want to mention is that the way some people talk about this case makes me uncomfortable. I want to remind people that this is just a story that someone wanted to tell. I understand that the people saying they'll drop hang themselves if the killer is a specific person are just joking, but if I were the dev, I'd feel extremely uncomfortable from just how many people are talking about the case like this.

I understand not wanting a certain character to die and I can't stop you from making jokes about it, but saying that killing off your fave character is a horrible writing choice and you'll kill yourself over it, would put immense stress on the dev, as well as everyone who helped with the project.

Also on the topic of writing: people make illogical decisions sometimes, but especially when under stress. The case needs to make sense, but I don't want people arguing something is bad writing because the killer made one or two illogical decisions along the way.

Another thing I noticed is that a lot of people are assuming what I call the "Ellery Queen case logic", which assumes that the reader (or viewer, in this case) should be able to solve the full murder based on the clues given during the investigation, before the confrontation (trial, in this case). While definitely understandable, it's great being able to solve things beforehand, we need to remember that this is not the only way to go about writing cases. Personally I've engaged more with what I call the "Arthur Conan Doyle case logic", which leaves the most vital piece(s) of evidence hidden from the reader (viewer) until the end of the final confrontation. This makes is either very difficult, or even impossible to solve the case beforehand, meaning you'll have to wait until the very end to even see the final piece of the puzzle.

Now, there's no saying whether Despair Time uses either one or the other case logic style (they could mix it up between every chapter if they want to), so because of that, I ask people to be polite about people's theories, even if they don't explain every single piece of evidence, or if they state that we need to wait for more evidence to be revealed even though the trial already started.

Nothing wrong with voicing your own ideas on people's theories, it can be helpful if they actually misremember something (I misremembered stuff too, so it was good to have it pointed out!) and can help people rework their theories with your arguments in mind, but I just ask that you're not condescending about it if you do.

THAT'S ALL! THANKS FOR READING!

[phoenixeclipse-lmkau]

seeing spirit leading the story in the latest chapter was nice, will we learn more about her, backstory wise? afaik, all we know is she was captured by bandits and is repaying reader by helping her, and will eventually see reader as a sister figure. she doesn't speak monkey, so that most likely means she doesn't have a troop right? who did spirit grow up with?

Oho. Now this is fun! Spirit's backstory is mostly a mystery to most people because she is a lone monkey demoness. She does have family, but she never talks to them. (Mostly because she doesn't know most of them)

Spoilers below on her backstory. You know I probably should add these cuts for most questions... eh it's fine.

Spirit is the daughter of a monkey demon and a human woman. They weren't in love, far from it they simply wanted a one night stand (or rather they both got drunk and ended up having a one night stand). So after they were done the demon left and never came back.

The woman Chu Lin gave birth to a single monkey cub, whom she raised with love and care. Being human she had no idea about monkey customs, so she never taught her daughter about it since she didn't know about them. Like at all.

Which results in Spirit, not knowing how to speak monkey, 'properly groom' (she does it instinctively but was never taught so it's not proper) and she was shunned by the village along with her mother.

Because she and her mother were outcasted from their home, Spirit didn't like humans. Except when they traveled she met several who had no problems with her appearances and looks. So she saw people as just that people both good and bad. She knows you can't judge a book by it's cover ever.

Along their travel to find a new home, they came across a forest. One with a very playful six tailed fox demoness named Su. A demoness skilled in fire, lighting, and a few glamours. She lived in the forest for a long while before they traveled through. She played several pranks on the two as they passed through but decided just before they could leave to give Spirit a gift. She taught her how to use glamours, just enough to make her look human.

Because of this, her mother and her were finally able to settle down in a human village for a while. There, her mother met a man that she fell in love with. They got married rather quickly, and Spirit decided that it was then that she should leave. Her mother was safe and taken care of, she was now an adult and could take care of herself too.

She stayed for the wedding of course and got to see them after their honeymoon. After they saw each other one last time once their honey moon was over though, she left. She gave her mother a gift, a small Jade pin in the shape of a monkey and just left. (She did say goodbye and their were tears)

The reason she wanted to leave was to find her father, the man who helped give her life. She needed to learn more about her home and culture. So she set off to learn about her own kind, with a bow and her glamours she was she that she could do this.

However, there was an accident. She ran into a demon who was rather powerful. After fighting for a while, she got knocked out and lost most of her memories. So she doesn't remember anything about her Iife before the fight. All she remembers is that she got into a fight with a golden monkey demon.

She began to travel after she woke up. The demon was long gone by then. It's about two years before she gets ambushed by the bandits, and in that time, she learns several things about life. So that's why she's not running around trying to remember her life because she's already tried and failed. So she wanders the world searching for... something. What was she searching for?

Until she gets ambushed by bandits. She is pissed off by this, of course. They had ambushed her while she was sleeping and stole her bow! So now she has put her mission on hold to help a human. At least she's a very nice human, so she doesn't mind it too much.

Besides, maybe she'll be able to find her memories with the help of this human. After all, she did appear out of nowhere. Though she doesn't get her hopes up with this.

Of course that is until the monkeys cubs get involved. She doesn't mind cubs truly she doesn't. She normally likes them not quite love because she's not good with kids but she likes them. But something about these two... it's just so something... she can't quite put her finger on it. Especially with how they are getting clingyer and clingyer by the day.

She gets annoyed at the two often and at times wants to just toss them aside. Of course, they don't really give her that chance and try their best to hog reader all for themselves. Not that they'll try to do anything to Spirit, she is the provider that gets most of the food for Reader after all.

Eventually, she'll meet her dad (on a certain island) and learn he has a mate, who he got together with after the whole one night stand. And she'll learn that she has two siblings, who are very keen on the idea of a big sister. Her father's mate is even welcoming to her, much to her surprise.

After all if that was her dad, and that was his mate. But his mate isn't her mother than... who is her mother?

I loved this ask! Please send more my way if you want. No pressure it just helps me think on my stories and no I did not just come up with her backstory (I totally did, but I like it so meh!)

Also, if you wanna learn about Su, then send an ask. She's gonna be popping up in the story too later. @sleepingdramaqueen has heard about her before. Hehe~

And yes, I will add more to this backstory, but I just came up with it, so yeah. I'm debating on if I'm gonna mate her ace or give her a love interest. So far, she doesn't have one (if you have any suggestions for one, though send them my way!!)

[elumish]

I talk about what writers should do a lot, so now I'm going to take a break and talk about some reforms that I think agents should make.

A caveat: I am not an agent! Unlike when I talk about writing, I am just talking about this as an author who happens to be in the midst of querying. If I have an followers who are agents who think I'm getting something wrong, please let me know!

That said, here I go:

Trad publishing is, fundamentally, about getting past a whole bunch of layers of gatekeepers, and agents are the first gatekeepers. With some very limited exceptions, you can't be trad published without having an agent. From what I can tell, being an agent is a bit of a thankless job--it's based on commission, so an agent only gets money if they are selling their clients' books. (Remember: the money flows towards the writer. If someone claiming to be an agent is telling you that you need to pay them to represent you, run.)

Because of this structure, agents have a massive amount of power over unagented authors, particularly because unagented authors simply do not have another option if they want to trad publish. It is my opinion that that power dynamic is part of the reason why querying actually sucks so unbelievably much for authors.

Now, part of why querying sucks is that it's a numbers game, which means that most of us will lose. Every writer is competing against a gazillion other writers, some of whom are better or writing things that are seen as more sellable or happen to be eariler or whatever. You are going to get a bunch of rejections, and that's not the fault of agents.

But here's the other problem:

There are, from what I can tell, no true industry standards and somewhat limited professional expectations for agents when it comes to how to deal with querying. Again, this is what it looks like from the outside--agents, if I'm getting this wrong, please let me know.

For example, many agencies and many agents will have different rules about what you can submit to them and how, and in many cases those rules are in somewhat arbitrary places, which means that querying authors have to hunt for them, and it's easy to run afoul of them even when you're trying. It's common for some agencies to say that you can't query two agents from the same agency at the same time, but some say that you can't query two agents from them ever--a rejection from one is a rejection from all.

But most agents' Twitter bios/MSWL pages/personal pages/etc. don't say that--which means that authors need to hunt through every individual agency's webpage and then cross-reference against every agent that they have ever queried previously, which can be arduous when many people are querying dozens or hundreds of agents. It also means needing to keep track of things like when agents switch agencies.

There are also no standard expectations for agents to actually respond to queries in any sort of time span, or at all, which complicates the above issue even more. But it also is just (imho) kind of unprofessional to ghost people who are seeking a professional relationship with you, when you have explicitly asked them to reach out to you seeking that professional relationship.

And to make that worse, many agents don't say whether or not they respond to all queries, meaning that authors are often left wondering if a 6-month or longer wait is a "no" or an "I haven't gotten to this yet but will definitely respond to you."

There are more issues that I could cite, but my overall point in this is that authors have no recourse here. There's not authors' union, no way to go on strike until agents change what they're doing.

And some agents are really awesome about this! But enough are not, and authors don't really know what they're going to get when they query someone.

So all of this is to say that, if you are an agent, here are some fairly easy changes I would love for you to make to your own behavior to make querying a little bit less of a nightmarish hellscape for authors (and thank you so much if you already do some or all of these):

Respond to every query that you receive

Tell people your general response times and be communicative if that changes. It's okay if it regularly takes you six months! Just tell us it regularly takes you six months, so we're not left wondering if we've been ghosted at four months

Outline all submission guidelines on Query Manager or where you accept queries, including things like a) rules about whether a rejection from one is a rejection from all, b) length expectations for things like synopses (I've seen a range), and c) any other expectations you have (e.g., you require trigger warnings). Don't make people hunt through 2-4 websites to find what you want

Stop asking or at least strongly rethink how you ask about Own Voices or why an author feels like they are qualified to write about a marginalized identity--I understand the impulse, but nobody should be expected to disclose medical or other personal information like that in a professional setting

Also, just to say (other than please don't reject my query because of this post), agents: authors really do appreciate the work you all do. I want someone to work with to get published, because I am very well aware that I am not the expert in this situation.

And again, please tell me if I got anything wrong or misrepresented anything.

[osalotte]

OPERATION: KOTOHA’S BOYFRIEND!

WC 1.2k, part 1/???

SUMMARY: Umemiya knows that his precious little Kotoha-chan has a boyfriend--it’s obvious. But when he asks her, she won’t tell him anything…. So, being the good big brother he is, Ume takes it upon himself to find out just who this mystery boyfriend is, and if he’s good enough for Kotoha.

(aka: Kotoha is a girl kisser an and Umemiya has no idea)

CONTENTS. Kotoha x Fem!reader, Umemiya being Umemiya, lots of fluff and misunderstanding, reader is explicitly described as feminine/a girl

It was closing time at the cafe again. Nothing out of the ordinary, and for all intents and purposes it was a very normal night. Umemiya was in the back washing dishes while Kotoha straightens up the front. It was one of the only times that Umemiya could genuinely spend time with his little sister.

So why does she keep checking her phone?

As Umemiya scrubbed a particularly stubborn bit of cheese off a plate, Kotoha’s phone dinged, and even from the kitchen he could hear her drop everything to scramble over to check it.

Ume flicked the sudsy water off of his hands and wiped the rest on his apron as he peeked around the corner, careful to make sure he wasn’t noticed.

And there she was: Staring at her phone, completely absorbed, tucking her hair behind her ear, giggling and blushing-

Wait. Giggling and blushing?!

Now, contrary to what some people might assume due to his carefree, friendly nature, Umemiya was not stupid. Not that it took a genius to figure it out--he was sure, watching the scene unfold in front of him, that even someone as emotionally dense as Sakura could come to the same conclusion he did.

Kotoha was texting A Boy.

And no, not “a boy.” A Boy, capitalized. Because this boy was not just any boy, he was THE Boy.

The boy she liked.

Umemiya was able to realize this in a split second. He stepped fully out of the kitchen, not necessarily trying to be stealthy but his appearance went unknown to Kotoha either way as she eagerly types out a response on her phone, fighting (and losing to) the grin on her face. In fact, he was able to sneak up right behind her, peering over her shoulder.

“Who’re ya texting?”

Kotoha yelped and all but jumped out of her skin, immediately closing her phone and protectively pressing it screen-side into her chest. She was red in the face and if looks could kill, Ume would be six feet under.

“What the hell?! Don’t sneak up on me like that,” Kotoha snapped.

Umemiya tilted his head innocently. “Huh? It’s not like I tried to--you just didn’t notice me.”

Kotoha simply growled and went back to open her phone, angling so that her brother couldn’t see who she was texting. And just that alone told Ume all he needed to know.

His face lit up. “Are you texting your boyfriend?”

Kotoha glared at him again, holding her phone even closer to her chest. But she looked flustered. “None of your business.”

‘None of your business’? That wasn’t a ‘no.’ Which must mean…..

“Aha!” he cried, pointing a finger at her. “So you do have a boyfriend!”

Kotoha’s face got even redder and she seemed to shrink in on herself. “Shut the hell up. I don’t.”

“You can’t lie to me, Kotoha-chan,” he strutted around her, leaning in close to her face as she leaned away. “I know you too well. I know what your lie-face looks like.”

Which was true. He could read her expressions like a book. And the one she had on now was the oh-shit-I’ve-been-caught one.

“Whatever,” she grumbled, stuffing her phone into her pocket as she went back to closing up the front. Her face was still red. Umemiya leaned against the counter, looking at her with the biggest grin on his face.

“So…?”

“So what?” she growled.

Umemiya threw up his hands. “So who is he, Kotoha-chan?”

Rather than answering, she simply went back to cleaning. Umemiya made a noise of distress. “C’monnn, I’m your brother-”

“No you're not.”

“-you have to tell me!” he pleaded. “I need to know who he is, what he’s like, if he’s good for you, if he’s good enough for you…. And I also need to tell him that if he breaks your heart, I’ll snap him in two.”

Kotoha scoffed, preparing a retort when there was a sudden knock on the front door. Both of them turned to see you standing there, sheepish, illuminated only by the streetlamp, and carrying a bag of something. You gave them a little wave, and Kotoha immediately scrambled to unlock the door and let you inside.

Umemiya knew you. Quite well, in fact. You and Kotoha had been friends since middle school, and even more recently, you’d been hanging out at the cafe almost every day. Kotoha seemed a lot happier, more vibrant when you were around. You were sweet, polite, and above all, his sister’s best friend. So of course he adored you!

“(Name)!” he exclaimed, bounding up to give you a bone-crushing hug. “How’ve you been? Is school going well? You should really stop by Furin sometime with Kotoha, all the guys would love to meet you!”

You simply chuckled and patted his back, but Kotoha was quick to wrestle you out of his grip.

“I’m good, I’m good,” you replied as Kotoha pulled you away, giving you some breathing room. “What about you?”

“I’ve been good!” Umemiya started to talk about the recent goings-on in Furin, but Kotoha cut him off.

“Shut up, she’s not here for you,” she snapped, making Umemiya pout. She fully ignored him as her face softened and she turned to look at you fully.

“I’m happy to see you, but I didn’t know you were stopping by. I thought you had plans,” she said, reaching out to rub your shoulder. Almost automatically, you brought your free hand up to touch hers, gently holding it.

Meanwhile, Umemiya was shocked by the complete 180 her tone did when talking to you versus him. She’s so…. soft.

“I do, so I can’t stay for too long, but I wanted to drop this off,” you explained. You held out the tote bag you’d been carrying, and Umemiya immediately recognized its contents to be one of Kotoha’s favorite sweaters. The red one she’s had since middle school with holes in the sleeves.

“You left it at my place the other day,” you continued. Kotoha blushed, not meeting your eyes as she took the bag from your hands, and you chuckled.

“You didn’t need to come all the way out here. You could’ve just waited till tomorrow,” she grumbled, still not meeting your gaze.

“It’s no big deal, love,” you replied, smiling at her so warmly and genuinely that Ume realized how happy he really was that you were Kotoha’s best friend. “Wanted to see you before I left, anyhow.”

Umemiya watched as the two of you bid your farewells, heart warming at the tight hug that she gave you before you left.

After the door closed behind you and you walked out of sight, it was quiet. Kotoha hadn’t even turned.

“Ah, she’s so great,” Ume sighed gratefully after a moment. “I’m really glad the two of you are friends. She’s so good to you.”

“...Yeah,” she replied flatly, shuffling past him to finish up closing.

She didn’t look Umemiya in the eye for the rest of the night.

A/N: to be continued! this fic absolutely took over my brain and i had to remove it like a tumor. let me know if u want to be tagged in part 2!!

[adhdtsukasa]

totally not what i intended to post today but also whatever, we ball. pinocchiop is my favorite vocap and i'm very autistic about both him and wxs, so, to honor the song campaign clues that we got today, allow me to present to you the reincarnation apple wxs cover line distribution i did some time ago — and why, in my humble opinion, it fits wxs much more than it fits niigo,

(the lyrics where the color changes each word are where the characters both sing at the same time but my notes app doesn't have the option to do a gradient)

i'm in no way expecting it to be an official line distribution because i did it based on my personal interpretation of the lyrics — and i feel like dedicating almost a whole big part of the song to each member might mess up with the game cut, but i also really would like to see them have solos of those parts — but they're here to help me explain my point better my point. so!

what i like about wandasho covers is that they are performers — and it should give them more creative liberty when it comes to their covers. that's why the reincarnation in this song could be simply treated as them getting into roles, reliving countless lives as actors. even though the accuracy of the lines sung is always nicely welcomed, the covers don't have to always be 100% fitting. and that's fine. especially in wxs' case, because that is a yet another story that they want to tell us.

people often say that the storyline fits niigo but i... don't see it at all? i mean, yeah, ena as the artist and kanade as the savior, that much is obvious (and i guess you could also say that mizuki as a revolutionary, but that is kind of a reach?). but what about the part describing the inventor that matches rui's backstory so well? what if you put main story tsukasa in the artist's place and draw the similiarities? what if you think about emu as the savior, comparing the savior's unconditional love to her wanting to save wonder stage and make everyone smile? the only match that doesn't fit quite well is nene and the revolutionary, but you can't have anything i guess. and then the adventurer part, which is a call back to the our happy ending set (i set out in search of an ideal — emu deciding to go with wxs in order to expand her knowledge and horizons) (and then you know, the end has come with the reincarnation apple)... and then lines like i'm not smart enough and i don't have a great cause could resonate with how people viewed emu and rui in the past.

"oh but isn't the start of the song a bit too dark and depressing for it to be a wxs cover?" kami no manimani starts in a similiar way and yet it still is a wxs cover.

and, putting lyrics aside, it just doesn't feel like a niigo song from the instrumental alone. i'm not a music expert so i don't have strong arguments for it, but for me it sounds absolutely like a wxs song. it even reminds me of sekahaji in a way.

does that mean you're in the wrong for wanting niigo to cover it? nope! i just simply want to explain why it fits. and i don't want people to complain that it doesn't make sense for it to end up as a wxs cover. because i will cry.

tldr: reincarnation as a metaphore for acting save me

[pleasantspark]

Every Hypocritical, Contradictable, or nearly everything stupid (Or OUTLANDISH) thing in the HelluvaVerse we're supposed to ignore and move on from

Sin of lust, Ozzie is against forcing one into sex, Forces Moxxie to sing, kicks out when he refuses.

Everytime a guy gets sexually assaulted it's supposed to be seen as bad, or even cute, but when it's someone who doesn't actually mean nothing to the plot at all, it's funny and quirky.

consequences don't exist in Hell but in Heaven they sure do.

Angels claim they don't know "What gets a soul in Heaven" (but for some reason this statement is completely misconstrued in the fanbase and explained away.) But they are able to point out that Angel Dust isn't allowed into Heaven. While Adam writes down the shit afterwards. Either they are frauds who aren't worthy of their status, or they simply don't have the heart to tell Charlie it is, and send her down like Lucifer does.

Name everything Stolas does. Literally everything.

On the topic of the bird bitch, Stolas demands respect from Blitz when he has done nothing to deserve it, he's wasted Blitz time, treated Blitz like shit, and doesn't respect him at all. Stolas is just a bratty prince who doesn't know the value of respect but demands others give it to him.

Adam's views on Sinners are morally gray and stupid at best. What he says can be easily applied to Heaven, and it doesn't make sense.

Angel Dust's abuse is seen as scary and serious while Sir Pentious' getting dragged away is comical, make it make sense.

On the topic of that, we're supposed to feel bad for Angel Dust the entire episode of Episode Four when he comes across as unlikeable. He spent most of his time trying to convince the entire cast on why his porn video is good, while also defending it, and getting yelled at by Husk, and when he gets called out for sexually harassing someone, he storms off like a baby. This is who me and other victims are represented by folks, a sad sack of shit who completely lost all character to be someone to use and dispose.

Adding onto Heaven not knowing what gets a person into Heaven, does that shit also mean not knowing what someone gets into Hell either? Would that also mean Redemption is pointless?

Charlie's apparently blind, because she spend nearly 3 years with an ex-exterminator without knowing she's one? How can we as people believe Vaggie isn't one without knowing the fact she LOOKS LIKE A STANDARD ONE.

Also, HOW CAN VAGGIE SPEND 3 YEARS WALKING AROUND BEING A FORMER ANGEL WITHOUT ATLEAST HAVING SOME SORT OF POWER? SOME SORT OF PULL?

Charlie hasn't seen her mother in 7 years, yet her mother spoken to her in the pilot. She's much closer to her mother, yet her mother is also distant.

Nearly every female characterization is neutered or they are sent back to the kitchen, killed or even made worse because we needed to uplift terrible male leads.

Half of the LGBTQ+ Cast is in Hell, which matches some christians worldviews on people part of the Queer Umbrella, but this show STILL has to paint Heaven in a negative light? I don't even KNOW if SAINT PETER is gay or not. If he is, he also has a stereotypical voice to go along with it, he sounds like a Zestier Timmy Huckerdoo from SML than some guy in Heaven.

Hell is supposed to be the good guys while Heaven is the bad guys, Hell fucked themselves over by fighting against Heaven, making Charlie's dreams UNABLE TO COME TRUE. No one points out this at all. She ruined all chances at redeeming whatever rapist walks into the Hotel with that stunt.

I ran out, I will make more when I thought of it.

[eucharistcunningham]

so glad that eucharist is an oc and that there is not an insane fandom out there who sent the actress death threats bc she liked a ship she was part of that was close to being canon. sure glad that never happened huh

[moeblob]

What Deacon thinks: what did that mean? did he want me to wear a collar too? why else would he mention my neck? i mean, if he /asked/ me i would wear one but he didn't so would wearing one be weird?

What Ymber meant: It's nice to be near someone who isn't tethered to this world to serve it with a physical reminder for all to see.

[maddy-ferguson]

using intersectionality to discredit feminism and downplay its reach and essentially weaponizing it when it was coined to describe black women's experience of racism and sexism is nasty work...