#like.. how do these people even consume any media?

[mrsdesade]

Hey, could you write a homelander x reader where she works at Vought and unknowingly gets his attention and he stalks her?

Hi dear anon, thanks for your patience!! I don't have much time to write full fics these days, because life is happening and I'm very busy physically and mentally, but I can happily offer some headcanons 💕

Homelander's obsessive behaviors headcanons

First of all, his romantic gestures, while seemingly sweet, are often rooted in his need for control and his inability to understand healthy relationships. His actions can be seen as manipulative and even frightening, especially when considering his overall personality and powers.

Constant surveillance: He would employ his super hearing and x-ray vision to keep a constant watch on you. He might use these abilities to monitor your home, workplace, or any other place you frequently visit.

Data collection: He'd collect as much information as possible about his current obsession: you. This could include your daily routines, social media activity, and even your deepest fears and desires. He might use his Vought resources to access private databases.

Preserving memories: Homelander might keep a collection of items that remind him of you, like a lock of your hair or a piece of your clothing. Oh God If you gift something to him, he's going to cherish this like a museum piece.

Love bombing: He'll shower you with love and attention, he loves doing it, especially at the beginning of the relationship, to reel you in.

Unwanted gifts: Homelander would often leave small, often expensive gifts for his favourite persons in unexpected places. These gifts could be anything from flowers to jewelry, and they would always be personalized to show how well he knows you. Often with small notes inside. Doll, baby, my girl, nicknames are on plate.

Sudden appearances: Homelander would frequently appear where you least expects him. He might show up at yor work, your home, or even a random location you're visiting. At least three times at week, minimum.

Testing your loyalty: He might create situations to test your loyalty to him. This could involve putting you in a difficult position or asking you to do something that makes you uncomfortable.

Excessive praise: When you two are together he would shower you with compliments, often going overboard and making you feel uncomfortable. He might even compare you to other people, always putting you on a pedestal. You're his precious treasure and he loves you so goddamn much.

Isolation tactics: He might try to isolate you from their friends and family at some point, making you believe that he is the only one who truly understands your needs.

Future planning: He might make elaborate plans for your future together, down to the smallest details, without ever consulting you. He'll make grand plans for the two of you for sure. This could include things like buying a house together or having children.

Gaslighting: If you decide to start to question his behavior, Homelander might resort to gaslighting. He could make you doubt their own perceptions and memories, making you believe that you're just imagining things.

Public displays of affection: Homelander might engage in very public displays of affection, such as putting his arm around you in front of a crowd, or giving you a very long, lingering kiss. This is partly to show off his "perfect couple" image, but also to mark his territory.

Obsession with physical touch: Homelander might find ways to touch you, in every moment, he need that, even if it's just brushing against them or holding their hand. He would crave any form of physical contact.

Nightmares and sleep disturbances: His obsession for you would consume his thoughts, leading to vivid nightmares and difficulty sleeping. He might even develop a fear of losing you really easily. Despite his outward confidence, Homelander has a deep-seated fear of being abandoned. This fear can lead him to become increasingly possessive and controlling.

-------

Thanks again for the request, enjoy! Kisses kisses! 💕

[sister-lucifer]

Taken To Another World 

⊹₊⟡⋆A Multifandom Fantasy AU Themed 5K Celebration Writing Challenge⊹₊⟡⋆

Special thanks to @ghostboneswrites2 for inspiring this! 

Interested? Keep reading! 

There will be two prompts for each genre; a pair for fluff, a pair for smut, a pair for angst, and a pair for horror. Each prompt comes with its own criteria, so read carefully! 

How To Participate: 

Reblog this post (for reach! thanks!) 

Pick a prompt (or multiple) 

Write your fic 

Post it and tag me (feel free to send it to me directly if I don’t see it!) 

Use the tag #lucifer’s 5k fantasy challenge 

The fandoms this challenge is open to are as follows: 

Obey Me!, Creepypasta, Marble Hornets, Batman (and all related media), Jojo’s Bizarre Adventure (all parts), and any original characters/universes.

Don’t see your fandom? You’re still free to use these prompts (and please tag me if you do so I can see it,) but it unfortunately will not count as an entry for this challenge!

Rules: 

Feel free to pick multiple prompts, but you cannot enter more than one fic per prompt! 

The fics can be part of your own ongoing series, but they must be able to stand alone as their own piece without the additional context of the series 

Please state which prompt you chose somewhere on your post 

Feel free to cross post your work to another site such as Ao3, but please, do mention that it was part of my challenge 

Anyone can participate in this challenge, however I ask that minors stay away from the NSFW prompts 

You are free to bend the prompts as you wish, there is no mandatory time period or setting 

My inbox and messages are always open if you need to ask questions, consult me, or just want to discuss ideas!

The fics can be Character x Reader, Character x OC, or Character x Character; relationships can be platonic or romantic as you wish

Some prompts are written with pairs in mind; feel free to modify this to fit in as many characters as you’d like. Poly relationships included!

Absolutely NO incest OR pedophilia under any circumstances 

NO AI, NO using other people’s writing, and NO using a piece you’ve already written

Pay attention to the criteria! Prompt 1 will have a required quote, and Prompt 2 will have a required plot point/action

The Deadline is currently undecided. This will be updated soon 

Winners: 

I will choose up to 3 finalists for each prompt.  The finalists will be presented in a poll, and the readers will choose the winner. 

The winner of each prompt will get their own shoutout/promo post including an analysis of what I liked about their fic, & at least 3 fics I recommend from them and why. 

Does all that sound like fun? Good! Here’s your prompts:

Over The River, Through The Woods…

Fluff + Faeries

Prompt 1:  In a fit of rebellion, a naive royal flees from the castle and into the woods. They stumble upon a faerie who, against all they’ve ever been taught, seems rather…kind. 

Necessary Criteria: “Anyone can do a good thing if they try.” / “Well…how often do you try?”

Prompt 2: Fae don’t often leave their villages, except to gather. Unfortunately, one foolish faerie has found themself entangled in a trap left behind by a human hunter. Even worse, the human has returned to see what they’ve caught; although, they seem far more curious than hostile. 

Necessary Criteria: One of the characters teaches the other a new word in their native tongue. 

Magic Begins In Superstition, And Ends In Science…

Angst + Alchemy 

Prompt 1: The job of an alchemist’s apprentice is rarely an easy one. Magic is a fickle mistress, after all. When the apprentice’s companion tries to pull them away from their work, the argument gets heated, until the pressure becomes too much and causes an intense explosion…literally. 

Necessary Criteria: “You’re not even smart enough to understand what I do, and you think you get to tell me when to stop working?!”

Prompt 2: The alchemist’s work is starting to consume them. Blinded by their pursuit of knowledge, they recklessly decide to slip a bit of their newest experimental concoction into their companion’s meal without their knowledge. The alchemist convinces themselves this is all for the greater good, and surely nothing all that bad could happen, but soon comes to regret it. 

Necessary Criteria: A horrible transformation. 

The Tongue May Be Twice As Sharp And Thrice As Lethal As The Blade…

Smut + Swords 

Prompt 1: A rivalry between two swordsman gets a bit out of hand when the pair decide to make a salacious bet over a duel: whoever loses must play submissive to the other, starting from the moment they drop their sword. 

Necessary Criteria: “Don’t think I’ll surrender that easily.” / “Mm, I didn’t think you would…I like it so much more when you’re fiery.”

Prompt 2: A courageous knight rescues a royal from the clutches of peril, and their majesty simply can’t let their hero leave without thoroughly rewarding them for such bravery. 

Necessary Criteria: The pair narrowly avoid being caught in the act. 

Cursed Is The Man Who Dies, But The Evil Done By Him Survives…

Horror + Hexes

Prompt 1: Foolish explorers accidentally wander into a witch’s garden. One of them can’t resist plucking a berry from a bush, not giving it a second thought as they swallow it down, only for the horrific consequences of a curse to start taking form the next day. 

Necessary Criteria: “Please…you have to tell me you know how to make this stop.” 

Prompt 2: While treasure hoarding is generally frowned upon among honorable bounty hunters, some simply can’t kick the habit. This quickly proves to be a terrible mistake, though, as a cursed trinket starts to warp its owner’s mind and plunge them into a darkness that turns them on the one they love most. 

Necessary Criteria: Creative use of an everyday object as a weapon. 

Final Reminders:

Most importantly: Have Fun! 

Make sure to read the rules carefully! 

You’re always free to ask questions! 

Tag me in your entry + use the tag #lucifer’s 5k fantasy challenge! 

Happy Writing, everyone!

(even if you don’t plan to participate, please reblog and share this post so others will see it!)

[theshiftingwitch]

I know I am the creator of my reality and I know shifting/manifesting is instant but my ocd gets in the way by having thoughts like no I am not in your waiting room. How do I shift/manifest with ocd because even though 3d is a reflection of my 4d. I keep being on a loop of consuming information and no matter what I try I always go back to loa social media and then I will be like I am in my wr or I won the lottery and then I let the 3d get in the way or my thoughts or just go back to the old story.

Step away from your phone.

You are overconsuming information instead of applying what you already know, and it's keeping your brain in a rut. But the phone down, and focus on your desired end goal.

You are already in your waiting room. That is a fact. You already exist within all of the realities you want to shift to, and all other realities that you're not even aware of at the moment.

The process is simple, you control your mind, your mind does not control you. Robotic affirmations for as long as you possibly can during the day, visualizing at night before you fall asleep with setting a clear intention of being in your waiting room. Two or three affirmations might work for some people, but in your case affirming twice is not going to do it, you have to oversaturate your brain so that the other thoughts no longer have any power over you. Every time you get a doubtful or negative thoughts you have to reinforce your positive thoughts over and over and over again until you can't think of anything else.

The old story no longer exists. It stopped existing the second you created the new story. It is now your choice whether you want to stick with the new story or recreate the old story all over again, because remember it no longer exists. Where you want to be is your choice and you have to be very stubborn about what you want.

Happy manifesting and shifting ❤️

[jack-ackles]

i cannot describe how shocked out of my mind i am that people who watch bridgerton even most of the fans are now realizing after a half of third season that bridgertons or anyone in the ton does not "work" to earn money, they are already rich without having to do anything. ESPECIALLY while this season's important subplot is focused on mondrich who literally spell it out for you that no one in this rich society works. not anthony, not colin.. no one.

even more bizarre thing is people are learning it through twitter and not through watching the show especially with the mondrich subplot going on in this season.. i really thought people not understanding colin, penelope or polin was just because of their dislike and hate towards them or they just want to see their favourite ship but damnnnnn there is no media literacy whatsoeverrr

[stealingyourbones]

Never will I stop with the steadfast notion that folks in the DPXDC fandom should interact with at least some form of canon DC media.

There are comics, tv shows, radio dramas both old and new, podcasts, movies, magazines, so much shit that intentionally avoiding the media is simply preventing yourself from spawning new ideas and gaining a new appreciation for a fandom that you’re already in.

The Superman Radio Show has episodes 11 minutes long. A lot of the TV shows don’t have episodes that surpass 30 minutes and most are nearly fully clipped on the official DC YouTube channel. The amount of fan made motion comics is astounding. The amount of fanmade animations is equally as incredible.

[magioffire]

as much as i appreciate all depictions of trans masc people in art, this isnt some kind of put down like omg you gotta draw ALL your art like this but... its honestly quite nice to see some trans masc characters that  have breasts  and are completely fine with that. like i get that top surgery scars have just become the visual short hand for ‘trans man/,masc’ character but thats not the reality for every trans masc person, not all trans masc people experience top dysphoria all the time, or even at all, and i feel like if we normalized the idea of breast tissue on men it would help to lessen the social stigma of men with breasts, cis or trans. i just love to see trans masc characcters who still have their breasts because its a reflection of the sort of trans experiences and bodies i am familiar with

[lebrookestore]

oh girl what the fuck

[mintaka-iii]

My mental health can't possibly good if an essay on the found family trope gives me such an indescribable feeling of hollowness and yearning

[cockatrice-writers-guild]

[queencvbra]

someone keeps putting stuff in Tory’s wiki page like “Tory tries to kill Sam” or “Tory feels no remorse” like please be so fucking fr rn

[louisa-gc]

how to start reading again

from someone who was a voracious reader until high school and is now getting back into it in her twenties.

start with an old favourite. even though it felt a little silly, i re-read the harry potter series one christmas and it wiped away my worry that i wasn't capable of reading anymore. they are long books, but i was still able to get completely immersed and to read just as fast as i had years and years ago.

don't be afraid of "easier" books. before high school i was reading the french existentialists, but when getting back into reading, i picked up lucinda riley and sally rooney. not my favourite authors by far, but easier to read while not being totally terrible. i needed to remind myself that only choosing classics would not make me a better or smarter person. if a book requires a slower pace of reading to be understood, it's easier to just drop it, which is exactly what i wanted to avoid at first.

go for essays and short stories. no need to explain this one: the shorter the whole, the less daunting it is. i definitely avoided all books over 350 pages at first and stuck to essay collections until i suddenly devoured donna tartt's goldfinch.

remember it's okay not to finish. i was one of those people who finished every book they started, but not anymore! if i pick up a book at the library and after a few chapters realise i'd rather not read it, i just return it. (another good reason to use your local library! no money spent on books you might end up disliking.)

analyse — or don't. some people enjoy reading more when they take notes or really stop to think about the contents. for me, at first, it was more important to build the habit of reading, and the thought of analysing what i read felt daunting. once i let go of that expectation, i realised i naturally analyse and process what i read anyway.

read when you would usually use your phone. just as i did when i was a child, i try to read when eating, in the bathroom, on public transport, right before sleeping. i even read when i walk, because that's normally a time i stare at my screen anyway. those few pages you read when you brush your teeth and wait for a friend very quickly stack up.

finish the chapter. if you have time, try to finish the part you're reading before closing the book. usually i find i actually don't want to stop reading once i get to the end of a chapter — and if i do, it feels like a good place to pick up again later.

try different languages. i was quickly approaching a reading slump towards the end of my exchange year, until i realised i had only had access to books in english and that, despite my fluency, i was tired of the language. so as soon as i got back home i started picking up books in my native tongue, which made reading feel much easier and more fun again! after some nine months, i'm starting to read in english again without it feeling like a huge task.

forget what's popular. i thought social media would be a fun way to find interesting books to read, but i quickly grew frustrated after hating every single book i picked up on some influencer's recommendation. it's certainly more time-consuming to find new books on your own, but this way i don't despise every novel i pick up.

remember it isn't about quantity. the online book community's endless posts about reading 150 books each year or 6 books in a single day easily make us feel like we're slow, bad readers, but here's the thing: it does not matter at all how many books you read or what your reading pace is. we all lead different lives, just be proud of yourself for reading at all!

stop stressing about it. we all know why reading is important, and since the pandemic reading has become an even more popular hobby than it was before (which is wonderful!). however, there's no need to force yourself to be "a reader". pick up a book every now and then and keep reading if you enjoy it, but not reading regularly doesn't make you any less of a good person. i find the pressure to become "a person who reads" or to rediscover my inner bookworm only distances me from the very act of reading.

[racefortheironthrone]

Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?

Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).

So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.

Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket line and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.

But for most of us, unless we're actively working as writers in Hollywood, most of that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/streaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.

That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the cause and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.

The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.

[profoundlyconfusedbeing]

Vague rant:

The absolute heartbreak and pain of seeing one of your favourite childhood detective series being put down and hated on by the fandom of your other fav detective series. Like please can you stop.

Also for the love of god examine the absolute mess that exist in your stories before you bash down on another.

I’m sorry, but it’s painful and hilarious at the same time to see the take that one apparently is so ripe with sexism, when the other one is hardly hardly any better.

Like I absolutely love both. But please, please, stop acting like you are on the better end. 😂😭😭

It just makes you look mean and shitty. Just don’t f* engage with the other series if you don’t like it??? It’s not like it’s hard. But don´t critique it if you haven´t actually consumed any of it and just go off a vibe.

This post was brought to you by me, due to seeing a bad take on Instagram by a fan making fun of the other detective series and having a caption that showed his clear lack of introspection of the content he is a fan of. (Considering the amount of similar takes I have seen before I just needed to rant. This is obviously not trying to attack anyone. I´m just sad and frustrated, cause I really really do love both and it hurts seeing one being put down in order to elevate the other.)

Sometimes I’m worried I judged the fandom who makes fun of the other too harshly, cause I have also seen and met a lot of nice people in the fandom. And then I see takes like the one I did and think: never mind. Y’all need to get down of your effing high horse. Like seriously… sit down.

Listen the main characters of the detective series that the other fandom loves to make fun of would literally be in the freaking fandom if they existed. Like they are canonly fans of the book series, which also exists in their universe. They make freaking joke references. They would be listing to all the podcasts and be freaking active fans.

Yes, I’m talking about fictional characters being fans of other fictional characters, while the fandom of the latter characters loves to make fun of the first set of characters.

Also the majority of the people I know who are fans of the one that gets hated on are literally also fans of the one that does the hating. (Me obviously included)

[saerins]

ᯓ ᝰ CRAZY GOOD .ᐟ — itoshi sae

hold up, netizens. you’re in for a treat this time because guess what? out of all people, it’s time for itoshi sae to hard launch his girlfriend: you.

itoshi sae x female reader. content tags pro-player!sae, established relationship, profanity, kissing, kind of a tease here, he likes showing you off, oliver is the matchmaker. word count 1.5k

ᯓ notes .ᐟ hi guys i finally have some sae content for you all !!! >:) yes i’ve missed him , and no i didn’t abandon him :’) heh i hope all my sae lovers that are still here will like this mwah <3

there are many things that itoshi sae is good at.

soccer skills, one of them. snubbing people, the second. (that’s how he got the reputation of being rude—even if it’s not really true!) and three, not last and not least (but still substantially), it’s causing a buzz.

he caused a buzz the moment he debuted on the soccer field. his first game and he already made a name for himself. people started asking where he’d been his whole life (even if he was introduced to the people very early on), equating him to soccer megastars like cristiano ronaldo.

ever since that day, he’d been caught in the spotlight numerous times. mostly related to soccer, but some due to his personal life. more specifically, the media loves to take a guess on who he’s dating.

yeah, he’s had more than his fair share of dating rumours. if it were up to the media, sae would have had about thirty-four girlfriends by now and he’s only twenty-six this year. (go fish!)

but as many people do, almost everyone who consumes media content about sae is particularly interested in one thing that is shrouded in mystery: his dating life.

because despite all the rumours and whatnot, there’s never been any confirmation of any relationships at all. and no one in his circle has ever coughed anything up, so anything in that regard has been strictly hush-hush.

well, until tonight, when your boyfriend of six months invited you to one of his teammates’ high-profile birthday party.

“what, are you nervous?”

your boyfriend’s ever unbothered tone is still the same as when you first heard it a year ago. somehow you find it funny that one year later you’re living with the same guy you’d first found to be somewhat intolerable.

sighing, you try and zip up the back of your dress, looking into the mirror, making sure you have your best face on. “sae, you have fans that number in the millions, of course i’m nervous,” you comment, watching from the reflection in the mirror as sae saunters over to you, taking his hands out of his pocket.

he smirks at you through the mirror, his body pressed against you as he helps you zip your dress the rest of the way up, his lips right next to your ear. “i’ve never even seen you this nervous in front of me,” he says, poking a little fun at you as he gives you a light kiss on your temple.

a soft chuckle comes from him as you deadpan, obviously in much more distress than he’ll ever know. not that he’ll blame you; he’s used to the fame, you’re not. “relax, they’ll love you.”

“sae, they won’t.”

he shrugs. “yeah, you’re probably right,” he agrees, earning a small slap on the arm—and he’s laughing again, though this time he tilts your chin up and gives you a long, slow kiss. the kind that takes your breath away everytime he does it. “but who cares? i love you.”

and there he goes, saying that as if it’s no big deal. making your heart beat so quickly it’s not funny. and before you know it, he’s whisking you away into the lobby where a personal towncar is ready and waiting, with the chauffeur and everything.

“geez, oliver sure loves to go over the top, huh?”

sae gives a sharp exhale at your comment. “hey, that’s your friend right there.”

you roll your eyes, getting in first and sticking your tongue out at him. “and you should be thanking him, without him we’d never have met.”

you look away from him right after saying that so you don’t see it, but sae’s smiling to himself, already thanking his lucky stars.

he thinks meeting you and getting to love you is the luckiest he’ll ever get in this lifetime.

by the time you’ve arrived at the venue—a hotel in the heart of the city—swarms of paparazzi already litter the streets outside. they’ve no doubt had their fill of the other soccer players and mega celebrities that have already arrived and are now ready for the real star of the night (aside from the birthday boy himself): itoshi sae.

of course, everyone’s expecting to see sae all by himself because that’s what usually happens; sae attending any and every event alone and unbothered by the scene. it’s never a surprise anymore, but sae’s a good payday and they’d never miss a single shot.

the moment sae exits the car, it sounds like there’s a million shutters pressed all at the same time, give or take a few milliseconds. (it’s nothing you’re used to.) he stands right where he got out for a few seconds, and even inside you can hear the amount of photographers just begging sae to look straight at them.

and if you think that’s rowdy enough, oh boy you’re in for a treat. because the moment the paparazzi realise that sae’s not, in fact, headed for the hotel just yet, you can hear just a few confused noises before it turns into even more pleading the moment they realise he’s opening your side of the door.

when he opens it and holds his hand out for you, that ever handsome smile on his face (which you forget that he only ever shows to you), you feel like you’re nearly blinded by all the flashes. you brave through it though, taking his hand and getting out of the town car, being greeted by the mass of photographers yelling out to you and sae.

“sae, who is that!”

“hey, girl! look over here! yes right there!”

“what’s your relationship?”

“obviously that’s his girlfriend! hey you!”

you’re a little wide-eyed, stunned at how chaotic this scene is. it’s easy to lose yourself in it, but as it always is, sae realises it whenever you are, and he’s quick to pull you back in.

in this case, he pulls you into his arms, a hand wrapped around your waist, pulling you close as he rests his forehead against yours.

“hey, focus on me, just me,” he whispers to you, eyes looking into yours, eyelashes fluttering against one another’s.

(the paparazzi are having a field day.)

“you’re enjoying this, aren’t you?” you ask him, chuckling because you only now realise what a fucking tease he is.

sae shrugs, pulling your hair away from your face. (he’s actually just really grateful to you for doing this for him when you don’t need to—when you’re happy to just be able to support him behind the scenes but he really just wants the world to know that you exist, because it’s a blessing, really.) “maybe i am.”

and this time your heart’s beating faster than you know it ever could, his teal blue eyes melting into your gaze, lips getting closer and closer to your own, his calloused hand on the back of your neck.

like clockwork, his lips sink into yours, his tongue snaking its way in. (and the crowd goes absolutely wild.) you’re both laughing at the panicked and hurried yells from the photographers, slowly pulling away from each other.

you reach your hand out to wipe your lipstick stain off his lips but he doesn’t let you, winking at you and leaning in to whisper, “let everyone know who i belong to.”

such a fucking tease.

not that you’re opposed, so you let him be, shaking your head and following him as he holds your hand and leads you in.

within the next hour, pictures of you and sae flood the internet. (notifications come flooding into your phone too.)

itoshi sae hard launches new relationship with mystery woman!

soccer world loses another bachelor—everything we know about itoshi sae’s presumed girlfriend

most of them are pictures of your kiss, with a good chunk of it being his lipstick-stained lips.

as you scroll through some of the articles your friends texted to you, you’re probably never going to be used to it. you’re probably going to be anxious over everything you do in public now.

a slight panic bubbles up in your chest, but then sae comes over, pulling you backwards into his embrace, looking over your shoulder at your phone.

“that quick, huh?”

and suddenly it’s like anxiety has never existed. because even if it may not seem like much, a year of knowing itoshi sae has made you feel safer than you ever did, knowing that he’s always there to catch you, to never make you feel alone.

you melt into his embrace, turning your head and giving him a kiss, your lipstick stain still on his lips.

“i fucking love you, itoshi sae.”

his eyes widen a little before they grow soft, arms pulling you even closer. “i love you too, stupid.”

(and while the two of you are getting all lovey-dovey at his party, oliver’s just slightly—a lot—upset that sae upstaged him during his own birthday party.)

“i fucking hate the both of you,” oliver groans.

[ariaste]

Apparently there was some lil drama in Good Omens fandom again about people being deeply nervous and scared of the end of Season 3, and I wrote this in the replies of one of the asks that Neil Gaiman answered, but I feel like it is deserving of being crossposted into its own post (in a slightly expanded form) so folks actually see it.

cmere, good omens fandom, we're having an intervention. a Come To Jesus talk, if you will.

First of all, I'm literally begging the fandom to:

learn what personal boundaries are, especially around parasocial relationships with strangers. (Suggestion: When sending asks to authors you like, use "polite work email" etiquette, not "joking with a friend" etiquette. The latter comes off REAL weird sometimes, and sometimes outright mean/rude/bullying).

take a couple deep fucking breaths

embrace the philosophy of The Author's Intent Only HAS To Matter To The Author, It Does Not Have To Matter To YOU. If you do not like the author's intent, you can say "hmmmm no thanks" and write some fanfic. That's what it's for.

Friends, Romans, countrymen..... Stop trying to make Neil Gaiman responsible for your happiness. For one thing, that is an absolutely unfair and cruel burden to put on a stranger who doesn't know you. Neil is only responsible for Neil's happiness. You're responsible for your own happiness. In fact, do not rely on ANY external source to guarantee your happiness, not even very nice people like Neil, not even your significant other, not even your family members. Yes, those people might be able to help you with your happiness, but they cannot guarantee it. Expecting a third party to guarantee your happiness is how corporations exploit you, and it is the source of all media trauma. Take agency over your own joy! Don't give away your power! Plan to DIY your personal ideal ending!

Neil is not telepathic, Neil cannot know all your hopes and dreams and wishes, nor SHOULD he be expected to know them, nor does he have space to know them. He is busy with things like his own and Terry's hopes and dreams and wishes. Their hopes/dreams/wishes are just as valid and important as yours, aren't they? Yes, they are. So calm down. caaaaaaaallllllm dowwwwwn.

Yes, I love the show very much too, but at the end of the day it is just a story. And the great thing about stories is that you are empowered to retell them in a different way. It is not real, so if you end up unsatisfied by S3, then blithely impose your own reality and build your own joy. It's not like it's the End Of The World or anything (lil fandom joke there for you)

And look, if you read this and you're feeling Mad and Upset or Frustrated about it, that is a symptom that you are maybe feeling a little stung in your Media Trauma parts. I am sorry that other stories have let you down in the past, and I really sympathize that you are feeling scared about the fate of this story that really matters to you. You've invested a lot of love into it! I really understand the fear! You don't want to be hurt again, and that's super understandable and normal.

But bestie, literally the only way for you to find a story that's exactly perfect for you and that won't hurt you at all is for you to write it yourself. I know that sucks to hear, but it is the truth. If you keep pinning a hope of perfection on other people's stories, you will keep getting traumatized by the media you consume. Love other people's stories for what they ARE, not for the stories that you WANTED them to be -- the same way that we love people, you know? You have to let a person be their own person; you can't force them to be someone else. That's fucked up, so if you notice that you keep trying to do that, maybe go to therapy so you can be that Someone-Else person for yourself (or, if you can't afford therapy, read some self-help books from the library or find some good channels on Youtube who make content that might help with that (I really like JulienHimself)).

If you need a story to be something big and important for you, if you are seeking catharsis and healing from a story that matters to you and you're really scared that you won't get it, then open a Word document and start typing. You can do it. You're a human being, and you evolved to tell stories. Literally it's a species specialization. You got this. It's gonna be okay, because you're going to seize the means of production and MAKE it okay. Yes? Yes.

Good Omens S3 will be what it will be. It will be what Neil wants it to be and what Terry would have wanted it to be. Period. That IS actually the highest achievement and the most noble and admirable accomplishment that we can hope for. And hey, maybe what they want overlaps with what you want, and that will be wonderful! But that will be merely a happy coincidence. The only person who can TRULY center your wants is YOU. So stop trying to trap Neil into doing it, please, because he's busy and it's not his job, AND because your wants do matter and you deserve to have someone who can give your wants their 100% full attention (aka you. that's you. only you can do that. Not even your best friends in the world can do it. Not even your mom can do it, at least not if you're old enough to know how to read.)

It's gonna be okay. Really. Really, it is. No, stop typing the snarky melodramatic reply. This is not the time for jokes; I'm being serious. It's going to be okay. Neil Gaiman can only break your heart exactly as much as you allow him to do so. That's how art works. You have to consent in order to be affected by it, and you can withdraw your consent at any time. You're going to be okay. I promise. As long as you choose to claim your own agency and your own empowerment as an individual, then all will be well and all manner of things will be well.

[pawberri]

The key problem with "proship vs anti" discourse is that the most extreme versions of each side, the ones who actually bother to identify with these labels, accepted each others worst takes as arguments they had to debate. "Fiction =/= reality" is, in practice, an absurdly reductionist, anti-intellectual, thought-terminating-cliche that dictates we can learn nothing about a person via art and that their fiction reflects no political or moral messaging worthy of critique. In response to this, the "puriteens" who are too young to possibly hope to articulate their discomfort, to untangle their position from what is often real trauma experienced online, simply argue "yes, fiction influences and reflects reality in a 1 to 1 capacity." They, and people who want to use the groundwork they laid to make bad-faith callouts, make bad arguments about how the action of engaging in problematic fiction is on equal ground to real life abuse, or is a clear indicator of interest in real life abuse. Both of these arguments are terrible, but each side seems to radicalize the other further and further into their own brands of anti-intellectual reactionary belief. "Proshippers" become libertarian absolutists about free speech and view all transgression as righteous and alternative and therefore leftist. They gain a reactionary nostalgia for the past, desiring a time when people didn't seem to care about the implications of art. "Antis" become authoritarian and hypervigilant for signs of moral decay, at their worst, willing to align themselves with government bodies that offer carceral solutions to the debate. They are willing to use harassment as a tool of punishment, which then leads to false accusations and a fear of openness that puts people at risk of being triggered via obfuscation. (That said, proshippers also take part in plenty of harassment.)

I will say that I believe both of these movements are equally sensitive to co-opting by right-wing forces. We see the authoritarian tendencies of anti culture in harassment campaigns and even the way Republican law makers co-opt "grooming." The proship/fic crowd has such extreme nostalgia for the past that I often see people align themselves with the cultures of 4chan or other happily right-wing websites. They so heavily reject the idea that a drawn sexual depiction of a child could reflect any desire that they are disinterested in analyzing what the motivation behind the depiction is. i.e If we track the history of lolicon in Japan we do find that is, yes, countercultural, but that counter culture is right wing, very misogynistic, and defensive of patriarchial Japanese culture as it is and was including its culture around rape and abuse. Plenty of fictional content works as radicalization material, and radicalization material needs to be ambiguous. There is a valid reason to be hesitant to trust people who consume this content, even if I do not believe most of them will ever be dangerous towards children. The mere presence of sexuality is not enough to make a movement left wing. This kind of thing can again be seen in right-wing libertarian movements in the US. (And even leftist movements can be bigoted and even "pro-pedophilia" or otherwise disinterested in social reform around abuse.)

Is all content with elements of age-play this way? No. But to me, that is why kink media deserves to be treated as art and analyzed, critiqued, treated seriously. It doesn't have to do anything to anyone to be worthy of a moral critique. Said moral critique just doesn't warrant harassment and cruelty and reactionary exaggerations of the person consuming said content.

Anyway, what's my point in saying all this? I don't know. I'm just begging you to tag your God damn content with specific tags instead of random and nebulous shit like "dead dove" or "dark content", and also begging you to stop harassing people who do tag their content so I don't have to guess what "dead dove" and "dark content" mean. No one will erase incest kink fics or people who feel sickened by the idea of them off this earth because we aren't god, but we could at least all be responsible about tagging, flagging, and age-gating our stuff.