#little azula

[rennelelorren]

Zuko with Ursa`s hairstyle would have been too strong :D (bc of him FN started a literal revolution-)

Bonus+

Так, я тут просто веселюся.

[madscientistenthusiast]

Personally I think that Azula should have been redeemed simply so that she can become Zuko's horrible little advisor who whispers evil little plans to him so that he can do the exact opposite

[fanfic-gremlin-ft-trauma]

a dumb little doodle based on this post

[bunthebreadboy]

redeemed!azula au where she and katara are absolutely fed up by their brothers when they’re all staying at the fire nation palace

zuko & sokka: *literally just holding hands*

katara: spirits, they’re disgusting

azula: absolutely vile

katara: so much pda

azula: they need to get a room

katara: you’re so right

azula: besides, we’d be cuter than them anyways and we could destroy the world

katara: i hope you mean that hypothetically

azula: us being cuter than them?

katara: no, destroying the world

azula: …oh, yeah, that was a joke

katara: good! so…wanna go prove we can be cuter than them

azula: don’t have to ask me twice

katara & azula: *making out somewhere*

toph, seeing them via earth vibrations despite being half way across the palace, looking straight into the camera like she’s on an episode of the office: yknow, i didn’t think it was possible to be more dramatic than zuko and sokka. i was WRONG.

[mugentakeda]

various doodles of cousin lu ten with his babies

[muffinlance]

prompt: Ozai has Azula watch Zuko (his progress or rather lack thereof) from way earlier on, possibly even before Aang gets away from the iceberg in the first place

There it is, written at the bottom of his banishment notice, wobbling in and out of his vision and he’s not sure if it's his eyes—

(Father wouldn’t have meant to blind him. Being blind won't help him catch the Avatar, so he’ll just not go blind.)

It’s either his eyes, or. Or the rage. It has to be the rage.

So Zuko reads the line again, and lets the fire brim up and overflow, until sparks chase the shout from his lips.

“Banishment to be overseen by Crown Princess Azula?”

- - -

“Prince Zuko,” Azula says, standing as tall as an eleven year old can. She’s using his title, so that he’ll use hers. And if he doesn’t then he’s ill-mannered and not fit for his own. 

“Crown Princess Azula,” Zuko grits out.

“I’ll just be inspecting your ship, then. Father’s orders.”

Two men are in shackles by the time she’s done. 

“—Fostering mutiny against your prince,” she is yelling, and somehow her voice is just as high-pitched as his without sounding childish at all. “When our father hears about this—”

- - -

“So you had them executed,” Fire Lord Ozai inquires. Lightly. And from behind his flames.

“Of course, father,” says the kneeling child. “It was an attack on our family.”

Her father doesn’t say anything.

Azula is eleven. Eleven, she had presumed, was old enough to count. 

One, two, three. Four, with Uncle. The royal family.

Her father is silent still.

One. Two.

“Forgive my impertinence, Fire Lord,” she says. “I will bring them to you for judgment next time.”

“Do so,” Fire Lord Ozai says. He does not contest the ‘next time.’

- - -

“Crown Princess Azula,” Zuko says.

“Your bandage is off, brother,” Azula says. “Are you blind?”

“No.”

(The blur of her red robes, the eye-searing glint of sunlight off her headpiece—he’s not blind in that eye. He’s just… still recovering.)

“Lovely,” she says. “Then what’s your excuse for the condition of this ship?”

…He has an increased budget for repairs, by the time she’s done. 

- - -

“Brother,” Azula says, “traditionally knives are to be delivered to the back.”

“I… what?” her brother says, still holding out the inexplicable thing. “No, I bought it at port. For you. See, it matches the one Uncle got me.”

“How original,” she says.

Her brother turns a shade of red that puts his bending to shame. Not that it’s a particularly high bar. “Fine, I’ll just—throw it out.”

“Oh, don’t be so dramatic. At the least, Mai will want it.”

- - -

“Nice knife,” says Mai, looking at the hilt peeking out of Azula’s boot.

“Be silent,” Azula says, thus ending that conversation.

- - -

“Did great-grandfather… did we…” starts her brother, fresh from scurrying about the Eastern Air Temple like some particularly dim-witted pheasant-monkey, the dust not even brushed from his clothes even though he knew her ship was waiting down here. “Azula, there were children—”

“Be silent,” she says.

- - -

“You’re leaving frequently,” comments father, as his knife cuts through the pheasant-monkey, clicking against the plate below. The persimmon-cherry sauce is thick and red and smearing.  

“I find it advantageous to cultivate a working knowledge of our nation’s tactics,” Azula answers. She does not push around her meat like a child, but she does eat only lightly; the dish is more sour than she remembers.

“And your brother?”

“Oh, him,” she says, to which her father smiles.

- - -

“...What?” Zuko asks, blinking down at the scrolls. 

“It’s your birthday,” Azula says. “Apparently, I should have gotten you a calendar.”

“Thank you?”

She sighs.

- - -

“Do we… tell him we can hear him?” asks the assistant cook, as the prince continues monologuing. Dramatically, and loudly. Through the pipe connecting the drain of the kitchen sink to the ones in the shower. 

“Ssh, I think this is one of his new plays.”

- - -

She gets him a calendar for his next birthday. It’s not funny.

- - -

He gets her a doll, for hers. The look on Uncle’s face as she torches it in front of them both is hilarious.

- - -

“Brother,” she says, looking up at the damage to his ship. “This is not the way to requisition additional repair funds.”

“Captain Zhao,” her uncle says in the background, with heights of pleasant antagonism she can only aspire to. As if a general could mistake Zhao’s new insignia. Particularly with all the polishing he does. 

“It’s commander now.”

“How did you manage this?” she asks.

“Uh,” Zuko says. “Can we… speak alone?”

She eyes her brother’s shifting stance. Eyes, too, the way Zhao’s men are already moving to intercept and interrogate his crew. One of the new commander’s more noxious habits is stalking her brother’s every move. 

Well. She’d been meaning to deal with that, anyway.

Azula snaps her fingers at the commander’s guards.

“Detain him,” she says. And for a moment, just a moment, her dear uncle freezes, as if she were talking about someone he actually cared for.

The guards don’t. She’s trained them better than that.

“Princess,” Commander Zhao says, his snarl well hidden behind a smile. “What is the meaning of this?”

“Crown Princess Azula,” she corrects. “Now hush; the adults are talking.”

- - -

They have an Avatar to catch, apparently. Her brother is coming home.

[attackfish]

So everybody here knows that I'm notorious for being a massive defender of Ursa, and that I have no patience for the "Ursa was a bad mother, she favored Zuko, and was abusive to Azula and abandoned her kids, and made Ozai abuse Zuko," narrative. That narrative is vile, victim blaming, and deeply stupid on a number of levels.

With that out of the way, I want to talk about some really really bad parenting we see Ursa do during the series. And it is to be clear really really bad.

In the Book Two episode, "Bitter Work", Zuko and Iroh have a conversation:

ZUKO: So Uncle, I've been thinking. It's only a matter of time before I run into Azula again. I'm going to need to know more advanced firebending if I want to stand a chance against her. I know what you're going to say, she's my sister and I should be trying to get along with her-

IROH: No, she's crazy, and she needs to go down.

This scene is a favorite of a certain type of Azula fan who wants to paint Iroh as a big meanie who didn't wave his magic redemption wand over Azula the way he clearly did over Zuko. See? See? He's writing her off here and calling her crazy.

This of course misses the context of that scene, which is that Zuko is taking care of a severely injured Iroh, who was injured by Azula, in what looked a heck of a lot like a murder attempt. Earlier in Book Two, in the episode, "The Avatar State", Azula unambiguously attempts to murder her brother after failing to capture him, and he is only saved by Iroh's quick reflexes.

But let's leave that argument aside for today because what interests me about this scene in the context of Ursa's parenting, is the line Zuko says right before Iroh's infamous declaration: "I know what you're going to say, she's my sister and I should be trying to get along with her."

Because in the context of Zuko and Iroh's situation, where Azula has recently attempted to kill Zuko, and just put Iroh into a coma that Zuko had to take care of him during, in which he has only just woken up from, this line from Zuko actually demonstrates some really warped thinking. It is not a healthy response to the situation at all. And his assumption is that a good caring parent figure like Iroh is going to respond to this situation by telling him that Zuko needs to get along with his sister, who is actively trying to hunt him down and capture or kill him.

So why does Zuko think that? What adult reacted that way to Azula's violence toward her brother in the past? It wasn't Ozai. Ozai is not going to use the language of getting along with one's siblings, when he is so bent on setting them against each other. So who was it?

The show answers this a few episodes before this scene, in the Book Two episode, "Zuko Alone." The answer is clear and heartbreaking: It was Ursa.

The scene in which this becomes plain, starts with Zuko and Ursa walking together. Mai spots them and smiles and blushes. Azula notices, and then turns to Ty Lee, and whispers, "Watch this!"

AZULA: Mom, can you make Zuko play with us? We need equal teams to play a game!

ZUKO: I am not cart-wheeling.

AZULA: You won't have to. Cart-wheeling's not a game, dum-dum.

ZUKO: I don't care. I don't want to play with you!

AZULA: We are brother and sister. It's important for us to spend time together. Don't you think so, Mom?

URSA: Yes, darling, I think it's a good idea to play with your sister. Go on now, just for a little while.

And then Ursa leaves Zuko alone with Azula and her friends.

There is a lot here that I want to talk about. I have in fact talked about this scene before, and what it tells us about Ursa's eagerness to reinforce Azula's seemingly kind and loving behavior: [Link], and even touched on why this is in fact an example of bad parenting from Ursa: [Link], but I think this deserves its own post, where we examine exactly what went on here, what this tells us about Ursa's parenting, and how this affected Zuko, and to a lesser extent, Azula.

In those previously linked posts, I talk about how this is clearly a pattern, that Azula has learned to predict and manipulate, and because we know it's a pattern, we know that this behavior on Ursa's part is repeated, and something her children have come to expect from her. Zuko and Azula know their mother wants her children to get along with each other, and love each other and have a good sibling relationship with each other so much that if Azula she plays into that, Ursa will force Zuko to spend time with his sister, and worse, that time will be unsupervised.

So, to be clear here, what Ursa is doing is giving Azula unsupervised access to her brother, against his will, as a reward for Azula momentarily acting nice. Or in other words, Ursa forces Zuko to spend time with his abuser against his will because she wants them to get along.

I think we can all see how that is some grade A terrible parenting.

And it does have negative effects on Azula. I think that we can see her learning how to manipulate people, learning how to lie and get what she wants from people, and that Ursa by giving her what she wants here, is showing her that this is a thing she can do to get what she wants. That is not a great lesson to teach your kid. I think it also feeds into Azula's possessiveness of her brother, and sense of entitlement towards him. She has learned that even the people who love and care about her brother, won't protect him from her. And she has learned that no matter what she does to him, he is supposed to try to get along with her.

These are some really terrible lessons, and we see some of the effects of them throughout the course of the show, so why is it that the "Ursa is a terrible mother" crowd never bring this up? I mean of course we know why, it doesn't fit their narrative. Their premise is not simply that Ursa is a bad mother, or even that her bad parenting explains Azula's behavior.

In fact frequently it isn't even about finding someone to blame for Azula's behavior, so that the responsibility isn't Azula's. (Which, to be clear is not how it would work anyway, because even if Ursa were exactly the type of horrible mother they said she was, Azula was still making the choices to do Very Bad Things, in the same way that just because Ozai is an abusive father, this doesn't mean Azula stopped being responsible for her own actions). It's more about proving that she has suffered enough that she deserves all the sympathy, and is allowed to be awful to other people, including Zuko, you know, as a treat.

The narrative that the "Ursa is a terrible mother" crowd are pushing is that Ursa didn't love her daughter, and thought she was a monster, Azula suffered so much, and it's so sad, and this is why she deserves to do very nasty things to everybody else, and no one should ever hold her accountable. Frequently there is some flavor of, "Zuko had a mother who loved him, you guys, unlike Azula, so he doesn't deserve sympathy, not like poor baby Azula!" Which is a deeply warped thought process on many many levels, but we're not going to go into that here.

The point is, that this type of bad parenting that I am pointing out here, doesn't fit this narrative, because this is not the kind of parenting mistake that a mother who doesn't love one of her children, and thinks that child is a monster, is going to make. This is the kind of mistake that a mother who loves her children very much, and wants them to have a good relationship, and doesn't recognize the threat that one of her children poses to the other, is going to make. In fact, the fact that she does it, proves that Ursa does in fact love her daughter and does not think she's a monster. So it does not fit the narrative these people are spinning, so they will never bring it up as an example of how Ursa was a bad mom.

Of course the other reason the "Ursa is a terrible mother" crowd aren't going to bring this part up is because it would mean acknowledging that Zuko deserved to be protected from Azula, and needed to be protected from Azula, when they were both children, which would go against the whole "she's a poor innocent child" thing they like to spin, and also because Azula is getting what she wants here, and Zuko is the one suffering, which is not going to get Azula any sympathy points.

And for the most part, Ursa was an excellent mother, who did the best job she could in horrible circumstances that she had very little control over, but she wasn't perfect, and she did make mistakes, which makes all of this a wonderful example of how even very good parents can make very bad choices that hurt their children and cause serious long-term damage.

I've talked some about the long term damage that Azula faces from this, learning about manipulation, and developing some really nasty entitlement issues with regards to her brother, but Zuko's long-term damage is if anything worse.

When we put this together with Zuko's line from "Bitter Work" quoted earlier, we can see that Zuko learns what Azula learns from the other angle, which is to say that he will not be protected from Azula by anyone, and not only will he not be protected, but he does not deserve to protect himself. Not only can he not defend himself, but he can't even protect himself by avoiding her. That's not allowed either. And in the face of her cruelty and violence towards him, it is still on him to make their relationship work, and to be clear, he should absolutely be making their relationship work. And the adults who love him are going to tell him this, no matter what Azula does to him.

I for one am really glad that Iroh is there to say no, that's a terrible idea, and you do not need to keep trying to get along with your sister who is trying to kill you. And it's significant that throughout Book Two, Iroh consistently protects Zuko from Azula, and teaches him what he needs to fight back.

[beif0ngs]

at this point, i'm just in awe at how they f*cked up a live action adaptation of ATLA twice... TWICE 🤦

[names-hard]

I've had this idea in my head for months and finally made it a reality.

So I present to you the Gaslight, Gatekeep, Girlboss venn diagram!

[ash-and-starlight]

I see the fandom’s “Ambassador of the Southern Water Tribe” Sokka and raise y’all “Emerging Technologies Advisor, Sokka of the Water Tribe.” Working with all the nations as a emissary for scientists and engineers, introducing these new techs to world leaders and brainstorming ways to integrate them helpfully into society — really, he just gets to travel a lot and mess around with machines and I think these are two things that Sokka would excel so so very much at

thiiiisss this so much this his ass would Not settle in the fire nation permanently!!! he travels all over the world!! he sees and learns all the things he couldn’t experience while ending the war!! he fixes things everywhere he goes as easy as breathing. he’s the one behind the southern water tribe cultural center in republic city and behind this huge ass ‘fuck you zuko try to destroy this now’ watchtower/lighthouse in the swt capital.

he has a traveling food critic column and a published haiku collection and fifteen new inventions patents and is just as fundamental for bringing on an age of peace and prosperity as anyone else. so yeah emerging technologies advisor, poet, swordsman, inventor, councilor, storyteller, warrior, artist, white lotus member, food blogger, pai sho champion, trendsetter sokka of the southern water tribe ftw forever amen

[stupidlyqueer]

I've been reading a bunch of Azula fics, I have three pet peeves (and they bother me a lot because I read "Azula-friendly" only).

Azula shot Iroh with lighting: she didn't. I've just watched one or those bending compilations and her shot even makes the fire noise. there's no crackling of electricity, there's not the whole bending movement she does for lighting.

the same goes for Mai, she was going to shoot fire. (it's not as if we see her shooting with two fingers multiple times...) fire is faster, she's good at it, that's a primary weapon.

sending the Kyoshi warriors, Ty Lee and Mai to prison is the worst thing she could have done. it makes sense to send Suki to the Boiling Rock, as it makes sense that Hakoda was there, they're the leaders. having prisoners of war is not a war crime. actually, war crimes ≠ acts of war. sending the Kyoshi warriors to prison after fighting them is exactly what you expect of people in a war.

Ty Lee and Mai committed treason on her face. that's not even about the betrayal, that's just a whole ass crime. that's the crown princess, the second most important person in the fire nation, literally the only one left to take the throne. if this wasn't a children's show, they'd have been executed before Azula could move again after being chi-blocked.

sure, being resentful about being in prison is fine, but if you don't want to go to prison, perhaps don't commit treason in front of the god-damned crown princess?

now, the worst of all: Azula always wanted to be Fire Lord.

Azula...

born fifth in the line of succession...

who has her grandfather, her father, her uncle, her cousin and her brother in front of her...

Azula always wanted to be Fire Lord.

you mean the kid that has abandonment issues?

not even counting that. after the whole shit with Lu Ten dying, Azulon dying and Ozai usurping the throne. she still has 1) her father in the throne and 2) Zuko as the crown prince. to want to be Fire Lord even then, when she's a lot closer to it, is making her want the people she loves the most to be dead or exiled.

even if you don't believe that she loves someone. why would she bring Zuko back home, restore him as the crown prince, if she wants to be Fire Lord? leave the guy there, betray him after he helped you, that would make more sense for a power-hungry secondborn daughter of the secondborn son than bringing your only competition to the throne.

I don't know where the idea that she always wanted the throne comes from, I just know it's stupid and doesn't fit anything in her show characterization

[trashfactorysstuff]

Lulu, Lala and Zuzu :-,)

Tbh i didn’t have much hope for it and it was more for the funzies than everything.

[stardust948]

*Baby Zuko and Baby Azula crying because their pet ran away*

Lu Ten: *bows head*

Ursa: You too?

Lu Ten: Nope. I'm good.

Ursa: Look children, I know it's hard to say goodbye-

Baby Zuko: I'm mostly sad because you're not sad!

Ursa: What? Me? What about Lu Ten?

Baby Azula: Lu Ten cries on the inside Mom!!!

Lu Ten: It's true.

[hyacinths-in-a-storm]

ah yes my favorite trope. Bubbly girl who finds a way to overcome some magic limitation x feral over-powered lesbian with mommy issues (+bonus points if bubbly girl is transgender/enby coded and feral girl has something going on with her hair)

[vanilladrizzlequeen]

Mai: Don't worry, I have a few knives up my sleeve.

Azula: I think you mean cards.

Mai, pulling knives out of her sleeves: No, I do not.

[firenaition]

the many faces of baby azula