#main = memorable to me if I didn't include one that's why

[hayden-christensen]

@pscentral​ event 07: space

MAIN PLANETS and MOONS in the STAR WARS MOVIES

[strangerblurbs]

A story in which an author projects her OCD onto Eddie Munson. Featuring Steve being a helpful [boy]friend.

Sometimes words just stuck with him. Eddie wasn't always aware of when it happened, and no one else really caught on either. Often he'd hear a word, and repeat it over and over in his head. Sometimes, he'd hum it until the melody of the word left him. Most commonly, he would find himself writing out the word with his finger. He didn't always realize he was doing it, and it wasn't always noticeable until his nail accidentally dug into his skin. He'd trace words—letter by letter—, using the tip of his right index finger as a pen on the canvas of the pad of his thumb.

It wasn't typically an issue. Sure, it got annoying when his brain kept a word on loop. It hindered his thinking and focus, but he figured he kept up well enough that it wasn't an issue to share with others. The writing wasn't a social hindrance in the slightest, so he really never felt compelled to point it out to anyone. If anything, it made him feel more like he was paying attention, because he was hearing the words and writing them down. He's pretty sure he remembered a teacher once telling him writing down information would help him retain it better.

Eddie wasn't sure what to make of his habit. He wasn't usually aware of when he was doing it, only noticing when he looked down at his hand or needed to use his hand for something. He couldn't quite pinpoint why he did it either. It just happened. On several occasions when he was a little younger, he would try to pay attention to when he did the writing. He still couldn't decipher a common theme among the words or pacing. It just happened, and at this point he accepted that. He also couldn't recall doing it as a young child. It just began one day in his adolescence, and he couldn't seem to shut it off.

Steve caught him in a trance. He heard the word "freak" earlier. It wasn't in relation to him, but it was enough of a reminder of the times it had been. The word looped is his mind. Eddie's brows were furrowed, and his expression worried. He sat on the couch, legs pulled into himself, one hand under his chin, the other loosely near his face. He jolted when Steve waved his hand in his face to pull his attention. "Hey man. Where's your head at?" Steve watched as Eddie's right hand began to fidget. Not that Steve could tell, but Eddie had fixated on the word "where". Upon closer look, Steve noticed only Eddie's index finger was moving, but the motion was so quick that it caused his entire hand to shake. At the same time, Eddie acknowledged Steve's presence. "Oh, hey. Sorry. I was just thinking." He blinked a few times, lightly shaking his head as if his brain was clearing the thoughts like an Etch A Sketch.

Once Eddie looked more settled, Steve sat down beside him. Eddie couldn't figure out why Steve had such a look of concern on his face. "You do that a lot, you know. The whole stuck in your head thing. It's not bad to think, but after what you've been through—after what we've all been through—I worry when I see someone too in their head. Are you okay, man? Your hand is all fidgety, and you do that a lot too. Is that a nervous tick or something?" Eddie just stared at him for a second. After dealing with the Upside Down together, he'd learned to not trust his perception of Steve. He still hadn't expected the guy to be so caring, so perceptive.

"Uh yeah, man. I'm okay. I, uh, I was just remembering some stuff, and the thoughts wouldn't stop coming. I'm good now though." His brain ejected the word "freak", but his hand caught it. He began to write it. At this point, he knew what he was doing, but he wanted to focus on his conversation with Steve. It would be too much effort to assess the action and make himself stop, so he ignored it and continued. Steve didn't look convinced. They looked at each other for a moment before Steve began to hum. Eddie recognized it as Queen's Somebody To Love. He was going to question it until he felt warmth on his hand. The movement of his index finger stopped as he adjusted his hand to link with Steve's.

He knew the song choice was likely because Queen was one of the bands they both enthusiastically had in common, and that was nice in itself. Eddie knew Steve wouldn't understand just how perfect of a choice it was. Music had always been an outlet for Eddie, but it wasn't until the last few years that he'd realized how much the repetition of lyrics calmed him. He relaxed, unfolding his legs and leaning into Steve. As the song came to an end, he found himself humming along to the outro. His brain was still on a loop, but the song lyrics were soothing. It was a good distraction for the time being, and Eddie tried hard to stay in that moment for as long as he could.

[blossomthepinkbunny]

Vivzepops fetishization of queer men and the lack of Sapphic content in HH and HB

I found it a bit dissapointing that Charlie and Vaggie had very little interactions that could be read as romantic or sexual, especially since they are the supposedly the main couple of Hazbin Hotel and have been together the longest out of most of the couples in HH and HB.

Of course having more casual representation is also fine but the most memorable thing about their relationship was the quickly resolved argument they had when Charlie found out about Vaggies past. I've seen different opinions about how they were handled as a pair.

I understand when someone says that they enjoyed a more relaxed couple with subtle, realistic interactions, interactions that are often overlooked just because both characters are female.

But I can also agree, that they were really not a stand-out couple (wich is weird since Charlie is the main Character) and that it was a bit dissapointing to not see a lot of content for them.

Now the main issue I found with this is that in Vivzepops stories there is a definitive lack of sapphic content. It sometimes seems like women are sexless unless they are with a man. But two men can be sexual and openly affectionate (romantically too). At first I didn't really understand why I felt weird about Chaggie as a couple, so I looked at all the implied/canon ships in Helluva and Hazbin (including past relationships).

Implied/canon couples between a man and a woman:

-Millie and Moxxie

-Blitzø and Verosika

-Stolas and Stella

-Millie and Chaz

-Beelzebub and Vortex

-Sir Pentious and Cherry Bomb

-Adam and Lute

-Lucifer and Lilith

Implied/canon couples between two men:

-Stolas and Blitzø

-Asmodeus and Fizzarolli

-Moxxie and Chaz

-Angel Dust and Husk

-Vox and Valentino

Implied/canon couples between two women:

-Charlie and Vaggie

Now please tell me if I missed any, but these were the ones I could think of.

Honorable mentions include Loona & Vortex, Blitzø & Striker, Blitzø & Chaz and Blitzø & Fizzarolli. But I didn't put these on there because they're either one-sided or don't have enough romantic content.

Now it's very easy to see the difference between representation for queer men in comparison to queer women in these shows. The only relevant (im not counting Background characters) Sapphic relationship there is, is Chaggie. And it's completely underrepresented when compared to the content the man x woman or man x man ships get (not to mention the total absence of gender-queer characters).

One of Millie's and Moxxie's jokes is that they're so in love, that they're almost always cuddling, holding hands, talking sweet or just straight up making out with eachother (I'll talk about Millie a bit later). Sir Pentious had multiple scenes dedicated to him trying to confess to Cherry Bomb or just crushing on her in general.

Stolas' and Blitzø's relationship has become one of the main topics of Helluva Boss and they get a Backstory and explicit aswell as dramatic scenes for them as a couple. The same goes for Asmodeus and Fizzarolli (except that their love isn't as important). Angel Dust and Husk get a song and part of an episode for their relationship to develop.

Here i'd also have to mention that by the list I made Vivzepop's fetish for queer men is very prevalent. Most of the couples between men and women are either past relationships or they get very little attention to them. The only ships that often get special focus, development or explicitly romantic/sexual focus are ships with two men (no matter if their dynamics are even good, healthy etc.).

Now for Millie there are different ways you could talk about her situation with relationships. In general I think that everyone can agree that Millie lacks Character and is a good representation for the neglect of the female characters. Most of her moments revolve around Moxxie in a way and she hasn't had precise characterization so far.

Millie's relationship with Moxxie is sweet and simple and is generally one of the better things about Helluva Boss (if you ignore Millies lack of personality wich really pulls the couple down for me). Now the Episode "Exes and Oohs" shows the mutual Ex of Millie and Moxxie. Chaz dated both of them and as we see in the episode affected both of them very negatively. At the start we literally see Millie freak out and destroy a bunch of stuff, just because she saw Chaz on the street.

Yet Millie's relationship with him is never explored further. All we know is that she dislikes him and that he's a giant asshole. Whereas Moxxie get's a whole Backstory and episode plot about him and Chaz. No focus is given to Millie at all even though Chaz is the ex of BOTH of them.

Another thing that I wanna point out is Millie's possible Bisexuality. Now im not so sure for this point because I couldn't find genuine confirmation on wether Millie is actually confirmed to be Bisexual or if it's just a headcannon. So take this with a grain of salt BUT if Millie is Bisexual then she perfectly shows how little Vivzepop cares about Sapphic representation. What does Moxxie get to confirm him as Bisexual? An ex of the same gender (also multiple explicit flashbacks with him), a whole discussion about his queer identity and a scene where he literally says that he's Bisexual. Moxxie is pretty good Bisexual representation in that regard.

What does Millie get? Nothing. Again I don't know if she's genuinely also Bisexual or if it's ever been confirmed but it'd also be pretty weird if Vivzepop apparently cares so much about queer representation and then doesn't confirm any female characters as actually queer.

I think a lot of people have talked about her blatant fetishization of queer men and I think that that's also mainly why I feel weird by the lack of attention on Vaggie and Charlie as a couple.

I sorta wish I could enjoy a more toned-down and realistic couple in these shows, but when I see that a ship like Vox and Alastor (wich isn't canon nor would it even happen since Alastor is Aroace) is talked about more than the actual main character's relationship I just don't like it.

There's so much more you could say about poor queer representation by Vivzepop (like the fact that she's fine with people ignoring Alastors Aroace identity, and the stereotypes etc) I mainly wanted to talk about the neglect of her female cast in terms of sexuality.

[raeynbowboi]

HOW TO PLAY AS THE BELCHERS IN DND 5E

Today, we're going to explore how to build the Belchers as a DnD Party. Plus Teddy. We're not really going to touch on stats. Let's be honest, the Belchers aren't really great at anything. If we were building them accurately, they'd all be super low level and/or with terrible stats. But it's your character and your campaign, so you can make them more or less optimized as you see fit. They're also all basic Humans, so we're pretty much just focusing on their classes and subclasses.

BOB BELCHER

PALADIN OATH OF DEVOTION

Bob is largely defined by his principles and values. As Tina puts it, Bob is a good business owner, but a bad businessman. He cares more about providing a quality service and succeeding his way than making money. And in Little Hard Dad, he's shown to say "It's the principle of it" way too often. This to me reads as a Paladin. Given his belief in quality service and moral principles, I label him as an Oath of Devotion Paladin.

VARIANT BUILD

FIGHTER SAMURAI ARCHETYPE

Bob is pretty boring and straightforward, which makes Fighter really fitting for his personality. If he was going to model himself after anyone, he'd choose Shinji Kojima/Hawk. Thus, the Samurai archetype. However, if we're leaning purely into the boring practicality and straightforwardness of Bob, I might suggest Champion instead. It's the most Fighter-y Fighter you can build.

Regardless of his class, make sure to pick up proficiency with Cook's Utensils or the Chef Feat.

LINDA BELCHER

BARD COLLEGE OF DANCE

Telling Linda Belcher not to sing or dance is like telling Tina not to talk about horses or telling Bob not to cook. It's just not going to happen. She loves the theater, she sings all the time, and she was once in an amateur garage band. All the makings of a classic bard. Given her love of dancing, I went with the College of Dance.

TINA BELCHER

CLERIC LIFE DOMAIN

Tina is the family member who puts the most stock in things like fate, true love, karma, and damnation. She is also one of the characters that mentions religion more than anyone else. More specifically, she strikes me as a Cleric of Sune, the Faerunian Goddess of Love and Beauty. Sune's virtues include following your heart wherever it leads, championing love and romance at all costs, taking any risk in pursuit of love, being true to your heart and your passions without shame, and trying to make the world a more beautiful place. As such, Tina is the perfect candidate for a Cleric of Sune. Sune has two domains: Life and Light. Given that Tina has at least some interest in nursing, the Life Domain seems more in-line with Tina's values as a follower of Sune.

GENE BELCHER

SORCERER WILD MAGIC ORIGIN

I know, I know. It's a sin that he's not a Bard. But Gene and Linda are very similar characters, and both work as Bards. The best thing for a party is diversity. So, I looked at Gene's personality beyond just his music. And the core of Gene is whacky nonsense. Usually, when Gene tells stories, it's an excuse for weird imagery. The Banana-fullo, Fart School, radioactive pizza sauce. Thus, the Wild Magic origin for Sorcerers spoke to me. Gene loves whacky randomness, so he would be drawn to Wild Magic. Plus, he's not really a good bard. He hates practicing, he's unfamiliar with the concept of a workbook, and kind of just expects a music career to be handed to him. Hell, when he got cast in a play and had all of two lines, he didn't memorize them, and wanted to ad lib every take. Gene's a sorcerer with the Entertainer background, but he is NOT a bard. He doesn't take his craft seriously the way Linda does.

LOUISE BELCHER

ROGUE ASSASSIN ARCHETYPE

One of Louise's main skills is her ability to pick locks. Bob is literally afraid to go into her room as he expects boobie traps to hurt him. She's a clever tactician, masterminding several heists and revenge schemes. She's good at tricking people and lying to their faces to get what she wants. As for why she's an assassin, in the episode where Louise is uncertain of her future, one vignette paints as a John Wick style Wedgie-Sassin. She's also a fan of Francine, a Special Girl doll that spied on the Russians during the Cold War. She's not typically a fan of girly things, but she does like the one that's a spy. She's definitely the family member who would be the outlaw punk of the group.

RANGER GLOOMSTALKER CONCLAVE

In more recent seasons, we've seen a newfound interest in archery, with Louise even making a zombie movie centered around her blossoming hobby. The Gloomstalker/Assassin multiclass is also a very good multiclass in combat, which is why I felt it was the most fitting for Louise. She's also pretty accurate with other ranged combat like spitballs and throwing things at people.

TEDDY THE HANDYMAN

ARTIFICER BATTLE SMITH

This one pretty much goes without saying. He's a mechanic and handyman, he's used to moving and hauling heavy objects, plus he's burly, making him a great fit for the party's tank. The Battle Smith is an artificer built for the front line, and they get to be joined by a mechanical ally. Teddy would absolutely take a hit for any of the Belchers. The guy also fell off a roof and walked it off, so he's definitely got the highest Constitution score of the group.

I think this party turned out alright. Bob and Teddy are on the frontlines, Linda and Tina are the primary support, Gene is a ball of pure chaos and uncontrolled energy, and Louise is sniping people from the shadows. Everyone's doing what they should be doing to work as a unit, and also happen to be a fairly well-balanced party as well. This is an especially good party for low stakes and silly campaigns, but probably not the kind of party you want to bring to Barovia or Avernus.

[anundyingfidelity]

YOUR PORTRAIT — Adam Warlock

Summary: Your sketchbook is very special, as you keep special memories and drawings of your friends and things you find fascinating, among them, there is Adam.

Pairing: Adam x guardian!reader (gender not specified).

Warnings: none.

Word count: 1.3k.

Note: this is a request I received, I hope I did it justice!

☕ if you like my writing, support me with a ko-fi !

GEN MASTERLIST!

It was a very silent trip on the Bowie on the way for a new mission. Odd, you thought.

However, silence was not an issue at all for you. Not that you were paying attention to the Guardians or listening around. Low music was playing softly on your earbuds as you finished some details on the new drawing you had been preparing on your well-worn notebook.

Giving some quick glances, you took in every shade and light over Groot, who was sitting a couple of feet away from you. A soft smile curved on your lips. Drawing was a very special activity for you, and it was usual for you to draw things, creatures and people around you that you thought they were special or meaningful. Your last piece was a sketch of Groot, and actually it didn't look bad.

You watched your sorroundings, Drax coming near by to take a seat by your side while on the ship. You knew he was talking by the way his lips moved, but you didn't pay any attention to him, instead you focused more on your sketch. Until the music stopped playing and you heard his voice.

"That's a weird thing you do."

"Excuse me?"

"This," Drax pointed your drawing with his finger. "Why staring too long for this?"

You rolled your eyes, taking off your earbuds. "Why? Are you jealous you're not in my special notebook?"

"I am not!"

"Then shut up-"

Drax took the notebook in his hands, leafing through the pages full of sketches. He found out a lot about the Guardians - sketches of Peter, Nebula, Gamora, Groot, even him and Rocket - but what caught his eye was a drawing of the new golden boy.

The man let out a rather loud hysterical laugh, making you mad, meanwhile he took in the details of Adam's sketchs and drawings on the pages.

"Looks a lot more effort for these," Drax said.

"Ha, ha. You're very detailed oriented, now give it back."

"Talk to him," he insisted, looking into Adam's drawings.

Drax gaze directed to the golden boy across the ship. Adam looked lost in his own mind. Poor dumb guy, Drax thought. Adam didn't know he was the main character on the notebook resting in his hands.

"What do you mean? Give me my notebook right now," you were getting tired at this point.

"You draw like you're memorizing every inch of him," Drax whispered. "And you look at him like you're doing it."

You sighed, of course you did not. At least not that you were ready to accept that fact. "I really thought you were an idiot, but I don't."

He snorted and gave back your notebook. "I am not an idiot."

The Guardians were hoping this mission in particular was easier than others you did before. Little they knew that you were the one who would get injured during it.

On the way back to Knowhere, Rocket had ordered Adam to look after you. You fell unconscious after a long battle on a strange planet you visited, and Adam was there for you in case you woke up, but it never happened.

So once you arrived back home, he took you to the Sanatorium as Rocket ordered. The nurses treated you there and helped to check your vital signs. They said you were doing fine and might wake up in the next morning, however, Adam decided to stay after informing the team of your state.

He had with him your bag, including that special notebook you always carried everywhere. Sitting near your bed, Adam wondered what was in there that you protected it so much. Slowly, he took the well-worn notebook out of the bag, checking every detail.

Adam thought he was not being careful, but his own curiosity was stronger than the wish of doing the right thing and being discreet with your belongings. He saw you were deep in your sleep, hopefuly you would wake up soon.

Slowly, he opened the notebook and he was in awe. The sketches and drawings were beautiful and delicate on every page, everything looked perfect. Adam couldn't believe you made this with your own hands, and he became surprised when he found himself on those pages.

Was he really exactly as you portrayed him to be? You captured his expressions and details on point, but he didn't think of himself as you did. Adam thought you made him look perfect, which he soon had to learn he was not. Forced to get out of the cocoon too soon, Adam felt he was lacking of a lot of things, but he felt flattered seeing your beautiful drawings.

You both didn't talk a lot before, but he was worried about you and he would not leave your side until you opened your eyes again. Seeing your notebook showed a new side of you, about who you were, and he loved it. How he wished he could get your talent to show you how gorgeous and beautiful you looked in his eyes too.

When you woke up, you were surprised and scared of being in the Sanatorium of Knowhere. You were alive and that was something.

However, you realized Adam was sleeping on a couch near the bed in your room, with your notebook lying on his lap. Inside, you felt a little ashamed that he might looked at it, but you were happy he was able to get it for you.

Sitting down slowly on the bed you took the notebook from his lap, careful of not waking him up or making a lot of noise. He looked so tranquil and beautiful just by doing nothing, with his eyes closed and chest rising up and down smoothly. You quickly opened the notebook and noticed in the final pages a sketch you never did before.

Was it you? It looked like you. The drawing was a little childish, and the author drew a small landscape around, with a smiling moon in the background sorrounded by little stars all over the place. A smile formed on your lips.

"You're awake," Adam whispered.

"You are awake too," you replied back. "Did you do this?" you asked, showing him the page you were checking. His cheeks started to burn immediately.

"I- um, I'm sorry- I- I shouldn't-"

"I love it."

Adam gulped, feeling more relaxed after seeing your smile.

"I just thought that you always draw us and these beautiful things, but nobody ever does the same for you. Of course, I am not as good as you are, but I tried and I was waiting for you to wake up since you fell unconscious back there..."

You nodded at his explanation, loosing yourself on his eyes and his features, most of them you had them already memorized due to the amount of times you drew him on your notebook.

"I think is cute, thanks, Adam."

"Thank you... for drawing me. I guess I don't see myself as you do," he confessed and started to get up from his seat. "But I really should call the nurses and let them know you woke up-"

"Before you go, I want to say I'm sorry if I also made you uncomfortable with my portraits of you, is not my intention."

"I'm not, at all..."

"Good," you let out a sigh of relief. "I guess you're fascinating. I wanted to capture that, sometimes I think I got too carried away."

"Well, I loved it," he replied remembering your words as he walked to the door. A charming smile appeared on his lips. "Maybe you can teach me how to draw later and I could make the perfect portrait of you."

You giggled softly, was he flirting right now? "Just tell me when, it'll be my pleasure."

[sunflower-lilac42]

✧ 𝐖𝐞𝐥𝐜𝐨𝐦𝐞 𝐭𝐨 𝐭𝐡𝐞 𝐄𝐫𝐚𝐬 𝐓𝐨𝐮𝐫 𝐩𝐭. 𝟏 || flowers au ♔

the eras tour thoughts/headcannons with bedsy and v

welcome to the eras tour! there will be two parts of this, one is the one you're reading now which is just an overview with some extra thoughts and the other one will be a fic + insta edit

➺ so violet is a big taylor swift fan, like huge. any chance she gets she's listening to taylor

➺ she doesn't have an all time favorite, it varies depending on the mood she's in

➺ she does have a favorite song and it's mary's song

➺ as we know, connor does everything for this girl, including buying her tickets to the eras tour... twice

➺ he is so desperate to take her on this tour because as much as she's wanted to, she hasn't gone

➺ he initally got tickets for the august 7th date but then he started getting all of these fan theories about how taylor might be announce 1989 on august 9 so he really wanted to take her to that one too, becuase he's whipped

➺ they've only known each other for about a month at this point but they instantly clicked so yeah

➺ for august 7, they are in the upper level towards the middle because connor never heard the end of it from violet about hwo they were the best seats

➺ then, for august 9 he went all out and got the vip package because like i said, he's whipped af

➺ when he surprises her she is intially worreid about his bank account because even though he tells her all the time he plays in the nhl, she's like 'you don't just get money right off the bat'

➺ she never finds out how he pays for it and neither do we

➺ after he assures it's okay she's really happy and nonstops thanks connor for the tickets

➺ the day after she finds out connor got her tickets, she finds out that adam and luca also got her tickets becuase they wanted to give her a gift before they weren't able to be there for her as much anymore

➺ it's for the august 8 show and she's just like, 'wtf i went from going to no shows to having three back-to-back-to-back'

➺ they do not want to go but they also didn't want her to go alone so he got cole and luke tickets as well and made them go instead, which they are more than happy too

➺ she knows she has camp in a few days but she couldn't care less

➺ this is the one time she allows something else to take priority over school

➺ before the shows violet makes connor study religiously for this concert

➺ she wasn't about to show up to her favorite artists concert with someone who doesn't even know 'you belong with me'

➺ she pulls out the set list and calls connor, telling him which songs to listen to and and in which order

➺yes, he could've just added the playlist that was already made for the tour but he created his own with a description and everything

➺ he listens to it every day in prep for it not wanting to disappoint her

➺ he prioritizes certain songs, the ones that are her favorites because he knew that would mean more to her than the other ones

➺ he definitely takes the time to learn all too well and memorize it

➺ he's caught up on all the taylor easter eggs because violets been sending them nonstop for the past to weeks

➺ he learns new romantics too just in case because if he was going of impress her he needed to know at least one of the surprise songs

➺ even though i know it was taylor being a mastermind, new romantics being on of the surprise songs for them is just golden

➺ connor loved watching her all throughout both shows because she just had this permanent glow on her face the whole time

➺ she turns him into a swifty

editor's cuts ~ my random thoughts that popped into my mind while making this or thoughts that i made but didn't actually like enough to put in the main portion (*)

➺ boy is so whipped for her and they aren't even dating

➺ this man literally does everything for her/will do everything for her so we should not be suprised

➺ connor pulling money out of his fucking ass for this one but anything for 'his flower' (gag, i don't know why i wrote that)

➺ why did i make them so cheesy

➺ i think connor should go to somewhere where they teach people how to save their money

➺ connor you do not have money to just blow through

➺ violet hates when connor buys her stuff*

➺ violet secretly thinks her brothers are trying to one up her 'mystery man'*

➺ adam and luca do not like the fact that connor buys her everything even though they don't know who he is*

𝑻𝑨𝑮𝑳𝑰𝑺𝑻 ˏˋ°•*⁀➷

if your name is crossed out it means i couldn't tag you

@ivy-34 | @itsnotgray | @daisysnhl | @love4ldr | @dancerbailey3 | @love4lando | @thescooby-gang | @biscuit-muffin05 | @toasttt11

[koeniginderskizzen]

Firstly, thank you so much, and I probably should've asked what kind of shipping wars, since the most shipping toxicity I see from Goh is sadly lowkey homophobia.

Secondly, I wanted to get this done sooner, but university exists.

Oh well.

When I red this I thought, "of course, I'd love to do that" since I really love Goh as a character as well.

He's very entertaining with a rich personality and great chemistry with Ash (and I don't really care about his ability to turn every ball into a master ball).

So my first thought was to draw him playing a Pokémon game with every single Pokémon game ever included in the illustration.

But quickly 2 problems made themselves clear, namely what kind of self-offing mission would it be to really look up every. single. game?

And secondly, isn't exactly that the issue?

One of the main reasons why people don't like Goh is because he catches so many Pokémon flawlessly without effort. Wouldn't him owning every single game ever just support that?

So then it came to my mind that I should just draw him the way he managed to resonate with me the most.

He's lonely, and he doesn't know why.

I haven't watched the series in a while, let alone that episode, but the most memorable, and my favourite Goh episode in the anime was when Sobble evolved and became withdrawn.

What stuck in my head was Goh remembering how he himself was quite the loner as a child, and when he was asked why that was, he just didn't know. That and him giving Drizzle it's space and them crying under the stars together.

Like, dude, he just like me for real.

Before I developed the skills to understand why I was such a loner/ lonely I got asked that same question, and I didn't know either, the people that asked me also never really understood. (And of course I also enjoy a good cry under the stars 🥲)

That aside, I'm not that happy with how the picture turned out, since we don't see that much of Goh (but then, that's also kinda the point, ig), it's a bit less lively than my other artworks, and I had quite the trouble with positioning him, but I think it's decent enough, I just hope you like it as well.

[daenysx]

Hi friend ! 😘 I love your works so much and if you have requests open I have an idea:

Fem reader is out doing errands or something and some stranger is really creepy towards her and she is very scared and when she gets home tells aemond and he makes her feel safe and secure and lots of fluff and reassurance and soft aemond

If it’s triggering or you’re not into I totally understand- I just love the way you write and portray characters 🥰 Much love to you always ! Looking forward to your new works 😍

thank you for your sweet words and this request, i hope you like this!! i tried to write the fluffy part as the main plot because i'm in love with soft!aemond.

this is probably the fluffiest fluff i've ever written. <3 please read the request first, it can include triggering content.

requests are open!!

my masterlist

the one you call

modern!aemond is there for you when you feel uncomfortable because of a stranger.

you feel your hands shaking with anger and discomfort as you walk through the door to the apartment you shared with your boyfriend, aemond targaryen. maybe it would be better to call him and ask him to pick you up, but you cannot bring yourself to care right now.

you have always been the kind of person who takes care of herself. calling or asking for help are never your first options, it's who you are. sometimes you get angry at yourself for being so stubborn though, just like today.

you will not cry. you don't want to cry.

you unlock the door with your key, only to find aemond sleeping on the couch. he doesn't wake up to the sound of opening door and the moment you see him sleeping, you decide to not wake him up. your boyfriend needs to rest after a busy day at his family's company.

you silently change your clothes, wash your face with cold water, and prepare yourself a cup of coffee. you try to calm down when you do these most natural things but still the feeling of discomfort is there.

you take your cup and sit next to the couch your boyfriend's sleeping. he has to be tired if he still doesn't wake up. you watch his face like you don't have the image of him memorized in your mind.

his hair falls to the pillow like a platinum blonde perfection. his eyepatch is thrown away, his breathing is steady. he softly mumbles a few unconcious words, his lips look kissable and exquisite as he whispers to his dreams.

you drink your coffee slowly, try to relax and be calm. it's okay now. nothing can hurt you when aemond is with you. besides the confidence of being able to take care of yourself, having your strong man with you feels more secure and safe, always.

he slowly blinks and the first thing he sees is you. the image of you sitting there, wearing one of his shirts and drinking coffee from his favorite cup makes him smile.

you smile too, when you see him awake. it feels like a broken smile though, not like your usual ones which makes the room shiny in his eye. sleep leaves him as he sits on the couch and opens his arms for you.

"why didn't you wake me up, pretty girl?"

you settle in his arms comfortably, searching peace in his hold. you bury your nose to his neck to find the smell of his hair which always make you aware of his presence.

"you needed to rest, love."

he smiles and leans into your face. he gives you messy kisses filled with love and adoration. being in his arms feels safe like the world out there cannot touch you when he is here. you wish you can feel the same things when you are alone.

he feels your hands on his neck shaking and your breath becomes unsteady.

"what is it, baby? why are you sad?"

your tears fall and you can't help it. keeping them from falling has hurt you and you can't resist when you are in his arms.

"it-it's not a big deal but- a man-"

aemond loosens his hold and his hands cup your cheeks.

"shh, don't panic baby. we have time okay? take a moment and tell me afterwards, come on."

this is the last step for your tears. you wrap your arms around his neck and let them fall. he holds you like a baby, his fingers are on your hair. this is a safe space for you. you can cry, you can smile, anything you'd want and he would accept it.

he would give you anything you want.

it takes a few minutes for you to talk again. you look at his eyes, they are covered in worry and adoration.

"there was a guy in the street and i was just walking and i don't even know what happened, you know? he was weird and it made me nervous."

it's hard to tell how he feels.

"nothing happened but i hate when people like him just coming closer and saying shitty things just because they think it's somehow their right, it's-it's so-"

he understands what you mean and for a second he cannot stop himself from being angry. he is angry at the guy, he could punch him without taking a breath for feeling a girl -his girl- like this.

he is angry that he wasn't there to comfort you, to let you think you should take care of everything by yourself. he should make you know that no matter what happens, no matter who is hurting you, he will be there for you. he will always make you feel safe just like you make him feel that way.

he knows that you know he understands you, that you will not continue talking about the guy.

"you know i love you, right? i love you too goddamn much, i should try and think the right words to express it. you are perfect and no one can do that to you. no one can do that to anyone."

you listen to him, your perfect man. his eye focuses on your expressions as he speaks, determined to make you believe how much you are loved by him.

"i know you can take care of everything. you are my strong girl, of course you can do anything but when you feel like you can't do it anymore, i'd like to be the one you call. you know that, right? my sweet girl."

you nod, leaning into him and kissing his cheek. it will take time for you to stop feeling the discomfort but still you feel much better now that he knows. he knows and he understands, he will be here.

"now, i want coffee and i think you'd like a second cup. choose one of that sitcoms you love and wait for me under the blanket. please, sweetheart."

you smile, handing him your empty cup. he goes to the kitchen, you go under the blanket. you wait for him eagerly for minutes.

he joins you and holds you closer when you smile at the show. he kisses your hair, lets you play with his rings, and hands you your coffee cup whenever you want.

you spend the entire evening wrapped around him until you fall asleep, your face buried to his neck. it feels safe, secure, and lovely.

[am-i-the-asshole-official]

‼️ aita for looking out for a friend?

(all 17, pronouns provided for everyone included other than me)

so I have a relatively small friend group, including people who I'll call T (they/them, my best friend), G (he/him, the friend the title is referring to), and B (she/her, we don't get along). B and I have been on our high school theater team for 4-ish years together, right from the first show post-quarantine to (hopefully) our last senior show in April next year. Last year, my friends T and G joined for a murder mystery show and G LOVED it. we performed it, went into summer, and came back for our senior year. Now, it's important to note that B, T, and I are also on our school's robotics team and off season events typically fall around the same day of theater competitions (dont ask why there's theatr competitions, we mainly do them for fun). B has already said that theater is more important to her than robotics, so our theater director decided to do a two person show.

Our director had already said she wanted B and G to play the parts in the show, but we all asked for an audition anyway. Auditions come around, all four of us audition. We actually talked about doing a different show in our senior meeting a week before that had 5 roles, but everyone agreed that the two person show would be better. B decided to bring up a year old issue we had where I was venting about only getting minor supporting roles where I either die or spend half the show off stahe. I had said in that conversation that before roles were casted, I wanted B's roles. It was the biggest role in the show with no time off stage and I felt like I was at a point i could handle it, but B got the role and it was fine! I was chilling with my yelling role. Well, B heard this and interpreted it as me saying I could do her role better and stormed out of class after yelling at me about it.

This went unresolved for a YEAR because everytime I tried to talk about it she'd either yell at me or change the topic. And now she was using it as a petty argument to show that I'd be upset if I didn't get a role. This isn't even the worst thing that's happened between us, but let's get back to the aita.

So, as of the time I'm submitting this it's only the first week of rehearsals. B and G are both almost off book, which is impressive for G because this is only his second show. He's absolutely amazing at his role but has a habit of getting the idea of his lines and paraphrasing them (if that makes sense? like if that line is "it'll only be a second, let me check." he'll say "let me look ill only be a second"), but beyond that he's REALLY good at making you feel the proper emotion already. The Main issue with him already is he's missed two days of rehearsal, which wouldn't be bad if we weren't so late starting. He missed one day for a sport meet and one day for his sisters birthday, which was understandable to everyone other than B.

B lives, eats, and BREATHES theater at this point and if you don't take it as seriously as she does, she'll try to get you kicked off the team. Since G missed two days, B thought he wasn't taking it seriously enough and decided to tell our director. G was absolutely devastated, he was already misses an event that'd get him really good contacts for the field he wants to go into because B asked the director to make all of the rehearsals mandatory BECAUSE he wanted to do the event. He came to T and I to talk about it and I decided to go to rehearsal that night to warn the director B was trying to get G kicked off. B's full reasoning for trying to kick him off was that he wasn't prioritizing rehearsal and hadn't memorized his lines yet (again, first week).

Rehearsal went absolutely amazing, they were both almost completely off book for one of the longest scenes and did it so soso SO WELL. Once rehearsal ended after 3 hours and B left the room, I went to go tell the director. The director immediately shut me down and told me if B had something to say I don't have to warn her. G and I left trying to wrap our heads around what to do. I didn't want him to be kicked off and deal with the shame of not feeling good enough and he felt insulted that someone he thought was his friend would go through so many hoops just to pretty much sabotage a hobby of his. We agreed that if the director went through with kicking him off we wouldn't go down without a fight.

But, that was that, and I got home and joined a call with some other friends to decompress from how stressful the entire situation was. I would've been completely de-stressed if it weren't for the fact B texted me an hour after rehearsal ended with just "what happened between us?" Apparently, our director had told her that I was trying to warn her that B was gonna say something. I realized that B still thinks we're on good standing, friends even, when I absolutely do not.

I don't know how to go about telling her that any thread of friendship between was severed a long time ago, but I think me trying to protect G and keep him on the team was the final straw for her. I can't tell if I'm just blinded by my dislike of her or if I really fucked up in this situation.

What are these acronyms?

[itsclydebitches]

for all that it's very clear RWBY took influence from a lot of anime, the writers sure don't seem to have learned much of anything from it. i'm watching the redub of the classic sailor moon anime right now, and it's insane to me how much better this thirty-year-old anime packed with filler was at things like character arcs and believably redeeming villains and having a main character that is at once childish and yet a great leader who, when the chips are down, could talk some of the worst evils in the universe down from their plans.

if anyone could talk salem out of her plans for world annihilation by just being able to love her, it's usagi tsukino.

Right? Man, I'd pay for a high-budget, animated version of that crossover lol.

That's one of the big arguments of the Why RWBY is Disappointing vid though, using Cowboy Beebop as an example, if I remember correctly. There's no doubt that RWBY has been influenced by a number of classic series, but deliberately mimicking something that worked in another show doesn't guarantee success, particularly if you don't understand why it worked in the first place. I'm constantly emphasizing that stories are whole products made up of a thousand smaller pieces, like a puzzle or a patchwork quilt, and simply slapping one piece down because it looks good in another story isn't enough. You have to carefully build everything around that piece so that it fits into the unified whole. Continuity, world building, characterization, setup... RWBY is very good at throwing out those "cool" moments, but it does none of the work ahead of time (or, just as often, after the fact) to make those moments satisfying outside of the initial adrenaline rush of watching.

Plus, RWBY is over-crowded nowadays. Characters, mysteries, real world issues, and those "cool" ideas have populated like bunnies until, I think, it's easy for a lot of fans to just get swept up in the spectacle of it all. The simpler your story is, the less there is to hide behind, which is why I think a lot of manga like Sailor Moon still rings true 30+ years later. If you do right by your core concepts and prove to the reader (often subconsciously) that your storytelling skills are strong, it will resonate even after new generations have different expectations in their media, or these ideas have become "cliche" in wake of that initial popularity. If we go with a food comparison (always my favorite lol) Sailor Moon makes me think of something like good home cooking. Looking at it now it's simple, it's straightforward, it has some technical flaws, but the comparatively low number of ingredients have all been treated stunningly well and there is an insane amount of love poured into the dish. Meanwhile, later seasons of RWBY feel like a semi-successful restaurant serving a special so long it took the server a week to fully memorize it, rattling off an absurd number of ingredients and fancy techniques used until you're not even sure what the dish is supposed to be anymore. Some diners go, "Wow, what an amazing, clearly high-end dish! And they've included this super rare ingredient which means it must be good." Meanwhile, others are going, "... Honestly, that sounds like Too Much. I'd have preferred a simple, well-done pasta." And all the while the restaurant—which is pretty big and popular now, garnering a lot of critical attention—is trying to pass this complicated, fancy-for-the-sake-of-fancy dish off as the product of a humble, mom-and-pop establishment. No, you used to serve that kind of food: simple, technically flawed in a lot of ways, but with so much love poured into the dish that most diners didn't care. Now people suspect that your chefs are miserable and we definitely know they're overworked, so even if that insane dish would have tasted great to certain pallets, it was doomed before it even left the kitchen.

[destinygoldenstar]

Is Screen Time An Issue For A Character?

That’s a tough one.

I see quite a few arguments about some shows I’ve watched that ‘oh, this character is bad because they have too much screen time’. Or ‘I wish this character had more screen time to be interesting.’

Basically, too much screen time is now a valid critique to describe why a character is bad or doesn’t work for you. And to that I say…

Uh… no?

I’ll give some examples where I see this critique, but for now I want to state a case of examples where I expected to see this critique online, but didn’t, and I wondered why.

SPOILERS BELOW FOR THE SPIDERVERSE SEQUEL:

The main character of the Spiderverse movies is Miles Morales. Clear as day if you see ANY promotional concept art. The movies nail that home and give you a solid POV character among the Multiverse chaos.

The sequel begins with an over twenty minute backstory sequence involving Gwen Stacy, a side character in the first movie.

(Fun fact: When me and my dad went to see it in theaters together, he said that backstory was over twenty minutes long and that he thought they could've trimmed it down. Animated-phobia gives you weird opinions. He didn't watch Arcane with me and thought nothing of it because 'it was an animated show'. Not kidding.) (Both of my parents are like this, sadly.)

Now, in the context of the movie, it makes sense to include this to understand the full POV of her character going forward. As she is pretty vital to the story.

I tried imagining a version of the movie where we DIDN'T get this intro, went straight to Miles, and we just had to put the pieces together involving Gwen and her actions. And I don't think the movie would've worked nearly as well.

This brings me to another point involving Gwen Stacy in this movie: She's kind of become a protagonist as well, next to Miles.

Is this screen time theft? Under the screen time critique, it probably would seem that way.

And yet nobody I've seen complains. If anything, this solidified her as one of the best movie adaptations of Gwen Stacy out there. In my opinion.

Unlike the first movie, this one is not driven by the narrative of the main character, but rather multiple.

This is not uncommon. And it's an even bigger case with Arcane.

Yeah, this show is phenomenal everyone who says so is right Jinx is an icon Vi is my cartoon crush next to Petra I was crying so hard at the ending and for that alone this show deserves every ounce of praise it gets and I'm kind of an Arcane stan-

*Inhales*

I think I just have a thing for dystopian stories where characters walk through hell.

(Yes I consider TD a dystopian setting, that'd be a nice hot take to tackle one day.)

The Hunger Games is my favorite dystopian setting that I've seen, just because it's very memorable and inspiring. But Arcane is objectively the best dystopian story out there. If I fade out of my Total Drama obsession, this show might be my next target.

Cupcakes. El fin.

I could stop there, but lets talk about why we're here.

Arcane does not focus on the two main characters only as the driving force of its narrative.

Advertisement tell you that our main characters are the two growing war machines who go around calling each other sisters, Vi and Powder (Jinx. Idk how mad people get for which name I use for her. Sorry if I offend you). In fact, there's evidence to back that up. Other than they're the people with dyed hair, that's instant main character. They're the first characters we meet in the entire show. They're the characters with the final scene that closes off the season. EVERY ending to an act is with them. They're the main characters. Boom.

But wait. Nearly TWO THIRDS of this show doesn't even focus on them!

We have all the Piltover characters we keep switching back to. Jayce, Viktor, Mel, Caitlyn for Act 2 pretty much, Silco kind of becomes his own protagonist in Act 3. Really, the only people who remain consistent side characters are Ekko, and the two boys that get blown to pieces by Powder. And... some other people I'm forgetting the names of. (Sorry, I only had two watch throughs of this show so far and I know nothing about League other than the sisters become enemies.)

Now, why?

Why is this the case? I'm not saying characters other than our mains don't get fleshed out at all, but to the point where they're basically major enough to carry their own show? That SOUNDS like a detriment to the story if anything, especially how unfocused it kind of all gets until the end where everyone's in the same room.

Had Vi or Jinx interact with these characters, their fleshing out makes sense, and you definitely see that with characters like Caitlyn and Silco, who kind of need them to function.

But the Piltover gang? Jinx doesn't meet them at all, neither of the sisters meet Viktor, and Vi does meet Jayce, but in Episode 8 of 9.

Why does nobody complain about this? If anything, these guys are stealing screen time.

Well, it turns out, this is all done in Arcane's benefit, rather than fault. We are all the protagonist of our own story, and there are multiple POVs regarding the world.

It's basically if Hunger Games was third person instead of first, and we actually got a chance to flesh out the other rebels/children.

Me personally, and I know I'm not the only one out there, but the sisters were the most interesting thing about the show, and other characters that talk to them were how they caught my attention. That in no way means I don't care for anyone though, and it's COMPLETELY a PERSONAL thing.

So whenever we DO focus on the sisters and their story, not only do we get these other POVS on the scene that could clash with our view of them, but it makes it so that EVERY. SCENE. MATTERS.

No scene is wasted in fleshing out the sister's story. Everything has a purpose and drives it all to one heartbreaking simulation. There's no wasted space, there's no lack of attention to a certain detail, darn it, it's just right.

(I mean, I guess I would've liked to see what they went through in that time skip, like how Jinx was raised by Silco and processed her new identity, or better yet how tf Vi survived prison when it's heavily implied she beat people to a pulp and got solitary multiple times. But I think Season 2 is gonna cover it.)

Seriously, imagine a version of this show real quick.

Imagine a version of the show that took the Hunger Games approach, and used first person POV on one of the two sisters, doesn't matter which one, they'd both work. Cut out scenes not involving that sister. The other characters that appear revolve around scenes they're in with that sister.

Would that work nearly as well?

I don't think so.

Now First Person POV isn't necessarily a bad thing. Danganronpa is first person. Minecraft Story Mode is first person. Those are probably not great examples, but it can work. (TDDRI, a fic of mine, is first person, and I had to work around that to flesh out everyone else. It can work.)

This show is very hot topic and weirdly paced than what I'm used to. So take everything with a grain of salt as I am nowhere near an expert with this show. The show's story doesn't even get started until Episode 4, as the first three episodes are all flashback to explain where our characters are and why they're motivated to do what they do.

Again, I tried imagining a version of this show where we DIDN'T get those first three episodes, we started with Episode 4, and we just had to ASSUME all the backstory involving the sisters and the titular arcane and put the pieces together through Vi's words and Jinx's hallucinations. I don't think we would have been nearly as invested.

So with these two examples, WHY does nobody complain about screen time involving a character?

Is it because they're just really good pieces of media? Or is there a reason for this?

After all, Spiderverse and Arcane fall under the category of an 'ensemble cast'. A cast of characters in a story where there is no titular main character to drive the narrative, and everyone does instead. It's like if Harry Potter was 'Hogwarts' instead, or some title like that.

But lets take a look at some examples of ensemble casts where there's been a complaint of some sort with screen time:

Total Drama and RWBY.

Now I only like one of these two shows, so I'm gonna put that aside for now.

Total Drama. It has an ensemble cast. The show is about teenagers suffering-I mean competing for a prize, eliminating each other bit by bit as it goes along. Naturally with that setup, early boots are left to dry. But that doesn't stop people from complaining.

Ezekiel gets the most flack for too little screen time, and major fanboys say he should've had more focus. Personally I don't get that based on what role he's deigned to play. Caleb is a more recent example. I thought he was gonna have a bigger role and character than he ended up having, and him being a first boot gag makes even less sense than Zeke. Dawn is a fan favorite who isn't even in that many episodes. Axel is a ripoff of Shawn because of her lack of screen time. Scary Girl is... Scary Girl, who I don't see the fuss about her little screen time as she's comic relief, but the complaint is there. There is SO MUCH bashing about Noah's lack of screen time it is not even funny. So much so that he's sharing screen time with another person.

And who is to blame for this: Well, the characters who make it really far into the game, or course! How dare they steal screen time away from these guys!

I feel like Ripper is the most recent example of this. His character arc was about him breaking a world record. He broke it. It's Episode 5. Now he can leave the show, right-

Nope. He's around till Episode 8. Out of 13. And even then, in Episode 13, he's Millie's partner, which means screen time.

It sounds unjustified because it is. I'm not the biggest Ripper hater, but I definitely see the complaints. (Ripper and Damien swapping places are the only part of the elimination order I would change. Everything else is pretty spot on.)

We already have MK as a pre-merge antagonist and Julia as a post merge antagonist, we don't need this rando bully character as well as it adds nothing. Maybe Ripper would've been better liked if he wasn't a bully and just some morally average comic relief guy, but also... probably not.

But he's not the only fart based character in this show that gets complaints about screen time. Here's where I talk about the first gen.

For what I have seen, the ones with the biggest screen time complaints are Owen, Duncan, and Beth. I don't count Heather cause it's on purpose. I count Sierra because it's a personal gripe I have.

Owen was the original winner of TDI, came back on the show in the second season for a mole subplot nobody likes, and merged season three. He and Noah also got a spinoff.

Beth was the finalist of TDA.

And everyone hates it, including myself.

Then there's Duncan. Easily the character the show focuses on the most. Season 1? 4th place. Season 2? Winner. Season 3? Gone half the season so he's only in 8 episodes not counting what he didn't compete in, but he scored 5th overall. Season 5? Weakest performance, but he still merged. That's 8th place by the way.

By far, THIS is the character in this show that gets the MOST horrendous flack for his screen time. And from what I've learned, if you think this, you probably hate Duncan as a character.

Like, I haven't watched Winx, but I saw videos on YouTube that made fun of Bloom for getting too much screen time.

Somebody do those but with Duncan! I'm not a Duncan hater, but I would like to get a laugh!

So it'd just be easy to say the writers played favorites, it was an issue, and be done with it, right?

Except no.

My GF watched World Tour just recently. (And she was mixed on it.) Her comments regarding Duncan and Gwen were that she wished they had more interactions to sell them (she was routing AGAINST Duncney, basically) and it didn't help that Duncan was gone half the season. She said that it would've helped all the characters involved if he stayed to flesh that out.

To that I went: "Huh. That's interesting how you take no issue with this character's screen time."

But why though? She's not a stan of him, she's a casual viewer, so that can't be it.

And that's when it hit me.

Beth and Sierra. These two make it through an entire season each. And we both collectively hate them as characters. And we hate seeing them on screen.

That's because it's what the characters DO with their screen time.

See what I'm talking about:

Season 1: Duncan is an established character that develops relationships and friendships and learns to open up to people outside of his comfort bad boy zone.

Trent spends 16 episodes sitting still and looking pretty with a guitar. (Okay that's probably not a great example, and I don't hate Trent, but you kinda get it)

Season 2: Duncan is dealing with revenge on Harold for his spoiled relationship with Courtney where he gets abused by her, fights to hold his own, and dumps her.

Beth spends the entire season talking about a fake boyfriend and cheating on it.

Season 3: Duncan, again, is only competing in 8 episodes out of 26, but what does he do? He establishes a new relationship with Gwen, gets her cancelled, forms a friendship with Alejandro, and gets played.

Sierra is there the entire season sexually harassing Cody and passing it off as quirky. We hate to see it. (Seriously, you guys think the love triangle is worse than this? My GF and I agreed we would rather watch the love triangle ten times again, over Sierra being on screen at all.)

What's the difference here? STORY.

Certain characters have story to follow, that NEEDS that screen time to work. Ironically, the plotline of Duncan's that comes across the least genuine, is the season where he's on screen the least. (Not counting All Stars, but they're kind of equal in episodes Duncan's in.)

Again, imagine if we never had that backstory sequence of Gwen Stacy. Yes it eats up screen time, but without it? She would come across as an ingenuine traitor who supposedly ditched her dad for some cool spider society. We NEEDED that sequence.

Duncan is always doing something when the screen is focused on him.

The reason Beth and Sierra don't work despite having all the screen time in the world is that they do NOTHING with the screen time they get. Nothing of value at least. We could've learned a lot about their origins, Beth's underdog status, or Sierra's fanclub, flesh them out as dynamic characters to route for, with different sides of them that slip through time to time that gets the audience thinking.

Nope. Sexual harassment makes up for all of that. (I question why I put up with this show sometimes.)

That would be the case and that's the answer, just do something with your screen time and you're free to have as much as you want.

Except there's ANOTHER key to the puzzle here.

Duncan is in the top 4 of the TD cast for a reason.

He's a main character.

Something Jaune Arc is not.

Hello nemesis my old friend.

Look, I respect people who like RWBY. People can feel any way they want to about a show. Opinions are valid.

If you think Arcane is the worst show ever made, that's valid.

If you think Velma is the best show ever made, that's valid.

It's all VALID.

With that said I think this show is an absolute trainwreck when it comes to writing characters.

Now hold on before you say I hate everything about it, I don't. This show does have SOME merits to it. The music is stellar and I actually listen to the soundtrack from time to time. For a limited budget animation, it's impressive. The choreo is neat. I want these weapons. I actually like quite a few of the side characters. Keep in mind I said side.

But what I look for in a good show is a compelling story and interesting characters to follow.

Something this show just does not have in my opinion.

I keep saying I'll do an analysis post on why Team RWBY are awful protagonists, but I've been busy and my plate has not emptied. But one of my main points regarding them is screen time.

Keep in mind, I've only seen fully up to Season 8. I've only seen clips of Season 9, so whatever I say about 9 may not be accurate.

Team RWBY are the main characters of the show, and yet they have not done a single main character thing throughout EIGHT SEASONS. It's kind of incredible.

If I didn't know the name of the show but saw a clip, I'd assume the main character was Jaune, or Oscar, more on them later.

What have these girls contributed in the battle of Salem's forces?

Season 1: Blake helped stop a robbery. Not even all four of them, just Blake. (So did Sun and Penny.)

Season 2: They broke into the White Fang's secret operation and busted a train into the city to fight off some Grim, in time for Team CFVY to wipe them out. (Those characters appear TWICE in the ENTIRE show, this is the first time. Just to speak my point.)

Season 3: Yang got framed for assault which helped the bad guys. Ruby watched Pyyra die and she blasted an eyeball off Cinder.

Season 4: UH...

Season 5: They housed Oscar, they met Raven, and they took place in the battle of Haven where Yang got the relic. (So did Oscar, JNR, Qrow)

Season 6: They took the relic to Atlas. (So did Oscar, JNR, Qrow)

Season 7: They lied to the general about vital information that could've helped them get one on Salem, and doomed all of Atlas.

Season 8: They caused the death of a kingdom and fell through a hole.

Season 9: UH... (That's not me not knowing what happened in 9, they just climbed out of the hole, basically, as the season has nothing to do with Salem's forces.)

Now, because the main characters are not involved with the main plot very much, does that make them bad?

No. There ARE ways to utilize them outside of driving the external plot.

Some stories are Character vs Self, Internal Conflict. The basis of this show's story is that these kids who grew up to be military soldiers are learning that their lives and the world is not a fairy tale, and they're not the good guys. That SOUNDS like the show is all about internal conflict, right?

Well it's not.

I mean, they DO realize this and make a morally questionable choice with consequences they regret.

In Season SEVEN.

And even THEN, they're treated by gods themselves like they've done nothing wrong!

If you ask me, it should have happened a LONG time ago.

What internal conflicts do these girls have?

Ruby is a naive prodigy who wants to be a huntress and live out a fairy tale reality. And she lives out that dream. Then Pyyra dies and she loses that home. And then she's back to fairy tale land, just doing more crimes and hating authority. And I GUESS she learned a lesson in 9...? I just saw her as depressed.

Weiss is an heiress of a rich company trying to overthrow rule of her father, who hates her. She hates Faunus. She learns not to hate Faunus. And she gains a lot of powers.

Blake is part of a civil rights movement with Faunus and she likes assaulting her own kind and burning their homes. She also has an abusive boyfriend and kills him with a girlfriend by her side.

Yang lost her mommy and wants to find her. She loses her arm. She finds her mommy but doesn't give a s**t because plot. She also gets a girlfriend.

That's like Vi and Jinx's reunion, only they didn't care about seeing each other again after years, they just pointed fists and guns at each other and said, "Where's the arcane?! Where's Silco?! I'm not here for you, I have a police GF now!" "I'm not here for you, I just wanted an easy route to blast Piltover to pieces! Mwahaha!"

See where I'm going with that?

Internal conflict is a key to making characters screen time worth while.

But lets face it, Team RWBY not having very well established internal/relevance to the external conflict is not the full reason why this is a problem with their screen time.

It's their lack thereof.

Three quarters of every season, they're just sitting at some random place that's not even pretty to look at, and the SIDE CHARACTERS do all the plot relevant stuff.

See why I like the side characters better?

Lets look at that chart again:

Season 1: Sun and Penny stopped that robbery.

Season 2: Team CFVY stopped the Grim invasion.

Season 3: Pyyra's story and downward spiral to her death.

Season 4: Nora and Ren the season.

Season 5: Oscar. The tribe.

Season 6: Oscar again as he's responsible for the exposition involved in that season.

Season 7: Ironwood's descent into insanity AND Penny's descent into accidental heroism.

Season 8: Both those characters die. Everyone dies.

Season 9: ...okay, good point, there was no one else.

Okay so maybe Season 9 gets a pass, but the others? Can you really put Team RWBY in a plot summary?

And that's just external conflict talking, let's talk the MAIN CHARACTER with the INTERNAL conflicts throughout the ENTIRE show.

Jaune Arc.

A SIDE character, voiced by one of the writers, has some of the most plotlines to follow due to his internal struggle and conflict in this new war throughout the entire show.

He has something to do in MOST of the seasons of this show. Not unlike Duncan. The only time I think he didn't have anything going on was Season 7.

In the very first season, Jaune has an entire character arc surrounding him trying to find his inner strength with a one off bully character as an antagonist. That sounds fine, so what's the issue?

This character arc takes up FOUR episodes out of 16. A WHOLE QUARTER OF THE SEASON.

"Well, maybe those episodes cut away to other people at some points-"

No. They don't. It's all Jaune in all these episodes.

Season two is less so Jaune focused, but he has a little subplot surrounding letting go of his feelings for Weiss and finding another girl who would gladly take him. I guess it's priority respect because Neptune was into Weiss at the time? But those two wound up never being a thing, so...

The whole time I thought Weiss was just asexual, but then 9 came in to screw that idea.

Season three focuses on Pyyra, Jaune's love interest, and therefore he's vital to her story and her thought process, so much so that the big angst moment in the season is with him and their death kiss.

Season four and five are focused on Jaune's thirst for revenge on Cinder, a member of Salem's forces, for killing Pyyra. He learns about Salem's forces along the way, makes his own opinion about all this lore, and decides to help out due to his personal necessity.

Wow. He has an internal conflict going on, AND he's active with the external conflict. HMM...

Season six is him letting go of his grief after his moral failure from the Battle of Haven nearly getting Weiss killed. And also he pins Oscar to the wall because why not. It's brief but it's also a full on character arc.

Season eight, he kills Penny, a girl he has never interacted with before this point, and he's a grieving mess. So much so that season nine also includes Jaune dealing with MULTIPLE grieving instances and personal failures.

Everyone else got a seasonal break from the story, and yet Jaune could not.

Now, is this a screen time issue?

Yes.

But NOT for the reasons you might think.

Let's go off of Duncan again, a character with a major status in the show's story and conflict from day one. He was designed that way.

Jaune was not designed that way. BUT I don't actually hate his story for the screen time he gets. In fact, he's probably one of the most interesting characters in the show because there's so much time dedicated to his struggle and his story.

The elephant in the room isn't because Jaune has a story.

It's because the main characters don't have a story.

Again, Arcane, that show focuses on a LOT of characters that aren't Vi and Jinx. You could argue Jayce is the Jaune in their universe. But why does it work? Because there is NOT a neglect of characterization of the leads.

In RWBY, there's a serious neglect issue.

And it's not just Jaune. There are other side characters who've been stealing time away from the leads.

Oscar, ever since he debuted Season 4, has been devoted to screen time stealing, and stealing the main character status with a Chosen One narrative and a pretty offensive way of portraying Multiple Personality Disorder. He's the one with the chosen one story, he's the one who interacts with the bad guys, he's toe to toe with Ironwood, he's the one related to Salem, and he does all of it with the personality of a hollow pine tree.

I mean I guess he also has a crush on Ruby, but... I don't want to get into that.

Hell, CINDER, an ANTAGONIST of the show, has more conflict and screen time than the leads. And she's one of my least favorite characters in the entire show, isn't that sweet?!

On top of that, she's a VILLAIN. We shouldn't be routing for her!

Then there's the rest of JNPR. Nora and Ren have a season focused on them, that being season 4. Pyyra is the same case with season 3. Pyyra dies in that season, so she's obviously not getting screen time any further. But Ren and Nora are alive, AND they have a subplot in the Atlas arc. Having a subplot isn't a problem, it just becomes jarring when the main characters don't have an arc and they do.

Penny gets revived and dies in the Atlas arc. That's also a thing.

The fix here should be really simple! Swap roles! Have the side characters sit in the houses with their little arcs, and have Team RWBY on the fields reacting to everything. It wouldn't excuse their lack of inner struggle, but at least they'd be involved with the plot.

There are many ways you could fix this. Like Oscar's role of being related to Salem. Ruby's mom is dead, but like, what if her mom was Salem and was taken out in war and revived/corrupted into this monster figure? That'd be an interesting narrative.

And RWBY is not the only show, the previous season of Pretty Cure, Delicious Party, ALSO has this issue. And arguably they did it worse because I don't even care for the side characters there either. I'd be repeating myself with criticism there:

Yui, the supposed main character, has no character trait other than be a glutton and a stand in for her grandmother, the other Cures are also irrelevant to the plot and just spend their time eating. The boys of this magical girl show are the focus and have all the wishy washy plotlines, and none of them are even that interesting.

I will give RWBY this over Delicious Party to prove I can see its merits:

At least they only have ONE forth wall narration and do know boundaries to that stuff, as opposed to Delicious Party that thinks their viewers are IDIOTS, and needs a narrator to explain EVERYTHING. CONSTANTLY.

(What a new low for that franchise, am I right? At least we have Hirogaru Sky.)

So what have we learned here?

To answer the question: Is Screen Time An Issue For A Character?

No. It's not that simple.

It's what the character DOES with that screen time that matters. And their role in the story that warrants this screen time.

They need to have all the details of their story laid out for you to care about them.

They need every scene involving their story to matter.

They need to have a plotline that justifies the screen time, small role or big role.

They need to be involved with the main story if they are a major character.

They need an internal conflict to keep the time on them engaging.

They need to be doing something.

If they are a minor character, additional screen time is not a bad thing.

A minor character with a lot of screen time could be there to advance the world building, they could be heavily connected to major character, relationship or otherwise.

But the minor characters don't become favorites and neglect focus on the people the story is revolving around.

First Person POV is a difficult storytelling technique when it comes to screen time, but it's not a bad tool. It can be used as a certain perspective for every character involved if done properly.

And just... screen time alone isn't a valid criticism in my opinion. It's WAY more complicated than that.

What's your opinion? Reblog your thoughts, I'm very curious, especially with media with this issue I did not cover.

[pumpkinstrawbrew]

░a░p░e░x░ ░p░r░e░d░a░t░o░r░

[̲̅&]

a 🆂🅽🅰🅲🅺

...

(a second batman x venom crossover. i mean, they just kinda keep having similiar themes all around, an' with two my fav halloween freaks. i cannot just pass this chance, haha.

either way, jon n' jack havin' a swell time as you can see. they're at the bottom of the food chain quite literally. poor twinky ghouls are about to become a dinner in more ways, than one. how unfortunate for them! but what a feast for a nosferatu n' alien parasite. one drinks 🩸, the other love eatin' human 🧠, so it's no biggie that both jon an' jack are scrawny an' undernourished. their predators aren't after their meat or limited fat. they are after more individual body parts an' components.

so yes, this is my halloween 'special' thingy! a conjoined mash-up about big bad predator an' their twangy, evil prey. the sort of dynamic, that both pairs had going on at one point or another. less so 'canically' for scarebat, since that series of comics *where batman was a savage vampire* is technically a separate 'what if' reality. but still, jon n' jack had a very real brush with smth, that is way stronger than them. an' only one made it out alive, but oh well, this is what AUs n' other stuff is for. bc how about no, an' how about some more homoerotic take on those scenes? like, it was 'hot' to me in some ways. esp with words like 'territorial dispute' an' implication of batman givin' scarecrow good ole vampire succ, post morten or not.

i honestly always amazed, when the comics does smth very servicing for my tastes / interests, without actually ever tryin' to pander to people like me. it's prob one of the most 'erotic' things to me as to an author. it's like a possible wink wink to someone, who wants to see it. but generally, just a part of the story. not even a big one, but that's just a tasty bit anyways! i always had a weakness to predator/prey thrope, esp when it's less of fluffy, twinlight kind of romance, but instead a gore-ish sort of deal, where one party can end up actually dying even if by pure accident. it provides some pretty big stakes. not to meantion, that there is always an unspoken paralell between sex n' death in horror genre. including consuming / stabbing / sucking blood an' such. it's important for me as horror movies fan. i like there to be some 'love' in my horror, even if it's not traditional or on the nose. it gives all those exederated gore-y / deadly scenes more meaning, if one wants to impliment it there. an' it just makes for a memorable scene as well.

also while i'm not super into the heroes 'turnin' bad' stuff, in this case, there is an appeal of flash / bruce going feral. it's hard to resist the playful thought about how bruce n' flash find their foe tempting, *iresistably attractive*, but in a different manner now. jack n' jon aren't no rosy maiden, who usually gets the spot of main dish / love interest, but this what makes it even better. jon an' jack are walking ginger bread, an' that's that, really. but tbf, they're kind of weirdos, who would always partly dig it. their handsome, brooding *arch*-enemy wants to eat them an' not some random hussie. that's very scary, an' also sexy lol.

still it's one of those moments in comics, where i wish that they kept the secenes going for a bit longer. just expanded on that suggestive possibility of them taking it step futher. but i also get why they didn't drag it out, cuz it wasn't the point of issue, anyways. just some lil fun moment. tho, i do love how batman *out of his mind or not* seemed to have enough mercy on crane to kill him off relativly quickly compared to the others. the riddler, pen-pen *yeah, i call oswald this* n' ivy had to suffer through the whole overdeal with full awarness, feeling their throats being ripped out, as they were still alive. jon was spared of such fate. the bat came, lectured him, broke his hand an' beheaded him. way quicker vs when you have to feel your meat and blood dripping all over ya. an' in venom's case, i loved how jack was so oddly forgiving of flash nearly decapitating him on the spot lol. flash *at that point* had already ate a fella or two. like bruce, he clearly wasn't proud of those times or enjoyd it, but out of all people, who managed to snap him out of the murder mode, it was jack. but hey, not on my watch! no one will die, but someone will be 'consumed', alright. that's just natural order of things or whatever. an' it's so bc i do make all the rules, haha.

as for more technical side of things, i did altered a few things. mainly with flash n' jack. i made flash's berserk venom form smalles an' all black, bc of well...uh, reasons. and also jack has an actual face here lol. also while at first, i wanted to draw him with his trade-mark messed up features, but kinda end up drawing him all 'dolled up' instead lol. so i suppose, along with all other au-ish elements, his face wasn't blown off in this universe either. an' on somewhat unrelated note, i like how both jack *even some of spiderman's ones* and jonathan are usually shown to be brunette or redhead. my pref will always be with those two being redheads, but still, it's a funny thing to ponder on. another technical bit is that, i wanted both jack n' jon being unable to use their hands / arms in one of the picture, since for me it's like snaring a 'prey' and then, they are kinda useless without it too. jon can land one hell of a kick for sure, but it won't help him to push away the vampire from his neck. also no fear gas to spray from his gloves, even if it would have acomplished nothing. in jack's case, it's similiar situation. he can throw / shoot lil flames from his gloves, the only thing that all symbiotes seem to detaste, besides specific levels of noise. but if he can't do it, and it's too risky to shoot flame from his helmet, welp, he's screwed lol. an' i also wanted to use venom's tongue as bondage tool lol. it was one of those things, that i always loved about venom symbiote / carnage looks an' anatomy, is how 'bendy' their bodies are. an' how creepy they can strech their body parts as well. both, bruce n' flash possess superhuman powers in this, so nor jon nor jack is actually a match for them. but taking away even the last of their defenses is a cherry on the top. jonathan is already always spooked animal, an' with someone as dumbly tunel-visioned as jack, it take a tad more to scare him shitless. esp bc he thinks, that he's such hot shit of a mercenary, haha.

so yups, this year batman n' flash got a treat. jack and' jonathan *in comparison* got tentacles and anemia respectively. can this count as trick? i mean, i guess lol. but on bright side, jonathan is kinda bruce's bf / blood bank in this one, an' jack is....well, he's a bitch. i mean, he touched the toxin, so now flash have to 'mark' him lol.

anyway, this is as pg-15 as i can go about it on here. i have two extra adult-ish artworks for these set ups. you can call it a follow up, if you want. here's the link, if someone is curious. but pls remember adults only. while there is no nudity in this one, there is still a clearly sexual cut in it. *also, i'm working on fics related to these set-ups as well. already workshoping vamp!bruce/crane one. sadly, had no free time to finish it all on halloween as well, but hey, it's always halloween on this blog!*)

[morphogenetic]

Mediaposting 2024, #5: Dai Gyakuten Saiban 1/The Great Ace Attorney Adventures

Completed: March 26th (main game) / March 27th (escapades/the bonus video content)

Time spent: 37 hours (main game) / 39 hours (including bonus content stuff)

Rating: 8/10 (but with caveats because of it being the first of a duology) thoughts under the cut because there are many and a lot of them are spoilery. but the tl;dr is that they were clearly still kind of finding their footing with this game but The Game Is Good. and the reasons i'm giving it an 8/10 are mostly because i need to see how dgs2 deals with some of the loose ends before i go higher

first, the positives (and I suppose the neutrals):

first of all, on the game design side of things, the music slaps. as usual for an AA game honestly but there does not seem to be a single miss in this soundtrack which is rare. can't wait to hear the inevitable remixes and reframing of themes in dgs2.

it took me way longer than i expected to warm up to the main cast, but once I really got into the meat of the game, i found that I do really like all of them (and I mean ALL of them, including the more minor characters. except mcgilded but fuck mcgilded). this kind of suprised me because I don't think i've come close to that in any AA game except maybe the first one and t&t. also maybe aai2 but that's pushing it. like this game reminded me why I like AA at all after the absolute slogs of 5 and 6. (and the absolute 'i remember fucking none of this' of apollo justice)

the character design of this game as a whole is INCREDIBLE. there is not a single character design that I don't like in some way. from the really good student uniform designs, to susato's kimono, to iris and sherlock's outfits.....and those are just the main ones. a lot of the witnesses and even some of the jury members are memorable just on character design alone. even the designs i think are kind of ugly (coughs. mcgilded) are clearly ugly by design and not by accident. it's a feat. hope that dgs2 keeps up the good work but based on the one (very big....oops) spoiler that i know, i'd be surprised if it didn't.

the parallel between ashley graydon and gina as kids raised in poverty in the last case. mwah. magnificent. chef's kiss. 10/10 no notes

dgs sherlock is such a good interpretation of the Man The Myth and the Legend

also i really adore ryuu as a protagonist. i can't quite put my finger on why, it might honestly just be because of how fucking distressed he is all the time LOL, but i like him in a way that feels a bit deeper to me than the way in which i like phoenix. he's clearly making the best of a bizarre situation and his Law Skills are more of a matter of natural talent rather than training

the ending is. man. it's good and a very good sequel hook but can you fucking IMAGINE if they had never gotten the money to make a sequel to this game. what a hell world that would be. imagine just dropping a major hint that three characters you already know of are involved in a huge fucking conspiracy and then never getting to explain why. vlr/ztd interface level catastrophe.

and then the few negatives i have which unfortunately drag this down a little bit for me, enough to the 8/10 level...primarily the first one:

this game has WHACK pacing. having essentially 3 separate tutorials is a wild game design choice to make. the pacing felt off to me to the extent that the end of case 4 felt like it was the middle of the game, and case 5 was almost half of my playtime at 16 hours out of 37 so i think it was close to LITERALLY being halfway through. i don't have a good idea on how to fix it, given that this game has to introduce both the new dance of deduction mechanic AND the weird jury summation examination mechanic, but....there should have been something. it really made it difficult for me to fully Care about the characters until i was into case 5. and I'm glad that case 5 was ultimately good enough to make me care about everyone (e.g. i didn't really care about gina in case 3 at all), but it's pretty rough. i genuinely don't know HOW you fix the pacing issue while also keeping the overall plot outline the same, though, especially because cases 2 and 3 are so crucial. the only thing i can really think of is introducing some of the background london information in case 4 instead of 5, but.......still. or making case 4 happen more than a single goddamn day after case 3. just something to make the pace not feel nearly as weird. sighs. idk. it needed substantial tweaking but I don't have a good idea on what tweaks needed to be made. i've heard dgs2 has much better pacing from someone whose opinions i trust on that kind of thing, so i really hope it pulls through there.

more minor critique: a lot of the cases, barring 5, are weirdly easy with very rare (and also weird) spotty difficulty spikes. of course it's always hard to strike the balance in an AA game, and i wasn't expecting the tutorial to be hard, but...case 4 just kind of dragged for me because of how long the trial goes on. 5 actually did have tricky moments for me thanks to eggman graydon wanting to hide the truth and the sheer amount of evidence, but yeah. still far more challenging than the dr games just giving you all of the facts at the very beginning of the trial, though...at least shu takumi knows how to write a mystery LMAO

asougi really needed a little more lead time before getting killed off, because i like him but, without the escapades, it's probably not as much as I think the game wants me to like him, and ryuu being his best friend is not super convincing to me even though he shows that a lot more in later cases. i'm not tooootally sure how i would have fixed that, maybe keeping him alive a bit in the first half of the 2nd case? doing some more slice of life stuff with him and ryuu? or making ryuu's reaction to his death a little bit more shocked? idk. i'm REALLY glad the escapades exist because they help a lot in fleshing him out, but i really think parts of them should have been in the game proper =========== all that said. if a game gets me to write this many fucking words about it..which took me a goddamn HOUR to write jesus christ i just checked my computer clock.... it's clearly doing SOMETHING right. honestly, if the pacing wasn't so bizarre, i'd probably bump it up a full point. i am absolutely playing the second game but im already worried its gonna hit full on zero escape and raging loop level catastrophe fixation (positive) once im done so…i'm honestly putting off starting dgs2 a little bit because i'm worried that it's gonna distract me to the point of my grades/job suffering a little LOL. i haven't had that happen in a while so, at least in that way....congrats dgs you won me over. i will never stop calling you dgs because thats how i was introduced to you 7 years ago as my best friend's first new-fixation when i first became friends with her. sorry it took so long for me to get around to you.

[black-arcana]

Ex-NIGHTWISH Members TARJA TURUNEN And MARKO HIETALA Announce September 2024 European Tour

Following a triumphant series of performances in South America with several sold-out gigs where Marko Hietala joined Tarja Turunen as a special guest, the two former NIGHTWISH members are set to captivate European audiences with their enthralling collaboration.

The European trek, which will kick off in September in Germany, promises to be an unforgettable experience as these two familiar voices reunite on stage once again.

Tarja recently released her first greatest-hits album "Best Of Tarja - Living The Dream". Her live show will feature a selection of songs from her career, also found on "Best Of", including fan favorites and her own personal picks.

Adding to the excitement, Marko and Tarja recently collaborated on the duet single "Left On Mars", which received widespread acclaim.

Marko will perform his own songs with his band before joining Tarja on stage for a night that promises to be nothing short of memorable.

Expectations are high as the duo continues to delight fans with both old and new songs, building on the success of their South American tour.

Tarja and Marko's "Living The Dream Together Tour 2024" European dates:

Sep. 08 - DE Berlin - Huxleys Neue Welt Sep. 09 - DE Bremen - Aladin Music Hall Sep. 10 - DE Saarbrücken - Garage Sep. 12 - DE Leipzig - Hellraiser Sep. 13 - DE Hamburg - Grünspan Sep. 14 - DE Herford - Kulturwerk Sep. 16 - NL Groningen - De Oosterpoor Sep. 17 - NL Utrecht - Tivoli Vredenburg (Ronda) Sep. 18 - DE Bochum - Matrix Sep. 20 - DE Ulm - Roxy Sep. 21 - DE Obertraubling - Eventhall Airport Sep. 23 - DE Frankfurt - Batschkapp Sep. 24 - DE München - Backstage Sep. 25 - CH Pratteln - Z7

Earlier this month, Hietala was asked by El Planeta Del Rock if there is any chance of him and Turunen launching a new project together. He responded: "I won't close that option off. We haven't talked about it, putting up a group together or anything like that. But at the moment, it seems that we've got a different kind of connection than it was [in the] past. Because then the camps were really divided already when I stepped into [NIGHTWISH]. And it was hard to find the truth of things, because a lot of it was like a managerial turf war where we got told certain things by one side and told certain things by the other side and lots of confusion — blah, blah, blah — and in the end, yeah, what we already realized a few years back when we were all together there doing the Christmas shows in Finland that after all the hassle has died and the noise has died and everything, you still find out that you lost a friend. And that was the main [reason] why we are basically doing this together again."

In a recent interview with Thiago Rahal Mauro of Brazil's Metal Musikast, Tarja spoke about what it was like to team up with Marko to perform a cover of "The Phantom Of The Opera" during their special open-air concert in July 2023 at Z7 Summer Nights in Pratteln, Switzerland. Tarja and Marko both played individual sets at the event, with their rendition of the main theme from Andrew Lloyd Webber's musical coming during Turunen's portion of the show.

"I got a call from a promoter to take part in one festival in Switzerland last year in a European summertime in July," Tarja said. "And then I got to know, when I had accepted to be the artist of the evening, then I saw that they had also invited Marko and Marko's band to perform in the same festival. So I thought, 'Hmm.' And I was actually sending a message that I wished to reach Marko, because I didn't have his contact any longer, to ask him to perform with me 'The Phantom Of The Opera' in my show. And he responded 'yes.' So, after 18 years [laughs], we were about to sing the song together. And it was super exciting. It was really beautiful. The people got very emotional about this.

"We had met already before — we had been singing on a few occasions in Finland a few years before — so we kind of cleaned the table on that occasion already," she explained. "So we were in good terms, so to say, but now singing 'The Phantom Of The Opera' together after all these years was amazing."

Tarja also elaborated on her friendship with Marko, saying: "It's a new relationship with him, because he's not the same person anymore than he was in the band. He has changed a lot, and many years have passed by. I've changed myself. Life has changed us. So it is a new relationship, let's say. And it had made me very happy to get to know him better after all these years."

Last November, Tarja admitted to Chaoszine that she was "nervous" before performing "The Phantom Of The Opera" with Marko at Z7 Summer Nights. "I believe that he was nervous as well to meet up with me, but we were both very excited to go back to the stage and to sing the song," she said. "We sang 'Phantom Of The Opera' in Switzerland for the first time. Then we went over to Finland to perform it again, did a show together there — he with his band and me with my own. Wow. It was pure emotion. I think it was really beautiful, but it made me kind of… I was, like, 'I'm in peace,' sort of. The feeling was great. I think it was even more for Marko, because I saw him standing there after my concert, when I finished my set, and he came like almost in tears, saying that this was important. We reconnected, and it's great."

Turunen was fired from NIGHTWISH at the end of the band's 2005 tour by being presented with an open letter which was published on the NIGHTWISH web site at the same time. In the letter, the other members of NIGHTWISH wrote: "To you, unfortunately, business, money, and things that have nothing to do with emotions have become much more important."

NIGHTWISH keyboardist and main songwriter Tuomas Holopainen later called the decision to part ways with Turunen "the most difficult thing I ever had to do." For her part, Tarja said the way she was kicked out of the group proved that her former bandmates were not her friends. "Maybe one day I'll forgive, but I will never forget," she said.

In 2019, Turunen dismissed Internet chatter about her possible return to NIGHTWISH after her December 2017 onstage reunion with the band's then-bassist/vocalist Hietala during a "Raskasta Joulua" concert in Hämeenlinna, Finland.

"I know a lot of fans would love to see something happen, but it's a very long distance away," she told Kerrang! magazine. "Personally, I don't see anything happening with me and them, to be perfectly honest. Marko came a little later into the band; he wasn't there since the beginning. He was always a guy I was close to. Me and Tuomas Holopainen, however, haven't seen each other in a long time… but we have been in touch. It's not bad. The past is what it is; we can't change that. We can only change the future."

NIGHTWISH's authorized biography, "Once Upon a Nightwish: The Official Biography 1996-2006", was published in Finnish in 2006 and in English three years later.

Turunen's husband, Marcelo Cabuli, and his business partners later sued the parties behind the book for defamation. Named in the lawsuit were the publishing house Like Kustannus Oy and the author of the book, Marko "Mape" Ollila. Cabuli and his Brazilian business partners argued that the book includes false accusations and insinuations that have caused them suffering and financial problems.

The book blamed Cabuli for the events leading up to Turunen's dramatic expulsion from the band in late 2005.

In 2011, the Helsinki District Court dismissed Cabuli's lawsuit, ruling that the book — which criticized Cabuli on only a few of its 380 pages — did not detrimentally affect his work or reputation in South America. In addition, the court determined that Ollila did not maliciously portray Cabuli in a negative light.

Nearly two years ago, Tarja was asked in an interview with Top Link Music manager and concert promoter Paulo Baron and music critic Regis Tadeu if she would consider doing a tour with NIGHTWISH if all of her former bandmates apologized to her about how their split happened and invited her to share the stage with them again. She responded: "It is very, very hypothetical that all what you said will happen, first of all — it's very, very hypothetical.

"I'm living in a world, like we are all living in a world, that things happen without us noticing," she continued. "I mean, I can't really close any doors in that sense; I'm not that kind of person any longer. I learned so many things in this life already. I take them as they are.

"So I don't know. It would be very hypothetically possible," she added. "It would be unlikely to happen."

Hietala announced his departure from NIGHTWISH in January 2021, explaining in a statement that he hadn't "been able to feel validated by this life for a quite a few years now." He has since been replaced by session bassist Jukka Koskinen (WINTERSUN),who made his live debut with NIGHTWISH in May 2021 at the band's two interactive experiences.

In an August 2022 interview with Finland's Chaoszine, Hietala revealed that he went through a dark period in his life, which included depression, insomnia, anxiety and an eventual attention-deficit/hyperactivity disorder (ADHD) diagnosis. Speaking about how he eventually came to the realization that exiting NIGHTWISH was the right thing to do, Marko said: "It was a long process. Of course, the COVID year that was there, where I had a lot of time for soul searching, it obviously gave me the last incentive that I need something else, that if I just continue with this I'm just gonna get sicker and sicker. But, of course, it's a process.

"I've been chronic depressive since 2010 [or] 2011, so I've been on a permanent medication ever since," he revealed. "Sometimes you get used to the meds [and] you will need more. We did raise [the dosage] during the years also, but it just didn't work. And now that I started to do… I had psychotherapy for over four years now, and then I also talked to psychiatrists and some doctors and did that also in Spain. Then my psychiatrist here in Finland said that I should do these ADHD neuropsychological tests, which I then did in Spain. And, okay, I got it."

Hietala reiterated that he "had been thinking about" leaving NIGHTWISH "for a while" before making the final decision. "Because I had a lot of weight. And I tend to… With the attention disorder, it tells me that when there are lots of trouble, then the disorder makes it into a real chaos," he explained. "There's a shitload of stuff coming and going and no peace anywhere. And for a year or two, I was already waking up every night at three o'clock to bad dreams and anxiety. So I'd say that the whole process probably started already with my former divorce [in 2016]. That was a very sad time when you think about your kids and your broken homes and all that. And then, when I started to get clear from that, then there were, well, all kinds of things. I don't really wanna go any deeper to what kind of things I'd gone through, but I'd gone through enough."

Acknowledging that making NIGHTWISH's latest studio album, 2020's "Human. :II: Nature.", was a "difficult" experience for him, Marko denied that his mental state at the time resulted in a diminished role for him on the final LP. "I think the original idea was to have that… we'll do a couple of [solo vocal appearances], or one solo for me and Troy [Donockley], and the rest Floor [Jansen], and then the harmonies; that was the idea originally for that," he said. "So I don't know if it affected. I think it was sort of as planned. But at that time I already had serious trouble with concentrating and serious trouble with a constant black cloud over my head."

In July 2022, Hietala told Finland's Iltalehti that he had not kept in touch with NIGHTWISH since his departure or followed the activities of his former band.

In May 2021, Holopainen said that Hietala's decision to leave NIGHTWISH "came as a bit of a surprise." He told Finland's Kaaos TV: "Marko informed us in December [of 2020 that he was leaving the band]. And even though he has been very open about his state and problems during the past years, it still came as a bit of a surprise for us. So it was a really tough pill to swallow. And for a few days, I was actually quite confident that there's no coming back, that this is it. I remember talking to Emppu [Vuorinen], the guitar player, and we were, like, 'You think this is it?' 'Yeah, I think this is it.' I mean, enough is enough. So much has happened in the past. Something that broke the camel's back, as they say. Then, after some time had passed — a few days — we started to think that it's been such a ride of 25 years, with so many ups also, that this is not the way to end it."

Tuomas elaborated on NIGHTWISH's reasons for carrying on, saying: "I think we still have something to give, and that's the main point. The music is still there. We felt that there's still so much music that needs to come out from this band that, 'Okay, let's give it one more shot.' And then finding the new bass player was really easy."

He added: "It's not like we do this just because we need to do it and there's nothing else to do. On a personal level, I feel that there's still so many stories and melodies that I want to share with the world with one lineup or another, so that's why you want to continue and keep on going.

"I've said this a million times, that a lineup change is the ultimate energy vampire, and that's how it really felt and still feels."

In June 2021, Jansen spoke about Hietala's exit from the band in an episode of her "Storytime" YouTube video series. She said: "That was a very sudden surprise that, of course, was not fun at all. But we understand — I understand — it was a necessary thing for him to do. And from there, we had to think of how to continue without him, and that also, in preparations towards the virtual show, that was a huge challenge."

In December 2020, Hietala was crowned the winner of the fall 2020 season of "Masked Singer Suomi" — the Finnish edition of the popular masked singing contest. He was disguised as Tohtori — the Doctor.

Photo courtesy of Nuclear Blast Records

[evilwickedme]

Idk if you have been asked this before, but what ur ur opinions in spideypool? I love the ship, but I hate how utterly hard it is to get a good comic out of them it's so sad

I think the reason I haven't been asked this before is because nobody really thinks to ask someome who writes spideypool fic what they think about the ship, but that's actually a really good question!

I love spideypool. I've been a spideypool shipper for about as long as I've been into marvel comics, since Deadpool was one of the first comics I picked up way back when in 2015. At the time it was pretty much omnipresent in the fandom, and for good reason - Deadpool's crush on Spidey is and was literally canon, or at least as much canon as it can be when it's played for laughs, and there's a lot of charm to their interactions.

To me, the appeal lies in the way they affect each other. Deadpool's got this whole hero worship mixed with actual attraction thing going on on his end, and Spidey has this whole "this is the most annoying man on the planet and possibly in the multiverse but also he's like pretty funny and our fight styles blend well" thing going on on the other end. A high quality longfic for these two will go into issues of morality and find where either of them need to or choose to change for each other, for better or for worse, and can easily include a heavy bit of angst regarding Wade's chronic pain and mental health issues or Peter's anger issues and monetary problems. A high quality pwp for these two will be very funny. These are both things I find incredibly appealing in my ships.

Also, visually, they really do fit together. Afaik, Deadpool's outfit was designed mostly to parody Deathstroke, but there's some Spider-Man in there anyway, and they look all matchy-match.

So why is it so hard to write a good teamup comic for them? Um... I'm not so sure that it is? Like I think that Deadpool annual from 2013 or 2014 where he and Spidey end up switching costumes is so fun and shows some of Wade's tendencies to mix hero worship and attraction really well, and a lot of their other early interactions are short but memorable. I think the issues of Daniel Way's run of Deadpool where Wade and Peter team up are some of the only actually good issues in the whole run, because Daniel Way actually wrote some themes and ideas into there and then didn't drop the ball immediately! He dropped the ball later, but not immediately, which is rare for him.

The main Spider-Man/Deadpool teamup comic seems to have mixed reviews. I haven't read through the whole thing yet, but like, I think it's fine? It certainly isn't outright bad, and it has some fun moments. I think the main problem with it is that it was created for and aimed at people who were fans of the ship, and then didn't really look beyond surface level into why people like the ship. Like I said, spideypool is at its best when it struggles with issues of morality and has some give and take, where both sides learn from the other. The team up comic is more like... Deadpool is bad cause he kills, but he wants to prove to Spidey that he's a good person! And then he tries to prove that by killing Peter Parker, who he thinks is evil (the team up comic started in a weird time in spidey's continuity where he was running a fortune 500 company, it's a whole thing)!

It's a lot of hijinks and shenanigans that I don't mind in fic, but prefer in smaller doses and one off team up comics. If I'm reading an ongoing, I'm going to want it to like... Be about something. At some point. A static character for a mainstay title is fine, but for the most part I want these characters to do something together beyond coexist. I think the best moment in the volumes of Spider-Man/Deadpool that I did read is the one where Wade introduces Spidey to Ellie Camacho, his daughter, because it forced Peter to reevaluate how he sees Wade. But then the itsy bitsy storyline happens, and it's such a shallow understanding of what makes Peter a good hero and what makes Wade ... Uh, Wade, and I think it just makes for mediocre storytelling.

I don't know I guess the problem is when we only had the one offs, we had a taste of something great, but when we got it in longform we realized the first bite was great, but the whole thing was a little stale.

I could write it real good tho, in case you're wondering. Marvel don't lose hope you can still hire me marvel I know you're reading this mARVEL

[girlfriendsofthegalaxy]

tuesday again 1/17/23

this was written under some duress bc my cat refused the sacrificial animal cracker and wanted The Whole Box. no, these are mine, go eat your camel on the coffee table. i have always hated the "pet parent" stuff but mother DOES want a cocktail and some benzos, run along now

listening

peel me a grape, anita o'day's version. this popped up on a premade jazz standards spotify playlist

this is going to pop up on my spotify wrapped bc i am trying to memorize the lyrics, which include

Send out for scotch, boil me a crab Cut me a rose, make my tea with the petals Just hang around to pick up the tab Never out think me, just mink me Polar bear rug me, don't bug me New Thunderbird me, you heard me I'm getting hungry, peel me a grape

MWAH. love it. ideal.

-

reading

Dreamships by Melissa Scott. i don't like ragging on an alive, queer author, but this one did not grab me. let's talk about why!

the premise:

now, i'm not in the publishing industry. but maybe consider. if the jacket copy tells you "and this is the issue upon which the novel turns!" and then tells you the next two twists. maybe don't include that in the jacket copy. i have a bad habit of only reading the first half of jacket copy and didn't see this until i took these photos but i am retroactively annoyed on scott's behalf.

character work: i bought this bc i was very excited for a grouchy misanthropic lady pilot. reverdy jian isn't that. i still don’t know much about her from reading a third of the book. she is remarkably incurious and while this is an excellent trait if you are a freelancer or doing any sort of client work, it would have been nice to care about the protagonist of the book or feel like she has emotional or monetary stakes in taking/not taking this job.

pacing/structure: this book is like looking out over top of a layer of fog and i’m making it sound more exciting or appealing than it is. it’s very even in both pacing and emotion. the first hundred pages take places over about thirty six hours, bc there’s a rush pilot job, but it’s very laid back and relaxed. there’s no real sense of urgency or mystery, despite the author trying her hardest to set up a mystery about the almost complete lack of information about this ship. when the characters can’t find any info they just kind of shrug and move on. it’s also just a little obtuse, despite being very polished in all its tenses and word choices. i wonder if it maybe needed one more clarity pass. i had a lot of trouble figuring out who a whole extra character was bc there were too many men in one room.

where the pacing/structure/character work collide: this book reads like a travelogue, and i do not mean that as a compliment. again, we don't get much of reverdy's perspective--things simply happen to her or she sees things and just kind of absorbs them without much commentary. things happen one by one like beads on a string without really tying into a bigger picture of the city or her goals. the main premise (huge mostly underground city on a planet being stripmined) was not presented interestingly enough to make up for the lack of character work. for me. in my opinion. i'm not a writer (or at least not a serious/professional/one who puts a great deal of thought and planning into her writing)

i have a limited amount of time on this earth, i gave it a solid hundred pages, this does not earn a place on my shelf. back to the thrift store it goes. sorry ms scott i hope you're having a good day anyway

-

watching

still rewatching adventure time. s3 is full of solid bangers, i think this is the season i remember best bc it was one of the first Appointment Television things with my siblings the year we got cable. this is when they start drip-feeding you more of the stuff about the great mushroom war

i really really love when a post-post apoc setting thinks about the impact of a nuclear war on playground culture, like this hide and seek variant you see in s3e21:Marceline's Closet.

Over the mountain, the ominous cloud Coming to cover the land in a shroud Hide in a bushel, a basement, a cave But when cloud comes a-huntin No one's a save… no, safe!

how i found this: this show ran from 2010-2018, and was absolutely impossible to escape as a cultural juggernaut, especially during the peak le epic bacon style times when i was in high school. it also had a limited series in 2020-2021 and a spinoff is supposed to happen next year, which i am cautiously optimistic about.

-

playing

there will be light spoilers for the first two acts of wolfenstein the new order, a game that came out in 2014. i do not feel the need to rot13 early spoilers for an nine year old game.

despite enjoying the soundtrack for many years, i have never previously made into the castle in the first level of wolfenstein: the new order bc i always got bored and wandered off irl. i do want to get to a part (again not sure which one) where it will let me dual wield shotguns. why can't i find a second shotgun. i'm out of the asylum, they made me give the chainsaw back, and im about to murk some 1960s fascists at this checkpoint. one of these fuckers better have another shotgun.

blazkowicz is an enormous slab of unseasoned american beef. this man is SO large holy shit. i wish i cared about this big man. something about a dead female love interest? this nurse i kidnapped is going catch a bad case of the plot and be dead at the end of this level i think.

as previously mentioned this game was released in 2014 and boy does it look it, right down to the stupid macho gamer difficulty and exit screens. it's a pretty competent shooter. do wish ppl would stop shooting at me for five seconds so i can wander around and read all the propaganda and signage. why put it all up if you don't want me to look at it????

this was recently free on the epic store and the soundtrack came up on my walk today, which made me go "let me try this again". stay tuned.

-

making

made some quiche and fucked it up in a different way from last jan's quiche fuckup. still looking for hearty vegetarian soups, made some soup, which is very good but very texture. aash-e jow, a persian rice/bean/lentil/barley soup, is a soup you gotta chew. "kay isn't that a stew-" no. come to my house and eat this soup and i will show you.

other notable notes: doesn't really taste like much which could be continuing post-covid weirdness, and i think i should at minimum triple the amount of spices. fuck of a lot of prep. lot of chopping. hands hurty. called for a bunch of things i do not normally keep as pantry staples. i think it would be far easier to buy a block of frozen chopped spinach and refloof it in a saucepan like i did for the quiche, but i had some arugula/spinach mix that was about to go.

the caramelized onions really make this soup imo but i do not always have the fortitude to caramelize onions. i don't think this soup will stay an acceptable texture when frozen, so next weekend i have to make another giant batch of the red lentil soup to freeze for lunches.

you're correct i really don't want to do dishes