#manuscript avoidance
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It’s post random shit on tumblr hours.
I’d apologize but why would I?
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Jewish (convert) culture is getting together all your jewish books and hounding the new jew-by-choice at shul
#jumblr#jew by choice#jewish conversion#personal thoughts tag#everyone pray he's at shul this shabbos PLEASE#weve had lots of people seek out our shul thinking about converting and a lot of them have seemingly backed out (temporarily or permanently)#i definitely respect that choice but i remember how much this community stepped up to help me and it makes me emotional#i am so grateful for my rabbi and community because now i *know* what to do when i see someone where i was#anyway to people in this process: learn to accept that this will eventually happen to you#don't be bashful about it. you have to learn eventually that we all are a family#and you can only learn that when you feel like part of the family#in fact one of the prayers we say at shul for yisrael (at least in english but almost certainly in some way the hebrew)-#-EXPLICITLY mentions us as a family. there's no avoiding it (i think)#one of our members is spotty about their attendance. the other members worringly mention how 'you can't be a jew alone - by yourself!'#that's what i mean by 'its inescapable'#i might have to make this tag rant a separate post because it's really important to me to emphasize this#so if you see a post with very similar wording just know i did it On Purpose#sometimes i wonder how many people are willing to read tag rants. personally i LOVE reading them. i feel it's part of our culture#i love how optional it feels though. like you're reading the personal notes on a manuscript#you aren't NOT supposed to read it but something feels so secretive and exhilarating (that's too intense of a word but i digress)
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"Everything is complex" or "Things are not black and white" should not be used as shortcuts to avoid a problem, they should be used as the basis for a discussion. They're not conclusions, they're the beginning to finding understanding and solutions. These statements should inspire openness to learn more, not give a free pass to deflect everything you don't like hearing.
#i just see them used way too much as something people say to avoid having to think about something#or even to avoid responsibility#the statements themselves are often useless if they don't lead to anything#it's just lazy unless you can actually elaborate on what about an issue is more nuanced than whatever you're commenting on#this is basically what i meant a while ago when i was afraid of the word nuance losing its meaning on tumblr when people throw it around#without actually meaning anything of substance by it#lol i made the mistake of opening tumblr in the middle of writing my manuscript again#and ran into people discussing the nuance of social issues without a hint a nuance
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Resurrection: Explanation
They seemed to come from all direction: the mountains to the South, the sea to the East, the ruins of the Guili Assembly to the North, Mt. Tianheng to the West, and every inch of life far beyond each corner of Teyvat; each speck of ash, of chalk, of dust...
As I absolutely don't want to intrude on the game's events, past and present, I wanted to keep the nature of Guizhong's 'resurrection' rather in the corner of a... natural phenomenon. It's stated within Genshin's own lore that gods never truly die, and we all know that elements never cease to exist either. When Guizhong succumbed to death during the Archon war, the element that she had originally formed from never perished. If anything, everything always returns to dust, but she exists within that concept as she is the element of dust. It's why it lingers at her fingertips and why her attire disintegrates into it at its tips. And Teyvat is littered in ash and dust, and this only accumulates more throughout the centuries. For example, it is my personal (firm) belief that the darkening of the sky above Cuijue Slope is actually a dust cloud, or what we were made to read as 'black dust that choked the heavens' (and still does) as a result of her form having perished so long ago. If so, dust cannot disintegrate any further and/or beyond itself, and it's lingered for thousands of years. Has it possibly grown over-time, and does it pull more ashes into itself? All valid questions, but all in all, if it's dust, that means that it is her.
Keeping this in mind, my concept of her returning is rather simple. As I tie them all so very strongly into their element, and considering that hers is so overbearingly present throughout Teyvat, it is not far fetched by any means to think that the gods could reform from their element after regaining their strength within this phase of 'death' that is not ever final for them. Beyond that, I think it's incredibly dependent on the type of god that they are and what they are tied to, as we know not all of them are tied to a physical element (time, wisdom, to name two examples). With Guizhong being tied to dust (and ash and chalk, as Albedo notes the significance of in the creation life in his character story), I think it may be easier for her to do so, as long as she's capable of, in essence, using something as an energy battery. This simply leaves me with that latter and the timing for her return.
While I had originally decided on the Moonchase Festival, due to its tie to the moon, or specifically, the full moon (a meta for another time); I was a little silly and entirely forgot one monumental detail about Lantern Rite. It must have been a night during which my mind took a little stroll down the pebble beach. But again, I digress. The detail is as follows:
Lantern Rite is a festival in Liyue celebrated on the first full moon of the year and lasts for five days.
What is more symbolical than two of Liyue's founders to be tied to the new year in one way or another; a nation that celebrates its traditions and honours its forebears as it does? But outside of that, this doesn't come without inherent reasons for her directly as well. To reform as she does, especially to redraw into an appearance that perished long ago; it wouldn't be as simple as putting one's mind to it; one would, additionally, likely need a separate body of energy to generate the power needed to accomplish this. Again, pending the incoming meta, the celestial body she's tied to, the moon, when it's at its most significant in either power or symbolical importance (the faith/belief from humanity). A year's first full moon.
Remember the lone glaze lily that overlooks Liyue Harbor? It would be occurring on that cliffside, not chosen out of any notion of romanticism per se, but simply because of how it's one of the 'items' that she has always had such an inherently strong tie to (as we know, when she passed, the glaze lilies dwindled in number significantly, even if that had more to do with the land being ridden of tragedy), much more so than any other. Not only that, but Liyue Harbor represents the area that houses most of the people that are descendants of those that once lived in the Guili Assembly, who were in part, her people. That is another tie, for humanity is exceedingly important to her. Beyond that, from the cliffside there is a fully unobstructed view of the moon even before it reaches its apex as it rises in the east.
What does it look like? It mostly happens in the veil of nighttime, so the entire occurrence would hardly be noticeable to the human eye, nor does any mortal seem to venture out to that location habitually (and as for immortals, Zhongli and Madame Ping are likely its only visitors). But as dusk settles upon the land, motion is found in the dust cloud above Cuijue Slope. Flecks separate from it one by one, and as they do, it thins out, releasing the area of its gloom, joining flecks of dust and ash that gather from all sides of Teyvat to that one cliffside into a small zephyr of sorts. And it takes a long time, it's slow at first, and the higher the moon reaches, the faster they are carried on the wind, or rather, they themselves cause a breeze simply by their motion. And in the midst of this, as the moon dims, seeming a little less luminous than any other full moon throughout the year (but nothing too odd or inherently noticeable), the flecks gather into a form, one recognisable to anyone who knew her in days long passed. I can see it taking hours, and at its peak, it's a rush of wind that's caused by the whirl of them, and the more the moon dims, the brighter the form held within the flecks becomes, and the fuller and clearer it becomes: the same garments, the same hair, the same sleeves. She re-manifests into a solid and corporeal form as she once was, over a period of numerous hours. This would, however, leave her drained of lot of her power for possibly weeks, but ultimately, she would return to how she was, as they all are.
#[ meta. ] her manuscripts still lie unfinished in her abode. the blank pages give one cause for contemplation on what might have been.#[ /phew. ]#[ i don't know how many will read all of this-- but in case anyone wants to: it's here. ]#[ i didn't want it to be very long and it easily could have been twice as long but i /tried/ to avoid it. ]#[ there was truly no point to add more; even if tempted! i could talk forever and a day about this one. ]#[ now to make my little bullet point list to add to this. ]#[ ... and also then include it at the bottom. i guess. here we go. ]#[ alright-- off to write a little sum-up 'verse' post that i can put up a link to this to. ]#[ v: present. ] all wrapped up in a city that has existed for so many moons to date. all these things: they are why people chase the moon.
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i'm a writer irl (can't say who because my agent would rightfully put me into a blender and press the button if i go and out myself as "balrogballs") and honestly the funniest and most humiliating incident of my life was the time my finished manuscript triggered a plagiarism flag with the publisher for two lines of prose in my literary fiction novel...
.... which was word for word similar to a paragraph in a certain explicit work on FFN starring elrond and his batsman from the hobbit films, aka that one elf that looked like he ate panic attacks for breakfast (i forget his name but it's Figwit II) where the lord of imladris bends said twink over his writing desk and gives him the battering ram treatment.
and if you think i had to sit in front of one if the biggest publishing companies in the world and admit that it was, in fact, me who wrote the fic where the lord of imladris bends said twink over his writing desk and gives him the battering ram treatment in order to avoid being wrongly flagged for plagiarism, you would be absolutely correct.
(yes they published the book)
#Crack#except its my life#lord of the rings#The hobbit#these days if u write a fic abt Elrond tupping a twink to Tipperary they throw u in jail#Free balrogballs
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i'm often like "i should stop being so negative in my fandoms" but
then i see people cheering that nora apparently announced that the new book is 150k words and i'm like. that's not a good thing actually. the original trilogy was snappy and quick paced. and i don't think this new duology/trilogy is a big enough departure to warrant that. mostly it tells me that nora needs an editor lol. especially when book one was already heavy on vibes and light on plot
#if this somehow shows up in any tags: i tried to avoid any unambiguous reference#it doesn't help that i feel almost obliged to read it#i liked the first one! but now it feels like a threat#we already went from two books to three like kill your darlings girl#and yes i know i literally just wrapped up at 130k manuscript last month#but a fantasy epic is not the same as a character centric romance forward slow burn series!#anyway
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The Science Research Diaries of S. Sunkavally, page 349.
#calcium carbonate#embryo#overheating#thermal conductivity#rats#learned avoidance#foods#carbon dioxide in the breath#mosquitoes#chimpanzee infant#nursing#menopause#bird#core temperature#force of muscle contraction#tropics#agriculture#teperate husbandry#gigantism#antibody rigidity#sulphydryl bridge#phosphates in soil#cow#bloat#fluorine#satyendra sunkavally#theoretical biology#cursive handwriting#manuscript
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10 Flaws to Give Your Perfect Characters to Make Them Human
If you're tired of the usual vices like arrogance or impatience, here are some unique (or at least less basic) character flaws to give your perfect characters:
Pathological Altruism
A character so obsessed with helping others that they end up doing more harm than good. Their inability to let others grow or face consequences creates tension.
2. Moral Narcissism
A character who sees themselves as morally superior to others, constantly justifying selfish or harmful actions because they believe they have the moral high ground.
3. Chronic Self-Sabotage
A character who intentionally undermines their own success, perhaps due to deep-seated feelings of unworthiness, pushing them into frustrating, cyclical failures.
4. Emotional Numbness
Rather than feeling too much, this character feels too little. Their lack of emotional response to critical moments creates isolation and makes it difficult for them to connect with others.
5. Fixation on Legacy
This character is obsessed with how they’ll be remembered after death, often sacrificing present relationships and happiness for a future that’s uncertain.
6. Fear of Irrelevance
A character-driven by the fear that they no longer matter, constantly seeking validation or pursuing extreme measures to stay important in their social or professional circles.
7. Addiction to Novelty
Someone who needs constant newness in their life, whether it’s experiences, relationships, or goals. They may abandon projects, people, or causes once the excitement fades, leaving destruction in their wake.
8. Compulsive Truth-Telling
A character who refuses to lie, even in situations where a lie or omission would be the kinder or more pragmatic choice. This flaw causes unnecessary conflict and social alienation.
9. Over-Identification with Others' Pain
Instead of empathy, this character feels others' pain too intensely, to the point that they can’t function properly in their own life. They’re paralyzed by the suffering of others and fail to act effectively.
10. Reluctant Power
A character who fears their own strength, talent, or influence and is constantly trying to shrink themselves to avoid the responsibility or consequences of wielding it.
Looking For More Writing Tips And Tricks?
Looking for writing tips and tricks to better your manuscript? Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors! Instagram Tiktok
PS: This is my first short-form blog post! Lmk if you liked it and want to see more (I already have them scheduled you don't have a choice)
#hayatheauthor#haya's book blog#haya blogs#writing community#quillology with haya#writing tools#writer things#writing advice#writer community#writing techniques#writing prompt#writing stuff#creative writing#ya writing advice#writing tips and tricks#writer tools#writers of tumblr#writer blog#writers block#quillology with haya sameer#writers on tumblr#writerscommunity#writer stuff#author help#author advice#author#writing inspiration#writeblr#novel writing#on writing
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ninth house au for jesper...
#im not sure what house he would exactly fit into but like. aurelian maybe???? or manuscript but like. Looks at manuscript#jesper would avoid that shit SO much. no thank you!
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quit my research lab
#this is a good thing i tell myself as i try to avoid the guilt my professor heaped on me#he was like 'why:(' like we havent had 5-7 convos abt me being unhappy/overworked/burning out#then ofc pushed me to stay or 'make a plan' to continue which i said no to#going to print out my manuscript (like 20 pages) and burn it#ahh remember when it was 12 pages and when i tokd him that he said 'thats it?' without even looking at it#sigh. big changes#canis speaks
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made myself a little reading bingo. trying to motivate myself to read things that aren't a) medieval texts, and b) things i've read before.
my personal rules include no re-reads (i can count one for the free space), and if it's prose it has to be around twenty thousand words minimum (most of what i want to read is at least that long, but it'll help if i want to count a fanfic or something to have this rule of thumb.)
if anyone happens to have interesting suggestions for any of these categories, feel free to let me know!
#tammi's reading list 2k24#we'll see if anything comes of this#my girlfriend is doing it too so i need to get stuck in soon#i don't want to lose my reputation as the most well read bitch in the polycule#i'm hoping to far exceed these twenty-five books#but last year my list of finished books included multiple manuscripts/translations of the same medieval texts#and at least three books i read more than once in 2023 alone#if i clock this bingo card i'll probably make a second one that is less concerned with avoiding counting re-reads#and i got storygraph which is my first attempt to use a website/app for book tracking/recs/etc.#books#reading challenge#reading goals#booklr
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wine

word count: 1.3k
synopsis: in which sylus is obsessed with your lips.
contains: sylus x mc!reader (not dating because i like tormenting him like that), alcohol consumption, horny sylus (not smut tho), suggestive themes, mentions of violence and blood, and LOTS of cussing.
a/n: i told myself i wouldn't write anything until i finish finals but sylus won. i'm also avoiding his myth spoilers since i didn't pull his pair yet. enjoy reading! do NOT copy or translate my work. sylus does NOT endorse plagiarism.

sylus wants to kiss you right now. he wants to kiss you so fucking badly, it hurts.
you can't blame the man. you looked absolutely delectable right now. hair up, ears jeweled, eyes hooded, and back bared, oh, you looked so good in the dress he handpicked for you; he could just devour you whole and leave nothing to spare.
and he would have no remorse for doing so either. the auction you two were at was filled with fucking nobodies. how dare they look at you, let alone breathe the same air as you? he's lost count of how many times he felt the urge to just demolish this shithole of a place.
sylus sighs, rubbing a hand over his face. he knows he's being irrational. after all, he was the one who suggested you two attend this auction. you showed interest in an old manuscript that just so happened to be available only at this auction, and he would be damned if he didn't get you everything you could ever want. hell, you could even ask him for his heart, and he would tear it out of his cold chest, deliver it to your divine feet, get on his fucking knees, and beg for you to demand more of him.
so, actually, you can blame him for the situation he is in. he was the one who picked the set you're wearing right now oh so ravishingly. he was the one who brought you to this stupid auction that's taking so long to get on with it already—where the fuck is the manuscript? but most importantly, he was the one who made your lips look so damn kissable right now.
he knew what he was doing when he picked your lipstick for you. deep scarlet that would match his eyes and look good on you. but he never thought it would look this good on you. sylus curses under his breath, feeling his pants tighten around his crotch after remembering you bent over the sink to gaze at the mirror and paint your lips. he recalls how it took him everything not to stride over to you, spin you around, and slam his lips onto yours, hoping to get a smear of that majestic shade.
oh, but it wasn't just the shade of your lips that drove him crazy. it was the texture, too. you must've been feeling heated because you go to take another sip of the wine in your hand. the matted, creamy lip print you leave on the glass has the silver-haired man inhaling sharply and tightening his grip on the table. what he would give to have such a work of art printed on him instead. he wants it all over him. his face, his neck, his fingertips, his cock—everywhere until no single part of him was unmarked by your luscious lips. until there was no room to even question who he belonged to.
that's how badly sylus wants to kiss you right now. but he stops himself using the single thread of patience he has left. yes, the two of you were technically alone, standing at the table in the far back. thank god he reserved a table just for the two of you so only he could marvel at your lip-stained glass. no one would interrupt if the two of you were to just have a full-blown make-out session right now.
but sylus knew better. he knew that you were still wary of him. this, you can blame him. after all, he's not a saint. his entire being is smothered in blood, down to the very tip of his designer shoes. he built his lavish empire of protocores and guns from the taking of lives. hell, he even threatened you the first time you met. though, he only did that to push you to your full potential. he could never truly harm you. but sylus knows you. you, in your most beautiful human form, who dwells not only on the past but also on the lives of others. you, whose empathy is so strong, sylus can't help but admire, even though he sometimes wishes you would just let loose and bring hell upon all those who dare to cross you. thus, your continued, empathy-driven wariness of him. but, sylus knows how to compromise. he's okay with being the one with bloodied hands and fucked-up morals so long as it means seeing you, even if it means from afar. besides, you haven't reported him to your little hunter friends yet. he supposes that's a start, and he could settle with that. he could also settle with this:
"is the wine to your liking, sweetie?" he asks smoothly.
you flinch, taken aback by sylus' sudden question. you were wondering when he would stop staring at you and actually start paying attention to the auction. not that you mind having sylus' eyes on you. it's just that the borderline depraved look in his crimson eyes was making you feel all hot inside and you really wanted to stop feeling all hot inside whenever you were near him, let alone thinking about him.
"uh yeah," you nervously chuckle, setting the glass down. "it's better than i thought." you turn your gaze to a waiter nearby, hoping to get a glass for sylus since he seemed so interested in yours for some reason. "here, let me get one for you too."
you try to catch the waiter's attention by raising your right hand, but sylus stops you. he grasps your hand with his left and rests it on the table. you furrow your eyebrows at him, wondering why he stopped you. sylus, the man who appreciates (that's the nicest way you can describe it) alcohol passing a chance at a complimentary drink? you're utterly confused.
"no need," sylus gives a gentle squeeze, trying to ease your confusion. though, you're not prepared for what happens next.
sylus picks up your glass with his free hand, plants his lips on your lip print, and takes a slow sip. your eyes widen, feeling the heat that was coiling in your stomach spread all around your tense body. holy shit, did he just—?
the aggravating godsend of a man next to you finishes your drink with a satisfied sigh, wiping the garnet droplets from the corner of his lips but not the paint left by yours. "hm," sylus drags his tongue along his lips, a smirk threatening to show. "it is better than i thought."
you flush, seeing your lipstick smudged on sylus' succulent lips. you don’t know what to say. he totally did that on purpose. there's no way he didn't. does this mean the two of you technically kissed-
you don't allow yourself to finish that last thought. you blink rapidly, trying to get your now parched mouth to say something. anything. but you can't. you're completely flustered to the point where all you can do is just gape at sylus with a blush the shade of his eyes tinting your cheeks.
sylus grins, the tip of his canine peeking out from his now-tainted lips. this is better than he thought. perhaps, he should settle more often if it means getting to see you so cutely aroused and embarrassed like this. though, he knows he won't be able to settle for long. he knows one day, he won't be able to hold himself back anymore. one day, he'll conquer your lips for himself and relentlessly indulge in the real thing. but for now, sylus is content. for now.
"cat got your tongue, sweetie?" sylus teases, tilting his head to meet your shaky gaze.
you jerk your head away, trying to get the image of his lips out of your mind. "eyes on the prize, sylus."
sylus chuckles, but not without placing his elbow on the table and propping his face on his hand to get a better look at you. "oh, my eyes are on the prize, sweetie. my eyes are on the prize."
#i'm so cooked for finals#but it's okay#it's not#sylus x reader#sylus x you#sylus x mc#love and deepspace fic#love and deepspace sylus#love and deepspace x reader#lnds sylus#lads sylus#love and deepspace
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If you told me in 2001 that my two favorite books of all time, neither of which anyone I knew had read, were going to be among the most active fandoms 22 years later, and that one was going to star one of my favorite actors but be something I was actively avoiding while the other would generate exciting fandom discussions that deepened my love of the book, I would absolutely have guessed wrong which would be which.
#I think there's a good chance that even adding 'the one you will avoid will be a sequel by the original author'#Would have just convinced me that by 2023 we were going to have resurrection tech#Or some lost manuscript would have appeared#no one asked you ms p
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A Lesson In Fear Extinction | part I

pairing: professor!Jack Abbot x f!psych phd student reader summary: You’re a senior doctoral student in the clinical department, burned out and emotionally barricaded, just trying to finish your final few years when Jack Abbot—trauma researcher, new committee member, and unexpectedly perceptive—starts seeing through you in ways you didn’t anticipate wc: 11.9k content/warnings: academic!AU, slow burn (takes places over 3 years lbffr), frat boys being gross + depictions of unwanted male attention/verbal harassment, academic power dynamics, emotional repression, discussions of mental health, mutual pining, hurt/comfort, angst, so much yearning, canon divergence, no explicit smut (yet/tbd but still 18+ MDNI, i will fight u) a/n: this started as a slow-burn AU and spiraled into a study in mutual repression, avoidant-attachment, and me trying to resolve my personal baggage through writing ~yet again~ p.s. indubitably inspired by @hotelraleigh and their incredible mohan x abbot fic (and all of their fics that live in my head rent free, tyvm) i hope you stay tuned for part II (coming soon, pinky promise) ^-^
The first thing you learn about Dr. Jack Abbot is that he hates small talk. That, and that he has a death glare potent enough to silence even the most self-important faculty members in the psych department.
The second thing you learn is that he runs his office like a bunker—door usually half-shut, always a little too cold, shelves lined with books no one's touched in decades. You step inside for your first meeting, and it feels like entering a war room.
"You’re early," he says, without looking up from the annotated manuscript he’s scribbling on.
"It's the first day of the school year."
"Same difference."
You take a seat, balancing your laptop on your knees. Your fingers hover over the keyboard, unsure if you should even bother.
Dr. Abbot finally glances up. Hazel eyes, sharp behind silver-framed glasses. "Let’s make this easy. Tell me what you’re working on and what you want from me."
You hesitate. Not because you don’t know. You’ve been rehearsing this on the walk over. You just hadn’t planned on him cutting through the pleasantries quite so fast.
"I’m running a mixed methods study on affective forecasting errors in anxiety and depression. Lab-based mood induction, longitudinal survey follow-up, and semi-structured interviews. I'm trying to map discrepancies between predicted and experienced affect and how that mismatch contributes to maladaptive emotion regulation patterns over time."
A beat.
"So you're testing whether people with anxiety and depression are bad at predicting their own feelings."
You blink. "Yes."
"Good. Start with that next time."
You bite the tip of your tongue. Roll the flesh between your teeth to ground yourself. There is no next time, you want to say. You’re only meeting with him once, to get sign-off on your committee. He wasn’t your first choice. Wasn't even your second. But your advisor's on sabbatical, and the other quantitative faculty are already overbooked.
Dr. Abbot leans back in his chair, examining you. "You’re primary is Robby, right?"
"Technically, yes."
He hums, not bothering to hide the skepticism. "And you want me on your committee because...?"
"Because you published that meta-analysis on PTSD and chronic stress. Your work on cumulative trauma exposure and dysregulated affect dovetails with mine on stress-related trajectories for internalizing disorders and comorbidity. I thought you might actually get what I’m trying to do."
His brow lifts, just slightly. "You did your homework."
"Well, I’m asking you for feedback on a dissertation that will probably make me break down countless times before it's done. Figured I should know what I was getting into."
Dr. Abbot's mouth twitches. You wouldn’t call it a smile, exactly. But it’s something.
"Alright," he says, flipping open a calendar. "Let’s see if we can find a time next week to go over your proposal draft."
You arch a brow. "You’ll do it?"
"You came in prepared. And you didn’t waste my time—as much as the other fourth years. That gets you further than you’d think around here."
You nod, heart thudding. Not because you’re nervous.
Because you have the weirdest feeling that Jack Abbot just became your biggest academic problem—and your most unexpected ally.
You see him again the next day. Robby was enjoying his last remaining few weeks of paternity leave and graciously asked Jack to sub for his foundations of clinical psychology course. Jack preferred the word coerced but was silenced by a text message with a photo of a child attached. The baby was cute enough to warrant blackmail.
He barely got through the door intact: balancing a coffee cup between his teeth, cradling a half-closed laptop under one arm, and wrangling the straps of a clearly ancient backpack. His limp is more pronounced today. The small cohort watches him with a mix of curiosity and vague alarm.
You’re in the front row, laptop open before he even gets to the podium.
Jack drops everything onto the lectern with a heavy exhale, then glances around. His eyes catch on you and pause—not recognition yet, just flicker. Then he turns back to plug in his laptop.
You don’t expect to see him again two days later, striding into the 200-level general psych class you TA. The room’s already three-quarters of the way full when he walks in, and it takes him a moment before he does a brief double-take in your direction.
You return your attention to your notes. Jack stares.
"Small world."
"Nice to see you too, Dr. Abbot."
He sighs. "Why am I not surprised."
"Because the annual stipend increase doesn't adjust for inflation, I'm desperate, and there aren't enough grants given the current state of events?"
Jack mutters something under his breath about cosmic punishment and unfolds the syllabus from his coat pocket like it personally betrayed him.
When he finally settles at the front—coffee in one hand, laptop balancing precariously on the desk—you catch him bending and straightening his knee just under the edge of the table, jaw set tight. It’s subtle. Anyone else might miss it. But you’ve been watching.
You say nothing.
A few students linger with questions—mostly undergrads eager to impress, notebooks clutched to their chests, rattling off textbook jargon in shaky voices. Jack humors them, mostly. Nods here, clarification there. But his eyes flick to you more than once.
You take your time with the stack of late enrollment passes. He’s still watching when you sling your tote over one shoulder and head for the door.
Probably off to the lab. Or your cubicle in the main psych building. Wherever fourth years disappear to when they aren’t shadowing faculty or training underqualified and overzealous research assistants on data collection procedures.
Jack shifts his weight onto his good leg and half-listens to the sophomore with the over-highlighted textbook.
His eyes stay on you when you walk out.
You make it three steps past the stairwell before the sound of your name stops you. It’s not loud—more like a clipped murmur through the general noise of backpacks zipping and chairs scraping—but it cuts straight through.
You turn back.
Jack’s still at the front, the stragglers now filtering out behind him. He doesn’t wave. Doesn’t beckon. Just meets your gaze like he already knows you’ll wait. You do.
He makes his way toward you slowly, favoring one leg. The closer he gets, the more you notice—the way his hand tightens on the strap of his backpack, the exhausted pull at his brow. He’s not masking as well today.
"Thanks for not saying anything," he says when he stops beside you.
You shrug. "Didn’t seem like you needed an audience."
Jack huffs a laugh, dry and faintly surprised. "Most people mean well, but—"
"They hover," you finish. "Or overcompensate. Or say something weird and then try to walk it back."
"Exactly."
You both stand there for a beat too long, campus noise shifting around you like a slow tide.
"I was heading to the coffee shop," you say finally. "Did you want anything?"
Jack tilts his head. "Bribery?"
"Positive reinforcement." The words trail behind a small grin.
He shakes his head, mouth twitching. "Probably had enough caffeine for the day."
The corner of your lip curls higher. "As if there's such a thing."
That earns you a half-huff, half-scoff—just enough to let you believe you might have amused him.
"Well," you say, taking a step backward, "I’ve got three more RAs to train and one very stubborn loop to fix. See you around, Dr. Abbot."
"Good luck," he says, voice low but steady. "Don’t let the building eat you alive."
The next time he sees you, it’s after 10 p.m. on a Thursday.
You hadn’t planned on staying that late. But the dinosaur of a computer kept crashing, two of your participants no-showed, and by the time you’d salvaged the afternoon’s data to pull, it was easier to crash on the grad lounge couch than face the lone commute back to your apartment.
You must’ve fallen asleep halfway through reading feedback from your committee—curled up with your legs splayed over the edge of the couch and laptop perched on the cheap coffee table. The hall is mostly dark when Jack walks past. He’s heading toward the parking lot when he stops, mid-step.
For a moment, he just stands there, taking in the sight of you tucked awkwardly into yourself. You look comfortable in your oversized hoodie, if not for the highlighter cap still tucked between your fingers and mouth parted in a silent snore.
He doesn’t say anything. Just watches you breathe for a few seconds longer than necessary.
Then, maybe with more curiosity than concern, he raps his knuckles gently against the doorframe. Once. Twice. Three times for good measure.
No response.
Jack steps inside and calls out, voice pitched low but insistent. "This is not a sustainable sleep schedule, you know."
You stir—just barely. A vague groan escapes your lips as you shift and swat clumsily in the direction of the noise. "Just five more minutes... need to run reliability analyses..."
Jack chuckles, genuine and surprised.
He leans against the wall, watching you with no urgency to leave. "Dreaming about data cleaning. Impressive."
You make a small, unintelligible noise and swat again, this time with a little more conviction. Jack snorts.
After a moment, he sighs. Then carefully crosses the room, picks up the crumpled throw blanket from the floor, and drapes it over you without ceremony.
He flicks off the overheads and closes the door behind him with a quiet click. The hallway hums with fluorescent buzz as he limps toward the parking lot, shoulders tucked in against the chill.
A few weeks into the semester, the rhythm settles—lecture, discussion, grading, rinse and repeat. But today, something shifts.
You’re stacking quizzes at the front of the general psych lecture hall when Jack catches movement out of the corner of his eye. Two male students—frat-adjacent, all oversized hoodies and entitled swagger—approach your desk.
Jack looks up from his laptop. His expression doesn’t shift, but something in his posture does—a subtle, perceptible freeze. He watches from where he’s still packing up—hand paused on his laptop case, jaw tight, eyes narrowing just slightly as he takes in the dynamic. There’s a flicker of tension behind his glasses, a pause that says: if you needed him, he’d step in.
They swagger up with the kind of smirks you’ve seen too many times before—overconfident, under-read, and powered by too many YouTube clips of alpha male podcasts.
"Yo, TA—what’s up?" one says, leaning far too close to your desk. "Was gonna ask something about the exam, but figured I’d shoot my shot first. You free later? Coffee on me."
His friend elbows him like he’s a comedic genius. "Yeah, like maybe we could pick your brain about, like, how to get into grad school. You probably have all the insider tricks, right?"
You don’t even blink.
"Sure," you say sweetly. "I’d love to review your application materials. Bring your CV, your transcript, three letters of rec, and proof that you’ve read the Title IX policy in full. Bonus points if you can make it through a meeting without quoting Andrew Tate—or I’ll assume you’re trying to get yourself suspended."
They stare. You smile.
One laughs uncertainly. The other mutters something about how "damn, okay," and both slink away.
Jack’s jaw works once. Then relaxes.
You glance up, like you knew he’d been watching.
"Well handled," he says, voice low as he steps beside you.
You offer a nonchalant shrug. "First years are getting bolder."
"Bold is one word for it."
You hand him a stack of leftover forms. "Relax, Dr. Abbot. I’ve survived undergrads before. I’ll survive again."
Jack gives a small, amused grunt. Then, after a beat: "You can call me Jack."
You glance up, brow raised.
"Feels a little formal to keep pretending we’re strangers.
You don’t say anything right away. Just nod once, almost imperceptibly, then go back to gathering your things.
He doesn’t push it.
It’s raining hard enough to rattle the windows.
You’re having what your cohort half-jokingly calls a "good brain day"—sentences coming easy, theory clicking into place, citations at your fingertips. You barely notice the weather.
Jack glances up from your chapter draft as you launch into a point about predictive error and affective flattening. He doesn't interrupt. His eyes follow how you pace—one hand gesturing, the other holding your annotated copy, words sharp and certain.
Eventually, you pause mid-thought and glance at him.
He's already looking at you.
Your hand flies up to cover your mouth. "Shit. I'm sorry—"
Jack shakes his head, lips twitching at the corners. "Don’t apologize. That was… brilliant."
You blink at him, the compliment stalling your momentum. The automatic response bubbles up fast—some joke to deflect, to downplay. You don't say it. Not this time.
Still, your fingers tighten slightly on the edge of the desk. "I don't know about brilliant..."
Jack doesn’t look away. "I do."
The silence stretches—not awkward, exactly, but thick. His gaze doesn’t waver, and it holds something steady and burning behind it.
You glance down at your annotated draft. The silence stays between you like a taut wire.
Jack doesn’t fill it. Just waits—gaze unwavering, as if giving you time to come to your own conclusion. No pressure, no indulgent smile. Just a quiet, grounded certainty that settles between you like weight.
Eventually, you exhale. The tension loosens—not completely, but enough to keep going.
"Okay," you murmur, almost to yourself.
Jack nods once, slowly. Then gestures at your printed draft. "Let’s talk about your integration of mindfulness in the discussion section. I’ve got a few thoughts."
Ethics is the last class of the week. The room's heating is inconsistent, the lights too bright, and Jack doesn’t know how the hell he ended up covering for Frank Langdon. Probably the same way he got stuck with Foundations and General Psych: Robby. The department’s too damn small and apparently everyone with a baby gets to vanish into thin air.
He steps into the room ten minutes early, coffee already lukewarm, and makes a half-hearted attempt to adjust the podium screen. The first few students trickle in, then more. He flips through the lecture slides, barely registering them.
And then he sees you.
You’re near the back, chatting with someone Jack doesn’t recognize. Another grad student by the look of him—slouched posture, soft jaw, navy sweater. The guy’s grinning like he thinks he’s charming. He leans in a little too close to your chair. Says something Jack can’t hear.
Jack tells himself he’s only looking because the guy seems familiar. Maybe someone from Walsh’s lab. Or Garcia’s.
You laugh at something—light, genuine.
Jack tries not to react.
Navy Sweater says something else, more animated now. He gestures to your laptop. Points to something. You nudge his hand away with a grin and say something back that makes him blush.
Jack flips the page on his lecture notes without reading a word.
You’re still smiling when you finally glance up toward the podium.
Your eyes meet.
Jack doesn’t look away. But he doesn’t smile either.
The guy beside you says something else. You nod politely.
But you’re not looking at him anymore.
The next time you're in Jack’s office, the air feels different—autumn sharp outside, but warm in here.
He notices things. Not all at once, but cumulatively.
Your hair’s longer now. It’s subtle, but the ends graze your jaw in a way they hadn’t before. You’ve started wearing darker shades—amber, forest green, burgundy—instead of the lighter neutrals from early fall. Small changes. Seasonal shifts.
He doesn’t say anything about any of that.
But then he sees it.
A faint smudge of something high on your neck, near the curve of your jaw.
"Rough night?" he asks, lightly. The tone’s casual, but his eyes stay there a second too long.
You look up, blinking. Then seem to realize. "Oh. No, it’s—nothing."
He raises an eyebrow, just once. Doesn’t press.
What you don’t say: you went on a date last night. Your first real date since your second year. Navy Sweater—Isaac—had been sweet. Patient. Social psych, so he talked about group dynamics and interdependence theory instead of clinical cases. A refreshing change from your usual context. He’d been pining for you since orientation. You finally gave him a chance.
You’re not sure yet if it was a mistake.
Jack doesn’t ask again. He just shifts his attention back to your printed draft, flipping a page without comment.
But you can feel it—that subtle change in the room. Like something under the surface has started to stir.
Jack doesn’t speak again for the rest of the meeting, at least not about anything that isn’t your manuscript. But the temperature between you has shifted, unmistakable even in silence.
His feedback is sharp, incisive, and you take it all in—but your focus tugs sideways more than once.
You start to notice little things. The way his hands move when he talks—precise, economical, almost always with a pen twirling between his fingers. The way he reads with his whole posture—leaned in slightly, brows furrowed, lips moving just barely like he’s tasting the cadence of each sentence. How he always wears button-downs, sleeves pushed up to the elbows, like he’s never quite comfortable in them.
You catch the faint scruff at his jawline, the flecks of gray you hadn’t seen before in the fluorescent classroom light. The quiet groan of his office chair as he shifts to get more comfortable—though he never quite does. The occasional tap of his fingers against the desk when he’s thinking. The way his eyes track you when you pace, like he’s cataloging your rhythm.
When he leans in to gesture at a line in your text, you’re aware of his proximity in a way you hadn’t been before. The warmth that radiates off him. The way his breath hitches just slightly before he speaks.
When you ask a clarifying question, he meets your eyes and holds the gaze a fraction too long.
It shouldn’t mean anything. It probably doesn’t.
Still, when you pack up to leave, you don’t rush. Neither does he.
He walks you to the door, stops just short of it.
"Good luck with the coding," he says.
You nod. "Thanks. See you next week."
He hesitates, then nods once more. "Yeah. Next week."
And when you leave his office, the echo of that pause follows you down the hall.
At home, Jack goes through the same routine he always does. He hangs up his coat. Places his keys in the ceramic dish by the door. Fills the kettle. Rinses a clean mug from the rack without thinking—habit, even if it’s just for himself.
Then he sits down on the edge of the couch and unbuckles the prosthetic from his leg with practiced efficiency. He leans forward, slow and deliberate, and cleans the area with a soft cloth, checking the skin for signs of irritation before applying a thin layer of ointment. Only then does he begin to massage the tender spot where his leg ends, pressing the heel of his palm just enough to release tension. The ache is dull tonight, but persistent. It always is when the weather shifts.
He doesn’t turn on the TV. When he buckles it back on and gets up again, he moves around his apartment quietly, the limp less noticeable this time around.
While the water heats, he scrolls through emails on his phone—most from admin, flagged with false urgency. A few unread messages from students, one from a journal editor asking for another reviewer on a manuscript that costs too much to publish open access. He deletes half, archives another third. Wonders when it became so easy to ignore what used to feel so important.
The kettle whistles. He pours the water over the tea bag and sets it down, not bothering with the stack of essays he meant to look at hours ago.
He doesn’t touch them.
Not yet.
Tonight, his rhythm is off.
Instead, he looks over your latest draft after dinner, meaning only to skim. He finds himself rereading the same paragraph three times, mind somewhere else entirely. Your words, your phrasing, your comments in the margins—he's memorizing them. Not intentionally. It just happens.
Later, brushing his teeth, Jack thinks of how you’d looked that afternoon: eyes sharp, expression animated, tucked into a wool sweater the color of cinnamon. Hair falling forward when you tilted your head to listen, then swept back with one distracted hand. A little ink smudged on your finger. The edge of a smile you didn’t know you were wearing.
He wonders if you know how often you pace when you’re deep in thought. How your whole posture changes when something clicks—like your bones remember before your voice does. How you gesture with the same hand you write with, sometimes forgetting you’re holding a pen at all.
He tells himself it’s just professional attentiveness. That he’s tuned into all his students this way. That noticing you in detail is part of his job.
But it’s a lie. And the truth has started to settle into his bones.
He closes his laptop, shuts off the light.
He dreams in fragments—lecture notes and old conference halls, the scent of rain-soaked leaves, the sound of your voice mid-sentence. The ghost of a laugh.
He doesn’t remember the shape of the dream when he wakes.
Only the warmth that lingers in its place.
Across town, you’re on another date with Isaac.
He’s funny tonight—quick with dry quips, gentler than you'd expected. He walks you to a small café far from campus, one you’ve driven by a dozen times but never tried. He orders chai with oat milk. You get the pumpkin spice out of spite.
"Pumpkin spice, really?" he teases. "Living the stereotype."
"It’s autumn," you shoot back. "Let me have one basic pleasure."
You talk about everything but your dissertation—TV shows, childhood pets, the worst advice you’ve ever received from an advisor. Inevitably, you steer the conversation into something about work. It's a habit you seem to remember having since your earliest academic days, and one you don't see yourself breaking free from anytime soon.
"My undergrad advisor once told me I’d never get into grad school unless I stopped sounding ‘so West Coast.’ Still not sure what that means."
Isaac laughs. "Mine told me to pick a research topic ‘I wouldn’t mind reading about for the rest of my life.’ As if anyone wants to read their own lit review twice."
You laugh—genuine, belly-deep. Isaac flushes with pride and takes a long sip of his chai, eyes bright.
It's easy with him, you think. Talking, breathing, being. You lean back in your chair, cup warm between your palms, and realize you should feel more present than you do.
He’s exactly what you thought you needed. Different. Outside your orbit. Not tangled up in diagnoses or a department that feels more like a pressure cooker every day.
But still, your mind drifts. Not far. Just enough.
Back to the way Jack had looked at you earlier that day. The pause before he spoke. The silence that wasn’t quite silence.
You can’t put your finger on it. You don’t want to.
Isaac reaches across the table to brush his fingers against yours. You let him.
And yet.
You catch yourself glancing toward the door as he brushes your fingers. Just once. Barely perceptible. A flicker of something unformed tugging at the edge of your attention.
Not for any reason you can name. Not because anything happened. But because something did—quiet and slow and not easily undone.
You remember the way his brow furrowed as he read your chapter, the steadiness in his voice when he called your argument brilliant, the way he looked at you like the room had narrowed down to a single point.
Isaac is sweet. Funny. Steady. You should be here.
But your mind keeps slipping sideways.
And Jack Abbot—stubborn, sharp, unreadable Jack—is suddenly everywhere. In the cadence of a sentence you revise, where you hear his voice in your head asking, 'Why this framework? Why now?' In the questions you don’t ask Isaac because you already know how Jack would answer them—precise, cutting, but never unkind. In the sudden, irritating way you want someone to challenge you just a little more. To push back, to poke holes, to see if your argument still stands.
You find yourself wondering what he’s doing tonight. If he’s at home, pacing through a quiet, single-family home too large for his own company. If he’s reading someone else’s manuscript with the same intensity. If he ever thinks about the way you looked that afternoon, how you paced his office with fire in your voice and a red pen tucked behind your ear.
You think about the hitch in his breath when you leaned in. The way he’d watched you leave, that pause at the door.
And then Isaac says something—soft, thoughtful—and it takes you a second too long to register it. You nod, distracted, and reach for your drink again.
But your mind is already elsewhere.
Still with someone else.
You take another sip of your drink. Smile at Isaac. Let the moment pass.
But even then, even here—Jack is in the room.
You don’t see Jack again until the following Thursday. It’s raining hard again—something about mid-semester always seems to come with the weather—and the psych building smells like wet paper and overworked radiators.
You’re in the hallway, hunched over a Tupperware of leftover lentils and trying to catch up on grading, when his door creaks open across the hall. You glance up reflexively.
He’s standing there, brow furrowed, papers in hand. He spots you. Freezes.
For a moment, neither of you says anything. The hallway is quiet, just the hum of fluorescents and the distant murmur of a class in session. Then:
"Grading?" he asks, voice lower than usual—quiet, but unmistakably curious.
You lift your fork, deadpan. "Don’t sound so jealous."
Jack’s mouth twitches—almost a smile. A pause, then: "You’re in Langdon’s office hours slot, right?"
"Only if I bring snacks," you quip, referring to the way Frank Langdon always lets the TA with snacks cut the line—a running joke in the department.
Jack raises his coffee like a toast. "Then I’ll keep walking." A dry little truce. An unspoken I’ll stay out of your way—unless you want me to stay.
You watch him disappear down the hallway, his limp slightly more pronounced than usual. And you find yourself thinking—about how many times you’ve noticed that, and how many times he’s never once drawn attention to it.
Your spoon scrapes the bottom of the container. You try to return to grading.
You don’t get much done.
Later that afternoon, you’re back in the general psych lecture hall, perched on the side of the desk with your TA notes while Jack clicks through the day’s slides. It’s the second time he’s teaching this unit and he’s not even pretending to follow the script. You know him well enough now to catch the subtle shifts—when he goes off-book, lets the theory breathe.
He doesn’t look at you while he lectures, but you can tell when he’s aware of you. The slight change in cadence, the way his eyes flick toward the front row where you sometimes sit, sometimes stand.
Today’s lecture is on conditioning. Classical, operant, extinction.
At one point, Jack pauses at the podium. He’s talking about fear responses—conditioned reactions, the body’s anticipatory wiring, what it takes to unlearn a threat. You’ve heard this part a dozen times in college and a dozen more in grad school. You’ve written about it. You've published on it.
But when he says, "Fear isn’t erased. It’s overwritten," his eyes flick toward you—just for a second.
And your heart trips a little. Not in a dramatic, cinematic way—more like a misstep in rhythm, a skipped beat in a song you thought you knew by heart. Your breath catches for half a second, and you feel the heat rush to the tips of your ears.
It’s absurd, maybe. Definitely. But the tone of his voice when he said it—that measured, worn certainty—lands somewhere deep inside you. Not clinical. Not abstract. It feels like he’s speaking to something unspoken, to a part of you you've tried to keep quiet.
You shift your weight, pretending to re-stack a paper that doesn’t need re-stacking, pulse louder than it should be in your ears.
From your seat on the edge of the desk, you can see the way he gestures with his hand, slow and spare, like every movement costs something. The way he leans on his good leg. The way the muscles in his forearm flex as he flips to the next slide, still speaking, still teaching—none of this showing on his face.
Your eyes keep drifting back.
And he doesn’t look at you again. Not for the rest of the lecture.
But you feel the weight of that glance long after the class ends.
You stay after class, mostly to gather the quiz sheets and handouts. A few students linger, asking Jack questions about the exam. You hear him shift into that firm-but-generous tone he uses with undergrads, the kind that makes them think he’s colder than he is. Efficient. Clear.
When the last student finally packs up and leaves the room, Jack straightens. His eyes find you, soft but unreadable.
"Good lecture," you say.
He hums. "Not bad for a recycled deck."
You hand him the stack of forms. "You made it your own."
His thumb brushes over the edge of the papers. "So did you."
You don’t ask what he means. But the quiet between you feels different than it did at the start of the semester.
The room is mostly empty. Just the two of you. You're caught somewhere between impulse and caution. Approach and avoidance. There's a pull in your chest, low and slow, that makes you want to linger a second longer. To say something else. To ask about the lecture, or the line he looked at you during, or the kind of day he's had. But your voice sticks.
Instead, you shift again, adjust your grip on the papers in your hands, and let it all stay unsaid. But Jack’s already turned back toward the podium, gathering his things.
He doesn’t look up right away. Just slides his laptop into its case with more force than necessary, his jaw set tight. He’s annoyed with himself. The kind of annoyance that comes from knowing he missed something—not a moment, exactly, but the shadow of one. An opening. And he let it pass.
There was a question in your eyes. Or maybe not a question—maybe a dare. Maybe just the start of one. And he didn’t rise to meet it.
He tells himself that’s good. That’s safe. That’s professional.
But it doesn’t feel like a win.
His hand pauses on the zipper. He breathes out through his nose, not quite a sigh. Then glances toward the door.
You’re already gone.
You let the moment pass.
But you feel it. Like something just under the surface, waiting for another breach in the routine.
It happens late one evening, entirely by accident.
You’re in your office, door mostly closed, light still on. You meant to leave hours ago—meant to finish your email and call it—but the combination of caffeine and a dataset that refused to make sense kept you tethered to your desk.
Jack’s on his way out of the building when he hears it: a muffled sound from behind a half-open door just across the hallway from his own. He pauses, backtracks, and realizes for the first time exactly where your office is.
He hears it again—a quiet sniffle, then a low, barely-there laugh like you’re trying to brush it off.
He knocks.
You don’t answer.
"Hey," he says, voice just loud enough to carry but still gentle. "You alright?"
The sound of your chair creaking. A breath caught in your throat.
"Shit—Jack." You swipe at your face automatically, the name out before you think about it.
He steps just inside, not crossing the threshold. "Didn’t mean to scare you."
You shake your head, still blinking fast. "No, I just—burned out. Hit a wall. It’s fine. Nothing serious. Just… one of those days." You try for a joke.
Jack’s eyes sweep the room. The state of your desk. The way your sweater sleeves are pulled down over your hands. He shifts his weight.
There’s a long pause. Then he says, softer, "Can I—?"
You furrow your brows for a moment before nodding.
He steps in and leaves the door slightly cracked open behind him. He remains by the edge of your desk, a respectful distance between you. His presence is quiet but steady, and he doesn't pry with questions.
You exhale slowly, suddenly aware of the sting behind your eyes and how tight your shoulders have been all day. You look down, embarrassed, and when you reach for a tissue, your hand grazes his by accident.
You both freeze.
It’s nothing, really. A brush of skin. But it lands like something else. Not unwelcome. Not forgotten.
Jack doesn’t pull away. But he doesn’t linger, either.
Jack doesn’t move at first. He watches you for a moment longer, the quiet in the room settling unevenly.
"You sure you’re alright?" he asks, voice low, unreadable.
You nod, quick. "Yeah. I’m fine."
It comes too fast. Reflexive. But it lands the way you want it to—firm, closed.
Jack nods slowly. He doesn’t push. "Okay."
He steps back, finally. "Just—don’t stay too late, alright?"
You offer a smaller nod.
He hesitates again. Then turns and slips out without another word.
Your office feels warmer once he’s gone.
And your breath feels just a little easier.
Jack makes his way down the hallway toward the faculty lounge with the intention of grabbing a fresh coffee before his office hours. He passes a few students loitering in the corridor—chatter, laughter, the usual.
But then he hears your voice. Quiet, edged. Just outside the lecture hall.
"Isaac, I’m not having this conversation again. Not here."
Jack slows. Doesn’t stop, but slows and finds a small nook just shy of the corner.
"I just don’t get why you won’t answer a simple question," Isaac says. "Are you seeing someone else or not?"
There’s a pause. Jack glances down at the coffee in his hand and debates turning around.
But then he hears your exhale—sharp, frustrated. "No. I’m not."
Isaac huffs. "Then what is this? You’re always somewhere else—even when we’re out, even on weekends. It’s like your head’s in another fucking dimension."
Jack feels the hairs on his neck stand up. He sees you standing with your back half-turned to Isaac, arms crossed tightly over your chest. Isaac’s face is flushed, his voice a little too loud for the setting. Your posture is still—too still.
Jack doesn’t step in. Not yet. He stays just out of sight, near the hallway alcove. Close enough to hear. Close enough to watch.
You draw in a long breath. When you speak, your voice is level, cold. "I just don’t think I’m in the right place to be in a relationship right now."
Isaac’s expression shifts—confused, hurt.
Jack watches the edge of your profile. How your shoulders lock into place. How your eyes go distant, like you’re powering down every soft part of yourself.
He doesn’t breathe.
Then someone laughs down the hallway, and the moment breaks. Isaac looks over his shoulder, distracted for half a beat, then turns back to you with something sharp in his eyes.
"You’re not even trying," he says, voice low but biting. "I’m giving you everything I’ve got, and you’re... somewhere else. Always."
You stiffen. Jack stays hidden, tension rippling down his spine.
"I know..." you say, voice tight. "I'm sorry. I really am. But this isn’t working."
Isaac’s face contorts. "Seriously? That’s it?"
You shake your head. "You deserve someone who’s fully here. Who wants the same things you do. I’m not that person right now."
He opens his mouth to say something, but your eyes have already gone cold. Guarded. Clinical.
"I don't want to whip out the 'it's not you it's me bullshit'," you continue, each word deliberate. "But this isn’t about you doing something wrong. It’s me. I can’t give more than I’ve already given."
Jack watches the shift in your posture—how you shut it all down, protect the last open pieces of yourself. He recognizes it because he’s done the same.
"I'm sorry." The words are genuine. "You deserve better." Your eyes don't betray you. For a moment, though, your expression softens. You look at Isaac like a kicked dog, like you wish you could offer something kinder. But then it’s gone. Your eyes go cold again, your voice a blade dulled only by exhaustion.
Then someone laughs again down the hallway, closer this time, and the moment scatters. Jack moves past without a word. Doesn’t look at you directly.
But he sees you.
And he doesn’t forget what he saw.
As he passes, you glance up. Your eyes meet.
Only for a second.
Then he’s gone.
Isaac doesn’t notice.
Time passes. You're back in Jack's office for your regular one-on-one—but something is different.
You sit a little straighter. Speak a little quieter. The bright curiosity you usually carry in your voice has hardened, now precise ,restrained. Not icy, but guarded. Pulled taut.
You’re not trying to be unreadable, but you can feel yourself defaulting. Drawing the boundaries back up.
Jack notices.
He doesn’t say anything, but you catch the slight narrowing of his gaze as he listens.
You’d gone all in on this program, this career—your research, your ambitions, your carefully calculated goals. Isaac was the first time you'd tried letting something else in. A possibility. A softness.
And it crashed. Of course it did.
Because that’s what you do. That’s the pattern. You’re excellent at control, planning, systems, at hypothesis testing and case management. But when it comes to anything outside the academic orbit—connection, trust, letting someone see the jagged pieces under the polish—you flinch. You fail.
And you’ve learned not to let that show. Not anymore.
At one point, you trail off mid-sentence. Jack doesn’t fill the silence.
You clear your throat. Try again.
There’s something steadier in his quiet today. You finally finish your point and glance up. His expression is neutral, but his gaze is… undivided.
"Are you okay?"
It catches you off guard. You blink once, not expecting the question, not from him, not here.
You start to nod. Then pause. Your throat feels tight for a second.
"Yeah," you say. "I’m fine."
Jack doesn’t look away. He holds your gaze a moment longer. Not pressing. Not interrogating. Just there.
"You should know better than to lie to a psychologist."
It’s almost a joke. Almost. Just enough curve at the corner of your mouth to soften it. You let out a breath—half a laugh, half a sigh. "Guess I need to reassess my baseline."
Jack leans forward slightly. Then, without saying anything, reaches over and closes your laptop. Slides it just out of reach on the desk.
You open your mouth to protest.
Jack cuts in, quiet but firm. "You need to turn your brain off before it short circuits."
You blink. He continues, gentler this time. "Just for a few minutes. You don’t have to push through every wall. Sometimes it’s okay to sit still. Breathe. Be a human being."
You look down at your hands, fingers curled around a pen you hadn’t realized you were still holding. There’s a long pause before you speak.
"I don’t know how to do that," you admit, voice barely above a whisper.
Jack doesn’t say anything at first. He lets the silence settle. "Start small," he says. "We’re not built to stay in fight-or-flight forever."
The words land heavier than you expect. You stare down at your hands, your knuckles paling against the pressure of your grip. Your breath stutters on the way out.
Jack doesn’t move, but his presence feels closer somehow—like the room has contracted around the two of you, warm and steady.
You set the pen down slowly. Swallow. Your eyes burn, but nothing falls.
Your jaw shifts. Just a fraction.
You don’t say anything at first.
Jack doesn’t either. But he doesn’t look away.
After a beat, he says—careful, quiet—"You want to talk about it?"
You hesitate, eyes fixed on a crease in your jeans. "No."
He waits. "I think you do."
You laugh under your breath. It’s not funny. "This how you talk to all of your clients?"
He doesn't bite.
"You don’t let up, do you?" You're only half-serious.
"I do," he pauses. "When it matters. Just not when my mentee is sitting in front of me looking like the world’s pressing down on their ribcage."
That makes you flinch. Not visibly, not to most. But he sees it. Of course he does. He’s trained to.
You look at your hands. He's not going to let this go so you might as well bite the bullet. "I'm not great at the whole... letting people in thing."
Jack doesn’t respond. Just shifts his weight slightly in his chair—almost imperceptibly. A silent invitation.
Your voice stays quiet. Measured. "I usually just throw myself into work. It’s easier. It’s something I can control."
Still, he says nothing.
You pick at the seam of your sleeve. "Other stuff... it gets messy. Too unpredictable. People are unpredictable."
Jack’s gaze never wavers. He doesn’t push. But the absence of interruption is its own kind of presence—steady, open.
Your lips twitch in a faint, humorless smile. "I know that’s ironic coming from someone studying emotion regulation."
He finally says, softly, "Sometimes the people who study it hardest are the ones trying to figure it out for themselves."
That makes your eyes flick up. His expression is calm. Receptive. No judgment. No smile, either. Just… presence.
You look down again. Your voice even softer now. "I don’t know how to do it. Not really."
Jack doesn’t interrupt. Just shifts, barely, like bracing.
And somehow, that makes you keep going.
"Grad school’s easier. Career’s easier. I can plan. I can control. Everything else just…" You trail off. Shrug, a flicker of helplessness.
He’s still watching you. The way he does when he’s listening hard, like there’s a string between you and he’s waiting to see if you’ll keep tugging it.
"I thought maybe..." You press your lips together. "I thought I could do it. Let someone in. Be a person. A twenty-nine year old, for fuck's sake." Your hands come up to your face. "But it just reminded me why I don’t."
You draw a slow breath. Something in your chest cracks. Not a collapse—just a fault line giving way.
Jack just stares.
Then, slowly, he leans back—not away, but into the quiet. He folds his hands in his lap, thumb tracing a familiar line over his knuckle. A practitioner’s stillness. A kind of careful permission.
"You know," he says, voice low, "when I first started in trauma research, I thought if I understood it well enough, I could outsmart it. Like if I had the right frameworks, if I mapped the pathways right, it wouldn’t touch me."
You glance up.
He exhales through his nose—dry, but not bitter. "Turns out, knowing the symptoms doesn’t stop you from living them. Doesn’t stop the body from remembering."
He doesn’t specify. Doesn’t have to.
His eyes flick to yours. "But you don’t have to be fluent in trust to start learning it. You don’t have to be good at it yet. You just have to let someone sit with you in the silence."
You study him. The sharpness of his jaw, the quiet behind his glasses, the wear in his voice that doesn’t make it weaker.
Your throat tightens, but you don’t speak.
He doesn’t need you to.
He just stays there—anchored. Steady. Unmoving.
Like he's not waiting for you to come undone.
He's waiting for you to believe you don’t have to.
It's Friday night. You’re walking a participant through the start of a lab assessment—part of the longitudinal stress and memory protocol you’ve spent the last year fine-tuning. The task itself is simple enough: a series of conditioned images, paired with soft tones. But you watch the participant's pulse rise on the screen. Notice the minute shift in posture, the tension in their jaw.
You pause. Slow things down.
"Remember," you say gently, "we’re looking at how your body responds when it doesn’t need to anymore. The point isn’t to trick you—it’s to see what happens when the threat isn’t real. When it’s safe."
The participant nods, still uneasy.
You don’t blame them.
Later, the metaphor clings to you like static from laundry fresh out of the dryer. Fear extinction: the process of unlearning what once kept you alive. Or something close to it.
You think of what Jack said. What he didn’t say. The silence he offered like a landing strip.
It replays in your head more than you'd like to admit—the dim warmth of his office, the soft click of your laptop closing, the unexpected steadiness in his voice. No clinical jargon. No agenda. Just space. Permission.
You remember the way he folded his hands. The faint scuff on the corner of his desk. The way he didn’t fill the air with reassurances or advice. Just stayed quiet until the quiet felt less like drowning and more like floating.
And it had made something in your chest stutter—because you'd spent years studying fear responses, coding reactivity curves and salience windows, mapping out prediction error pathways and understanding affect labeling.
But none of your models accounted for the way someone simply sitting with you could ease the grip of it.
Maybe, you think now, as you log the participant's final response, this is what fear extinction looks like outside of a lab setting. Not just reducing reactivity to a blue square or a sharp tone.
But learning—relearning—how it feels to let another person in and survive it.
Maybe Jack wasn’t offering a solution.
Maybe he was offering proof.
Is this what it looked like in practice? Not just in a scanner or a skin conductance chart—but in the quiet, everyday choice of showing up? Staying?
Perhaps the data is secondary and this is the experiment.
And maybe, just maybe, you’re already in the middle of it.
The new semester begins in a blur of syllabi updates and shuffled office assignments. It's your final year before internship—a fact that looms and hums in the background like a lamp you can't turn off. You’re no longer the quiet, watchful second-year—you’ve published, you've taught, you've survived.
But you’re also exhausted. You’ve become adept at wearing competence like armor.
Jack is teaching an elective course this semester—Epigenetics of Trauma. You're enrolled in it—a course you didn’t technically need, but couldn’t resist for reasons you cared not to admit.
When you pass him in the hallway—coffee in one hand, a paper balanced on his clipboard—he stops.
"Did you hear the department finally updated the HVAC?" he asks, and it’s not really about the HVAC.
You nod, a wry smile tugging at your mouth. "Barely. Still feels like a sauna most days."
Jack gestures to your cardigan. "And yet you persist."
You grin. It’s a tiny thing. But it stays.
Later that week, he pokes his head into your office between student meetings.
"You’re on the panel for the trauma symposium, right?"
The one you were flying to at the end of October—thanks to Robby, who had playfully threatened to submit your name himself if you didn’t volunteer. He’d needed someone to piggyback off of, he’d said, and who better than his best grad student—who was also swamped with grant deadlines, dissertation chapters, and a growing list of internship applications. You’d rolled your eyes and said yes, of course, because that’s what you did. And maybe because a part of you liked the challenge, academic mascochism and validation and all.
You nod. "Talk and discussion."
He steps farther in. "If you’re open to it—I’d like to sit in."
You glance up. "You’ve already read the draft."
Jack smiles. "Doesn’t mean I wouldn’t like to hear it out loud."
You lean back slightly, watching him. "You going to grill me from the audience and be that one guy?"
Jack raises an eyebrow, amused. "Wouldn’t dream of it."
You hum. "Mmhm."
But you’re smiling now. Just a little.
It’s not quite vulnerability. Not yet. But it’s a beginning. A reset. The next slow iteration in a long series of exposures. New responses. New learning. Acceptance in the face of uncertainty.
The only way fear ever learns to quiet down.
Robby’s already three beers in and trying to argue that Good Will Hunting is actually a terrible representation of therapy while Mel King—your cohort-mate in the developmental area, always mindful and reserved—defends its emotional core like it’s a thesis chapter she’s still revising in her head.
Mentored by John Shen, Mel studies peer rejection and emotional socialization in early childhood, and she talks about toddlers with the same reverence some people reserve for philosophers. Her dissertation focuses on how early experiences of exclusion and inclusion shape later prosocial behavior, and she can recite every milestone in the Denver Developmental Screening Test like scripture.
She’s known for respectful debates, non-caffeinated bursts of energy, and an uncanny ability to babysit and code data at the same time. The kind of person who shows up with a snack bag labeled for every child at a study visit—and still finds time to coordinate the department's annual "bring your child to work" day. She even makes time to join you and Samira on your Sunday morning farmers market walks, reusable tote slung over one shoulder, ready to talk about plum varieties and which stand has the best sourdough.
Samira Mohan, meanwhile, sits with her signature whiskey sour and a stack of color-coded notecards she pretends not to be working on. She’s in the clinical area too—mentored by Collins—and her work focuses on how minority stress intersects with emotion regulation in underserved populations. Her analyses are razor sharp and sometimes terrifying. Samira rarely speaks unless she knows her words will land precisely—measured, deliberate, the kind of sharp that cuts clean.
Although still in her early prospectus phase, choosing to propose in her fifth year rather than fourth, her dissertation is shaping into a cross-sectional and mixed-methods exploration of how racial and gender minority stressors compound across contexts—academic, familial, and romantic—and the specific emotion regulation repertoires that emerge as survival strategies.
Samira doesn’t stir the pot for fun; she does it when she sees complacency and feels compelled to light a fire under it. That’s the Samira everyone knows and you love—the one who will quietly dismantle your entire line of argument with one clinical observation and a deadpan stare. She does exactly that now, throwing in a quote from bell hooks with the sly smile of someone who knows she’s lit a fuse just to watch it burn.
It’s a blur of overlapping conversations, familiar inside jokes, cheap spirits, and the particular cadence of a group that knows each other’s pressure points and proposal deadlines down to the day. For a moment you let yourself exist in it—in the din, in the messy affection of your academic family, in the safety you didn’t know you’d built, much less deserved. Samira’s halfway through a story about a disastrous clinical interview when she turns to you, parts her mouth to speak, and looks up behind you—
"So is this where all the cool kids hang out?"
You feel him before you see him—Jack’s presence like a low hum behind you, the soft waft of his cologne cutting through the ambient chatter. The light buzz of conversation has your senses dialed up, awareness prickling at the back of your neck. You don’t turn. You don’t have to.
Robby lets out a loud "whoohoo" as Jack joins the table, hauling him into a bro hug with the miraculously coordinated enthusiasm of someone riding high off departmental gossip. Jack rolls his eyes but doesn’t resist, letting Robby thump his back twice before extracting himself but instead of settling there, he leans down slightly, voice pitched just for you. “Is this seat taken?”
Robby at 12 o'clock, Heather to his left, then Samira, Mel, you, and John. The large circular table meant for twelve suddenly feels exponentially smaller. The tablecloth brushes your knees, heavy and starchy against your lap. You feel warmth creep up your cheeks—probably from the alcohol (definitely not from anything else)—and scoot over slightly closer to Mel, giving him room to squeeze in between you and John. You can feel the shift in the air, the proximity of his sleeve against yours, the silent knowledge that he's there now—anchored in your orbit.
He slides in beside you with a quiet murmur of thanks, the space between your arms barely more than a breath. The conversation continues, but the air feels a little different now.
He nods politely to Shen on his left, mutters something about being tricked into another committee, then glances your way—dry, amused, measured.
Always measured.
You feel Jack beside you—not just his sleeve brushing yours, but his presence, calm and dense as gravity. His knee bumps yours beneath the table once, lightly, maybe unintentional. Maybe not. The cologne still lingers faintly and you try to focus on what Samira is saying about peer-reviewed journals versus reviewer roulette, but it’s impossible to ignore the warmth radiating from his side, the way your skin registers it before your brain does. He's like a human crucible. You keep your gaze trained forward, sipping your drink a little too casually, pretending you don’t notice the way your heartbeat’s caught in your throat.
The charged air gives you a spike of bravery—fleeting, foolish, and just enough. Before you let the doubt creep into your veins, you nudge your knee toward Jack’s beneath the table, thankful for the tablecloth concealing the movement. You feel him exhale beside you—quiet, but unmistakable—and something inside you hums in response.
You feel Jack’s thigh tense against yours. The contact lingers, neither of you moving. Moments pass. Nothing happens.
So you cross your legs slowly, right over left, deliberately, letting the heel of your shoe graze his calf.
He stills.
The conversation around the table doesn’t pause, but you’re aware of every breath, every shift in weight beside you. The air between you tightens, stretched across the tension of everything unsaid.
Everyone else is occupied—Robby and Shen deep in conversation about conference logistics, Heather and Samira bickering over which of them was the worse TA, Mel nodding along and adding commentary between sips of cider. Jack sees the opening and seizes it.
He leans in, just slightly, until his shoulder brushes yours again—barely perceptible. "Subtle," he murmurs, voice pitched low, teasing.
You arch a brow, still facing forward. “I have no idea what you're talking.”
"Of course not," he says, dry. "Just sudden interest in the hem of the tablecloth, is it?"
You swirl your drink, letting the glass tilt in your fingers. "I’m a tactile learner. You know this."
He huffs a quiet breath—could almost be a laugh. "Must make data cleaning a thrilling experience."
"Only when R crashes mid-run." You angle your knee back toward his under the table, a soft bump like punctuation.
Jack tilts his head slightly, eyes flicking to yours. "Dangerous territory."
"Afraid of a little ambiguity, professor?"
His mouth twitches at the title.
You sip slowly, buying time, letting the quiet between you stretch like a drawn breath. His thigh is still pressed against yours. Still unmoving. Still deliberate.
"You always like to push your luck this much?" you murmur, keeping your eyes trained on your drink.
Jack hums low. "Only when the risk feels... calculated."
You glance at him, the corner of your mouth twitching. "Bit of a reward sensitivity bias tonight, Dr. Abbot?"
He shrugs. "You’ve been unintentionally reinforcing bad behavior."
You smirk, but say nothing, letting the conversation around you swell again. Robby starts ranting about departmental politics, Heather counters with a story about a grant mix-up that almost ended in flames. You sip your drink, Samira taps her notecards absently against her palm.
The rest of the evening hums on, warm and loose around the edges. When it finally winds down—people slowly gathering coats, hugging their goodbyes—you rise with the group, still a little buzzed, still aware of Jack’s presence beside you like heat that never quite left your side.
Under the soft yellow glow of the dim lobby chandelier, everyone says their goodnights—laughing, tipsy, hugging, good vibes all around. Jack is the last to leave the circle, and as you turn toward the elevator, you glance over your shoulder at him. "See you tomorrow," you say. "Last day of the conference—only the most boring panels left."
Jack lifts a brow. "You wound me."
You grin. "I’m just saying—if you show up in sweats and a baseball cap for your presentation, I’ll pretend not to know you."
The elevator dings. The doors slide open. You step inside, leaning against the railing. Jack stays behind.
"Goodnight," he says, eyes lingering. You nod, then turn, pressing the button for your floor. Just as the doors begin to glide shut, a hand slides into the narrow threshold—the border between hesitation and something else.
Palm flat against the seam. That sliver of metal and air.
He steps in slowly. Quiet. And presses the button for the same floor.
The doors slide shut behind him with a soft hiss.
Silence hums between you.
You don’t speak. Neither does he. But your awareness of each other sharpens—your breath shallow, his jaw tense. The elevator jolts into motion.
Jack shifts slightly, turning his body just enough to lean back against the railing—mirroring you. His arm grazes yours. Then the back of his hand brushes against your knuckles.
A spark—not metaphorical, not imagined—zips down your arm.
Neither of you pulls away.
You glance sideways.
He’s already looking at you.
Your eyes meet—held, quiet.
Not a word is exchanged. But something breaks—clean and sharp, like a snapped circuit. Long-simmering, unvoiced tension rising to the surface, clinging to the pause between heartbeats and motion-sensor lighting.
Jack leans in—not tentative, not teasing. Just close enough that his breath grazes your cheek. Your breath catches. His proximity feels like a fuse. He’s watching you—steady, unreadable. But you feel the pressure in the air shift, charged and thick.
"I don’t know what this is," you finally whisper. Your throat feels incredibly dry. A sharp juxtaposition to the state of your undergarments.
Jack’s voice dips low. "I think we’ve both been trying not to look too closely."
Your chest tightens. His hand twitches by his side. Flexing. Gripping. Restraint unraveling. His breath shallows, matching yours—fast, hungry, starved of oxygen and logic. And then, like a spark to dry kindling, you thread your fingers through his.
Heat erupts between your palms, a jolt that hits your spine. You don’t flinch. You don’t pull away. You tighten your grip.
He exhales—shaky, like it’s cost him everything not to close the distance between your mouths. The electricity is unbearable, like a dam on the edge of collapse.
And still, neither of you move. Not quite yet.
But the air is thick with the promise: the next breach will not be small.
The elevator dings.
You both flinch—just barely.
The doors slide open.
You release his hand slowly, fingers slipping apart like sand through mesh, reluctant and slow but inevitable. Jack's hands stay in a slightly open grip.
"I should..." you begin, breath catching. You clear your throat. "Goodnight, Jack."
Your voice is soft. Almost too soft.
Jack nods once. Doesn’t reach again. Doesn’t follow.
"Goodnight," he says. Low, warm. Weighted.
You step out. Don’t look back.
The doors begin to close.
You glance over your shoulder, once—just once.
Your eyes meet through the narrowing gap.
Then the doors seal shut, quiet as breath.
For now.
Contrary to Samira's reappraisal of you joining her for Friday night drinks, you begrudgingly allow her to drag you out of your cave. Just the two of you—girls’ night, no work talk allowed, and no saying "I need to work on my script" more than once. She makes you wear lip gloss and a top that could almost be considered reckless, and you down two tequila sodas before you even start to loosen your shoulders.
You’re halfway through your third drink when a pair of guys approaches—normal-looking, vaguely grad-school adjacent, maybe from public health or law school. Samira gives you a look that says seems safe enough, and you need this, and so you nod. You dance.
The one paired off with you is tall, not unpleasant. He asks before he touches you—his hand at your waist, then your hip, then lightly over your ribs. You nod, give consent. He smells like good cologne and something sugary, and he’s saying all the right things.
But something feels wrong.
You realize it halfway through the song, when his hand brushes the curve of your waist again, gentle and careful and... wrong. Too polite. Too other.
You think of the way Jack’s fingers had curled between yours. The heat of his palm against yours for a single minute in the elevator. The way he hadn’t touched you anywhere else—but it had felt like everything.
You close your eyes, trying to ground yourself. But you can’t stop comparing.
You’ve danced with this stranger for five whole minutes, and it hasn’t come close to the electricity of the sixty seconds you spent not speaking, not kissing, not touching anything else in the elevator with Jack.
It shouldn’t mean anything but it means everything.
You step back, thanking the guy politely, claiming a bathroom break. He nods, not pushy, already scanning the room.
Samira follows a song change later. "You okay?"
You nod. Then shake your head. Then say, "I think I might be fucked."
Samira just hands you a tissue, already knowing. She looks understanding. Like she sees it, too—and she's not going to mock you for it.
"Yep," she says gently while fixing a stray baby hair by your ear. "Saw it the second Jack joined us for drinks that night."
The night air feels cooler after the club, like the city is exhaling with you. You and Samira walk back toward the rideshare pickup, her arm looped loosely through yours.
You don’t say anything for a long moment. She doesn’t push.
"I don’t even know what it is," you murmur eventually. "I just know when that guy touched me, it felt like wearing someone else’s coat. Warm, sure, but not mine."
Samira hums in agreement. "Jack feels like your coat?"
"No," you sigh. Then, after a beat, quieter, "He feels like the one thing I forgot I was cold without."
She doesn’t say anything. Not right away. Just squeezes your hand. "So what’re you gonna do about it?"
"Scream. Cry. Have a pre-doctoral crisis," you say flatly.
Samira snorts. "So… Tuesday." You bite back a smile, shoving her shoulder lightly but appreciating the comedic diffusion nonetheless.
She exhales through her nose, gentler now. "If it’s any consolation, I see the way he looks at you."
Your eyes flick toward her. She continues, tone still soft, sincere. "Not just that night during drinks, but during your flash talk. I’ve never seen him that… emotive. It was like he was mesmerized. And even back during seminar last year, when he was filling in for Robby? Same thing. I remember thinking, damn, he listens to her like she’s rewriting gravity."
You should feel elated. Giddy. Instead, you bury your face in your hands and emit a sound that can only be described as a dying pterodactyl emitting its final screech. "I hate my fucking life."
"It's going to be okay!" Samira tries to hide her laughter but it comes through anyway, making you laugh through teary eyes. "You will be okay."
You shake your head back and forth, trying to make yourself dizzy in hopes that this was all a dream.
"Who was it that said 'boys are temporary, education is forever?'" Samira all-but-sang.
"Do not quote me right now, Mira," you groan, dragging the syllables like they physically pain you. "I am but a husk with a degree-in-progress."
The week that follows is both everything and nothing. You go to class. You show up to lab meetings. You present clean analyses and nod through questions from the new cohort of freshmen. You even draft two paragraphs of your discussion section. One of three discussion sections. It looks like functioning.
Since submitting the last batch of internship applications, your dissertation committee meetings have gone from once a week with each member to once every three. You'd already run all of your main studies, had all the data cleaned and collated, and even coded all of the analyses you intended on running. Now all that was left was the actual writing and compiling of it all for a neat, hundred-or-so-page manuscript that no one would read.
It’s your first meeting with Jack since flying back from the conference.
In all honesty, you hadn’t given it much thought. Compartmentalization had become a survival strategy, not a skill. It helped you meet deadlines, finish your talk, submit your final batch of internship applications—all while pretending nothing in that elevator happened. At least not in any way that mattered.
Now, seated outside his office with your laptop open and your third coffee in hand, you realize too late: you never really prepared for this part. The after.
You hear the door open behind you. A familiar cadence of steps—steady but slightly uneven. You know that gait.
"Hey," Jack says, as calm and neutral as ever. Like you didn’t almost combust into each other two weeks ago.
You glance up. Smile tight. "Hey."
"Come in?"
You nod. Stand. Follow him inside.
The office is the same as it’s always been—overcrowded with books, one stack threatening to collapse near the filing cabinet. You sit in your usual chair. He sits in his. The silence is comfortable. Professional.
It shouldn’t feel like a loss.
Jack taps a few keys on his laptop. "You sent your methods revisions?"
"Yesterday," you say. "Just a few small clarifications."
He hums. Nods. Clicks something open.
You sip your coffee. Pretend the sting behind your ribs is just caffeine.
The moment stretches.
He finally speaks. "You look… tired."
You smile, faint and crooked. “It’s November.”
Jack lets out a quiet laugh. Then scrolls through the document, silent again.
But the air between you feels thinner now. Like something’s missing. Or maybe like something’s waiting.
He reads.
You watch him.
Not just glance. Not just notice. Watch.
Your coffee cools in your hands, untouched.
He doesn't ask why you weren't at the symposium he moderated. Or if you were running on caffeine and nerves from recent deadlines. And definitely not why you booked an earlier flight home from the conference.
You search his face like it might hold an answer—though you’re not entirely sure what the question is. Something about the last two weeks. The way he hasn’t said anything. The way you haven’t either. The way both of you pretended, remarkably well, that everything was the same.
But Jack’s expression doesn’t change. Not noticeably. He just skims the screen, fingers occasionally tapping his trackpad. The glow from his monitor traces the line of his jaw.
Still, you keep looking. Like maybe if you study him hard enough, you’ll find a hint of something there.
A crack. A tell. A memory.
But he stays unreadable.
Professional.
And you hate that it hurts.
It eats at you.
Why does it hurt?
You knew better than to let this happen. To let it get this far. This was never supposed to be anything other than professional, clinical, tidy. But somewhere between all the late-night edits and long silences, the boundaries started to blur like ink in water.
You tell yourself to turn it off. That part in your brain responsible for—this—whatever it was. Romantic projection, limerence, foolishness. You’d diagnose it in a heartbeat if it weren’t your own.
You just need to get through this meeting. This last academic year. Then you'd be somewhere far away for internship, and then graduated. That’s all.
Then you could go back to pretending you’re fine. That everything was okay.
The entire time you’d been staring—not at Jack, not directly—but just past his shoulder, toward the bookshelves. Not really seeing them. Just trying to breathe.
Jack had already finished reading through your edits. He read them last night, actually—when your email came through far too late. He’d learned to stay up past his usual bedtime about two weeks into joining your committee.
But he wasn’t just reading. Not now.
He was watching. Noticing the subtle shifts in your brow, the tension at the corners of your mouth. You didn’t look at him, but he didn’t need you to.
Jack studied people for a living. He’d made a career out of it.
And right now, he was studying you.
You snap yourself out of it. A light head bobble. A few quick blinks. A swallow. "All done?" you ask, voice dry. Almost nonchalant, like you hadn’t been staring through him trying to excavate meaning.
Jack lifts an eyebrow, subtle, but nods. "Yeah. Looks solid."
You nod back. Like it’s just another meeting. Like that’s all it ever was.
Then you close your laptop a little too quickly. "I think I’m gonna head out early, I don’t feel great," you offer, keeping your tone breezy, eyes still somewhere over his shoulder.
Jack doesn’t call you on it. Not outright.
But he watches you too long. Like he’s flipping through every frame of this scene in real time, and none of it quite adds up.
"Alright," he says finally. Even. Quiet. "Feel better."
You nod again, already halfway to the door.
You don’t look back.
"Hey—" Jack’s voice catches, right as the door swings shut.
Your hand freezes on the handle.
You hesitate.
But you don’t turn around.
Just one breath.
Then you keep walking.
You make it halfway down the hall before you realize your hands are shaking.
Not much. Barely. Just enough that when you fish your phone out of your coat pocket to check the time, your thumb slips twice before you unlock the screen.
He’d called your name.
And maybe that wouldn’t mean anything—shouldn’t mean anything—except Jack Abbot isn’t the type to call out without a reason. You’ve worked with him long enough to know that. Observed him enough in clinical and classroom settings. Hell, you’ve studied men like him—hyper-controlled, slow to show their hand. You’d written an entire paper on the paradox of behavioral inhibition in high-functioning trauma survivors and then realized, two weeks into seminar, that the paragraph on defensive withdrawal could’ve been subtitled See: Jack Abbot, Case Study #1.
You’d meant to file that away and forget it.
You haven’t forgotten it.
And now you're walking fast, maybe too fast, through the undergrad psych wing like the answer might be waiting for you in your lab inbox or the fluorescence of your office.
You don’t stop until you’re behind a locked door with your laptop powered off and your hands braced on either side of your desk.
You breathe.
In through your nose. Out through your mouth.
Again.
Again.
Still—when you close your eyes, you see the look on his face.
That same unreadable stillness.
Like he wanted to say something else.
Like he knew something else. And maybe—maybe—you did too.
#the pitt#the pitt hbo#the pitt fanfiction#the pitt imagine#the pitt x reader#jack abbot#the pitt spoilers#jack abbot imagine#jack abbot x reader#shawn hatosy#dr. abbot x reader#dr abbot#dr abbot x reader#the pitt au#michael robinavitch#samira mohan#mel king#frank langdon#emery walsh#abbotjack#heather collins
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Honey love, dark eyes

♡ Chapter two ♡
Summary: You see Joel for the first time after the night of his birthday, and things couldn't be more different from how you thought they were. Word count: 6.8k A/N: Thank you so much for all your beautiful comments!!! I'm so glad you liked the first chapter. I honestly can't wait to keep discovering the path of this story together with you <3 thank you thank you thank youuu. FIRST CHAPTER: ♡ here ♡
Saturday. You woke up with an ache stretching through your chest, as if all the warmth you’d fallen asleep in had cooled to an empty space beside you. Joel was gone. The clock flashed 9:00 a.m., and you imagined him awake hours earlier, deciding he needed to leave. You wondered what might’ve filled his head as he slipped out—regret, embarrassment, maybe something close to the uncomfortable doubt now tightening in your stomach.
It was painful, how your mind filled in the blanks: if he’d stayed, if he’d wrapped his arms around you before you woke up, maybe it would mean something. Some quiet acknowledgment of what had happened, that you were now something different, and that it could be okay. But he’d left, and his absence felt like an answer. His own kind of message. You didn’t know exactly how to feel, only that your heart was broken, frayed by thoughts that raced faster than you could catch.
After lying there, staring blankly at the wall for what might’ve been hours, you managed to sit up, body aching and sore from each place his hands had traveled. You stepped into the shower, closing your eyes as the hot water hit your shoulders, the places where his fingertips had traced your skin. You felt sadder than you wanted to admit as the water washed away his touch, erased his kisses—but somehow, you also needed this; needed to cleanse away the confusion he’d left behind. The way your heart twisted told you everything: that after years of loving him quietly, of wondering if you were foolish for feeling this way, you’d finally seen it in his eyes. It was undeniable, the way he looked at you. Dark, intent, and carrying something that had always been just out of reach. But there was something else there, something heavy that you still didn’t understand, as if he were as conflicted as you.
For the rest of the day, you collapsed onto the couch, letting the TV drone on without paying attention to any of it. You didn’t see Joel or Sarah, didn’t even think about glancing out the window, afraid he might be there.
*
Sunday. You woke up early and walked the neighborhood, hoping you wouldn’t cross paths with him. You had no idea what to say, and you weren’t ready to hear anything he might want to say to you. Joel wasn’t sentimental, and you knew this situation would be far from easy for him, as well. When you returned, you rounded the block and entered through the back door to avoid even the sight of his house. You spent the rest of the day tearing through closets, dusting shelves, filling bags with clothes and objects to donate. Anything to keep busy, to drown out the echo of his absence. When you reached the hall, you noticed a picture hanging askew—a memory of your best friend pushing you playfully against the wall. You straightened it, feeling the weight of that simpler time.
*
Monday. Work, mercifully, absorbed you the whole morning. Manuscripts stacked on your desk piled up, five drafts to review before the week’s end. At lunch, you let yourself get caught up in the interns’ gossip, grateful for the distraction of someone else’s drama: an assistant had apparently thrown a scene in the kitchen. For those few minutes, you were somewhere else entirely.
When you got home, exhaustion caught up to you in a wave, and you napped for hours, hoping to sleep off the ache. You buried yourself in work for the rest of the evening until finally crawling into bed. Even though the hours of sleep should’ve soothed you, the headache stayed, an insistent reminder that you couldn’t keep avoiding the thoughts that waited just beneath the surface.
*
Tuesday. Work was just a blur of the usual. A steady hum, a low buzz of screens and staplers and muffled voices. Then your boss leaned out of her office door, gave you a quick look, and said you could take off two hours early if you wanted. No explanation. You gave her a polite nod of thanks and were out of there before she could change her mind.
When you got home, you stood in the shower for an eternity, letting the water pour over you, but your mind kept circling back to Joel. The ache of it pressed on you, and you felt almost embarrassed by how deeply it stung. Why did it always come back to this?
Out of the shower, you wrapped your hair in a towel, looked up at your own face in the mirror. The eyes staring back seemed hollow, that same expression you’d worn on Saturday—worn thin and tired, as if all the energy you’d stored up was suddenly gone.
You knew you had to do something. Sitting around was unbearable. A surge of restlessness spurred you forward. You changed into workout clothes, slid your headphones on, set a playlist going. The music buzzed in your ears as you left, footsteps echoing on the stairs, mind already reaching for the rush that would come when you pushed yourself hard, sprinting until everything in you felt like liquid fire.
You’d barely opened the front door when you stopped short. Sarah was there, one hand raised to knock, her backpack slung over her shoulder, her hair falling in loose, carefree waves. She looked up, surprised, but her face split into a grin, and at the sight of her, something warm unfurled in your chest.
“Can I stay for a while? Dad’s working late again,” she said, and you felt the familiar twinge at the mention of him— Dad.
“Of course.” You stepped back, pulling the door open wide, stretching your arms out for a hug, which she slipped into immediately, her hands resting lightly on your back.
“Were you going somewhere?” she asked, tossing her backpack to the floor and heading straight for the couch. She plopped down, her hair bouncing as she did, and looked at you with that expectant smile, as if she’d just brought a bit of sunlight into the room with her.
“Just a run.” You wave it off, but there’s something in your voice—she tilts her head, gives you a curious look. “I was bored, that’s all,” you add, softer.
"Ah,” Sarah murmured, letting the sound stretch and float between you. "It’s a nice day, a perfect day for a run.”
“It is," you agreed, the words soft, casual, "but it’s even nicer now that you’re here.” You couldn’t help smiling as you lowered yourself onto the couch beside her, picking up the remote and flipping on the TV. You laughed under your breath when My Best Friend’s Wedding appeared on the screen, as if fate itself were nudging you, teasing you with its sense of irony.
Sarah didn’t miss a beat, slipping her arms around your waist and nestling her head against your right arm, curling into you in the way she always did. The warmth of her comfort settled over you.
“What happened between you and Dad?” Her voice was quiet, the kind of softness that demands honesty. You looked down, meeting her open gaze, and your heart clenched—how could you explain something you hadn’t yet pieced together yourself?
“Nothing,” you murmured, trying to keep your tone light. “Why do you ask?”
She shrugged but kept her head resting on you, her voice low, musing. “I don’t know… I haven’t seen you since his birthday.” She toyed with the hem of her sleeve, eyes downcast, like she was searching her memory. “And last night, when we ordered pizza, I told him I wanted to see you. He said no, that you were probably tired, but I told him you always come, even when you’re tired.” She glanced up at you, lips curling with a faint, sad smile. “Then he just told me to drop it, and I could tell he was in one of his moods. You know him.”
Each word pierced you, gentle pinpricks you could feel sinking in. Joel was shutting you out too, it seemed, yet you were beginning to accept that as inevitable.
“I really was tired,” you lied, hating the sound of it even as it left your lips. “Yesterday was long. You know how much I read every day?” She nodded, that same wide-eyed curiosity looking up at you. “Well, yesterday was one of those days I could hardly see straight. When I got home, all I wanted to do was sleep.”
“Oh, right,” she replied, and you felt her cheeks lift against your arm, her smile warm and trusting. “Well, I was just gonna ask you to help with my homework. Have you ever read Poe?”
A chuckle escaped, breaking the tension. “Yes, I’ve read Poe.”
She pulled back a little, her eyes gleaming. “Are you tired now?”
“No.” You shifted up straighter, meeting her gaze with a small nod. “Come on, let’s get comfortable at the table.”
Soon, you were placing a steaming cup of cocoa and a plate of cookies in front of her, the familiar ritual setting in, grounding you both. You sat beside her, ready to dive into the morbid worlds of *The Black Cat* and *The Tell-Tale Heart,* classic Poe to whet a young mind. She didn’t need your help—you knew that. Sarah was bright, quick; it was more the routine of sitting together in the kitchen, tracing the dark, winding paths of literature, that you both cherished. Sometimes she’d even ask for math help, which was the last thing you were qualified for. Literary theory? Of course; Atiyah's geometry? Forget it.
At seven, the kitchen was dim, the soft click of the clock marking the evening. There was still no sign of Joel. You watched from the living room window, your breath creating small fogged circles on the cold glass. Sarah had drifted to sleep, limbs splayed out on the couch, her bare feet poking over the edge. After homework, she’d switched to a documentary about whales and somewhere along the way, gentle little snores had taken over. You, meanwhile, were skimming through an article on your phone about a woman from Nigeria with the world’s largest wig, lost in a rabbit hole of Guinness World Records—another one of your distractions to keep from thinking about the ache lodged firmly where thoughts of Joel tended to linger.
Then, you heard it: the low rumble of Joel’s truck. You didn’t need to see him to know. You could recognize it anywhere, the steady approach, the engine growling over the pavement. For a moment, you stayed frozen, staring blankly at the phone in your hands, the words blurring together. You were just waiting—knowing that any moment, he’d come knocking at your door. Because that’s exactly what he would do.
Joel would enter his house with that familiar, end-of-the-day exhaustion weighing down his steps. His shoulders would drop, his gaze fixed on the floor. “Sarah!” he would call out, but the house would echo back only silence. A quiet that felt too deep, too empty. He’d stand in the middle of the hallway, pausing, absorbing the emptiness for a beat, then walk to her room and crack open the door just enough to check her bed. The unmade sheets and abandoned books would confirm what he already suspected: she was at your place, just as she always was when he was running late.
With a soft sigh, he would turn and head downstairs, the familiar creaks of the house echoing around him. And as he moves toward your door, he’d feel the tension in his back, muscles tight and weary from the day. He’d roll his head in a way that sent a dull ring through his neck, feeling the tendons pull, listening to the slight pop of his vertebrae—an old habit that usually helped him settle. But tonight, it did little to ease the tension running through him. Then, as he gets closer, he-
Knock, knock—two sharp sounds that broke through the quiet of the evening. You looked up from your phone, startled from your reverie, the light of the screen dimming in your periphery. Sarah was curled up beside you, blissfully unaware, her breathing steady and peaceful.
“Sarah,” you whispered, reaching out gently, fingers brushing her shoulder. You called her name softly a couple of times, but she merely rolled over, a sleepy mumble escaping her lips—a mix of protest and the remnants of dreams still clinging to her.
Knock, knock. Again, insistent, echoing through the room.
This time, you stood up, feeling an unsteady flutter in your stomach as you made your way to the door. You inhaled sharply, letting a sigh escape, your body tensing involuntarily with each step. There it was again—that heaviness, low and unsettling, growing with every inch you closed toward him.
As your hand wrapped around the cool metal of the doorknob, you found yourself hesitating, fingers pressed into it but unmoving, as if the door itself had grown an invisible weight.
Be. Fucking. Strong. You took a slow breath, steadied your grip, a final reminder for yourself. Maybe, just maybe, Joel was feeling the same tightness, the same knot of uncertainty in his chest. You let yourself imagine that possibility, just long enough to give you the courage to turn the knob and let him in.
In one swift, impulsive movement, you flung the door open, and there he was. Joel. Standing there as if time itself had stilled, his gaze locked onto yours. It was the first time you'd seen him since that night. Your heart lurched at the sight of him, the familiar lines of his face, the small furrow between his brows, and maybe—just maybe—a slight tremor at one eyebrow as if he was bracing himself, too.
“Sarah’s here,” you said, quickly, your voice sharper than you’d intended, as though saying it fast enough might keep him from asking first.
“I assumed so,” he replied, glancing briefly into your house, his tone measured, careful. “Is she asleep?”
You nodded, stepping back just enough to signal he could come in. He hesitated for a beat, then crossed the threshold. As he passed, his arm brushed yours, a fleeting contact that sent a surge through you—a reminder of all the words you hadn’t said, couldn’t say. It made your heart race, each beat loud in your ears as he moved further into the room.
You watched him approach Sarah, his frame bending down as he placed a hand on her shoulder, voice a low murmur. “Sarah, baby, let’s go home,” he whispered, as if his quiet words might coax her awake. But she only turned her shoulder, a soft groan escaping her, and nestled back into sleep.
He sighed, a sound that spoke of familiarity and resignation. It was a scene he had lived through a hundred times before. Knowing it was useless to waste words trying to wake her, he slipped his arms beneath her and lifted her in one smooth motion. She stirred only slightly as he held her, and you saw the small grimace on his face as he straightened up, her weight adding to his already tired frame.
You stayed in the doorway of the living room, arms crossed, a faint shield against whatever unspoken things might spill out of him. The sight of him in your space stirred a confusion of emotions—anger, frustration, an ache edged with sadness. Joel had been pulling away, barely looking you in the eye; Joel was acting as if you were strangers or as if nothing had ever happened between you. Joel was a—
“Thanks for watching her,” he said, his voice low as he walked past you, his eyes averted, as though speaking to the floor. He held Sarah protectively, her feet swinging softly past you, careful not to let her brush against you.
Something about his words made your stomach twist. He was speaking to you like you’d done something extraordinary, some rare act of kindness, as if this wasn’t something you did all the time. It was ridiculous. Sarah spent half her days here, half her nights, and he was thanking you now, like you were a kind neighbor who’d offered to babysit for the first time or some shit like that.
You didn’t respond, feeling the words trapped in your throat, unwilling to form. Instead, you walked him to the door, waiting as he stepped over the threshold. Your hand found the doorknob, ready to close it as soon as he left.
But he stopped. He turned back, and for a moment, his eyes met yours with a rare intensity. His expression shifted—there was something else there, something that looked like it was on the verge of spilling over. You waited, holding his gaze, a silent impatience building in you, daring him to say whatever was lodged inside him.
“Good night,” he said at last, flat and simple, letting the words fall like stones between you.
Before he could wait for a response, you slammed the door shut, perhaps with a bit too much force. But you didn’t care. You didn’t care at all. He could stand there in the hallway, speechless, for all you cared. The way he had looked at you, his voice so flat and distant—like you were nothing more than neighbors exchanging small talk—made your chest feel hollow. As if you hadn't spent the last four years glued to each other, inseparable, as if he hadn’t been completely entangled with you, entirely and recently. Joel could go fuck himself.
With your heart still aching, you walked to your bedroom and changed into pajamas, too upset to think about eating. You crawled under the covers, letting the silence settle around you, picking up the remote and flicking through channels until you found a rerun of one of those bizarre home and health shows. On the screen, a woman was recounting a story that seemed almost surreal: she had given birth to a baby alone in her bathroom after a shower, completely unaware she’d been pregnant. No anesthesia, no doctor, just a child falling into her hands, catching her by surprise.
Unbelievable, you thought, entranced, the human body is astounding.
By the time the second episode started, your mind had drifted away from Joel, and all you could feel was hunger, sharp and insistent. The grumble in your stomach left you with no choice but to get out of bed. You tossed back the sheets and slipped your feet into the pom-pom slippers Joel had given you last Christmas. Fucking Joel, you thought, but they were soft, comfortable, and warm, and they carried you to the kitchen with a small feeling of comfort despite everything.
You made yourself a ham and cheese sandwich, humming a song you’d been listening to earlier that evening, right before Sarah knocked on your door. You poured yourself a glass of water, sat in the gentle glow of the under-cabinet lights, and took a bite. As you ate, your thoughts drifted back to the woman giving birth alone, imagining her shock and fear. If something like that ever happened to you, you thought, you’d probably be completely terrified, unprepared.
Then again, maybe you’d surprise yourself, discovering strength you didn’t know you had.
You shook your head slightly, reassuring yourself that it could never happen. You were meticulous with birth control; it was nearly impossible. After all, it had been a lonely year, with plenty of solitude and very little excitement. Not that you lacked options, but you’d grown comfortable in your independence.
Oh. Joel. You had slept with Joel, hadn’t you? And you hadn’t used a condom, a fact you had almost managed to ignore, until now. The thought gnawed at you.
As you finished your sandwich, you reminded yourself to check that your alarm was set for noon tomorrow—right when you took your birth control every day.
What would it be like, really, to have a baby? You’d never held one close or even spent much time with one, always keeping them at arm’s length, like something fragile you didn’t understand. Growing up an only child, you’d had no younger siblings to fuss over, no little cousins to chase around. None of your friends had children, either—not ones young enough for you to witness the first days, the delicate first few years. Sarah was already eight when you met her, and while you’d watched her grow up since, it wasn’t the same as seeing a baby. A newborn. Someone who came into the world with no words, just endless, vulnerable need.
Knock, knock. The sound jarred you, your heart jumping as you nearly choked on your last bite of sandwich. You looked up, squinting at the clock on the wall. Eleven p.m.
Who could it be at this hour? His name appeared on your mind.
You reached for a paper napkin and wiped your mouth, slowly pushing back from the kitchen counter, your feet moving reluctantly toward the door. Your pulse quickened with each step, and a voice inside you whispered to run upstairs, to pretend you hadn’t heard. But the lights were on. He’d know you were awake; surely, he would.
Peering through the peephole, you felt that sudden jolt all over again. Joel was there. Standing in the yellowish glow of the hallway lights, looking down at the floor with one hand absently scratching his chin. For a moment, you watched him like that, as if observing from far away, taking in the unguarded heaviness of his expression. It softened something in you, even as your mind told you to hold your ground.
Finally, you turned the lock and opened the door, just a sliver at first, easing it open slowly until you were half visible. His gaze lifted the moment he saw you, his body straightening, hands falling to his sides. There was something unmistakably nervous in his stance, a sense that he’d already doubted coming here but had decided it was too late to turn back.
He said your name in a whisper, as if startled to see you standing right there in your own doorway, his voice almost swallowed by the silence around you both. Then he took a step forward, his hand lifting slightly as if he’d reach out.
You stayed frozen in place, your heart loud in your ears.
“Were you in bed?” he asked, almost sheepishly, the corners of his mouth pulling up slightly as if he wasn’t sure he should be there.
“No, I…” You hesitated, glancing briefly over his shoulder like you were expecting someone to jump out and catch you doing something wrong. “I was just eating something.”
Joel nodded, his eyes darting over your shoulder, taking in the familiar space inside your home, then flicking back to you, then to the doorway again. You could tell he wanted to come in, but he looked uncertain, almost nervous.
“Did something happen?” you asked, your voice coming out a little louder than intended.
“No, no,” he replied quickly. “Sarah just… she forgot her backpack, that’s all.” That’s all. The words sounded small.
You nodded, feeling a slight warmth creep into your cheeks, a forced smile stretching across your lips.
“I’ll grab it for you,” you said, hoping you sounded polite and unaffected. You closed the door nearly all the way, leaving only a thin sliver between you and the hallway, and hurried to where Sarah’s backpack and shoes sat beside the couch.
You grabbed her things hastily, inhaling sharply as you bent down, determined to hand them over and end this interaction on a courteous note, the way he’d left things with you earlier that evening.
“Jesus, Joel,” you muttered as you stood back up, a hand pressed to your chest. He’d somehow slipped inside and was standing right in front of you, eyes steady but unreadable, mouth set in a straight line. “You scared me to death.”
He glanced around your living room, slowly, buying time. He looked back at you, but this time his eyes were softer, a hint of something deeper lingering there.
“Can we talk?” he asked, and your heart leapt, relief breaking through your careful composure.
You placed Sarah’s things back on the floor, feeling the weight of this moment settle over you, and then sank onto the couch. You didn’t say anything, but you glanced toward the seat beside you, silently inviting him to join you. Joel sat heavily, elbows on his knees, staring down as though the floor itself held the answers to questions he couldn’t voice. His silence felt endless, stretching out between you until you finally broke it.
“What do you want to talk about?” you asked, your voice almost too casual, as if you weren’t bracing yourself for the answer.
What was there even to talk about? The weather?
He exhaled, his voice almost too low to hear.
“About what happened. I… I’m sorry. I’m really sorry.” He straightened his back but still didn’t meet your eyes.
“Sorry about what?” you asked, your own voice coming out softer than you’d intended, colored by a hurt you couldn’t hide. “For sleeping with me, or for disappearing in the morning?”
The flash of hurt in your tone seemed to hit him hard, his head dropping even lower. He turned toward you, his gaze sweeping across your face, as though trying to memorize the hurt he’d caused.
“Everything,” he said at last, voice thick with regret. “For messing it all up, for not coming to talk to you sooner.” He looked away again, his hand resting on the back of his neck, and his eyes drifting down, unable to hold yours.
Your body felt tight with nerves, and you nodded, though it was barely a nod at all.
“Why did you leave?” you asked, almost a whisper.
He looked like he was searching for the right words, for something that would undo the damage, something that wouldn’t hurt you more.
“I panicked. I woke up and saw you next to me, and it all rushed back—everything. I couldn’t handle it, and Sarah was going to wake up soon, and I just… I just left.”
“You could have at least told me,” you murmured, your voice strained. “Do you have any idea how that felt?”
He turned fully to face you, his eyes dark and full of something you loved, but now it looked almost foreign.
“I know. I hate myself for making you feel that way. I can’t forgive myself for that.” He shook his head slowly, as though to emphasize the depth of his regret. “I messed up. I messed everything up.”
“Then be clearer, Joel.” Your voice cracked on his name, and you hated how fragile it sounded.
He ran a hand over his chin, staring at you with an expression that was unreadable but intense, his fingers pressing into the stubble on his jaw. He exhaled, licking his lips, and it was as if the words were something he’d been rehearsing, something he’d said to himself over and over but couldn’t say until now.
“I lied to you. And then I acted like an asshole when you found out,” he said, the words halting and heavy. “I’m sorry. I felt cornered when you found out about Sienna, and i reacted defensively.” The name slipped out reluctantly, and you felt a sharp pang at the sound of it. “I felt weird, and I shouldn’t have reacted like that. I know this is my fault—all of it is. If I’d just left when you asked me to... God, you asked me so many times. If I had left, none of this would have happened.” He shook his head, almost in disbelief at himself. “But I didn’t. And I ruined it.”
Sienna. The name hung in the air, thickening the silence between you. It sat heavy in your chest, like a stone. You tried to picture her, tried to put a face to the name, but the image wouldn’t come; your mind was racing too fast.
A warmth crept down your spine as Joel’s words landed, heavy, final. You sat with the silence for a moment, like you were stealing a few extra seconds from time to filter through what he’d just said, to let the meaning sift in slowly. He regretted it—this, everything. That was why he’d left in the morning, why he’d ignored you for days, why he couldn’t hold your gaze now. His eyes stayed down, fixed on the floor, while yours were betraying you, welling up without permission.
“You ruined it,” you whispered, echoing his words more to yourself than to him, taking them in and feeling their weight. But Joel must’ve thought you meant it, that you agreed with his confession. He winced slightly, like he’d been stung. “You regret it. Now what?”
He swallowed, his eyes still cast down.
“Now, now I don’t know,” he muttered. It sounded like a confession, like the last thing he wanted to admit. “But we have to fix it somehow.”
Fix it. Joel had always fixed things; it was almost second nature to him. Floors, windows, cabinets, the bench in your backyard that he’d broken one night when he stood on it, laughing, doing something you couldn’t even remember now. Joel fixed anything broken or cracked or worn down, anything that wasn’t how it should be. And now, that’s what he thought you were—something to be mended.
Your throat tightened, and you felt your eyes sting as a tear escaped, soft and warm on your cheek.
“Do you want us to pretend nothing happened?” you asked, your voice low but clear, cutting through the heaviness in the air.
“No,” he said, looking up quickly, like he was startled by the idea. When he saw your face, his brow twitched in concern. “No. But we can work it out; I know we can. We have to.”
You laughed, short and sharp, a hollow sound that escaped before you could think. You shook your head, as the irony hit you—how he thought he could repair something like this, as if he could slot you both back together seamlessly, like nothing was shattered, like no pieces were missing.
“How, Joel?” you asked, your voice tinged with exasperation, though your lips held a half-smile—an odd defense that barely softened the ache. “How am I supposed to act as if this never happened?”
He clasped his hands, his fingers moving restlessly against each other as he took in your words, his face an irritating calm that made you feel exposed, like you were some unpredictable force he needed to steady. When he finally spoke, his voice softened, though there was a tiny thread of frustration just barely visible.
“I’m not asking you to pretend or act, not at all,” he said, and the slight waver in his voice hinted at some urgency he was struggling to mask. “I just… we’re adults, you know? And sometimes things get messy. It doesn’t make it… doesn’t mean it was meant to be. It was just a mistake. That’s not who we are, you and I.”
“A mistake?” you echoed, his words heavy on your tongue, repeating them to see if they would settle into meaning. But they felt as alien as they sounded, and Joel could see it. He shook his head gently, almost admonishing, catching the resistance etched across your face.
“Yes, a mistake,” he replied, almost chiding, and then he sank forward, his head resting in his hands. His eyes closed, and you couldn't tell , but he was replaying some private memory; you didn’t know how often he’d been revisiting it in his mind—how his thoughts had kept catching on the feel of your skin, the taste of you, the soft pull of your fingers in his hair, the unmistakable sense of being surrounded by you: tight, warm, everywhere. Too much. It was a memory he couldn’t shake, and one that, in his mind, he had to. It was a torture that needed to stop.
He drew in a deep breath and looked up. “We can’t go there, not you and me. That’s not us.”
You leaned forward, heart pounding, voice edged with something sharper than before.
“A mistake?” you repeated, but this time louder, any hint of softness dissolving as it turned to raw anger. “What the hell, Joel?”
“That’s exactly what it was,” he started, his voice tentative, as if he were trying to convince you of something you didn’t want to believe. “We were arguing, a little drunk, and in the heat of the moment, things just… got out of hand—”
“Stop it.” Your interruption came out firm, a sharp edge cutting through the air between you. Joel froze, his gaze locking onto yours, as if you had just thrown a switch. “You know perfectly well that’s not what happened. If I remember correctly, we barely finished a bottle of wine, and you need a lot more than that to get drunk, don’t you?”
“I was mad,” he insisted, his voice rising slightly, a mix of defensiveness and frustration swirling in his tone. “I was angry, and you were teasing me with all those—”
“Bullshit.” The word slipped out with a fierceness that surprised even you. You shifted closer, locking your gaze onto his, making it impossible for him to look away. “We both know what happened wasn’t just a result of some drunken argument. You were angry, yes, and so was I, but it was still you and me.”
Joel shook his head slowly, exasperation spilling from him like a tide. He scrubbed his face with both hands, a gesture of weariness that spoke volumes about the struggle playing out in his mind.
“So what do you want me to tell you then?” he blurted, his frustration breaking through the surface, his voice loud enough to echo in your ears. “That I got carried away? That I completely screwed up and regret everything?”
At that, you felt a jolt of emotion surge through you. You sprang up from the couch, taking several steps back as if creating distance could shield you from the reality of what he was saying. You turned away, unable to hide the tears that had begun their silent descent down your cheeks. The worst suspicions you had harbored were confirmed; he was sorry, miserable at the thought of having touched you, and that thought cut deeper than you expected.
“Fuck you, Joel,” you spat, the words sharp and raw as you wiped your face with the sleeve of your pajamas. It was a pitiful gesture, but it felt like the only way to wipe away the emotional mess he had stirred up inside you. “Fuck off and leave me alone.”
“No,” he blurted out, the word escaping him almost like a plea. He sprang from his seat, crossing the space between you in just a few strides, desperation etched into the lines of his face. “Please, sunshine, please, we can fix this. We just need to talk it out and give it a little time—”
“Don’t ever call me that again.” The demand tumbled from your lips, cutting through the air with an urgency that surprised even you. You saw the flicker of hurt in his eyes, how your words landed like stones against his heart. “Don’t ever call me that again, Joel. I don’t want to listen to you. I can’t pretend this has a solution because, honestly, I don’t feel like there is one. You don't realize what's going on, do you? Or you're just too stubborn to do it, as usual, Joel, you're always so fucking stubborn about everything.”
“What do you want me to do?” His voice strained, as if he were grasping at straws, desperate for a lifeline.
“Nothing!” The word burst from you, frustration boiling over until it turned into a sob you wished you could swallow back. The tears threatened to overflow, blurring your vision and your resolve.
“Tell me what I can do, and I’ll do it. I—”
“Stop it, Joel.”
He reached out, his hand hovering in the air between you like a promise hanging unfulfilled. But you took a quick step back, your back hitting the wall with a thud that echoed in the silence, an absurd reminder of how trapped you felt in this moment.
What did you want him to do? To turn back time; not to leave your bed, to reciprocate for at least a few minutes more, to pretend it was okay, to lie to you at least. But that wasn't possible, and suddenly, the quiet sturdy house you had lived in all these years, hiding your feelings for your own good, had now collapsed.
Joel stared at you for a few seconds, his silence stretching between you like a taut wire ready to snap. You could see the shift in his expression, the way it softened and crumbled, no longer the confident facade he usually wore. Instead, he looked downcast, a man weighed down by burdens that felt alien to you, yet you could sense the depth of his struggle. Or so you thought.
Then, your name slipped from his lips like a broken prayer, fragile and desperate.
“I don’t want to lose you. I can’t lose you,” he implored, his voice wavering with an urgency that made your heart twist. “You’re the best friend I’ve ever had. Please listen to me, just for one more moment.”
In that instant, his words pierced through your defenses, sinking deep into your chest and igniting a flicker of hope. For a heartbeat, you were on the verge of rushing to him, promising that everything would be okay, that you could forget the hurt and revert to the easy laughter and shared secrets of before. You could stash away all your feelings, pack them neatly into boxes, and hide them away forever just to keep him close. But reality loomed over you like a storm cloud, and you knew that was no longer an option; everything had irrevocably shifted. You couldn't bear to look at him without feeling the sharp sting of heartbreak.
Swallowing hard, you tasted the salt of your tears, and it burned your throat like an unwelcome reminder of the turmoil within.
“I’m not sure I can be your friend anymore, Joel,” you confessed, your voice shaking with the weight of your admission.
He shook his head, disbelief flashing across his features as a weak smile broke through the hurt. It was as if he couldn’t quite fathom the words that had just escaped you.
“You don’t mean that.”
“Yes, I do,” you asserted, each syllable a battle against the rawness in your chest.
“No, you don’t,” he countered, stepping back just inches, his tone laced with incredulity. The mocking sneer that crept onto his face felt more like a mask than a reflection of his true feelings, and yet, the moisture pooling in his eyes betrayed the battle raging within him.
You regarded him in silence, the atmosphere thickening with unspoken words as you watched his smile fade into something that was almost painful. It twisted his features, morphing into a look of discomfort that hung between you like an unsaid apology. He remained still, his gaze locked onto yours, waiting for you to break the tension with a word or a gesture. The sight of him like that burned inside you, igniting a longing to rewind time, to swallow your questions, to let him live his life free from the weight of your curiosity and the tangled feelings that had blossomed between you. But that wasn’t an option; the reality of your situation loomed large and unavoidable. You had to confront the truth: he didn’t feel the same way about you, and for him, sleeping with you felt like a transgression, a sin, a burden he couldn’t carry.
“Joel, please,” you began, your voice cracking under the pressure of your emotions. A tear slipped down your cheek, salty and bitter, tasting of the anguish that your words carried. “I can’t be your friend anymore. I can’t do this. I’m sorry, I really am, but you’re breaking my—” You hesitated, swallowing hard against the swell of grief that threatened to overwhelm you. “I think this is over.”
His eyes darted between yours, searching for the meaning behind your confession, as if trying to decode the gravity of your words. A flicker of something—perhaps understanding or denial—crossed his face before a semblance of a smile returned, albeit a strained one. He nodded gently, his gaze dropping to the floor, avoiding your eyes as if he were trying to hide from the truth that hung in the air between you.
In that moment, an overwhelming impulse surged within you—a fierce desire to bridge the chasm that had opened between you, to run to him, to tangle your fingers in his hair, to pull him close and make everything right again. You wanted to erase the pain, to heal the wounds that you both had inflicted.
But you didn't. You held back in silence waiting for him to move first. And when he looked up and fixed his eyes for the last time on you, you knew you were right: nothing would ever be the same, ever again, for when he turned on his heel and finally left without another word, your whole world fell at your feet. It was over.
-
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The reason I like history so much is the way you can see how unchanging human nature is. People have always been doing the same things, with different tools. Ancient Sumerians writing "I am not warning you now in hopes that you'll actually do anything, I am writing this to later prove that I warned you and you did nothing" messages in clay tablets like you'd write an office e-mail. Ancient philosophers talking about shepherds and archers, explaining the exact same problem you had this morning, like they're personally calling you out.
200 years ago, somebody was complaining about Kids These Days burying their faces in books in order to avoid socialising just the same as someone else is now ranting how their children would rather browse their phones than listen to them rant. People were arguing anonymously in the posting boards and newspaper sections just the same as they do on the internet. Someone in the bronze age woke up at 5 am to the sound of toddlers fighting over complete nonsense just the same as someone woke up to the same noises today.
For as long as there have been people, there have been people doing the same kind of things as you. From some dude in a cave with berries for paint, some Roman planning a mosaic on a wall, ancient Chinese noblewoman illustrating her calligraphed poem and some medieval monk decorating the borders of a manuscript and me on my laptop with my stylus pen, we're all just sitting here in our different times and places, wondering why the FUCK are horses so hard to draw.
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