#maybe it’s about intent idk

[justinefrischmanngf]

my issue is finding the line between doing too many things and not doing enough things………

[shepscapades]

[dbhc flavored] Hermit a Day May: Day 14 — Doc!

Featuring both a current-day s10 doc and a verrry early s8 post-deviant doc! :]

[ynnu-64]

Chainshipping x Dr.Who crossover

[warning-heckboop]

Was going to write a little ficlet to go with this, but. Vaccine tiredness is killer.

A little bit of art for the FOP Nature au by @bunnieswithknives. I cannot recommend checking it out enough.

[babacontainsmultitudes]

Actual footage of Tony trying to talk to Kelsey this episode:

Now what I personally need is for her to despise him for a while then for them to have some big heart to heart and them to become best friends OKAY I'm very invested in what's become of their dynamic and I'm all here for "Punished" Tony the wet cat that he is I yield the rest of my time thank you.

[solarpunkani]

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

[anjasitdown]

I knew something was UP when the only film that helped Yuuji control his flow of cursed energy was the Lord of the Rings. Our boy Yuuji is TRULY a hobbit at heart. Chapter 265 spoilers ahead, but I'll put it under the cut.

It was back in season 1 when Gojo had Yuuji watch a variety of movies to teach him control of cursed energy regardless of the emotions evoked by the films. Gojo refuted Yuuji's idea that anger and other strong negative emotions are the only source of a strong cursed energy.

With that in mind, I don't think it's random that LotR is the one shown to us that helped Yuuji gain mastery over his cursed energy flow. Sure, Yuuji might've controlled it before watching other movies, but it feels as if it's on purpose that it's LotR, especially that scene at the river where Frodo tried to take the burden of destroying the ring on his own, fully aware of the dangerous journey ahead. But Sam didn't let him and willingly followed him, even if it would cost him his life.

Maybe, just maybe, Yuuji learned to control his cursed energy because he saw himself in Frodo. Yuuji looked so engrossed in the film as if he was feeling it—as if he was Frodo who, just like him, bears great evil within him. Not only that, but Yuuji saw in Frodo's eyes the same crushing weight of responsibility and isolation such an evilness entails. It was as if he's looking in the mirror. But Frodo wasn't alone. He had Sam and the others in the Fellowship who are also willing to lighten the burden he carries. And I think that's what got to Yuuji.

And I don't know if it's just me reading too much into things but Yuuji is at his best when he feels anchored by his friends' support or when they're relying on him, like that time when Yuuji held down the cursed spirit at the detention center to buy Megumi time to save Nobara and escape; when Yuuji and Todo almost defeated Hanami, and my favorite, when Nobara nailed down Mahito's double during Shibuya arc:

As corny as this sounds, Yuuji managed to pull himself from Nanamin's death and attack Mahito because he felt Nobara's presence, which encouraged him to continue fighting. Even if the sorcerers were scattered that time and most were left to fend for themselves, Yuuji didn't feel alone. This was the one thing Geto needed the most when he was spiraling down.

Yuuji reminds me so much of Frodo: Yuuji the vessel of the evilest sorcerer in history and Frodo the Ring bearer. But before that, they were nobodies living a simple life, which they treasure and work hard to keep. They're not ambitious and are satisfied being surrounded by their loved ones. They're the ones we least expect to defeat the evilest entities since they're surrounded by the strongest warriors/sorcerers, who could not defeat the said evilest entities. Yuuji, like Frodo, does not belong to the kind of world he got thrown into, and this is made pretty obvious in the recent chapter.

Throughout the many months Yuji had been with various sorcerers and curse users, his principles and worldview got blurry. He started to assimilate their ideas, which didn't feel like him to be honest. From ideas of having a specific role in life and fulfilling it, wanting to give people a good death, and having a cog mentality to being the same as Mahito and becoming a monster to defeat another monster. That's not him. That's never him. And Yuuji realized that too, and I love seeing him change his perspective into that which feels more like him.

Yuuji never liked fighting others. He may have been blessed with physical prowess that might've been on par with Nanamin, but he never wanted to use it. Heck, Yuuji joined an occult club instead of becoming an athlete. What's important to him are the memories you make with yourself and with your loved ones—choosing to do things, even mundane ones, that bring you and others joy because that's what life is all about.

To Yuuji, there's nothing wrong if you lead a simple life doing things as mundane as walking your dog, sleeping, taking a shit, writing this meta, and existing. Living day to day is already hard as it is. Yuuji wants Sukuna (and us) to know that your worth to live and be loved and respected doesn't depend on the grand dreams you have, how far you've come in life, how powerful and strong you've become, how useful you are. Your worth to live is inherent to you, and no one's going to change that, not Sukuna or anybody else. And Yuuji's not gonna stand idly by and watch the likes of him trample on people's lives. They don't get to choose who's worthy to live and kill those who don't.

I read somewhere that Gege thinks Yuuji having no ambition, unlike Naruto wanting to be a Hokage or Luffy aiming to become a Pirate King, is the story's weak point. But I disagree. That's what makes Yuuji so unique and refreshing to watch as he develops. He may not be as ambitious as other shonen heroes, but he does have a strong moral compass, even as young as 15. It may not be obvious, but Yuuji is introspective, observant, and most of all he has this childlike love for life that the other characters have lost due to the nature of their jobs.

Back to the LotR reference—as much as similar Yuuji is to Frodo—when Sukuna switched to Megumi, Yuuji started to feel more like Sam and Megumi Frodo. No matter what happens, even if it would cost him his life, Yuuji's never gonna leave Megumi alone in despair. Megumi has become weak in mind and spirit that he's possibly on the verge of giving everything up. Still, Yuuji's not going to give up on him. He will destroy Sukuna and carry Megumi back home.

In the end, if Yuuji survives, all I could ever think of is his eyes full of insurmountable despair and mourning over the lives of the people he loved and lost. There's no going back after this. I can only hope that after the end of this story, Yuuji could still find a way to rest—be with a person or in a place—if there is anyone or anything left at all.

[modwyr]

while obviously my stance is: if you think bg3 was in any way complex, pillars of eternity will knock your socks off. but also i think pretending pillars is in any way like bg3 (or da for the sake of big fantasy rpgs) is a lie (its better) because it is very different gameplay wise and lore wise and tbh my advice for the first game really is just stick with it. you'll be surprised at how much sticks in your head, and its actually perfectly fine to not pick up on every bit of nuance and worldbuilding on a single playthrough - you're not less of a fan if you find out a piece of lore from someone else. enjoy the game for yourself and if it gels with you, you'll naturally want to replay it and from personal experience pillars 1 becomes next level on a second playthrough when you're more familiar with it.

[jodians]

something i find interesting about hannibal is how they casted kacey rohl, who has a striking resemblance to jodie foster in the silence of the lambs, to play abigail hobbs, a young girl who is traumatized by the death of her father and is haunted by him - much like clarice starling was

[soupmanspeaks]

Now I'm just thinking what glamrock Freddy's reaction to the underground scooper would be, maybe he would see it, and stumble back. Maybe he'd quickly check his stomach hatch. He doesn't know why he did it. Maybe he'd glance over at the scooping room window in a quick pang of horror. Maybe he didn't know what he was looking for in the glass. But maybe the feeling occurs to him that he's been in this kind of situation before. Surprisingly, Freddy has a thought that the outcome of this weird dejavu is the same as it always was.

He is full of many, many, wires.

This time, he thinks, they aren't going anywhere.

[izzypaw]

after i made the undertale ones i knew i couldn't NOT make matching icons of these 2 aswell...

[stackslip]

actually i do have something to say about this chapter and it's quite critical of it but also i'm tired tonight and i've been talking about it long and hard on discord already and putting it all together in a coherent post feels like too much of a task tonight. all i'm gonna say is that part 2 was very obviously going in a certain direction from the start, and i loved that direction, and to an extent it is still going in that direction but now very obviously missing a huge chunk of what stirred it in that direction. and i'm hesitant to simply say it's fujimoto that's dropped the ball on this (though it might the idealization, who's to say) because from the actual shape of the writing + slump in paneling/art + recent bitter interview by fujimoto + japanese audience is apparently vocally not a fan of asa + my own cursed knowledge of shounen jump and shueisha editors and how they react to a fall in sales = i think the lack of focus on asa has really hurt the themes of part 2 when she was an integral part of it + i think this wasn't entirely fujimoto's doing and it's very likely because she is apparently strongly disliked in japan and there's good reason to believe that fujimoto was told to not focus on her nearly as much bc sales slump and people complain as soon as she shows up. which sucks. becaue what made part 2 work as well as it did was the synergy and parallel between the two protagonists' paths, and the absence of asa's path in the past few months (both in universe and by real time in the comic) feels like a genuine writing and thematic and emotional hole in the comic that to me shows that she WAS supposed to be there. fujimoto had fully intended to write her in there bc there's a hole in the shape of her where she is very obviously supposed to fit. it isn't simply a question of "author forgets his female character" it's a question of "this crucial part of the manga is missing and the author is painfully aware of it and bitter about it too"

[lucentstarss]

Sometimes I get hope for unraveled but then I remember how much of an ick I got from keefe when reading unlocked and get sad again

[minayaoi]

incredibly ironic orpheus' affinity is fire. considering. yknow. makotos parents met a rather. fiery end

[yb-cringe]

i was starting to make a post abt how like. qpac in the past has, when things went wrong, let himself spiral into despair but thats. not what happened. at least not recently.

when mike went missing, when the eggs went missing, fit was there to lean on. tubbo was there to lean on. he was able to process his feelings even while going through the fuckin wringer, he hasn't been as bad as he was during maybe the happy pills in a long while. yeah things got bad but he had people there for him (he had fit)

and i was like oh thats rly good! and then!! i remembered!! that his whole getting up and moving on immediately, especially for other people, has always been something he's done for Mike.

After being kidnapped, if he didn't have the space to safely be depressed he just would move on. he even did an outfit change then too. Specifically just to quickly move on so MIKE could have someone to lean on.

I don't know exactly whether thats better or worse I just think its so fucking interesting that he's actually reverted to coping mechanisms he had before fit showed up, now that he's certain he's gone. or in general; if he doesn't have someone to /feel bad with to process those feelings/

[poly-space-nerds]

Me and my brother were talking and had a theory about Alastor after ep 5. Right so he’s chained to somebody right? And it happens that his disappearance coincides with Lilith’s right? (i think? correct me if I’m wrong)

SO, what if Lilith has his soul? And the reason he’s so interested in the hotel isn’t because he’s bored, but because she’s making him keep an eye on her daughter and her project.

I don’t quite know her intentions, but I don’t think she’s gonna be a villain or anything. I think she just cares for her daughter and doesn’t want anything to happen to her. Like that scene where she took Charlie away from Lucifer? I believe that she didn’t want Lucifer to show her the things that Charlie would never be able to see and have. She doesn’t want her daughters heart to break like Lucifer’s did.

In the pilot, we saw how Charlie had left multiple voicemails to Lilith asking for advice and help in the past, and then who shows up to help? the All powerful radio demon for nothing more than ‘boredom‘. Even agrees to ‘an order from the Princess’ rather than a deal. which weird right? And who else would have Alastor on a leash than the Queen of Hell.

idk it’s a thing i’m now going to obsess over now