The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.
Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.
It is not in English.
Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.
...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.
So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.
I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.
Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.
And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.
I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.
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Okay I'm almost done with Fellowship, here's an incomplete list of shit I noticed and thought was buck fucking wild on my first ever read-thru: medieval edition.
In literally the second line of the book, Tolkien implies that Bilbo Baggins wrote a story which was preserved alongside the in-universe version of the Mabinogion (aka the best-known collection of Welsh myths; I promise this is batshit). This is because The Hobbit has been preserved, in Tolkien's AU version of our world, in a "selection of the Red Book of Westmarch" (Prologue, Concerning Hobbits). If you're a medievalist and you see something called "The Red Book of" or "The Black Book of" etc it's a Thing. In this case, a cheeky reference to the Red Book of Hergest (Llyfr Coch Hergest). There are a few Red Books, but only Hergest has stories).
not a medieval thing but i did not expect one common theory among hobbits for the death of Frodo's parents to be A RUMORED MURDER-SUICIDE.
At the beginning of the book a few hobbits report seeing a moving elm tree up on the moors, heading west (thru or past the Shire). I mentioned this in another post, but another rule: if you see an elm tree, that's a Girl Tree. In Norse creation myth, the first people were carved from driftwood by the gods. Their names were Askr (Ash, as in the tree), the first man, and Embla (debated, but likely elm tree), the first woman. A lot of ppl have I think guessed that that was an ent-wife, but like. Literally that was a GIRL. TREE.
Medieval thing: I used to read the runes on the covers of The Hobbit and LOTR for fun when I worked in a bookshop. There's a mix of Old Norse (viking) and Old English runes in use, but all the ones I've noticed so far are real and readable if you know runes.
Tom Bombadil makes perfect sense if you once spent months of your life researching the early medieval art of galdor, which was the use of poems or songs to do a form of word-magic, often incorporating gibberish. If you think maybe Tolkien did not base the entirety of Fellowship so far around learning and using galdor and thus the power of words and stories, that is fine I cannot force you. He did personally translate "galdor" in Beowulf as "spell" (spell, amusingly, used to mean "story"). And also he named an elf Galdor. Like he very much did name an elf Galdor.
Tom Bombadil in fact does galdor from the moment we meet him. He arrives and fights the evil galdor (song) of the willow tree ("old gray willow-man, he's a mighty singer"), which is singing the hobbits to sleep and possibly eating them, with a galdor (song) of his own. Then he wanders off still singing, incorporating gibberish. I think it was at this point that I started clawing my face.
THEN Tom Bombadil makes perfect sense if you've read the description of the scop's songs in Beowulf (Beowulf again, but hey, Tolkien did famously a. translate it b. write a fanfiction about it called Sellic Spell where he gave Beowulf an arguably homoerotic Best Friend). The scop (pronounched shop) is a poet who sings about deeds on earth, but also by profession must know how to sing the song or tell the story of how the cosmos itself came to be. The wise-singer who knows the deep lore of the early universe is a standard trope in Old English literature, not just Beowulf! Anyway Tom Bombadil takes everyone home and tells them THE ENTIRE STORY OF ALL THE AGES OF THE EARTH BACKWARDS UNTIL JUST BEFORE THE MOMENT OF CREATION, THE BIG BANG ITSELF and then Frodo Baggins falls asleep.
Tom Bombadil knows about plate tectonics
This is sort of a lie, Tom Bombadil describes the oceans of old being in a different place, which works as a standard visual of Old English creation, which being Christian followed vaguely Genesis lines, and vaguely Christian Genesis involves a lot of water. TOLKIEN knew about plate tectonics though.
Actually I just checked whether Tolkien knew about plate tectonics because I know the advent of plate tectonics theory took forever bc people HATED it and Alfred Wegener suffered for like 50 years. So! actually while Tolkien was writing LOTR, the scientific community was literally still not sure plate tectonics existed. Tom Bombadil knew tho.
Remember that next time you (a geologist) are forced to look at the Middle Earth map.
I'm not even done with Tom Bombadil but I'm stopping here tonight. Plate tectonics got me. There's a great early (but almost high!) medieval treatise on cosmology and also volcanoes and i wonder if tolkien read it. oh my god. i'm going to bed.
edit: part II
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✰ sweet nothing✰
★・・・・★・・・・ ★・・・・★
nhl masterlist !
pairing: quinn hughes x writer! reader
warnings: angst and comfort, fluff
song: sweet nothing by taylor swift
summary: 5 times Quinn knew you were the one, and the one time he let you know...
word count: 2.2 k
notes: quinn my sweet boy!! also sweet nothing by taylor swift because her love songs are so superior
★・・・・★・・・・ ★・・・・★
outside, they're push and shoving, you're in the kitchen humming
quinn pushes open the door to his apartment, exhausted. His face hurts from smiling at fans, and the triple header really, really took it out of him.
he loves his captaincy, really. he loves his boys, the leading, the responsibility. it's hard, though, to live up to all of the jostle and hassle the spotlight brings.
needless to say, the push and shove of stress has taken its toll on him, and all he needs is a hot shower and preferably 8 or more hours of sleep.
through the walkway, he hears a familiar voice, the telltale clatter of pans, a taylor swift song and the aroma of garlic and tomatoes.
you must've used his spare key he gave you.
he smiles despite himself, something warm tugging deep in his stomach.
he calls your name and immediately flushes with how breathy and needy he sounds. the last thing he wants is to scare you away.
"q!" you pop up from behind the counter, wearing nothing but one of his old shirts that drapes long over your slender shoulders and a pair of ratty sweatpants. your hair is pulled back from your make-up void face.
you've never looked more beautiful.
you make your way over while he admires you, and lock your arms around his waist, smiling up at him.
"missed you," you kiss his cheek, and he flushes again. god, why was he like this still?
the two of you have been dating for over than a month now, but he's still so easily flustered by you. maybe it's because you work with words for a living, but you're the sweetest thing he's ever seen (and tasted).
you think it's cute, and you tell him more often than not, reducing him to a puddle of a blushing mess.
he bundles you properly in his arms, kissing you properly.
you're so soft and warm under his fingers, your mouth hot and pliable.
you indulge him for a moment, savouring the time with each other. his hands wander down to your hips, gripping hard like he's afraid you'll be blown away by the wind.
a timer dings, and you pull back. he chases your lips, letting out a whine when you giggle and push gently at his broad chest.
"quinny, stop! i made you lasagna, and I don't want it to burn."
"mm, we'll order take out," he mutters into your neck, breathing in your familiar perfume.
you let out a sound of protest, finally breaking free of his hold. he follows you like a lost puppy as you set the table, plating him an extra large piece.
as he eats, you watches your kind eyes and easy smile with adoration.
the realization jars him, but settles firm in his bones: he wants to come home to you everyday.
..••°°°°••....••°°°°••..
i wrote a poem, you say, "what a mind", this happens all the time
it's the release of your latest book, and quinn watches as you engage with your fans. the biggest indigo in vancouver invited you to come do a meet and greet along with a signing.
you had spent the morning with quinn, his hands stroking through your hair to calm you down. although your other books had success, this one was your proudest piece of work yet.
quinn had been the first person to read it. he was impressed; he knew you were smart and you had a way with words that astounded him, but the whole book was like poetry.
the words flowed easy from you, as easy as breathing.
now, watching you all flushed and a little embarrassed by the attention from the mass of people who showed up, he all but glows with pride.
a young girl, maybe in her early teens, comes up to you with a wide smile and bright, glassy eyes. he can't hear well, because he's tucked near the back of the room to avoid the crowd, but she says something and your face falls.
he's ready to sprint through the crowd to get to you, but you hug the younger girl. she's crying, he realizes. you squeeze her tight, sign her book and send her off with what looks like encouraging words and another hug.
afterwards, while he drives with one hand and the other on your thigh, he asks what happened.
"she told me she's never felt more seen by anyone before. that my book told her it's okay to not know where to be in the world." your eyes feel wet, and he smiles.
god, you're brilliant.
he raises your hand to his mouth and kisses your pulse.
"what a mind," he murmurs, and you laugh softly.
"you tell me that all the time."
"because I mean it, babe."
now he understands when those cheesy movies say "I want you body, mind and soul".
you are undeniably beautiful, gorgeous even. kindness seeps from your very being, and you're mind is bright and soft.
he wants all of you, forever.
..••°°°°••....••°°°°••..
the voices that implore, "you should be doing more"
ellen sees some of the articles and criticisms of her eldest on the internet. quinn has always been the quietest, the most calm and so stoic. but her sweet boy, who worked too hard and did too much was always being told to do more.
so when she called him and he picked up the facetime groggy and hair still damp, she was surprised.
"hey, mom." he answered, sitting up and rubbing his eyes.
"hi, quinn. sorry, sweetie. i didn't expect you to be asleep. i thought i would check up on you."
"all good." he yawns, and he makes small talk.
she wonders if he's seen all of the speculations about his captaincy on the news and headlines.
he tells her he has, because she asks him straight up. he appreciates the straightforwardness, and he has since he was young.
he tells her that you were there.
"she ran me a bath, with those weird salt things that women love so much-"
"hey! they're very nice." she interrupts, laughing at his antics.
"and she made soup. we ate already and I took a nap. she's out getting groceries, but i'll tell her you said hi, mom."
ellen nods, something tangible and comforting in the air around her. her son is in good hands.
..••°°°°••....••°°°°••..
to you, I can admit that I'm just too soft for all of it
you find him in the empty change room. he's sitting on a bench, wet hair messy, head hung. you expected this; your boyfriend was nothing if not responsible and too hard on himself.
after another loss, his grief and frustration was normal.
you kneel before him, taking his face, hot from the shower in your cool hands. his pretty eyes are rimmed red, and he leans into your touch.
"hey, pretty boy. you did good out there, captain."
he shakes his head, fingers trembling as he pulls you closer so he can push his face into your hair, inhaling your smell.
"i failed them. i'm a shit captain, and i can't seem to break this cycle we're in-"
"you are not a shit captain." you say those words firmly, and it almost surprises quinn. normally you were soft-spoken and slow, but you tell him this with urgency.
"i should be taking care of everyone, and everything-"
"but who takes care of you?"
your words break a dam in him, and he buries his head in your shoulder. the position is uncomfortable, but you don't shift or mention his shaking shoulders.
"you are a good leader. a good leader is one who stands with his team, even during the tough times. the boys adore you, and you will break this rut. but it takes time, and work, my love. no one works harder than you."
he sniffs, a hovering breath touches your neck.
"you are so strong, my sweet boy." you cradle his neck, pressing kisses to the side of his face. this sets off another wave of emotions, and he easily tugs you up into his lap.
his wet hair drips onto your (his) jersey, but you don't mind.
"and if you need to be strong for them, you can be soft with me. i'm here for a reason. another set of shoulders to bear your burdens."
"i love you, y'know that?" his voice is scratchy, vulnerable and thick with emotion. although the two of you have exchanged those three words countless of times before this, it feels like more this time.
"i know, quinnie. i love you too."
..••°°°°••....••°°°°••..
I find myself running home to your sweet nothings
jack hauls his older brother onto the curb, setting him there, praying that he doesn't fall flat into the road. luke runs out with quinn's jacket, draping it over his shoulders.
it isn't often that quinn gets drunk, especially this drunk. but the boys night was a chance for all of them to let loose during the off season.
the small dive bar near the lake house was the perfect place to get away.
"dude, he is hammered." luke huffs, tugging at the sleeves of his own hoodie, the chill of the night starting to surround the air.
quinn says something under his breath as he sways, and jack sets him upright again.
"bro, what did you say?"
quinn repeats your name, louder this time, with the request to see you immediately.
the way he says your name, with so much love and awe makes jack almost wish he was in a relationship.
"sure, man. i'll call her to pick you up."
you arrive a mere 10 minutes later, hair wet, wearing one of quinn's canucks sweatshirts and a pair of sleep shorts.
"hey guys," you greet the other hughes boys. Luke gives you a side hug, and you pat jack's arm in thanks as you move to help her boyfriend up.
"babe!" Quinn only realizes then that you're here. jack has to laugh, seeing his brother so far gone because of the 7 tequila shots they took.
"jeez, guys. how much did you drink?" you ask, laughing, and Luke starts to regale you with the tale of jack's bad rendition of lady gaga.
"i missed you." quinn is now standing behind you, arms firmly wrapped around your waist, his cheek pressed against the top of your head. he doesn't say it loud, but contented and quiet.
jack watches as you smooth your hands over his forearms, rolling your eyes in amusement.
"yes, yes, I missed you too, you clingy baby."
"hey! m'not clingy." he protested, his whole body pressed up against every inch of yours.
jack snorts, giving you a sympathetic look, "good luck with that one."
you jokingly flip him off, as you try to maneuver your much larger boyfriend.
"c'mon, hughes." quinn frowns at this.
"I only answer to quinny, my love, sweetie and baby."
"that's your name?" jack asked, only to be met with a dirty look from his brother. luke snickers as you shrug quinn into the passenger seat.
"thanks for watching him." you say as you walk over to the driver's side.
"thanks for coming to get him. did we interrupt anything?"
"nah, except your mom was showing me your guys' baby pictures." you eyes shine with mirth as they groan.
"please tell me she didn't-"
"yep, the bathtub pictures too." you smile, and quinn yells something from with in the car.
"okay, I should probably get the big baby home. you guys don't stay out too late, okay?" you tell them, and they bid you goodbye.
he watches you guys drive off, quinn probably saying something stupid as you laugh.
"y'know, i really hope she's the one." Luke tells him as they head back into the bar.
jack has never, ever seen his brother so happy. he's never seen him smile so willingly for anyone, and clearly, you have him wrapped around your finger.
"yeah, me too, man."
..••°°°°••....••°°°°••..
+ all that you ever wanted from me was sweet nothing
you're wearing your blue light glasses, a tank top and a pair of his plaid boxers as you sit cross-legged in your shared bed, hair loose around your shoulders.
you're working on something new, and quinn studies your features as you concentrate.
without looking up from your laptop, you grin, "stop staring, stalker."
he laughs, "you love it."
you meet his eyes as he crawls next to you. he lets you wipe at his mouth, where he's sure there's still remnants of toothpastes.
"i love you." you offer instead, and he pulls you onto his lap. his fingers inch up your thighs but stop there.
he just wants to feel you, before he has to leave for another roadie.
"i love you." he tells you matter-of-factly, "and i'm going to marry you one day."
"babe, we've only been together a little over 8 months," you protest, but he sees the glow of joy on your cheeks at his words.
"i know," he says confidently, "but i'm going to make you my wife, one day. all i want is you."
you melt at his words, laying your head on his shoulder, "all i want is you, and your sweet nothings."
★・・・・★・・・・ ★・・・・★
© sweetteainthesummerx.tumblr. all rights reserved. unauthorized copying, translation, or claiming of my writing or any works as your own is strictly prohibited.
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So idk if I'm requesting in the right place. But I would love a twst scenario with a yuu that just says all their intrusive thoughts. Like just out of NOWHERE, as they reach for a water bottle hanging out with the first years they go.
“I robbed a house back home”
Or when Azul tries cornering them with the twins for something they just blankly turn to Floyd going.
“duck off you look like you can't steer a shopping cart”
But feel free to do it with whoever you want and if you don't want to do mine that's perfectly fine and I hope you have a great day :)
certainly!!
summary: reader who speaks all their impulsive thoughts
type of post: headcanons
characters: heartslabyul, octavinelle, scarabia, diasomnia
additional info: platonic or romantic, reader isn't specified to be yuu, reader is gender neutral
author's note: for some reason I had the hardest time thinking up new nonsense, so many of these dialogue lines are from lewis carroll poems, which I have a wonderful nostalgia for. check those out as well!
Ace and Deuce are pretty much used to you saying whatever's at the top of your mind... with no filter
so used to it that it barely even registers with them anymore
whenever it's quiet, they can expect you to come out with some incomprehensible nonsense.
if you didn't, they'd probably ask what's wrong
"I robbed a house back home,"
"Yeah, okay,"
Riddle, on the other hand, gets frustrated alarmingly fast
despite running an entire dorm based on nonsensical rules, he has a low tolerance for outside nonsense
and... well, despite his name, he's not really a fan of riddles
Trey matches your energy immediately
no joke. he doesn't even bat an eye
"I eat plastic,"
"hm. sometimes I eat muffin wrappers,"
honestly, sometimes his tangents get even weirder than yours
Cater probably wasn't listening very closely when you first started going off, or maybe he's just become accustomed to riddles, though the next time you say something he just thinks it's cute
might use your "thoughtful anecdotes" as a caption for his next post
would it be surprising if I were to say Azul is used to randomness?
Floyd has a tendency to say the strangest things out of nowhere, after all, and the sea itself can be a surprising place
he does not, however, appreciate how you keep speaking in tongues when he's trying to have serious business conversations with you
(seriously, how hard can it be to swindle one person?!)
"Please, just talk normally,"
"But the mome raths outgrabe!"
he doesn't know what that means, but it sounds like an insult
...and then will refuse to converse with you again until you're in a "better mood" (in his own words)
Jade, on the other hand, finds you quite fascinating
he keeps a little notepad on him just to jot down the things you say. why? you can't imagine. he just finds it interesting, you suppose
"'Twas brilling..."
"Really? How interesting. Go on,"
Floyd isn't really paying much attention
your funny words amuse him at best and annoy him at worse
if you ever find yourself in a bad place with the octotrio, you can just say something like:
"You look like you can't steer a shopping cart,"
and Floyd will take actual offense to that, and just straight up leave
(much to Azul's dismay)
Kalim adds on right away
and keeps going
and keeps going... and keeps going...
"How doth the little crocodile improve his shining tail..."
"Oh, I know! He pours waters on every shining scale,"
at one point Jamil has to pull you aside and beg you not to encourage him
"No promises!" is your answer
Kalim even buys a parrot to add onto the fun
it becomes a three-person (or two-person-and-a-bird?) act
...even if you're not really doing it on purpose
Jamil is who ends up taking care of the parrot while it squawks your old nonsense thoughts, though
he likes the parrot much better than either of you
Malleus will entertain you based on his own curiosity
none of his other human classmates speak in such odd and puzzling words, so he knows it's a "you" thing
might try to solve them if they sound like riddles
but he mostly just thinks they're cute
"O, oysters, come and walk with us,"
"How interesting... I do wonder where you come up with all this,"
Sebek will listen to you because Malleus does, and Silver has enough nonsense to deal with as it is. will definitely fall asleep while you're talking to him
Lilia responds in like terms
meow at him? he'll meow back
in fact, he'll meow at you every time he sees you until you say something else to capture his curiosity
might go ahead and start speaking to you in tongues before you even say anything
he just thinks you're neat!
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the car broke down by the denny's where you used to work and therefore could never return to. i am trying to pick out the satisfying parts of my life, one-by-one, like i am 12 and in a frog dissection. everything in my life all viscera and formaldehyde. if i can sort the good things from the bad things, i will have a nice clean pile.
i call you and make it sound like i am happy and hangin' in there! when really i am kicking a rock and i am outside without a jacket and i am so in love with you it makes the little bones in my ear shake. someone called my tinnitus an angel choir. i like that it means i carry the echo of every concert.
this isn't the right setting for love. this is a roadside, and a denny's, and i am nauseous and ashamed i never escaped the town where i grew up. the clouds here are this strange yellow, like spilled sour milk. "someone once told me that the orange coating on the teeth of a beaver is due to the particularly high rate of iron in their enamel," i tell you. "the beaver is the largest rodent native to north america."
your voice is crackly on the other end. i'm going into a garage soon, i might lose you.
what i should be doing is calling the tow truck and explaining that my brother's car (that i'm borrowing) (that i broke now, i guess) needs to be lifted by another, bigger, stronger car (which is love too, i guess).
i shouldn't say so much. i should wait, and let you ask about my mom, and ask if i ever got over that cold, or how it's going at work. i should let you lead the conversation, for once, so the love doesn't leak out of me into the gravel. i open my mouth anyway. "if you had to choose between being a beaver with very few trees or being a tree around a bunch of beavers, which would it be?"
i don't know. your voice always has this warm cast to it when you talk to me, but maybe i am just imagining that - i am a poet, though, so i imagine things sort of chronically. through the static, you sound like you're laughing. are you the beaver?
i know, like, logically, not to fall in love with a girl-that-is-your-best-friend. like, who would i even call if we broke up? you're my best friend, you're the person i'd want to speak to. so what if these last few months we keep sleeping over at each other's houses, calling each other for hours, sending each other poems. so what if you keep wrapping your fingers into mine. no best friends. that is the first rule. what you are supposed to do in that situation is leave the situation.
but my car broke down, so. where exactly am i going to go? the car is a very-old chevvy and also where i almost-but-not-quite kissed you after you'd raised one shoulder and looked up at me and said i don't know, i think i'm straight, but for the right person - i'd try anything. the music had been good and it had been raining and your thick eyelashes had made me feel god crawling up my throat like a spider. and i didn't kiss you, because i am a coward.
anyway on the chevy the whole exhaust pipe fell out, and is now scraping on the ground like one silver finger stroking the back of the highway. recently we were watching netflix in my bed and you pushed my hair back from my face like you were making the slowest, most desperate prayer, and then your boyfriend called. i remember us both jumping. i couldn't look at you in the eyes for like a week after. i kept feeling the heat of your fingerprint; computer science, you'd unlocked something dark in me.
google says the closest tow (joe's pick up) is 50 minutes away and also closed permanently. so that's not great. you live in another state and i should be calling my insurance company. i should be calling anybody else. this is not helping. i need an uber. i need to get moving. instead i say: "i need three words for a poem."
yesterday i said love you, goodnight after our 2 hour call like always and then you just, like. paused. all i could hear was your breathing. and then you'd said what a pretty three-word poem. i love you too, sweet thing. the words made my tinnitus act up again, and i must have some kind of synesthesia, because the sound travelled into my mind until it became the shape wedding rings.
orange, you say. the static is now chewing through most of your words and i only catch - borrowing the chevy -
the call dies. i have 12% battery. i never get the 3rd word, but i know you're still going to get a poem from me. actually this rest stop is kind of pretty, and so is the exhaust pipe, and so is joe's pick up, and so are the clouds. the light here is the color of a glue trap. before you worked at the denny's, we used to get milkshakes every wednesday and called it a friend date. you said you'd wanted to work there because it reminded you of me.
the sign's gone dim. the letters now spell out deny. and isn't that something.
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