#me? speaking? maybe so

[multimilfs]

just letting everyone know i am alive!! i’m trying to get back to writing, but i’m working 5/7 days of the week right now, so it’s a bit difficult 😵‍💫

know that you’re not forgotten and neither are your ideas! things are coming…

[buppkizz]

tf2 karaoke! 🎤🎶

(here's a list of the referenced+a couple extra songs)

[egophiliac]

so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!

god I hope this reads properly

[relaxxattack]

tbfh i love when people will headcanon characters as being of their culture and then draw little comics of them participating in traditions that the artist is clearly intimately familiar with. like YESSS share your personal cultural experiences with me through the blorbos!!! i love to see it!!!!!!!

[hum--hallelujah]

man I mean just. the SMFS album lettering is made of clay. the cover art is an actual physical painting. there's a lot less fx on the album as a whole than Mania (which is NOT a knock on my bbg Mania btw, just pointing out the different approach) or even SRAR and ABAP. the songs sound basically the same live as they do on the record because the production is so minimal. they have a huge vinyl dog head onstage with them, that they touch and interact with and talk to (and, in Pete's case, get eaten by). the attic scene is made by lowering a piece of rigging to literally make the stage smaller. there's actually a LOT of sets especially comparatively to their previous tours, the rigging around the stage is done up almost as a physical frame for it. they only have one screen onstage and it's small, its purpose is to be the 8-ball and to add a little bit of texture to the wider design. the backdrops, even the new desert scene for 2ourdust, are physical backdrops — one of which was made by one of Pete's kids — not LED or projections. the album title is made of clay. it's about existing in the world, making things so you feel alive, making the world a little more fuckin weird! do you get it yet?

[the-ace-with-spades]

(I adore fics where Johnny’s family loves Ghost from day one, but, you know…angst)

Soap and Ghost had been together for almost two years. They never name the relationship, really, but it's serious and they both know it.

Thing is, Johnny's seen Ghost's face a total of four times, counting Las Almas.

Well, he sees parts of it regularly, more than others. Ghost will either roll the balaclava up when they're reading together in bed or when they're eating. Sometimes, when Soap wants to go out and Ghost indulges him, he goes in public in just either a face mask or a gaiter and Soap can see his short wavy blonde hair sticking all over the place and 

The four times he had seen Simon’s face in it’s whole — obviously, Las Almas; one time when he was unconscious and bleeding from a head wound and Johnny had to check; one time when they took a shower together, Simon stayed with his back toward him through most of it, but when they finished, he let Johnny dry off his hair; one time, when Johnny asked him to see him for his birthday presents, a few minutes after midnight.

Johnny wasn’t sure why exactly Simon didn’t want to show him his face. It wasn’t a trust thing — he trusted Johnny with more than his own life — and it wasn’t like he was ugly — he was downright sinful. He never drilled the topic because he didn’t care, if SImon wasn’t ready, then he wasn’t ready, but if he had to guess, it was all to do with identity and being seen. No one knew his face — people could know his name, Simon “Ghost” Riley, but they wouldn’t know the man behind the mask. Wouldn’t know the people behind Simon “Ghost” Riley.

(Johnny wasn’t completely off on the assumption — Simon didn’t want anyone to know his face because faceless people weren’t missed. Faceless graves — like his own — didn’t have people to leave behind, and faceless soldiers didn’t have loved ones to find and he was both. No one could get hurt if he remained faceless. Or at least that’s what he’d been telling himself.)

And Johnny is okay with that — if Simon never showe him his face again, he’d still love him all the same. Johnny’s family? Not so much.

They’re supposed to be in Glasgow for five days total, leaving after Boxing Day. Johnny gives them all a warning, that Ghost is a bit shy and doesn’t like showing his face, he’ll most likely stay covered the whole time, he might be wearing a balaclava, or a mask, he probably won't eat at the table.

When they arrive at his parents house, it almost seems like everyone forgot. Like everyone thought it'd be more mild or that Johnny was exaggerating.

There are looks. There is silence. People can't stop staring.

His mam takes one look at Simon’s balaclava once they enter the living room and looks funny at them. “Ah thooght Ah tauld ye boays tae strip doon.”

“Mam, lea him alane,” he tries but he can tell that Simon is getting tense and his mam is getting tense.

His mam, who is usually the sweetest person ever, is uncharacteristically quiet and curt whenever Simon is around. Simon doesn't really know how to make it better — Johnny's never seen him so silent outside of stealth missions, he just stands there like a sore thumb, not making anything less awkward. He didn't expect him to — Simon's social skills are lacking and he loves him that way — but he expected his own family to not make such a big deal out of that mask.

His da is stern and silent, which is as disapproving as he gets. His sisters are a bit weirded out, but mostly focused on teasing Johnny, even making fun of the mask. With a stupid grin, his older sister asks, “Does he keep it oan in bed?”

Johnny doesn't say anything to that, even though his face feels red. His sisters stop laughing.

“He does?” When Johnny tries to step out of the room and avoid the conversation, his sister’s tone changes. “Hae ye e’en seen his face?”

“O’ coorse Ah hae,” he spits out. He doesn’t specify it was only four times — he doesn’t think it’d help. “And ‘s a bonnie ane, alricht.”

It doesn’t save the situation and his sisters are also weirded out and wary from then on.

 The kids do not care — they ask maybe two questions, tilts their head as Simon explains and that’s it — and Johnny breathes a little easier as soon as his nieces push Simon outside to help them build a snowman.

The judgment doesn’t stop. Johnny’s blood boils any time it shows and even though Simon says it’s all fine, he can’t stop feeling angry about this. They just can’t get past the mask.

Christmas Eve and Christmas Day are difficult to Simon and Johnny knows it. He’s given him the option to omit the family dinner on both those days if he’s not feeling alright enough to spend those days in crowdy house filled with a flock of loud and cheery people of all ages.

Simon knows this. He also knows that if he says he wants to stay at Johnny’s flat for the time being, Johnny is going to insist he doesn’t have to go either, that he’d prefer to stay in with him and not go for the Christmas dinner. Which he also knows is bullshit — Johnny loves Christmas, loves spenidng time with his family, that was basically why he kept on insisting Simon couldn’t stay alone at the base for Christmas another year in a row. It was the main reason why he agreed to go with Johnny in the first place, he was pretty sure if he didn’t go with him, Johnny would insist he stays, too. 

So Simon stays in for Christmas Eve — or rather goes to a pub while Soap spends the day with his parents — but insists they go to Christmas dinner. 

His family is disappointed to see him there, to the point the usual manuevering around politeness and disapproving go onto a backburner.

“John said yer nae a fan o’ Christmas,” Johnny’s mum says to him pointedly.

“That’s right.”

“And yet ye’r ’ere,” she notes.

Johnny is far away from the earshot and he doesn’t want to lie to her so he admits, “If I didn’t come, Johnny would insist on keepin’ me company.”

“How come ye dinnae try to hae a bit mair cheer fur th' holidays then? Put a bit mair effort in for ma baby.” 

Johnny notices and soon enough, he’s next to him, their arms brushing, Johnny’s hand on the small of his back. “Lea him alane, mam.”

“It’s fine,” he says even though it’s not fine. They deserve an explanation, even just to know what they son is getting himself into. “My family was murdered on Christmas Eve. I’m—I’m trying.”

The silence falls over the room — Johnny’s mum, dad, his sister, all present, not looking at them. Simon closes his eyes, tries to breathe.

Johnny rubs his back. “Let’s gae home.”

“I’m not ruining Christmas for you, Johnny,” he says. Before Johnny can deny it — and he knows he’d try — he tries to placate, “Let’s just have ourselves a minute to calm down.”

Maybe it’s the way his voice is perfectly levelled or the way his hand trembles as he squeezes Johnny’s, but he lets him leave the room.

He steps outside — to the backyard. Sits down on the step to the garden and lets the snow soak through his jeans and the top o his balaclava.

The kids come outside, tripping over Simon’s legs. They were all oblivious to the trails and errors of Simon’s integration into the family, so they approach him as always

“Whit's wrang?”

There’s just something so innocent in having a six-year-old girl covered from head to toe in pink and glitter worry about you. Simon would never admit it in front of Johnny, but he finds the accent cute.

Simon takes off the mask.

The kids all look at him and look at him, a bit unsure maybe a bit fearful — it can be a scary sight, he admits, the elongated, jagged smile that sticks to him no matter the mood, makes him more crazy than he already is — but only one of Johnny’s niece keeps her eyes on Simon’s face. 

Shily, she asks, “Does it hurt?”

“No,” he replies. When she smiles, he smiles back.

Not anymore.

This is Johnny’s family. Simon can deny it all he wants, but Johnny’s seen him as family, as someone he’d leave behind, and it hadn’t been unrequited. He can’t hide behind a mask forever and maybe this was the kick he needed.

He steps back inside when his hands turn numb. He doesn’t put the mask back on.

Johnny’s eyes widen. “Simon?”

Simon just—smiles. He can feel the scars pulling on the corners of his mouth, the stiffer skin, but he’s not faceless. He’s not been faceless for a while.

Edit (29/03/24): This is now a WIP for a minimum 15k fic, titled don't shoot me, santa, that will have 4 chapters and will be posted (hopefully) later in the year

[runraerun]

*noisily pulls up a chair* 🪑 do you guys ever think about what HunterCorp!Dean thought of Cas? Like he was already clearly of jealous of Dean Prime, with his cool shirts and rugged trauma, so he must have been like, ‘what! you have a hot angel sidekick too?! Lucky!’

And Dean would have just floundered and gruffly tried to shut him down like, ‘what’re you even talking about? Cas—hot…?’ *manly, sputtering deflection*

And then HunterCorp!Dean would be like, ‘oh?👀 so you’re not together then? Interesting. Very interesting…’ *slicks back his already over-slicked hair* *huffs into palm to check if breath stinks* *readies himself to make his move*

And then Dean would have internally combusted, obviously. because now he has to explain to his very queer alternate self to cool his jets and step away from his not-boyfriend because…. Because…. Well just to back the hell off okay that’s why!!! >:/

Both Sam’s just -_-; -_-; *deep sigh*

[rosekasa]

do you ever just remember the insanely skilled people you're friends with and feel like this spiderman meme

[seri-tonin]

I keep seeing people say that Kaveh and Alhaitham are incompatible and I'm just like... no u don't get it. They are so compatible that I'm convinced they're literally made for each other. They're both so incredibly stubborn but underneath all the bickering, they clearly have a ton of respect for each other and recognize each other's intelligence. It's because of both that mutual respect and their directly opposing worldviews and ideals that make them both pretty much the only people that are capable of influencing good and meaningful change in the other. Kaveh brings the empathy and artistry that Alhaitham needs while Alhaitham keeps Kaveh grounded. Alhaitham always seems so much more relaxed in every scene where he interacts with Kaveh. Alhaitham is pretty much the only person that Kaveh doesn't feel the need to go full people-pleaser with (excluding the occasional client that really manages to piss him off). They're actually perfect for each other.

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[cutie-lumi]

everyone's favorite snake girlie 🐍🐍🐍

[egophiliac]

(it probably wasn't actually Idia's fault)

(or was it)

some quick initial reactions to celebrate Diasomnia Day One! it felt like a bit of a short intro, but oh, what a tasting menu of things to come.

[schrodingersgirlboss]

a golden tip i can give to cryptos or any woman who can't openly talk about radical feminism yet (online or irl), whether it's because you have tra friends or you're scared of being criticized or whatever reason, is to stop using certain terms or following their rules for yourself. don't use the word queer, even if you can't call it out when other people do. same for sex worker. don't put pronouns in your bio. if there's a pronoun option in forms leave it blank (if you can't there's usually a "prefer not to say" option). don't refer to yourself (or anyone but specially not yourself) as cis. i assure you most people won't question it because you're technically not even doing anything. but it'll make you feel one heck of a lot lighter to not let your speech and your behavior be dictated by a pseudo-religion you don't want to be a part of.

[lemondoddle]

But did we ever consider that maybe the operator was valid??? Maybe he looked at what Alex was filming and said "I can't let that be released."

[fandomandsparkles]

npmd is special to me because its the first starkid musical where every single song has hit beautifully with me. like im replaying all of them and i dont skip ANY it’s that good standing ovation for jeff blim everybody

[wyrmswears]

i finished aai2 (one of these is not like the others)