I’m standing across from you (but I see you)
I’ve dreamt alone, now the dreams won’t do (but I see you)
(We're still working hard on some pieces for a zine about those two characters with @the-nothing-maker and I can't tell you how proud I am for our hard work! It's never easy to create something this big about original characters, but even if I feel quite anxious I'm not quitting!)
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Soap's self-preservation instincts must be dead and forgotten in a ditch somewhere because there is NO logical explanation for how he speaks to Ghost, one of the most prolific mercenaries of the century
(Aka an excuse for me to draw Medieval armor in detail. That's what this whole au is)
Check out more Medieval 141 here
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i’m planning on designing some “historically accurate” (or as close i can get) designs for the main characters in merlin, does anyone have some good resources for 500s-ish welsh/british clothing?
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sorry I've been slacking on fundie content lately, I recently learned that a Welsh prince came to the Americas in the 1100s with a few hundred people and that his descendants might be the real life explanation for a few midwest/southern/appalachian folk legends (well it was native history that white people wrote off as folk legends) and that the Smithsonian might've been complicit in hiding this information so. that's been taking up a lot of my time
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once again need all the "medieval fantasy" fans out there to understand that by many historical opinions, the War of the Roses began AFTER the medieval period
"medieval" is a whole lot older than most of yall realize and i'm begging yall to look at a timeline before you start calling things "medieval fantasy"
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kakashi: sorry kids gotta go, i’ve got a date with gai
naruto: but you guys just went on a date for lunch
kakashi: yeah honestly you guys just seem to be in a particularly devious mood and i’ve determined my chances of getting in trouble by association are lower with him today
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Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.
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I don't actually want the series/movie to happen because it feels like it will just be another dissapointment (think pjo). If they make anything, I'd prefer it to be animated (because let's be honest, I don't think you can pull off people dissapearing and slinking around without looking foolish and bad, when using actual people)
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