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#murph's characters making me insane again
18catsreading · 7 months
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Ally: my acrobatics is negative three
Brennan: oh no no no. Oh no no no. We liked to ask Brennan for cool things. [Forcing Ally to go through with their ribbon dance shenanigans]
All chanting: jump jump jump jump jump
17 -3= 14
Brennan: so you leap out the window. Now, I want Ally to look at me. And you tell me, do you feel like a 14 is a high enough roll for your character to use a dance ribbon to fly? Bearing in mind that if I say yes now I have to say yes every other time you want to do this.
Ally: yea, definitely. I think 14 it's above average, um.
Brennan: don't pay any attention to this noise [so many dice rattling]
Murph: you guys just see the most insane things. See Kristen just go like this [mimics ribbon dancing]
Ally: I'm not trying to like FLY
Brennan: sure you're just trying to descend.
Ally: I'm just trying to like, I'm trying to grapple. It's like a grappling hook
Zac: how many stories is it?
Lou: it's 10
Zac: it's 10 stories?!
Ally: It's o-- is it 10 stories? [Surprised]
Brennan: it's 10 stories
Ally: ok I'm just trying to grapple hook. [Interrupted by Lou's laughing] I'm trying to grapple hook 3 flights down so I can cut off her dad
Zac: yeah, that kind of precision.
Brennan: okay cool. So you're just going to try to nail this. You're going to try to cap this graceful fall at 10 stories
Ally: no, do you understand, like, I'm jumping with the ribbon dancer like this [drawing diagrams in the air] you know, to fly.
Brennan: sure, cool [pulling out the box of doom]
Ally: you know, I don't know if you understand. It's like to fly [vogueing a new diagram]
Brennan: okay, so yea, you're just going to try to go a quick three stories down using a ribbon dance to do that. An ability nowhere on your character sheet.
Ally: the ribbon dancer is written on my character sheet! [Pulling out character sheet]
Brennan nods encouragingly
Murph: you have four dexterity
Brennan: so, here's the thing, I'm going to allow you to avert this because I don't want anyone to say I was cruel or mean or unfair, right? So all I'm gonna ask is this: hit a 14 acrobatics check for me right now. Box of doom.
Ally: another one?!
Brennan: yea, to just, to like Indiana Jones using a ribbon as a bullwhip.
Ally: yea. See. You let Indiana Jones do it, and that's sexist. no one respects femininity in this country. [Rolls the dice in the box of doom, ally's it right on out the side]
Brennan: you Ally'd out of the box of doom, across my lap.
Ally: rolls again.
Brennan: okay, that's a natural 2.
Ally: interesting.
In chorus: so that's a negative one
Emily: I didn't - I really thought this was gonna be one of those crazy Ally moments.
Lou: I didn't want to say it --
Ally: we don't know what the first one landed on though
Siobhan: that's true. The first one is cannon
Brennan: here's your die back
Ally: thank you
Brennan: what happens is this. Kristen, you were like, I have to got to get to the first floor before Angwyn.
Ally: here we go
Brennan: I have great news. You make it to the first floor waaaay before Angwyn does, right? And the reason for that --
Ally: why is that?
Brennan: 16, 23 -- you take --
Ally: can we say the ribbon wraps around me and makes sort of a cushion
Brennan: here is what we are going to say. Kristen to get to the first floor, you take your ribbon, twirl, leap out the window, and take 36 points of damage as you --
Ally: hell yea
Siobhan: absolutely worth it
Brennan: ah! Ah! Ah! And you fucking land on your leg and roll and snap your ankle.
Ally: all right. I do have three points left.
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justaweirddruid · 8 months
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I'm thinking about Eldermourne again and I can't explain how much this campaign makes me insane, guys
I think it's one of the best pieces of storytelling I've ever experienced, it's so so good.
Not only is the worldbuilding incredible, the way Murph had the characters and the audience learn about the history of the world and the gods throughout the campaign was amazing. Every time we tought we found out the truth, the characters discovered a new layer in the story. And what I loved about it was that it wasn't something contradictory, but a new detail that added to what we new and when you learned about it you went omg, of course that's what it is!! How didn't I think about it before!
And the way Murph was able to fit every character's backstory into the main plot, amazing.
and don't even get me started on the finale. What a perfect episode. I think it's one of the most satisfying endings to a campaign.
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Option 1:
Enemy: Heradecia and Cerenysus
Episode: C2 E41: Cerenysus
Time: 4:04-2:46:22
Finish: Fia (Cerenysus), Jabari (Heradecia)
Notes: 2 concurrent battles. 2 spellcasting enemies. 2 players juggling 2 PCs each. Surprise Lou and Hexbuds! Caldwell as Lake, Lou ass the spells. Emboldening bond and damage sponging. Living spells for Fia to fight. Jabari trapped in banishment with dry toads. Corbeau staying up and almost forgetting the death ward. Zirk's fucking crown removal and the deal he makes for his life. Hank breaking the curse. Tarragon's halfling abilities coming in clutch. Fia casts the first revivify in Eldermourne in centuries.
Propaganda: (anonymous) Fia won't fight Irina. The hexbloods are fighting their mom again. Lou Wilson voices the living spells. Caldwell gets to be the dog. Zirk fucking dies and then Fia tells hank to kill her girl(hood) friend it's all so crazy. It's 4 players and 6 PCs across 2 locations fighting 2 demigods and one demigod is kinda mind controlling the other. It's just a great final fight.
2 absolutely legendary encounters for the price of one. "Mr Henry, kill her" makes me weep every time. Also Lou Wilson as Bigby's Hand.
THE LOU REVEAL GETS ME EVERY SINGLE TIME. the back and forth. the emotional damage. everybody's playing multiple characters. Zirk is dying. "You took his death save?!" Caldwell 'playing' Lake the dog. Lou voicing the sentient spells and making wind noises. "What about the death ward?" truly the encounter of all time
Option 2:
Enemy: Thiala
Episodes: C1 E100: Heart of the World
Time: (ads) 58:56-2:41:30 (*used the ads version because it's two episodes on patreon so it wouldn't be a great timestamp)
Finish: Moonshine
Notes: Hardwon's insane first 2 rounds (almost 600 damage! and he does miss!! he does a total of 1,082 damage to Thiala in the entire fight and there are 2 rounds where he doesn't have a turn because he's unconscious!). Moonshine counterspells and then uses Chill Touch to make sure all of Hardwon's damage can stick. The flashback scenes that do psychic damage and enlighten the audience at the last minute on characters we hadn't seen a lot of. Bev goes Elder Champion and casts revivify as a bonus action. The terrain moves to in front of the Heart of the World where Melora and Telaine are holding the world together. Ulfgar and Alanis are used for their power by Thiala, and Galad is fucking back and Thiala's bestie. Erlin is freed by Handy Andy. "I'm gonna fucking eat her."
Propaganda: (anonymous) hardwon surefoot deals 582 points of damage against thiala in two rounds. that’s all
Murph's flashbacks to Elias Sr., Ol' Cobb, and the Legendary Heroes? Chef's kiss. Also riding into battle on flying elephants.
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i know you have a hardshine playlist, but top 5 hardshine songs 👀
ohh shit this is fun
here's my hardshine playlist as well if you want to check it out (they're probably all gonna be on here if i'm fucking honest)
If We Were Vampires - Jason Isbell and the 400 Unit [Maybe time running out is a gift/I'll work hard til the end of my shift/And give you every second I can find] This is like THE hardshine song, if we're honest with ourselves. The idea that you wish yourself immortal, so that the time you spend together could possibly be trivial? It's so perfect. And this song is something I really have enjoyed for years so adding hardshine context to it makes it that much better, for me.
Work Song - Hozier [No grave can hold my body down/I'll crawl home to her] I was conflicted for half a second what number 2 on this list would be and then I remembered this bitch. God fucking damn. Not only are the lyrics so true to them on like a wider level, but Hardwon has literally, time after time, attempted to overcome the impossible to save Moonshine. To get back to Moonshine. The bargaining with the death horseman, Jake begging Murph to let him give Moonshine one of his luck points. Attempting, as a man with -1 intelligence, to fix a teleporter that wasn't working just so he could save her. (also the mental backflips i did to not name any of my recent fics with lyrics from this song. still can't believe i won that struggle)
After the War - Branches [My home is in your arms] This one is big on loneliness, and the kind of crux of the two people meeting ending the loneliness. And I think that's at the heart of hardshine, right? That before they met, they were both lonely and alone, in their own distinct ways. And then Moonshine walked into the bar. And in an instant, Hardwon found the home he'd been yearning for, while Moonshine finally found someone who would take her culture at face value and never try to belittle it. It's why Twinkling Lights plays under Hardwon meeting Red and asking Moonshine to live at the Crick. One way or another, they are defined by finding that safety in one another.
Love Like This - Ben Rector [It's a million things about you and I don't know what it is/I have never known a love like this] One thing that makes hardshine so beautiful, to me, is the way that it's so drastically ill-defined. Not even in the way that they never tell each other their feelings in canon, but also like the way that Jake and Emily have talked about it and the myriad of different ways they've played it. They're best friends, they're soulmates, they're in love, they can't stand more than 20ft apart without feeling lost. I think if you sat the characters down they'd have such a hard time defining, truly, what they mean to each other. And the idea here of a love that defines you while you also don't know the true depth of it feels right for them to me.
Hello My Old Heart - The Oh Hellos [Oh, I don't wanna be alone/I wanna find a home/And I wanna share it with you] Obviously home is a theme in my picks, which I feel like I have mostly explained already. But this one really hits a C3 stride for me, because it's kind of talking about returning to feeling like your heart can accept someone. And I feel like there's an insane paradigm shift that happens for Hardwon, post-distress signal. He's opening up again. But his heart does already belong to someone, and he just has to find home with her once more and his heart will remain safe, with her.
Bonus #6 is The Twinkling Lights of Galaderon. For obvious reasons
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momsforroadhead · 2 months
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say the gods have gifted you with perfect ttrpg dming powers, and Dropout has hired you to run a 6-person sidequest. who are your 6?
OOOOOOUH ok first disclaimer i'm dming a Labyrinth game (yes there's a ttrpg, we all know my feelings on Labyrinth)
Ally. JUST!!! I love them so much, my comedy icon for real, absolutely obssessed with them... want to get every opportunity to be in a room with them, endlessly talented, changed my life.......... yeah Ally.
Rekha. One of the funniest people in the world to me! Her comedic timing is literally perfect and i love the stories and themes she brings to her character
now that my two idols are out of the way, let me think in terms of who would slay the titular Labyrinth
3. Extremely horny world by design so probably Grant. He's very funny and i'm obssessed with him in a kind of sisterly way. also he has great chemistry with ally and rekha (two other horny people)
4. Lou. i think he is underrated as a chaotic force and labyrinth is very chaotic. BUT! he also does a great comedy straight man! i've loved every single one of his characters
5. Izzy. i love her energy and idk how to explain this but she plays types very well. like her characters are all very typified and coded, andthey slay. and the labyrinth is full of that. also queen of accents
6. to reign in the chaos we need an immovable object. we need a man who's gonna go insane trying to find logic where there is none. a real alice in the wonderland of labyrinth. we need murph. he's perfect. and i hope he makes his character ace again
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white-weasel · 2 years
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Niche post for me and like 5 other people but D20 cast and Film Reroll cast matchup/interactions I would kill to see:
1. Joz Vammer and Emily Axford (fairly self-explanatory; chaos queens)
2. Joz Vammer and Ally Beardsley (once again, fairly self-explanatory. Players doing insane and game breaking shit by sheer force of will and dice rolls)
3. Andy Hoover and Mike Trapp (Trapp’s only played in Bloodkeep but I feel like these two would be two peas in a pod and riff off each other extremely well)
4. Jon Miller and Brian Murphy (rules guys who use that power to their advantage as players to varying degrees of success. I would love to see these two make a plan together and then see it fall apart from a combination of Murph’s bad luck and Jon’s simultaneous god/victim complex mental breakdown)
5. Carolyn Faye Kramer and Rekha Shankar (Carolyn “I know who the killer is” Kramer and Rekha “I go into labor midair” Shankar. These two would just fuel each other between Rekha just pulling things out of thin air to make canon and Carolyn never knowing when anybody’s speaking in character or not)
6. Paulo Quiros and Brennen Lee Mulligan (kings of improvisation and expanding the world to fit player actions to the point where it makes you think they had it all planned from the start. Pretty different styles of play for these two, but I would love to see Paulo GM a film reroll campaign for Brennan. Like, I think Brennan playing the Friday the 13th campaign would have led to a glorious glorious reaction similar to his Game Changer rant)
Really what I’m saying is, Film Reroll X Dimension 20 crossover when? (I know the answer is never but a person can dream, right?)
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calderskillday · 2 years
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A STARSTRUCK ODYSSEY EPISODE 11 liveblog!!!!
that's right motherfuckers i'm finally watching it day of again!!!!!
axmurph right off the top making my heart explode
LOU WILSON MY GOODNESS YOU BEAUTIFUL MAN
EMILY LOSING HER MIND IMMEDIATELY I CANNOT god now i'm crying
wow what a recap good job brennan
pls what's emily writing down when ally says "she's SO butch. she doesn't know that yet- about me- but so am i"
"you feel the mustache, he's like whispering in your ear-" "hot." EMILY STOP ITSDJKFKF
THIS SEASON IS SO DIRTY DAMMIT INTREPID HEROES
I HAVE A SON DIGJSKFJFGNGIG
NOT CEREBRO SLUGS AS A GODDAMN ZOO EXHIBIT
MURPH IS GOING OFF LETS GO BARRY
the energy of this episode is just insane
OHSHIT
lmao the image of barry lying prone under hogg cobb just putting his sunglasses on,,,
THANK YOU EDITORS FOR CUTTING TO EMILY IN THAT MOMENT LMAOOOOO
this scene with gunnie oh my god lou wilson is my FAVOURITE
MURPH'S GIGGLE
yay lou rolled a nat 20!!
OH NOOOOOOOOOOOOOO oh fuck dude oh fuck
AYYYY margaret coming in clutch yet again, ally having complete command over all of their abilities is really cool to see 🥺
"you're so stupid 😏 you could never hit me 😏"
truly barry is such a good murph character my GOD
OH MY GOD THE PROTECTOR DROID HAHAHAHA
yo riva's psychic stuff is so cool, i've never said it before but it is so damn awesome
NO BARRYYYY
"i don't want to do it right nowwww 😃"
god... never split the party but like..... this is so cool.......
OH GOD WHAT
LMAO I FORGOT MURPH IS AFRAID OF DOLLS THIS IS SO FUNNY OF COURSE EMILY LOVES THIS THING
brennan is a genius i love this so much
god i'm so glad skip and sid decided to go down into the tunnels this is so fun
"ok good luck" lmao skip
WHAT????? MARGARET!!??!!??
cluTCH nat 20
oh shit yeah they're right fuck everyone knows about gnosis this is Bad
PUT YOUR TONGUE BACK IN YOUR MOUTH
IM DYING AT THIS EXCHANGE
OH MY GOD SKIPPPPP LETS GO PRINCE
.........is it lucienne somehow?
oh no way it's not, lmao this is hilarious
DANK ASS WORD SALAD
OH I WAS SO CLOSE TO BEING RIGGGHTTTTT GAH NATALIA CICERO CONNIE LEE CARTER BAJAR
I'M ALREADY STRESSED FOR NEXT WEEK WHAT
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ambassadorquark · 2 years
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Ik Murph said he wasn't actively planning on having old NPCs make appearances in Ba2mia, but which old NPCs (or PCs who are now NPCs) would totally warm your soul to meet again after 200 years? For me: I wanna see what PROFESSOR tonathan tinkle (no longer a grad student) is up to. Also Murph changing A.L.A.N Inc. to Mothership makes me think Alanis is still around doing some shenanigans somewhere
you KNOW i want to see pendergreens. also lydia & crew since they're definitely still kicking. those seem vaguely plausible is the thing, as do telaine and melora- i honestly don't need to see any previously known characters as it's in fact something that makes me roll my eyes in other media with many chronological installments, but i really would love to see like, if not the PCs then certainly some people referencing them as historical figures. and i'm sure this will happen at one juncture or another, would be so interesting to see how their legacies evolved after the events of the OG campaign. and my insane alanis theory is that they've based an AI on her or something or AT LEASt somebody at mothership is claiming that all the shady shit they're surely doing was her idea
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eataweed · 3 years
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(reposting my analysis of TruTV Jake and Amir script from the subreddit thread)
This is a fascinating find! I would love to see the actual filmed pilot eventually, but this is super cool to see and read.
But... as someone who's a bit more critical, I can see why this was passed on. Like u/abuffandacool said, I don't really see much where these characters could grow and move on, and I particularly dislike most of the cast.
We got:
• Bertie - The first new character we're introduced to, and her entire joke is that she sexually assaults Amir. Unobjectively the worst part of the entire script. Kinda reads like an Emily for Amir rather than for Jake, but Emily on her own isn't funny without Murph's rage and (deliberate?) misunderstandings IMO.
• Logan Pitt - The most bearable one, in my opinion. On my blog, I joked about how if there were any female characters, I would deliberately misinterpret them as lesbians, (https://media.discordapp.net/attachments/786075967516835840/873272654856085504/unknown.png) and she works well enough. She's a bit one-note, but all of these new characters seem that way from the script + character breakdown, so what can you do. Her character breakdown mentions how much she talks about her sex life... Why are all the female characters sex related? I know that's just... a thing male comedy writers do sometimes, but it feels blatantly obvious.
• Sick Pat - I can't believe they went and named one of these characters "Pat". You're gonna do my man Pat Cassels like this? He's... decent? Like u/abuffandacool said, he's very one-note and doesn't really fit with the rest of the cast.
• Rick Fox - Rick Fox. Honestly, it feels like he has less substance than the Rick Fox character in the five minute webseries scripts. At least in that, he married a chicken. The high-five, low-five thing is kinda cute, but the entire joke seems to be "Woah, he's Rick Fox!" which would get old really quickly.
• Phil Rooney - He's a typical boomer character, one that has a lot more chances for different types of comedy than the others, but an obvious gag that's been used before.
• Dicky Van Doren - THEY'RE REALLY DOING RICKY VAN VEEN LIKE THIS? I was baffled by the name when I saw it. Ricky's character bothered me in The CollegeHumor Show, and this is basically just That character, again, but the fact that it's such an obvious parody makes me lose my mind where I like him more for it.
• Hayley Meyers - Typical bitchy bimbo blonde character that all the guys are into. Again, there's some stuff to be found there, but I doubt it'll be explored. I like that she has a bit of a Cheryl thing going on with Amir, I'd love it if she was just a tad more insane like Cheryl was.
Unlike a lot of other Office Comedy sitcoms, this cast doesn't have anyone for the viewer to attach onto, no common man/woman for people to put in their Tinder bios, and I can see that being an issue for the average viewer. Who knows how these characters would've evolved given a greenlit series, but as of now they all feel pretty one-note.
The actual comedy is fine, the best parts are the Jake and Amir bits, which is expected since it's their bread and butter. There are some reused bits, but I'm okay with that since it would be a new audience's eyes watching it.
I personally feel like there were a bit too many sexual assault jokes (something I also felt in Lonely & Horny S2), but... I also personally never liked them to begin with, so that's just more of a personal gripe. Of course, it's always done on men, since "it's okay and funny if it happens to men!!!" /s, but I might be being too harsh since this was done before big movements like #MeToo... I guess.
I still would've loved to see it greenlit, hopefully with some character changes, but I can see why it was eventually rejected. I do think it could be a fun romp, but there are some glaring issues that I think could be improved upon.
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Rant about interstellar
i have before but ill do it again!
interstellar touches me for many many reasons.
first off, the entire premise and setting and the world building in it. the dust storms, the failing crops. the protagonist does say at one point- "humanity was born on earth. they were never meant to stay here" and that just,,, hits me you know? presently we've seen the emergence of no human exploration besides the probes and the ISS. there are plans but the same curiosity just seems dead. interstellar stretches that and shows us what would happen when human curiosity and the desire to explore would die. we'd kill everyone on the planet and soon starve ourselves. the blights- the illnesses- the dead medicare- that's a very bleak future, but a very real one. the movie does both its part about scaring the viewer about it- as well as giving us hope about wormholes and quantum data and singularities and how we'd save ourselves. you can see that the old generation is talking about their days and how better or worse it would be. in the end, on the cooper satellites, you see the interviews being played- and it really breaks me. that was a generation that thought it was the end. the end of human life. the final descent and that was it. and then they see the five dimensions and getting lifted and their lives are essentially turned around. this isn't just the older people though. we see that the gen z then, like cooper's son have also mostly been brought up to *live*. we see that he tries to get into school and actually get into uni and find a job in one of the remaining sectors of the world which still offer something other than farm corn- raise family. You see that the teachers also say this? they teach them to fight blights and sustain crops because they’re losing more and more to disease each year. Humanity’s slowly being packed up and demolished and they aren’t seeing it coming. at all.
then there’s the quote which is recurring throughout the movie:
“do not go gentle into the good night”
the professor says this all the time. as they’re leaving- his last few dying words- as they’re preparing. and you know what? i’ll say it. this is where the next important theme comes in. Desperation. When he initially sends them out- he hasn’t solved gravity yet, and he knows he never will. Not without the quantum data from a black hole- something again, he can never get. Which is why he implies that there’s a Plan B and cooper can see murphy again (this is also very important- scroll down for this). He breaks all their trust- and he knows he’ll die before seeing the end of the mission- and you can’t die with guilt, not really. He knows that he can’t be held accountable because he’s dead. He’s well aware that his plan is a hail mary- and it wouldn’t have worked anyways. He’s counting on Plan B, and that’s all there is to it. He uses the quote as a reminder to himself- because he’s torn too. He isn’t inherently evil, at all. He’s the precarious thread the entire mission dangles by- but he’s willing to risk that too. He’ll be long, long dead before humanity dies- or moves- and this is his last try.
Now for the second part of this quote. As I talked about before- the quote feels more like a reminder to himself- and not actually something that inspires hope in the crewmates. But ironically, it ends up becoming what guides murph. As the professor is dying, she tells him “you’ve been doing this with both your arms tied behind your back”- that’s actually when she finds out about his whole plan. This is the failure of the professor- but at the same time, it becomes the moment he passes the torch to murph. The professor died, knowingly sending his own daughter into the reaches of space. He prioritized his need to save humanity over the love for his own daughter. But, murph isn’t like that. When she finds out about this, she remembers the promise her dad made to her.
“I’ll be back when you’re the age I am now”
and now, she knows he’s lied. But he hasn’t done it on purpose. and she understands that. She makes it HER goal that they don’t go gentle into the good night. She knows that this is probably futile, but she’s going to try. and she’s not going to try thinking that she’ll probably fail- like the professor did (in resignation for plan B)- she’s going to try to bring cooper back.
Third, coming back to desperation. A bold, bold act of desperation is what dr mann did. (I have some qualms about the actor playing estranged astronauts- anyways). Him sending out that sensor- knowing that it will bring humans back to him, while simultaneously jeopardizing the entire mission, and possibly the fate of humanity. He knows what he has done- but he has gone insane alone- and he’d betray his entire cause to see a human face again. This movie really says something about what humans are willing to do. On one hand, you have a woman who singlehandedly saves them all- for human love, and on the other, a man who is willing to commit genocide (that’s what i think it is, dont ask) to see someone else. He messes up everything, deliberately, and goes from “the greatest and bravest man to walk the earth” to a “cold and desperate villain”. This theme has a lot to do with what is happening right now too. Forgive the activism, but we do have people who knowingly exploit and burn and ravage the earth, for their own good- and they’re insane to the point that they genuinely can’t see right from wrong. Sure, you could argue that he was motivated by the need to preserve your own life. But if you give his cause *any* context, you see how wrong he is. This is flailing human desperation, pure and simple.
Now, approaching the themes that actually make it as good as it is. Dr Brand is easily my favourite character in the movie. We get to see her as a brilliant scientist initially, and her arc- is perfect, honestly. For example, take the wormhole handshake- as their going through interdimensional space- where time isn’t linear and your brain gets fried if you try to comprehend it- she recognizes a *being* in that space. If you recall that scene, she reaches out, and meets *them*- someone she knows is otherworldly and entirely above humans (we later learn it is Cooper in the matrix- and i have things to say about that too) and makes contact. She suggests, as both a human- and a scientist- that it may be love that transcends dimensions. She makes first contact with beings that may be their salvation- or destruction- and i think that is definitely the peak of human existence.
She argues that love may be what connected the crew to higher dimensions, and I'll dare to say that she’s right. Love is what made Cooper try to contact murph. Love is what made them dare to save humans. Love was what got her there. She tells them to go to Edmund's planet- not just because she loves him, but because she also makes relevant points AND her gut. It might be stretching it to say that was why she was right- but it is worth introspection. Dr Brand represents the best of humanity and she does carry it, doesn’t she? She settles on the planet for ‘the long nap’ in the end. She tries to save everyone- like on the mountain planet- and she loves. She hopes and she trusts and is unwaveringly honest and courageous. This could become a Dr Brand stan blog for all I care.
Moving on
We have the ‘them’. These are the mysterious threads that tie all parts of the movie together. A black hole to a little girl’s bookshelf. Worlds galaxies apart. A very important thing to note here is that the characters recognize that this is humanity, just very, very far out. And most importantly, wise. This is a civilization who has surpassed the ordinary dimensions, and *mortal* time. They could’ve easily saved all of humanity and given them the planet they were looking for. But their entire ineffable plan, and only putting things where they were needed- was what made them greater than just someone who helps others. Only being able to get binary signals through an intergalactic wormhole, building bookshelves that become a huge metaphor for humanity trying to claw at knowledge- and actually slowly pushing the books forward. The ‘them’ weren’t ordinary humans at all. They definitely hinted and gave me a brief, fickle glance beyond what humans could be- raw possibilities.
Then, we have cooper. This makes it hard to write for him- and do his character justice- but I will try. His character, essentially, is brought down to selflessness, love, a brutal, brutal sense of humour- and the courage- the heavy, heavy courage to sacrifice himself. He’s also the polar opposite of what Dr mann stands for. 
His first important point- in my opinion- is when the movie is starting. I didn’t walk in expecting this from him, not really. You see a dying earth- and this man is (alone in his fight, NASA doesn’t count yet) fighting the system alone. He fights for his son, tries for his father in law, and then the most important relationship- his daughter. He’s seeing an earth where not even *children* are curious, or willing, or interested in anything greater. He sees this in his daughter, though. Hence, the bookshelf- the gravity, and the plain curiosity. 
I’ll dare to say that at this point, humanity’s a dying, dying flame. And what he sees in his daughter, what we see in his daughter, is a rebirth of potential. She has the human spark, so to speak. He sees that, and he makes promises, and is willing to bring the world to its knees to protect her. And he knows he might not be there when Murph burns strong, and bright, and becomes the saviour of humanity- but he hopes.  An important element is the promise, which I mentioned earlier, but it defines their relationship. The promise that he’ll be back when they’re the same age. They both know that it’s not true. They can see the lie, but that promise also empowers them to do what they did when their paths diverge.
Cooper goes to Mann's planet with the vague hope that he’ll be back in time. Murph does most of what she does because she thinks that it’ll bring her father back. Even towards the end, when Cooper willingly jumps into gargantua, a supermassive black hole- which is the literal heart of darkness, he does it in the attempt to save his daughter, and hopes she can get the quantum data at the cost of his life. 
About Murph, we mostly see her through the eyes of Cooper in the beginning. A curious and lovable and stubborn tween who just wants to grow up with her dad and do their science experiments. Her perseverance is phenomenal- she loses her dad despite her warnings and asking- and realizes that her loss is something undefinable, but there. In a way, she grows to understand both her responsibility and her part to play, and why her father did what he did. The ‘ghost’ is another plot device- a mysterious figure who messes with the gravity and knocks her books down. And she sees a message there. She tells him about ‘don’t go’ and i can’t begin to describe how beautifully poetic and heartbreaking it is that they realize the significance of that at the same time, and how it ties together. It is hard for me to fathom that scene really- cooper is in an interdimensional matrix, inside a supermassive black hole, and he tries to tell his daughter two things. (a) trying to stop himself from going out and on the mission, which he knows is deemed to fail and (b) sending the quantum data, because that is what mattered in the end, anyways. The ghost comes full circle- and also says what he had to say, when it was most important. And for those who’ve seen the movie, i just really have to put this quote out there:
‘It was you. It was always you. You were my ghost, dad’
And in that, the movie completes itself. It talks about unfailing love, the peak and fall of humanity, and the potential of curiosity.
In this essay I will...
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crocgirl420 · 3 years
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naddpod anon here, happy almost new year (it’s 9pm rn)!!! listened to the finale, it was grea. the amount of damage hardwon dealt rocked me to my core!!! jaw dropped at how big those numbers were. i thought thiala’s ideology was very interesting and i appreciated how she was a complex villain. i am also with you that they need to #releasetheletter. the last time i heard a true DND show finale was TAZ, so i expected to know more about how the characters lives resolved, but i appreciate the (1/3)
ambiguity because it allows us to revisit them later potentially! idk if they ever would but it’s nice to be able to create your own ending too. it makes me v happy to know that you hate amir actually bc a shitty ex of mine showed me jake and amir vids and i did Not Get It but now that i like jake i was like “do i have to admit that i was wrong” but i trust that no i was not! it was just amir throwing off the vibes. i am watching unsleeping city s2 but i’ve only seen the first 2 eps cause (2/3)
i’m still living at home (i’m going back to my college city on jan 3rd so i will have time to consume lots more content like the rest of eldermourne past ep. 1). i love that murph is a paladin again because as emily says, he just is one at heart and it’s nice to see him enjoy himself like that. i think it’s gonna take a bit of time for me to become attached to cody like the rest of the gang but i dig that he’s almost an antagonist in a way! (3/3)
Happy New year!!!!!!! I love this update, thank you so much for sharing. like truly a really nice note to end the year on. 
First, RELEASE THE LETTER. Jake said on a recent livestream that he sees it all the time because he typed it in his notes app and he doesn’t have a lot of notes or whatever so it’s just there whenever he opens the app. Idk if you have patron access/listen to the short rest, but for what it’s worth, after ep 99 Emily and Jake talked about their characters ~feelings for each other~ and it basically came down to Moonshine wasn’t interested in “settling down” or monogamy or whatever, and Hardwon just wanted to keep being her biggest fan. but they made it clear that there were def romantic feelings on both ends. 
Second, I agree that Thiala was a really good villain! Like was she wrong and evil? yes. But murph really captured the grayness of it all where she would frequently make good points but like.......okay the answer to that problem still isn’t fascism? But I remain steadfast in this: Thiala is SEXY
After the finale I did go insane a little bit over the Thiala/Alanis dynamic and made a Thialanis playlist which is my most listened-to playlist of 2020. The Light by Stars is on it and Angels by the xx and Poison and Wine by The Civil Wars and a few other songs and it TRULY taps into something absolutely feral in me. Yes I've drank half a bottle of champagne already tonight. But like imagine you’re a genius stoner wizard bitch and you just saved the world with your hot nun girlfriend and your jock best friend and then all of a sudden your nun girlfriend becomes a fucking genocidal fascist dictator and you have to dedicate your next FIVE LIFETIMES to finding a way to stop her that doesn’t allow another fascist dictator to rise to power in her stead? 
Third, I LOVE Cody. It might take you a second to warm up to him, but he builds a REALLY good dynamic with both Pete and Ricky. He really brings out the best in Pete and the worst in Ricky and it’s soooooo good. I just finished watching this week’s episode and I simply can’t get enough Ricky/Cody dynamic. 
POTENTIAL ELDERMOURNE SPOILERS BUT JUST STRUCTURALLY NOT PLOT-WISE: caldwell is on paternity leave (!!!!!!!!!!!) so they’re leaving the current characters behind for a second and cutting, game of thrones style, over to another part of the world with new characters, and they just announced today that LOU WILSON is going to guest for the entire arc! I'm soooo excited! I love Lou, I think he’s SO funny and he’s a fantastic role-player. I think he’ll bring some really intense role-play out of Jake and I'm excited to see it!
love you! happy new year!!!!!!!!!! please continue to keep me posted, it truly is such a delight
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jq37 · 4 years
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The Report Card – Fantasy High Sophomore Year Ep 7
Moms, Meltdowns, and Mayhem
Hello and welcome back to Fabian’s worst nightmare, already in progress!
We rejoin the Bad Kids who have linked back up the next day and are on their way to the library of the city Leviathan--The Compass Point Library. On the way there, they see the Crow’s Keep burning but Fabian, assuming it has to do with what happened to him, tells everyone to leave it alone.
Adaine questions why Riz hasn’t had any nightmares (Riz: In a way, my life is a nightmare) and the whole group goes into another round of Shadowcat speculation. Is she protecting Riz from nightmares for some reason? Why can Tracker and Garthy suddenly see her in the picture despite not having seen her irl or had any weird dreams? Is she masquerading as someone else? 
Anyway, they reach the library which is the cool, cobbled together and largely stolen (to Fig’s delight) pirate-y library of Alexandria type place. They meet an old pirate wizard named Rollins with a book of pirate spells that Fig immediately wants to steal and Adaine wants to borrow (or steal, she’s flexible). They all sign up for Compass Point library cards and go up to the observatory to look for Ayda Aguefort. 
In the observatory, they find a huge orange-yellow bird on a perch and this is the part of the recap where I have to inform you that Aguefort had not only banged a phoenix, he somehow managed to procreate with it. Meet Ayda Aguefort, the half-phoenix (shout-out to the anon from last week who called Ayda as Aguefort’s daughter). She’s got wings and arms, bird legs, a plume of red fiery hair, and eyes which are basically just fire.
Fig thinks she’s the creature Aguefort made for her for reasons I cannot begin to fathom. She tries to feed her but Ayda rejects the food, not wishing to be in anyone’s debt. Ayda is kind of intense, abrupt, and anti-social when they meet her. She’s fully is about to fly away instead of helping until Fabian yells that Garthy sent them and Adaine remembers she has the letter from Garthy asking her to help them. After some back and forth, she agrees to give Adaine the spell (which will take 6 hours to learn) for 150 gold. But these are the Bad Kids so, of course, we have several tangents before the plot goes anywhere, during which we learn Ayda is a divination wizard (like Adaine), she asks if her father has talked about her (Fig successfully lies that he has), and Gorgug spouts out some fortune cookie nonsense (“What is a telescope but a spyglass pointed at the stars?”) that convinces Ayda that he could be the greatest wizard of their age (Adaine does a spit take and Fig is loving it).   
Adaine hits the books to learn the sending spell with Sandra-Lynn keeping watch while everyone else splits up suchly:
Fabian wants to go out to check on the Hangman but Kristen absolutely vetoes that. Buddy. System. Ragh agrees to go with him and she lays off. He tries to see what the damage on the Hangman is. Nat 1. As far as Fabian can tell, the Hangman is full dead. Not only that, Fabian is poor people sick which he isn’t used to at all. Ragh isn’t doing much better on the emotional front. He just started making progress with processing his emotions and now his mom might be dead. Saddest Hoot Growl ever (seriously, it’s heartbreaking). Cathilda comes in, loving as ever, with food and kind words and an old lullaby, but that’s not enough to stop Fabian from rolling another Nat 1 and gaining 2 levels of exhaustion (which means disadvantage on ability checks and speed halved). Lou, please burn those dice. 
Kristen and Riz are researching the Nightmare King. They go into a religious studies section of the library and (on a 20+ check from Riz) find texts about a temple to a forgotten god in Sylvere (the forest of the Nightmare King). The god is never named in any of the texts which Kristen finds weird. Riz decides to steal the book and is able to do it, despite Kristen’s “help”. Later, Kristen cross-refs Riz’s info with her world religions book and, on a dirty 20, she finds with frustration that there’s a lot of information but none of it really matches up. The fairies, treants, and especially the unicorns all had mysterious deities but none of them really match with the forgotten god. [Note: Last time we heard about unicorns was in episode one and we learned that the last time people saw the great unicorn was the last time the NK showed up.] At the same time, it seems like there are elements of the god in all five of the cultures in the forest. Adaine checks and there’s nothing magic with the book so it’s just the contents of the book that are weird, not the book itself. Kristen thinks there might be a connection to her weird dream about not being able to draw the face of her god. Adaine wonders if Kristen might have been worshipping this unnamed god by mistake. Gorgug wonders if the god is erasing themselves (a theory backed up late when they talk to Aguefort).  
Fig looks for information on cursed gems and (with a 19) she finds a good amount--no surprise in a pirate library. She finds a book called Breaking the Evil Eye in one of the forbidden sections and learns that it could be possible to planeshift into the gem, dispel magic from the inside and get rid of the trap, before breaking the original curse. She finds all of this out after she steals the book (disguised as Rollins). Planeshift is a level 7 spell though so Adaine has a while to go before she can learn it (she gets her first at level 13). 
Gorgug asks the real Rollins for books about cheering up a friend. He’s brought to a small, dusty section of the library. Gorgug rolls a nat 1 on an insight check and thinks that Rollins must be messing with him. Rollins is confused because he super wasn’t. Adaine takes a break and uses this pointless argument borne from misunderstanding to steal his book. Dirty 20. Rollins instantly skelatizes. She hastily puts the book back. He comes back Wrong and in incredible pain. He begs them to take the book out and Gorgug does. Adaine peaces out to finish studying, leaving Gorgug to deal with her mess. Gorgug decides to keep looking at the friendship books. Even on a 5, he finds a secret door into a HUGE friendship library. Guided by his library card, Gorgug finds a book called Cheer Up Me Hearties. When he gets out, Gilear is being accosted for killing Rollins, but Gorgug is able to get them to stand down. Gorgug Thistlespring, winning pirate hearts and minds. They take the book and Rollins’ bones to get him put back together.   
Adaine finishes up as Ayda comes to check on her. Ayda is about to make another quick exit but Adaine tries again to make friends with Ayda, this time by directly asking and offering to let her hold Boggy. Ayda is immediately obsessed with Boggy (and Adaine’s backpack terrarium AND the backpack she makes for him at Ayda’s suggestion) and extremely impressed with Adaine’s spellwork in manifesting Boggy. It’s a very cute scene and Adaine has made a useful ally. Ayda can’t believe she met the two greatest wizards of the age in one day. Wild. 
Everyone regroups to call Aguefort now that Adaine knows Sending. He sends them back some more powerful magic so he can talk for longer than the 25 word response. Think of it as magic Skype. He very casually tells them that Ragh’s house is a smoking crater and his mom is super dead. He takes far too long to follow up with the information that, a long time ago, he hid Lydia’s real body under the school, made a clone of her, and used the Magic Jar spell to basically hook up her consciousness to the clone body (which held a fake demon shard). The clone body is what got destroyed. Lydia’s real body and consciousness are fine. Way to bury the lede dude! Upon being asked, Arthur says that he used to remember the name of the god of the unicorn but he forgot. Suspicious and troubling. He and Fig also renew discussions on the creature she ordered but never paid for. He says the cheapest option is a pentacorn for 30k gold (which sounds like a unicorn w/ 5 horns and pretty useless but I refuse to get dragged into this insanity, I am just the messenger here).
Aguefort leaves to deal with the situation at home. Meanwhile, Gorgug notices smoke again but he also notices that it’s on the wrong side to be related to what happened to Fabian. After giving Fabian and Ragh oranges to prevent scurvy--a tip from the pirate friendship book--he brings it up to Fabian who thinks it’s probably Captain Wicklaw making a power play and they should probably stay out of it. What? says Adaine. Nah, we should fight him. Yeah, says Fig. You deserve revenge! Fabian just wants to lay low so they can get their C+. Adaine is not here for that C+ and she’s not here for Fabian’s concerning attitude shift. None of the Bad Kids are. However, the cast is very here for absolutely roasting Lou for all of his choices by having their respective characters inadvertently reference every bad thing that happened last episode. When Adaine suggests that Fabian might be cursed, Fabian finally haltingly comes out with the entire story (which Lou has to laugh-cry himself through in one of the best scenes of the episode) and everyone interjects with comments that they (out of character) know will just make Fabian’s storytelling even more uncomfortable. It’s a very wild combination of very emotional (in game) but deeply funny (out of game). Like:
Ally (who knows good and well that Chungledown Bim told Fabian he was gonna shit in his mouth): Did Chungledown Bim help you?
Zac (who also knows good and well that Chungledown Bim told Fabian he was gonna shit in his mouth): Chungledown Bim probably saved you.
Murph (yet another person who knows good and well that ChungledownBim told Fabian he was gonna shit in his mouth) You know what we should do? We should go see Chungledown Bim.        
Amazing. 
Fabian finishes his recounting of the 20 car pile-up that was last episode by repeating his earlier opinion that they shouldn’t go after Captain Wicklaw because it will just end with all of them dead. Kristen tries to slap him back to normal and tells him to lose the Gilear energy. Led by Gorgug and Adaine, the gang tells Fabian that being Bill Secaster’s son isn’t the only worthwhile thing about him (in fact, it’s pretty annoying). He’s worthwhile all on his own. Tracker chimes in and says that she thinks Fabian might have some issues with depression so maybe their well intentioned efforts to get Fabian to buck up weren’t the best way to handle things. Adaine and Riz are skeptical that Fabian is like, capital D, Depressed but Tracker sticks by her read on the situation. The group eventually decides to at least check out what’s going on with the smoke but before they arrive, an interlude:
As they walk to Crow’s Keep, Cathilda walks with Fabian and Cathilda starts dropping information about herself and about how her own children died before Fabian was born and about how she sees him as a son--though she’s tried to keep the proper professional distance. She comforts Fabian on his bad day and then her eyes go full Terminator and she mentally buts Wicklaw on her “People I Need to Murder Today” list (more on this later).
When they arrive at the place where the smoke is coming from, they find that the Ramble (kind of a pirate meetinghouse/Courthouse) has been burned down. Jemina Joy is there and she lets them know that Wicklaw asked what was necessary to become the new pirate king. He was told that all he needed to do was get the crown from the former pirate king (because respect for/fear of Bill was the only thing keeping there from being a new king). He just burned down the Ramble to be a dick. Adaine damn near gets her ass beat by Jemina by arguing politics with her (her point being that she wants to install Jemina as Pirate Queen while Jemina is like, “I just keep this place from sinking. Lay off.”) but Riz, mindful of the fact that this is a time sensitive situation, takes off to Gibbety Square where the pirate king’s crown is (and where Wicklaw is headed).
They make it to Brennan’s latest battle mechanic: The Row and the Ruction.
This is the crazy, pirate bicameral legislative system. The Row is a huge fistfight (no weapons allowed--or really they are allowed but everyone will gang up on you if you use them) at ground level. It’s always in session and has been for 150-ish years. Above that, is the Ruction which is a fight with full weapon and magic usage alone. The idea is that you need enough support on the ground in the Row so you can use them to get up in the Ruction. It’s a king of the hill situation up there and if you can hold your position up there for long enough, you can make laws. Got all that? Good. 
They get there just barely after Wicklaw and his men who haven’t yet entered the Row. Wicklaw starts talking mad trash to Fabian but his friends back him up. They give him back his sword, his eye-patch, and Kristen hits him with a Warding Bond (which means that he gets +1 to AC and saving throws if he stays close to her plus resistance to all damage and, more importantly, she takes all the damage he takes). Fig gives everyone Countercharm. And, to top it off, Cathilda shows up with in an all black, super-badass pirate uniform to say she’s gonna feed him his own freaking brains! Let’s goooooooo!
But, Wicklaw has some new allies as well. Three elves bamf in from Falinel (same people who Kristen felt scrying on them earlier) and they’re there to bring Adaine back, and it doesn’t seem like they’re gonna just ask nicely.   
Detention
Adaine for Unnecessary Theft and (Accidentally) Killing a Man 
Adaine was kind of on one this episode. Not only did she inadvertently kill* a man while stealing from him, Adaine also ghosted at the first sign of trouble, leaving Gorgug and Gilear to catch all the flak for her attempt at pulling a Fig. Bad form, girl!
*She probably didn’t technically kill him but she turned him into a skeleton and he called the pain upon reconstitution worse than death so let’s not quibble about the details. 
Honor Roll
Cathilda for Being a Badass Mom 
Oh man, oh man, oh man. 
I’ve low-key been waiting for Cathilda to go full pirate since we learned that was an option and especially since Fabian got attacked because it was a pretty safe bet that was going to be her berserk button and boy did she deliver.
When did she have the time for a costume change? Is she that stealthy? Did she magic it on? Or did she just manifest the outfit on the power of her rage alone?
The scene where she says Wicklaw is gonna pay? Chills. Not only pledging to eat your enemy’s brains but also saying you’re going to feed him his own brains and describing exactly how you’ll serve it? So raw. 
But I also have to shout out the non-murderous mom stuff she did this ep. The little talk she gave Fabian about no one being defined by their worst day was very sweet and good advice out of game too. 
But honorable mention to Gorgug for being an absolute sweetheart all episode. Zac’s improv about pirates giving their friends oranges to prevent scurvy bodied me.  
Random Thoughts
Some very useful posts from @jamiebluewind: Character Descriptions, Location Descriptions, Transcripts of Cathilda’s speeches from this ep. 
During the initial discussion with Collins, we learn that the transmutation exchange rate is 50 Parrots=10 Bananas=1 Gold. How are bananas more complex than parrots?
Adaine: May we steal books?
Her later actions aside, I think it’s funny that Adaine’s first move is basically always to sweetly ask for what she wants and Fig’s first move is, “Gotta steal that book!” Adaine is like the most polite person in the group but also ready to fight 100% of the time. The role reversal in the Jemina scene where Fig was the one who asked an on point question and Adaine was the one who made it almost spiral into an actual fight was great.
I was just saying this re: Harry Potter in a different context but clearly marked but not blocked off forbidden sections of libraries are more a dare than a deterrent. 
Fig as a horned parrot (done by Rollins for trying to steal his book) is adorable. Please somebody draw that.
I love that when they see the bird that turns out to be Ayda and Murph is like, “I don’t think that’s a bird,” Zac is like, “Yeah, Gorgug doesn’t know that.” Zac (like Travis as Grog in CritRole) has a real talent for playing dumb while actually being really smart.
“My principal scammed me?”
Brennan truly did not have to follow through on Aguefort saying he slept with a bird. He really, really did not have to but he was like, “Nope! I said it so it’s happening! This is happening!” I really wish you guys could have seen my face as I realized in real time that the madman was actually doing that. 
Adaine to Fig who thinks Ayda is her creature: This is a full person.
“I like school.”/“You would.”
Lol at Fig trying to draw parallels between Ayda’s prickliness and her own behavior and getting absolutely shut down. “I think people think you’re really tender.” The running thing of Fig’s perception of herself as this standoffish loner being constantly reality checked by literally everyone she knows being like, “You tell us you love us literally every day,” is one of my favorite group dynamics. It’s even funnier because, besides probably Adaine and Fabian, the rest of the Bad Kids probably knew Fig (or at least had seen her around) before she started going through her emo phase. So they totally remember her in 8th grade wearing preppy clothes and carrying a unicorn backpack and listening to Fantasy Taylor Swift and all that.   
All ep they were calling Kalina a cat and I was thinking, “I feel like—in game—that’s gotta be offensive.” And then Aguefort straight said it. Wild for it to come from him since he’s the craziest person ever but I’m glad it came up.
“You seem simple to me.”/“Thank God.”
Aww at Ayda asking if Aguefort ever talks about her. Brennan, you gotta stop putting little emotional traps into otherwise funny scenes. I can only handle so much!
The gang did some experimentation with the photo in this ep with these results: Ayda and Aguefort both couldn’t see Kalina in the picture. They also took a picture of the picture but that picture had the same properties as the original picture. Weeping Angel rules I guess. 
There’s speculation in this episode about why Riz isn’t having nightmares. I have another question kinda on that topic. In episode 2/3, we see the lie/mirror/Baron thing that happened with Riz. And that was for sure super nightmarish. But it doesn’t match what happened to Adaine and Fabian. Both of them seem to have had more ephemeral experiences that quickly vanished. And they weren’t borne from lies so much as fears. Riz’s monster came from a direct lie and it didn’t seem to be a nightmare. It came out of the mirror and attacked not only him but his friends later. No one saw Fabian or Adaine’s nightmares besides them (although, that could just be because they got away). And no other lie-monsters have showed up as far as we know. I’m just wondering if there’s maybe something else going on or if it was a different NK follower who did that or just a different power of the same dude. Just something I wanted to note because it’s been bugging me a little and no one’s brought it up yet. 
Cool quirk of the sending spell Adaine learned: Because it was modified by pirates, curse words don’t count towards the 25 word limit. What I immediately thought (and what Aguefort actually ended up doing more or less) was that you could easily send very long messages with, say, Morse code. Just designate one curse as a dot, one as a dash, and one as a space, and you’re good to go. It’d be slow, but totally workable. 
Also, after watching Laura as Jester absolutely flying by the seat of her pants with every sending spell, it was wild to see the group take the time to carefully craft the perfect message. 
I said two recaps ago that I wouldn’t be surprised if Gorgug multiclassed into a casting class soon and boy do I hope this episode means he’s gonna do it for real. Adaine’s total disbelief at Ayda’s interest in Gorgug’s wizarding potential was sending me.
Oh also. Ayda has forbidden Gorgug from reading any wizarding books so he doesn’t lose is totally uncomplicated mind. I guess he’s supposed to learn everything the savant way? Imagine Adaine diligently studying her wizard books, trying to master some complicated spell and Gorgug is like, “I woke up and I guess I can use Mage Hand now? Neat.” Absolutely maddening. 
Besides Cathilda, Gorgug was the MVP in this episode. Dude has a knack for making friends that I think will eventually pay dividends. 
Also, speaking of, everything Brennan said during the secret shelf section was so good as to sound planned, however, how could you predict that that was a thing a player was going to ask to find? Brennan is just always 7 seconds of prep time away from giving an elaborate and super specifically themed speech about friendship I guess.  
Big ups to Kristen for not letting Fabian go off by himself again. Like, for the sake of the party of course but also the, “We almost lost you,” was sweet. She also helped buff him going into the coming fight with Warding Bond that means she takes all the damage he takes. I am SO glad they brought another healer with them because that’s such a risky move. Kristen is a LOT but she’s also very ride or die and all heart. I really love that the last time she used this spell it was on Gilear for a joke and now it’s getting used seriously. It’s a perfect establish existence of power to audience/bring back at plot relevant time setup. Improv storytelling is so inexplicably good. 
Technically, to cast Warding Bond, you’re supposed to have matching rings with the person you’re casting it on so imagine Kristen blinged out with a ring for each party member and each of them having a corresponding one in case she needs to cast it on them.  
Little bit concerned that Tracker still doesn’t know about Sandra-Lynn/Garthy. The longer it takes for her to find out, the higher the chance it blows up and becomes a Thing.
Fig: *Meandering philosophical question about why Ayda watches the stars*/Ayda: I study it so I can know where this big city is floating.
RIP to the Hangman. I don’t think he’s gone for good but it seems like he is for now. On my first watch, I thought that, on a 1, Fabian just fully thinks that the Hangman is gone but, the second time it seemed more like he’s just dead. Now, I’m not Brennan, but if I was in this situation, you know what I would do? I would have someone save the Hangman’s soul (or whatever he has instead of a soul) and store it in the Hangvan temporarily. Imagine how much he’d hate that. It’s full of potential for “roommate” shenanigans. 
Is there anything stopping them from just, ramming the Row with the Hangvan? Like, I know it’ll get them ganged up on, but will they be able to do much against a full van?
Also, if/when they hold the Ruction, I wonder what law they’re going to try and make. They didn’t really go in with a plan (understandable under the time pressure) so they’re really gonna have to improvise something on the fly. 
Also, I’m assuming Fabian stabbed the Hangman while he was asleep? I don’t think we were ever shown that scene, but Fabian must have been under some kind of compulsion since he woke up in the river (and the same happened to Ragh). 
Aguefort casually mentions that he has many children and this episode proves that Brennan can and will back up every single crazy thing that comes out of his mouth, so I’m excited to see if there is a single Aguefort out there that isn’t crazy.
Oh, also, the acknowledgement that occasionally that phoenix is a child is appreciated because that was def a question I was going to ask. Squicky to say the least but I guess that’s how phoenixes work so what are you gonna do?
Ally needing to roll a 10, rolling, being happy, checking Kristen’s modifier, and realizing it’s a negative 3 for a total of 9 is peak D&D.
Fig as Rollins: Look at how fast I can run!
I love Fig thinking Adaine could plausibly have 7 level spells. She’s like, idk bro. She’s the eleven oracle. She cares about school. She could know this too. Who knows? Certainly not Fig who thought she could buy wizard spells to use as a bard.
“Please speak more enthusiastically on my behalf.”
“It’s my brain guys.”
Fig mind controls Gilear into believing in himself and he fails his save. I wonder if this is could be valid therapy technique in this world. 
Aguefort mentions that a Wish spell can destroy a Magic Jar just fyi. That makes 3 pretty high level spells mentioned in this ep. Magic Jar is 6th level. Planeshift is 7th level. And Wish, basically the strongest spell in the game, is 9th level. We’re starting to deal with some serious magical mojo.
The whole thing with people in pictures that not everyone can see and memories that you know you once had but don’t anymore and information that should exist but doesn’t is hitting a very specific storytelling sweet spot for me. 
This is a little meta-gamey to be thinking about but I’m kinda wondering, why sideline Gorthalax? Obviously, it’s a good plot hook for Fig and that might be all it is. But I’m lowkey wondering is there something Gorthalax knows or can do that would solve the plot in 30 seconds if he was around? Like, was he roommates with the Nightmare King in hell or something?
Kristen finds it weird that the god’s name isn’t written anywhere but I’m sure that’s gotta be fairly common. Or at least not unheard of. Like, I know in Judaism you’re not supposed to do that. Anyway, watch the great unicorn be the Nightmare King just for the Nightmare/Night Mare pun.
Adaine being on brand no matter the situation: Everybody shut up I have to do my homework!
The, “Do you want a friend?”/“Desperately.” interaction killed me. 
“I don’t have any wizard friends.”/“I’m a wizard.”/(beat)/“I don’t have any wizard friends.”
Arthur cloned a woman, forgot to tell her, and then straight forgot. So business as usual from him. 
Fabian’s, “Nooooooo,” with the rising intonation every time someone made an assumption during his story and he had to correct him was amazing. Also, “He told me he was going to shit in my mouuuuwth.”
Ragh, Fig, and Adaine all crying about their parental issues at the same time. This has been, like, the longest week ever. I wonder if the 7 Maidens are unpacking this much trauma on their quest.
“Absolutely timbered.”
Lol at Brennan dropping the cool pirate sending spell “curses don’t count” detail and then being told from off camera that he needs to keep it PG-13. But then Cathilda needed to go beast mode so, like, what can you do?
Another cool worldbuilding detail is pirate clerics just keep shrines to every deity they’ve come into contact with to hedge their bets like Beni from The Mummy.
I know Lydia was attacked on orders from Kalina but I wonder if they knew about/had plans for the demon shard too. 
When Emily said she disguised herself as Rollins, I fully thought she was going to walk out the door the real Rollins was guarding and not go out the back door like she did. The idea of a back door didn’t even occur to me. I just thought we were in for some classic Axford insanity. 
Riz: You’ve gotta get better at talking to kids.
Riz: This is real Gilear energy.
Kristen: We brought one Gilear. We don’t wanna make that mistake twice.
Everything that happened with Fabian was really funny because there’s nothing I love more in D&D than players having a good time dunking on each other but, in game, Fabian is really going through it. Fabian low key has mom friend energy so to almost die and then for all of his friends to jump into the exact fight that almost killed him (including taunting the dude! Adaine!) against his advice must be giving him a level of anxiety and dread that I don’t even have the words to describe. Like, now is not the time for him to digging into that because things are life or death. Gotta save your life before you can fix it. But he def needs to at some point. Too bad Jawbone’s not around for a quick mid-battle therapy sesh like he had with Adaine during prom.   
Tracker suggested that Fabian might be depressed. I’m not an expert on depression. He could be depressed and, in any case, he definitely needs to see a therapist for a Lot of reasons. But having a breakdown because you saw 14 people die, almost died yourself, and were told that a man wanted to shit in your mouth less than 24 hours ago seems less like a sign of depression and more like the only rational human reaction.
Adaine calls the above, “a vaguely mediocre day”. Michael Scott Voice: Adaine you ignorant slut.
Also Adaine: You got that bike because you won it fair and square because we killed a lot of people.
This is the second time Adaine has said that Fabian’s lineage is actually the most annoying thing about him and these are the kind of tiny continuity details I live for.
Semi-relatedly, Fabian’s relationship with his parents v. Adaine’s relationship with hers is endlessly fascinating to me. Because they have such similar backgrounds but coming from, like, opposite directions of the same spectrum, you know? Can’t wait for those sweet, sweet parallels as we jump into her trauma! (What is D&D but group therapy interspaced with murder?)  
Speaking of Adaine’s trauma, it looks like we’ll be getting to it very soon as those FBI Falinel operatives have shown up to force her (and the plot) back to Falinel. This is Concerning to me for two reasons. First off, remember the Aelwyn fight from season 1? Remember how annoying that was? Now imagine that times three and also 2 separate pirate brawls are happening. That sounds like a Bad Time for our kids. They’ve leveled up some and they’ve been known to make some very clutch battle decisions, but this is gonna be tough any way you slice it. This is like two entirely separate encounters at the same time. A small good point: I looked up the language for teleportation and it can only be used to transport a willing creature. So they can’t just bum rush her and poof out. But they could give her an ultimatum to make her agree. The second reason this Concerns me is that Adaine high key doesn’t want to work with/for Falinel and they know this. The fact that they’ve resorted to kidnapping (fun international law fact: when a government kidnaps someone, it’s called rendition) tells me that they’re done playing nice which opens up two options to them they might not have otherwise used. They could coerce Adaine’s consent to be their oracle by threatening her life/her friends’ lives. Or, more troubling, they could just kill her. I mean, she became the elven oracle when the old one died, right? So, if she died, someone else would get the job. Probably someone less troublesome to deal with. I doubt they’re gonna go straight for that because they seem to want her alive, at least for now. But it is a concern. 
Of course, we’re assuming that what’s happening on the face of this is the whole story, but that’s not necessarily true. Iirc, all we heard was that they found the oracle and they were gonna bring her back to Falinel. For all we know, the elves could be working for Adaine’s mom. Of Adaine’s mom could be working with Falinel. Or she could be working with Falinel just as a way to get to her daughter. We really don’t know. The last person on this show that got kidnapped was Fabian and that was a friendly kidnapping. Anything is possible. 
Something that struck me as a possibility: This fight seems like it’s gonna suck. There is a world where the ideal move for Adaine is to pull an Evy (from the Mummy--two Mummy refs in one recap, did not plan that, I just love the Mummy) and agree to go with the Falinel elves if they help them instead (or at least stop helping Wicklaw) with the faith that her friends will come rescue her. I doubt they actually care much about what happens in the government of this pirate junk city. I’m curious about how they ended up together anyway. I’m guessing the elves clued into what was going on while scrying on the group and decided an alliance might be useful.
Brennan about both Ally’s Applebees Reference and Fig using a Leviathan phonebook: That is nothing.
Shoutout to Fruzzinoid in the chat who said Ally’s alignment is chaotic-chaotic. Accurate.
I love the laughing-squawk that Brennan does for Ayda as much as I hate the fact that he made the Choice to spell it that way.
Truly, the entire scene where Lou is recapping the fight from last episode and he’s laughing uncontrollably but Fabian is clearly crying and he’s expressing both of those things simultaneously is beautiful. 
A Fabian line that really hit but that I haven’t mentioned yet: “I probably have one follower running around. Never mind he’s my father’s just like everything else I have.” Ow. Such a deep cut but so off the cuff from Lou. As a writer, this show makes me so mad because that’s such a good line of dialogue that Lou just dropped out of his mouth like it was nothing. How dare he? 
Another good line I didn’t mention before, this tie from Riz: “We all draw strength from each other. You went in without your crew. What’s a pirate without his crew?” Ugh, Murph. Who gave you the right?
This episode has made me extremely curious about what Cathilda thinks about Hilariel. Because she sees herself as Fabian’s mom--which she essentially has been in a lot of the ways that count since Hilariel has been mentally out to lunch for the past however many years. To be clear, I do think Hilariel loves Fabian. She just hasn’t really been present even though she’s been literally present. The way Cathilda phrased some of the things she said and the way she seems to talk about Fabian’s dad so much more than his mom makes me wonder if she doesn’t...resent isn’t the right word exactly. Maybe, disapprove? It makes me wonder if she doesn’t disapprove of Hilariel’s parenting choices more than she lets on. 
Kristen’s, “Do you listen to music?” in the middle of actually useful questions for Ayda. 
Rich people sicknesses include having eaten too much caviar or smoked a cigar for too long in case you’re wondering.
“You want an orange, pal?”
On a practical note, we have two more episodes to go until the show breaks for the year so prepare yourselves from now people!
Riz, Adaine, and Gorgug each rolled one Nat 20 apiece. Fig, Gorgug, and Adaine each rolled a Nat 1 (but Adaine presumably cancelled out hers rolling with advantage because of Boggy). Fabian, who is still living his worst life, rolled three Nat 1s. Tragic.  
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thenightling · 4 years
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The Dodged Bullet
Warning: This is deliberately bad!
The dodged bullet:  
The following is the horrific notion of what would have happened if The CW, Fox, or Syfy adapted Neil Gaiman’s The Sandman instead of Netflix.   This is going to poke fun of common tropes of Fox and CW shows.  See if you can spot them all.
I am going to deliberately write this very, very badly.
             The generically attractive young man in his early-twenties walked toward the crime scene.  He wore a long leather jacket, designer sneakers, expensive brand-name jeans, and a stylish and perfectly fitted black polo style shirt under the jacket. It was rumpled but just so as to hint at what a great body he had under it.  He had thick, dark brown hair.  Brown eyes, a smoldering gaze and a dazzling smile.  He’s Caucasian and generically attractive.  He’s thin but not rake thin, more like sexy male model thin.   He’s got muscle tone.  
           At the moment he looked stoic, hands resting in his pockets.  He crosses the yellow crime scene tape without anyone stopping him.  No one questions his presence but he is not invisible. This is “grounded” in reality, folks.  
           The Sandman solves crimes!  The Sandman is a private investigator with a secret. He is a real Sandman!  Hidden in his jacket is a leather pouch which will probably get used maybe once or twice an episode (budgetary reasons).   And he gets confused by certain social cues and pop culture references but otherwise he’s just a generic hot guy.
           He’s probably portrayed by a Tom Mison type. He might be American. There’s an English accent but it’s so slight (so hidden by Americanisms) that it’s almost undetectable.   He approaches the pretty, ninety-pound, college age female detective with perfect, blond hair.   She looks up at him.  
           “Hey, Murphy.” She says in a friendly tone.  Yes, Murphy is his alias. She thinks he’s just eccentric and thinks he’s The Sandman but he gets results!  
           “Detective Walker.” He smiled with obvious affection. He crushes on her, pines for her. But she mustn’t ever know the truth. It is forbidden for one of his kind to be with a mortal.  Even if she is a Vortex.  And her great power may one day destroy the world…  or save it!  That’s the real reason he was here, to watch her. He had never expected to fall in love with her…
The show has almost no scenes in The Dreaming and when there are it’s about 90% CG over green screen, like the Enchanted Forest sets of Once Upon a Time, or the under-whelming Hell of Lucifer.  There’s probably a throne room with a starry night sky behind it, and an under-whelming “vast” library on par with Belle’s library in Once Upon a Time that will be shown very rarely.
           “We’ve got another one.”  She said gravely.  “Eyes torn out.  Pretty girl. Whoever this creep is- this predator must be stopped!”   The implication here is the victims are all damsels who have been targeted by an evil man targeting them for misogynistic reasons.  But don’t worry!  The show is totally not sexist!   Detective Rose Walker kicks ass!   And in season four she’ll be raising her own long-lost little brother!  Even though it’ll take her at least five seasons to learn Murphy’s secret (if she ever does).  
           “I thought the ‘me too’ movement would have at least reduced some of this.” She said with a shake of her head in disappointment at the world.
           The line of dialogue doesn’t actually really make sense under easy scrutiny.  Why would “Me too” actually make a serial killer reconsider his life choices?  Oh, well, the audience doesn’t have enough time to question it.
           “Me too?”  The adorable, awkward, pretty “Murphy” questions.
           “Boy!  Where have you been?  In a cave?”            “Actually I was trapped inside a prison cell for a hundred and five years and before that I resided in another dimension.”
           She rolls her eyes.  “Not this again.   Tell me you can at least figure something out with your ‘Dream powers’” she said cynically.   He might have been insane and socially inept but he got results!
           Morpheus knelt down next to the body and placed his hands on the corpse. There isn’t even any SFX for this. He’s just sensing something.  He grunts in a sexy portrayal of sexy CW level pain.  
           “What? What is it?”
           “I think I know who did this…”
           “Who?”
           “Corinthian…”
             (Opening credits here.  Maybe the opening riff of Enter Sandman by Metallica.  No, wait, Fox and CW can’t afford that.   It’s Mr. Sandman by the Charlottes!  It kills the mood but everyone knows the song.  You’ll be sick of it by episode five if you weren’t already.  And it will get a LOT of use since the song is cheap / practically public domain.)
           The next scene is not present day.  It’s a flashback.  And by flashback I mean a hastily put together set in Vancouver Canada.  It’s probably someone’s private stables being passed off as a medieval village.  No, wait. Its eighteenth century.  There’s a sexy other character wearing slightly anachronistic style sunglasses hiding his eyes (No CG here, the production team figures the glasses are enough).  In fact his eyes might not even be weird at all. He just likes sunglasses!  There, that’s better, no wasted money here.   He’s wearing a badly fitted white wig over white hair.  
           “My king,” the sunglassed man says with a bow. We have to be blunt for our easily distracted audience, so there’s the reminder that this is the dream king. “Thank you for letting me accompany you to the waking world.  There are such delicious things here.”
           “Yes, the food is rather pleasant.” Morpheus replies. His costume is decently fitted but obviously borrowed from another show, possibly a left over from Buffy The Vampire Slayer.  Those props and some period costumes still get use.  Isn’t Morpheus adorably oblivious, though?
           Morpheus is wearing a dark blue frock coat and lace. His trousers are exceptionally tight to show off the actor’s perfect ass.
           The Corinthian’s costume is cream colored. There was a behind the scenes fight and as small victory for the one crew member who actually read Neil Gaiman’s The Sandman in getting the cream outfit.  Others working on the show wanted the costume to be black to make it more obvious he was the bad guy.        
           An attractive, tall, black man (probably American), under the age of thirty, is behind Morpheus.   This is his loyal manservant, Lucien.  But it’s totally not racist making the dreaming librarian / butler black when the show hasn’t had any black characters yet.  No, it’s inclusive!  
           The attractive black man speaks.  “My Lord, I think he intends to do harm to the mortals here.”
           “Nonsense, Lucien. I’m certain it’s fine.”
           The Corinthian wandered away from his master and he soon drags off attractive young female into an alley, hand over her mouth.   No, The Corinthian isn’t gay anymore in this version.   But it’s okay.  Hob Gadling, Morpheus’ immortal friend (who now runs a bar for some reason) is gay!  He’s very gay.  In fact that’s the extent of his entire personality.  But isn’t this diverse and inclusive?!   And there’s no more problematic gay nightmare, even though in the original comics The Corinthian gets uncreated and the second Corinthian is a relatively decent guy for a nightmare.  
           After some persuasion Morpheus finally listens to Lucien and walks down into the alley.   He stops in his tracks when he sees The Corinthian has killed the girl and his licking his fingers, having obviously already eaten her eyeballs (gotta keep that TV-14 rating!)   He lets out a gasp.  “Corinthian, what have you done?”
           We cut back to present day and “Murphy” is walking into the bar owned by his friend, Hob Gadling . Hob sees him and smiles. “Murph, oh, honey, you look like Hell! Come sit down and tell me all about it.   You know I love juicy gossip.” He says in a naisly, lisping voice.
Imagine this scene was written by some very straight guy whose only exposure to gay people were 1990s Will and Grace reruns.  
           Hob places a shot glass in front of Morpheus and Morpheus downs it quickly. “Have you seen Matthew?”
           Matthew was Morpheus’ straight human friend and roommate.  He had learned Morpheus’ secret in the pilot episode when Morpheus rescued him from a car accident using his dream magick.   Ha!  And you thought we’d have talking birds in this thing. Lol!  No!  Grounded, remember?
           “Matt?  Oh, sweetie, you can do better than him.  I keep telling you, he’s just not your type.”
           Morpheus raises an eyebrow but says nothing about the implication about his sexual identity.  There will be a LOT of queer baiting on this show without confirmation in regard to his sexuality.  
             “I need to talk to him.   One of my nightmares is loose in the city.”  You can tell this was written by a New Yorker because they take for granted “The City” to mean New York.  
           “One of your Nightmares?   Why couldn’t it be one of those sexy wet dreams?”  Get it?  Because if the character’s gay he has to always be horny!!!  Ha-freakin’ –ha.  
(Please know I don’t actually feel this way. I’m mocking bad TV writing.  This whole thing is a spoof.)    
           There’s an awkward pause intended for the viewers to laugh.
           “I don’t believe any water nymphs have escaped The Dream dimension.” Morpheus replied in confusion.
He calls it The Dream Dimension in the show because “The Dreaming” didn’t sound hip enough according to some executive.
“I’m afraid it’s The Corinthian.  So now I have two problems.”
Hob nodded sympathetically.  “The detective you might have to kill…”
“And now this.”   This is an idiot proofed recap for people turning on the show late or just watching it in passing while doing other things or playing on their phone.  CW does this sort of in-story forced, shoe-horned exposition all the time.
The episode plays out a little bit like an episode of Lucifer mashed into an episode of True Blood.
While they’re trying to find the killer, Detective Rose Walker meets Murphy’s roommate, Matthew, and the two hit it off while chatting about Murphy’s weirdness.  They decide to start to date.   As Morpheus has feelings for Rose that he won’t admit to this causes a strain between him and Matthew Raven (There’s that bird reference!  What?  That should be Lucien’s last name?  Naw!)  And between him and Rose Walker.  
Morpheus lashes out rather than admit to what he is truly angry at and he and Matthew argue over something petty and this leads to recovering alcoholic Matthew to start drinking again as sad music begins to play.  
Morpheus eventually finds The Corinthian and is forced to destroy him.  He had to kill his own creation so he is kneeling in angst crying prettily while the sand left over from the uncreation slides through his fingers.  Some new female cover of Queen’s Who Wants to live Forever? Is playing in the background.  The original version is “too old” and too expensive for use. So here’s a very generic sounding cover done in a style that makes it blend in with every other pop song played during the forty five minute mark of a CW show’s run time (including commercial breaks).  
           The song plays as we cut to Matthew drinking alone sexily in an alley.  He’s sweaty and wet, but he just looks like a wet fashion model.   Morpheus is sexy crying over the sand that was the Corinthian, and Rose going to sleep prettily in her bed, no bed head here.  Oh, and she sleeps in perfect makeup!  There’s no scene where she even remotely looks like she’s out of makeup.
 She’s having strange dreams but they look pretty mundane.  Like real-world mundane.  It’s her living room set that we probably saw a few minutes ago, just dimmer lighting and some haze to make it clear this is a dream.  Because even with a show about The Dream Lord, dreams have to have an old fashioned camera fringe haze.  Murphy is there with his back to her.  He looks sad.  He turns to look at her and she gasps.   She sees a star (lense flare) from Murphy’s eyes in the dream as he looks at her in surprise like he wasn’t expecting her to see him.  She wakes up with a gasp, and everyone in her apartment building also wakes up at the same time, signifying that their dreams were connected.
And so ends what was probably the third episode of CW (or Fox’s) The Sandman.  
And that is pretty much how CW or Fox would have done The Sandman.
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top 5 naddpod arcs!
Goddamn this is so hard. Thanks I hate it!
This won’t include any Eldermourne simply because it doesn’t have arcs the same way the bahumia campaigns do. And so I don’t do a top 30.
(Reverse order again but also don’t take the numbers to really mean anything)
I’m not gonna explain it like I will the actual top 5 but 6 is the chosen saga. You get it.
5. Shadowfell Saga. I have a genuine thesis of sorts that this arc (particularly the Grimhawk portion but realistically the whole thing) altered the course of the podcast. It’s a switch to the endgame which helps but you can nearly feel a difference in the way Emily, Jake, and Caldwell play when this is over. And it rules. So it makes the list.
4. Hellfire Chronicles. Obliterates the podcast. Some of the craziest shit to happen. Some of Murph’s most ambitious encounters. Return of old friends. Devastating losses. One of the harshest ways the war could go into full swing. Beautiful shit.
3. Tales from the Crick. Shapes NADDPod in a very real way. Lays intense groundwork that later leads into some of the most beautiful and powerful moments. Defines the PCs as characters in ways you don’t expect when you encounter it the first time. Plus it intros Jolene the fucking Green and is Balnor’s first arc so you have to give it so much respect.
2. Legends of Irondeep. Maybe I’m a biased Hardwon girlie. Maybe this included some insane and intense character growth that Calder’s absence demanded. It also threw insane lore, helped Sol discover the root of the clone issue, and brought Jaina back to us. Earth shattering arc. I’ll never recover from Lord Ultrus as an episode. And I don’t want to.
1. The Dragon Elf Chronicles. Holy shit. This arc is fr banger after banger. Not only are there some gorgeous plot lines (the Glen reveal, the fucking beast lands) but it also shows that Moonshine was successful in her quest to bring dragons back to the skies of bahumia. She fulfilled the promise. It also includes the return to the crick, the Super Bowl of dnd encounters (king of dragons you will always be famous), and it ends with Crown of Dreams. One of the best arcs to ever and I mean that.
ask me my top 5 anything
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ferretfyre · 7 years
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Review: Interstellar (2014)
This film is garbage.
It is a pretentious, self important, overblown worship of science without an ounce of humanity or soul, demonizing all those who don't slavishly worship the dogma this film presents, and whenever the film attempts to ape a film with actual humanity or soul, it becomes a clunky, childishly naive slathering of simpleton candy cane Hallmark card sentimentalism, while all the while having as much sincerity as a slab of metal. It's entirely focused on creating visual dynamism, while completely missing the central humans, instead using them as puppets for a story with an ocean of plot holes, under-characterization, and cloying moralizing.
Nolan's direction, while creating some visual bombast that is at times second to none, is however overall rather bland. He's so preoccupied with creating a cool visual, or a grand visual effects set piece, that he ends up forgetting the details. Everything about this film is just padding to get to whatever sequence he wants to film, and so any sequence that isn't a big set piece has absolutely no forward drive to it. The first forty minutes of the film is entirely padding, setting up characters who are, at best, mildly likable, but all so universally underwritten that they function as mere archetypes. McConaughey's former pilot-turned farmer constantly complains and acts like he's on a moral high horse for being a worshiper of science over this first portion, and anybody who even vaguely disagrees with his fanatical devotion to the Church of Science is dismissed as small minded and helping to grind out the last remains of the human race into the dust bowl world they call home. His relationship with his children, which is supposed to function as the emotional centerpiece, ends up just being generic and undeveloped. His son is constantly belittled because he wishes to be a farmer, while his daughter Murph is put on a pedestal because she herself is a devotee to the Church of Science, and therefore is automatically morally in the right. The other scientists get almost no real development. Sure, we learn their names, occupations, and vague touches of interactions, but other then Hathaway's character (who is set up as a subtle love interest of sorts), they have no depth at all. Again, they function as pawns for Nolan's story, there only to spout exposition, and prattle on about the film's science-worshiping philosophy or how "Love is quantifiable".
Another central flaw is that while the space sequences at least carry with them a sense of adventure and awe at new worlds, they keep getting interrupted by more Earth sequences, where the film once more grinds anybody who isn't a scientist into the ground with it's heels. In these sequences, anybody who isn't a devotee to the Church of Science is once more shown with nothing but contempt, with Casey Affleck's character (McConaughey's son, now older and deeply depressed) being a borderline hate sink, due to how utterly bullheaded and such a Luddite he has become. This is a man who apparently finds tending a dying farm more important then keeping his kids alive. All the while, Chastain carries with her the same sense of moralizing elitism, once more always being right, because of course, she's Murph as an adult, and that means she's a Scientist™, and if you're not a Scientist™ in this film, you're nothing but a worthless dirt digging farmer who is dooming humanity to a dusty death.
Oh yeah, Matt Damon shows up, and is an astronaut who faked positive data about the death world he was stranded on, so that he could hopefully be rescued. While he certainly does some morally dubious and reprehensible things, he is treated like a borderline supervillain, when literally he's doing the exact same thing as our protagonists, but is just the logical conclusion to their strange devotion to Pure Science. Also, him not wanting to die alone on his frozen wasteland of a planet is viewed as an act of cowardice, because of course, an individual is only of value if he can be sacrificed for the greater good of the species in this film.
I suppose there are a couple of positives. Hoyte van Hoytema's cinematography is spectacular, particularly in the space sequences, and the visual effects work is some of the most stunning ever put to film. From the gigantic waves on a water world, to the frozen clouds of an ice planet, to the stunning black hole that serves as a portal to those worlds, and the spacecrafts themselves, all look absolutely lifelike and real. Often, they become the only reason to watch the film, as each major set-piece stands as a crowning achievement of what can be done with VFX. Hans Zimmer's score is probably one of his best. It carries with it an incredible sense of scope and grandeur, and often is more emotionally invested in the events on screen then Nolan's direction, or any of the acting. Whenever it surges upwards on a Philip Glass style ocean of surging organ loops, it becomes everything the film hopes to be, but can't even begin to equal.
Furthermore, the film has an ocean of plot holes, such as how the heck did this corn-destroying "Blight" begin? Who made it? Why is the environment so utterly ruined on Earth? How did Damon go insane? How the hell is Love a quantifiable scientific force? How the heck do the weird fifth dimensional humans know to choose McConaughey? Why is everybody either a jerk, an idiot, or a prop, or endless other such stuff. And even worse, since the film spends nearly two and a half hours shrieking the hymn to science, to suddenly make a hairpin turn into this cloying, hilariously stilted attempt to slap on a happy-go-lucky, Sesame Street level ditty about The Power of Love? At no point does this film earn this emotional turn, since the film has no emotion other then "Science is the only worthwhile thing, and if you don't totally devote yourself to Science, you are a useless waste of humanity". So to suddenly go "Oh Love is totally able to manipulate time and space" provokes not hope, but mockery and derision.
So, in the end, Interstellar is an overblown, boring and at times infuriating slab of self indulgent pretentiousness from Nolan. There's no soul, no heart, no humanity. Everything is just endless prattling and borderline cultist worship of Science, without remembering the human souls that make science worth pursing.
Don't take me wrong. I LOVE science, and happily embrace all the wonders it can bring. But when you make Science the only thing, and put in the same position as a religious institution, you've robbed the film of the heart and soul that makes the story worthwhile.
For what good is science without a human heart and soul to guide it?
I'm giving it 1 out of 5 stars.
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jq37 · 5 years
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The Report Card -- Fantasy High Sophomore Year Ep 1
Sophomores and Spring Break 
Note: Hey guys! I decided to try something a little bit different and slightly more structured than my usual recaps for FH: Sophomore Year. I’m hoping this will be a little easier for me and a more useful tool for keeping up to date since there will be a lot more eps to keep track of and they’ll be easier to miss. Lemme know what you think and if you want raw, unfiltered opinions on anything specific, feel free to send me an ask. I’m always down to go off about literally whatever. 
We’re back, baby! It is Sophomore Year at Aguefort and the gang is on Spring Break. A lot is going down so lemme break it down. The Bad Kids, having defeated Kalvaxus last year, are all entitled to a share of his hoard and all the red tape is finally cleared so they all get 20k gold each (which is an insane amount of money converted to USD if you use the WOTC conversion rate of a gold coin being around $145 (circa 2006 when they answered the question)--which would be close to $330 with inflation). Jawbone and Sandra-Lynn are moving in after less than a year into a profoundly haunted house and it’s kind of a Full House situation because Adaine, Fig, Kristen, and Tracker all officially live there (plus it seems that Zayn has also anchored himself to Adaine’s tower--btw, Adaine took the tower that the haunted house obviously has) and you know all the other Bad Kids are gonna be there on the regular. 
More importantly, Aguefort gives the gang their big project for the year--finding the crown of the Nightmare King which was stolen at the end of last season--which is worth 60% of their grade (Adaine does a full Hermione at this information). Each of the gang has info about the NK but the trail has mostly gone cold. Luckily, Fabian just got a hot tip about where Falinel is keeping Aelwyn and she seems like a pretty good lead to start with since she was super tied up in the bad side of all the messiness of last year. Adaine is displeased to say the least. 
Going off to find the crown is super exciting story-wise for two reasons. First of all, it means the gang gets to hire, well, hirelings to help them and temporarily join the party! They ping basically every cool NPC they can think of (except for Tracker for some reason which is BONKERS because (1) she probably would have done it for free and cutting her in would still be keeping the money in the family, (2) she’s dope as hell, (3) she’s a cleric and the party can always use more healers, (4) she’s a werewolf so presumably she has skills that would help in the woods, and (5) they’re t r a c k i n g down a crown and the girl’s name is literally T R A C K E R, but I will not backseat D&D) and eventually end up with Ragh (who has been without an adventuring party all year, poor guy), Sandra-Lynn (swayed by a nat 20 rolled by Fig), Cathilda (!?) ,and, for some reason, Gilear (which Fabian is happy about, mainly for the opportunity to maybe bump him off on the way). Second of all, if you recall, Elmville is a pretty modern town but the rest of the continent is less fantasy high, more high fantasy. Horses and lanterns and all that pseudo-medieval goodness. They are gonna stick out like a sore thumb. I am very here for it. 
Everyone goes home to rest up but, after some ominous dreams, only four of them wake up. Riz and Fig are left asleep and then Brennan mic drops and ends the episode which is a power move and I am extremely upset about it but also, respect. Right for the jugular immediately. I heard Murph and Emily are on tour in the UK next week which probably has something to do with this but, in the moment, I did not know that and I really felt the hammer drop in my heart. It was wild. Cannot wait to see where we go from here. Plus, who doesn’t love watching characters freak out because their friends are in danger?
Random Thoughts
I have no idea what the title of this episode is or if it’ll even have one and not a number but I gave it a placeholder one for now. I also don’t have access to the stream yet so I didn’t get to include some info I wanted to (like a record of nat 20s, and nat 1s so I can track their stats for the school year) and I probably missed some stuff because my brain can only hold so much info guys. I’m not Brennan. 
I mentioned this yesterday during the stream, but there will never be anything better than the pure D&D joy of everyone, in character, talking over each other to clown on each other. They get the friend-group banter that’s a hair breadth’s away from bullying so true to life and it’s so fun to watch. On the flip side, the opening scene with everyone introducing themselves and affirmatively claiming each other as their best friends was also peak D&D. Found family= best trope. 
Fig and Adaine burn spell-slots at basically the same time to try and beat each other to the best room in the (Scooby-Doo ass) house--which is exactly the kind of thing that would happen in this world. It’s such an intuitive setting. I love it so much. (BTW, Fig ends up staying in the false space under the revolving grand piano because, of course).
Fabian and Gorgug went to recruit Ragh, who assumed they were propositioning him for a three-way. In his defense, they did do it in a super proposition-y way and they were in the middle of the LGBTQ student union.
Also, Gorgug gives Ragh an inspiring speech about thinking you’re your own dad which makes him burst into tears. 
Speaking of, Jawbone offhandedly says he’s poly but, like, based on some of the stuff he’s said, I feel like that’s not really a reveal. He also gets along well with Gorthalax and would be down w/ a three-way if Sandra-Lynn wanted to which, again, totally checks out. 
Arthur Aguefort uses Chronomancy to rewind time and catch a snide comment Adaine made under her breath, which is exactly the kind of frivolous use of God-like power I’d expect from him.  
I really love Adaine’s energy coming into this season. She’s in therapy. She’s in a good home environment. She’s comfortable enough with her friend group to do stuff like prank Fig (love that they’re gonna be living together now). And she’s good friends with Zayn now which I want to see more of based on their one interaction in this ep which was very cute. I am already on record as saying I would be down with her getting a ghost boyfriend--I mean, for the aesthetic alone--but I’d be happy with just more friendship. 
Fabian is also hilarious this season because you can tell he’s gone a bit soft from having friends and leaning into that (the friendship necklace with Riz) but also he’s fully aware that it’s happening so he’s, like, ping-ponging back and forth like, “These are my friends,” and, “What am I saying? I used to be cool,” and it’s very funny. Very happy the Aelwyn storyline is happening right out of the gate, both because I think Aelwyn is a very interesting character with a lot of potential for nuance but also because Fabian reacting to her and Adaine reacting to Fabian reacting to her is always gold. 
Prompted by an offhand conversation from Fig about rock and roll, Brennan--earning another feather for his Cap of God Tier DMing--goes on an impromptu five minute long improved diatribe about a bard who played such a good concert that it instantly impregnated everyone in attendance (dudes too) who gave birth to kids with sick rocker hair and denim jackets and ascended to Rock Heaven on their 18th Birthday. You truly have to watch it to believe it. At a certain point I thought he was gonna drop it but that was the moment he doubled down and kept going. Amazing. 
Watching Murph, in real time, make up a girl/boy/whateverfriend in Fantasy Canada was a gift. 
I don’t have access to the stream yet but best quote of the night that I can remember is Kristen choosing her room: This is triggering and I’ll take it. (Her line about her lesbian starter kit and the one about wanting a horse were also bangers). 
The group talks about what they’re going to do for transportation outside of Elmsville since they don’t really use cars out there and they somehow get from “disguise Fig’s tour bus” to “commission Aguefort to create a brand new animal that can hold six people plus hirelings, one of which is Fabian who is also riding his motorbike”.
I love that Sandra-Lynn’s Mom Powers work on Tracker. 
Basrar doesn’t accept the invitation to come with on the quest, but he does give Kristen a bag of infinite ice cream sandwiches, which is basically just as good, IMO. 
Oh Gilear. The man is sleeping in the Seacaster garage, being bullied by skater kids, and now he’s stuck on this quest with his ex and Fabian who actively wants him dead.  
Speaking of, I’m psyched to see more of Sandra-Lynn. She was kind of a sleeper badass at the end of last season. 
Ragh is keeping secrets which I hope the cast doesn’t forget because it could be nothing serious (like the high school drama happening with Skrank and the 7 maidens--maybe he’s just crushing on Gorgug who did full kiss him during Promocalypse) or it could be Serious Business that will blow up if the don’t stay on top of it. We’ll see. 
Oh, almost forgot. Adaine wants an emotional support frog. Every time I think I can’t love her more.   
Detention
Fig for Not Respecting Personal Boundaries
Fig goes full Emily right out the gate and, after finding out that Skrank (nerdy bird dude who apparently can get it) was not only dating Ostentasia (rich, popular dwarf) but also dumped her in pursuit of Danielle Barkstock (one of Ostentasia’s party members, the scandal), disguises herself as him with Danielle to figure out what’s going on. And, wouldn't you know it, when she gives herself away, Danielle immediately is shocked and appalled, as you would be, obviously. We also learn that she’s still catfishing Dr. Asha which is, how you say, for sure a crime. Fig, please, I’m begging you. Cease. 
Honor Roll
Fig, Riz, and Adaine for Researching the Nightmare King
Fig made both lists, look at that. Wasn’t my plan for this to be a three-way tie (also didn’t expect to use the word “three-way” this many times in this writeup) but I think their contributions were pretty much equally valuable. Rainsolo on the Discord wrote up this summary of the lore dump Brennan gave them.
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