i keep seeing sad posts talking about "may castellan making sandwiches every day waiting in hopes that her son will return" and.
guys.
there is no hope for may castellan. she is not waiting at the door with lunch and a tentative smile, waiting for him to come home even though he didn't yesterday, or yesterday, or yesterday, or yesterday. "in hopes" implies that there will come a day when that hope fades. in hopes implies she knows the odds are bad. in hopes implies reality will eventually catch up to her.
there is no hope for may castellan.
she is not waiting in hopes for her son to return. she is preparing, day after day after day (after day after day after day after day after) for the inevitability that luke will return to her. she does not know he is dead. she does not understand he is gone. she does not realize that time has passed; to her luke is nine, still. to her she is still placidly awaiting to return of a fourth grader. luke is not nineteen and betraying his camp. he is not twenty and housing a titan. he is not twenty one and watching his friends get slaughtered in an arena, twenty-two and forcing his sister to hold up the sky, twenty three and realizing, soul shuddering in his chest, that he has made a mistake he can never take back, that he can never undo what he has done.
luke castellan to his mother is a child who has not yet lost all his baby teeth. the cookies she makes for him are soft, because she remembers that. he still leaves the crust behind on his sandwiches. he has scrapes on his elbows and dirt on his nose. he flinches before he hugs her. he spends a lot of time outside, but he comes home before dark.
may castellan's tragedy is not that she is penelope waiting for odysseus to one day return and we know that he will not. may castellan's tragedy is that she does not understand her hero has left at all. may castellan's tragedy is that she will never understand, and she will continue to age, and continue to deteriorate, and one day she will die and she will spend eternity walking the dying poplar fields, whittled down to the memory of something missing from her.
there is no hope for may castellan.
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Dracula, Sept 18th:
"Then she returned and whispered to us that there was a gentleman who had come with a message from Mr. Holmwood. I bade her simply tell him that he must wait, for we could see no one now. She went away with the message, and, engrossed with our work, I clean forgot all about him."
Quincey: "What's the matter with me, anyhow?"
Quincey arrives, and is directed to wait in the dining room
Van Helsing and Seward forget that someone has arrived
Van Helsing and Seward go to the dining room and
do not acknowledge Quincey because they forgot about him and also don't see him in the dark.
Van Helsing asks Seward, seriously, where in the world they might find somebody who can help Lucy
Quincey's POV: Van Helsing and Seward walk in, ignore him, and then ask the air if only there would be someone who could arrive who would want to help Lucy
Quincey: what the hell, Jack
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it’s the sound that tips him off.
it’s late, half-past hell by his last count, and mactavish knows there shouldn’t be a single soul in the showers this time of night. though he’s sure if he asked, he’d be told a soul isn’t in there.
just a ghost.
he almost chokes on the thick steam filling the locker room; humid and hazy and the perfect cover. or it would be, if the man collapsed in the far stall cared about hiding.
mactavish hates himself a little for the low sigh that falls from his lips. he wishes he wasn't so disappointed; that the promises he's heard over and over and watched be broken as many times hadn't wedged their way into his heart and convinced him that maybe, maybe this could be the time it sticks.
he doesn't know what's worse; the disappointment or the lack of surprise.
he holds his breath through the steam and leans over the limp body; stinging hot water hitting his back, instantly soaking through his clothes and already starting to burn. he flicks the tap enough to take the bulk of the heat out and straightens; a groan startling out of the man beneath him at the sudden lash of tepid water.
mactavish crouches, knees clicking and hooks a hand under his bicep to pull him up straight against the wall. if there was any vomit on his skin, it's been washed away by the pelting stream and he supposes he can count himself lucky for that. he tilts his limp head back and slips his fingers into his mouth; holding down his tongue and ignores the way it lazily jolts under his fingers to check his airway.
clear.
another small victory.
mactavish pulls his fingers out and cups his chin, keeping him tilted up and moves in the way of the water again so he can pull at his eyelid.
the eye he's met with is cloudy, so dilated there's hardly a ring of blue left.
he sighs again; hand falling away and letting his eye fall shut. "god damnit, riley."
riley moans, all his weight resting on the hand holding his jaw.
"aye, 'm talking ‘bout you," he grunts tiredly.
he lets riley's head fall forward to grab his arm, pulling him away from the wall to sit behind him; propping his body up against his chest. he leans his head back over his shoulder, keeping his face out of the water and his airway open just in case he hasn't actually finished throwing up.
he takes the rag riley'd half-managed to soap up and mechanically runs it over him; cataloguing new bruises and cuts and checking if the old ones are healing. sickly yellow fingerprints ring his hips, red splotches paint his ribs; too new to have settled into the deep purple he knows they’ll become.
riley slowly makes more noise as he rubs life into his body; still lying limp against his front but his head's starting to roll restlessly on his shoulder. he swipes between his legs and carefully doesn't think a single thing about what he finds.
"sean?" he rasps and mactavish's hand stills; eyes falling shut. he bites his check, hand clenching around the rag tight enough to shake and breathes hard out his nose.
he doesn't say a word, just forces himself to go back to cleaning.
he's not sure what would come out of his mouth if he did.
riley isn't conscious enough to hear him anyway.
he runs his fingers over his inner elbows for tracks and manages to muster some relief when he doesn't find any. seems to be a pill and booze night; far from the worst condition he's found him in.
he rinses him off, running a curtesy hand over his shaved head only for it to fall back to his jaw; his thumb stroking over the thick scar carved into his cheek.
"you gotta stop doin' this," he whispers.
he isn’t sure if he’s talking to riley or himself.
mactavish gathers up riley's too-light body into his arms and turns off the shower. his head lolls into his throat and he throws a towel over his dripping body and another over his shoulder. it doesn't stop him from tracking water all the way to his quarters but he'd like to see someone try to put in a complaint about it.
he lays out the other towel on the bed and sets riley down; moving his body into the recovery position in an all-too familiar routine. he dries him enough that he won't soak the covers as he pulls them up to his chest and kicks the waste bin within grabbing distance of the bed.
he goes to pull off his sodden clothes when a different noise makes him freeze.
a low sniffle.
mactavish slowly turns back to the bed to find riley's eyes squinting open; glazed with tears as he kneads at the covers.
he stares at him for a moment as he looks around the room and those hazy eyes lock on him for the first time. "cap'n?"
he swallows. "aye; s'just me, riley."
his hand pokes out from under the covers and for all the promises he's made himself - all the “never again”s and “this is the last time”s - at the end of the day, he's weak.
he sits on the side of the bed and takes riley's hand in his; already so cold after nearly boiling himself alive.
"y' mad a' me?" he sniffs.
mactavish runs his tongue over his lip and slowly shakes his head. "no, i'm not mad at you."
"prom'se?" he pushes.
he reaches out and caresses his temple with his thumb. his hand almost covers his head and it cuts like a knife to remember just how small riley is. "aye," he says, hushed. "i promise."
riley's eyes fall shut, voicelessly murmuring 'promise’ to himself over and over.
"I’ll ge’ bett'r," he slurs and between one breath and the next, he's out.
mactavish sighs, running his hand in a final pass over his head and stares at a face that looks so much younger in sleep; bruised and sallow skin hidden in the shadows. "i know you will."
he presses a slow kiss to his forehead, shutting his eyes against the grief that wells in his heart and gets up to pull a chair over to the bed; settling in for another long night's vigil of watching his broken lieutenant sleep, ready to tilt him over if he throws up, eyes locked on the slow rise and fall of his chest fearing tonight may finally be the time it stops.
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of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:
rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)
i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.
donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.
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