Sugar Dog Life better quit acting shy and give me *the* scene next episode.
Because Black Brooder (?) Amasawa is being an entire thirst trap in the sixth episode!
He is opening the door half naked, he is walking in on Isumi in the bathroom, and he is giving Isumi his clothes to wear even when Isumi has his own clothes.
Just so he can wear that exact shirt a day later when they eat dinner together.
He is giving Isumi a key to his place with a little police dog on it.
Which matches his key.
Because he will not let up on this ridiculous dog thing he has going!
But this would all make sense since he is allowing Blue Boy Isumi to sleep at his place in a blue bed right next to him as an act of kindness since Isumi's apartment has a leak.
Yet . . . it feels so much more significant blue.
I hadn't noticed how blue Amasawa's apartment really is.
And that's because it hadn't been this blue. Not until Isumi showed up at least.
I cannot pinpoint Amasawa's color because sometimes he seems black and secretive, and other times he feels neutral and oblivious.
But it's clear that Isumi is a sensitive and loyal Blue Boy.
So him being around Amasawa, living in his apartment, making him meals, saying goodnight, and handing him umbrellas as he leaves in the morning has to have some effect on Amasawa.
Because if Amasawa is an entire thirst trap this episode . . .
Then what is our Blue Boy?
Our Blue Boy is overextending himself staying awake and making Amasawa's the best food to eat when he comes home from a long shift.
He is packing Amasawa the best meals to eat at work in little blue containers that make his co-workers jealous.
Amasawa is aware of how much effort Isumi is putting in around the house to thank Amasawa for letting him stay there which causes him to feel guilt.
But is Amasawa aware how much this Blue Boy really cares for him even without this living arrangement?
Is Amasawa even aware how much he cares for that Blue Boy?
Because when Isumi's best friend patted him like Amasawa usually does,
Amasawa went through several emotions in just a few seconds.
So, once again, does Amasawa realize how much bluer his life is with Isumi in it?
Because he not only let this Blue Boy into his apartment, but also into his bed.
So is he also in his heart?
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how do you get the angle & fov so close to the original!! is it just trial & error or do you superimpose the photo atop the game somehow
recently ive been tracing the outlines of the rooms in Clip Studio Paint, and then capturing both CSP and the game in OBS and changing the blending mode for CSP to multiply!
i use CSP's perspective ruler tool to find the horizon in the reference picture and then compare it with any doors in the image (theyre very consistently 2m tall) to find the height at which the photo was taken, and then make a little platform in the game so the pov is at the same height
i then trial and error the approximate position by putting down square tiles and lining it up with the floor in the picture. i'll then build up the walls (theyre usually around 2.5m tall, so i just make them 13 blocks/2.5m tall and use the resizable cube to get the ceiling to the right height). then i do even more trial and error to find the FOV, focusing on matching the angle of vertical lines near the sides of the screen.
i use a kitchen cabinet inner corner piece to "save" my position, i'll back into it to get to the exact same spot every single time. i'll also place a small item (usually a clothing hook) on the wall on the spot my cursor needs to be so i can always face the right way!
often the images have to be rotated very slightly for the horizon to be perfectly horizontal. i'll always note down by how many degrees, and when i'm cropping the final screenshot to the correct aspect ratio i'll also rotate it to match :)
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[ID: A drawing/fake polaroid photo of Mob from the Mob Psycho fanfic A Picture’s Worth, cross eyed and looking at a blue butterfly perched on his nose. He is wearing his gym uniform shirt and his hair has a bit of shine to it. To his right, there is a bit of glare from a shop window, and to the left, pedestrians walk past him. The sun is shining strongly in the picture. At the bottom, the polaroid is captioned, “Ran into Kageyama today!” // “??/09/‘12”. End ID.]
A PICTURE’S WORTH // @teruthecreator
[2/12]
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hi! I love your takes and I was wondering if you had any on colour in BCS? I've seen some commentary on blue = heroic and red = evil, but I was wondering if some clever person had put together a cohesive system on the colour themes gilligoud put in BCS
Sorry this has taken so long for me to get to - I had to think about it for a while, and color is BCS is a really big subject, so I'm probably going to make separate posts rather than just jamming everything into one. I'll use the tag #bcs color theory.
(Side note: I know that there have been interviews about the use of color, but I'm very bad at remembering them - if anyone has links, I'd be interested in them!)
So first up, let's talk about red. Blue = heroic and Red = evil doesn't really pan out. The two characters who commit the most evil acts and are the most unrepentant criminals, Gus and Lalo, almost never wear red. Mike, another committed criminal, also doesn't wear red. (On the other end, Chuck is most often associated with blue, and he's not exactly a paragon of goodness.) The character most associated with red is Nacho, who I think you'd have a pretty hard time arguing is meant to be the embodiment of evil.
Instead, red is a color of deceit. Nacho's storylines all revolve around deception and backstabbing, sometimes of his own volition, like with Tuco and Hector, and sometimes forced, as when Gus blackmails him into spying on Lalo. And it would probably be easier to make a list of scenes where he doesn't wear red than when he does.
The other character most closely associated with red is...Betsy Kettleman, a character who literally never tells the truth.
In Kim and Jimmy's stories, red pops up when they are being deceitful. The shot in the darkroom from season 6 is pretty explicit with associating red with lies
And here's a shot from season 1 when Jimmy is lying to Kim
Then there's the bright red "LIE" of their alarm clock
Kim also starts to wear red in season 6 when the Ham Scam is in full gear
Pink, which really is just light red, is also associated with Jimmy and Kim when they are dishonest. Kim is wearing pink when the consequences of her lies finally catch up to her
She's also wearing pink when she tells Jimmy she wants to continue scamming
Jimmy wears pink when he's picking up Lalo's bail money, which he lies to Kim about what happened when he gets back
He wears pink when he starts embracing his Saul Goodman persona in earnest in season 5
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