#no flag this time it's about the color this time

[foundress0fnothing]

and kisses are a better fate than wisdom

Summary: Feyre drags her sisters to Medieval Times to ogle the hot king. Nesta drags Emerie and Gwyn to Medieval Times for support and hater solidarity. And maybe to ogle some hot knights.

Rated E, Chapter 1/6, ~2.9k words

For @nessianweek ♥️

This fic is brought to you by an ER visit and antibiotics! I had intended to have the Nessian section of this complete, but then life kicked my ass, and so all I have to offer you today is a beginning. The Nessian smut chapter will be my next update to the fic, and then I’ll write chapters for all the other pairs (eventually and as the horny mood strikes).

Read on ao3 or below the cut!

“What the fuck, Feyre?” 

Nesta started in horror at the seemingly endless train of middle schoolers who were being led past the ticket window. Three jostled Nesta’s bag as they scuttled past, and she glared after them. Not that it did any good—they just dissolved into shrieking giggles as they careened around the space, narrowly missing the suit of armor standing in the corner of the large atrium. “Please tell me you didn’t have me call out of work for this.”

“Of course she didn’t, Nesta,” Elain said, a dangerous glint in her eye. “Our dear sister would only text us “Need you at the mall, personal emergency, please come ASAP” if it was for something really, really serious.” She looked pointedly at Feyre. “Right, Feyre?”

Feyre at least had the decency to look a little guilty. “He’s just…so hot, guys,” she mumbled, blushing.

“Oh my god.” Rolling her eyes, Nesta turned away from her sister’s embarrassed face to take in the spectacle that was apparently going to consume the next two hours of her life if the sign above the ticket window could be believed:

Brace yourself for approximately two hours of heart-pounding excitement! You’ll see lance-shattering jousting, clashing swordsmanship, and thrilling hand-to-hand combat! Join us for an unforgettable experience!

When Feyre told Nesta and Elain to meet her by the fake castle façade, Nesta had assumed it was only because it was easily recognizable and about as far away from Feyre’s waitressing job at the Cheesecake Factory as it could be while still technically being part of the mall. 

She did not expect that Feyre actually wanted her to spend time—not to mention 60 fucking dollars—in this tacky monstrosity. 

And “tacky” was a generous description of the space around her. Between the suit of armor in the corner, the display cases lining the room stuffed with replicas of weapons and garishly colored flags, and the entire wall devoted to headshots of all the idiots who were involved in the whole farce, Nesta found very little here that made her want to linger any longer than she absolutely had to.

But—it had been so long since her littlest sister had shown interest in anyone since she broke up with that god-awful trust fund manager Tamlin, and that interest, combined with Feyre’s palpable youngest sibling energy, softened Nesta enough to stay. Begrudgingly.

“It could be fun!” Feyre tried, but she was looking at the picture of whoever the “so hot” cast member was who prompted this nonsense in the first place as she said it, so Nesta didn’t trust her judgment anymore. She refused to look at the cast pictures. What use did she have for role-playing nerds or gym bros who used the guise of a medieval joust to hit at each other like brutes? No thanks.

She sighed and pulled out her phone to text her best friends and coworkers Emerie and Gwyn to take their lunch break and come over.  “I’m not about to suffer through this alone.” Their law office was only a few blocks away, and Nesta only felt the tiniest bit guilty about condemning them to a few hours of campy spectacle. What were friends for if not to hate watch something with you as a favor to your little sister?

That made Feyre turn away from the cast picture wall as she gestured indignantly between herself and Elain. “We’re here!” 

“You don’t count anymore, Feyre.”

“Well, what about Elain?”

Nesta scoffed lightly. “She’ll probably end up liking it somehow, and then I’ll have no one to complain with.” Elain stuck her tongue out although she didn’t deny it, and Nesta hummed in satisfaction at being right. She hadn’t missed the way Elain had also been looking at the wall of cast members, lingering for a few moments on the head shot of one of the knights who bore a distinctive red ponytail.

Nesta looked back at her phone and saw messages of confused confirmation from Emerie and Gwyn agreeing to meet her there, and so she went back to the ticket window to buy seats for them. Maybe she’d expense them—company bonding and all that bullshit.

By the time she returned to the corner where her sisters were standing, Gwyn and Emerie had joined them, and Nesta shook her head, forestalling the question that she could see forming on her friends’ lips. “Don’t ask.”

Emerie snorted. “You think I’m not going to have questions after you text us in the middle of the work day demanding that we take off and come to Medieval Times? Be serious Nesta.”

“Maybe she’s finally lost it,” Gwyn shrugged. “The Hybern case cracked her.”

“That case drives me to drink, not to willfully agree to a two hour long lobotomy.”

Feyre glared. “Stop being such a spoilsport. We’re here to ogle hot guys. You should be on board.”

“Hmmm, $60 to watch grown men play dress up and cover anything interesting with armor. Sign me up.”

An announcement overhead began, urging audience members to find their seats before the beginning of the show.

Feyre grinned and flicked her braid over her shoulder. “Well, good thing you already bought a ticket then, Nesta.” And with that, she hooked her arm around Elain’s, turned, and flounced into the darkened hall that led to the arena.

“Walked right into that one, babe.”

“Shut up, Em.”

Emerie flashed a smile and started following Feyre down the hall. “Do you think there’ll only be hot guys? Because that’s really gonna put a damper on the next two hours for me.”

“From a place like this?” Nesta gestured around to the kitschy, rustic decor. “I doubt we’re going to find any brave, gender-role defying performances here. I think the best you can hope for is a hot tavern wench.”

“Desperate times, I suppose.” Emerie sighed dramatically. “Perfect people must endure so much in this life.”

Gwyn giggled from where she was walking behind them. “And what would you know about that, Em?”

Emerie flipped her off without turning around, and Gwyn added, “But who knows? Maybe this’ll be great! Maybe we’ll find true lo—”

“Stop—don’t you dare finish that sentence.” Nesta stopped walking and turned to face Gwyn. You’re only here to be a hater with me.”

“Nesta—”

“No—this is a Valkyrie law office pact. You have to hate this with me. Don’t break the bonds of sisterhood for a guy in a tin can.” She whirled back around to Emerie. “Or a wench in too-tight stays. We’re better than that.”

Her friends nodded silently, and Nesta chose to ignore the knowing looks they gave each other in favor of turning back around and marching toward the opening to the arena. It was a large, airy room with rising wooden stands that ringed a sandy, clear oval in the middle of the space. There were oversize flags and banners hanging from the ceiling designating four different sections that corresponded to the different knights, and a dias, where the king would oversee whatever nonsense was about to happen.

Feyre and Elain had already grabbed their seats along a wooden, almost picnic-style bench in the first row of what was apparently the Red Knight’s section. Wenches were circulating, taking drink orders, and Nesta made sure to order a glass of wine—a large glass of wine—before she sat down. Needs must. Gwyn and Emerie quickly followed suit, and it wasn’t long before the lights in the stands dimmed and a hush fell over the crowd.

There was a distant stamping sound, and then all of a sudden, four knights on horseback burst out of a door at the far end of the arena, galloping around the perimeter of the arena. The audience erupted into cheers at the sight of the knights, and Nesta felt her mouth go dry.

Holy. Shit. 

She felt Gywn lean over to whisper in her ear. “Are we still better than that, Nesta? Because…” She trailed off, but Nesta didn’t need her to finish her sentence.

Because Holy. Fucking. Shit.

All but one of the knights weren’t wearing their helmets yet, and each one was intensely, unfairly gorgeous. 

There was the red and yellow knight whose long red hair streamed out behind him as he circled the arena. He was tall and wickedly handsome, even with a rough scar bisecting the left side of his face. Small charms and beads woven into individual strands caught the overhead lights and made him look like he was glowing with some inner light. 

The next knight was his opposite in every way. Clothed in black with accents of a deep blue, he seemed to swallow the light as he rode a lap around the arena. He was imposing and muscled and almost unfairly beautiful for a man. Especially for a man wearing fake armor, Nesta reminded herself, shaking her head and closing her mouth from how it had gaped open slightly at his appearance.

The green knight rode in after him, his helmet still on, and Nesta idly wondered why he alone would still be wearing his helmet. Was he self-conscious? Or just not a cocksure, handsome asshole like the first two knights? Whatever the reason, he was clearly an excellent horseman. His seat was agile and easy, and the two of them together moved like they were caught in some dance with music only they could hear. 

But Nesta didn’t have time to linger on why this knight was still wearing his helmet, or how well he rode a horse, because any thoughts she had were quickly replaced by the sight of the red knight. He was almost like a brother to the blue knight, but almost impossibly larger. It was as if he was made entirely of muscle—Nesta could see as much even with his armor covering almost everything except his neck and head. His skin was a deep brown and his hair, long and black and wavy, had been gathered into a messy half ponytail. He was a warrior, that much was clear, and Nesta had no idea how someone who looked like that could possibly exist in today’s world. He looked like Arthur, or Gawain, or Lancelot—someone from myths created centuries ago. 

“Shit, shit, shit there he is!” Feyre yanked on Nesta’s arm to drag her attention away from the red knight and point out—not subtly, mind you—the reason they were all here in the first place. The king who presided over the arena and the tournament had just stepped onto a platform situated against one of the walls. He was tall and dark-haired, and the kind of attractive that had from money written all over him. Not that someone who was from money would want to work at a place like this. But still—something about the smug smile and the glint in his eyes as he surveyed “his kingdom” made Nesta shudder slightly. No thanks. 

She turned a skeptical eye toward Feyre. “Him? Out of all of them?” She asked, gesturing to the knights who were bringing their horses to a rest in front of the dias. “You’re going with him?”

“What?” Feyre turned to Nesta in shock. “Do you have eyes?”

“Do you?”

Feyre crossed her arms in front of her chest, turning back to look at the king. “He’s clearly the hottest one here.”

“Okay, Feyre,” Nesta said, pursing her lips and deciding to let the argument drop. If he did it for her sister, then so be it. 

She turned back to the center of the arena to see that all of the knights had come to a stop in a line. The crowd was murmuring, pointing at the assembled men and occasionally whooping for their assigned knight. The red knight was looking over at their section, his eyes locked on Nesta. When he realized that she saw him, he winked and gave a small bow with his head. Nesta scowled, ignoring the spark of interest that flared to life somewhere in her chest. She would not let herself be flustered by a Medieval Times actor. She wouldn’t. 

The king raised a hand, and the crowd quieted. “My loyal subjects!” His voice, low and smooth, boomed over the gathered crowds. “I am his Royal Majesty, King Rhysand. Thank you for joining me here today to watch as the heroic knights of the kingdom fight for honor and for glory.” 

Nesta looked at Emerie and Gwyn and raised her eyebrows at his theatrics. Gwyn giggled, and the king’s gaze flashed over to where they were seated, roving over their group until his eyes landed on Feyre. His smile at the sight of her was sickeningly self-satisfied, and Nesta turned to see Feyre flush at his attention. 

“I am honored that so many handsome lords and fair maidens,” he continued, winking at Feyre, “decided to join me to welcome my court today. I don’t yet have a queen to join me in my revels, but perhaps I shall find her amongst your number today.” Nesta watched as Feyre, impossibly, flushed even deeper. She rolled her eyes.

“That is, unless you lose your heart to one of my knights.” Rhysand gestured toward the knights in front of him. “My friends! Introduce yourself to my honored guests!”

One by one, the knights stepped their horses forward, bowed to Rhysand, and called out their names. Sir Lucien. Sir Azriel. It was like they were characters out of some long-forgotten medieval tale, their names at once ancient and eternal. If those were actually their real names. Nesta doubted it. 

The green knight stepped his horse forward, and Nesta wondered if he would finally take off his helmet. He obliged Nesta’s request, and she realized, as a thick braid of lustrous blonde hair dropped on the knight’s shoulder and their face, all softness and full lips, came into view, that this knight was a woman. 

Emerie’s mouth was hanging slightly open at the sight. She leaned across Gwyn to whisper, “Nesta, I love you and I know I said I wouldn’t break the bonds of sisterhood for a wench in stays but,” she said, her eyes never leaving the armored woman, “for a wench in armor? I don’t know you.”

And then it was the red knight’s turn. He bowed slightly to acknowledge the king and said, with a small smirk, “Sir Cassian, your majesty.” 

His voice washed over Nesta, deep and husky and filled with laughter, and she hated that something in her shivered at the sound of it and the sheer power it carried. She wondered, idly if that power extended to other areas of his life.

“And there you have it, my subjects!” The king’s voice rang out again, breaking her out of her rapidly devolving reverie. “Please give a warm welcome to my loyal knights as we begin our tournament!”

The crowd burst into cheers, and the knights smiled and waved at their respective sections, which, in their turn, cheered even more loudly until the entire arena was awash in sound. 

The red knight—Sir Cassian—was looking toward where they were sitting in his section, and, at his wave, Nesta’s sisters and traitorous friends burst into renewed applause and cheers. She took a sip of her wine, pointedly not joining in.

He frowned slightly, and she raised an eyebrow in challenge, taking another drink while maintaining eye contact. He looked away, and she smiled vindictively before turning to berate Emerie and Gwyn for caving so easily.

But before she could say anything, she was interrupted by the sound of approaching hoofbeats and a deep, murmured, “My lady.”

Nesta turned, and there he was at the edge of the arena, sitting astride his giant horse and looking directly at her. He was nearly at eye level with her, even from her seat in the raised stand, and she was struck by just how tall he was. His hands, as they held his horse’s reins, looked massive as well, and she wondered, just for a moment, how they would feel spanning across her waist, her breasts, her—

She shook her head and scowled at him. “Me? No, thank you.”

He only smirked at her refusal before continuing on. “While it used to be tradition that maidens would give tokens to their favored knights before a tournament, here in the arena, it is the knights who give tokens to their ladies,” he said, pulling a red silken handkerchief out of a pocket somewhere—did suits of armor have pockets?—and held it out to her.

Nesta crossed her arms, reminded herself that he was just a guy in a tin can, and scowled. “I’m not your lady.”

“And yet, I still have a token for you.” He kept his arm outstretched and met her gaze. “Only you.”

His eyes—distractingly smudged with eyeliner—were a lovely shade of hazel, and they sparked with warmth and mirth as he looked at her. From this close, she could see that he had earrings as well—small red studs in each lobe and tiny golden hoops along his cartilage. He looked charming and wicked and roguish, and Nesta found that she couldn’t tear her gaze away—that she didn’t want to.

And, well, she was only human. Who could blame her for being interested? 

But she wouldn’t cave that easily, so she said, instead,  “Not until you earn it.”

Something flared in his eyes at the challenge, and he said, easily and certainly, “As my lady commands.” He left the red handkerchief on the table in front of Nesta and went to prepare for the tournament.

As he rode away, Feyre turned to her with a shit-eating grin. “Having fun yet, Nesta?”

“Shut up, Feyre.”

[baluciarz]

they purple

[piratecaptainscaptainpirates]

Another thing I adore about OFMD is how the discussion of masculinity is so nuanced. It's like - the best way I can think to describe the depiction of gender in OFMD is it's like the opposite of the recent Barbie movie, if that makes sense? I thought Barbie was fine but its understanding of gender was very basic to the point of being almost reductive, and the whole movie just screamed "this was written by cis people!" OFMD has the exact opposite vibes, you can TELL there were trans writers in the writing room.

So often, when we see gay relationships in media, there's an attempt to force the characters to be "the feminine one" and "the masculine one" in a very transparent showing of how they're too scared of queerness so there have to be some gender roles shoved in there. Ed and Stede turn that trope right on its fucking head.

Because Ed and Stede both have different and complex relationships with their own masculinity, and they're both feminine and masculine in different ways. Stede worries about being seen as soft and struggles with what a "man's work" should look like, but even in more practical clothes he loves his little accessories and he just adores showy, campy clothing. Ed feels forced into an ideal of hyper-masculinity, but he also loves wearing soft robes, painting his nails, and writing poetry. He painted a bride cake topper to look like himself as an expression of his deepest, most tender dreams and it's never made into a joke. OFMD's thesis statement is that "the things we're taught about being a man are wrong," and it shines through in every angle of the show. The men on the show are allowed to be tender as hell and it's a fucking strength.

It's such a lovely, queer thing, to see both of these characters get to express feminine traits in their own masculine way, without the narrative telling us they're any less of a man for it or asking us to laugh at them.

[arachnerd-8-legs]

really disappointing that bunjywunjy had to be pestered twice just to quietly remove their reblog after using their huge platform to encourage garbage like raving about the lesbian estonian soviet flag and how 'new pride flag just dropped' so people could go 'ooh pretty' about a flag that was forced onto us by ppl who wanted our culture gone and oppressed us for about a century in total if not more.

to say nothing or not show anything of the truth about that flag and quietly remove the reblog felt more like it was done out of obligation (and you didn't agree) rather than care for the subject matter that is still a fresh wound in our country's memory. it's only been 33 years since it ended.

I'd rather you make the mistake about something you didn't know (eastern european history is easy for westeners to overlook, because we're not a big country like them, we're not england or france or spain or germany) and admit/apologize for said mistake or even just outright state that you don't actually care rather than say nothing and quietly remove something so that people would stop talking about it

[swan2swan]

And THERE IT IS.

If you wanna no the BIGGEST problem with Zionism, religious appropriation, and the whole genocide thing going on over there?

You know...besides the loss of life.

But also...unfortunately...maybe not?

Watching an episode of Moon Girl. And a character is celebrating her Bat Mitzvah!

And you know what they used as symbols?

THE STAR OF DAVID!

Yes! A delightful, iconic emblem of the Jewish religion. Immediately recognizable. Associated with a proud culture!

Oh, but wait...how's it being used nowadays? I saw two Stars of David in the past five minutes thanks to this episode...guess how I was seeing the symbol the other twenty times today?

So, yeah. This is why when someone puts a religious symbol on a flag, you tell them not to do that.

[cozylittleartblog]

diversity win your spam emails are queer

[saltpepperbeard]

Favorite Stede Facial Expressions Part 3/?

[brutashaswin]

So anyway The Marvels is probably the best MCU movie since No Way Home

[rubenesque-as-fuck]

We recently hired an older woman truck driver and today she complimented my hair and asked me, "So are you family, or like an ally?" and I answered, "Oh, family 😊" and she got such a happy look and started talking about how glad it made her to have a new job somewhere where people could be openly queer and that she'd never worked somewhere with as high of a percentage of non-cishet people and how good it felt. It was just a really lovely little interaction.

[rin-rin-kururin]

SPOILERS anyways

Mira my sweet child. And Siffrin. And Loop.

Even more doodles under the cut

I'm in love with this game <3

[memento--moray]

The "G" in LGBT stands for "Gitaxias".

Bonus sketch:

[turtleblogatlast]

Thinking about the Don Suave scene and what it means in terms of LGBTQ+ representation because my brain does nothing if not torment me with random topics to ramble about on the regular.

Anyway, I just wanted to ramble about why I like the scene but to get it out of the way - the scene can very easily be interpreted in so many different ways, and all of them are valid. I personally see it as Leo having at least some attraction to a man. And the following is an explanation of my own interpretation and thoughts on it and what it means especially for Leo’s portrayal in the grand scheme of things.

Long-winded interpretation under the cut!

Now, to start with, it’s important to me that in the scene Leo looks at Don Suave in the very beginning and then for the entirety of the rest of the time the man is on screen, Leo’s eyes are closed. Yet, in the end, he is still visibly enamored with Don Suave, happily cuddling up to him as he’s being carried away.

You can very easily interpret this as Leo being spellbound and that’s honestly super valid and I believe he likely was at least somewhat in the beginning, but considering how fast he looked away and how he never looked again, I personally think it makes more sense to read it as Leo just finding the man attractive, at least somewhat. (For the record, I personally headcanon Rise Leo as bisexual with a heavy preference for men, but I want to be blunt when I say that any interpretation is valid. Literally any. Ace, pan, gay, bi, none of the above or a mixture of something new literally all of it is more than okay and fair. Hell you could even interpret this entire scene as more romantic attraction than physical and it would still work. Anything goes!! Don’t bother people, guys, really.)

The main reason I take this scene to be at the very least LGBTQ+ adjacent isn’t just because of how it’s portrayed, but because of who Leonardo is. Not in terms of Rise of the TMNT, but in terms of the entire Teenage Mutant Ninja Turtles™️ franchise.

Leo’s a character who, while changing with each iteration, has still at his core been around for decades upon decades as “the blue one”. One fourth of the team. He’s the one most are going to look at as the Leader, and oftentimes he is the one closest to having the title of Main Character. Not to say the others aren’t just as important, but Leo’s presence in the A plots of basically all TMNT media is often something very main character-esque.

And that’s very, very important to note. Here we have a Main Character of a prolific and decades long-running franchise distributed by a children’s television network. You can play around with his and his brothers’ characters all you like, but there is always going to be challenges to dodge around, especially since this was still in 2018-2019.

For example, you can play around with their designs so long as they’re color coded turtles, but their sexualities? Now that’s tricky.

“But what about Hypno and Warren?” Not main characters and also they’re Rise originals. They have a lot more room to play around with than a character like Leo does. But even talking about main characters in the franchise, you could arguably have an easier time playing around with Donnie or Mikey’s sexualities than Leo or even Raph, as (unfortunately) the former two tend to get more B plots, so they’d likely have had a little more leeway (still not a lot though.)

So, where does this leave us?

It leaves us in a place where outright stating and/or showing undeniable proof of Leo’s attraction to men is very, very difficult. So, workarounds!

Workarounds like the entire Don Suave situation.

To be honest, as left up to interpretation and lowkey and deniable as it is, this whole scene means a lot to me because of who Leo is as a character. It’s just nice when we get so see even the bare bones of representation with characters that have been such a large part of pop culture for decades, y’know? Even if more would be so much nicer, this is better than I thought we’d ever get for these boys.

And, again, literally nothing I’ve said is the only way to interpret it, I’m more than happy when people interpret media on their own honestly, it’s just something I’ve been thinking of lately and I was wondering if others felt the same way.

Whatever you think when you interpret this scene or Rise Leo as a whole, I just thought this would be interesting to think about, even if it was ramble-y, haha.

[twilightarcade]

RYB

[honeypleasejustkillme]

we all broke our rules for someone

[eggsdrawings]

This might sound stupid, but have you ever considered giving some of the characters in your drawings imperfect teeth? I sorta have headcannons that Mina has a gap between her front teeth and that Denki has a chipped tooth! I also love how you give Bakugou gauged earrings in your art-style in reference to the Fantasy AU and was wondering what types of specific headcannons you have in your art!

Some neat ones I noticed were:

Bakugou with faint moles on his face and neck

Ochako having orange ombre on the longer strands of hair (My personal fav)

Hawks having claw-like fingernails (and painted black too!)

Mirko having piercings on her ear

Todoroki has small strands of the opposite hair colour on the wrong side (Like strands of white on the red side and vise-versa)

Toga having pointed ears! (Another fave)

I probably missed some, but those were just cool details I noticed in your art! <3

Sorry, this was a weird way to give you a compliment lol

ahhh this is so sweet! thank you so much for lookin into the details of my art!!!! 💗💗💗 i have fun makin the characters unique to me!

i’ll include it all under the cut so that this post isn’t too long!

i usually tend to give midoriya a slight gap between his front teeth, tho i suppose i could stand to make it more prominent. i kinda draw it the same way cody from total drama has a gap in his teeth! the most ive done aside from that is give some characters fangs (hawks) or sharper canines (bakugou). i think kaminari having a chipped tooth is actually a cool idea, especially since i had one of my own growing up lol!

aside from what u listed, i like to make mina’s tongue blue solely because it stands out against how pink she is and makes for good contrast

todoroki’s scar has a dripping effect to it since i assume the kettle water poured down his face a bit before his mother could reach him to take care of it

i draw kaminari with freckles because i think it suits him, and ive been thinkin bout giving some light ones to hawks as well

for kirishima i draw three light scars on his face around the bridge of his nose/cheeks, a small reference to his hero costume’s mask placement since i think it would dig into his skin after so much use

i also like to add bakugou’s first war arc scars, as well as explosion marks around his hands from excessive quirk use. and ive been meaning to include scars on his arms to reference the deku vs kacchan fight now that ive gone and rewatched the series!

in canon, touya has very prominent eyelashes when he’s younger, and when he’s older as dabi they’re burned off. but i like to keep them as a slight nudge to who he used to be, even if it doesn’t particularly make sense for them to be there. i just think it’s a nice touch!!

[ferociouslycreativemystery]

Bored and want to learn something new today? Or maybe just need some distraction?

I came across this a couple weeks ago and from what I've watched of it yet it's really interesting! Corinne Bogdanowicz is a professional colorist who has worked on among other things Our Flag Means Death. A great watch if you want to learn a little more about a side of film/TV-making that you maybe haven't thought about before!