#no one knows for sure when this will end

[chirpsythismorning]

I’m not going to get my hopes up, but if Netflix has to have an answer by October, when do you think filming will start then?

Hypothetically if the strike is over in Netflix's case by Oct or in general for all the studios, filming for ST would start up shortly after that. They've been ready to start filming since June, so they're pretty much just in limbo waiting rn.

There might be some cast members in the middle of something when the strike ends, so that doesn't mean every single cast member will take a flight to Georgia and be there the day after the strike to start filming. It will happen in waves, where some who are available at that time will get all their arrangements in order and make the plan to start filming while others might need a few weeks to get everything in order.

Sometimes filming happens out of order, especially with scenes that are really time consuming for VFX in post production, but still I do think that the priority will be either those scenes or scenes from the first few episodes. Those episodes are the most fleshed out script wise and they're also the episodes we're going to see sooner than the later ones. In the case they decide to split it into two volumes again, having those earlier episodes finished sooner than later allows them to then be able to edit them sooner and have them complete for releasing. So if the premiere period rolls around, and they're still behind on some parts of Vol 2, they'd be prepared to release Vol 1, with extra time to focus on the rest. Pretty much the same thing happened for S4, where Vol 1 premiered in late May and then they were still editing Vol 2 in time for it's early July release.

If the strike is officially over and all filming in the industry amongst these studios has been green-lit to return, let's say October 1st, then it's likely by mid October they would be starting filming again. Or if it was mid October that the strike ended, then maybe filming would be starting by the end of the month. If it's late October, then probably early November for filming to start. The transition won't take months, at most a couple of weeks.

Again, they were ready to start filming in June and they don't necessarily need every single actor to have their schedule free in order to start. They just need actors who have scenes alone or with other actors who are also available who they also happen to have scenes with in order to start filming. It is unlikely that whatever schedule they had planned originally for the cast back in June will be identical post-strike, as that will all presumably shift to accommodate everyones new schedules at that time of the year and going forward.

This is all a hypothatical scenario. Regardless of if the strike ends in October or September or god forbid January, which is when the Emmy's are being postponed until, Filming for ST5 would take a matter of a couple of weeks to set up and begin, and would then continue for the next 12 months following, give or take.

[sclappin]

Man whose definition of "monster" is extremely flexible.

[schrutexbucks]

some of my favorite tweets from tonight's season finale of interview with the vampire season 2 And That's the End of It. There's Nothing Else 3/xx

[bluerosefox]

Family Resemblance

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I had another 11pm brain worm.

Enjoy

-x-x-

Daniel Wayne, the younger toddler brother of Bruce Wayne and the son of Martha and Thomas Wayne had been kidnapped the night their parents were murdered.

Daniel had been snagged the moment their killer heard people headed to the alley and Bruce in his state of shock didn't realize it until it was far to late and could only scream in horror (from everything) as his baby brother is crying his name. (If you wanna make it even more heart wrenching, make it Danny's first time being able to say Bruce's name right and/or Bruce had said some mean things to Danny earlier after he accidentally broke something of Bruce's, something like 'I wish youd go away' or 'I never wanted a brother, you're such a bother!')

Bruce is being held by Alfred as some police officers are chasing down the Wayne's parents killer while some stay behind to see if they could do something.

Minutes turn to hours and as they wait, praying the police at least found Danny, Bruce is ridden with guilt. From his parents death to allowing his brother to be kidnapped.

Eventually the police return to give Alfred and Bruce the news. And it's not good.

The killer escaped and Danny was nowhere to be found.

And it would take many years before he would be found.

-x-x-

Bruce gets a call from Damian during school hours one day. When he answers he is greeted with Damian demanding him to get to the school and explain himself.

Confused Bruce asks what does he mean and Damian responds with

"The two new students in class today are the spitting images of you and I father! Either they are poorly created clones or you have more hidden blood children!"

-x-x-

Meanwhile the very students being discussed are calling up someone too

"Ellie? Dan? What's wrong? You better not have made too much chaos already, I just paid for the uniforms for that place."

"DAD! I THINK ANOTHER ONE OF THE FRUITLOOPS FAILED CLONES SOMEHOW SURVIVED!"

"What?"

[fear-no-mort]

favourite thing: his new habit of saying uhuh/mhm and also this

[offkilterkeys]

Crazy to think that from his perspective he went from thinking it would be funny if he cloned his own consciousness to then spending years tormented by the indignity of a cage wrought up by his own hubris.

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[internetskiff]

Brother rly went "so yeah about that beer :)" immediately followed by implying he had (and still has) to beat at least a couple of people to maintain his position in Civil Protection. Really creates way more questions than it answers. What did u do Barney Calhoun. Is beating people up all it takes? Is there innocent blood on his hands? Is there weight on his conscience? Despite everything, did he still partake in the perks the position offered, the better housing, the extra food? How trusted is he in the resistance, really? It's probably well known that he still has to participate in the Combine's oppressive system, right? They can't all possibly view it as a completely necessary evil. I mean, some rebels hate Odessa Cubbage and his only crime seems to be "being an idiot".

Okay completely unrelated train of thought now but I wonder if he smuggles the melons Kleiner feeds to Lamarr. You can see some watermelons in a Civil Protection outpost/apartment so I assume that's one of the "better" foods the Combine provide to those that serve them. Goddd there's so much to this guy but it's all implication.. Wish he had more screentiiiiiiime I wanna see more of him. I wanna see what he's had to do to maintain cover, and what he's actually done to earn the Resistance's trust. How do the rebels feel, knowing that while they have to take shelter in the canal system, he's able to sleep in an actual apartment with an intact door?

[shopcat]

i think in the hamster wheel of my mind a big part of where people go wrong with eddie and his shitty garage band as an extension is that they for some bizarre reason think he's gene simmons metal when he's jack black metal. heavy metal. he's tenacious d metal. he's school of rock. he's stoner lord of the rings metal he nearly wore blue jeans and plaid. jack black literally in real life once said eddie was the best character bc he's heavy metal like him. LOOK AT THIS

[turtleblogatlast]

We were robbed of a Hueso Jr. episode because good god I need he and Leo to interact.

I can just imagine an episode where a very busy Hueso has no choice but to ask Leo to babysit, and Leo’s like heck yeah I’d rock at that.

And of course Hueso is constantly like oh god what if something goes wrong that’s PEPINO he left with his CHILD.

So continuously throughout the episode he imagines the worst case scenarios for what could possibly be happening.

Every time Hueso imagines another catastrophic scenario the scene cuts back to Leo and Hueso Jr just calmly watching a movie or playing a game or something else equally as innocuous.

Eventually the worry gets to Hueso so much that he cuts his business short and races back home to see -

A peacefully sleeping Hueso Jr smiling as he lays snuggled up next to a shockingly quiet Leonardo.

He’s pleasantly surprised, and agrees to ask for Leo again next time he needs a babysitter.

Or, as it seems he may need to, when Hueso Jr. wants Leo to visit.

[squeakadeeks]

"In this world, I'm known as...the Winter King" 🌨❄️🌬

This cosplay was so so close to never seeing the light of day, as this was the aforementioned project I rage quit to procrastinate with Nekomancer on haha. I really adored the fionna and cake special (and adventure time in general) and wanted to cosplay from it for eons...although I will admit this project was intended to be "generic blue and silver winter regal outfit for a variety of characters" and it was a toss up on whether or not the first run was going to go to the Winter King/Simon or Jack Frost...but I couldn't find my jack frost wig so here we are!

This was my first time working a lot with velvet and low key....I loved it and would love to use it more.

[a2zillustration]

(It's ok Yurgir will respawn in Avernus)

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[leciraofthewilderness]

So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:

Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*

The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.

To me at least, that was the theme of the whole story.

If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.

The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.

This turned into a really long ramble so:

You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but

You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…

You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…

When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.

You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).

There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).

There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.

At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.

At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).

She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.

(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)

You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.

They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.

You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.

And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.

And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.

And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).

[oneluckydragon]

"Suddenly the world was gray and dull and my heart was so heavy I felt like I couldn’t move, let alone make it back to Treasure Town. But because of Echo’s last wish… I was able to keep living.”

--- --- --- --- ---

SORA : (Partner)

Abilities: Justified / Inner Focus

Nature: Gentle / Hardy

Moveset: Aura Sphere / Metal Claw / Poison Jab / Dragon Pulse

[fionacreates]

Harriet and Emma

Reading queer things into Jane Austen. Emma the demisexual.

The aces, they up in everyone else's love life and totally uninterested in their own.

Painting reference by Angelica Kaufmann (1741–1807) - The Artist in the Character of Design Listening to the Inspiration of Poetry 

[untimelyambition]

very fond of these little interactions between the cast at the very end of the show as the finale starts