#nobody in specific - the general You ^_^

[skunkes]

[wackywatchdotcom]

falls to the ground. my favorite song is one that i looked at back in early march and went oh, this works well for ragatha... and im listening to it again and i DO still think it fits ragatha a lot. but it ALSO fits gangle. but i dont wanna put the same song on two character playlists from the same series, so im just gonna keep it on ragathas. either way it mainly fits manager gangle specifically but not the entirety of her. i think it fits ragatha more generally

[bestworstcase]

Anything from Volumes 1-3 that is setup that you don't think is given enough attention or respect for good setup?

Sidenote to this:

Open seat with no person in it + Salem having someone looking for the Choice Relic was hinting at Summer Rose. Did we have anything hinting at her pre Beacon's Fall or just things that she fits given additional context?

regarding summer specifically, while i wouldn’t call them hints per se, there are a handful of beats in v1-3 that smell like foreshadowing to me:

the first is “she was right about you; such arrogance.” – cinder might well be referring to salem here, of course. however. what strikes me about this remark is that arrogance is not a characteristic that salem seems to perceive in ozma; rather she describes him, in her soliloquies and songs, as a self-destructive, deceitful, manipulative fool blinded and trapped by his faith in the old gods. cowardly. fallen from grace. think of what she says to oz in 8.9—look how you’ve diminished, how you’ve lessened yourself—she sees him groveling at the feet of tyrannical monsters and sees debasement.

does it follow for salem to characterize ozpin to cinder as, primarily, arrogant? i’m not convinced it does. but summer rose? well… hm. consider, also, that the full line is “this whole time, right beneath our feet… she was right about you; such arrogance…” <- i think it is more likely than not that “she” is someone inside the brackets of “our,” and in context “our” is either [cinder + ozpin] or [cinder + her associates physically present at beacon].

in the event that “she” is not part of “our” the more naturalistic phrasing is “beneath our feet… salem was right about you” – because “she” otherwise has no antecedent. of course, some allowance here for this to be a narrative choice not to name salem yet, but we’re one (1) episode off from revealing her face and by this point we’ve known for a while that cinder works for someone else, so the choice to drop the name here or in the volume credits is of fairly trivial importance. unless of course cinder isn’t talking about salem.

second: “Oh! We've also stopped some bad guys, too! I guess it's like they say: "like mother, like daughter"! I still wonder why Ozpin let me into the school early…” [laugh track] – obv this part of ruby’s address to summer’s memorial headstone foreshadows ozpin’s conspiracy and team strq’s involvement therein. but it also foreshadows this exchange:

RUBY: We don’t have to kill you to stop you, and we will stop you. SALEM: Your mother said those words to me… she was wrong, too.

and i think it bears pointing out that ruby is wrong here, and later in the volume qrow specifically calls attention to this and lays out why she’s wrong. team rwby didn’t stop the bad guys; they cut off one avenue of attack and cinder circled around from a new direction that took advantage of torchwick’s imprisonment, and this also resulted in the public break between ozpin and ironwood which eroded the cohesion of the inner circle. ergo, ruby thinks she stopped the bad guys but in the long run the consequences of the breach all benefited salem.

looks into the camera like im on the office.

like mother, like daughter!!!

further, that sequence of events ultimately leads to the final confrontation between her and torchwick – wherein he declares “if you can’t beat them, join ’em,” and shortly gets eaten by a grimm right after making it clear that he intends to kill her. torchwick’s death is thematically motivated – a narrative rejection of his cynical every-man-for-himself, dog-eats-dog outlook – but consider that:

summer rose, if she is indeed salem’s willing agent, is certainly at beacon tonight – because she’d be the one who stayed behind to hold the fort.

summer is thus the one salem instructs to “reinforce our numbers at beacon,” meaning the grimm; that instruction only makes sense if the person receiving it can communicate with or command grimm. ergo, summer must have some degree of control over grimm.

ruby is disarmed and on the ground getting beaten by a man who fully intends to kill her, and a grimm swoops down out of nowhere to eliminate him faster than he can blinks. and then… the grimm rears up, roaring at her, and comes down with a sweep of its wings that creates a blast of air that pushes her away. that isn’t aggression!! that’s a defensive threat display!! (the feilong in v4 does the exact same thing – trying to push the boat away). it’s ruby who charges the gryphon, and while it lunges forward in reaction to her charge, all that happens is she gets her feet on its head and pushes off to leap over it, and the grimm goes fucking flying so hard it crashes into the ship’s interior and never emerges. the point being,

math.

it’s plausible that the grimm was drawn to torchwick’s murderous rage. but the way it behaves immediately after it swallows him – that very clear “get away from me please” body language, and ruby -apparently- kicking a grimm the size of a goddamned clydesdale dozens of feet and then through the hull of a literal warship? ruby is strong, but she’s not… that strong. but if the grimm didn’t want to engage her and propelled itself under and past her at the same time as she vaulted off its head? that would explain what happens perfectly – ruby’s kick altered its launch trajectory just enough that it crashed.

minutes later, someone loyal to salem scraped a very badly injured cinder off the top of beacon tower and left ruby alive where qrow would find her. salem’s vested interest in keeping ruby alive is VISIBLE throughout the battle for beacon, and notably include a perfect opportunity to capture her while she’s in a coma atop beacon tower that isn’t taken – suggesting that salem makes her singular attempt to capture ruby solely to reassure cinder that Something is being Done.

and if summer rose has command over grimm and was at beacon that night… the gryphon’s behavior is exactly what i’d expect if all the grimm had marching orders to insure this one girl in particular – the spitting image of their commander – doesn’t come to serious harm. there’s a nonzero chance that gryphon did in fact save ruby On Purpose!

…and that happens in the context of a fight between ruby and the bad guy she thought she stopped (but she was wrong), who joined salem because “if you can’t beat em, join em.” (salem voice) she was wrong, too…

also

<- like mother like daughter. summer had a nevermore’s eye view of the battle for beacon, in this essay i will –

third: this one is something i didn’t really Think About until v9 and specifically the v9 ost dropping, but some of the things cinder says in v2-3 strike me as like – she got that from summer im sure of it. for example, in midnight, cinder’s view of huntsmen is that they’re free, they have power, they can go anywhere and do whatever they want, and rhodes never contradicts this. where did she get “huntsmen and huntresses should conduct themselves with honor and mercy”? who taught her the aspirational moral ideal?

summer rose, maybe.

but in the deeper sense,

where did cinder get the ‘destiny’ conceit? her underlying beliefs about how the world is are a product of her childhood, but the overt framing of fate/destiny isn’t present in midnight; nor has salem ever spoken of destiny and her philosophical views are in many ways a rejection of destiny – salem does not believe in fate, she is the woman who dedicated her life to toppling the gods.

and on close examination this looks like yet another suspiciously summer rose shaped hole!! “you’re special, ruby […] special the way your mom was special […] it was said that those born with silver eyes were destined to lead the life of a warrior.” – in after the fall, ozpin gives coco an entire pep talk whose central conceit is embracing and submitting to the turns of fate – sacrifice “show them gods and deities/blind and keep the people on their knees” & guide my way “you were born to hypnotize them all/they all said their prayers/can you hear me up there?”

cinder, of pyrrha: “people assume she’s fated for victory, when she's really taking fate into her own hands. interesting. add her to the list.” & “it’s not about overpowering the enemy; it’s about taking away what power they have.”

<- that second statement is salem’s strategic doctrine, through and through. but the ‘power’ cinder is talking about here is derived through manipulating the perception of destiny; the self-fulfilling prophecy. the invincible girl cannot be touched because she makes subtle adjustments to insure that no one is able to try. it is pyrrha’s belief in destiny that destroys her, as it destroys ozma. ozpin invokes fate to justify and explain his choices. those born with silver eyes are destined to lead the lives of warriors.

summer rose was destined to live and die fighting the grimm – so the world promised her. maybe she believed, maybe she felt like she had no choice but to accept her prescribed fate. until she met salem, and took fate into her own hands. made a choice. broke the chains. it’s about taking away what power they have, like salem did when she tore the scales from summer’s eyes, like summer did when she refused her destiny and joined hands with the grimm instead.

what does summer rose look like through cinder’s eyes? she was a huntress. she was literally destined to be one of the greatest huntresses in history, a hero, the shining pillar upholding the world order that chose the enslavement of children as a fair price for peace. fate dictated that she be the icon, the idol, the embodiment of the system that brutalized and subjugated cinder – she had every privilege cinder could ever dream of, freedom and security and a home, a loving family – and she chose to walk away.

and if they talked about that like, ever, and specifically if summer talked about that warrior’s destiny as a cage, a curse she had to escape – is it any wonder that cinder would adopt that framing to make sense of what happened to her? if summer rose was fated to stand at the pinnacle, then does it not follow that cinder fall was fated to be ground into the foundations? and likewise, if summer rose can shatter her pedestal and fall from grace, then cinder fall can shatter her chains and rise. summer proves that the idea of destiny is powerful but not inviolate. and it is hollow, it is a lie, a fiction, and that means it can be taken away. revealed as a deception. destroyed.

anyway

to the broader question

i think people really, really do not give the jaundice arc enough credit for the long-term set up it’s doing.

(or the very overt textual statement from THE HISTORY PROFESSOR! placing the blame for the violent radicalization of the white fang squarely on human bigotry and persecution of faunus in general; the white fang arc is clunky and hamstrung by the inadequacy of its vocabulary, but the fandom talking point that the narrative perspective on this subject has “evolved” or “improved” is just. not true. v1 is very emphatically clear that 1. terroristic violence is not activism, 2. ascribing the terroristic violence of a few to an entire minority group to rationalize bigotry is bigoted in and of itself and completely unacceptable, and 3. violent radicalization is created through relentless discrimination and hate, which creates a self-reinforcing circle wherein the justifiable outrage of the persecuted outgroup and the extreme violent reactions provoked by the persecution are distorted into a justification for further persecution by those of the in-group who materially benefit from perpetuating this cycle!!! all of this is explained in an almost afterschool special manner by the main character faunus rights activist and the history professor!!! in volume one!!! what changed is that the writers developed the skill and vocabulary necessary to weave these ideas into their storytelling in a more effective and more cogent way!!! literally begging the rwby fandom to start listening to the actual words the characters say)

ahem. the jaundice arc lays so much of the groundwork for jaune’s and ruby’s character arcs reaching all the way to v9 and undoubtedly beyond; it sets up the first pieces of the ozlem fractal; it foreshadows the white fang arc and sets up blake’s character arc of self-reclamation and figuring out how she wants to use her voice as an activist; it draws attention to the misogynistic cultural norms that define and are defined by the history between ozma and salem; it lays the foundation for the scene in v2 where ozpin questions blake, which hits the way it does because we have the context of anti-faunus harassment occurring openly at ozpin’s school and nobody doing anything about it, and by extension is the first stroke of the salem-faunus connection that is almost certainly the keystone holding the entire narrative together because it is her relation to the faunus that provides the key to decipher the lost fable.

the jaundice arc is a crucial load-bearing pillar that supports the entire narrative and people revile it because nobody in this fandom can be fucking normal about jaune. lmao

[undefeatablesin]

Watch out ya'll, Sin's sketching Bloodborne comics again! 💀

[skeletalheartattack]

bozo dubbed over dubbed over

[hana-bobo-finch]

i hardly ever mention Glad for some reason. you. you know the one. the cousin. the mouthless one. bellona’s cousin that I have probably only mentioned once but she does actually do stuff in the plot. yknow. i only have concept sketches of her but uhhhhhhhhhhhhhhhhh

[icewindandboringhorror]

One of the interesting bits of trying to resume working on the game after so long is looking back at my ancient Draft Placeholder versions of an image from 4 yrs ago trying to remember what the hell I meant back then, to hopefully interpret it into some more final (ish..) form of the same thing .. making slow progress lol

[fifteenloove]

So both Carlos and Iga said that there is no difference at all with the court and it's still slow??? Oh wow, who could have ever imagined that media and fans who love conspiracies might have had sensationalized a simple statement regarding the change of surface provider!

Or maybe the little mafia men who work overtime with the establishment heard that Jannik wasn't playing in the end and resurfaced the court again overnight. One or the other

[ask-elland-n-will]

[OOC rant about HL rp space here on tumblr: Wanted to mention this for a while but engagement requires... engagement. The more rp blogs exchange asks, the more pathways there are to communicate, to create a net of connections, make characters and the world around them come to life. Over the past year and a half I sent hundreds of asks, in anon/as me/as my characters. I understand being shy. I've been there, and it took some great people in this community to get me out of my shell.

But it is just what it is: unfortunately, if there is no reciprocity, there is no dialogue.

You don't have to wait for a green light/talk in DMs first with creating an rp scenario to send anyone an ask or to initiate rp by tagging someone. You can if it makes you more comfortable but don't have to. Most of us have Rules of Engagement but that's all the pre-requisites.

Before I burned out, I sent people asks just to make them happy, give some interactions for their characters. I wanted to find out more about MCs/OCs. But at this point (and I am not alone in this) whenever this turns into a one-sided communication, I am bothered by it, and I stop sending asks after a while.

I get that if I do it with anons, people won't know who to reply to. But even starting small, sending an ask or two for at least some rp people, so that we know you want to engage — it means a lot. It makes us want to continue playing in this HL sandbox.]

[fairytypingg]

[soullessjack]

‘dean would love brat’ ‘dean would listen to chappell roan’ ‘dean is a swiftie’ do you have any grasp on what an alternative person is. like at all. like beyond saying “be gay do crime” and wearing specific jewelry. there’s plenty of ppl in the fandom who recognize deans anti-cop anti-system anti-rich-snob qualities or whatever so please tell me. do you really think Mr ACAB Fuck The System Eat The Rich Winchester would give a singular flying fuck about an ozone-burning billionaire, a British hyperpop album and a campy pop lesbian who exclusively sings campy pop songs about being a lesbian

[cluster-b-culture-is]

cluster B culture is getting an email from quora about a thread called "cluster b unmasked" and already knowing it's going to be full of ableist crap and questioning why you got an account in the first place

.

[daily-whistlebreeze]

daily whistlebreeze until spo becomes PoV day 1398

I like seeing how different I can make gray cats by throwing Whis at them; anyways, Spotfur's been on my mind tonight

[mariuspompom]

my new fav common argument used by Tumblr's Absolute Authorities of George Martin's Work (towards the end of a debate when they don't have any actual arguments left) is that "Fire and Blood is bad". it's bAd u guyz! what are we even fighting about? oh you thought we were having a genuine debate about whether the tv show is a faithful adaptation of the source material and the implications of the different perspectives for the characters, premise, lore and overall message of the story? well fuck you we're not doing that because guess what, the source material is BAD anyway and the 98494 receipts you just gave us are useless now because we just moved the goalposts and you're a loser for even engaging with the source material to begin with lmaooo

[floralovebot]

helia is obv meant to be androgynous and bishounen but I get why people would think he was designed to be a woman initially because his name is a woman's name actually. helia is a girls name. also, compared to avalon or other long haired characters, he's also somewhat more different.

I don't think it's too far fetched. some language groups like greek fans could have other pov. in latin american spanish his name was changed to helio for this very reason.

i know his name is feminine. that still means nothing tbh

sky is a popular girl's name in the west. does that mean he's automatically a girl? like no of course not. no one is arguing that sky is a woman just because of his name. griffin is a masculine latin name. don't see anyone questioning her. if his name is the Only proof people have that helia was meant to be a girl, that's weak when other characters also have feminine/masculine names that don't align with their canon gender.

also, you need to ask yourself, what is different about helia? like actually answer that question. what exactly makes helia different from characters like palladium, valtor, or avalon. it's not his body - helia has the same muscular body the other specialists have and he's one of the few male characters we see shirtless on screen. it can't be pacifism - he's not a pacifist and pacifism is not a feminine trait. it can't be art or poetry - neither of those things are feminine traits/hobbies. it can't be his fashion - he's just wearing a shirt and jeans. if anything his wardrobe would be considered more masculine compared to the crop tops the other specialists are wearing (even for the time). it can't be his personality - nabu is also wiser and gentler, timmy is also a simp, brandon is also caring.

so what exactly makes helia different from other long haired male characters?

nothing. that's your answer.

the only thing that makes helia So different is that other long haired male characters are often coded as white Or specifically have darker skin, so fans don't feel the need to question their masculinity (which is a Whole other discussion). helia is not coded as white. even fans who don't consciously realize it are still picking up on that coding. these white fans then feel comfortable questioning his masculinity because they've done that to men of color for decades. it's not just asian men either. white people love to question the masculinity of all men of color, regardless of race or skin color. that's how they demean them. how they separate them from white men. they uphold certain racial and gender stereotypes and then demean any man who "doesn't fit that". which in their eyes, is all men of color.

it's like this: man of color doesn't adhere to western/white/european cultural standards > white people realize, don't like, insult them, and try to make them feel like they need to adhere > white men prioritize the patriarchy and feel the need to glorify it > in order to insult men of color, they specifically call out and question their masculinity > white people around the world think this is genuinely innocent because it focuses on gender instead of race > white racists get away with it

listen, i know at first this seems like a really harmless and maybe even amusing topic. "oh helia is so pretty people think he's a girl ahahah". and for some fans it is genuinely harmless. they just think he's too pretty to be a man. and then they realize, laugh it off, and don't question it again.

unfortunately, that's not the case for a lot of other fans. it's not innocent. it's not harmless. it's white people picking up on racial coding and questioning his identity because of it. you guys don't do this to other characters. you don't do it to sky, who also has a "feminine" name. you don't do it to palladium, who is slimmer and has a gentler, nicer personality. you don't do it to saladin. or nabu. or ogron. or gantlos. or anagan. or tritannus. or nereus. or king neptune. or king teredor.

all of those names are male characters with long hair.

i know it's nice to assume that this is innocent and genuine. but unfortunately, that's not the case. this is an example of something that isn't innocent for a majority of adult, white fans. even if they're not doing it On Purpose. subconscious bias is called that for a reason.

[gay--dog]

can anyone engage with art normally or are we just forever stuck in a world where the only way anyone can interact with a piece of media is through gleefully missing the entire point and cramming everything into sanitized fandom slop archetypes and ship dynamics. just wondering