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#not all of rhem are like that
larkkspuur · 1 year
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My biggest fear with talking about Minecraft smps (that aren't the one I'm in) is that all y'all new followers will think I mean the big awful one. I super prommy it's not that one. There are others. Hold my hand. Do you want angst? Two people bound together only to have to betray each other in the end inescapably? A king and his right hand man going down together? Two husbands in a flower field? We have everything here. Come closer.
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huginsmemory · 20 hours
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Ideology of Exceptionalism and Gravity Falls; meta and character analysis
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I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.
Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 
The Ideology of Exceptionalism 
First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 
For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 
This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.
Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 
However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.
This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.
Ideology of Exceptionalism and Gravity Falls
The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 
Ford and Exceptionalism
Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 
“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”
Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.
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Image id: Stand and Ford when they were children, both clearly enjoying each other's company.
Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 
Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.
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Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.
In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.
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Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'
Ford and Bill
All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?
And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 
And then it's better than that. 
A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.
Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 
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Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.
So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.
All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.
Ford’s Exceptionalism and Wider Relationships
Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.
For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 
As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.
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Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.
It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 
And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.
Bill and Exceptionalism
Now of course, that's only on the Pines; what about Bill? 
While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 
This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 
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Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.
Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).
Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.
In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 
And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 
Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.
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Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.
They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.
Stanley Pines, and the Refuting of Exceptionalism 
Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.
But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 
And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.
In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.
And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.
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Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.
TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.
Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me
If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)
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anonymouscheeses · 5 months
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Frame redrawn! Or whatever it's called 😭
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First my wifeee 💜💜 she's so bigger body coded it's not funny grr lmao idk uhh her eye is pinker and obviously the ears, well, exist. Also eyepatch cuz... eyepatch. Yeah. She's my wife u guys... so real so fr fr 🗣🔥
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Made him actually black 💀 I'm sorry it felt sooo wrong to give him his canon skin tone it disturbs me.... he has a tie cuz he would wear tie over bow I jst know it. Snout! Cuz deer. I'll probably change his ear placement like, give back his top ears and give him human ones buttt not sure... I hate drawing his hair it's so goofy brutha eugh
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LOTTERALY ME U GUYS RARARAHAHEIIREM8S UHHHH idk why I gave her pure black pupils but like I will. Forever. I gave her snout too but like. In a more. Snout way. Yknow??? She's so goofy I love her smm we are the sam.e red cheek thinfs r pink now cuz I think it looks better idk. Goat ears. Cuz goat ears. She's so goat coded it hurts. Just. JUST MAKE HER GOAT RAAHHH
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baghassavocados · 11 months
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Either it's because I'm a triple A battery (AroAce AuDHD) or those two really didn't have chemistry.
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cringelordofchaos · 3 months
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Anyway I was watching season 1 and I like how Stan really can't get himself to kill anyone (like any other sane eight year old) meanwhile Kyle is almost always down to murder whenever possible☠️ what is wrong with him lmao
more emotional Stan version (wasn't sure if it was too ooc or nah but I drew it anyway)
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littlelightfish · 5 months
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The hearts don't mean he is in love with no one. The problem with English is how vague of the word love is in his meaning. It envolves different kinds of caring in one single word. But I'll try to express here what I mean.
He cares, as a person, about everyone. This is a basic level of love that he haves towards everybody. He doesn't want anyone to actually die, that's what I mean. He doesn't necesarily cares about someone, but he loves them enough to not want them to die.
He starts befriending someone and gets to know it. He starts liking things about them and disliking others. He starts loving this people in another way, we'll call it liking. This is more a get-to-know phase he doesn't always like. The less he knows, the less reasons to get attached get attached he has. I think this are the kind of love the hearts show in the image. He has to make sure to keep a balance between how much he loves and how much he let's himself be loved. He doesn't want to have misunderstandings. He is in constant fear of "what if I made them love me more and they care more?"
And then it comes the deeply care that love is in the non-romantic way. This care a (good) parent has for his babies. The love that makes people suffer emotionally in an absolute different way from what it could be a heartbreak or a misunderstanding between friends. If something happens to the loved one, the pain is unbearable. It's one of the worst things rhat can happen. And Chilchuck knows this, he is father of three daughters, and his wife left him. She left, he knows the pain it is to come home and find it empty when there should be someone. He knows the guilt it comes with failing those loved ones. The shame. He doesn't like being this vulnerable. This love makes him suffer like no other does. So he is very very carefull of how much he allows himself to care about someone so he won't get to love like this.
He draws a line between work and private life because his private life envolves love and deep care, and he doesn't want to love nor care like this for people who's job is to constantly risk their lifes. He doesn't want to feel the anguish, he doesn't want to feel the loneliness it will come after the unenviable separation of the party.
He tries his best to not get attached to people. To not let people get attached to him. But he fails. He fails and falls downstairs with a whole drum set.
He can't help but to care about this people. He can't help but to love this people he's been living with the past few weeks in the risking of their lifes. He tells himself he's doing this for money and that he doesn't care, but he does.
Those hearts don't mean anything other than him caring about them. He cares about Senshi. He cares about Marcille. He cares about Laios. About Itsuzumi. About Namari. He cares in a way that hurts. He loves this people. He doesn't want to even imagine a world in where they are gone, or suffering, or in problems. They're his friends, they're something he, unwillingly, accepts as family.
He cares about Falin and Mickbell because he doesn't want them dead. He doesn't feel any anguish toward if they do or not get hurt after they're out of his sight. Sure, he cares, but he can live without thinking about them the rest of his days. It doesn't happen like that with Laios. He can't just simply let Laios go and follow Fallin just after he recover consciousness from a punch in the gut. Was it Mickbell, he would let him if he really didn't wanted. But Laios didn't wanted to sit and wait, and he had to care. He had to verbalize to himself that he cared. He had to let them know, so they would act accordingly. So they won't get themselves killed like idiots.
He doesn't want others to fall in romantic love with him. He doesn't feel romantic love towards anyone either. He isn't the man for this kind of love. He is, in fact, afraid of it. He doesn't want to fall in love, because he's still in love with his wife. She left him because he was negligent. But since when has this become the definitive stop for love? Chilchuck knows his wife is angry at him, and she has all the reason to be so! His husband, the one she loved and cared for, gets himself in dangerous situations, treats his body poorly and almost never is home. She loves him, and it hurts her to love like this, so she leaves. Like this she won't have to look at him get himself mistreated like he does. She would have the pull in her's stomach that tells her that he could be in great danger, that she could become a widow, but she tries to calm it with his daughter's mail to him. He could never. He can't imagine a world in wich they cease to exist. A world without his wife, even if she distanced herself, without his daughters, would be a world worthless of living. He knows this. Because he cares and he loves in such a deep level that he is scared of loving anyone else like this. To become so vulnerable to emotion. This vulnerable to something bad happening.
The fact that he is so afraid of loosing his wife, even after she left him, says a lot. He still cares about her. He is still in love with her. He wants to go back to what it was before, but he can't and he know its his fault. And he respects his wife's distance because he loves her. Now, he doesn't love her in the movie way, he isnt in love like a teenager would to his first girlfriend, he doesn't want to kiss her, or hug her, or be by her side at all moments of the day. He loves her. He cares about her deeply, deeply enough that he doesn't need to be by her side to care, to love. He also respects her. He can survive without her because he knows she's better with his daughter. For sure he wants to hug, kiss and be by the side of this person he loves, it would be ideal, but he can survive without thinking about it too much. It's just like with his daughters. They're all adults that now live far from him. And he is ok with it now. He sends mail and recieves mail, and even if he misses greatly, he can manage not to think about it. Because he knows she is allright. Because he knows he fucked up. He doesn't know where he fuked up, but for his wife to leave him, at least he knows he did. They never talked about it, because they both seem to have a problem in expressing themselves. She fell into a bad mood and then she disappeared. The amount of pain he must have felt it's... let's say it's quite big.
He keeps his guard up. He doesn't want to love deeply anyone. He doesn't want to feel the emptiness, the hurt, that comes after someone so dear leaves. He knows for a fact he'll be leaving this people. He knows that they could die. If he loves, it will hurt in a way nothing else hurts. He will miss. He doesn't like missing people he cares like this. This is why he doesn't want to love. This is why he doesn't want to be loved. This is why those hearts that are almost full are his main source of concern. This is why he makes the effort to keep this feelings at bay, to love only in the friendly way and with extreme caution.
But he can't controll his own love. And he ends up caring more and more about these people. He slowly makes him a part of the dangerous love zone that family means. He is afraid to confuse someone about his feelings towards them, so he still tries to maintain distance with his abusive remarks, but this only works so far. He loves and is loved. And because of this he will suffer.
I... I extended myself a bit I see...
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pnutsdotorg · 1 year
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SHRIMP EATING FREAK CAUGHT ON FILM
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michaelmellz · 2 months
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another thing about me is i will get SO political on main but im too scared to talk about controversial things in the be more chill fandom
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klance-daydreams · 4 months
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missing klance hours
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polarized-here · 20 days
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POLAR I WOULD LOVE TO HEAR ABOUT YOUR OCS AND SEE THEIR CONCEPT ART‼️ please I need food, I need to eat your art sjdhhsjdhsj /lh
GRAHH FINE SINCE YOU ASKED… my lore. Sorry this is so late gngahgahshsjsh… you literally caught me as dinner came home. Like. Oops… crazy… right after I knocked out shekhrkdbddmbd anyway! :)
Under the cut because it may or may not be a long thing, with most plot points just being little ideas—no fully fleshed story, just, erm. Ideas I like.
Update. It’s long. Also tumblr is so glitchy rn it kept making this saved post disappear and then reappear in my asks after I exited the app and opened it again what the fuck 😭😭
So, in this world, a majority of the population do. Not. Have powers, having them is seen as a blessing, But… It's a dystopian themed world—where these powers are incredibly monitored and regulated by the government—with some being minor, and some being full on changes to the physical body and how they manifest. (ie. My excuse for drawing anthros… or kemonomimi… shushhhh/also allows me to just dump all of my ocs which you may have seen before, in one little world and play with them like they’re my puppets :( I love them sm!! One of them sora is from DND they hold a special place in my heart...)
But again, having these powers is seen as a blessing from a God of some sort—and a curse, as while they’re regulated by the national government heavily, some individuals still manage to slip by, or cause harm to the general public, so from this, they (the gov) took advantage of this to instill a system of ‘heroes’ and ‘villains’ there’s a few ‘vigilantes’ but most either become heroes (through turning themselves in and doing plenty of community service work, and discussing a contract with some government representatives—most who become heroes are never the same. They always have a look in their eyes, as if valor to help their nation has blinded them), but some may become villains.
Heroes are those who just have a license and have signed a contract with the government—most get these contracts renewed or take a small few month break in between contract renewals. They’re unable to use their powers in these circumstances, unless it’s out of self defense. Civilians can too (those not heroes, are regulated by the government heavily, and choose not to pursue it. But it’s like US NAVAL contracts too. you can join programs in the gov that give you supplemental access and benefits to college/pay it off, etc etc etc. like the national guard but more celebritized), but they (civilians) need to find a GOOD lawyer. There’s so many laws that heroes are naturally given a smalllllll pass over, that it’s just best to run away, or be a hero in that small instance.
(This has sm mha influence. As sad as it is, that show influenced me sm. Got me into trying art. Fr fr/on digital. PLA is just where it improved a weeee bit).
OKAYYY ENOUGH AGOUT THE SET UP!! THE CHARACTERS… I’m so sorry idk why I’m rambling this much, I’m not even hyperfixated on my own OCs. Like what the fuck.
Anyways! A key note is that having bright colored hair is a key identification that you probably have powers that haven’t manifested yet, and the hair is always a bright color, unless, you’re Astor!
He’s got so much trauma *slaps roof of car.* You can fit so much trauma in this one bad boy. And despite it all he remains a good person. Dawg. You have more strength then I’d ever have. But igggg the want and need to help people because you were hurt and want to make a change does seem motivation enough… anyways. They’re so marysue coreee
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The main character & a small-time vigilante going to the new school that’s just been set up. His hair only really turns those bright colors when she’s using their powers—but in the ref it’s just for convenience sake. She has so many skeletons in her closet, that they can’t risk being caught. But they love helping people too much. They’re a bit altruistic.
Here’s their vigilante suit ref :)
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For ease of mind, they always have a small bit of static on their hands—both to stun new people meeting them. To make the air feel charged with thunder and electricity—a warning to her presence, and because it means their hair stays that color. No matter the charge. His eyes stay the same color though. Again. These are some old doodles from last year of some characters. Notably, that I also revamped. Heroes, villains, and vigilantes stories always hold a special place in my heart,,,
Next up is Anzu! Silly goober!!! Please give him head pats!!!! He loves it!!! This is Astor’s only… real friend. Since Astor likes his solitude. But tolerates Anzu’s silly behavior. Utter dichotomy between them!!! <333 I haven’t decided if they’d get together or nah, but! <3333
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Yeah, this guy (and Astor) both have autism (I didn’t even realize that him liking trains was an autistic stereotype… oops. Mb gang. But like. Seriously. Ywah didn’t mean anything by it. I’m autistic myself and I’m possibly pursuing physics or engineering 💪💪 I think it’s alr if I project onto a character I made 🔥🔥🙏)
Yes, he’s based on the irl dinosaur. Yes, he’s autistic, hear me out. I just put lots of things together. And he just ended up with major tism 🔥🙏
And finally, a hero I designed :) I changed her a weeee bit. But she’s mostly the same sand manipulation :) villains dislike her since she puts sand in their shoes. Her big container is full of sand and stuff. She doesn’t have a weakness other then she needs to be a bit concentrated on making her sand creations—but they’re like second nature to her because of how long she’s been a hero. She’s an antagonist only because she’s trying to take Nexus in. She sees how sweet she can be to the native cats (from a distance. Never touching them, and she never knows why, they look at the native cats, longing to pet them but always stops) so she wants to take him in and make a case for him to join the government’s hero program.
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Arizona! But her hero name is Sahara yk… Yeagh…. Anyways :) I love her lots. She does mean well. But she’s also blindly faithful in the government, or will see its problems and will deflect or try to be better to make things right. But she always holds rules above anything else. Even if she cares about someone who’s breaking them, a lot, so yeah… totally not talking about the mentor and mentee relationship between her and Nexus… where she pushes her morals aside just to listen to him seldom talk about his intrepid interests.
If Nexus didn’t have those powers—in her opinion—she would’ve made an excellent leader in whatever field he’d want to pursue. And she knows he’s got something up with them—some history. And that breaks her heart a little seeing how much pure joy Nexus gets at being able to try new things, like new foods, or try out purely common things that should be normal to a kid like herself.
Very much love found families and going to the extreme for them :33
ANYWAYS!!! Those are the main 3. I have some others I’ll show. But yk. They look a wee bit different + have names labeling them and the key parts of them. I don’t think tumblr would like me dropping all their refs :,)
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Actually :O hold on, their refs are here. Trust
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I’m so smart for pasting them all here. Trust anyways. Those are my pookies, so sorry this took so long.. erm I like them a lot. Oh yeah, I made a comic with them for art class. Yeagh. They were mostly changed for ease of drawing but yeah. I did not want to do it but I had not wanted to do this 🚬🚬
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But yeah, pookies…. Sorry you probably didn’t want this comprehensive lore about them grrr
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satellites-halo · 10 months
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made some flags for intersex cuspers
Left to right:
Cuspfem, cuspfemmasc, and cuspmasc intersex flags
Just when you're on the cusp of being trans fem/femmasc/masc but aren't quite due to being intersex (aka literally me). These technically fall under the intercusper umbrella but I didn't model them off that flag color wise (I instead used Vibes).
@interarchive for archiving purposes ,
this is NOT a mogai blog!! don't follow me if you want more mogai stuff!!!! this is a very rare occurrence where I post flags here, ok?!!!?!!!?!
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triglycercule · 3 months
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me on my way to ship cross with every other sans under the moon except for the bad sanses (i don't like it ok. it doesn't work for me. kross or crossmare or horrorcross (???) or dustcross (WWHAT QRE THE SHIPNQMES) it doesn't click. cross wouldn't.... he'd be with someone that's not w total freak (i love mtt + nightmare but respectfully thrure all little shitstains that i would flush down the drain)
me on my way to not interact with any bad sans poly content solely for this reason. my disdain for cross x bad sanses is more than my want to see mtt poly (cross x star sanses x epic sanses real btw. cross gets all of the positive bitches. he'll give away a bitch he dont need them all)
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bueris · 4 months
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I was meant for an angsty teen emo/punk romance in the early 2000s I'm not meant to be here I meant to be in a questionable but intense loving relationship with someone who sleeps in sharpie eyeliner for several weeks in a row that begins in the spring of 2002
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skitskatdacat63 · 4 months
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Hmmm if I'm to draw smth for vettonso day w them in multiple eras/AUs, I wonder what I should do. Rn I'm thinking boy king au, matador au, 2010s era, modern era? Those are all the ones that are developed enough, so I don't think I should do Bond au or anything else...or should I 🤔 maybe as a chibi addition lmao.
Is there a drawing metaphor for having eyes too big for your stomach? When I'm at this stage I'm like, "four drawings? Light work." And then when I actually get into it, I want to choke out my past self.
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satirn · 2 years
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when the colors pink and green 💖💚
+ with bg because i cant decide which is better.
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though ive already drawn them i wanted to redo it bc I thought i could do better with their design. honestly glad i did the first drawing i did was ROUGH 🥲
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warningimboring · 11 months
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Reading about what is happening in Palestine is like being hit by a grief that is so absolute it renders me speechless. But remaining to stay silent in the face of it would be like I was being complicit in what is happening. Multiple times I have seen footage and read news from the past week and I've been kicking myself for not being a doctor. For not somehow being there to help. But all I am is an aspiring poet, and a shitty one at that. So I'll use the craft I have with me and hope that it makes a difference.
What is happening in Palestine is genocide. Plain and simple. We can use fancy words and what-aboutism all we want but that doesn't take away from the reality of it. It is erasing people who have been there for generations. It is imprisoning them for decades, treating them like subhumans and then condemning them whenever they take a stance, however that may be. It is slandering them and blaming them for their oppression. It is reducing a person into a number, a mere statistic.
Notice how in the first paragraph I gave you tiny little idiosyncrasies about myself? When you read about the 1000 dead children (which in itself is a truly awful phrase) what I need you to understand is that the implications of it are far more deep than just those 1000 lives lost. It is the families, the communities who have lost them. It is doctors who have had to pronounce infants dead. It is parents who have had to bury their young. It is an identity, wholly unique to itself- someone like no one else, lost.
Life is hard. This whole blog is dedicated to the angst of existence, the hope of existence, the pursuit of existence. Those people who were killed, all of them, they had lives too. They had existences that they clawed into being. They had hopes and dreams and fears. They had names. They had families. They were human. They bled and cried and laughed and probably made horrible jokes that no one laughed at and had favourite stories and opinions and tiny little quirks that made them just weird enough to be real.
They had the right to exist. They had the right to be free. Free of fear. Free of oppression. But they were denied those rights. And instead of condemning this great loss, we have splintered into a mass of rioting opinions. The shards are sharp with hate. This atrocity, this continuing atrocity, is justified, supported, celebrated. Oh, how we condemn ourselves.
This is wrong. Plain and simple. This has got to stop immediately. They have been denied safe passage away from the rain of outlawed chemicals and missiles and bombs. They have been denied humanitarian aid. They have been denied basic human necessities including food and water. The medical systems that they have is being crippled. Their hospitals are being bombed at. The places they shelter in (including UN camps) are being bombed at. The people who bring their stories to the world are threatened, held at gun point and killed. What Israel is doing is wrong.
But this is not all they are. These people have dug themselves out of the rubble the world buried them in. They have bled and cried and broken bones and they still stretch an arm to help each other. I am not glorifying their suffering, I am just in awe of it. They are doing their part and we have to do ours. If this is to continue it would be another great stain on humanity's soul. Like the holocaust. Like the atom bombs. The weight of it would be all of ours to bear.
I know me saying this here probably means nothing. I'm a nobody with pretty much no audience, but even if there's no one in the forest to hear me, I must fall. What is happening is horrendous and if I'm powerless to change it, the least I could do is bear witness. The least I could do is speak about it.
May God make it easy for the Palestinians. May God help us all and guide us to that which is right.
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