#not going to use it as my first source but having a book on the occult from FOUR GENERATIONS BEFORE ME is crazy | Explore Tumblr Posts and Blogs

gojonanami · 3 months

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❝ 𝐏𝐀𝐈𝐍𝐓 𝐓𝐇𝐄 𝐓𝐎𝐖𝐍 𝐑𝐄𝐃 ! ❞

❝ A GOOD GIRL SUMMONING THE KING OF CURSES -- WHAT COULD GO WRONG? ❞

✧ pairing: heian form! ryomen sukuna x good girl! reader

✧ summary: you've always been a goody two shoes -- or so your friends say -- so what happens when you decide to do the first bad thing you've ever attempted and try summoning a demon -- and it actually works?

✧ warnings: 18+, nsfw, smut, dub/con / non/con (dead dove, do not eat), reader summons sukuna accidentally, monster fucking, corruption kink, reader is a virgin, dom! sukuna, heian form! sukuna, four arms, mouth stomach, size kink, oral (f + m) (f receiving via mouth stomach), handjob (m! receiving), fingering (f! receiving), sex (p in v), creampie, degradation kink (slut, whore), overstimulation (f! receiving), description of violence (no violence happens), art by @/danXL4 (on dA), dividers by @/saradika

✧ wc: 4,916

Summon a demon in your apartment, they said. It would be fun, they said.

‘They’ meaning your stupid ass friends who were too fucking scared to stay here with you while you did it.

Maybe you should’ve thought this through, preferably before you sat in a circle of blood (animal blood taken humanely that could not be used — don’t worry, you weren’t completely insane), and painted the symbols around the circle in the living room, your carpet rolled up, and on the precipice of unfurling, and your coffee table pushed aside.

Your phone buzzed with messages in your group chat:

Don’t do this, girl.

Another message.

What if it’s real? I don’t want something to happen to you - like I rather not have this on my conscience

What heartfelt pleas, you shook your head, as you put your phone on ‘do not disturb,’ and propped it up before opening the camera app and hitting record.

Your fucking friends — it was all their fault to begin with.

You grit your teeth, you are tired of being boring. You were always studying, always coming home early, always getting to class on time, always the fucking good girl, never getting fucked up or fucked for that matter. And your friends always taunted you for it — told you that you never lived a day in your life, that you’d always live sheltered in your apartment with your books and your streaming apps (which, you admitted, did sound pretty good to you) — but you wanted to prove them wrong.

All the fuck they did that was daring was go to supposedly haunted sights and get the piss scared out of them — like yeah, that really was the wind, not some fucking ghost. If it was a ghost, pretty sure they would choose someone better to haunt — not a bunch of fucking pussies.

You needed better friends.

So for once — if only to get them to shut up — you wanted to do something crazy.

You don’t know why a demon summoning was the hill you had chosen to die on, but you already climbed your way to the top of the hill, you supposed, so you might as well die on it. You looked through the Reddit thread you found on demon summoning (of course the most reliable of sources), looking over the incantation you were supposed to read, as you turned on your camera.

Fuck. This was going to fucking dumb. You grabbed your lighter, lining up your candles around the circle, before kneeling in front of it.

“To summon the King of Curses,” you read before you scoffed, what the fuck were you doing? ‘The King of Curses’ — they couldn’t even come up with anything more creative than that? Like no latin? Or even japanese folklore — no, instead the most generic ass of names, “To summon the King of Curses, you must read the following incantation,” you glance at your phone’s camera with lips pursed — you were going to prove a point — but why did it feel so goddamn stupid?

You sighed, rubbing your forehead, as you suck in air between your teeth, and sighed, before reading the incantation: “Rise, Disgraced One — Oh, the King of the Golden Age that reigned supreme,” there was a chill that grazed the back of your neck, a slight breeze that raises goosebumps along your skin, “Open the Gate of Hell and let the King corrupt you. Fuga,”

The flames on the candles shoot to the ceiling, as a scream lodges itself in your throat, as you barely scramble back enough to avoid getting your face burned off. The fire licks the ceiling, and a thick cloud of smoke floods your apartment, sweeping through the apartment, as you begin to cough, eyes burning with tears.

“What the fuck—“ you reach for your phone in your pocket only to realize it’s still set up to record in that fucking mess of flames. You’re frozen, as you stand trying to recall what they taught you about fire safety growing up — is opening a window a good thing or a bad thing? Where’s the fire alarm? Do you even have a fire extinguisher? Thinking dangerous things through wasn’t your specialty, you supposed because you never did them.

Fuck, if you died, you would become a fucking ghost and haunt your friends.

But the flames ebb away, leaving some scorch marks on the ceiling (fun thing to explain to your landlord), as your lungs struggled to cope with the flood of smoke dispersing, the cloud so thick, you could barely see your hand in front of your face. The haze seared at your throat, drawing a smoker’s cough from your lungs, while your eyes could barely open, waterlogged by the sheer amount of tears spilling.

You gently wipe tears away from your eyes, as you blink them away, until you stumble to your window to throw it open, coughing, as you stick your head out.

“What the fuck,” you mumble, throat raw — was it the candles you bought? Were the candles somehow really fucking defective? Or did you somehow actually summon a demon? You snort, no, it was probably the candles. You leaned against the window sill, letting the smoke escape — as you finally were able to breathe again.

You sigh, shutting the window, turning back around — only to find four eyes staring back.

He was huge. A hulking mass of muscles, four arms, instead of two, and each one was possibly wider than your head, no shirt or covering to find the exposed skin — his dark blue pants hung low around his waist and above it was a weird groove in the middle of his stomach.

Your eyes raise as he lifts his arm, as you flinch, but he only rakes his fingers through his dark pink hair, pushing it back roughly. showing off the hands of black around the middle of his bicep and his wrists. Broken lines wrap down from his shoulders into jagged points that end in the middle of his chest. Black dots adorn the sides of his shoulders, hollow vacuums that stared back at you.

Two eyes on each side of his face — but his right eyes were raised, as if he bore a mask made of wood or raised skin — you didn’t know which — fused to his face. But something told you — as you took a step back — it wasn’t something you wanted to find out.

“Are you the brat who dared to summon me?” And you freeze at the sound of his voice, ringing with such a weight, it nearly brought you to your knees. Your eyes fell to the ground, unable to bring yourself to look at him — your heart rattling against your ribs. His presence was a pressure, the air around you seemed to still, his voice ringing in your ears. Your muscles were drawn taut, unable to move — shivers ripping down your spine.

“Yes,” you manage a whisper only, resisting the urge to squeeze your eyes shut.

He gives a small chuckle, “So submissive for the one who dared to summon me,” his heavy footsteps out of the circle, melts the candles beside his foot to puddles of wax, “it has been eons since I’ve been able to roam free—“ he inhales, as you stand frozen, hearing his hulking form drawing even closer, “I can smell the humans, roaming free, wriggling like worms in the crevices of this place — I can’t wait to massacre them,” and then he pauses a moment, as he considers you.

“Brat, look at me,” you swallow, as your head slowly rises to meet his gaze, his form towering over you, standing two steps away from you, letting you dwell in the void of his shadow, “tell me, what did you use to summon me?”

You blink, “I found it—I don’t know—“

“Read it to me,” he orders — there’s no option to disobey, unless you’d love to be met with certain death. So you move slowly to your laptop, reading the incantation again, “‘and let the King corrupt you. Fuga,”

His eyes narrow, as a slow smirk settles over his features, a smirk that sends an icy chill down your spine, “Woman, you have no idea what you’ve done, have you?”

Two of his arms are crossed while one of the other’s reaches for you — and your eyes shut now — you are surely dead, but instead of a hand around your neck, you feel fingers grip your chin.

You wait for the embrace of death (at least maybe you’d find better friends in the afterlife), but it never comes, instead you hear a deep chuckle, as another arm curls around your waist and brings you flush to him, “You humans are so tiny, so fragile, one wrong move and i could break you,” and another large hand is slipping down the curves of your body, “I suppose I’ll have to be a little careful — only for this to work, and I suppose for your benefit as well,” and your eyes finally dare to open and peek at him, only for his face to draw near, breath warming your lips, “I’m going to savor corrupting you, little one,”

“What the fuck—“ you try to break away, but his grip is like iron shackles around your wrists, as he forces your arms around his waist, caged in by his own arms, “please let me go—“

Before you can even finish your plea, his lips meet yours, swallowing your gasp with a smirk. His large hands around your waist left no space for retreat, not that you’d make it far even if you tried. His kiss sent a slow burning heat throughout your body, a spark that grew in your belly that ignited when his tongue slid into your mouth. His touch only added fuel to the flame — his hands skimming over your sides slowly like warm honey sliding down your skin.

He parts your kiss ruined lips, not before his teeth bite down on your bottom lip, a smirk on his lips as he sees your saliva slip down the corner of your mouth. Your lips parted and puffy as he drags his thumb down them, eyes blown out with pleasure.

“That’s it, give in,” and the haze that settles over you is thick and unforgiving, unable to see anything but the King of Curses before you and unable to need anything but pleasure at his hands.

“Please,” a small hint of resistance remained stubbornly — you couldn’t let this monster have his way with you — for fuck’s sake, much less lose your virginity to him, “I can’t,”

“But you want to,” he hums, as large fingers tug at your flimsy shorts, the fabric tearing with ease, until it was in shreds, a shiver running up your spine at the thought that your limbs could have been too, “your mouth says one thing, brat, but your lower lips,” a thick finger presses at the wet patch on your panties, rubbing against your puffy clit, “say another,”

You whimper, as his finger bears down harshly through the thin fabric, “please,” you swallow, as he leans down to lick the drool from your lips, “please—“

“Please, what, little one?” he chuckles, as he presses wet kisses up your jaw, “I can’t give you what you want if you don’t tell me,” your knees are beginning to buckle, as the ache between your legs only grows, “I know you must look pretty when you cry, so do you want to cry for me, brat?” and his piercing gaze nearly brings you tears along, “because I can give you something to cry about,”

“Do you ever shut up?” you mutter, but that only seems to make the corner of his lip tug upwards.

“I can make you shut up,” And two hands squeeze your hips roughly, while another slips under your shirt, “No undercovering? It’s as if you wanted this all long,” he chides, a huff in his voice, as his finger teases your pert nipple between his thumb and forefinger, pinching and pulling, drawing a yelp from your lips, “hoping for an incubus or some other curse or demon?” he’s tugging down his pants, revealing his dick—-if you could call it that.

Fuck, was that a cock or another appendage all together? Far thicker and longer than any male anatomy you’ve seen depicted or described in even the filthiest corners of the internet — pretty veins running up the sides, as a mess of pre-cum dripped off the engorged tip, flushed red with need.

“Why did you summon me?” he demands to know as he leans down to take a nipple between his lips, and you know you have no choice but to answer.

“I wanted to prove to my friends that I wasn’t—” it was so pathetic now, as you stood before a literal deity of death, “wasn’t just a good girl,”

He chuckles, a bark more than a laugh almost, as you swallow thickly as your eyes can’t tear away from the sight of his dick — would he kill you with it instead of his hands?

“Well, you aren’t anymore are you?” he scoffs, and you fail to notice his hand shifting to tug your underwear off, a gasp ripped from you, as another hand brushed against your bare cunt roughly, “Look at how fucking wet you are already, slut, so much already leaking all over my fingers,” he shows you the strings of pre-cum connecting his fingers, before he brings his fingers to his lips and his tongue darts out to lick them clean, “I’d say no respectable woman would be dripping this much if she was so good,” he hums, before sighing mockingly, “although, perhaps I should preserve your sanctity, even a little. It would be unfortunate to leave you like this — even more so, to leave myself like this, but if that is truly what’s for the best—“ his grip begins to loosen, but your fingers find his shoulder.

Two words manage to leave your lips — and you don’t know whether it’s that you’re under his spell or under your own — but you know that you need this “Don’t go,”

His lips curl. He wasn’t going to begin with — but it was so much easier if you gave in.

~~~

“C’mon little one, you were so eager only a moment ago,” The King of Curses chides, amusement threaded through his tone from behind you, watching as you nearly straddled his stomach — though you had realized it wasn’t just a stomach. A tongue flicked out over lips that formed over the middle of his abdomen, right under you.

“I didn’t know—“ your cheeks warmed, your walls fluttering at that thought of that tongue against your leaking cunt.

“Yet you’re so eager,” he scoffs, before using a large hand to tug you against it as two hands settle against your waist to hold you in place, “and I’ve run out of patience, so be a good whore and take my cock,” and he’s pushing your head down, sharp fingernails digging into your scalp, as his large cock slaps your face, smearing his pre cum over your cheek and lips.

Your lips part, the tip of your tongue tracing his weeping slit, drawing a hiss from his lips, before your mouth engulfs the head, while your fingers curl around his thick base. And as you do, you feel his tongue drag over the length of your cunt, making you gasp around his cock.

His mouth and tongue are even larger than the one on his face, slurping and sucking, as his tongue begins to work its way inside your needy cunt.

“Don’t slack, brat,” his hand pushing your head further down on his cock, nearly burying your face in his pubes, “come on, do a good job, and I may even give you the pleasure of being fucked by me,”

You force yourself to focus on sucking his cock, tracing the pretty veins with your tongue, before suckling at the tip, savoring the groan you draw from his lips. The squelch of your cunt as his tongue begins to fuck you open, thicker than even four of your fingers, fills your ears. Two of his hands find your tits, tweaking and twisting your nipples, squeezing as he presses the flat of his palms against your breasts, only for tongues to dart out from his palms. You gasp around his length, as his other mouths suck at your tits, swirling their tongue around it.

His hips jerk against your mouth when your fingers cup his balls, and he thrusts, “You can do better,” he grunts, as his tip grazes your throat, his mouth closing around your clit and sucking, hard, and you’re grinding on his abs and mouth now, toes curling as you cum, and his mouth only eagerly swallows it, the sticky release coating his abs.

His cock twitches in your mouth as you moan around it, as you recover from your orgasm, beginning to suck at his cock, nearly high off the pleasure, as you fondle his balls, bobbing your head up and down, until he’s finally groaning, his hot release flooding your mouth.

“Don’t waste a drop,” he growls, as you swallow it, blissed out and panting, as your lips leave his weeping cock, slapping against your cheek as he lifts you easily and places you on your back, “don’t tell me you’re done after that, little one,” and your eyes slide down to see his somehow still erect dick, standing tall as he kneels on your bed, his hulking form burying you in his shadow, “because I’m far from done yet,” his cock twitches at the sight of your lips, a swollen mess from sucking him off, a mix of his cum and your saliva all over your face.

“Please, I can’t—“ you whine, shaking your head, but two hands are already spreading your folds, your cunt fluttering around nothing, as if already craving to have his dick buried in it.

“Your cunt seems to disagree, little one,” as he drags a thick digit around your clit, before pinching it, as you keen under his touch, “you’re drenched for me, begging for me to take you,” and his thumb is now rubbing circles around your puffy clit while he sinks a finger into you knuckle deep, “I just have to make sure you can fit me in this tight hole of yours,” your head falls back against the pillow as he’s knuckle deep, another large finger already pushing into your slick walls, “still so tight despite all the time I took to open you up,” he clicked his tongue, a smirk on his lips, as his fingers find the spongy spot that makes your fingers fist at the sheets, as your release squirts over his fingers, your body boneless as pleasure buzzes through every inch of your body, until you finally start come down.

But as soon as you even begin to, his fingers begin to move again, fucking you through your orgasm, and quickly into another.

“Ngh, no, no, not yet—” your voice is caught in your throat, words leaving your lips in a hurry because you know surely his fingers would rip any coherent thought from your mind in a moment.

But he does not relent, only finger fucking you harder, “I have to be careful to open you up, otherwise, I very well may break you in two, wouldn’t I? Such fragile things, you humans are — already squealing? I haven’t even added a third finger yet,” he scoffs, as he hums, “have you not been deflowered yet, brat?”

And your pussy gives a telltale flutter that only has his lips curling further, a flash of his canines sending a chill down your spine, “I-I—”

“No need for your answer, pet, your body gave me the answer itself,” he hums, “then this will take a bit longer than I thought—” as his fingers curl and drag over your walls, before scissoring apart, “I’d prefer for you to be conscious when I take your virginity, but I don’t mind if you’re not,”

And a fourth finger presses at your slick hole, making you whimper, “Please, I can’t—” but he does not relent, four fingers now fucking you open, as your mouth parts in a silent scream, back arching as they work you open. Your body lies on slick drenched sheets, the smell and sound of your arousal only making his need grow, holding back if only not to ruin you completely — he needed you still, needed this to work. And he wasn’t sure what’d happen if he’d break you completely — and he knew he could far too easily. Already he could feel your blood rushing under his touch, the small gasps and moans could turn to screams with just a finger barely lifted, the slick painted over with scarlet.

But he doesn’t. He can’t. Not when he’s so close. And soon enough he won’t need you — but he can only cross that bridge when he gets there.

Or rather, when you get there.

~~~

“Brat, c’mon, keep your eyes open, we’re almost there,” Sukuna barks, as his fingers grip your chin, and force your gaze to him. How many orgasms had he given you? Seven or eight ? Maybe more. Sweat and cum clung to your skin, sticky and hot, as he continued to fuck you open, “think this virgin hole is finally ready for my cock, listen to it,” the loud squelch of your cunt as he thrust his fingers in and out had almost become white noise to you — and the sweet stretch of your pussy around his fingers had become second nature.

And finally he’s pulling his fingers from you, digits shiny and dripping with your release, sliding down your palm and wrist, as he brought them to his mouth to lick it clean, before offering it to his mouth on his stomach as well. He watches you all fucked out before him, legs spread along with your cunt that fluttered around nothing, waiting for him to slot his cock between your folds and sink in. He grunts, fuck, his balls still feel so full, even after cumming down your throat, aching to cum in your sweet cunt, see him fill your womb with his seed, the sweet release he had been craving for far too long.

“You still want my cock still, little one? Or are you too tired for it now?” he drags his leaking cock over your dripping folds, letting it tease your swollen clit as his pre cum mixes with your own, “maybe I should leave you like this, let you beg and beg for me until you’re writhing for me,”

You’re panting, the ache inside your pussy too much for you to bear — you were melting without him inside, the only thing to quench your need, your thirst — he was the only thing that could even begin to make it ebb.

“Please, please, my King,” your words are nearly sobs, pretty tears slipping down your cheeks, as your chest heaves with need — want far gone several hours ago, leaving only you with a desperation that would drive you mad, “I need you, need you take me, need you to fuck me,”

And his lips curl, “I thought you’d never ask, brat,” and he’s settling himself between your parted legs, pressing them back against your stomach, “although even if you didn’t, I’d help myself — because you summoned me after all, didn’t you, little one?” As he uses another arm to cup your chin, “watch me as I sink into you,”

Your cunt quivers as he presses his head to your entrance, as he uses your slick to wet his cock, “I’ll go slow at first, but once I’m inside, I have no intention of stopping, no matter how much you beg,”

It was a warning, a warning that there was no going back — but there was no going back from the moment you summoned this curse onto your doorstep — there was a descent into depravity, and how quickly you’d make it to the bottom.

The tip of his cock barely parts your folds, and you’re already whining about how full it feels — your walls fluttering as if trying to either accommodate his girth or push him out all together. He saw the faint drip of scarlet as he worked himself in, inch by inch — as your fingers found purchase in his forearms, nails digging crescents into his flesh.

“F-fuck, ngh, Too big, Sukuna, I can’t—“ and he can already feel your pussy give the telltale flutter of an orgasm, a cry ripped from your throat, as you cum, walls only pulling him in deeper and deeper — as if they never wanted to let go.

And finally, finally, he bottoms out, his hips pressed flush to your aching cunt, and he stills — it had been so long since he had enjoyed the body of a virgin, but he was sure you were the sweetest and tightest cunt he’d ever had.

Your cries made him scoff, tears streaming down your ruined face, it made his cock twitch —you were so small compared to him, a tiny pebble waiting to be crushed, but instead he held you in the palm of his hand. You were his to have, his to break, and his to corrupt.

“I told you there was no stopping,” he grunts as another hand settles on your stomach, on top of the slight bulge that came with his cock sinking into you, “can you feel me touching the deepest parts of you?” And he takes the whimper as a yes, “get accustomed to it, because this cunt shall be my breeding ground for as long as I see fit,”

And he finally pulls out only to sink back into your sweet depths, knocking the breath from your lungs. He starts slow, if only to spare you from breaking — because he knows so easily could. The wet squelch of your cunt rings in his ears, as he watches his thick cock sink in and out of your pussy again and again.

“Look at you, barely able to take my fingers and now you’re taking my cock so well,” he groans at the sight of your stretched pussy, as it took his cock over and over, molding its very shape to his length, as the slap of your skin against his became like a metronome, “such a perfect little whore, aren’t you?” and you moaned at his words, the sound of which made your cheeks burn with shame — “don’t worry, even if you aren’t, little one,” his fingers find your clit, rubbing and twisting until you come again, hard, your back arching as you do, fingernails nearly drawing blood from his arms as you do.

He hums, as he only fucks you through your orgasm, even as you try to squirm away from him, it’s all in vain — because you’re his now, “Oi, brat, where are you going? You won’t like what I’ll do if you try to get away again — your only place now is under me,” and his hands find his way under your ass as he shifts you onto his lap, “or on this throne,” and he fucks into you, brutally, again and again, your arms clinging around his neck desperately, as a hand on the back of your head guides your lips to his, “tongue out,” he orders, and you do as he says, as the two of you meet in a sloppy kiss.

And his hands shift to your hips, bruising as they help you ride him, meeting his thrusts with your own, until he’s finally hitting your cervix that has you squirting, drenching him in your release as your walls shudder around him. And his lips leave yours a moment, before they kiss down your jaw to your neck, his teeth sinking into the soft skin at the juncture of your neck and shoulder, drawing a yelp from your lips.

He groans, a guttural noise from his chest, as he notches himself as deep as he can before cumming, his hot release spurting out and painting your walls, as he continues to fuck it deeper and deeper, the snaps of his hips finally slowing, as he pulls away from your neck, enjoying the blood that pools in the ridges of his bite mark.

“Such a good little slut, aren’t you?” he hums, as he cups your lolling head, eyes thick with sleep and body heavy with exhaustion, you hear his quiet voice murmur, “I was only going to corrupt you for the sake of completing the summons you gave — I had no choice if I wanted to stay on this plane, but,” he hums, as pulls his cock from you with a gasp on your lips, before he has you flipped onto your stomach in a moment, sheathing his thick length back into you in one thrust, “I think I just might keep you, brat,” your eyes flutter shut, as his words fade from your consciousness, until a mean spank to your ass jolts you from your retreat into Hypnos’s arms.

No — as you turned your head ever so slowly to get Sukuna’s face in your periphery — you only answered to one god now.

The King of Curses’ lips curled in a cruel smirk, as he drew his hips back before slamming back in, “Let’s show the world truly how depraved you are, brat, hm? Together.”

✧ a/n: this is my first time writing sukuna so i hope i was able to do him justice. i was gonna do the whole two dick thing, but i was already like...this is complicated enough lmao.

✧ taglist: @pricetagofficial, @kentocalls, @angie-1306, @fayyyrieee, @dontshuugo, @zz-snow-zz, @viveriens, @sunflowmaryam, @eclipsephase, @merrymonkey, @leilannnnnnni, @spider-fan72, @temptationville, @gojos-princesa, @yell0wdreams, @achelliescomedown, @hiyori-ii, @bunninio, @grunge-mo0n, @diogodxlot, @littlecrybabys-world, @esuz, @unnamedflwr, @lemonpoppy-seed, @corkedscrewslocked, @bsaeshell, @methodofawesome, @rinvrin, @noveltywilbur, @ch0c0bsess, @sarcasticbitchsblog, @simpingnbitching, @aethyrite, @aitheria, @sweetpanda15, @daddytojji, @kindadolly, @kimnamjoonsbigtoe, @catsgomurp, @dhoranbolt, @kariatenoh, @hanxyy

#sab [mlist]#sukuna x reader #ryomen sukuna x reader #ryomen sukuna smut #sukuna smut #sukuna x you #ryomen sukuna x you #jjk x reader #jjk smut #jjk fanfiction #jujutsu kaisen smut #jujutsu kaisen x reader #sukuna fanfiction #ryomen sukuna fanfiction

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always-a-slut-4-ghouls · 1 year

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You ever had an older relative just drop information on you super casually while you and some other younger family were having a conversation and it’s like “…what?” Everyone they told is in shock for a moment like, you never said anything about this??? And by younger I am including at least one aunt who is around 50. That whole time and you just drop the knowledge on us all because I mentioned something about a different family member

Anyway, apparently the older people in my grandparents childhood Icelandic American community were just fucking outside marriage and a man having kids with women who wasn’t his wife was totally normal and he usually claimed them like he would a kid from a marriage. Dudes were just casually fucking and having kids and it was normal to those communities. How did that never come up until I mentioned a mysterious relative on my dad’s side (which isn’t even the Icelandic side) who I was trying to help with genealogy. Old people will just say things like they expect you to know even though they didn’t say anything about it before they opened their mouths. They will go decades without telling younger family and then just casually tell the whole room like it’s the name of their childhood dog and not some random and stunning revelation

#emma posts #she said none of our direct ancestors had done it here but still #this was almost like when she just took out an old book on dream divination that her grandma had #this thing was from like 1900 and had coffees stains and no cover #the title was very dated #but she was just like’oh yeah. I have another book too. don’t know where it is rn’#when I was like YOU HAD A BOOK ABOUT THIS KIND OF THING #i knew she would talk about older women in the family having some esp or something #but she just owned two of their own books and didn’t show her pagan grandchild #until she had been pagan for SEVEN YEARS #not going to use it as my first source but having a book on the occult from FOUR GENERATIONS BEFORE ME is crazy #anyway it’s mine now #but she just drops info on us like that at random #you never know when she’ll just drop a new bombshell like it’s how someone else did in sports #it’s almost always when it’s just me my mom and my aunt too #she’ll be in the other room while we’re talking and just say things #all of us are like 😳😳😳#and then react slightly differently per our personalities #it seems to happen less often when the guys are around

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mask131 · 5 months

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The truth about Medusa and her rape... Mythology breakdown time!

With the recent release of the Percy Jackson television series, Tumblr is bursting with mythological posts, and the apparition of Medusa the Gorgon has been the object of numerous talks throughout this website… Including more and more spreading of misinformation, and more debates about what is the “true” version of Medusa’s backstory.

Already let us make that clear: the idea that Medusa was actually “blessed” or “gifted” by Athena her petrifying gaze/snake-hair curse is to my knowledge not at all part of the Antique world. I still do not know exactly where this comes from, but I am aware of no Greek or Roman texts that talked about this – so it seems definitively a modern invention. After all, the figure of Medusa and her entire myth has been taken part, reinterpreted and modified by numerous modern women, feminist activist, feminist movements or artists engaged in the topic of women’s life and social conditions – most notably Medusa becoming the “symbol of raped women’ wrath and fury”. It is an interesting reading and a fascinating update of the ancient texts, and it is a worthy take on its own time and context – but today we are not talking about the posterity, reinvention and continuity of Medusa as a myth and a symbol. I want to clarify some points about the ACTUAL myth or legend of Medusa – the original tale, as told by the Greeks and then by the Romans.

Most specifically the question: Was Medusa raped?

Step 1: Yes, but no.

The backstory of Medusa you will find very often today, ranging from mythology manuals (vulgarization manuals of course) to Youtube videos, goes as such: Medusa was a priestess of Athena who got raped by Poseidon while in Athena’s temple, and as a result of this, Athena punished Medusa by turning her into the monstrous Gorgon.

Some will go even further claiming Athena’s “curse” wasn’t a punishment but a “gift” or blessing – and again, I don’t know where this comes from and nobody seems to be able to give me any reliable source for that, so… Let’s put this out of there.

Now this backstory – famous and popular enough to get into Riodan’s book series for example – is partially true. There are some elements here very wrong – and by wrong I do mean wrong.

The story of Medusa being raped and turned into a monster due to being raped does indeed exist, and it is the most famous and widespread of all the Medusa stories, the one people remembered for the longest time and wrote and illustrated the most about. Hence why Medusa became in the 20th century this very important cultural symbol tied to rape and the abuse of women and victim-blaming. HOWEVER – the origin of this story is Ovid’s Metamorphoses, from the first century CE or so. Ovid? A Roman poet writing for Roman people. “Metamorphoses”? One of the two fundamental works of Roman literature and one of the two main texts of Roman mythology, alongside Virgil’s Aeneid. This is a purely Roman story belonging to the Roman culture – and not the Greek one. The story of Medusa’s rape does not have Greek precedents to my knowledge, Ovid introduced the element of rape – which is no surprise given Ovid turned half of the romances of Greek mythology into rapes. Note that, on top of all this, Ovid wasn’t even writing for religious purposes, nor was his text an actual mythological effort – he wrote it with pure literary intentions at heart. It is just a piece of poetry and literature taking inspiration from the legends of the Greek world, not some sort of sacred text.

Second big point: The legend I summarized above? It isn’t even the story Ovid wrote, since there are a lot of elements that do not come from Ovid’s retelling of the story (book fourth of the Metamorphoses). For example Ovid never said Medusa was a priestess of Athena – all he said was that she was raped in the temple of Athena. I shouldn’t even be writing Athena since again, this is a Roman text: we are speaking of Minerva here, and of Neptune, not of Athena or Poseidon. Similarly, Minerva’s curse did not involve the petrifying gaze – rather all Ovid wrote about was that Minerva turned Medusa’s hair into snakes, to “punish” her because her hair were very beautiful, and it was what made her have many suitors (none of which she wanted to marry apparently), and it is also implied it is what made Neptune fall in love (or rather fall in lust) with her. I guess it is from this detail that the reading of “Athena’s curse was a gift” comes from – even though this story also clearly does victim-blaming of rape here.

But what is very fascinating is that… we are not definitively sure Neptune raped Medusa in Ovid’s retelling. For sure, the terms used by Ovid in his fourth book of Metamorphoses are clear: this was an action of violating, sexually assaulting, of soiling and corrupting, we are talking about rape. But Ovid refers several other times to Medusa in his other books, sometimes adding details the fourth-book stories does not have (the sixth book for examples evokes how Neptune turned into a bird to seduce Medusa, which is completely absent from the fourth book’s retelling of Medusa’ curse). And in all those other mentions, the terms to designate the relationship between Medusa and Neptune are more ambiguous, evoking seduction and romance rather than physical or sexual assault. (It does not help that Ovid has an habit of constantly confusing consensual and non-consensual sex in his poems, meaning that a rape in one book can turn into a romance in another, or reversal)

But the latter fact makes more sense when you recall that the rape element was invented and added by Ovid. Before, yes Poseidon and Medusa loved each other, but it was a pure romance, or at least a consensual one-night. Heck, if we go back to the oldest records of the love between Poseidon and Medusa, back in Hesiod’s Theogony, we have descriptions of the two of them laying together in a beautiful, flowery meadow – a stereotypical scene of pastoral romances – with no mention of any brutality or violence of any sort. As a result, it makes sense the original “romantic” story would still “leak” or cast a shadow over Ovid’s reinvented and slightly-confused tale.

Step 2: So… no rape?

Well, if we go by Greek texts, no, apparently Medusa was not raped in Greek mythology, and only became a rape victim through Ovid.

The Ancient Greek texts all record Poseidon and Medusa sleeping with each other and having children, but no mention of rape. And the whole “curse of Athena” thing is not present in the oldest records – no temple of Athena soiling, no angry Athena cursing a poor girl… “No curse?” you say “But then how did Medusa got turned into a Gorgon”? Answer: she did not. She was born like that.

As I said before, the oldest record of Medusa’s romance but also of her family comes from Hesiod’s Theogony (Hesiod being one of the two “founding authors” of Greek mythology, alongside Homer – Homer did wrote several times about Medusa, but only as a disembodied head and as a monster already dead, so we don’t have any information about her life). And what do we learn? That Medusa is part of a set of three sisters known as the Gorgons – because oh yes, Ovid did not mention Medusa’s sister now did he? How did Medusa’s sisters ALSO got snake-hair or petrifying-gaze if only Medusa was cursed for sleeping with Neptune? Ovid does not give us any answer because again, it is an “adaptational plot hole”, and the people that try to adapt Ovid’s story have to deal with the slight problem of Stheno and Euryale needing to share their sister’s curse despite seemingly not being involved in the whole Neptune business. Anyway, back to the Greek text.

So, you have those three Gorgon sisters, and Medusa is said to be mortal while her sisters are not. Why is it such a big deal? Because Medusa wasn’t originally some random human or priestess. Oh no! Who were the Gorgons’ parents? Phorcys and Keto/Ceto, aka two sea-gods. Not just two sea-gods – two sea-gods of the ancient, primordial generation of sea-gods, the one that predated Poseidon, and that were cousins to the Titans, the sea-gods born of Gaia mating with Pontos.

So the Gorgons were “divine” of nature – and this is why Medusa being a mortal was considered to be a MASSIVE problem and handicap for her, an abnormal thing for the daughter of two deities. But let’s dig a bit further… Who were Phorcys and Ceto? Long story short: in Greek mythology, they were considered to be sea-equivalents of Typhon and Gaia. They were the parents of many monsters and many sea-horrors: Keto/Ceto herself had her name attributed and equated with any very large creature (like whales) or any terrifying monster (like dragons) from the sea. The Gorgons themselves was a trio of monsters, but their sisters, that directly act as their double in the myth of Perseus? The Graiai – the monstrous trio of old women sharing one eye and one tooth. Hesiod also drops the fact that Ladon (the dragon that guarded the golden apples of the Hesperids), and Echidna (the snake-woman that mated with Typhon and became known as the “mother of monsters”) were also children of Phorcys and Ceto, while other authors will add other monster-related characters such as Scylla (of Charybdis and Scylla fame), the sirens, or Thoosa (the mother of Polyphemus the cyclop). Medusa herself is technically a “mother of monsters” since she birthed both Pegasus the flying horse and Chrysaor, a giant. So here is something very important to get: Medusa, and the Gorgons, were part of a family of monsters. Couple that with the absence of any mention of curses in these ancient texts, and everything is clear.

Originally Medusa was not a woman cursed to become a monster: she was born a monster, part of a group of monster siblings, birthed by monster-creating deities, and she belonged to the world of the “primordial abominations from the sea”, and the pre-Olympian threats, the remnants of the primordial chaos. It is no surprise that the Gorgons were said to live at the edge of the very known world, in the last patch of land before the end of the universe – in the most inhuman, primitive and liminal area possible. They were full-on monsters!

Now you might ask why Poseidon would sleep with a horrible monster, especially when you recall that the Greeks loved to depict the Gorgons as truly bizarre and grotesque. It wasn’t just snake-hair and petrifying gaze: they had boar tusks, and metallic claws, and bloated eyes, and a long tongue that constantly hanged down their bearded chin, and very large heads – some very old depictions even show her with a female centaur body! In fact, the ancient texts imply that it wasn’t so much the Gorgon’s gaze or eyes that had the power to turn people into stone – but that rather the Gorgon was just so hideous and so terrifying to look at people froze in terror – and then literally turned into stone out of fear and disgust. We are talking Lovecraftian level of eldritch horror here. So why would Poseidon, an Olympian god, sleep with one of these horrors? Well… If you know your Poseidon it wouldn’t surprise you too much because Poseidon had a thing for monsters. As a sort of “dark double” of Zeus, whereas Zeus fell in love with beautiful princesses and noble queens and birthed great gods and brave heroes, Poseidon was more about getting freaky with all sorts of unusual and bizarre goddesses, and giving birth to bandits and monsters. A good chunk of the villains of Greek mythology were born out of Poseidon’s loins: Polyphemus, Antaios, Orion, Charybdis, the Aloads… And even his most benevolent offspring has freaky stuff about it – Proteus the shapeshifter or Triton half-man half-fish… So yes, Poseidon sleeping with an abominable Gorgon is not so much out of character.

Step 3: The missing link

Now that we established what Medusa started out as, and what she ended up as… We need to evoke the evolution from point Hesiod to point Ovid, because while people summarized the Medusa debate as “Sea-born monster VS raped and punished woman”, there is a third element needed to understand this whole situation…

Yes Ovid did invent the rape. But he did not invent the idea that Medusa had been cursed by Athena.

The “gorgoneion” – the visual and artistic motif of the Gorgon’s head – was, as I said, a grotesque and monstrous face used to invoke fright into the enemies or to repel any vile influence or wicked spirit by the principle of “What’s the best way to repel bad stuff? Badder stuff”. Your Gorgon was your gargoyle, with all the hideous traits I described before – represented in front (unlike all the other side-portraits of gods and heroes), with the face being very large and flat, a big tongue out of a tusked-mouth, snake-hair, bulging crazy eyes, sometimes a beard or scales… Pure monster. But then… from the fifth century BCE to the second century BCE we see a slow evolution of the “gorgoneion” in art. Slowly the grotesque elements disappear, and the Gorgon’s face becomes… a regular, human face. Even more: it even becomes a pretty woman’s face! But with snakes instead of hair. As such, the idea that Medusa was a gorgeous woman who just had snakes and cursed-eyes DOES come from Ancient Greece – and existed well before Ovid wrote his rape story.

But what was the reason behind this change?

Well, we have to look at the Roman era again. Ovid’s tale of Medusa being cursed for her rape at the hands of Neptune had to rival with another record collected by a Greek author Apollodorus, or Pseudo-Apollodorus, in his Bibliotheca. In this collection of Greek myths, Apollodorus writes that indeed, Medusa was cursed by Athena to have her beautiful hair that seduced everybody be turned into snakes… But it wasn’t because of any rape or forbidden romance, no. It was just because Medusa was a very vain woman who liked to brag about her beauty and hair – and had the foolish idea of saying her hair looked better than Athena’s. (If you recall tales such as Arachne’s or the Judgement of Paris, you will know that despite Athena being wise and clever, one of her main flaws is her vanity).

“Wait a minute,” you are going to tell me, “The Bibliotheca was created in the second century CE! Well after Greece became part of the Roman Empire, and after Ovid’s Metamorphoses became a huge success! It isn’t a true Greek myth, it is just Ovid’s tale being projected here…” And people did agree for a time… Until it was discovered, in the scholias placed around the texts of Apollonios of Rhodes, that an author of the fifth century BCE named Pherecyde HAD recorded in his time a version of Medusa’s legend where she had been cursed into becoming an ugly monster as punishment for her vanity. We apparently do not have the original text of Pherecyde, but the many scholias referring to this lost piece are very clear about this. This means that the story that Apollodorus recorded isn’t a “novelty”, but rather the latest record of an older tradition going back to the fifth century BCE… THE SAME CENTURY THAT THE GORGONEION STARTED LOSING THEIR GROTESQUE, and that the face of Medusa started becoming more human in art.

[EDIT: I also forgot to add that this evolution of Medusa is also proved by strange literary elements, such as Pindar's mention in a poem of his (around 490 BCE) of "fair-cheeked Medusa". A description which seems strange given how Medusa used to be depicted as the epitome of ugliness... But that makes sense if the "cursed beauty" version of the myth had been going around at the time!]

And thus it is all connected and explained. Ovid did invent the rape yes – but he did not invent the idea of Athena cursing Medusa. It pre-existed as the most “recent” and dominating legend in Ancient Greece, having overshadowed by Ovid’s time the oldest Hesiodic records of Medusa being born a monster. So what Ovid did wasn’t completely create a new story out of nowhere, but twist the Greek traditions of Athena cursing Medusa and Medusa having a relationship with Poseidon, so that the two legends would form one and same story. And this explains in retrospect why Ovid focuses so much on describing Medusa’s beautiful hair, and why Ovid’s Minerva would think turning her hair into snake would be a “punishment fit for the crime”: these are leftovers of the Greek tale where Medusa was punished for her boasting and her vanity.

CONCLUSION

Here is the simplified chronology of how Medusa’s evolution went.

A) Primitive Greek myths, Hesiodic tradition: Born a monster out of a family of sea-monsters and monstrous immortals. Is a grotesque, gargoylesque, eldritch abomination. Athena has only an indirect conflict with her, due to being Perseus’ “fairy godmother”. Has a lovely romance with Poseidon.

B) Slow evolution throughout Classical Greece and further: Medusa becomes a beautiful, human-looking girl that was cursed to have snake for hair and petrifying eyes, instead of being a Lovecraftian horror people could not gaze upon. Her conflict with Athena becomes direct, as it is Athena that cursed her due to being offended by her vain boasting. Her punishment is for her vanity and arrogant comparison to the goddess.

C) Ovid comes in: Medusa’s romance with Poseidon becomes a rape, and she is now punished for having been raped inside Athena’s temple.

[As a final note, I want to insist upon the fact that the story of Medusa being raped is not less "worthy" than any other version of the myth. Due to its enormous popularity, how it shaped the figure of Medusa throughout the centuries, and how it still survives today and echoes current-day problems, to try to deny the valid place of this story in the world of myths and legends would be foolish. HOWEVER it is important to place back things in their context, to recognize that it is not the ONLY tale of Medusa, that it was NOT part of Greek mythology, but rather of Roman legends - and let us all always remember this time Poseidon slept with a Lovecraftian horror because my guy is kinky.]

EDIT:

For illustration, I will place here visuals showing how the Ancient art evolved alongside Medusa's story.

Before the 5th century BCE: Medusa is a full-on monster

From the 5th century to the 2nd century BCE: A slow evolution as Medusa goes from a full-on monster to a human turned into a monster. As a result the two depictions of the grotesque and beautiful gorgoneion coexist.

Post 2nd century BCE: Medusa is now a human with snake hair, and just that

#greek mythology #medusa #gorgon #athena #gorgons #poseidon #neptune #minerva #ovid #rape in mythology #greek monsters #roman mythology

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yourfavoritehouseplant · 6 months

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I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person.

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga.

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom.

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done.

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me.

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World.

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him.

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character.

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”.

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance” THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along.

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

#the autism won again you guys #revolutionary girl utena #james somerton #shoujo kakumei utena #utena #anthy #hbomberguy

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vaspider · 5 months

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In defense of retellings & reimaginings

I'm not going to respond to the post that sparked this, because honestly, I don't really feel like getting in an argument, and because it's only vaguely even about the particular story that the other post discussed. The post in question objected to retellings of the Rape of Persephone which changed important elements of the story -- specifically, Persephone's level of agency, whether she was kidnapped, whether she ate seeds out of hunger, and so on. It is permissible, according to this thesis, to 'fill in empty spaces,' but not to change story elements, because 'those were important to the original tellers.' (These are acknowledged paraphrases, and I will launch you into the sun if you nitpick this paragraph.)

I understand why to the person writing that, that perspective is important, and why they -- especially as a self-described devotee of Persephone -- feel like they should proscribe boundaries around the myth. It's a perfectly valid perspective to use when sorting -- for example -- which things you choose to read. If you choose not to read anything which changes the elements which you feel are important, I applaud you.

However, the idea that one should only 'color in missing pieces,' especially when dealing with stories as old, multi-sourced, and fractional as ancient myths, and doing so with the argument that you shouldn't change things because those base elements were important to the people who originally crafted the stories, misses -- in my opinion -- the fundamental reason we tell stories and create myths in the first place.

Forgive me as I get super fucking nerdy about this. I've spent the last several years of my life wrestling with the concept of myths as storytelling devices, universality of myths, and why myths are even important at all as part of writing on something like a dozen books (a bunch of which aren't out yet) for a game centered around mythology. A lot of the stuff I've written has had to wrestle with exactly this concept -- that there is a Sacred Canon which cannot be disrupted, and that any disregard of [specific story elements] is an inexcusable betrayal.

Myths are stories we tell ourselves to understand who we are and what's important to us as individuals, as social groups, and as a society. The elements we utilize or change, those things we choose to include and exclude when telling and retelling a story, tell us what's important to us.

I could sit down and argue over the specific details which change over the -- at minimum -- 1700 years where Persephone/Kore/Proserpina was actively worshiped in Greek and Roman mystery cults, but I actually don't think those variations in specific are very important. What I think is important, however, is both the duration of her cults -- at minimum from 1500 BCE to 200CE -- and the concept that myths are stories we tell ourselves to understand who we are and what's important to us.

The idea that there was one, or even a small handful, of things that were most important to even a large swath of the people who 'originally' told the store of the Rape of Persephone or any other 'foundational' myth of what is broadly considered 'Western Culture,' when those myths were told and retold in active cultic worship for 1700 years... that seems kind of absurd to me on its face. Do we have the same broad cultural values as the original tellers of Beowulf, which is only (heh) between 1k-1.3k years old? How different are our marital traditions, our family traditions, and even our language? We can, at best, make broad statements, and of inclusive necessity, those statements must be broad enough as to lose incredible amounts of specificity. In order to make definitive, specific statements, we must leave out large swaths of the people to whom this story, or any like it, was important.

To move away from the specific story brought up by the poster whose words spun this off, because it really isn't about that story in particular, let's use The Matter of Britain/Arthuriana as our framing for the rest of this discussion. If you ask a random nerd on Tumblr, they'd probably cite a handful of story elements as essential -- though of course which ones they find most essential undoubtedly vary from nerd to nerd -- from the concept that Camelot Always Falls to Gawain and the Green Knight, Percival and the grail, Lancelot and Guinevere...

... but Lancelot/Guinevere and Percival are from Chrétien de Troyes in the 12th century, some ~500 years after Taliesin's first verses. Lancelot doesn't appear as a main character at all before de Troyes, and we can only potentially link him to characters from an 11th century story (Culhwch and Olwen) for which we don't have any extant manuscripts before the 15th century. Gawain's various roles in his numerous appearances are... conflicting characterizations at best.

The point here is not just that 'the things you think are essential parts of the story are not necessarily original,' or that 'there are a lot of different versions of this story over the centuries,' but also 'what you think of as essential is going to come back to that first thesis statement above.' What you find important about The Matter of Britain, and which story elements you think can be altered, filed off or filled in, will depend on what that story needs to tell you about yourself and what's important to you.

Does creating a new incarnation of Arthur in which she is a diasporic lesbian in outer space ruin a story originally about Welsh national identity and chivalric love? Does that disrespect the original stories? How about if Arthur is a 13th century Italian Jew? Does it disrespect the original stories if the author draws deliberate parallels between the seduction of Igerne and the story of David and Bathsheba?

Well. That depends on what's important to you.

Insisting that the core elements of a myth -- whichever elements you believe those to be -- must remain static essentially means 'I want this myth to stagnate and die.' Maybe it's because I am Jewish, and we constantly re-evaluate every word in Torah, over and over again, every single year, or maybe it's because I spend way, way too much time thinking about what's valuable in stories specifically because I write words about these concepts for money, but I don't find these arguments compelling at all, especially not when it comes to core, 'mainstream' mythologies. These are tools in the common toolbox, and everybody has access to them.

More important to me than the idea that these core elements of any given story must remain constant is, to paraphrase Dolly Parton, that a story knows what it is and does it on purpose. Should authors present retellings or reimaginings of the Rape of Persephone or The Matter of Britain which significantly alter historically-known story elements as 'uncovered' myths or present them as 'the real and original' story? Absolutely not. If someone handed me a book in which the new Grail was a limited edition Macklemore Taco Bell Baja Blast cup and told me this comes directly from recently-discovered 6th century writings of Taliesin, I would bonk them on the head with my hardcover The Once & Future King. Of course that's not the case, right?

But the concept of canon, historically, in these foundational myths has not been anything like our concept of canon today. Canon should function like a properly-fitted corset, in that it should support, not constrict, the breath in the story's lungs. If it does otherwise, authors should feel free to discard it in part or in whole.

Concepts of familial duty and the obligation of marriage don't necessarily resonate with modern audiences the way that the concept of self-determination, subversion of unreasonable and unjustified authority, and consent do. That is not what we, as a general society, value now. If the latter values are the values important to the author -- the story that the author needs to tell in order to express who they are individually and culturally and what values are important to them* -- then of course they should retell the story with those changed values. That is the point of myths, and always has been.

Common threads remain -- many of us move away from family support regardless of the consent involved in our relationships, and life can be terrifying when you're suddenly out of the immediate reach and support of your family -- because no matter how different some values are, essential human elements remain in every story. It's scary to be away from your mother for the first time. It's scary to live with someone new, in a new place. It's intimidating to find out that other people think you have a Purpose in life that you need to fulfill. It's hard to negotiate between the needs of your birth family and your chosen family.

None of this, to be clear, is to say that any particular person should feel that they need to read, enjoy, or appreciate any particular retelling, or that it's cool, hip and groovy to misrepresent your reworking of a myth as a 'new secret truth which has always been there.' If you're reworking a myth, be truthful about it, and if somebody told you 'hey did you know that it really -- ' and you ran with that and find out later you were wrong, well, correct the record. It's okay to not want to read or to not enjoy a retelling in which Arthur, Lancelot and Guinevere negotiate a triad and live happily ever after; it's not really okay to say 'you can't do that because you changed a story element which I feel is non-negotiable.' It's okay to say 'I don't think this works because -- ' because part of writing a story is that people are going to have opinions on it. It's kind of weird to say 'you're only allowed to color inside these lines.'

That's not true, and it never has been. Greek myths are not from a closed culture. Roman myths are not sacrosanct. There are plenty of stories which outsiders should leave the hell alone, but Greek and Roman myths are simply not on that list. There is just no world in which you can make an argument that the stories of the Greek and Roman Empires are somehow not open season to the entire English-speaking world. They are the public-est of domain.

You don't have to like what people do with it, but that doesn't make people wrong for writing it, and they certainly don't have to color within the lines you or anyone else draws. Critique how they tell the story, but they haven't committed some sort of cultural treachery by telling the stories which are important to them rather than the stories important to someone 2500 years dead.

****

*These are not the only reasons to tell a story and I am not in any way saying that an author is only permitted to retell a story to express their own values. There are as many reasons to tell a story as there are stories, and I don't really think any reason to create fiction is more or less valid than any other. I am discussing, specifically, the concept of myths as conveyors of essential cultural truths.

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greenandsorrow · 3 months

Text

the price for misbehaving (i)

Alastor in the rut x gn!reader

WARNINGS; 18+, reader with female parts, horniness & hormones, deer/doe!demon!reader, breeding k1nk, primal instincts, mentions of deer mating season, premature ejaculation, masturbation, dry humping, penetrative sex, marking & biting, friends to lovers, very descriptive, smut with emotion, corn with plot, fictional man being pathetic

Dividers by; @cafekitsune & @saradika-graphics

Please do not repost or directly copy my work and don't use it on AI platforms either .❤️

I somehow always manage to write more than originally planned, so this is big. Also, this is my first time writing a gender neutral reader I'm still learning.

my original idea • ~masterpost~

Alastor is the radio demon. You have no clue how he manages to behave like he's the epitome of etiquette and a true gentleman, while also having the reputation of one of the most dangerous citizens of Hell, an overlord, a sinister killer and a cannibal.

Alastor is your friend. You fell in Hell three decades after him, but the fact that you're also a deer demon seemed to get him interested in you. His smile is less a sign of dominance and more one of sympathy around you. What's more, the radio demon is a tad bit protective when it comes to you. You'll never know it, but Alastor has his way of keeping you safe, discreetly pulling the strings, luckily for your sake.

He had been missing for years and when he had come to your door, big grin, shiny hooves and polished cane and had told you about the "Hazbin Hotel" you hadn't questioned much. It was weird that someone like him would back up Lucifer's daughter on such an idealistic plan, but with the extermination being a constant bane in your life, you had agreed heartily. You had wrapped your arms around Alastor's lean frame in a never recorpirated hug and you'd been off to your new place of residence.

You like the hotel. You and Niffty are old friends, the barman is a familiar face and Charlie is thrilled to have you here. The other residents have been no trouble to you, so you've managed to adjust to your new lifestyle no problem.

Let's not forget one thing though, you're all sinners and Alastor is ten times the amount you are. This comes with consequences for him. Alastor is bound to face an eternal struggle against his animal side, a struggle that he's been destined to lose. According to Angel, the radio demon you call your friend would identify as asexual had he been born later on Earth. But even with that, the urges he has to experience during the rutting season can't be prevented. You're still unaware your friend has to go through this.

But that's Alastor's price for misbehaving.

It's another evening at the hotel.

Charlie and Vaggie are on a date and that means no planned activities for the rest of you. You like the peace and quiet. Your deer ears are lowered in concentration as you're sitting on the couch of the lounge area, reading a book which has turned out to be a sick and twisted edition of Pride & Prejudice.

Alastor's been very distant since the beginning of autumn. More than usual. It's almost October now... and it has peaked your interest why he has been spending whole days locked up in his quarters. Sometime during September, you two had been chatting merrily about jazz, when all of a sudden his pupils had shrank and he had let out an uncharacteristically shaky sigh. You remember how his breathing had sped up and he had smiled politely before vanishing into thin air.

You're about to stand up and go to your room, when your ears practically perk up at the sound of static. You know this sound... and even though it usually means bad news, you look up and give the source of it a little smile. "Oh, hi Al..."

Alastor's antlers begin to grow, but he can control himself for now. The rutting starts hitting him with a new wave of frustration and it's getting worse now that he's in your presence.

"My favorite y/n! What are you reading my dear?", his grin and confidence hide how vulnerable he feels in this state.

"Charlie gifted me some of her old books and-"

"Oh Charlie! She is a gem, isn't she?" Alastor suddenly leans to the side, as if trying to scratch something out of his hair. His face quickly returns back to its normal grin... but he also begins to scratch his arm.

You chuckle awkwardly. Why is he looking so irritable?

"Well, she's so nice, I can't disagree with you there... and I'm glad she finally decided to take some time off to spend with her girlfriend." He laughs, showing off his sharp teeth as you initiate in the small talk.

Alastor can feel a voice deep within calling him to give in and claim you, breed you 'till his hunger is satisfied. The radio demon's expression fades to an empty, dull stare, as his instincts fight against him. Now you're feeling uneasy and you shift in your seat.

"Ah- sorry dear. Got caught up there, I forgot myself." Alastor takes a quick breath, his eyes narrow as he struggles to stay in control. "Don't you worry y/n! I'm certainly quite harmless."

He's in full rutting mode, his voice starts becoming breathy, the animalistic urges taking over. It's only getting worse as he stands close to you, the hormones increasing his urge to be near you, to make you his and his alone-

His voice is hoarse now and his breathing is heavier. "Have you seen Niffty by chance?" His ears move as if they're itching him.

You clear your throat and try to keep your curiosity regarding his behavior at bay. "I'm afraid I haven't, she's probably killing bugs somewhere..."

Alastor's expression shifts to one of pure annoyance. To your oblivious so far mind, Al is probably just pissed off at something. "Well then, if you happen to see her, do tell her she better not disturb me at my room... and don't you dare forget it my dear!"

"I- I won't."

His pupils almost completely disappear as he stares at you and his mouth curls into a snarl with his yellowish teeth out. He has a hypnotic effect on you, you're beginning to feel lightheaded being near him. He takes a step back, moving a safe distance away from you, because he feels like he's gonna launch on you at any given moment. Alastor is getting tired of trying to maintain his composure around you.

He hates how shallow his breathing has become, how the urge to take you has become too much for him to bear. A low growling noise escapes him. Alastor watches you as you resume your previous activity of reading. Humiliated from his lack of control and frustrated from the stinging sensation in his loins he slips away from the lounge.

Alastor is alone now, his eyes wild with lust and desperation as he looks around his room in a frenzy. He grabs a pillow and starts rubbing his groin against it. He feels like his body is melting from all the heat... he can't help but imagine the pillow is your backside.

"Oh~", he breathes out raggedly, his inhales shallower and shallower as his imagination toys with him. You'd look so delicious in the place of the lifeless pillow... Alastor's heart is racing and his antlers have grown sharp and tall on his head. He is overwhelmed, being rather sexually unbothered the rest of the year has made his shaft extra sensitive .

...why him? Why does he have to go through this rutting thing? It makes him feel powerless and he hates it...

Alastor groans in desperation. He squeezes his eyes shut, imagining your soft skin sliding against his body... He thinks of your cute fluffy tail. You get all your clothes tailored so that there's space for it to protrude... he always tucks his in his suit pants...

In a fury, he takes off his coat and crawls on the bed, placing the pillow between his legs. He's in all fours as he humps it like a real deer.

He keeps growling, the sound mixing with static. He can't stop thinking of you- the perfect mate... another deer. Alastor's mind is playing out all these amazing things, your smile and your voice, your butt, your ears that match his own... and your neck that he'd definitely mark with his teeth if he was ever given the chance.

Alastor is in a trance. With shaky hands he curses himself for, he reaches down to his crotch and takes out his cock. His tip is flushed and swollen and he hisses as he continues to push his hips against the pillow. The deer demon grunts softly, his hips moving involuntarily with restless abandon as he pretends to be mating with a partner.

"Take that... oh~" Alastor's cock throbs painfully, desperate for release. The pillow has been providing him with some much needed friction the last few weeks, but he knows it soon won't be enough to satisfy him. His red hair is sticking to his forehead and he's panting so much, chasing his release with a desperation he'd consider pathetic, if he could focus on anything else than his tightening balls.

Alastor continues to rub against the pillow and the motion makes his deer tail slip out of his suit pants. He can feel his body heat up even more, sweat beading on his forehead as he approaches his climax.

Your curiosity has gotten the best of you. You can't concentrate on your book and all you can think of is Alastor. In any case, the other residents of the hotel are busy doing their own thing, so there's no one stopping you from walking all the way to Alastor's rooms. There's static coming from his bedroom, but what really intrigues you are the groans... they're rather guttural... You assume maybe he hunted down an animal and he's devouring it? This has to be it...

On the other side of the door, Alastor is shaking with desire and his heart is pounding. The smell of you that he assumes is part of his fantasy is driving him insane, as he is almost ready to release a torrent of hot cum on his pillow.

"Alastor?", you knock on the door.

This sudden surprise almost causes Alastor to fall over. He quickly covers his twitching member and throws the pillow away from him. One would expect him to feel embarrassed, but his first thought at being caught red handed is to kill you. Luckily for you, it's just a thought.

"Al? It's y/n. Can I come in?"

The radio demon's face contorts in desperation as he realizes how unsatisfied he feels. His hips are still rocking back and forth slightly, despite his attempts to control his body.

Why did you have to pay him a visit NOW? He was so close to finding relief...

Alastor has become desperate and not to mention agitated. What if you smell his arousal in the air? What if you look down and see the outline of his dick in his pants?!

He groans and shifts uncomfortably. The demon closes his eyes for a moment as he tries to even out his breathing.

Eventually, he shakes his head and walks to the door. He has fought against mighty overlords, he shouldn't hesitate to face his harmless friend just because he is in the rut.

Alastor doesn't want to admit it, but he most definitely is in breeding mode. Proof of that... the moment he opens the door for you, your smell becomes so strong to his heightened senses that he almost cums in his pants from it. Your friend swallows a groan.

"To what do I owe the pleasure of your visit my dear?"

Taking in his appearance, something is definitely off to your inquisitive eyes. You notice how he's only in his shirt and vest, something truly rare for the Alastor you've come to know. His bow tie is crooked and the cherry on top... you can see his tail! It's red like his ears and... moving? You wonder why. Is he in musth or something? you joke in your head.

"I was just bored in all honesty... Everyone is occupied with something. Um... you look... sick?"

"Ha!Ha! Don't be absurd y/n! You can't get any sicker than you already are in Hell!" he can't hide the slight edge from his voice. He claims he is fine, but the look on his face screams otherwise.

Alastor's temperature keeps rising, his body is so sensitive and without realizing it, he neglects to filter his voice.

"Would you like to come in?"

Your eyes widen and you look at him with genuine surprise clear on your features. He quickly catches up that he screwed, but lets it go, the shivers he's starting to experience as his unattended cock is asking for some action having gained all his focus.

The air in the room is thick and you begin to have second thoughts about your decision to come here, but it's too late for that, so you just walk in Alastor's bedroom. His quarters are always clean and intimidating like their occupant. Still, you like coming here, he's never been hostile towards you and if anything, dancing with Alastor or spilling some tea with him has always been part of your routine here at the hotel.

"Wanna dance?"

"You know I always do." Alastor manages to keep his smile and composure despite the sweat running down his back.

The jookbox starts playing on its own and you casually walk closer to your years long friend. Since he's always been much taller, you place your hands on his chest, while he wraps his own around your waist.

Alastor's lips start tingling as he looks down at your exposed neck. He bites the insides of his mouth until he tastes blood, he can't allow himself to think about you like that.

You sway back and forth in the rhythm of the old timey tunes, inevitably rubbing against him. The new found friction has him biting down on his tongue and clenching his fists behind your back until his nails are piercing his palms, otherwise he'd be howling out in despair.

Immersed in the songs you love so much, you unconsciously shift even closer to your fellow deer demon, but he harshly jerks away from you, his expression growing panicked. "H- haha... I c- can't let you d- do that my friend!"

You frown. Why can't you dance with him like you always do? ...and did the radio demon just stutter? You sigh at his lack of cheerfulness and look down.

Your now downcast gaze gives you a nice view of his... crotch area... and the said area has a raging bulge. Your first thought is to touch it and indulge in the attraction you've always felt for Alastor, but the way his antlers are growing right now and the static that's peaking up again... makes you turn to leave.

Long fingers wrap around your wrist in an instant and when you turn back at him, his eyes have changed.

"The song's not over dear y/n.", he says in the same strained tone and you swallow.

"R- right... my bad."

He has you pressed tightly against him in no time and he's swaying with you almost like he's on autopilot. And you can now feel his unbelievably hard erection against your lower body. Alastor grunts softly, his smile faltering as his cock keeps throbbing painfully within his pants, desperate for release.

The demon's eyes wander over you, taking in your form. He knows he has to maintain some semblance of control, but his hormones are off the roof. Without realizing the inappropriateness of his actions, Alastor reaches out to touch you, his fingers grazing the skin of your cheek. The demon's cock throbs even harder at the contact, leaking pre-cum in his underwear.

"You're so beautiful..."

Heat pools in your belly and your face flushes at his simple comment. He's a charmer, but that's new. His monocle slips down slightly as he leans in close, his scent of musk and arousal surrounding you.

Alastor's hands move to your hips, pulling you impossibly close. His eyes lock onto yours, filled with lust and a primal need. He presses his hips against yours and you can feel his clothed cock twitching eagerly.

His monocle falls to the floor as he loses himself in the rutting.

"Al- what's happening?"

Before you can question his unusual behaviour any further, Al presses his hardened length against your stomach with intent. A mix of frustration and pleasure is clear on his features.

To say you're surprised would be an understatement, but you don't stop him. You watch in awe as your bricked up friend loses himself to lust and his need to mate.

Your innocent dancing moment has turned into him dry humping you. He releases a guttural groan, too far gone to care about composure.

Alastor begins to grind against you faster, mimicking the movements of a rutting deer. His grip tightens around you, his need growing stronger and overwhelming. The bulge in his pants keeps pushing insistently against you, but you're so stunned by this turn of events that you grab him by the arms and take a step back.

Alastor's eyes flatter open and for a moment... he snaps out of his blurry state of mind. He straightens and clears his throat. He then gives you a stern look, with his ears lowered.

"Get out."

"B- but we were-"

"You don't want to make me repeat myself."

The moment he's alone again, Alastor works the buttons of his dress pants in a daze, freeing his swollen cock. A low growl rumbles in his chest and the deer demon is convinced that if he doesn't cum in the following minute, he's going to die a second time. He keeps making soft sounds, his body aching with the need to mate.

He had you right here, but he can't bring himself to be so vulnerable in front of someone other than himself.

What would Vox say if he found out that Alastor is forced to go through a mating season like some fucking animal? Why does the price of his sins have to manifest into some primal need to breed?

"Fffffuck!"

His mind gets fixated on the ache between his legs.

With an animalistic sound of pure lust, Alastor reaches down and wraps his fingers around one of his heavy testacles. He squeezes it gently, feeling his warm seed oozing out his slit. He leaks copious amounts of pre-cum on his crimson bedsheets. The radio demon watches, transfixed by the sight of his own seed dripping down the length of his hard dick. It's a powerful aphrodisiac for him and he can't help but imagine it spilling into you instead.

His cock twitches in anticipation and he gives in. Every day since the rutting season began, he has been trying to suppress his instincts and today has been no different, if anything, your presence made his hormones go even more nuts... and you should be happy you're not carrying his fawns by now.

Alastor begins to stroke himself, legs spread and sweat making his clothes stick to his body. His breath catches in his throat as his hips involuntarily back into his hand. The tips of his claws grow slightly and he's jerking himself off at a punishing pace now. Alastor's groans turn into pleasured whimpers as he arches his back, driving his erection deeper in his hand.

What would it feel like to finish inside you? To make you come... To have your heat contracting around his rock-hard member as you milk him past the point of no return?

"Oh- ...agh- y/n..." He's murmuring things in unknown languages, but it all comes back to your name.

Alastor's hips begin to thrust forward in time with his strokes, seeking release from the torment of his lust. He snarls and growls in a throaty manner. He physically can't take it anymore, his balls feel like they're on fire...

The radio demon's eyes roll back in his head, the pleasure is intense, but it's only fueling his desire for a real partner more. His fingers are sliding up and down his sensitive shaft and he can feel himself getting closer, but he knows that's not enough. Al's breath has become ragged, his monocle forgotten along with his pride somewhere far away... his vision is blurring...

Feeling himself nearing the edge, Alastor grits his teeth and pushes through the pain. His muscles tense... and then, he finally comes in a powerful burst of pleasure, shooting thick ropes of cum across the room. He keeps coming, his hips bucking upward, pushing his cock even deeper into his fist as he empties himself.

Alastor's orgasm was intense, almost violent, but it was the sweet release he's been craving all day long. As his climax finally begins to subside, the demon collapses back onto his bed, panting heavily.

However, his cock has remained hard and throbbing between his legs, demanding more attention as he tries to catch his breath.

Slowly, a tired Alastor sits up and glances down at his still engorged member. A part of him is reveling in the feeling of power that comes with being so thoroughly aroused. He needs to fuck something, anything, his eyes are gleaming with lust.

But hasn't he been tormented enough? Why isn't he satisfied yet?

He reaches for the nearest object. It doesn't matter what it is, as long as it can take his powerful cock and bear the brunt of his ferocious passion. With a sinister chuckle, Alastor picks up another unlucky cushion and holds it tightly against his hips. His cock jerks repeatedly as he positions himself with the head of his shaft pressing against the soft fabric.

The cushion offers little resistance but serves as an outlet for Alastor's raging desire. He pounds away at it, relentlessly, his body shaking. With the ever present sound of static, evidence of his frustration, he rhythmically pistons in and out of his makeshift partner with brutal force.

He's been doing this for weeks now, all the unsatisfied hunger making him lose his sanity bit by bit.

The radio demon's eyes are glazed over with passion. He continues fucking the cushion with savage intensity... still he wishes he could take it out on someone made of flesh and blood, someone who would react and offer him some reassurance that he's not going to pass out.

The pleasure is threatening to overwhelm Alastor once again and with labored breathing, he frantically moves his hips-

"N- no, n- no....agh-" He lets out a feral roar, spurting a sticky cumshot onto the cushion. This time, when he collapses on the mattress, he is exhausted.

He doesn't bother looking down at his angry cock, the discomfort isn't going away till the mating season ends...

...let's go back to you now.

After being so abruptly pushed away by Alastor, you went straight to your room. You have a lot to ponder over after tonight. Maybe you did have a small a crush on your friend that had allowed the situation to escalate. His behavior has been so off putting though.

You'd been proud of yourself, considering that you know Alastor better than anyone else in Hell, since he talks about everything with you over a cup of tea. He had been so excited to tell you he'll soon be back on air and he's always somewhere around you at all times. So, the fact that he just expressed sexual desire for you and then told you to leave him alone immediately after...

You would have never guessed that your fellow deer demon is interested in sex. He's been in the company of some of the most desired demons, but he's simply not into that kind of thing... Yet, he had dry humped you like some desperate animal.

His scent had been so blissful to your nostrils, that he had almost woken something primal in your own body. There's definitely a lot of tension between you two now and you hope that tomorrow he will approach you.

You sigh and get all cozy under your bed covers. How should you deal with the situation at hand? You know him. Not just the radio demon, or Alastor the cannibal, but him.

Maybe the whole redemption thing is working, but when did you start being so considerate and thoughtful of other sinners' hardships? And if your friend's hardship is a constant hard on, perhaps your services will be appreciated... or you've just been hanging out with Angel too much.

It's a new day in Hell.

You take your time getting ready before joining Niffty in the kitchen to make breakfast.

Alastor is sat on his bed, his face buried in his hands as he trembles with unwanted arousal. He's almost at the point of a nervous breakdown. The radio demon is getting angrier with himself, the urge to find you and claim you is getting worse and worse and he struggles to maintain his calm.

Alastor gets ready. His routine a bit different when in rutting mode. He first relieves some of the pressure in his balls, he then puts on a clean shirt, fixes his hair and places his red monocle back in place. And of course, his smile, because he's never fully dressed without one!

"Oh good morning my fellows! What a pleasant breakfast you seem to be having!" He prefers to eat alone, so him appearing late isn't something worth noticing... but the tenting in his trousers definitely is... and when Angel smirks mischievously at him, Alastor smiles in such an unnerving manner that the spider demon has to cower behind Husk.

"Al! Morning!", you say a bit too cheerfully. Your deer ears rise on your head to match your general attitude.

The radio demon grins at you, internally relieved you're not keeping last night against him. He rarely feels any remorse (part of why he's in Hell), but he's not proud of snapping at you last night just because he's irritable and frustrated 24/7. You're a deer demon like him, but you never get in heat like an animal, you weren't as sinister as he was when alive and therefore your punishment isn't as tormenting.

You stand up and start gathering the dishes. Charlie is eager to help you, but you manage to deny her excessive kindness for once.

Alastor swallows a guttural growl as you turn your back at him and start walking to the kitchen, your deer tail and your ass all too enticing for him. His legs begin to move against his will, following you like he's being driven purely by instinct. He is once again biting his tongue hard enough to taste the familiar to him metallic taste of blood. There is a certain strain the urge is causing him... and for once Alastor is feeling desperate for touch.

"Angel and I are going outside today, he said he wants me to meet a friend of his... um, I think her name's Cherri or something." You obviously felt his presence, his red eyes feasting on your form the whole time.

"How delightful, making new acquaintances! I am still decorating my humble station. Haha!"

"Oh, I can't wait to experience your radio show again Al! It's been so long!" His arrogant smirk is accompanied by a twitch of his stiff dick. The energy boost he feels when you acknowledge his power... it makes him dangerously lightheaded.

He walks closer to you, looming right behind you as you stretch to put something on a high self. Alastor has you trapped between the kitchen counter and his body. The demon's cock throbs painfully against the fabric of his pants. The said fabric growing damp as he grows harder.

With a frenzied urgency, Alastor gives in to his animal side and leans in, his hot breath in your ear is sending shivers down your spine, your pupils dilating.

"Do you even realize what you've been doing to me sweet y/n?"

He is getting impatient... and when you don't answer him immediately, he presses his tent against your ass. "Do you my little deer?"

The sound of static feels the air, his voice distorted and his breathing heavier than before. "You... have no idea how much I want- no... how much I need this, with you."

You swallow, your own breath has sped up and heat has pooled in your tummy again. But when you turn to look at him, you come face to face with a hideous creature with wild eyes. You flinch. Alastor's smile fails him and you swear you hear the most discreet of sniffles coming from him.

"Help me." That's proof enough for you that your friend is going through something he clearly didn't ask for, but it's taking over him anyway.

Angel Dust has described to you how he'd needed time to get used to having multiple arms and you have to file down your antlers daily, so that they don't overgrow and cause you headaches. Alastor on the other hand loses himself to primal urges once a year.

You lock your gaze on his and extend a steady hand, placing it on the side of his pale face. Not only does he allow it, but your small gesture seems to have an effect on Alastor, his demon form receding... and you can see how sweaty and shaky he really is, while trying so hard to hold back from bending you over the counter and taking you raw right now.

"Stay still..." It's now or never for you. You hesitantly cup the bulge on his pants.

Alastor gasps, his eyes rolling back in his head as he leans into your touch. He's already so aroused that any contact is sending shivers down his spine. He buries his face in your neck and starts nibbling or better... biting around your collarbones. It’s a cannibalistic urge of his, but he would kill himself before causing you any real harm.

Alastor groans, his still clothed member twitching under the pressure of your hand. The demon can barely think straight, his rutting instincts taking over completely.

"I need... I need to be inside you." He can only whisper, reaching down to pull your shirt up, his fingers trembling as he does, revealing your upper body to him. "Yes... I need you."

This is all so sudden for you, but you finally know with certainty what's happening. "You're... mating or something?"

You stop rubbing his clothed crotch and Alastor moans, the sound carrying the old audio like effect. He nods slightly, his hips bucking against your hand. He's so close to losing control. The mating season has driven him mad with lust. A lust projected on you it seems.

"Y/n... I need you now."

"Al... they- they're gonna hear us... we're in the frickin' kitchen! ...we can't...can't-"

Alastor's eyes widen and he stumbles back a step, his erection painfully asking to be freed from his dress pants. He looks at you incredulously, angrily. "What?! But I... I said that I need you." He starts panting, there's a look of betrayal on his face that has you short circuiting.

"I'm already half naked here and you're... you're obviously hard- it's too risky!"

"I. Don't. Care."

"Well you should... but..." you sigh.

"I do have another idea. I've been rather inactive in the afterlife but... I can do it for you."

Your friend's heart is racing with anticipation. He tries to control his unsteady breathing without much success. "Another idea?" He asks with a glimmer of hope in his eyes. "What is it?"

"I know it's not what you really crave... but I can... you know... jerk you off?"

Did you really just say that?

He begins to unbutton his pants hurriedly. "Very well..." As Alastor's pants fall to his knees, he scratches his fluffy ears, presenting his throbbing member to you. It's a sight to behold; long with a shimmering dew covering the tip. "Do it."

Your mouth is watering as your eyes take in Alastor's cock. The head of it is a deep reddish purple, almost glowing with arousal. His ballsack hangs heavy, clearly filled with seed, so that he can breed for as long as the rutting lasts. Something must've altered in your brain's chemistry, because you take his balls in your hand, gently playing with them. The deer demon lets out a low moan, his hips thrusting forward slightly. The sensation of your hand on his sensitive balls is almost too much for him to bear...

"More..." he manages to whisper between pants.

Encouraged by his reaction, you squeeze his balls softly and Al lets out a throaty groan, his dick twitching almost ready to explode. He's not used to other people touching him.

You're still unsure if that's the right thing to do in the kitchen, where anyone can walk in at any given moment. But he seems to be really into it and the look in his eyes makes it clear to you that you can't just stop now. So that's what he's been struggling with, what's been making him stay locked in his room, until dealing with it on his own wasn't enough.

Alastor's gaze is pleading you and his voice comes out shaky, unfiltered.

"Please... I need more..." He then reaches down and moves your hand on his eager cock. You wrap your fingers around his length, with your thumb resting on his head, tracing it slowly. The sounds he makes and the way his features contort with pleasure makes you start stroking him.

The overlord can't believe what's happening. He has never experienced anything like this and it feels incredible. The more you stroke him, the more he bucks his hips into your hand. "Y- yes... just like that..."

You feel so confident now that he seems to have let go completely, allowing you to do as you please with his body. You know teasing isn't fair, especially in his hormonal state, but you can't help slowing down your hand's movements, playing with the friction you're providing him with. He lets out a frustrated huff of air, his nostrils flaring. "Faster."

"Nope, I told you I don't want anyone finding us out."

"I didn't ask you darling. It was an order."

You stubbornly slow down your hand even more and you know that this is far from enough for him. Alastor needs more speed, more pressure.

"I... Don't... Give a single penny if they'll hear us... J- just... y/n, get me there." His body trembles with need as he speaks to you.

"You... you accepted to help me... and yet you- you refuse to give me what I want." He looks down at your lips with a mix of lust and anger in his bright eyes.

You suppress a mischievous giggle. It's empowering seeing such a strong demon being dependent on you. You can feel the heat radiating from his dick and he makes a desperate little sound when you begin moving your hand up and down his long member again.

You almost feel pitty for him, teasing is fun, but you don't want to disrespect him or humiliate him while he's so vulnerable and not in control. Though that decision has nothing to do with the fact that he could kill you, you actually feel strongly for him and the way both pairs of your ears move in sink as you peak up pace is so... natural for you, like you two belong together in a primal sense.

Alastor feels his muscles tensing up and his black heart is pounding like crazy. "I can't- can't-" He looks mesmerized at your hand jerking him off at a now delicious speed.

You are so turned on and you want to give him all the pleasure you can in the hotel's kitchen. You begin to sink on your knees and you see him gulp. Your friend freezes for a moment, his mind racing with images of pleasure and ecstasy.

"That's new."

"How so Al?"

"I've never had that... but I want to now."

You can't help but smile. He probably never wanted a blow job before and he won't be in the mood for one after the rutting ends.

You're now at the right height so you just go for it, leaning in. Your tongue swirls around his pulsating cockhead and you're surprised from the amount of pre cum he can produce. Alastor's eyes roll back in his head as he lets out a long, low moan. The sensation of your warm breath and wet tongue on him sends shivers down his spine. "Don't stop..."

You lick his slit and he groans deeply, his eyes squeezing shut. "Yeah... Keep doing this... agh~"

You're offering stimulation and he's gritting his teeth at the feeling, but something isn't quite right. You're once again toying with him, denying him the release he so desperately wants.

"I will have you... eventually."

Alastor then takes a big breath, his cock is still hard as steel. "You're a real temptation-" He glares at you, rather hungrily, his nostrils once again flaring.

"Don't try to make me beg."

"But would you now?" Under any other circumstances, you'd never be that bold with him.

Alastor laughs darkly in response to your challenge, causing a cold chill to run down your spine. "You wound me, my dear. I would never beg for anything... especially not when it comes to satisfying this... this unwanted but still unyeilding desire..."

You smile wickedly, your deer ears conveying your feelings as always when they move. In a swift motion, but still cautiously, you push back his foreskin. A low, agonizing moan escapes Alastor's lips as your action exposes his sensitive flesh to the air. Hips jerking forward involuntarily, seeking more contact with your hand...

"You're killing me mon cher~"

"Buckle up Al..." You start stroking him with consistency now.

The radio demon closes his eyes, ragged breaths leaving his open mouth as you're jerking him off. Every fiber of his being is focused on the pleasure. He groans... feeling his elusive climax approaching at last. His monocle almost falls from his nose. "Unh..."

You're now applying some serious pressure on his throbbing dick. With a primal scream, Alastor's entire body tenses up and he begins releasing his seed on your hand.

"Oh goodness..." He keeps groaning and you can see him shuddering as he does so. He continues spurting thick, white fluid onto your hand, seemingly unable to stop himself.

In his eyes there's a mix of lust and gratitude. He licks his lips unconsciously.

"What else can you do to me?"

"W- what? Me?"

The demon chuckles lightly at your question. His eyes trail down your body appreciatively when you stand up. "And why not you? You're here and I need some action these days!"

He grins and you sigh.

"Well, that means it could be anyone... anyone other than me." You don't like how this revelation makes you feel sad and disappointed.

A sly smirk plays at the corners of Alastor's mouth. "I suppose it could, but then again, why settle for anyone when I can have you?"

His voice is husky and you like this tone from him. You and I belong together, dear y/n." He's clearly considering you his mate now.

Your romantic side wins and you cup his face. That seems to sober him up if just for a few minutes. The overlord looks like he's savoring the sensation and a deep sigh escapes him. "I don't deserve this, not with you y/n."

"But I do want to be present through this... I get it."

The glimmer of hope returns to his eyes. "You have to mean it."

"I won't leave you suffering alone Alastor."

He nods as he thinks this over. "In that case... I'll accept your offer."

You smile sweetly. This isn't that bad. He didn't even ask for a deal. You stand on your hooves and give his cheek a little kiss. He beams at you as he takes hold of his signature cane.

"Oh I think I'm going to enjoy this!"

"Haha, so do I... B- but let's make you something to eat before you get all excited again..."

"That's a wonderful idea darling! And I might as well tell you about Susan's new act while you're at it."

Alastor feels a warmth he hadn't in a long time. As you work on preparing food for him, he seems content and somewhat at peace. But then, like clockwork, the desire is going to build up again. Through the week the rutting hits him anew and he becomes extremely short-tempered. He has to change rooms when Charlie starts singing and he's constantly arguing with Husk.

Alastor surprises himself.

During the times he does manage to control his primitive urges, he's actually avoiding you. He has this idea that he would end up hurting you if things ever escalated fully between you two. Could this mean that he actually cares for your wellbeing?

He is an overlord. He is the one and only radio demon, there's no way he has a soft spot for his fellow deer demon... who had relieved him of weeks of pent up tension just with their touch.

You, on the other hand, feel no shame nor guilt for your little encounter with Alastor in the kitchen. If anything, the fact that he's still in his mating season is making you wet, longing for more.

One fateful night, all of you sitting together, you across from Alastor's armchair... and it's impossible to not look down. He has a prominent bulge and you're not even surprised. However, when you look back up, you freeze like a... well, you do freeze like a deer caught in the headlights, because he is staring at you so very intensely.

The air feels thick all of a sudden and his gaze implies many things, to your delight. He excuses himself shortly after, but not before giving you a slight nod. He wants you now. He needs you now.

Experiencing a slight Deja vu, you find yourself knocking on his door the very same night. The Deja vu intensifies at the sound of static coming from the other side of the door. You decide to let yourself in when there's no answer. "Al?"

A pair of big and intricate antlers comes in your vision. The smell of him floods your senses. It's intoxitacing, addictive. You want him too.

Alastor wastes no time.

He pushes you up against the nearest wall, his body pressing tightly against yours. His breath is coming in ragged gasps, his eyes full of lust and desire. The demon growls, baring his teeth in a feral grin.

In one swift motion, he tears your clothes from your body, leaving you naked and vulnerable before him. His eyes roam over your exposed flesh, his lips parted in a wicked grin. With an animalistic growl, he buries his face between your breasts, sucking on your nipples with rough abandon.

You moan and arch your back, the sensation sinfully satisfying. Noticing your response, Alastor's movements become even more frenzied. He reaches down to grip your hips, lifting you up onto the wall.

You then unzip his pants, lost in the haze of your increasing desire for him. Alasor groans when you do that, his hips bucking forward as you free his cock from its confines. It slaps against your lower stomach, rigid and angry.

With another feral growl, Alastor turns you around so that you're facing the wall, while he has a perfect view of your ass and tail.

You gasp as he parts your folds with his thumb, finding your dripping entrance. Maybe he's not that experienced, but right now he seems to be driven by some infallible instinct. His finger doesn't stay in your cunt for long though, since the man is getting desperate to claim you as his, in a much more effective fashion.

You turn you head to the side and lock eyes with him. You shiver, almost scared at the pure hunger on his face. He thrust into you with brutal force, driving his cock inside you deep and hard. His hips start pistoning against your ass, as he takes you without mercy. He's breeding, essentially. It's not meant to be slow or soft.

The gentleman you knew is gone for now, but you're digging your nails in his shoulders and letting out whines and moans nonetheless.

With each thrust, he growls like a beast, claiming his prize. Alastor's eyes are wild and feral, reflecting the primal lust that consumes him. His heavy balls are slapping against your skin. You're turning to jelly slowly but surely, surrendering to him in way that feels natural to you, not forced.

Your old friend grunts in both pain and pleasure, losing himself in the heat of the moment. His fingers dig into your skin, leaving marks on your hips that show his possessiveness of you.

You reach behind you, grabbing his thighs to somehow ground yourself from the onslaught of pleasure in your core. A guttural moan escapes him as you touch his sensitive flesh. His hips buck against yours, driving himself deeper inside you and your eyes roll back in your head.

Alastor continues to pound into you relentlessly, his cock throbbing with each powerful stroke. He's sweating and he starts taking off his clothes in a uncharacteristically clumsy manner.

He can't take it anymore, your tightening walls becoming overwhelming for him to bear. Feeling the pressure building within him, he growls low in his throat and picks up the pace even more.

The new speed he fucks you in has you seeing stars, the knot on your stomach snapping without warning. You cry out his name loud enough for everyone in the hotel to hear, but you simply don't care.

He moans your name as well, his hands gripping your hips tightly as he drives himself deeper into you one last time. His body shudders violently as he reaches the height of his own orgasm. Hot, thick cum is filling you up and there's so much of... It's dripping out of you and onto the carpet.

He finally did it. He's mated. He's bred you.

Spent and panting heavily, Alastor collapses on you, his forehead resting on your shoulder. You can feel his breath and teeth on your skin as you try to catch your breath. His dick is softening inside you, but he doesn't pull out just yet. His primal instinct is still active and making sure you take every last drop of his seed.

After you both relax in the present silence for a bit, he casually lifts you up and places you on the bed, the manhandling having you blushing profusely, but he doesn't seem to notice. He lets out a sound close to purring as he lays down next to you, spooning you.

You sigh, feeling exhausted and content at the same time. You roll over so that you're facing him... and he looks like he's already asleep.

Your heartbeat has turned back to normal and you find shelter in his long and elegant neck as you start dozing off into a peaceful and dreamless slumber.

He's not cold or ignorant the next morning. That morning ends up in him grasping at the air, as if searching for something to hold on to, as your head bobs up and down under the sheets.

It becomes a fact that Alastor's mood improves significantly after having sex with you. Something that does occur a couple more times in the spam of a week or so.

You knew the rutting was coming to an end when his desperate and forceful claiming, usually from behind, became passionate love making.

There was this one night...

Like a true gentleman of his time, Alastor had made love to you with deep, sensual thrusts as your hands had gotten lost in his fluffy hair. You had been underneath him.

Your orgasm had been accompanied by a soundless moan as you'd thrown your head back and he'd nuzzled your neck, breath labored and a frown on his face as he'd come after you. You had let him fall asleep on you that night, both of you panting, sweat covering you.

The only time Alastor isn't smiling is when he is asleep you have come to realize. You can't help but notice how tired he looks as you lay motionless next him. So you gently start caressing his ears and he groans softly, nuzzling deeper into your touch, without even bothering to open his eyes. A small smile forms on his mouth, a real one.

Is this love? Maybe someday.

The End??

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kunaigirl · 10 months

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Happy Disability Pride and awareness month! Let's talk about Epilepsy!

Hi there! I got tired of seeing my condition (that impacts my literal every day life) being left out or forgotten about during discussions about disabilities, so I made my own post about it! Let's go!

First Off! What the heck is epilepsy? Epilepsy is the fourth most common neurological disorder in the world, and it's a chronic medical condition. Epilepsy is a brain disorder that causes recurring, frequent, triggered, and unprovoked seizures to occur.

The official Epilepsy Foundation describes seizures as follows: "Seizures are sudden surges of abnormal and excessive electrical activity in your brain, and can affect how you appear or act. Where and how the seizure presents itself can have profound effects...Seizures involve sudden, temporary, bursts of electrical activity in the brain that change or disrupt the way messages are sent between brain cells. These electrical bursts can cause involuntary changes in body movement or function, sensation, behavior or awareness." (Source link)

Sounds like a lot of fun right? This is our life. Even with medication, we can be VERY limited to what can be safe for us. Seizure medications are NOT a cure, they only exist (at least as of now) as a tool to help have your seizures less often, or be triggered less intensely. Even on medication, seizures can still happen.

If you have epilepsy as a child like I did, it impacts your entire growing and developing experience. I spent MANY times as a child in and out of hospitals, neurologist and specialist offices, an getting so many EEG tests done. The pain of scrubbing the glue out of your hair for DAYS is horrible.

At a young age my seizures were so frequent and serious, it impacted my brain's ability to retain information. I had to re-learn the names of things at age 8 and 9. I had to re-learn HOW TO READ at age 10. I had to be home schooled because the public school system of my state at the time refused to work with me. I have VERY distinct and vivid memories of crying over my little baby ABC's book that I needed as a 4th and 5th grader. I knew I should've known this by this age. I knew that at one point I already did, and it was TAKEN FROM ME.

As an adult, I'M NOT ALLOWED TO DRIVE A CAR. And I can NEVER go to see a movie in theaters or go to see concerts or live music. There are entire TV shows I don't get to see. I can't go to clubs, arcades, dances, or raves. I miss out on A LOT of fun things. I always do, and I'm WELL AWARE of the fun I'm missing out on. The social, casual, and fun life experiences I'll never get to have. That WE'LL never get to have. And oh yeah! Seizures can KILL SOME OF US. Yep.

And the list goes on, and every person with epilepsy experiences it differently. There are multiple different types of seizures you can have, they're NOT always convulsing on the floor. For example, I have complex-partial-myoclonic-seizures. Meaning my muscles DO twitch when I have seizures, but I'm not always completely unconscious and sometimes I'm even able to stay sitting up. However, I'm still very "off" and can't focus or remember much for a good while after the fact. I can't talk or communicate during one, even with my slight bit of consciousness.

My experiences are not universal, I just wanted to talk about it and bring it up. It helps to talk about it even a little bit. Here's more about different kinds of seizures. Here's more about common seizure triggers. Here's more about CORRECT seizure first aid. And here's more general information/resources.

Please stop leaving us out of disability awareness. Please stop ignoring us or saying we're "not really disabled" or anything else like that. Please. Why does it always feel like the only people who care about epilepsy, are people WITH epilepsy? We're so tired of being ignored by others who don't have our condition.

If you're an epileptic person reading this, I see you. I love you. You're so strong, we all are. I believe in you, I believe in us. We're so much stronger than we get credit for, and it's going to be ok. Your anger and frustration are valid. Your emotions and struggles are real. You're valid, and I see you. Hang in there, we got this.

#epilepsy #epilepsy awareness #actually epileptic #disability pride month #disability awareness month #disability awareness #ok to reblog #disability pride

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room-surprise · 4 months

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Evidence that Kabru from Delicious in Dungeon is Indian, a Masterpost

(Some of this info is taken from my upcoming essay about the names and cultural origins of all the characters in Dungeon Meshi. There's a link in the source to the AO3 version of this essay.)

Since Kabru’s first appearance in the anime is upon us, I wanted to write something that compiles all the evidence we have that Kabru is meant to be a person of South or Central Asian ethnicity, or at least whatever the equivalent to that is in the Dungeon Meshi world.

Ryoko Kui can and does draw people of many different ethnicities, and the way she draws Kabru matches the way she draws other Asian characters in Dungeon Meshi. He doesn’t look Black, or Hispanic, or any other ethnicity because he isn’t supposed to. He looks like a dark-skinned South or Central Asian person, because that’s what Ryoko Kui probably intends him to be.

So let’s go through the evidence! (There are no spoilers for the plot of Dungeon Meshi below, but there ARE spoilers for Kabru's backstory as explained in the manga, and in extra materials like the Daydream Hour and Adventurer's Guide book.)

KABRU’S NAME

The Dungeon Meshi Adventurer's Bible tells us Kabru’s real name is unknown. There are other characters whose real names are only told to us in the Adventurer's Bible and were never revealed in the manga, but then Kabru, Thistle and Izutsumi’s entries simply say their real names are unknown, and though Kui could tell us their true names, she doesn’t. I assume this means that the characters themselves don’t know what their real names are, and that the names they go by are not their birth names, but this is only a supposition on my part.

KABRU THE MOUNTAIN

Kabru (काब्रु) is the name of a mountain on the border of Nepal and India, and part of the Himalayan range. It’s the 65th tallest mountain in the world and it is very snowy and icy, with frequent avalanches. Because of this, even though it’s not the tallest mountain in the world, climbing it is challenging, and is not often attempted. Those few that have managed to climb it consider it a major achievement.

“This prohibitively fearful icefall… had thwarted numerous expeditions, perhaps even the 'thought' of attempting the mountain… Unstable seracs of the icefall, a complex maze of chasms, and delicate snow bridges spanning seemingly never ending, near bottomless crevasses… Each time the members stepped into the icefall, they stood a good chance of never returning.” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

WHAT DOES KABRU’S NAME MEAN?

Kabru is a character that is known for being very good at charming people, but who doesn’t express himself honestly, because he’s trying to manipulate the people and situations around him in order to maintain control at all times. I think nobody really knows who Kabru is deep inside, maybe not even Kabru himself, so a remote, hostile, icy mountain that’s hard to climb seems like an extremely appropriate name.

Some of the oldest English sources I found regarding Kabru suggest that Kabru isn’t the correct local name for the mountain (a common problem in early Himalayan exploration by Europeans) and might just be a descriptor, or that it’s a misspelling.

This makes the name seem even more appropriate, since Kui’s told us Kabru’s true name is unknown. It’s possible that Kabru was a place-name or a descriptor that Milsiril (Kabru’s elven foster mother) was given when she picked up a traumatized 7 year old Kabru, and she just started using it as his name, and that even he doesn’t remember his real name thanks to his severe trauma.

The fact that people in the real world can’t seem to agree on the mountain Kabru’s name, or what it means, reminds me of the running gag of Laios repeatedly getting Kabru’s name wrong in the manga.

"All the people near the Kabru massif call it 'Kaboor'." (The Alpine Journal, 1921-22 Volume 34, Edited by George Yeld and J. P. Farrar) “It is also said that the name applies to a peak close to Kinchinjunga on the southeast, and not to the peak known to Europeans as Kabru… [The real name is] Pahung Ri [Pauhunri].” (Appendix I: Place Names in Darjeeling. The appendix says it was “compiled mainly from an article written by Colonel Waddell and published in the Journal of the Asiatic Society of Bengal (Vol. LX, part I, 1891)”) “Kangchen is a Tibetan name… the Sikkhimese use it as the name for the peak called Kabru by Europeans.” (Charles Bell, Dyhrenfurth's Himalaya (Berlin, 1931)) “...Kyabru or the horn of protection. The name is… Kabur… possibly a corruption of Kangbur or the swelling of snow; it might also mean the white swelling (kar-bur).” (Appendix I: Place Names in Darjeeling.) “Kabru literally means the 'White Avalanche' peak (Ka means 'white' and bru means 'avalanche').” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

I’ve seen one other mountaineering article cite the “white avalanche” meaning, and I think it’s plausible since the Appendix says it can mean “white swelling” or “swelling of snow”, which may very well be a literal translation for “white avalanche”.

WHAT ABOUT UTAYA? IS THAT INDIAN TOO?

Utaya means “raised” or “uplifted” in Hindi, but it’s also a real village and a Japanese boy’s name.

Utaya (ウタヤ) is the name of the village that Kabru was raised in before his mother died and he was adopted by the elf Milsiril. Utaya is located in the southeast of the Western Continent. It’s worth noting that Kabru probably wasn’t born in Utaya, since his mother had to flee from her home to keep Kabru alive, so Utaya may be some distance away from his birth place… Not so far that a woman with a newborn baby couldn’t survive the trip, but far enough that her husband’s family gave up on chasing her. So Kabru was probably born in a close-by area.

In the real world, Utaya (Yakut: Утайа) is in an extremely rural and isolated area with a population of less than a hundred people. It’s located in the Sakha Republic, which is in the Northeastern part of Asia in the Russian Federation. The Yakut/Sakha are a Siberian Turkic people.

The Turkic peoples are a collection of diverse ethnic groups of West, Central, East, and North Asia as well as parts of Europe, who speak Turkic languages.

Early and medieval Turkic groups exhibited a wide range of both East Asian and West-Eurasian physical appearances and genetic origins, in part through long-term contact with neighboring peoples such as Iranian, Mongolic, Tocharian, Uralic/Yeniseian peoples, and others. Turkic peoples share, to varying degrees, non-linguistic characteristics like cultural traits, ancestry from a common gene pool, and historical experiences.

JAPANESE MEANINGS FOR UTAYA

Utaya can be a Japanese boy’s name with several different meanings, depending on which kanji it’s spelled with. In most of the spellings: Poetry, sing a poem, singing, compose poetry

In many of the spellings: The place where the sun shines, it's been a long time, distant, big, to shoot with a bow, to swear, affirmation, question.

The Utaya disaster happened a long time ago.

If Utaya is up in the mountains above the clouds it’s a place where the sun shines brightly.

Kabru has sworn to himself that he will prevent another Utaya tragedy from happening.

In only a few of the spellings: to mend, feathers, wings, a word for counting birds and rabbits, sort them out, washing with water to separate the good from the bad, roof, house with a roof, a world covered with a big sky, infinite space, song that praises the Buddha, Eight.

Counting birds and rabbits makes me think of divination and also that the people of Utaya were like little birds and rabbits (small prey animals) to the monsters that devoured them.

Separating the good and the bad could hint to the “judgment” of Utaya and the greed of its people that led to their downfall, also sorting through things to separate good and bad is something that’s done with food and other resources.

The Himalayan region is often referred to as the “roof of the world”, with a big open sky above it.

The infinite could refer to the dimension the demon comes from, or to the sky above the mountains.

Buddhism is a common religion in the Himalayan region, and eight has auspicious connotations in Buddhism.

With all that in mind, Utaya as a name for Kabru’s home village is an interesting choice, and adds another layer to his origins, maybe suggesting not just North Indian/Himalayan, but Central or North Asian cultural influence as well.

It is also possible that the name is just telling us that Utaya is “up” in the mountains, or that it was “uplifted” by the wealth of the dungeon, or even that Kabru was “raised” there… The Japanese name meanings are also extremely fascinating and hint at similar ideas, as well as the tragedy that happened to Utaya.

WHY ELSE DO YOU THINK KABRU AND UTAYA ARE HIMALAYAN?

In the real world, the Himalayan mountain range is an extremely popular tourist destination, and the amount of people who want to visit and attempt to climb the mountains far outpaces the local ability to support it. This makes me think of the dungeon of Utaya and how people overcrowded it in their desire to conquer and exploit it.

Dungeons as an unsustainable way for locals to make a living that leads to the destruction of their homes when the dungeon inevitably collapses is a major plot point in Dungeon Meshi, so I think the parallel is likely intentional. Characters often talk about someone “conquering” the dungeon, and “conquer” is also the terminology commonly used for climbing a mountain. This terminology obviously has a hostile, imperialist subtext in the real world, since it’s most commonly used by outsiders talking about proving their strength by climbing a mountain.

Also, there are local legends in the areas surrounding Mt. Kabru that there is a valley of immortality hidden on its slopes, which reminds me of the way that the dungeons can grant conditional immortality to the people inside of them.

This image of Utaya could be showing us a village built on a mountainside. The house shapes seem a bit more Middle Eastern than Nepali/Indian, but it’s not a detailed drawing and the roof styles are a mix of flat and peaked.

CULTURE

In the Daydream Hour sketchbook, Ryoko Kui included a small comic about characters sharing desserts from their home countries. A young Kabru is shown enthusiastically trying to share an unnamed sweet, and he is interrupted by his elven foster mother, who insists he present a type of elven cake instead. We know that Kabru hates this type of cake, and he seems disappointed to have to eat it and talk about it.

The white balls in Kabru’s dessert are very likely meant to be an Indian sweet called rasgulla (literally "syrup filled ball"). Rasgulla are a dessert popular in the eastern part of South Asia, made from ball-shaped dumplings of chhena dough, cooked in light sugar syrup. While it is near-universally agreed upon that the dessert originated in the eastern Indian subcontinent, the exact origin is disputed. Rasgulla are as culturally important to the Bengal and Odisha regions of India as Parmesan cheese is to the region of Parma in Italy.

Rasgulla are also popular in Nepal, where they are called rasbari.

KABRU’S PHYSICAL APPEARANCE

Kabru is one of several characters in Dungeon Meshi with clearly non-European features: he has brown skin and thick black/dark brown curly hair. He has almond-shaped eyes with long, dark lashes (fans like to joke that he’s wearing eyeliner). All of these are traits common to people from the Indian subcontinent. His blue eyes are not common for someone with his skin/hair color, but blue or green eyes are not unheard of in that region either.

(Indian man with blue eyes)

Blue or light eyes are often a cause for discrimination, like what Kabru experienced as a child. More on this in a moment.

Kabru is 5’7” (170cm) tall, which is short for a Northern European man (180), tall for a Nepali man (162cm), but close to the average height of Indian men (177cm). He has a slender build, which is also common for Asian people in general, and South Asian men in particular.

Compared to the European-looking tall-men in Dungeon Meshi (such as Laios, Falin, Delgal, Marcille’s father), Kabru’s facial features look more like the other Asian characters, such as Toshiro and his party.

CAN DARK-SKINNED PEOPLE HAVE BLUE EYES?

Yes. Light-colored eyes are very uncommon in parts of the world where most people have dark eyes, since dark eyes are a dominant trait in real-world human beings. That means that in order for two parents with dark eyes to have a child with light eyes, both parents need to have a recessive light-eyes gene (or for there to be an illness or genetic mutation), and that’s rare in populations that don’t have a lot of light-eyed people to begin with.

THEN WHY DO SO MANY DARK-SKINNED CHARACTERS HAVE BLUE EYES?

Anime and manga often give characters with dark skin light colored eyes instead of allowing them to have brown or black eyes, which is much more common in real life. It’s a hurtful design trope that makes many readers feel that their natural dark eyes are somehow ugly or inferior to blue eyes.

This trope is used over and over again by authors who want their characters to look “cool” and “exotic”, and for their eyes to be high-contrast to make it easier to show their emotions.

I don’t think this is what Ryoko Kui is doing in Dungeon Meshi.

UNREALISTIC HAIR AND EYE COLOR COMBOS IN ANIME

In a lot of anime/manga, blue eyes (regardless of skin color) don’t actually mean anything in the narrative, in the same way characters having green or pink hair doesn’t mean anything, the colors are non-diegetic, they don’t actually exist in the world, like the music that plays in the background without an on-screen source.

It’s an artistic shorthand to make characters visually stand out, instead of giving them all black hair and eyes like most real-life Japanese people… Which is what most anime/manga characters are meant to be: Japanese people.

Dungeon Meshi has a large cast of characters that are explicitly meant to be non-Japanese. We know this because there’s a group of characters that are Japanese, and they’re drawn differently from everyone else, they wear ethnically Japanese clothing, and have ethnically Japanese names.

Unlike other series, where eye and hair color don’t mean anything, Dungeon Meshi has no unrealistic skin, hair, or eye color combinations.

(Except for the elves, who seem to have different genetics than real world-humans. I’ll get into that another time.)

Ryoko Kui must be aware of the dark skin, blue-eyes design trope, because if she gave Kabru blue eyes just because she thought it looked good, surely she would have made some of the other Asian or dark-skinned characters have light eyes. Out of 9 Asian or dark-skinned tall-man characters, Kabru is the only one with blue eyes.

Kabru having light-colored eyes is central to his story, and Kui talks about it.

KABRU’S STORY AND WHY HIS BLUE EYES MATTER

Kabru’s father and his family tried to kill Kabru when he was born because he had blue eyes. Kabru’s mother ran away, and ended up raising Kabru by herself in Utaya. She didn’t try to return home to her own birth family, but instead struggled to raise a child completely on her own with no money or support, which implies she had no other options, due to the fear people of their region have for people with blue eyes.

This is a real thing that used to happen frequently in areas where most of the population has dark eyes, and it still happens to this day.

In a realistic story, this is logically what would happen to a character with dark skin born with blue eyes in a place like the Utaya region. It’s rare for manga or anime to show dark-skinned blue-eyed characters facing this.

WHAT IS THE “EVIL EYE”?

The “evil eye” is a supernatural belief in a curse brought about by a person looking at you. The belief in the evil eye has existed since prehistory, as long as 5,000 years ago. It is estimated that around 40% of the modern world's population believes in the evil eye. This concept is most common across the Mediterranean, the Balkans, the Middle East, and Central and South Asia, areas where light-colored eyes are uncommon.

In areas where light-colored eyes are rare, people with green eyes, and especially blue eyes, are thought to bestow the curse, intentionally or unintentionally. Just one look from a blue-eyed person is often considered enough to inflict a curse.

One of the most famous and widespread talismans against the evil eye is the nazar, a glass amulet featuring concentric circles in dark blue, white, light blue and black. It’s supposed to “bounce” the curse away from the wearer.

HOW DOES THIS APPLY TO KABRU?

Imagine Kabru growing up in a village surrounded by people wearing and hanging talismans that look like his eyes, because the people around him think blue eyes are evil. They call his mother a witch for birthing him, and a whore because she doesn’t have a husband. Imagine parents forbidding their children from playing with or even talking to Kabru. People crossing the street to get away from him, or chasing him away by throwing rocks.

I think the reason young Kabru was able to learn how to speak some kobold is likely because he was so heavily ostracized by the other tall-men around him, the only children he could occasionally interact with in Utaya were kobolds, who might not share the same cultural superstitions that the tall-man do.

This childhood trauma, combined with Kabru’s experience of the dungeon collapse in Utaya, and being raised by an elf that treated him more like a pet than a human being, set Kabru up as a character who has never had a home where he belongs. He has been an outsider from the instant he was born, and every place he has lived treats him as an “other.”

To his father’s family, he was a curse. To his mother, although she loved him, he was a burden. To the people of Utaya, he was a monster. To the elves, he’s a tall-man baby (no matter how old he gets) with funny looking eyes, to the people on Merini Island, he’s a foreigner from the West with elven ways and education.

CONCLUSION

I wanted to write this because I know some people will see Kabru in the anime for the first time today and think "Oh, another dark skinned blue eyed character! This is a bad character design that is evidence that the author is racist at worst or ignorant at best.” And I don’t think that’s a fair assessment of Ryoko Kui’s work in Dungeon Meshi.

This isn’t to say that Ryoko Kui has never done anything wrong, or that her work couldn’t be more inclusive, or that there’s no way in which she could improve.

But there are pages and pages of artwork she’s done that shows she cares about these issues, and I think it’s worth celebrating when someone makes that kind of effort with their artwork.

ANYWAY…

If you’ve read this far, you’re very strong hahaha. I hope you enjoyed this essay. I’ll be publishing more soon when I finish my Dungeon Meshi research on the names and cultures of all the characters. Wish me luck!

#dungeon meshi #delicious in dungeon #dunmeshi #kabru #my stuff #analysis #character of color #theories #Dungeon Meshi Research

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frantic-fiction · 5 months

Text

Secluded Evening 18+

(GIF: leopardmuffinxo)

Astarion x F!Reader, Astarion x Tav

Warnings: 18+ MDNI pretty much pure smut, fluff, nipple piercings, nipple play. Skinning dipping, unprotected sex, Late Act 1 Astarion

Summary: Astarion catches reader during a midnight swim. Playful flirting becomes physical. Basically, my take on reader and Astarion's first time in act 1. There is way more implication of Astarion's real attraction for reader, not just a manipulation tactic.

Word Count: 2.8k

The shadow curse land is just a few days west, and a sickly feeling has crept through the camp. The party is on edge, fighting a constant headache as you attempt to mediate the tension in a group of solid personalities during highly stressful events. Shadowheart and Lae’zel are at each other’s throats, bickering and pulling daggers when either sends a quip in the other's direction. Karlach is still burning hot despite her upgrade, and with Dammon already far along the path, all you can do is promise to get her to Baldur’s Gate as quickly as you can. Wyll is fine, but he’s Wyll, so that’s not surprising.

Gale, however, might be the one pushing your buttons the most, or at least he is testing your patience past your limit now. “Tav, I don’t believe I have to express again how important it is to acquire a magical artifact soon.” He pinches the bridge of his nose, and you get the sudden urge to whack him over the head with the book you held unread in your hands. “I will be glad not to have to feel my chest be ripped in two, but I will repeat: if I do not consume an artifact, I will die and level the general vicinity with me.”

You push off the log, slamming the novel down. Level-headedness has been one of your strong suits. It’s the main reason you found yourself leading these misfits across the kingdom. You can keep your cool under the most extreme sources of stress, but everyone is just annoying you today.

“Look, I get it. You need a shoe to chew on, or you’ll go boom. But guess what? I have given you every spare artifact I have to give. Our coins are down to silver and copper. So unless you are willing to chomp down on the stupid circlet you just ‘had to get,’ then you can suck it up and wait until we reach another town.” By the end, you’re yelling, and Gale looks like a kicked puppy. The rest of the camp has turned to look at your outburst. You burn with regret for everything immediately.

You reach out a tentative hand, “Gale, I didn’t—”

“No, you are absolutely right. Apologies for my inconvenience. I hope you enjoy the rest of the night, Tav.” He quickly returns to his tent and pins the flaps close.

Sighing, you rub your hands down your face. You feel terrible; Gale’s condition is excruciating, and you hate to be unable to get him something to alleviate the pain, but your supplies are down to the bone. “Fuck,” you breathe, picking the book back up and storing it away.

“I must say, my sweet, I could get used to this more dominating personality of yours. It certainly gets me excited.” Astarion practically purrs in your ear. You turn face to face and stumble back slightly at his proximity.

Brushing your hair behind your ears, you avoid his eye contact. A warmth spreads across your face. “Oh, I'm sure,” you smirked, clearing your throat and recovering quickly.

It was a game between you two, ignited on the beach with a knife to your throat. Harmless flirts, playful banter with no attention to go further. Attraction is thick, but neither dares to press in this dance.

He crowds into your space. His nose practically tickles yours. He plays with your hair, fingers tangling in the locks. His face dawns an emotion of concern. “Darling, I’ve noticed you’ve been very stressed these last few days.”

His breath fans your face. You grab the edge of his shirt. “I think it would be a good idea to release some tension. Some alone time, maybe?” His pointer finger traced the bone of your jaw.

You smirk and pull away, trailing your hand up the contours of his chest. “You're right.” His wicked grin widens like a cat playing with prey. “I think I'll call in early and have a night to myself. I hope you will be okay hunting tonight.”

When you were scouting the perimeter, you stumbled across a small alcove. It was breathtaking. Several willows enclosed a small lake, water beautifully sparkling in the sun. You love swimming and have been thinking about the lake ever since. You occupy yourself with finishing your book until the sun sets. Once the camp settles for the night, you grab your pack and sneak your way out to the forest line.

Astarion’s grin drops, and his arms go limp. You slip away, lifting the edge of your tent. “Thank you again. Do you mind telling the others as well?”

He glares knowingly, and with a wink, you drop the flap and sit on the floor. You gather your supplies: a change of clothes, your only towel, and your washing bag.

The lake isn't too far, and before you know it, you're there. It's different in the moonlight. Fireflies buzz around the cattails, the willow branches sway softly above the water, and frogs croak on lily pads. You set a blanket to place the rest of your stuff around, quickly tossing your clothes off and wading into the water.

It's not as cold as expected, but you still gasp at the initial sting. You adapt quickly and soon dive fully, submerging into the fresh water. You stay underwater; ears plugged, giving a warped vibration through your head. Once your lungs begin to burn, you surface and gulp air.

“Well, isn't this just a coincidence?” Astarion chuckles, standing at the shore with pale forearms crossed over his chest. “I was just out on my hunt when I came across such a delectable treat.”

You bite your bottom lip, pulling your hands back and forth, sucking water in and out around your form. “Well, now that you've found me, what do you plan to do with me?”

You move onto your back and float, exposing your entire front half to his eyes. The water on your skin chills in the air. Your nipples pebble, and you hear a groan.

Floating in the water, you close your eyes. It's quiet momentarily before a large splash startles you and you're pulled under. You kick instinctually, and Astarion grabs your foot and drags you closer.

His strong arms circle your waist, and you resurface. You smack his chest. “You asshole.”

He laughs, and before you know it, you're laughing too. You sway in Astarion's arms as he carries you deeper into the lake. Grabbing a flower floating in the water, you begin to pick some of the limp petals. You look up and slide the flower into his hair. It's adorable.

Astarion pinches your chin and pulls your face close, staring deep into his eye. There are no words; you feel the line shatter when the reality of what's happening sinks in. There is no performance in his eyes. No formulaic flirtatious lines or sexy words. What is happening? You don't know, but when he crashes his lips to yours, you really fucking want to find out.

It's like a rubber band. The kisses open the damn, and soon your legs are wrapped around his hips. One hand threads through his pale curls, the other encircling his neck.

Astarion breaks from your lips and trails sloppy kisses down to your neck. "I have waited long enough to ravish you, my dear,"

And then you are moving; he's quickly wading through the water, not once removing his lips from your throat. You know it will bruise, and the idea of another mark of his sends heat lower down your body.

You sigh when Astarion nips your neck, pressing you down on the blanket. Wet skin slides against damp skin. Grabbing his hair, you pull him back up, capturing his lips. It is messy, sloppy, and all too much to handle.

You arch up, pressing your breast against his chest. He pauses, and you whine when he pulls away.

"What are these?" Astarion practically growls, pinching your hard nipple. You gasp his name as he twists the small metal bar through the nub. He grinds his hips against your leg. He's hard, his cock presses against his stomach.

"Jewelry," you moan, clutching his shoulder. "They make me more sensitive."

"Oh, my naughty girl," he lowers to take your neglected breast into his mouth. His skillful tongue sucks your breast, his hand paying equal attention to your other. Feeling a scrap of his fangs, you let out a cry of ecstasy, rolling your hips, seeking any source of friction.

Astarion pins your hips down and pulls away from your breast with a wet pop. "No, no, my sweet. I think you have not been fair keeping least lovely tits from me. I can't remember ever seeing such unique body modifications." He gives a sharp bite to your breast, just deep enough to pierce the skin.

Droplets of blood beaded to the surface; it was quickly lapped up with his tongue, a groan crawling its way up his chest. He slips one of his legs under yours, and his hips slide his stiff cock between sopping wet folds. You choke out his name, and his mouth moves to the other breast. "I think I'm owed a bit longer exploring such a beautiful chest."

"My, my, you're so responsive. I could spend hours pleasing you with my tongue." Astarion trails his tongue up between your breasts, eyes boring up into your flushed face. "Just imagine the delightful words I could pull from your beautiful lips as I lay between your thighs, playing your exquisite body like a bard's violin."

Your breath is uneven, panting while Astarion takes his time lavishing your breasts. Soon, your nipples are on fire, swollen from the ruthless attention Astarion has provided. Tears sting your eyes. You are desperate for anything, nothing; you are not sure, but you are moaning and pleading up into the night air. All available skin was victim to your desperate fingers.

"Starion, ugh-please, they're too sensitive." You tug at the small hairs at the nape of his neck. His lips tug the metal bar just enough to pull another cry from your lips. He releases your breast with a wet pop.

You bite his neck (almost the same spot he uses to feed from you) and all semblance of his control dissolves—you're back on the blanket in a show of Astarion's speed. Air was knocked from your lungs. "Fuck, my dear," Astarion grinds against you coating his cock in more of your juices. "I believe we've waited enough time to enjoy each other. So, I think I fuck you, deep and slow, until you can only scream my name. And if you're lucky, spend the rest of the night pulling lovely whimpers from your over-sensitive cunt."

His husky voice purred in your ears. Your thighs clench, arousal dripping onto the blanket. "Star," you breathe out, grabbing his face and crashing your lips together. Teeth clashed, and tongues fought for dominance. Wrapping your legs fully around Astarion's slim hips, you roll up. Using his distraction as leverage, you twist your hips and maneuver the two of you.

Astarion is now on his back, curls silver in the dark, and his eyes are wide with shock. You comfortably sat on his hips, hands pressing on each of his pecs. "You have my full permission to do that, but if you don't fuck me right now, I will be taking care of myself in my tent." Lips are back on his before you chuckle in his ears. "We have teased each other for months. I think it's about time you do something about this pretty boy."

Astarion doesn't leave a moment to respond before he impales you with one deep thrust. Your nails dig into his shoulders. Astarion grabs your calf, raises your leg, and sets a brutally slow pace.

You were matching each of his thrusts with a roll of your hips. Your mouth at his chest and throat, sloppily leaving kisses and spit on his pale torso. "Ug-fucking Gods, you so tight," The sounds of skin slapping against skin and collective cries of pleasure break up the quietness of the lake.

Astarion presses his forehead to yours, breathing in your whimpers of ecstasy. The force of his thrusts is jostling your breasts; your nipples rub against his cold skin.

The moans roll off your tongue; you put a hand into his hair. "A-astarion fast…faster," you choke, snaking a hand between your conjoined bodies to rub small circles over your clit. The warm tightening coils in your lower abdomen. "P-please, Star."

"Beautiful." Astarion's pace picks up, his balls slapping against your pussy. He quickly pushes your hand away and replaces your fingers with his own.

He doesn't need to be asked twice, and the cold pierce of his fangs digs into your throat. You choke on gasp, hips stuttering. Astarion is dragging, mouthfuls of your blood down his throat, his fingers picking up pace, rubbing tight circles on your clit.

The coil is tightening, and soon, you cannot form words outside of Astarion's name between pleases. "Oh, my sweet girl, so lost on my cock. I...fuck...I know it feels good."

He pinches your left nipple again and you whimper. "Your body is exquisite. I won't be able to last much longer, my love." His voice is hoarse, and he rambles between frantic ruts. He presses his face into the crook of your neck, inhaling your scent deeply.

Astarion presses kisses and licks to the hollow of your throat. He is asking for permission, and you quickly press him closer. "Yes, please," you groan. All the sensations Astarion was giving you were becoming too much. You were quickly approaching the edge.

The pain mixes with pleasure, and it's too much. Tears prick at your eyes. You ticken around hos cock and a rumble ruptures through his chest. He takes a few more gulps before pulling away. Astarion's tongue licks, ensuring no waste of your blood.

As soon as he pulls away from your neck, he's pushing his tongue into your mouth with a quick thrust—the metallic tang of your blood mixes between your mouths. "I'm close," you breathe, running your nose against his. Your panting, feeling like no breath can satisfy your burning lungs.

His thrusts are becoming sloppy, devolving into more grinds of hips. His fingers drag over your clit in tight, fast circles. "Me too," he's just as breathless, hips stuttering with pleasure. "Come for me, darling, let me hear you."

It's like your body was waiting for his honey-slick words to give you permission. Because the moment those words leave his devilish lips, you snap. You scream his name, legs pulling him close.

You didn't expect post-sex cuddles from Astarion, but gods, you could fall in love with this man if you weren't careful. But would that be too bad? To fall in love? You kiss his collarbone and pull your towel over the majority of your body.

With one, two, three more deep thrusts. Astarion comes with a breathy moan spilling deep into your core. You two lay there, tangled in each other's body. Hearts are pounding as you breathe each other's air.

Astarion pulls out and rolls to his back. You curl onto his chest, laying your ear over his silent heart. He plays with your hands and peppers kisses over your hairline.

You wish to stay the night in his arms right here, just having him hold you. But Astarion stiffens slightly when a shiver rolls through your body. It's like the bubble of serenity pops. Astarion is quick to remove himself from you.

"I don't believe cuddling wet and naked with a vampire is good for one's health." He's pulling his clothes on. And reluctantly and with shaky legs, you follow his lead. Astarion is quiet on the walk back, lost in thought. He plays with a coin mindlessly.

You don't push, knowing Astarion better than to pry. So you let him walk you to your tent. And just as you move to duck into your bed for sleep, Astarion grabs your wrist.

You turn and look up into his scarlet eyes. His expression is hard to read; his confusion, hesitancy, affection, and anger are fluidly behind his eyes. They could all fit, but nothing seemed to reflect Astarion's eyes. "I…" He pauses, thumb rubbing the back of your hand. He opens his mouth again but clicks it back close. Astarion searches your eyes as if they held the answer to his unspoken question.

Astarion doesn't seem to find what he's looking for because he shakes his hand—pressing a light kiss to the apple of your cheek. He drops your hand reluctantly. "Have a good night, my dear,"

Then he's gone, leaving you alone, the tingle of his lips still lingering on your skin. Your fingers trail across your cheek, and a small smile stretches your lips. Yeah, you could very easily fall in love with that man. Maybe you already have.

Okay let me know what you thought? I haven't written smut in forever and have never been super confident in it.

If you liked this how about checking out my other two Astarion pieces.

Happy Birthday **** Reoccurring Nightmares

#astarion x reader #astarion x tav #reader insert #fanfic #bg3 #astarion #astarion ancunin #smut #astarion imagine #bg3 astarion #astarion x f!tav #astarion x f!reader #astarion x female tav #astarion x female reader #astarion smut

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